E TERETUPPETE ... N'ATA VOTA ! - CAPORALE, TODESCO V., TODESCO S.

E TERETUPPETE ... N'ATA VOTA! (CVLD267)

Author: Various Artists
Performer: Rosella Caporale (voice), Stefania Todesco (piano), Valentina Todesco (cello)

Available in: HD File, CD

Tracks

La danza (G. Rossini, F. Caporale) 3:42
‘Sto core mio (O. Di Lasso) 2:22
Canto delle lavandaie del Vomero (Anonymous from XIII sec.) 3:15
Funiculì Funiculà (G. Turco, L. Denza) 3:15
Fenesta Vascia (Anonymous from XVI sec.) 4:08
Ninna Nanna d’argiento (A. Caporale, F. Caporale) 3:05
La tarantella (F.Florimo, A. De Lauzieres) 3:25
‘Na jurnata ‘e sole (S. Todesco) 4:16
I te vurria vasà (V. Russo, E. Di Capua) 4:26
Luna Saracena (F. Caporale) 4:20
Era de Maggio (M.Costa, S.Di Giacomo) 5:26
Dicitencelle vuie (R. Falvo, E. Fusco) 5:35
Lo Guarracino (Anonymous from XVIII sec.) 5:48
Total Time: 53:08

Rosella Caporale, voice
Stefania Todesco, piano
Valentina Todesco, cello

24bit / 88.2kHz original live-in-studio recording made at Villa Todesco, Villa del Conte, Italy, on June 20th, 21st, 2015

Notes
This musical project was born in 2014 and is dedicated to showcasing a selection of the most significant pieces from the great Neapolitan Song repertoire, from famous melodies such as I te vurria vasà, Era de Maggio, La Tarantella of Rossini, to older pieces, such as Canto delle lavandaie del Vomero (1200s), ‘Sto core mio (1300s), Fenesta Vascia (1500s), Lo Guarracino (1700s), which form the foundations of the tradition.
The passionate musical research of the trio composed of Rosella Caporale, Stefania, and Valentina Todesco successfully seeks to revive Neapolitan Music, between Poetry and History, at the very moment when popular expression acquires the meaning of the highest Culture.
An ideal "red thread" connects the dawn of Italian vocal tradition to universal expressions of natural singing, all underlined by extraordinary new arrangements, specially created by Stefania Todesco, which see the piano and cello as co-protagonists of the pieces alongside Rosella Caporale's voice.
The highest quality recording was made using the high-resolution digital live-in-studio technique, in order to preserve, on the one hand, every hidden nuance, and on the other hand, to guarantee all the pathos and spontaneity that only a live recording without editing cuts can offer.