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Trios - Mauro Negri, Simone Guiducci

Velut Luna

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SKU:CVLD357

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Trios (CVLD357)

Mauro Negri - Simone Guiducci
Available in: HD File (CVLD357) and CD (CVLD018)

1 - Gramelot per due (S. Guiducci) 2:21

Mauro and Simone

2 - Yul (M. Negri) 7:18

Mauro and Simone, Achille Succi, bass clarinet

3 - Filastrocca per Martina (S. Guiducci) 8:35

Mauro and Simone, Carlo Cantini, violin

4 - Genéve (M. Negri) 7:34

Mauro and Simone, Marco Remondini, cello

5 - Al Saltafos (S. Guiducci) 8:12

Mauro and Simone, Fausto Beccalossi, accordion

6 - Squirrel (M. Negri) 1:38

Mauro and Simone, Andrea Lease, french horn

7 - Canzone (S. Guiducci) 6:07

Mauro and Simone, Alan Farrington, voice

8 - Mezzocolpo (M. Negri) 5:35

Mauro and Simone, Luigi Sabanelli, bassoon

9 - Nocturne (D. Reinhart) 7:25

Mauro and Simone

Total Time: 54:50


48kHz/20bit Digital and Analog original recording, made at Teatreno, in Mantova (Italy), on May 26, 27, 1998, using ADC Lexicon 20/20 and Hi-8 Tascam DA78HR and RTR TEAC C2-B

ANALOG remastering made at Velut Luna Studio in Naquera (Spain), on February 2023

Marco Lincetto uses a perfect analog mastering system, based upon:

Rupert Neve Design 5059 Summing Mixer / Maselec MLA-2, compressor / Maselec MEA-2, eq / Maselec MPL-2, limiter

Studer A-810, open reel tape recorder / Prism Sound AD-2 Dream, state-of-the-art ADC for new HD files


Production: VELUT LUNA

Executive producer: Marco Lincetto

Mix and original mastering: Marco Lincetto

Photo: Marco Lincetto

Design and layout: L'Image

This music originates from a "rib" of jazz and then develops into something remarkably original and very Italian. The central core of the project is obviously formed by the extraordinary Simone Guiducci and Mauro Negri (already accomplices in many other adventures, like the Trapezomantilo). Around them alternately revolve several guests playing instruments not very common in jazz and related genres, such as bassoon, French horn, cello, etc.

The compositions, all by Negri and Guiducci, are very beautiful and functional to the various timbral combinations resulting from the alternation of musicians. This gives life to a series of vivid and distinct musical portraits, almost a small gallery of very lively, some unforgettable, rich in freshness and inventiveness.

Enrico Rava

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