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Pergolesi: Stabat Mater — Luigi Pistore

Velut Luna

Genere musicale: Classica

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SKU:CVLD219

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Pergolesi: Stabat Mater — Luigi Pistore

Formats and editions

  • File Hi-Res 88.2kHz · 24bit — CVLD219

Musicians

Marianna Prizzon — soprano; Elena Boscarol — mezzosoprano; Orchestra Filarmonica “Alpe Adria”; women’s choir “Bodeča Neža”; Luigi Pistore — conductor.

Recording and production

Original digital recording: 88.2 kHz · 24 bit; Auditorium della Cultura Friulana, Gorizia; 2010-12-12.

Production: Velut Luna
Executive producer: Marco Lincetto
Artistic direction: Luigi Pistore
Cover: Crucifixion by Nicola Grassi
courtesy of
Mons. Angelo Zanello, Parish Priest of the Duomo of Tolmezzo
Photographic reproduction of the cover painting:
Foto VIOLA - Mortegliano

Recording engineer: Marco Lincetto
Editing, Mix & Mastering engineer: Michele Sartor
Design: l’Image

Marketing: Francesco Pesavento
Sales Manager: Moreno Danieli & Patrizia Pagiaro
Press Agent: Emanuela Dalla Valle
World Wide Contacts: Cristiana Dalla Valle

Track listing

  1. Stabat Mater dolorosa
  2. Cujus animam gementem
  3. O quam tristis et afflicta
  4. Quae moerebat et dolebat
  5. Quis est homo
  6. Vidit suum dulcem natum
  7. Eja mater fons amoris
  8. Fac, ut ardeat cor meum
  9. Sancta Mater, istud agas
  10. Fac ut portem Christi mortem
  11. Inflammatus et accensus
  12. Quando corpus morietur

Programme notes

Edition notes

It is with great pleasure that I welcome the release of this third CD by the "Alpe-Adria" Youth Philharmonic Orchestra, dedicated to the music of Pergolesi. On this occasion, I would like to emphasize the original activity of this ensemble, which finds its reference point in its conductor, Maestro Luigi Pistore. In his name, this orchestra refers to the "Alpe-Adria" Working Community, which constituted one of the first examples of cross-border collaboration in years when divisions were still strong. It was precisely in the Alpe-Adria culture that it found fertile ground for meeting and development. Secondly, I find it very important that this musical ensemble "functions" thanks to the presence of many young people from different backgrounds: it is a concrete sign of both a cultural synergy that values young talents and the international projection of Friuli Venezia Giulia. Finally, it is worth noting the activity carried out with attention to the territory, and in this case, offering a deeper knowledge of a great Italian musician like Gian Battista Pergolesi. I wish this CD and the entire "Alpe-Adria" Youth Philharmonic Orchestra the greatest success.

Elio De Anna
Councillor for Culture and International Relations
Autonomous Region of Friuli Venezia Giulia

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