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Code:
CVLD374+CVLD107
SE POTESSI AVERE...
€ 18,00
Patrick Trentini conductor / Giuliana Beberi vocal / alto, tenor saxes / Luca Merlini vocal 24 Bit / 96 kHz / 24 tracks Original Recording: Studio Magister Sala A on April 8, 9 - 2004 Preganziol, Treviso (Italy) "Se potessi avere" an orchestra of the 40s still playing today. Songs from our italian memories: Mille lire al mese, Parlami d'Amore Mariù, Ba Ba Baciami Piccina, Ma l'Amore No, La Strada nel Bosco and many others presented exactly like they were by Giuliana Beberi and Luca Merlini with the New Project Orchestra directed by Patrick Trentini.
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Go to cartLENTOGODENDO
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Original compositions by A. Saorin, D. Soto Chero, M. Catinaccio, P. Cosco, C. Malgioglio, G. P. Felisatti, I. Fossati, P. Vorace, A. Scano. Nina Ves voice; D. B. Soto Chero classic guitar, tiple, acoustic guitar; P. Cosco bass & double bass; M. Catinaccio percussions & drum. Special guests: V. Titti Castrini accordion; G. Gobbo voice; J. C. Rivera Cadenas zampogna cromatica; P. Vorace acting voice; A. Martinez chorus. 24bit/88.2kHz digital recording was made at Martinez Studio A, Padova, on January 2009. Villa El Salvador is a young small town on the Peruvian coast of Pacific Ocean, where David Soto Chero have lived for the first ten years of his life. With this name an ensamble composed by Pasquale Cosco and Marco Catinaccio is born in the summer of 2004. When the ensamble meets Nina begins a new journey into Italian song. So you’ll listen to ten original songs with Italian and Spanish texts.
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Go to cartCARTA BIANCA
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POP: original compositions by Garinei, Giovannini e Kramer, Martino-Brighetti, Bracchi-D’Anzi, Brel-Jouannest, Aguilera-Storch-Morris, Lennon-McCartney, Bernstein-Comden-Green, Cammariere-Kunstler, Gershwin-Heyward, Thiele-Weiss, Casucci-Brammer, Sciorilli, Paoli, Malgoni-Pallesi, Modugno. Monia Steri voice, Mirco Giolotto classic guitar 24bit/88.2 kHz original live-in-studio recording made at Magister Studios Preganziol Italy on October 19-20, 2010
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Go to cartPAY INTENTION
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It’s always difficult to talk about something that involves you directly. Like, for example, of an album for which you take care of the artistic production. And an album, if you have decided to devote yourself to it, to offer it your time, your skills, your commitment, is like a son. Although you didn’t write it, or perform it, you end up being part of it. I have produced about twenty albums, I could’ve produce more, maybe, but I always chose to work with and for the quality. Presenting this album, this one, is even more difficult because we are talking about two sons, plus a few adopted ones. It’s not a secret, Jacopo, Sick 4 Milk’s leader, is my son. I have known some of his adventure pals since they had just started to wear long trousers, some since when I still had the slight hope of keeping some hair on my head. Have I artistically produced my son’s album? No, even though there wouldn’t be anything wrong with this: I produced Sick 4 Milk’s first album, a band of which I’ve been a fan since the first concerts at some roman pubs. I’m hypercritical with my sons, with the legitimated and the adopted. I have been so for all these years (not so many, but a lot compared to the age of the band’s members), until, as passionate and professional in the “music and similar” business, I understood that this talent, obvious since long time ago, penetrated deep down these guys’ souls, leading them to an artistic maturity that some groups more from my time than theirs, still haven’t reached. I didn’t decide to do an album: chatting one night with Marco Lincetto, I asked him to listen to a piece, the first one in unplugged version that was on youtube, just to have his opinion. Marco, after a few minutes wrote to me: Excellent, I want to do this album. I didn’t have to struggle or convince anybody and this was a great relief. And it gave me confort in my assumption of knowing music well and of recognising talents, in other words of knowing how to do my beautiful job. I obviously knew that the Velut Luna recording would have been of high quality, it was perfect indeed. Then come what may, these guys are talented, not only in music, and this being talented in many other things other than music, is in my opinion the reason why at their young age they already look like a mature and famous group. Because I never believed in talent without intelligence and knowledge or at least the desire to learn. And forgive me if I badly quoted Miles Davis. If I may say, I will end this short presentation with a genetic-affective-animistic note: The acoustic ovation that Jacopo plays is the one that belonged to his uncle Danilo who left it prematurely as an inheritance to his unworthy brother who passed it to his son (a very long loan) It is the number 1037, the first to arrive to Italy. And in the last 35 years it played very well its role treading the stage all over Italy and around the world without ever missing a beat.
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Go to cartC'ERA UNA VOLTA IN ROMAGNA - Danze tribali del popolo del Liscio
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C'ERA UNA VOLTA IN ROMAGNA, danze tribali del popolo del Liscio (trans.: Once Upon A Time in Romagna, Tribal Dances of the Liscio Style's People) Velut Luna CVLD 252 Introduction The idea of this LP starts from a sincere curiosity about our cultural roots and is the result of a musical journey that brought us to cast aside all the xenophilous trends that, in the arts, seemed to afflict us. The recovery of this music is done with great creativity. The language used to approach the songs is the language of traditional jazz, but the sound, with keyboards and electric guitars, gives some rock nuances to the whole product. Until a short time ago, and still now, the word “Liscio” was associated, in the imagination of most people, to a ignorant subculture made of elderly gentlemen and prosperous ladies, who gathered in shiny clothes dancing to this corny music. The exhumation of Liscio and its people may sound as the discovery of a cannibal tribe from Indochina, with all its rituals and practices. The stereotype helps, but there is so much more to be said about this world: amazing orchestras, led by great composers and musicians such as Carlo Brighi, Secondo Casadei, Ivano Nicolucci, Castellina-Pasi, were there for 50 years, playing 35 concerts per month to please their audience. The people from Romagna is marked from this story beyond repair, and this is true both for those who are part of this world and for those who snubs it . The Romagna folk music has nothing to envy to other Folk Music styles from all over the world, which enjoy greater consideration, such as blues, tango, salsa and musette...on the contrary... Credits 24bit/88.2kHz original live-in-studio recording made at Teatro Pedrini, Brisighella, Italy on April 14th - 15th - 16th, 2014 24bit/88.2kHz digital mix and analog mastering (DAD) made at Velut Luna Studios, Casalserugo, Italy, on April 18th, 2014 Production: Velut Luna & Mr Zombie Orchestra Executive producer: Marco Lincetto Recording engineer: Marco Lincetto Assistant recording engineer: Michele Bartoletti Stella Mix & mastering engineer: Marco Lincetto Design+Layout: Luca Shivendra Om Cover Photo: Torquato Nanni Sales and marketing manager: Patrizia Pagiaro link al video su youtube: https://www.youtube.com/watch?v=JpDD8LNqEXk https://www.youtube.com/watch?v=KuANjPScuYU link ad articoli critici sulla stampa on line: http://asapfanzine.blogspot.it/2014/05/mr-zombie-orchestra-cera-una-volta-in.html http://www.tempi-dispari.com/archives/25618 http://www.iyezine.com/mr-zombie-orchestra-cera-volta-in-romagna-danze-tribali-popolo-liscio/ http://www.brainstormingmagazine.it/2014/05/cera-una-volta-romagna-secondo-album-dei-mr-zombie-orchestra/ http://www.deliriprogressivi.com/musica/nuovo-album-per-la-mr-zombie-orchestra-cera-una-volta-in-romagna-in-uscita-il-3-giugno-2014
€ 18,00
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Go to cartE TERETUPPETE ... N'ATA VOTA !
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CVLD267 - upc: 8019349136228 E TERETUPPETE... N'ATA VOTA! Rosella Caporale, voce Stefania Todesco, pianoforte Valentina Todesco, violoncello 24bit / 88.2kHz original live-in-studio recording made at Villa Todesco, Villa del Conte, Italy, on June 20th, 21st, 2015 The musical project was born in 2014 and it dedicates a selected musical pieces taken from the extensive repertory of the Neapolitan Music, from the famous melodies like I te vurria vasà, Era de Maggio, La Tarantella of Rossini, to the ancient piece as il Canto delle lavandaie del Vomero (1200) ‘Sto core mio (1300), Fenesta Vascia (1500), Lo Guarracino (1700). This passionate musical search try to recover the Neapolitan Music, between Poetry and History, when the expression popular had the same meaning of cultured. A musical “red line“ that goes through the dawnings of Italian Vocalism to the universal expression of a natural singing and an exclusive and refined piano arrangements.
€ 18,00
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