{"title":"Wolfgang Amadeus Mozart","description":"","products":[{"product_id":"cello-sonatas-luca-giovannini-leonora-armellini","title":"CELLO SONATAS - Luca Giovannini Leonora Armellini","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCELLO SONATAS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD327)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Giovanninitino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ecello\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLeonora Armellini,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e piano\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.1 in E Minor Op. 38\u003cbr\u003e1 - Allegro non troppo  14:34\u003cbr\u003e2 - Allegretto quasi minuetto  5:50\u003cbr\u003e3 - Allegro  6:39\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.2 in F Major, Op. 99\u003cbr\u003e4 - Allegro Vivace  9:06\u003cbr\u003e5 - Adagio affettuoso  6:37\u003cbr\u003e6 - Allegro appassionato  7:43\u003cbr\u003e7 - Allegro molto  4:50\u003c\/p\u003e\n\u003cp\u003etotal time:  55:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johannes-Brahms-Cello-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLuca Giovannini, cello\u003cbr\u003eLeonora Armellini, piano\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Magister Recording Area, Preganziol, Italy, on July 12, 2020 - Leonora plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: Michele Sartor\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohannes Brahms\u003c\/strong\u003e e i violoncellisti delle Sonate op. 38 e op. 99: una retrospettiva fotografica.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eNel complesso insieme di pagine cameristiche che figurano all’interno del catalogo brahmsiano le due Sonate per pianoforte e violoncello (dicitura che per volere dell’autore sottolinea il carattere paritario degli strumenti coinvolti) vengono considerate tradizionalmente come elementi portanti del repertorio dedicato a tale formazione. La loro notorietà, dovuta ad una fortunata ricezione e alla continuità esecutiva di cui siamo ancor oggi testimoni, non deve precludere all’ascoltatore quanto all’interprete una visione d’insieme delle due Sonate, spesso accantonata in favore di un mero confronto sul piano cronologico e compositivo. Sebbene tra la stesura dei primi due movimenti della Sonata in mi minore op. 38 e la pubblicazione della Sonata in fa maggiore op. 99 intercorrano ventiquattro anni, possiamo considerare comune ai due periodi l’interesse rivolto alla scrittura per violoncello, alimentato dalla presenza di figure chiave nella cerchia del compositore.\u003cbr data-mce-fragment=\"1\"\u003eIn una fotografia datata 7 maggio 1894 troviamo Brahms, nel giorno del suo sessantunesimo compleanno, circondato da amici e colleghi presso la casa della famiglia von Miller zu Aichholz (archivio Gesellschaft der Musikfreunde, Wien). Tra i convitati, oltre a Ignaz Brüll, Anton Door, Julius Epstein, Eusebius Mandyczewski, Gustav Walter, Eduard Hanslick e Richard Mühlfeld, sono presenti i dedicatari delle due Sonate per pianoforte e violoncello: Josef Gänsbacher e Robert Hausmann. - \u003c\/span\u003e\u003cspan\u003eMyriam Guglielmo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLuca Giovannini,\u003c\/em\u003e\u003c\/strong\u003e nato a Rovigo nel 2000, ha frequentato il  Francesco Venezze di Rovigo con il M° L. Simoncini e si è diplomato a 17 anni con lode e menzione d'onore. Arricchisce il suo percorso di studio frequentando l’Accademia  R. Romanini di Brescia, nella quale ha studiato con G. Sollima e successivamente con G. Capuçon alla \"Classe d'excellence\" della fondazione Louis Vuitton. Sin da giovanissimo, Luca si è affermato in numerosi concorsi, tra i più prestigiosi vi sono il primo premio nel 2018 al J. Brahms competition di Pörtschach in Austria, primo Italiano ad aggiudicarselo, nel 2016 il terzo premio al concorso \"Schönefeld\" in Cina, e  il Premio Nazionale delle Arti 2020.\u003cbr data-mce-fragment=\"1\"\u003eHa avuto la possibilitá di suonare per i nomi piú illustri del mondo musicale, come G. Kremer, A. Schiff, N. Gutman E. Dindo, M. Brunello, B. Canino, D. Rossi e molti altri ancora, cogliendo prospettive differenti e spunti altamente stimolanti. \u003cbr data-mce-fragment=\"1\"\u003eSi è esibito in numerosi paesi e importanti teatri come la Suntory Hall di Tokyo  la Carnegie Hall di NY  Musikverein di Vienna il Berliner Philharmoniker, Sale Apollinee della Fenice e la Sala Maffeiana di Verona. Luca studia attualmente con F. Helmerson alla Kronberg Academy, Francoforte.  Suona un Ansaldo Poggi gentilmente concesso dal M° M. Brunello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLeonora Armellini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003eè stata una giovanissima vincitrice del “Premio Janina Nawrocka” per la “straordinaria musicalità e la bellezza del suono” al Concorso Pianistico Internazionale “F. Chopin” di Varsavia (2010). L’esito è stato brillantemente confermato nell’edizione del 2021, con un Quinto Premio che ne fa la prima donna italiana ad aver scalato le vette della competizione considerata come il vertice del pianismo mondiale. Leonora Armellini (1992), figlia d’arte, si avvicina allo studio del pianoforte a quattro anni con Laura Palmieri e si diploma a dodici ottenendo il massimo dei voti con lode e menzione speciale. Nel 2005 vince all’unanimità il XXII Premio Venezia, riservato ai migliori diplomati dei Conservatori Italiani, e prosegue la sua formazione con Sergio Perticaroli presso l’Accademia di S. Cecilia di Roma, diplomandosi a diciassette anni con lode e diventando così la più giovane diplomata della prestigiosa istituzione. Si perfeziona con Lilya Zilberstein e Marian Mika, e si diploma presso l’Accademia Pianistica “Incontri col Maestro” di Imola con Boris Petrushansky (2018). Fra i numerosi premi e riconoscimenti per le sue qualità artistiche e umane, Leonora ha ricevuto nel 2013 dalle mani di Zubin Mehta il premio “Galileo 2000 Pentagramma d’oro” per il “grande coraggio e talento musicale”. Nel maggio 2013, l’Associazione Nazionale Critici Musicali ha deciso di assegnare il “XXXII Premio Abbiati”, “Premo Piero Farulli”, al Trio formato da Leonora, Laura Marzadori e Ludovico Armellini (Pianoforte, Violino e violoncello). Tiene regolarmente concerti come solista e camerista per festival e stagioni concertistiche in Italia e all’estero (Carnegie Hall di New York, Teatro Mariinsky di San Pietroburgo, Salle Cortot di Parigi, Filarmonica di Varsavia, Teatro La Fenice di Venezia, Progetto Martha Argerich a Lugano, e in tutta Europa, Cina, Corea del Sud, Giappone, …), ed è stata affiancata da numerose orchestre fra cui la Filarmonica di Varsavia, l’Orchestra di Padova e del Veneto, I Solisti Veneti, l’Orchestra Filarmonica di Torino, l’Orchestra del Teatro La Fenice, l’Orchestra dell’Arena di Verona, l’Orchestra Nazionale Ucraina, la Sinfonia Varsovia, Orchestra Sinfonica della Filarmonica di Lodz (Polonia)… Leonora è protagonista di numerosi progetti discografici; di più recente uscita sono il DVD “Piano Recital” pubblicato da ContempoArs contenente, tra gli altri, gli Studi op. 25 di Chopin, e un CD pubblicato da Brilliant Classics contenente il Concerto per due pianoforti e orchestra di Poulenc, la Scottish Ballad di Britten e la Première Suite di Debussy per pianoforte a 4 mani nella formazione del Duo Pianistico di Padova (con il pianista Mattia Ometto), Orchestra di Padova e del Veneto e il direttore Luigi Piovano. Nella stessa formazione ha inoltre inciso per Da Vinci Classics l’integrale dell’opera per due pianoforti di Brahms. È stata invitata da radiotelevisioni italiane ed estere per trasmissioni di interviste e concerti fra i quali i “Concerti del Quirinale” e l’apparizione come ospite al Festival di Sanremo 2013. A fianco di Matteo Rampin ha scritto e pubblicato il libro di divulgazione musicale “Mozart era un figo, Bach ancora di più”, edito da SALANI (2014), giunto ormai alla settima edizione e tradotto e tradotto in spagnolo. È attualmente docente di Pianoforte Principale presso il Conservatorio “A. Buzzolla” di Adria (RO)\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993798779227,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46807346020699,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e489968-4b8c-4ec0-8d3f-b8c84e5e2c26.jpg?v=1686058633"},{"product_id":"the-velut-luna-reference-vol-1","title":"The Velut Luna's Reference Vol. 1: Masterclone 24K GOLD CD","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Velut Luna's Reference CD Vol.1 \u003c\/b\u003e(VLLP009) (CVLD393)\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/www.referencemusicstore.com\/product\/26406588\/the-velut-luna-s-reference-vinyl-limited-edition-2-lp-140-gr-\" target=\"_blank\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eDisponibile in: \u003cstrong\u003eMasterclone 24K GOLD CD\u003c\/strong\u003e e \u003cstrong\u003eFile HD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eindividually made one by one -  Disponibili solo 50 pezzi su Gold 24K CD!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eI-86 Going North\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:42 \u003c\/span\u003e(Fabio Ranghiero \/ Lucia Minetti - Lucia Minetti)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLucia Minetti \u0026amp; Fabio Ranghiero, Recorded at Magister Recording Area, Preganziol April 2022\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAmarsi un po'\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(Battisti - Mogol)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò \u0026amp; Enrico Santacatterina, Recorded at Parco Euganeo, Montegrotto Terme, August 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFind Me\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:06 \u003c\/span\u003e(D. Nisi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBaraonna, Recorded by Andy \u0026amp; Claudio Bartolucci at Delta-Top Studio, Roma, August 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eQuesta storia in testa\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:21 \u003c\/span\u003e(P.Fanton - M. Strano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula \u0026amp; Marco Strano, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eWhen You Wish Upon A Star\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:32 \u003c\/span\u003e(Harline - Washington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRosella Caporale, Delio Caporale \u0026amp; Achille Succi, Recorded at Magister Recording Area, Preganziol, June 2006\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlack Dog Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:33 \u003c\/span\u003e(traditional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNik Lee \u0026amp; The Jingle Fellas, Recorded at Magister Recording Area, Preganziol, April 2015\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFunk Checking\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:31 \u003c\/span\u003e(E. Santacatterina)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEnrico Santacatterina, Recorded by Enrico Santacatterina at E.S.P Studio, Mellaredo, October 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAsk The Trash Can\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan\u003e \u003c\/span\u003e4:18 \u003c\/span\u003e(G. Marzorati)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGuido Marzorati \u0026amp; The Blugos, Recorded by Andrea Valfrè at Magister Recording Area, Preganziol, April 2012\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eJust A Smile\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(E. Santacatterina - C. Pastò)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò, Recorded at Magister Recording Area, Preganziol, June 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Salty Dog\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:45 \u003c\/span\u003e(Procol Harum - Brooker - Reid)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlues Elegante\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:05 \u003c\/span\u003e(K. Dorham)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLorenzo De Luca, Marcello Abate, Martino De Franceschi \u0026amp; Marco Soldà, Recorded at Magister Recording Area, Preganziol, January 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCaravan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e7:13 \u003c\/span\u003e(D. Ellington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRoyal Big Band, Benny Lamonica\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Auditorium Comunale, Chiuppano, April 2003\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBasin Street Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(S. Williams)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTiger Dixie Band, Recorded at Auditorium Comunale, Chiuppano, October 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eLibertango\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:33 \u003c\/span\u003e(A. Piazzolla)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSimone Zanchini \u0026amp; Modern Saxophone Quartet, Recorded at Auditorium Comunale, Chiuppano, May 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eDarth Vader Theme from Empire Strikes Back\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:10 \u003c\/span\u003e(J. Williams, arr. F. Castania)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRaimondo Mazzon, Recorded at Auditorium Pollini, Padova, September 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePas de deux from Nutcracker Suite\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:33 \u003c\/span\u003e(P.I. Tchaikovsky)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKostandin Tashko, Recorded at Studio Zanta, Camponogara, December 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEstate, Allegro non molto from \"Le Quattro stagioni\", Op. VIII, n.2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:44 \u003c\/span\u003e(A. Vivaldi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eStravinsky Chamber Orchestra, Marco Tezza\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor\u003c\/i\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e, Daniele Ruzza,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003esolo violin, \u003c\/i\u003e\u003c\/span\u003eRecorded at Chies di S. Francesco, Schio, May 1999\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSinfonia in sol min, KV183, Allegro con brio\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e6:40 \u003c\/span\u003e(W.A. Mozart)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Teatro Olimpico, Vicenza, June 2004\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 1:20:19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e - - -\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eProducer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMARCO LINCETTO \u003c\/b\u003efor\u003cb\u003e VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eSound engineer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e (unless otherwise stated)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eGraphic designer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eCover photo:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003ePaolo Vettore\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"1\" style=\"font-size: xx-small;\"\u003e\u003ci\u003e\u003cb\u003e(1963)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl bambino nell'immagine di copertina sono io. All'età di due anni. Era il 1963.\u003c\/p\u003e\n\u003cp\u003eDa che mi ricordo, ho sempre amato ascoltare i dischi. Certamente per via della mia storia famigliare, con mio papà che fu illustre pianista classico e compositore raffinato, e mia mamma cantante lirica.\u003c\/p\u003e\n\u003cp\u003eMa certamente in quegli anni della prima infanzia era grande il fascino che suscitavano in me quei padelloni neri che giravano sul vecchio giradischi di famiglia e da cui uscivano le mie favole preferite, narrate da grandi voci di grandi attori (ricordo ad esempio, Nando Gazzolo e la sua\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eCappuccetto Rosso\u003c\/b\u003e\u003c\/i\u003e, e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eHansel e Grethel,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003ee\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003ePollicino\u003c\/b\u003e\u003c\/i\u003e, i cui dischi ho letteralmente consumato...).\u003c\/p\u003e\n\u003cp\u003eAttorno agli otto o nove anni il passaggio dalle favole ai 45 giri dei Beatles alla fine della loro carriera (Obladì, Obladà), oppure a quella sonorità inconsueta e sconosciuta del Theremin usato in Good Vibrations dei Beach Boys, fu un fatto del tutto naturale.\u003c\/p\u003e\n\u003cp\u003eE quando a 13 anni cominciai progressivamente a scoprire Santana, i Pink Floyd, i Genesis, etc.etc.etc., uniti alla lettura di Suono e Stereoplay, fu altrettanto naturale incapricciarmi con le immagini dei grandi registratori a bobine dell'epoca, adatti agli allora rari home studio.\u003c\/p\u003e\n\u003cp\u003eIl mio primo amore, tanto sognato e mai posseduto, fu il Tascam 80-8, otto tracce su nastro da mezzo pollice. E i microfoni dei sogni erano i Sennheiser, gli MD441 e gli MD421... Ma il sogno vero era \"farmi lo studio\"... cosa che resterà per lungo tempo solo, appunto, un sogno.\u003c\/p\u003e\n\u003cp\u003eQuando infine a 19 anni conobbi la musica di Jim Croce e capii che...\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003e\"Si-Può-Fare!\"\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e(cit.),\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003efu il momento in cui mi fu chiaro che presto o tardi, io avrei fatto quel lavoro, avrei\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003e\"fatto i dischi\".\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eE il resto è storia...\u003c\/p\u003e\n\u003cp\u003eLa mia cultura, la mia tradizione, le mie esperienza fondamentali, sono ANALOGICHE.\u003c\/p\u003e\n\u003cp\u003eAnche se da subito, all'inizio della mia carriera professionale nel 1992, sono stato un alfiere del digitale di qualità, non ho mai abbandonato l'analogico e soprattutto non ho mai abbandonato la \"mentalità analogica\".\u003c\/p\u003e\n\u003cp\u003eEcco quindi che questo nono vinile da me prodotto non può che essere spero il primo di una serie di \"raccolte\" del meglio della tanta bella musica che ho prodotto nel corso degli ultimi 30 anni con la mia Velut Luna. E in copertina non trovate la parolina \"Volume 1\", solo per scaramanzia. Ma se questo format avrà successo altri ne seguiranno.\u003c\/p\u003e\n\u003cp\u003eNel frattempo, buon ascolto di questi miei, autentici, \"figli\" ideali.\u003c\/p\u003e\n\u003cp\u003eUn sentito ringraziamento a tutti quei musicisti che hanno contribuito a rendere grande Velut Luna in questi suoi primi 30 anni.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e\u003ci\u003eMarco Lincetto\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46949907628379,"sku":"CVLD393","price":36.0,"currency_code":"EUR","in_stock":true},{"title":"Masterclone 24K GOLD CD","offer_id":50577453842779,"sku":"CVLD393MC","price":69.0,"currency_code":"EUR","in_stock":false},{"title":"LP 33 rpm (2 LP)","offer_id":50762588684635,"sku":"VLLP009","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD393-cover.jpg?v=1747240137"},{"product_id":"w-a-mozart-b-britten-i-solisti-dellolimpico","title":"W.A. MOZART B. BRITTEN - I Solisti dell'Olimpico","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eI Solisti dell'Olimpico - Mozart, Britten\u003c\/strong\u003e (CVLD090)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart: Adagio and Fugue, K. 546\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1- Adagio and Fugue in C Minor, K. 546\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBritten: Simple Symphony, Op. 4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2- \u003c\/span\u003eI. Boisterous Bourrée. Allegro ritmico\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3- II. Playful Pizzicato. Presto possibile\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e4- \u003cspan data-mce-fragment=\"1\"\u003eIII. Sentimental Sarabande. Poco lento e pesante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5- \u003cspan data-mce-fragment=\"1\"\u003eIV. Frolicsome Finale. Prestissimo con fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Concerto No. 12, K. 414\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-\u003cstrong\u003e \u003c\/strong\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003eI. Allegro\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003e7- \u003c\/span\u003eII. Andante\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e8- III. Rondeau. Allegretto\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Live Recording) - tot. time: 55:16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/I-Solisti-dell-Olimpico-Mozart-Britten\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eG.B. Rigon, conductor and GrandPiano, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTommaso Luison, first violin, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiampiero Zanocco, violin - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFloriano Bolzonella, viola - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiancarlo Trimboli, cello - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNicola Malagugini, double bass - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24Bit \/ 96 kHz Digital Recording. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Teatro Olimpico, Vicenza (Italy) Juin, 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034411340123,"sku":"CVLD090CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46950686490971,"sku":"CVLD090","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_3d7afff3-20b1-4922-b8c9-2985ae3834dc.jpg?v=1689780117"},{"product_id":"mozart-quartetti-con-il-flauto-e-loboe-mozart","title":"MOZART QUARTETTI CON IL FLAUTO E L'OBOE - Mozart","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMOZART QUARTETTI CON IL FLAUTO E L'OBOE \u003c\/strong\u003e(CVLD143)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003cspan id=\"autore\"\u003eW.A. MOZART\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003cspan id=\"esecutore\"\u003eE. CAROLI, L. CAROLI, G. GUGLIELMO, M. SGUOTTI, G. PEGORARO\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Flute Quartet in D Major, K. 285: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Flute Quartet in D Major, K. 285: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Flute Quartet in D Major, K. 285: III. Rondeau\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Flute Quartet in G Major, K. 285a: I. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Flute Quartet in G Major, K. 285a: II. Tempo di minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Flute Quartet in C Major, K. 285b: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Flute Quartet in C Major, K. 285b: II. Tema con variazioni. Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Flute Quartet in A Major, K. 298: I. Tema con variazioni. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Flute Quartet in A Major, K. 298: II. Minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Flute Quartet in A Major, K. 298: III. Rondeau. Allegretto grazioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Oboe Quartet in F Major, K. 370: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Oboe Quartet in F Major, K. 370: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Oboe Quartet in F Major, K. 370: III. Rondeau\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Mozart-Quartetti-con-flauto-e-oboe\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eOriginal compositions by W. A. Mozart. 24\/88.2 kHz digital recording made live in studio at Chiesa dei SS. Filippo e Giacomo, Vicenza (Italy) on May 2006 Enzo Caroli, flute; Livio Caroli,oboe; Giovanni Guglielmo,violin; Michele Sguotti, viola; Giordano Pegoraro, cello.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDue solisti di indiscusso livello internazionale, quali i fratelli Enzo e Livio Caroli, rispettivamente al flauto e all'oboe, rendono omaggio a Mozart nella proposta dell'integrale dei quartetti per flauto e oboe con trio ad archi. Ad affiancarli nell'opera il grande violinista Gianni Guglielmo ed i valenti Michele Sguotti alla viola e Giordano Pegoraro al violoncello. L'esecuzione si distingue per grande brillantezza ed autorevolezza, proponendosi come un nuovo riferimento discografico per questo repertorio. Ad aiutare senz'altro una registrazione di particolare pregio realizzata da Marco Lincetto, un'antica Chiesa del centro storico di Vicenza, caratterizzata da acustica morbida e calda, particolarmente adatta al repertorio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50027919606107,"sku":"CVLD143CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 44.1kHz · 16bit","offer_id":47497153380699,"sku":"CVLD143","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a1c8a7a1-d7c1-49f4-bccb-efe9c7a32d0e.jpg?v=1703928978"},{"product_id":"memorie-di-un-artista-altri-scritti-charles-gounod","title":"MEMORIE DI UN ARTISTA \u0026 ALTRI SCRITTI - Charles Gounod","description":"\u003cp\u003e\u003cstrong\u003eMEMORIE DI UN ARTISTA \u0026amp; ALTRI SCRITTI \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA distanza di 200 anni dalla sua nascita Charles Gounod continua a parlarci non solo con le immortali melodie delle sue opere, ma anche attraverso i suoi scritti, non tutti conosciuti o pubblicati in Italia. Se, infatti, la sua incompleta autobiografia, Mémoires d’un artiste, era conosciuta in una traduzione risalente al 1935, gli altri saggi, non sono mai stati tradotti né pubblicati in Italia. In questo libro, che si può considerare un vero e proprio omaggio al compositore francese nel bicentenario della sua nascita, sono stati raccolti e tradotti, insieme ai\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eMémoires d’un artiste\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ee all’\u003cem\u003eAutobiograhie de Charles Gounod et de la routine en matière d’art\u003c\/em\u003e, quasi tutti gli articoli da lui pubblicati grazie ai quali è possibile conoscere le sue idee su questioni di carattere estetico, ma anche i suoi gusti musicali a partire dall’amato Don Giovanni di Mozart che, per il compositore francese, costituì una vera e propria rivelazione. In queste pagine si possono trovare, oltre ad aneddoti sulla propria vita, giudizi su compositori contemporanei come Wagner, sulla critica musicale inglese, sul pubblico e sui sistemi dell’editoria musicale inglese posta a confronto con quella francese.\u003c\/p\u003e\n\u003cp\u003eP. 504\u003c\/p\u003e\n\u003cp\u003eRiccardo Viagrande, diplomato in Pianoforte al Conservatorio « Francesco Cilea » di Reggio Calabria e in Composizione al Conservatorio « Arcangelo Corelli » di Messina, dove ha conseguito anche i Diplomi Accademici di Secondo Livello sempre in Composizione e in Direzione d’orchestra Fiati con il massimo dei voti e la lode, è autore di numerosi saggi in ambito musicologico apprezzati anche all’estero e di una discreta produzione di composizioni musicali per orchestra ed Ensemble da camera, in buona parte edite. Laureato in Lettere Moderne con il massimo dei voti e la Lode e Dottore di Ricerca in Italianistica presso l’università di Catania, vanta collaborazioni con la Fondazione Orchestra Sinfonica Siciliana di Palermo e il Teatro Lirico di Cagliari, per la redazione delle note di sala, e con il magazine Gbopera. Docente di Lettere nella scuola secondaria di secondo grado, di recente, ha conseguito anche la Laurea in Lingue e Culture Europee sempre con il massimo dei voti e la lode.\u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 280px; top: -18.4062px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manzoni Editore","offers":[{"title":"Default Title","offer_id":47554271150427,"sku":"LME004","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/copertina-gounod-702x1030.jpg?v=1705085384"},{"product_id":"siprutini-cello-sonatas-op-vi-vii","title":"SIPRUTINI: CELLO SONATAS OP. VI \u0026 VII","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eSIPRUTINI: CELLO SONATAS OP. VI \u0026amp; VII \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14108\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEMANUEL SIPRUTINI (Netherlands c. 1730 – London c. 1790)\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR A VIOLONCELLO WITH BASS Op. VI (London, about 1763\/64)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in C Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in A Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in D minor\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWorld première recording\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR A VIOLONCELLO WITH BASS Op. VII (London, about 1774\/75)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in A Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in G Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in C Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in B-flat Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWorld première recording as Duo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Siprutini-Cello-Sonatas-Opp6-7\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eClaudio Ronco – Emanuela Vozza\u003cbr\u003eOn original instruments\u003c\/p\u003e\n\u003cp\u003e2 CD\u003c\/p\u003e\n\u003cp\u003eUnita alla precedente incisione delle opere III e V, questa pubblicazione completa l’opera di sonate per violoncello di Emanuel Siprutini. Di famiglia ebraica, nato forse in Olanda e giunto in Inghilterra a seguito del “Jewish naturalization act” stabilito nel 1753 da re Giorgio II d’Inghilterra, si stabilì a Londra come commerciante di vini, concertista e insegnante di violoncello ed ebbe fra i suoi allievi John Crosdill, il più celebre violoncellista inglese del Settecento. Leopold Mozart incontrò Siprutini nel 1764, durante il suo soggiorno in Inghilterra col prodigioso figlio ancora bambino. Colpito dal suo talento di violoncellista, tentò di convincerlo a convertirsi al Cattolicesimo, ma Emanuel rimase serenamente ebreo. Tra il 1756 e il 1775 fece pubblicare quattro libri di sonate per il violoncello che certamente i Mozart possedettero, come vien da pensare ritrovandone tracce e frammenti d’idee nelle più belle opere di Wolfgang\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47718284099931,"sku":"LDV14108","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14108-cover-sito.jpg?v=1708625243"},{"product_id":"the-velut-lunas-reference-vinyl-vol-2","title":"The Velut Luna's Reference Vinyl Vol. 2","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eThe Velut Luna's Reference Vinyl Vol. 2 \u003c\/b\u003e(CVLD370)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eLATO A - 20:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShort \u0026amp; Shorter 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Band Ritmo Sinfonica Cittàdi Verona, Marco Pasetto, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Marinelli, Castelnuovo del Garda, September 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNubian Dream 5:57\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNew Project Jazz Orchestra, Renzo Vigagni, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Rosmini, Rovereto, December 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInverno 7:31(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscar Del Barba Ensemble, feat, Mauro Negri, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, Padova, April 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO B - 18:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRadames 3:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Metronomes, feat. Michele Giacomazzi, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Papillons Studio, Padova, January 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Pink Panther Theme 6:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Condulmer Recording Studio, Zerman, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmor em paz 5:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet, feat. Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Magister Recording Area, Preganziol, November 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI’m On My Way 2:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Traditional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Public Auditorium, Chiuppano, October 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO C - 18:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrimavera Portena 7:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStravinsky Chamber Orchestra, Marco Tezza, piano solo \u0026amp; conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, April 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Paquito D’Rivera)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Carbonare, clarinet \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLunas de cielo griz 2:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Studio A, Padova, June 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEl pueblo unido jamas serà vencido 4:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Sergio Ortega, Quilapayùn)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at MLH, Naquera (Spain), September 2023\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO D - 19:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConcert in A Major K622\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efor Clarinet and Orchestra: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Verdi, Padova, October 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI Sogni di Gianò:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa fisarmonica e il bambino 7:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Fabio Framba, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, September 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll recordings made in Italy, except for C4 made in Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn sentito ringraziamento a tutti quei musicisti che hanno contribuito a rendere grande Velut Luna in questi suoi primi 30 anni.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIngeniero de sonido: Marco Lincetto a menos que se indique lo contrario\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiseño gráfico: L’Image \/ Foto de portada: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl bambino nell’immagine di copertina sono io. All’età di due anni. Era il 1963.\u003cbr\u003eDa che mi ricordo, ho sempre amato ascoltare i dischi. Certamente per via della mia storia famigliare, con mio papà che fu illustre pianista classico e compositore raffinato, e mia mamma cantante lirica.\u003cbr\u003eMa certamente in quegli anni della prima infanzia era grande il fascino che suscitavano in me quei padelloni neri che giravano sul vecchio giradischi di famiglia e da cui uscivano le mie favole preferite, narrate da grandi voci di grandi attori (ricordo ad esempio, Nando Gazzolo e la sua Cappuccetto Rosso, e Hansel e Grethel, e Pollicino, i cui dischi ho letteralmente consumato...).\u003cbr\u003eAttorno agli otto o nove anni il passaggio dalle favole ai 45 giri dei Beatles alla fine della loro carriera (Obladì, Obladà), oppure a quella sonorità inconsueta e sconosciuta del Theremin usato in Good Vibrations dei Beach Boys, fu un fatto del tutto naturale.\u003cbr\u003eE quando a 13 anni cominciai progressivamente a scoprire Santana, i Pink Floyd, i Genesis, etc.etc.etc., uniti alla lettura di Suono e Stereoplay, fu altrettanto naturale incapricciarmi con le immagini dei grandi registratori a bobine dell’epoca, adatti agli allora rari home studio.\u003cbr\u003eIl mio primo amore, tanto sognato e mai posseduto, fu il Tascam 80-8, otto tracce su nastro da mezzo pollice. E i microfoni dei sogni erano i Sennheiser, gli MD441 e gli MD421... Ma il sogno vero era “farmi lo studio”... cosa che resterà per lungo tempo solo, appunto, un sogno. Quando infine a 19 anni conobbi la musica di Jim Croce e capii che... “Si-Può-Fare!” (cit.), fu il momento in cui mi fu chiaro che presto o tardi, io avrei fatto quel lavoro, avrei “fatto i dischi”.\u003cbr\u003eE il resto è storia...\u003cbr\u003e\u003cbr\u003eLa mia cultura, la mia tradizione, le mie esperienza fondamentali, sono ANALOGICHE. Anche se da subito, all’inizio della mia carriera professionale nel 1992, sono stato un alfiere del digitale di qualità, non ho mai abbandonato l’analogico e soprattutto non ho mai abbandonato la “mentalità analogica”.\u003cbr\u003eEcco quindi arrivare questo secondo volume delle mie registrazioni più amate, più significative di oltre trent’anni di attività di produzione con VELUT LUNA. Come già nel volume 1, ogni lato dei quattro che compongono questo doppio vinile è tematico e dedicato alle grandi Big Band, che si muovono fra il jazz e il crossover etnico (Lato A), il jazz in formato club, dallo swing all’italiana dei The Metronomes, al gospel di Cheryl Porter (Lato B), la musica sud americana e latina, per me importantissima e colonna portante del mio sentimento più profondo (Lato C), ed infine la grande\u003cbr\u003emusica classica, qui tradotta nel meraviglioso Concerto per Clarinetto, di Mozart e il movimento finale dalla Suite Sinfonica “I Sogni di Gianò”, di mio papà Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e...E arrivederci al terzo e ultimo volume di questa mia “summa”, previsto in pubblicazione a febbraio 2025, in occasione del 30° anniversario della nascita di VELUT LUNA.\u003c\/p\u003e\n\u003cp\u003eMarco Lincetto\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; 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Questa incisione riunisce due sonate da ognuno dei quattro libri per violoncello e Basso, opere che sono l’intera produzione musicale della sua vita.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996443820379,"sku":"LDV 14098","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14098-cover-sito.jpg?v=1712327480"},{"product_id":"karajan-and-schwarzkopf-recordings","title":"KARAJAN AND SCHWARZKOPF RECORDINGS","description":"\u003cp\u003eWS 121.113 (2 CD)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART, BEETHOVEN, STRAUSS, WAGNER etc.: CONCERT ARIAS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePhilharmonia Orchestra, \u003c\/em\u003e\u003cem\u003e1946-1956 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eELISABETH SCHWARZOPF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHERBERT VON KARAJAN\u003c\/strong\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996444016987,"sku":"WS 121.113","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/113-cover.jpg?v=1712327486"},{"product_id":"karajan-the-columbia-golden-years","title":"KARAJAN: THE COLUMBIA GOLDEN YEARS","description":"\u003cp\u003eURN 22.322 (2 CD)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKARAJAN: THE COLUMBIA GOLDEN YEARS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHAENDEL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWater Music\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(Suite)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSerenade KV 525\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEETHOVEN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeonore III\u003c\/em\u003e, Ouverture\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWAGNER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTannhaeuser,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eOuverture\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMaistersinger\u003c\/em\u003e, Prelude I\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTristan und Isolde\u003c\/em\u003e, Prelude I\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTristan und Isolde\u003c\/em\u003e, Liebestod\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. STRAUSS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn der schoenen blauen Donau\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePONCHIELLI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLa danza delle ore\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDEBUSSY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLa mer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIBELIUS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFinlandia\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/The-Columbia-Golden-Years-The-Favourites\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHERBERT VON KARAJAN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhilarmonia Orchestra, 1952\/1957\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996444082523,"sku":"URN 22.322","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/THE-FAVORITIES-322-COVER.jpg?v=1712327489"},{"product_id":"michelangeli-plays-mozart-schumann","title":"MICHELANGELI PLAYS MOZART \u0026 SCHUMANN","description":"\u003cp\u003e\u003cstrong\u003eMICHELANGELI PLAYS MOZART \u0026amp; SCHUMANN \u003c\/strong\u003e(SP 4250)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConcerto No. 15 KV 450\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSCHUMANN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConcerto in A Minor Op 54\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/MICHELANGELI-PLAYS-MOZART-SCHUMANN\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eRecordings: Lugano, 1956\u003c\/p\u003e\n\u003cp\u003eOrchestra della RTSI by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHermann Scherchen\u003c\/strong\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996446867803,"sku":"SP 4250","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/4250-cover.jpg?v=1712327559"},{"product_id":"mozart-beethoven-piano-sonatas-fischer","title":"MOZART \u0026 BEETHOVEN: PIANO SONATAS, FISCHER","description":"\u003cp\u003eURN 22.175 (1 CD)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART \u0026amp; BEETHOVEN: PIANO SONATAS, FISCHER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePiano Sonata No. 10 in C Major, KV. 330\u003c\/p\u003e\n\u003cp\u003ePiano Sonata No. 11 in A Major, KV 331\u003c\/p\u003e\n\u003cp\u003ePiano Fantasy in C Minor, KV 396\u003c\/p\u003e\n\u003cp\u003ePiano Fantasy in C Minor, KV 475\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEETHOVEN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePiano Sonata No. 3 in A flat Major, OP. 110\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Mozart-Beethoven-Piano-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eLondon, 1933-1947\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEDWIN FISHER\u003c\/strong\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996447097179,"sku":"URN 22.175","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/FISCHER-175-COVER.jpg?v=1712327568"},{"product_id":"mozart-schubert-symphonies-kleiber","title":"MOZART \u0026 SCHUBERT: SYMPHONIES, KLEIBER","description":"\u003cp\u003eURN 22.156 (1 CD)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 4 in G Minor, KV 550\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSCHUBERT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 3 in D Major, D. 200\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 5 in B flat Major, D. 485\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. 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border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Mozart-String-Quartets\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eDESCRIZIONE PRODOTTO\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIl Quartetto Amadeus, con il Quartetto Italiano, in Europa è stata la più famosa formazione da camera della seconda metà del Novecento. Mozart, Beethoven e Schubert hanno ricevuto da questo Quartetto alcune tra le più prestigiose interpretazioni dei loro lavori. In questo bax da 2 CD Urania sono presenti i quartetti più significativi del repertorio mozartiano, incisi dal Quartetto Amadeus tra il 1951 e il 1955. Si tratta di vere pietre miliari della storia dell’interpretazione cameristica.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996447457627,"sku":"WS 121.120","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/120-cover.jpg?v=1712327587"},{"product_id":"pour-connaisseurs-et-amateurs","title":"POUR CONNAISSEURS ET AMATEURS","description":"\u003cp\u003e\u003cstrong\u003ePOUR CONNAISSEURS ET AMATEURS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1-2 Leopold Kozeluch –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDuo in F Majo\u003c\/em\u003er *\u003cbr\u003e3-5 Ignaz Joseph Pleyel –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in G Minor\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e*\u003cbr\u003e6-8 Ernst Wilhelm Wolf –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in C Major\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e*\u003cbr\u003e9-10 Johann Christian Bach –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in A Major\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e**\u003cbr\u003e11 – Ferdinand Ries –\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eIntroduction \u0026amp; Polonaise\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e***\u003cbr\u003e12-13 Friedrich Wieck –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGeschwind Walzer – Polonaise\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e***\u003cbr\u003e14-15 Carl Czerny –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIntroduzione \u0026amp; Allegro agitato, Op. 264 – Rondeau militaire on Mozart Figaro’s theme, Op. 461\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e***\u003c\/p\u003e\n\u003cp\u003e* on harpsichord **on fortepiano *** on piano\u003c\/p\u003e\n\u003cp\u003e1 CD\u003cbr\u003eANGELA LAZZARONI – CHIARA NICORA\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Pour-connaisseurs-et-amateurs\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996447785307,"sku":"LDV 14043","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14043-cover-sito.jpg?v=1712327600"},{"product_id":"schale-5-harpsichord-sonatas","title":"SCHALE: 5 HARPSICHORD SONATAS","description":"\u003cp\u003e\u003cstrong\u003eSCHALE: 5 HARPSICHORD SONATAS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003efrom Opus 1,2 \u0026amp; 3\u003c\/p\u003e\n\u003cp\u003eSonata in A minor No. 6, Op. 3\u003c\/p\u003e\n\u003cp\u003eSonata in G Major No. 4, Op. 2\u003c\/p\u003e\n\u003cp\u003eSonata in D Major No. 3, Op. 1\u003c\/p\u003e\n\u003cp\u003eSonata in C Major No. 5, Op. 1\u003c\/p\u003e\n\u003cp\u003eSonata in D mino No. 6, Op. 2\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Schale-Harpsichord-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eFirst world recording\u003c\/p\u003e\n\u003cp\u003eLUIGI CHIARIZIA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVioloncellista, organista, compositore, Schale si colloca in quel periodo storico in cui inizia a farsi strada un nuovo modo di comporre per clavicembalo, attraverso stilemi compositivi che caratterizzeranno il classicismo. Nelle sue Sonate per tastiera si individua l’anello di congiunzione che ha permesso di approdare alla vera e propria Sonata classica di Haydn e di Mozart.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996449161563,"sku":"LDV 14048","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14048-covernaxos.jpg?v=1712327652"},{"product_id":"schuricht-conducts-mozart-and-beethoven","title":"SCHURICHT CONDUCTS MOZART AND BEETHOVEN","description":"\u003cp\u003eURN 22.211 (1 CD)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOZART\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConcerto No. 9 in E Flat Major, KV. 271\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEETHOVEN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 3 in E Flat Major, Op. 55 “Eroica”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClara Haskil\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCARL SCHURICHT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStuckard Radio Symphony Orchestra, 1952\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996451914075,"sku":"URN 22.211","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SCHURICHT-211-COVER.jpg?v=1712327671"},{"product_id":"violin-concertos-tibor-varga","title":"VIOLIN CONCERTOS - TIBOR VARGA","description":"\u003cp\u003eVIOLIN CONCERTOS – TIBOR VARGA\u003c\/p\u003e\n\u003cp\u003eL.V. BEETHOVEN:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViolin Concerto, Op. 61\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eM. BRUCH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViolin Concerto No, 1, Op. 26\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eW.A. MOZART:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViolin Concerto No. 1, KV 207\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eP.I. TCHAIKOVSKY:\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eViolin Concerto, Op. 35\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded 1953-1966\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIBOR VARGA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Beethoven-Bruch-Mozart-Tchaikovsky-Violin-Concertos\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996459254107,"sku":"WS 121.363","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/363-cover-per-sito.jpg?v=1712327802"},{"product_id":"wanhal-sonata-for-clarinet-and-fortepiano","title":"WANHAL: SONATA FOR CLARINET AND FORTEPIANO","description":"\u003cp\u003eLDV 14004 (1 CD)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJOHANN BAPTIST WANHAL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSONATA FOR CLARINET AND FORTEPIANO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata in C Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata in B-Flat Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata in E-Flat Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTheme und Variations°\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQuid Ultra inquire°\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e*First World Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLUIGI MAGISTELLI\u003c\/strong\u003e, clarinet – \u003cstrong\u003eCHIARA NICORA,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efortepiano – \u003cstrong\u003eMARGHERITA TOMASI\u003c\/strong\u003e, sopran\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Vanhal-Clarinet-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDESCRIZIONE PRODOTTO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJ. B . Wanhal ( nome originale in ceco Jan Krtitel Vanhal ) appartenne a quella lunga schiera di compositori ed esecutori\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eboemi di un certo spessore che si distinsero nell’ambiente viennese nella seconda metà del diciottesimo secolo. Egli scrisse ben 700 composizioni, di cui almeno 73 sinfonie, 100 quartetti, 95 composizioni di musica sacra e un gran numero di composizioni cameristiche impiegando diversi strumenti a fiato fra cui il clarinetto,il più giovane strumento rappresentate della famiglia dei fiati che stava evolvendosi dal punto di vista organologico per diventare uno degli strumenti preferiti nelle composizioni cameristiche e solistiche dei grandi compositori classici. Wanhal fu in contatto con Mozart e Haydn e ne assorbì senza alcun dubbio l’influsso stilistico. Wanhal scrisse diverse composizioni in trio per clarinetto, fagotto e basso ( o due clarinetti e basso,incise dallo scrivente\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eper l’etichetta ceca Arta ) 6 Trii con violino, clarinetto e basso ,due Quartetti per clarinetto e archi e un concerto per clarinetto in do e orchestra. Le tre Sonate per clarinetto e fortepiano (o per clavicembalo e clarinetto o violino, viola e perfino violoncello, come compare nella dicitura del frontespizio delle prime edizioni a stampa di queste composizioni) sono da annoverare fra le prime Sonate classiche composte per clarinetto e fortepiano (clavicembalo o pianoforte). Le Sonate di Wanhal furono concepite con il tipico assetto formale classico in tre tempi,con elementi di transizione fra lo stile tardo barocco e quello classico. La Sonata in Do maggiore richiede\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003el’uso del clarinetto in do e fu pubblicata dalla casa editrice viennese Sauer nel 1800. Le edizioni moderne hanno operato il trasporto\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ein sib per una maggiore fruibilità della composizione stessa, ma in questo modo il carattere incisivo, brillante e gioioso che la contraddistingue viene parzialmente a mancare. Nel presente Cd viene usato il clarinetto in do per conservare e rispettare l’idea originale del compositore. Il clarinetto fu quindi uno strumento piuttosto congeniale a Wanhal.Il Tema con Variazioni non è a dire il vero una composizione ascrivibile in modo certo a Wanhal. Il manoscritto non autografo che reca il nome di questo compositore si trova nella biblioteca dell’Istituto Musicale “O. Vecchi” di Modena. La scrittura è tipicamente classica con un semplice e disincantato tema variato con coda dal carattere risolutivo e brillante. Alcune figurazioni ritmiche e tematiche ci possono tuttavia\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ericondurre allo stile di Wanhal. L’Aria “Quid ultra inquire” per soprano con clarinetto obbligato e orchestra ( qui ridotta con accompagnamento pianistico a cura di Nico Bertelli che per primo l’ha pubblicata) incisa in questo Cd per la prima volta, rispecchia una prassi frequente che ebbe origine in età classica ma che si sviluppò in modo consistente anche in\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003equella romantica di accostare il clarinetto , da sempre definito come uno degli strumenti a fiato dalle caratteristiche timbrico-espressive più vicine alla voce umana.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996459614555,"sku":"LDV 14004","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14004-cover.jpg?v=1712327813"},{"product_id":"e-siprutini-cello-sonatas-op-iii-op-v","title":"E. SIPRUTINI: CELLO SONATAS, OP. III \u0026 Op. V","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eE. SIPRUTINI: CELLO SONATAS, OP. III \u0026amp; Op. V \u003c\/span\u003e\u003c\/strong\u003e(LDV 14094)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEMANUEL SIPRUTINI\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Emmanuel Shiprut)\u003c\/p\u003e\n\u003cp\u003e(Netherlands 1730 – London 1790)\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR a VIOLONCELLO WITH BASS Op. III (London, 1764)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in D minor\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in G Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in A minor\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in C Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR a VIOLONCELLO WITH BASS Op. V (London, about 1765)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in C Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in A Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in G Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in G Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCLAUDIO RONCO – EMANUELA VOZZA\u003cbr\u003eOn original instruments\u003c\/p\u003e\n\u003cp\u003e2 CD\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Siprutini-Cello-Sonatas-Opp3-5\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDella nascita e degli studi di Emanuel Siprutini non sappiamo nulla, se non che l’italianizzazione del suo nome ebraico, Shiprut, parrebbe indicare la sua appartenenza alla scuola violoncellistica italiana, di gran moda all’epoca. Intorno al 1750 si hanno notizie di suoi concerti in Olanda, dove era attivo anche come commerciante di vino, e verso il 1755 si stabilì a Londra come concertista e insegnante di violoncello. Leopold Mozart lo incontrò nel 1764 durante il suo viaggio in Inghilterra e, colpito dal suo talento musicale, tentò di convincerlo a convertirsi al cristianesimo, ma senza riuscirci. Lasciò sette libri di sonate per il violoncello che certamente i Mozart possedettero, come vien da pensare ritrovandone tracce e frammenti nelle più note opere di Wolfgang Amadeus.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eENGLISH VERSION\u003c\/p\u003e\n\u003cp\u003eOf the birth and studies of Emanuel Siprutini we know nothing, except that the Italianization of his Hebrew name, Shiprut, would seem to indicate, if anything, the belonging to an italian school and style, if only for con-venience (Italian cellists were the most appreciated). Around 1750 there are records of his concerts in Holland, where he was also active as a wine merchant, and few years later he settled in London as a concert performer and cello teacher. Leopold Mozart met him in 1764 while visiting England, and struck by his talent tried to convince him to convert to Christianity. Emanuel refused and remained serenely Jewish, cellist and wine trader. He left seven books of sonatas for the cello, which the Mozarts certainly possessed, as is to be believed, finding traces and shreds of ideas in the works of Wolfgang.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"CD","offer_id":47997198270811,"sku":"LDV 14094","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14094-cover-sito.jpg?v=1712339174"},{"product_id":"papier-mache-federica-artuso","title":"Papier-Maché - Federica Artuso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePapier-Maché \u003c\/b\u003e(CVLD365)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDisponibile in: \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eLP Top Clear Vinyl+ FILE HD\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCD Gold\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eFile HD\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMaría Luisa Anido (1907- 1996)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAire norteño\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl misachico\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMinueto del “Don Juan” de Mozart\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanción del Yucatán\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e05 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBoceto Indígena\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eAbel Fleury (1903-1958)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003ealso published as “Melodia popular argentina” by María Luisa Anido\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e06 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMilonguea del Ayer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e2:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eManuel Ponce (1882-1948)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTres canciones populares mexicanas\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e07 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Pajarera\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e1:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e08 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePor ti mi corazón\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e3:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e09 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Valentina\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eEnrique Granados (1867-1916)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003etrascr. M. Llobet\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e10 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDanza española n.5, Andaluza\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMiguel Llobet (1878-1938)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e11 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl Testament de n’\u003c\/b\u003e\u003cspan style=\"font-family: Times Roman, serif;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eAmèlia\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e12 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanço de lladre\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eFrancisco\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eTárrega\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e(1852-1909)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e13 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMaría\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eGavota\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e14 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlborada Caixa de Música\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e15 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdelita Mazurka\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJulián\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eArcas (1832- 1882)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e16 -\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSoleà\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e17 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBolero\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJuan Parga (1843 - 1899)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e18 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMi lira, op.8 n.1\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e19 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGuajira, op.5 n.2\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCarlos Garcia Tolsa (1858-1905)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e20 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAl fin solos\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTotal time:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e59:13\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Papier-Mache\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003ePapier-Mâché guitars made by Fabio Zontini (2023) inspired by Torres FE14 (1862\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eStrings\u003c\/strong\u003e\u003cbr\u003eFor the recording of “Al fin solos” and “Adelita” were used: Rayon basses \/ 2nd and 3rd gut strings \/ 1st nylgut string. For the recording of the rest of the repertoire were used: Gut strings for trebles \/ Rayon for basses\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e - - - - - - - - - - - - - - - - - \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eUNA STORIA MISTERIOSA\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDon Antonio, non dovete portare nella tomba il segreto delle vostre chitarre…”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“…\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003emi è impossibile tramandarlo ai posteri”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eQuello della Papier-Mâché di Torres è stato \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eun caso unico\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e nella storia della liuteria non solo chitarristica: Antonio de Torres (1817-1892), considerato oggi lo Stradivari delle sei corde, fu il primo e, che si sappia, l’unico a costruire nel 1862 un esemplare di strumento Papier-Mâché. Questa chitarra, paradossalmente, a dispetto della sua apparente umiltà, restituisce un mondo sonoro affascinante, misterioso e unico. Dal momento che \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003el’originale\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, conservato al Museo della Musica di Barcellona, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003enon e’ più in grado di esprimere la propria voce, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003el’album ha lo scopo di far riscoprire e rivivere le peculiari caratteristiche timbriche e sonore di questo interessante strumento attraverso l’utilizzo di due copie ad esso ispirate.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eIl \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eliutaio Fabio Zontini\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e ha raccolto la sfida lanciata da Torres e da quasi vent’anni si occupa della costruzione di copie Papier-Mâché. I due esemplari utilizzati da Federica Artuso per la registrazione sono stati realizzati tra aprile e settembre 2023 e pesano entrambi (incredibilmente) appena 995 grammi. Montano inoltre corde in budello naturale. Zontini ha quindi tracciato una sorta di collegamento con il grande Torres, cogliendo una specie di esperimento-prototipo del liutaio andaluso, e provando con successo a diffonderlo ai giorni nostri.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eLa Papier-Mâché è una sorta di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003econtraddizione vivente\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e proprio per la contrapposizione tra il materiale povero di cui è fatta e il risultato sonoro artisticamente sorprendente. E ispirandosi a questa contrapposizione, è stato registrato un programma emblematico di quel paradosso che incarna l’identità della chitarra, sempre \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ein bilico tra l’anima povera\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, autentica e popolare da un lato \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ee l’Olimpo della musica colta\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e dall’altro. Le musiche qui registrate sono tutte di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003echitarristi-compositori\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e che sono \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003evissuti all’epoca della chitarra di cartone\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e o che hanno avuto a che fare con gli strumenti di Torres. Questi chitarristi sono parte di quella tradizione esecutiva e di quella poetica sonora di cui la Papier-Mâché è emblema. Alcuni dei brani, pur essendo stati scritti da compositori non chitarristi, fanno parte di quel repertorio in cui più si identificano le sei corde.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eArcas e Parga* \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003etentarono di elevare la chitarra a strumento colto, senza riuscire ad emanciparsi totalmente dalle reminiscenze flamenche. Il loro stile si adatta perfettamente all’\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eessenzialità arcaica \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003edel suono della Papier-Mâché e le loro musiche, pur fortemente radicate nel linguaggio popolare, ci conducono poco per volta allo stile borghese e salottiero di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eGarcia Tolsa*\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e e di \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eTarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, allievi di Arcas. La loro musica non è più soltanto per coloro a cui scorre nelle vene sangue flamenco o per quelli che ritengono l’opera lirica l’unica musica colta. È musica che piace agli intellettuali e, se ammette qualche danza, lo fa a patto che sia da salotto. Dal punto di vista dei musicisti, a differenza dei suoi predecessori, Tarrega riesce a confezionare gli slanci espressivi in forme totalmente compiute.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMiguel Llobet\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, allievo di Tarrega, è noto come compositore soprattutto per la sua versione chitarristica delle \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCanciones populares catalanas\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e. Nella parte di programma che lo riguarda si propone anche un repertorio di cui non è autore, ma che lo rappresenta fedelmente e dove si colgono tutte le novità portate dal suo estro creativo, che fanno emergere ciò che della chitarra è più caratteristico.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMaria Luisa Anido\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e fu allieva di Llobet, nonché sua partner in duo di chitarre. La musicista argentina fu una tra gli ultimi chitarristi negli anni ’50 ad utilizzare le corde in budello -ormai difficilmente reperibili- e, tra l’altro, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003efu proprietaria proprio della Torres di Tarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e (1864, FE17). Anido è l’emblema dell’immagine della chitarra come spartiacque tra il mondo della musica folklorica e quella della musica colta, contrapposizione che probabilmente non si risolverà mai completamente. Ce lo dimostrano le sue irresistibili trascrizioni dai grandi classici come Bach, Mozart, Tchaikowsky e i suoi brani sudamericani, pulsanti di energia indigena.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #984806;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eI brani di Parga e Garcia Tolsa non sono contenuti nella versione in vinile.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/post\/papier-mache.html\" target=\"_blank\"\u003eLeggi tutto sul nostro blog\u003c\/a\u003e\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eDISPONIBILE ANCHE IN:  \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077056\/papier-mache-lp-180gr-su-top-clear-vinyl-\" target=\"_blank\"\u003e\u003cspan\u003eLP 180gr. su Top Clear Vinyl\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-  \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077093\/papier-mache-lp-180gr-su-top-clear-vinyl-gold-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan\u003eBUNDLE\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n88.2kHz \/ 24bit digital recording made at Magister Recording Area, Pereganziol (Italy) on January 5, 6, 7, 8, 2024 Analog Mix and Mastering made at MLS Studio, Naquera (Spain), on April, 5, 6, 2024\u003cbr\u003e\u003cbr\u003eProduction: Marco Lincetto, Federica Artuso, Fabio Zontini\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eMusical producer on stage: Andrea Bissoli\u003cbr\u003eEditing: Federica Artuso\u003cbr\u003eCover photo: Diego Ferrini, Vicenza\u003cbr\u003eEnglish translation by Maria Michela Camerlengo\u003cbr\u003eDesign: L’Image\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"LP 33rpm","offer_id":49971329597787,"sku":"CVLD365LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"GOLD CD","offer_id":49971296665947,"sku":"CVLD365GOLDCD","price":21.9,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":48427947098459,"sku":"CVLD365","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD365B-cover.jpg?v=1748505599"},{"product_id":"dsd-hi-res-audio-sampler-vol-2","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.2","description":"\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.2\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e1. \u003cstrong\u003eFinale\u003c\/strong\u003e (09’32) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH190 - Béla Bartók: Concerto For Orchestra)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e2. \u003cstrong\u003eKräftig, bewegt, doch nicht zu schnell\u003c\/strong\u003e (07’55) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH191 - Gustav Mahler: Symphony no. 1 in D major)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e3. \u003cstrong\u003eConfutatis\u003c\/strong\u003e (03’03) DSD64\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH193 - Wolfgang Amadeus Mozart: Requiem KV 626)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e4. \u003cstrong\u003eL'Estate - Presto\u003c\/strong\u003e (2’49) WAV96\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH200 - Antonio Vivaldi: Le Quattro Stagioni Op. 8)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e5. \u003cstrong\u003eVivaldi: Concertoin A Minir.,RV 523\u003c\/strong\u003e (12’40) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH201 - Baroque Festival)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e6. \u003cstrong\u003eFortuna, Imperatrix Mundi\u003c\/strong\u003e (03'54) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH202 - Carl Orff - Carmine Burana)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e7. \u003cstrong\u003eStürmisch Bewegt. Mit größter Vehemenz\u003c\/strong\u003e (13’04) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH211 - Gustav Mahler: Symphony no. 5 in C Sharp Minor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e8. \u003cstrong\u003eThe Year 1812, Op. 49\u003c\/strong\u003e (15’30) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH226 - Pyotr Ilijc Tchaikovsky: Capriccio italien, Marche slave, Romeo and Juliet, The Year 1812)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003eTotal Time: 01:08:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538023362907,"sku":"CBHSAMPLER24","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dsdsampler2.png?v=1772820861"},{"product_id":"maria-callas-the-rai-concerts-oliviero-de-frabitiis-alfredo-simonetto-orchestra-sinfonica-della-rai","title":"Maria Callas The RAI Concerts - Oliviero De Frabitiis - Alfredo Simonetto Orchestra Sinfonica della RAI","description":"\u003ch2\u003e\u003cstrong\u003eMARIA CALLAS: The RAI Concerts (CBH203)\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eVerdi: Macbeth\u003cbr data-mce-fragment=\"1\"\u003e1. “Vieni! T’affretta” \u003cstrong\u003e(06’05)\u003c\/strong\u003e*\u003cbr data-mce-fragment=\"1\"\u003eVerdi: Nabucco\u003cbr data-mce-fragment=\"1\"\u003e2. “Anch’io dischiuso un giorno” \u003cstrong\u003e(08’14)\u003c\/strong\u003e*\u003cbr data-mce-fragment=\"1\"\u003eDonizetti: Lucia di Lammermoor\u003cbr data-mce-fragment=\"1\"\u003e3. “Il dolce suono” \u003cstrong\u003e(12’23)\u003c\/strong\u003e*\u003cbr data-mce-fragment=\"1\"\u003eDelibes: Lakmè\u003cbr data-mce-fragment=\"1\"\u003e4. “Dov’è l’indiana bruna” \u003cstrong\u003e(07’41)\u003c\/strong\u003e*\u003cbr data-mce-fragment=\"1\"\u003eMozart: Il ratto dal serraglio\u003cbr data-mce-fragment=\"1\"\u003e5. “Tutte le torture” \u003cstrong\u003e(08’40)\u003c\/strong\u003e**\u003cbr data-mce-fragment=\"1\"\u003eMeyerbeer: Dinorah\u003cbr data-mce-fragment=\"1\"\u003e6. “Ombra leggera” \u003cstrong\u003e(06’49)\u003c\/strong\u003e**\u003cbr data-mce-fragment=\"1\"\u003eCharpentier: Louise\u003cbr data-mce-fragment=\"1\"\u003e7. “Depuis le jour” \u003cstrong\u003e(06’03)\u003c\/strong\u003e**\u003cbr data-mce-fragment=\"1\"\u003eGluck: Armida\u003cbr data-mce-fragment=\"1\"\u003e8. “D’amor al dolce imperio” \u003cstrong\u003e(06’43)\u003c\/strong\u003e**\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOrchestra Sinfonica di Roma della RAI\u003cbr\u003eOliviero De Frabitiis, conductor*\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOrchestra Sinfonica di Milano della RAI\u003cbr\u003eAlfredo Simonetto, conductor**\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRecorded live in Rome and Turin in 1952-1954\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538052854107,"sku":"cbh-203-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538052886875,"sku":"cbh-203-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538052919643,"sku":"cbh-203-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538052952411,"sku":"cbh-203-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538052985179,"sku":"cbh-203-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/203cover.jpg?v=1718893501"},{"product_id":"mozart-requiem-kv-626-hermann-scherchen-wiener-philharmoniker","title":"Mozart Requiem KV 626 - Hermann Scherchen Wiener Philharmoniker","description":"\u003ch3\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWolfgang Amadeus Mozart: Requiem KV 626 (CBH193)\u003c\/b\u003e\u003c\/i\u003e\u003c\/h3\u003e\n\u003cp\u003e1. Requiem \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(06’59)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e2. Kyrie \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(03’11)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e3. Dies irae \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(01’43)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e4. Tuba mirum \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(05’11)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e5. Rex tremendae \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(01’53)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e6. Recordare \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(07’23)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e7. Confutatis \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(03’03)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e8. Lacrymosa \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(02’54)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e9. Domine Jesu \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(04’54)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e10. Hostias \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(04’11)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e11. Sanctus \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(0’26)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e12. Benedictus \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(07’54)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e13. Agnus Dei \u003cb style=\"color: #000000; font-size: 1.0em;\" data-mce-fragment=\"1\"\u003e(04’28)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cstrong\u003eSena Jurinac\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eSoprano Vocals\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLucretia West\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eAlto Vocals\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eHans Loeffler\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eTenor Vocals\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFrederick Guthrie\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eBass Vocals\u003c\/span\u003eas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eVienna Academy Chamber Choir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eChorus Master – \u003cstrong\u003eGünther Theuring\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eWiener Philharmoniker\u003c\/span\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor: \u003cstrong\u003eHermann Scherchen\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eRecording: Vienna, June 13-15,1958\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eProducer: Harold Lawrence\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci style=\"font-size: medium;\"\u003eSound Engineer: Robert Fine\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -3px; top: 27.6667px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538063307099,"sku":"cbh-193-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538063339867,"sku":"cbh-193-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538063372635,"sku":"cbh-193-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538063405403,"sku":"cbh-193-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538063438171,"sku":"cbh-193-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/193cover_95f271c9-5087-461f-b082-f62f6e944aca.png?v=1718893570"},{"product_id":"notte-di-natale-trio-armonie-capricciose","title":"NOTTE DI NATALE - TRIO ARMONIE CAPRICCIOSE","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eNOTTE DI NATALE \u003c\/strong\u003e(\u003cspan\u003eCVLD064\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e:  \u003cspan id=\"autore\"\u003eMENDELSSOHN, GAUNTLETT, GHIGNOTTI, KIRKPATRICK, PIERPONT, MARENA, MOZART, GRUBER, BRAHMS, LANDRONI, BERLIN\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: TRIO ARMONIE CAPRICCIOSE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - The first Nowell\u003cbr\u003e02 - Hark! The herald angels sing\u003cbr\u003e03 - O Tannenbaum\u003cbr\u003e04 - Once, in royal David's city\u003cbr\u003e05 - We wish you a merry Christmas\u003cbr\u003e06 - Notte di Natale\u003cbr\u003e07 - Away in a manger\u003cbr\u003e08 - Jingle Bells!\u003cbr\u003e09 - Deck in the hall\u003cbr\u003e10 - La Madonna e il Bambin Gesù\u003cbr\u003e11 - La Sacra Famiglia\u003cbr\u003e12 - Natale\u003cbr\u003e13 - Wiegenlied\u003cbr\u003e14 - Stille nacht\u003cbr\u003e15 - Les angres dans nos compagnes\u003cbr\u003e16 - While shepherds watched their flocks\u003cbr\u003e17 - Intorno al fanciullin Gesù\u003cbr\u003e18 - Ninna nanna\u003cbr\u003e19 - Adeste, fideles\u003cbr\u003e20 - Dolcezza\u003cbr\u003e21 - White Christmas\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Maria-Cleof-Miotti\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: original compositions by F. Mendelssohn, Henry J. Gauntlett, G.A. Ghignotti, William J. Kirkpatrick, J. Pierpont, Andrea Marena, W. A. Mozart, F. X. Gruber, Johannes Brahms, Gianni Landroni, Irving Berlin. Trio Armonie Capricciose: Maria Cleofe Miotti, mandolin \/ Gianni Landroni, guitar \/ Laura Manzoni, vocal 24Bit \/ 96 kHz Digital Recording. Live in studio at Pieve di Borgo Capanne, Granaglione (Bologna, Italy) July, 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJingle Bells, Stille Nacht, Adeste Fideles, White Christmas, O Tennenbaum, sono solo alcune delle canzoni contenute in questo CD che propone i classici temi natalizi eseguiti con straordinaria efficacia da originale Trio per chitarra, mandolino e voce.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034935431515,"sku":"CVLD064CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":49748376682843,"sku":"CVLD064","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/064-cover.jpg?v=1734913340"},{"product_id":"the-early-years-chopin-mozart-armellini","title":"THE EARLY YEARS: CHOPIN, MOZART - ARMELLINI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eTHE EARLY YEARS\u003c\/strong\u003e  (CVLD\u003cspan\u003e156\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eCompositori\u003c\/strong\u003e:  Chopin, Mozart\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: Leonora Armellini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFRYDERYK CHOPIN\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConcerto n. 2 in Fa minore, per pianoforte e orchestra, op.21\u003c\/em\u003e\u003cbr\u003e01 - Maestoso, 13:44\u003cbr\u003e02 - Larghetto, 8:46\u003cbr\u003e03 - Allegro vivace, 9:35\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrande Polonaise brillante, précédée d’un Andante spianato, op.22\u003c\/em\u003e\u003cbr\u003e04 - Tranquillo, Semplice, Allegro molto, Meno mosso, 14:49\u003cbr\u003e\u003cem\u003eOrchestra di Padova e del Veneto, Anton Nanut, conductor\u003c\/em\u003e\u003cbr\u003eLive recording made at Auditorium Pollini, Padova, January, 2007\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWOALFGANG AMADEUS MOZART\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConcerto n.27 in Si bemolle maggiore, per pianoforte e orchestra, KV595\u003c\/em\u003e\u003cbr\u003e05 - Allegro, 13:28\u003cbr\u003e06 - Larghetto, 8:05\u003cbr\u003e07 - Rondò, Allegro, 8:59\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Alpe Adria” Youth Philarmonic Orchestra, Luigi Pistore, conductor\u003c\/em\u003e\u003cbr\u003eLive recording made at Auditorium della Cultura Friulana, Gorizia, December 2008\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 77:28\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/LeonoraArmellini\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original \u003cstrong\u003eaudiophile recordings\u003c\/strong\u003e\u003cbr\u003eSound Engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRemix and Remastered by \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003efrom original Multi Tracks HD files at \u003cstrong\u003eVelut Studios\u003c\/strong\u003e on August, 28th, 2016\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993716760923,"sku":"CVLD156CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49801116189019,"sku":"CVLD156","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/156-cover.jpg?v=1735738123"},{"product_id":"choral-fireworks-schola-s-rocco-archicembalo-ensemble-francesco-erle","title":"CHORAL FIREWORKS - SCHOLA S. ROCCO, ARCHICEMBALO ENSEMBLE, FRANCESCO ERLE","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eCHORAL FIREWORKS \u003c\/strong\u003e(\u003cspan\u003eCVLD206\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eBACH, HANDEL, MOZART, MENDELSSOHN BARTHOLDY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eSCHOLA S. ROCCO, ARCHICEMBALO ENSEMBLE CONDUCTOR FRANCESCO ERLE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - JS Bach - Cantata BWV 36\u003cbr\u003e02 - JS Bach - Cantata BWV 61\u003cbr\u003e03 - JS Bach - Cantata BWV 62\u003cbr\u003e04 - JS Bach - Cantata BWV 147a\u003cbr\u003e05 - JS Bach - ibidem, Coro-JesusBleibet meineFreunde\u003cbr\u003e06 - JS Bach - Cantata BWV 186a\u003cbr\u003e07 - JS Bach - ibidem, Coro-Ob sich's aliess', alswolt er nicht\u003cbr\u003e08 - JS Bach - Cantata BWV 70a\u003cbr\u003e09 - GF Haendel - dal Messiah Hw56-And The Glory Of The God Shall Be Revealed\u003cbr\u003e10 - GF Haendel - dal Messiah Hw56-And He Shall Purify The Sons Of Levi\u003cbr\u003e11 - WA Mozart - Misericordias Domini, Kv 222\u003cbr\u003e12 - F Mendelssohn Bartholdy - Te Deum laudamus\u003cbr\u003e13 - F Mendelssohn Bartholdy - Tibi omnes Angeli\u003cbr\u003e14 - F Mendelssohn Bartholdy - Tibi Cherubim\u003cbr\u003e15 - F Mendelssohn Bartholdy - Per singulos dies\u003cbr\u003e16 - F Mendelssohn Bartholdy - Fiat misericordia tua\u003cbr\u003e17 - GF Haendel - dal Messiah-Halleluja\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/ChoralFireworks\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL. Original compositons by J. S. Bach, G. F. Handel, W. A. Mozart, F. Mendelssohn Bartholdy.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSchola S. Rocco, Orchestra Barocca Archicembalo Ensemble conductor Francesco Erle.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 bit\/88.2 kHz recording made at Basilica di S. Felice Vicenza on December 19, 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLasciamo volentieri alle parole del Maestro Francesco Erle la presentazione di questo spettacolare disco dal vivo per coro e grande orchestra, Concerto registrato dal vivo per i Concerti del Centenario della Società del Quartetto di Vicenza nella Basilica di S.Felice il 19 dicembre 2009.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“La verità è che decidemmo di registrare questo concerto con Marco Lincetto proprio all'ultimo minuto: non potevamo resistere e provare a riprendere l'ultimo di una felicissima serie di concerti (a Verona in S.Eufemia il 14, a Trento in S.Francesco Saverio il 15, a Innsbruck in Duomo il 16 e a Bolzano in Duomo il 17 dicembre 2009) che si era trasformata in un susseguirsi di serate dal clima esecutivo di grande energia e di quella simbiotica empatia che così raramente si crea tra direttore, orchestra e coro. Avevo proposto a Giorgio Meneghini l'estate precedente un coraggioso programma che rappresentava l'ultima versione di una semplice ma virtuosa idea, i concerti iniziati molti anni prima alla Scuola Grande di San Rocco a Venezia che il titolo “Choral Fireworks” sintetizzava come un atto di credo musicologico particolare: la scrittura dei sommi compositori nello stendere i forti colori dei grandi cori con orchestra era al tempo stesso sufficiente da una parte a creare unità programmatica e interesse scientifico, dall'altra occasione di grande godimento per un pubblico che si trovava di fronte a quella che, dal punto di vista degli esecutori, era una scintillante maratona di virtuosismi e fortissime espressioni. Come si vede dalla elenco dei brani, in tutto e per tutto avevo voluto rispettare la proprietà liturgica dei testi, e per coronare lo sforzo mi ero anche cimentato in una fatica-impresa personale se si vuole anche rischiosa, stendere una versione orchestrale scientificamente corretta delle parti più adatte al concerto del Te Deum che il giovanissimo Mendelssohn aveva lasciato steso solo per doppio coro e un basso continuo nemmeno completato. La sera ripresa nel disco, superate le difficoltà di una abbondante nevicata, si rivela foto che solo con coraggio avremmo sperato di riuscire a scattare, calda nei colori, piena di vita e verità di frasi e suono come solo un disco veramente dal vivo sa regalare. La decisione di stampare il cd è quindi arrivata per ultima, con l'ascolto sorpreso e poi convinto di questo album sonoro degli artisti, degli organizzatori e della casa discografica. Speriamo ora che il disco, oltre a portarvi i nostri più fervidi auguri, incontri il vostro consenso come allora incontrò grandissimo entusiasmo del pubblico nelle chiese, e nelle critiche dei quotidiani.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50010837221723,"sku":"CVLD206CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49820770435419,"sku":"CVLD206","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/206-cover.jpg?v=1736002623"},{"product_id":"mozart-gabler-fattschek-heyse-kohler-mareggini-burani-gli-archi-italiani","title":"MOZART, Gabler, Fattschek, Heyse, Köhler - Mareggini, Burani, Gli Archi Italiani","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eMOZART, Gabler, Fattschek, Heyse, Köhler - Mareggini, Burani, Gli Archi Italiani \u003c\/strong\u003e(\u003cspan\u003eCVLD211\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: Giovanni Mareggini, Davide Burani, Gli Archi Italiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna | Executive producer: Marco Lincetto |\u003cbr\u003eArtistic direction: Anna Pasetti | Recording \u0026amp; Mastering engineer: Marco Lincetto |\u003cbr\u003eEditing engineer: Michele Sartor | Design: l’image | Photo: Benito Vanicelli |\u003cbr\u003eEnglish text: Guido Mariani | Marketing: Francesco Pesavento |\u003cbr\u003eSales Manager: Moreno Danieli \u0026amp; Patrizia Pagiaro |\u003cbr\u003ePress Agent: Emanuela Dalla Valle | World Wide Contacts: Cristiana Dalla Valle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Mozart - KV299 - Allegro\u003cbr\u003e02 - Mozart - KV299 - Andantino\u003cbr\u003e03 - Mozart - KV299 - Allegro\u003cbr\u003e04 - Gabler - Andante con var op34\u003cbr\u003e05 - Fattschek - Sonatina op3 - Allegro\u003cbr\u003e06 - Fattschek - Sonatina op3 - Adagio\u003cbr\u003e07 - Fattschek - Sonatina op3 - Allegretto con var\u003cbr\u003e08 - Heyse - Sonata op4 - Allegro moderato\u003cbr\u003e09 - Heyse - Sonata op4 - Tempo di minuetto\u003cbr\u003e10 - Heyse - Sonata op4 - Presto\u003cbr\u003e11 - Kohler - Sonata op59 - Allegro con spirito\u003cbr\u003e12 - Kohler - Sonata op59 - Romanza, Andantino\u003cbr\u003e13 - Kohler - Sonata op59 - Andante con var\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Davide-Burani-Giovanni-Mareggini-Plays-Mozart-Gabler-Fattschek-Heyse-kohler\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMozart: 24bit\/88kHz digital recording made at Chiesa della Madonna dell’Uliveto\u003cbr\u003e- Montericco di Albinea (Reggio Emilia) on January 4, 2011\u003cbr\u003eGabler\/Fattschek\/Heyse\/Köhler: 24 bit\/88kHz digital recording made at\u003cbr\u003eMagisterAreaStudios, Preganziol on March 29, 2011\u003cbr\u003eDavide Burani plays a Salvi harp, DIANA model.\u003cbr\u003e\u003cbr\u003eWolfgang Amadeus Mozart (Salisburgo, 1756-Vienna, 1791) compose il suo Concerto per flauto, arpa ed orchestra K299 durante il suo secondo soggiorno a Parigi nel 1778, su commissione di Adrien-Louis de Bounières, duca de Guines. Molto vicino alla regina Maria Antonietta, Guines fu ambasciatore francese a Londra per diversi anni, ma fu costretto a ritornare a Parigi in seguito a un grosso scandalo finanziario che lo vide coinvolto per colpa del suo segretario (il titolo di duca gli fu concesso a titolo compensatorio, grazie all’intercessione della regina). Composto in tre movimenti (Allegro, Andantino e Allegro) il Concerto si caratterizza per la ricchezza di elementi tematici. Il primo movimento, in Do maggiore, si apre con un gioioso arpeggio\u003cbr\u003ea piena orchestra sull’accordo fondamentale, al quale segue una scala spezzata che di slancio porta all’esposizione di archi e oboi. Il secondo tema (sempre nel tono d’impianto) viene introdotto da due note lunghe dei corni e presenta un carattere galante che contrasta elegantemente con quello marziale e gioioso del primo tema. L’entrata dei due strumenti solisti è preceduta da una serie di veloci terzine\u003cbr\u003edegli archi che ricordano l’inizio della Sinfonia “Jupiter” K551 (del 1788, esattamente dieci anni dopo questo Concerto). Flauto e arpa riprendono quindi il primo tema, rielaborandolo ed arricchendolo con un dialogo continuo, fino ad arrivare alla classica modulazione al tono della dominante. Qui al flauto viene affidata una frase cantabile\u003cbr\u003ee lirica, mentre all’arpa spetta il compito di accompagnare, in una dimensione musicale veramente cameristica; segue poi un passo virtuosistico dell’arpa che conduce verso la ripresa del secondo tema in Sol maggiore, che viene a sua volta rielaborato. Un nuovo motivo cantabile del flauto in La minore, seguito dalla riproposizione del primo tema da parte dell’arpa, segna l’inizio della parte più suggestiva (e forse più “francese”) del primo movimento, con un momento di dialogo molto intenso tra i due strumenti. La ripresa dei due temi principali, la cadenza dei solisti e una breve coda terminano il movimento. L’Andantino (in Fa maggiore) è forse il movimento più conosciuto dell’intero Concerto. Composto in forma bipartita, con un’orchestrazione snellita ai soli archi, questo movimento brilla per la ricchezza melodica e la cantabilità spiegata del flauto, accompagnata dai delicati arpeggi e dai virtuosismi dell’arpa. L’Allegro conclusivo è\u003cbr\u003ecostruito in forma di rondò-sonata. L’esposizione iniziale inizia con un “piano” dei soli archi, seguiti poi dagli oboi, che viene poco dopo contrastato da un “forte” improvviso e molto dinamico degli archi, con note ribattute e figurazioni veloci. Il contrasto chiaroscurale fra “piano” e “forte” costituisce uno degli elementi più importanti di questo movimento, contribuendo in modo determinante alla sua vivacità. Anche in questo caso, l’entrata dei solisti segna una rielaborazione tematica in forma dialogante, con il flauto che ancora una volta spicca per la cantabilità delle frasi che gli vengono affidate, che bilanciano la scrittura musicale dell’arpa, decisamente più virtuosistica. È interessante il modo in cui Mozart qui alterna frasi melodiche di nuova concezione con motivi già proposti, creando nell’ascoltatore l’impressione di trovarsi di fronte a un vero e proprio\u003cbr\u003eRondò. Il ventiduenne Wolfgang era arrivato in Francia all’inizio di marzo del 1778, accompagnato dalla madre, con la speranza di ottenere la protezione della regina, nota per accogliere a corte artisti e musicisti di tutta Europa. Maria Antonietta però in quel periodo era alle prese con la sua prima gravidanza e, nonostante l’appoggio del duca\u003cbr\u003ede Guines, non lo ricevette mai. Gli fu tuttavia offerto il posto di organista a Versailles, che rifiutò, malgrado i consigli del padre che lo riteneva un impiego sicuro e un buon modo per rimanere in contatto con la corte e accedere all’entourage della regina.\u003cbr\u003eErano quelli gli anni di massimo fulgore dell’arpa in Francia, che già dagli anni 60 era diventata lo strumento prediletto dell’aristocrazia francese. Nel frattempo al flauto traverso erano già state dedicate importanti pagine musicali, ma questi due strumenti fino ad allora si erano incontrati molto di rado. La commissione illuminata del duca\u003cbr\u003ede Guines, un flautista dilettante che amava suonare insieme alla figlia arpista (che prese anche lezioni di composizione da Mozart), diede un input decisivo alla nascita del repertorio per flauto e arpa che, da quel momento in poi, iniziò progressivamente ad arricchirsi delle opere di autori francesi, italiani, ma soprattutto tedeschi.\u003cbr\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":51801980043611,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49823204802907,"sku":"CVLD211","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/211-cover.jpg?v=1736032870"},{"product_id":"flute-cello-piano-trios-fortepiano-trio","title":"FLUTE, CELLO \u0026 PIANO TRIOS - FortePiano Trio","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eFLUTE, CELLO \u0026amp; PIANO TRIOS \u003c\/strong\u003e(\u003cspan\u003eCVLD242\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eMendelssohn, Weber, Martinu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eFortePiano Trio ( Leonora Armellini, Ludovico Armellini, Tommaso Benciolini)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eFELIX MENDELSSOHN BARTHOLDY\u003cbr\u003eTrio in re min. op.49\u003cbr\u003e01 - Molto Allegro Agitato\u003cbr\u003e02 - Andante con moto, Tranquillo\u003cbr\u003e03 - Scherzo, Leggiero e vivace\u003cbr\u003e04 - Finale, Allegro assai appassionato\u003cbr\u003e\u003cbr\u003eCARL MARIA VON WEBER\u003cbr\u003eTrio in sol min. op.63\u003cbr\u003e05 - Allegro moderato\u003cbr\u003e06 - Scherzo, Allegro vivace\u003cbr\u003e07 - Andante espressivo\u003cbr\u003e08 - Finale, Allegro\u003cbr\u003e\u003cbr\u003eBOHUSLAV MARTINU\u003cbr\u003eTrio per flauto, cello e pianoforte\u003cbr\u003e09 - Poco allegretto\u003cbr\u003e10 - Adagio\u003cbr\u003e11 - Andante, Allegro scherzando\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute-Cello-and-Piano-Trios\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  Leonora Armellini, pianoforte\u003cbr\u003eTommaso Benciolini, flauto\u003cbr\u003eLudovico Armellini, violoncello\u003cbr\u003e\u003cbr\u003e24bit\/88.2kHz original live-in-studio recording, Preganziol, April 14th, 2013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFortePiano Trio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComposto da Tommaso Benciolini al flauto e dai gemelli Ludovico e Leonora Armellini rispettivamente al violoncello e al pianoforte, il FortePiano Trio nasce dal desiderio di riunire le personalità diverse ed eclettiche di tre amici in un progetto musicale comune con l’intento di diffondere ed ampliare il repertorio per questa inusuale formazione. Tutti diplomati con il massimo dei voti e lode in giovanissima età e vincitori di concorsi nazionali ed internazionali, si sono perfezionati con grandi maestri tra cui Lilya Zilberstein, Pierre-Yves Artaud, Mario Caroli e Giovanni Sollima presso alcune tra le più prestigiose istituzioni musicali d’Europa come l’Accademia Nazionale di Santa Cecilia di Roma, l’ Hochschule für Musik und Theater di Amburgo, la Scuola Universitaria di Musica della Svizzera Italiana di Lugano, l’Ecole Normale de Musique di Parigi.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl FortePiano Trio ha iniziato nel 2012 un’intensa attività concertistica che lo porta ad esibirsi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eregolarmente nelle principali città italiane.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa giovane formazione è inoltre impegnata nella commissione e diffusione di nuova musica, ed è dedicataria del “Trio in due movimenti” del compositore Simone Tonin e delle “Merry Gentlemen Variations, Trio Fantasia on a Christmas Carol” del compositore e direttore d’orchestra Andrea Battistoni, riscuotendo ad ogni esibizione il consenso di pubblico e critica. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e«È il trio-maestro del presente […] un capolavoro che dopo molti anni rallegrerà ancora nipoti e pronipoti». Così Robert Schumann presenta nel 1840 il Trio in re minore op. 49 per violino, violoncello e pianoforte di Felix Mendelssohn, appena pubblicato dagli editori Breitkopf \u0026amp; Härtel. Creazione felice del «Mozart del xx secolo – scrive ancora Schumann – il più limpido musicista che per primo ha chiaramente viste e riconciliate le contraddizioni dell’epoca». Anche l’editore inglese J.J. Ever è pronto a scommettere sulla popolarità che l’opera avrebbe incontrato, con la sua serena discorsività cui gli eleganti ricami della parte pianistica aggiungono effetti di brillantezza. Ever chiede a Mendelssohn un arrangiamento del Trio, e nello specifico del secondo e terzo movimento, con il flauto al posto del violino, da pubblicare come Andante e rondò (dall’op. 49). L’autore alla fine decide di trascrivere l’intero lavoro per pianoforte, flauto e violoncello, non limitandosi però a una semplice trasposizione della parte di violino. Nell’adattare l’originale violinistico al flauto, Mendelssohn tiene conto delle diverse peculiarità sonore dello strumento a fiato e introduce alcune significative varianti (trasposizioni di ottava, modifiche delle figurazioni ritmiche e minori accomodamenti) che costituiscono un vero e proprio ripensamento della parte in funzione dei mutati equilibri sonori fra i tre strumenti.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn un Ottocento che in buona parte non sembra molto amare gli strumenti a fiato, almeno fra i maggiori suoi protagonisti musicali, Carl Maria von Weber mostra invece particolare predilezione per alcuni di essi; clarinetto, corno e fagotto soprattutto, per le loro sonorità evocatrici tanto adatte a rappresentare la «natura soprannaturale» che fa da sfondo ai suoi melodrammi romantici (ai tre strumenti Weber dedica tra l’altro alcuni concerti). Anche il flauto trova posto in diverse pagine cameristiche del compositore, la più nota delle quali è il Trio in sol minore op. 63 per flauto, violoncello e pianoforte, composto fra 1818 e 1819.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl carattere amabilmente colloquiale del lavoro si delinea fin dalla compostezza del suo impianto formale in quattro movimenti, tutti aderenti ai modelli classici, e nel loro equilibrio espressivo generale. Senza rinunciare a qualche più acceso colore romantico nei movimenti estremi, il Trio si mantiene entro una gamma di “affetti” la cui misura di riferimento è data dallo spensierato carattere danzistico del breve «Scherzo» e dalla gentile melodia liederistica dell’«Andante espressivo» recante il titolo Schäfers Klage (Il lamento del pastore).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGià ragazzo prodigio indisciplinato e ribelle, nonché dotato violinista, il boemo naturalizzato americano Bohuslav Martinu è spirito artisticamente libero per quanto attento ai vari indirizzi delle avanguardie musicali e culturali novecentesche, che egli frequenta assiduamente nel corso del suo lungo soggiorno a Parigi (1928-1940), da dove si trasferirà negli Stati Uniti per rimanervi fino al 1953. Nella sua produzione Martinu dà spazio agli umori del folklore cèco, soprattutto nella componente ritmica sempre in forte risalto nei suoi lavori, improntati a un generale clima di serenità ed eclettico piacere di far musica che si coglie anche nel Trio in fa maggiore per flauto violoncello e pianoforte (1944). L’aspetto spassionato e ironico, ma non provocatorio, della sua creatività è individuabile nella vitalità motoria, nella interpretazione tutta personale della sintassi tonale, e nella mutevolezza a volte capricciosa degli umori espressivi; peculiarità stilistiche che nel Trio hanno il loro elemento elemento disciplinante nel formalismo classicista delle strutture cui il compositore deliberatamente aderisce per assecondare una sua vena di fondo lirica e nostalgica, in particolare evidenza nel pensoso «Adagio» centrale. Il primo movimento, «Poco Allegretto», e il finale «Allegretto scherzando» (collegato al tempo centrale da una cadenza, «Andante», del flauto solo) hanno in comune una asciutta linearità di scrittura nelle quale assumono piena evidenza la spigliatezza del corso ritmico e il serrato dialogo fra i tre strumenti sempre in perfetto equilibrio fra loro.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Materassi \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusical Producer: Leopoldo Armellini\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eEditing: Mattia Zanatta\u003cbr\u003eCover photo by Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002827280731,"sku":"CVLD242CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49881407324507,"sku":"CVLD242","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/242-cover.jpg?v=1736726347"},{"product_id":"sette-passi-verso-il-cielo-manuzzi-tagliani","title":"SETTE PASSI VERSO IL CIELO -  MANUZZI, TAGLIANI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eSETTE PASSI VERSO IL CIELO \u003c\/strong\u003e(\u003cspan\u003eCVLD260\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eRoberto Manuzzi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eRoberto Manuzzi (Sax), Paola Tagliani ( Piano)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Tempus Fugit (Time Runs) 4:35\u003cbr\u003e2. Herr Sebastian \u0026amp; Mr Bill 2:52\u003cbr\u003e3. Anna di Via Croce Bianca (A.nne Of White Cross Street) 4:20\u003cbr\u003e4. L’ultimo treno (The Last Train) 3:44\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLe favole della volpe (Fables Of The Fox)\u003c\/span\u003e\u003cbr\u003e5. La volpe che non aveva mai veduto un leone (The Fox Who Never Saw A Lion Before) 1:42\u003cbr\u003e6. La volpe e la maschera (The Fox And The Mask) 3:02\u003cbr\u003e7. Zeus e la volpe (Zeus And The Fox) 1:26\u003cbr\u003e8. L’amore degli insorti (Love Of The Insurgents) 4:36\u003cbr\u003e9. La danza (The Dance) 2:40\u003cbr\u003e10. Sette passi verso il cielo (Seven Steps To The Sky) 2:54\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Sette-passi-verso-il-cielo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e88.2kHz\/24bit original recording made live-in-studio at Magister Area Studios, Preganziol, Italy on July 23rd, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduction: Velut Luna\u003c\/strong\u003e\u003cbr\u003eMusical producer and artistic direction: Marco Lincetto and Roberto Manuzzi\u003cbr\u003eRecording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eFront cover: “Inargentami” by Sonia Maria Luce Possentini (oil on canvas, 100 x 100 cm, property of the painter)\u003cbr\u003eInside photos: Marco Lincetto\u003cbr\u003eDesign: L’Image\u003cbr\u003eMarketing and Sales Manager: Patrizia Pagiaro\u003cbr\u003eTranslation: Thomas Marshall\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"...Non è classica, non è jazz...\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuesta frase è una sorta di mantra che mi ritrovo a ripetere da che ho iniziato l'avventura culturale di Velut Luna circa 20 anni fa, quando cerco di descrivere molte delle mie produzioni discografiche.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa musica di Roberto Manuzzi non solo asseconda in pieno questo \"mantra\", ma, se possibile, mette ancora di più in luce quelle caratteristiche peculiari della grande musica di oggi che io amo e cerco negli artisti che decido di produrre.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSono brani che respirano a pieni polmoni la contemporaneità: ovvero si nutrono in modo naturale delle mille, e non più mille, fonti di ispirazioni che hanno riempito i pentagrammi per secoli di musica prima di noi.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI \"quadri musicali\" di Roberto Manuzzi hanno poi una caratteristica che sa renderli naturalmente amabili, ovvero la forza descrittiva e la carica emotiva. Sapientemente, il compositore ferrarese non rinuncia alla melodia, ma la sa supportare con armonie mai banali, ma neppure ostentatamente dotte.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFa della leggerezza la sua forza, così come sa farlo solo un bozzetto impressionista di Monet.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePasseggiando verso il cielo, i sassofoni di Manuzzi accompagnano l'ascoltatore in un viaggio pacato, che inizia al tramonto e prosegue la notte: un viaggio permeato di una ricca vitalità, espressiva e colta, ma soprattutto mai stucchevolmente afflitta da vanità cattedratiche o, peggio, da ruffiana banalità.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRoberto Manuzzi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusicista poliedrico, sassofonista, compositore, è nato a Roma e risiede da tempo a Ferrara. E’ autore di colonne sonore per il teatro ed il cinema, insegnante e sperimentatore di vari linguaggi musicali contemporanei. Ha pubblicato diversi CD a suo nome con varie etichette discografiche e molti altri come arrangiatore ed esecutore. Ha affiancato ininterrottamente dal 1979 al 1990 il percussionista friulano Andrea Centazzo come solista e arrangiatore, collaborando con musicisti come Paolo Fresu, Enrico Rava, Gianluigi Trovesi, Radu Malfatti, Albert Mangelsdorff, partecipando ad alcuni tra i più importanti festival jazz in Italia e all'estero. E’ coordinatore didattico dei corsi di jazz e docente di musica di insieme jazz presso il Conservatorio “G. Frescobaldi” di Ferrara. Dal 1986 al 2013 è stato sassofonista e polistrumentista del gruppo del celebre cantautore Francesco Guccini, partecipando a tutte le sue tournèe e alla realizzazione dei suoi lavori discografici. Le sue composizioni sono pubblicate a stampa dalle case editrici EUFONIA e WICKY MUSIC.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaola Tagliani\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianista dalle grandi doti espressive e tecniche, è nata a Ferrara dove risiede e dove ha frequentato il locale Conservatorio diplomandosi in pianoforte con il massimo dei voti sotto la guida della professoressa Rina Cellini. Successivamente presso il medesimo istituto ha conseguito, sempre con il massimo dei voti, la laurea biennale di secondo livello in Discipline Musicali (pianoforte)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInsegnante e didatta, svolge attività concertistica sia in formazioni cameristiche che in formazioni orchestrali. Ha collaborato a produzioni televisive e alla sonorizzazione di eventi multimediali. Ha eseguito in solo e in duo con Rina Cellini musiche di Mozart, Beethoven, Schumann, Brahms presso il Teatro Comunale di Ferrara in varie stagioni concertistiche. Con l’”Orchestra Città di Ferrara” ha eseguito inoltre i concerti K413, K414, K415 di W. A. Mozart ed il concerto in sol maggiore di Haydn (con la cadenza scritta da Nino Rota)\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002743918939,"sku":"CVLD260CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49909249769819,"sku":"CVLD260","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/260-cover.jpg?v=1737068257"},{"product_id":"khoreia-volt-potenza-duo","title":"KHOREIA - VOLT \u0026 POTENZA DUO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eKHOREIA \u003c\/strong\u003e(\u003cspan\u003eCVLD276\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAAVV\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eVOLT \u0026amp; POTENZA DUO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eJohann Christoph Friedrich Bach (1732-1795) [11:53]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSonata for 4 Hands in A major\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01 - I. Allegro con spirito [07:45]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - II. Rondo: Allegretto [04:08]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Steinway \u0026amp; Sons D274\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRobert. Schumann (1810-1856) [27:44]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBall-Scenen, Op. 109 (1851)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - I. Préambule [01:32]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - II. Polonaise [03:04]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - III. Walzer [02:10]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - IV. Ungarisch [02:24]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - V. Française [02:06]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - VI. Mazurka [04:32]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - VII. Ecossaise [02:38]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - VIII. Walzer [04:21]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - IX. Promenade [04:57]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Steinway \u0026amp; Sons D274\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhilip Martin (b. 1947) [09:28]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Electric Prisms (2015), CD commission\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Yamaha CFIII S\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdvard Grieg (1843-1907) [09:09]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHolberg Suite, Op. 40 (''From Holberg's Time\") (1884)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFour-hand piano arrangement by Theodor Kirchner (1823-1903)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 – No. 4: Air [04:42]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 – No. 5: Rigaudon [04:43]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePianoforte Yamaha CFIII S\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Khoreia\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Khoreia”, termine greco per “danza”, esprime in pieno il senso del nostro progetto, ovvero la necessità di valorizzare l’affascinante e variegato universo del repertorio per pianoforte a quattro mani attraverso l’ascolto di brani poco noti, che racchiudono in sè qualità nascoste e inesplorate.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVorremmo offrire un viaggio nella storia: dalla “Sonata in La Maggiore” di Johann Christoph Friedrich Bach (1732-1795), perla musicale del nascente stile sensibile, al brano inedito “Electric Prisms” composto dall’irlandese Philipp Martin che, ispiratosi alle opere della pittrice Sonia Delaunay (1885-1979), ha offerto scenari unici capaci di svelare le molteplici emozioni contemporanee della Parigi degli inizi del ventesimo secolo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAbbiamo pensato di includere inoltre lo spirito passionale e intimo di Robert Schumann (1810-1856) con la raccolta di miniature musicali intitolata “Ball-Scenen op.109”, composizione per duo che rappresenta il carattere più impulsivo e nello stesso tempo riflessivo del suo stile compositivo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInfine per donare intensità e movimento a tale selezione, come nelle più coinvolgenti danze, abbiamo proposto due dei cinque movimenti della celebre “Holberg Suite” di Edvard Grieg (1843-1907), trascritti per pianoforte a quattro mani dal compositore tedesco Theodor Kirchner (1823-1903)..\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChe “Khoreia” vi trasporti in una sublime danza, dove dalle più variegate melodie e sonorità si possa cogliere la bellezza e complessità musicale di un’arte dalle mille sfumature.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa registrazione è stata realizzata in alta risoluzione digitale 24bit\/88.2kHz nello Studio Zanta di Camponogara, Italia, alternando due splendidi pianoforti, uno Steinway 6 Sons D274 Concert Grand ed uno Yamaha CFIII S Concert Grand\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolt \u0026amp; Potenza Duo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl Volt e Potenza duo si è esibito, sin dalla sua nascita nel 2014, presso importanti centri musicali in Europa tra le quali St. Martin-in-the-Fields e St. James Picadilly in Inghilterra. Il duo è inoltre stato scelto per prender parte al Powderham Castle New Generation Artists Scheme di Exeter . Per maggiori informazioni visitare www.voltandpotenzaduo.com\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOda Voltersvik\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOda Voltersvik è stata definita dal rinomato direttore d’orchestra Marios Papadopoulos come “pianista dalla grande sensibilità e bel suono\" e dal pianista Gabriele Baldocci \"una musicista con un meraviglioso controllo dello strumento ed un innato senso della musica\". L’artista norvegese ha conseguito un Master Degree in Performance presso il Royal College of Music di Londra nel 2014 sotto la guida dei professori Andrea Ball e Niel Immelman, e un Postgraduate Artist Diploma con Distinction presso il Trinity Laban Conservatoire of Music and Dance nel 2015 sotto la guida di Gabriele Baldocci. Ha seguito le masterclass tenute da docenti di fama internazionale quali Menahem Pressler, Gary Graffmann, Christina Ortiz, Marios Papadopoulos e Vladimir Krainev durante il prestigioso festival pianistico organizzato dalla Oxford Philharmonic Orchestra. In Norvegia ha partecipato a masterclass tenute da Leif Ove Andsnes, Håvard Gimse, Ihle Hadland e Jiri Hlinka. Oda ha tenuto concerti in Norvegia presso la Norwegian National Broadcasting, all’apertura del Giubileo di Edvard Grieg del 2007, e in qualità di solista e camerista per la Bergen Chamber Music Society e il Grieg in Bergen Series. Si è inoltre esibita presso la Leipzig Town Hall, il 1° International Folk Music Festival a Pechino, l’Amaryllis Fleming Hall, la Regent Hall, la Marlow Recital Society, la residenza dell’ambasciatore norvegese a Londra e la Jacqueline du Pré Concert Hall di Oxford. Durante l'estate 2014 e 2015, è stata nominata “Artist in residence” presso Troldhaugen (residenza di E.Grieg). Ha suonato con la Sinfonietta di Atene nel 2010 la Norwegian–Polish Youth Orchestra in Polonia e presso Bergen nel 2014. Oda è stata finalista nella Trinity Laban Soloist`s Competitition 2016. È fondatrice del Volt Ensamble, gruppo di musica da camera composto da talentuosi musicisti proveniente dalla Scandinavia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGiulio Potenza\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConsiderato da Martha Argerich “pianista dal grande talento e bellezza espressiva”, e da Pascal Rogè “pianista dalla tecnica brillante e raffinata musicalità” Giulio Potenza nasce a Palermo nel 1990. Consegue il diploma di pianoforte con il massimo dei voti e lode presso il conservatorio \"A. Scontrino\" di Trapani sotto la guida di Walter Roccaro. Si è perfezionato con Bruno Canino a Milano e presso il Trinity Laban Conservatoire of Music and Dance di Londra con Gabriele Baldocci e Mikhail Kazakevich, dove consegue il Postgraduate e il Postgraduate Artist diploma con distinzione, sostenuto dalle borse di studio \"Alfred Kitchen\" e \"Jaquelin Williams\". Ha preso parte a lezioni, masterclasses ed incontri tenuti da importanti docenti tra i quali: Andrzej Jasiński, Deniz Gelenbe, Franco Scala, Martino Tirimo, Barry Snyder, Andrey Gavrilov e Irene Inzerillo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSi è esibito presso importanti festival tra i quali il Progetto Martha Argerich di Lugano, il Grieg in Bergen Festival di Bergen, l’Hammamett Piano Festival di Hammamett, lo Shubert Festival di Londra. Ha inoltre tenuto concerti in prestigiosi centri musicali come la Steinway Hall di Londra, St. Martin-in-the-Fields, St. John’s Smith Square, Blackheat Hall in Inghilterra, l’Auditorium S.Stefano di Firenze e l’Auditorium Rai di Palermo in Italia, l’Atelier Marcell Hastir di Bruxelles in Belgio, il Teatro Sociale di Bellinzona in Svizzera. Ha collaborato come solista con numerose orchestre tra le quali la Florence Symphonietta diretta da Piero Bellugi, l’University London Symphony Orchestra diretta da Daniel Capp e la North Beds Chamber Orchestra diretta da Jan Kaznowski.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE' stato vincitore del prestigioso “Hannah Brooke Prize”, riconoscimento dovuto ai successi per la carriera concertistica durante il percorso di studi presso il Trinity Laban Conservatory di Londra. E' stato altresì vincitore di numerosi concorsi pianistici tra i quali: il Concorso Pianistico Internazionale “Premio Seiler”, il concorso “A.GI.MUS” di Roma , e ha ottenuto la menzione speciale al “Jacques Samuel Piano Competition” di Londra. È inoltre stato scelto dalla prestigiosa Concordia Foundation di Londra per prender parte allo Young Artist Programme.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLe sue esecuzioni sono state trasmesse dalla BBC Radio 3, Radio Swiss Classic, Radio Mozart Italia e dalla RAI.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiulio è stato invitato a tenere masterclass in Tunisia, Inghilterra e Italia.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAttualmente è professore di pianoforte presso la Windsor Piano Academy di Windsor e direttore artistico del Windsor International Piano Competition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHa conseguito anche una laurea in Storia presso l'Università di Palermo con il massimo dei voti e lode.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993757327707,"sku":"CVLD276CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49914219987291,"sku":"CVLD276","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/276-cover.jpg?v=1737158949"},{"product_id":"w-a-mozart-wind-concerts-lucchetta-folena-voltan","title":"W.A. MOZART, WIND CONCERTS - Lucchetta, Folena, Voltan","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eW.A. MOZART, WIND CONCERTS \u003c\/strong\u003e(\u003cspan\u003eCVLD292\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eW.A. Mozart\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eLuca Lucchetta (clarinet), Mario Folena (flute), Aligi Voltan (bassoon)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eConcert in A Major K 622 for Clarinet and Orchestra\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro (11:42)\u003c\/li\u003e\n\u003cli\u003eAdagio (6:48)\u003c\/li\u003e\n\u003cli\u003eRondo (Allegro) (8:39)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cul\u003e\n\u003cli\u003eEsecutore: Luca Lucchetta, clarinet\u003c\/li\u003e\n\u003cli\u003eOrchestra: Orchestra di Padova e del Veneto\u003c\/li\u003e\n\u003cli\u003eDirettore: Zsolt Hamar\u003c\/li\u003e\n\u003cli\u003eRegistrazione dal vivo: Teatro Verdi, Padova, 4 ottobre 2006\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eConcert No. 2 in D Major K 314 for Flute and Orchestra\u003cbr\u003e     4. Allegro aperto (7:04)\u003cbr\u003e     5. Andante ma non troppo (6:22)\u003cbr\u003e     6. Allegro (5:45)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEsecutore: Mario Folena, flute\u003c\/li\u003e\n\u003cli\u003eOrchestra: Orchestra di Padova e del Veneto\u003c\/li\u003e\n\u003cli\u003eDirettore: Zsolt Hamar\u003c\/li\u003e\n\u003cli\u003eRegistrazione dal vivo: Teatro Verdi, Padova, 4 ottobre 2006\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eConcert in B-Flat Major K 191 for Bassoon and Orchestra\u003cbr\u003e     7. Allegro (6:37)\u003cbr\u003e     8. Andante ma adagio (6:00)\u003cbr\u003e     9. Rondo (Tempo di minuetto) (4:47)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEsecutore: Aligi Voltan, bassoon\u003c\/li\u003e\n\u003cli\u003eOrchestra: I Solisti dell’Olimpico\u003c\/li\u003e\n\u003cli\u003eDirettore: Giovanni Battista Rigon\u003c\/li\u003e\n\u003cli\u003eRegistrazione dal vivo: Teatro Olimpico, Vicenza, 12 giugno 2004\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTotal Time: 63:48\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Wolfgang-Amadeus-Mozart-Wind-Concerts\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduzione\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProduzione: Velut Luna\u003c\/li\u003e\n\u003cli\u003eProduttore esecutivo: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eRegistrazione, mix e mastering: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eFoto: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eLayout e design: L’Image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTre dei più famosi e amati Concerti d'Aria di W.A.Mozart, eseguiti da tre apprezzati Solisti italiani con due delle più importanti orchestre da camera italiane. Una vera registrazione audiofila realizzata utilizzando solo due microfoni stereo, diretta a stereo digitale HD master live-on-stage.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000724918619,"sku":"CVLD292CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49918087463259,"sku":"CVLD292","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_2824f6f3-c50c-49fd-b8b2-60462f297541.jpg?v=1737235463"},{"product_id":"audiophile-musical-journey","title":"AUDIOPHILE MUSICAL JOURNEY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eAUDIOPHILE MUSICAL JOURNEY \u003c\/strong\u003e(\u003cspan\u003eCVLD306\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAAVV\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eVARI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBenjamin Britten \u003cbr\u003eSimple Symphony op.4\u003cbr\u003e01 - Boisterous Bouree, 3:10\u003cbr\u003e02 - Playful Pizzicato, 3:11\u003cbr\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon, conductor\u003cbr\u003eLive recording at Teatro Olimpico, Vicenza, June 7th, 2003\u003cbr\u003efrom VELUT LUNA CVLD090 - ITW310409002  -03\u003c\/p\u003e\n\u003cp\u003eFelix Mendelssohn-Bartholdy\u003cbr\u003e03 - Midnight's Summer Dream, Op.21, Overture, finale, 3:15\u003cbr\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording at Auditorum Pollini, Padova, April 19th, 2007\u003cbr\u003eVELUT LUNA never published before - ITW311799901\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart\u003cbr\u003eConcert in A Major K622 for Clarinet and Orchestra\u003cbr\u003e04 - Allegro [fragment], 4:08\u003cbr\u003eLuca Lucchetta, clarinet, Orchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording at Teatro Verdi, Padova, October 4th, 2004\u003cbr\u003efrom VELUT LUNA CVLD292 - ITW311729201  \u003c\/p\u003e\n\u003cp\u003e05 - Era de' Maggio (M.Costa - S.Di Giacomo) 5:30\u003cbr\u003eRosella Caporale, voice\u003cbr\u003eOrchestra C.Pollini del Conservatorio di Padova, Giuliano Medeossi, conductor\u003cbr\u003eStudio recording at Auditorium Pollini, Padova, May, 2015\u003cbr\u003efrom VELUT LUNA CVLD265 - ITW311526508\u003c\/p\u003e\n\u003cp\u003eFranz Schubert\u003cbr\u003e06 - Sonata in A major D959: Andantino, 8:05\u003cbr\u003eChiara Bertoglio, grandpiano\u003cbr\u003eLive-in-studio recording at Spazio d'Arte, San Giacomo, November 29th, 2014\u003cbr\u003efrom VELUT LUNA CVLD090 - ITW311526407\u003c\/p\u003e\n\u003cp\u003e07 - Albori (S.Tasca) 5:44\u003cbr\u003eSaverio Tasca \u0026amp; AlterArco\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, July, 2015\u003cbr\u003efrom VELUT LUNA CVLD269 - ITW311526901\u003c\/p\u003e\n\u003cp\u003e08 - At The Jazz Band Ball (L.Shields) 3:38\u003cbr\u003eStoryville Jazz Band\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, July, 26th, 2006\u003cbr\u003efrom VELUT LUNA CVLD145 - ITW310614501\u003c\/p\u003e\n\u003cp\u003e09 - Vertigo (M.Salvagnini) 4:34\u003cbr\u003eMassimo Salvagnini Quartet\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, November, 11st, 2006\u003cbr\u003efrom VELUT LUNA CVLD153 - ITW310715305\u003c\/p\u003e\n\u003cp\u003e10 - Birdland (J.Zawinul) 5:19\u003cbr\u003eArt Percussion Ensemble, Massimo Pastore conductor\u003cbr\u003eStudio recording at Auditorium Pollini, Padova, October 2010\u003cbr\u003efrom VELUT LUNA CVLD196 - ITW311119604\u003c\/p\u003e\n\u003cp\u003e11 - Toni Nokia (D.B.Soto Chero) 6:31\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003efrom VELUT LUNA CVLD239 - ITW311323908\u003c\/p\u003e\n\u003cp\u003e12 - Tears (M.Strano - P.Casula) 5:17\u003cbr\u003ePaola Casula\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, March, 16th, 2006\u003cbr\u003efrom VELUT LUNA CVLD139 - ITW310613910\u003c\/p\u003e\n\u003cp\u003e13 - So in love (C.Porter) 4:06\u003cbr\u003eLucia Minetti, Pietro Ballestrero \u0026amp; Stefano Profeta\u003cbr\u003eLive-in-studio recording at MagisterArea Studios, Preganziol, September, 23rd, 2017\u003cbr\u003efrom VELUT LUNA CVLD294 - ITW311729404\u003c\/p\u003e\n\u003cp\u003e14 - Contigo en la distancia (Cesar Portillo de la Luz) 3:57\u003cbr\u003eAlejandro Martinez y Nina y Villa el Salvador\u003cbr\u003eStudio recording at Studio A, Padova, June 2015\u003cbr\u003efrom VELUT LUNA CVLD266 - ITW311526601\u003c\/p\u003e\n\u003cp\u003e15 - Vedrai, Vedrai (L.Tenco) 4:36\u003cbr\u003eNinni Arini\u003cbr\u003eStudio recording at Cantina Martinez, Marsala, January 27th, 2017\u003cbr\u003efrom VELUT LUNA CVLD286 - ITW311728604\u003c\/p\u003e\n\u003cp\u003e16 - Nia, nia, nia \/ Rodrigo Martines (Anonimous XVI sec.) 4:34\u003cbr\u003eEnsemble Terra d'Otranto\u003cbr\u003eStudio recording at Masseria Torcito, Lecce, october, 3rd, 2003\u003cbr\u003efrom VELUT LUNA CVLD099 - ITW311799902\u003c\/p\u003e\n\u003cp\u003e17 - Reso (D.B.Soto Chero) 3:08\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003efrom VELUT LUNA CVLD239 - ITW311323913\u003cbr\u003eTotal time: 78:55\u003c\/p\u003e\n\u003ch3\u003eNOTE:\u003c\/h3\u003e\n\u003cp\u003eLo scopo di questo disco è quello di farvi apprezzare musica di eccezionale interesse, suonata da musicisti di assoluto valore, registrata secondo criteri di eccellenza assoluta.\u003c\/p\u003e\n\u003cp\u003e Grazie poi a queste note a margine che seguiranno vogliamo mettervi in grado di conoscere come questo disco deve suonare correttamente e quindi offrirvi uno strumento per valutare come il vostro impianto di riproduzione si comporta in relazione a come dovrebbe comportarsi...\u003cbr\u003eQuesto non significa a priori che, qualora il vostro impianto proponga un suono differente da quanto indicato in questa guida, suoni \"male\": significa, appunto, e solamente, che propone un suono differente da quello indicato da chi ha realizzato la registrazione. \u003cbr\u003eSe il suono proposto dal vostro impianto, pur differente da quanto indicato qui, è di vostro gradimento, non esiste alcun obbligo per voi di cambiare alcunchè.\u003cbr\u003eQuesto disco è solo una \"cartina tornasole\" nata per fornirvi alcune informazioni aggiuntive, che a vostra totale discrezione potrete ritenere utili o meno e grazie alle quali potrete scegliere se continuare ad ascoltare il vostro impianto così com'è oppure apportare qualche lieve o anche sostanziale modifica.\u003cbr\u003eNoi non offriamo alcuna legge scolpita nella pietra... Offriamo solo indicazioni aggiuntive rispetto a quanto normalmente trovate negli altri dischi.\u003c\/p\u003e\n\u003cp\u003eL'impianto d'ascolto utilizzato per compilare questa guida è il medesimo impianto di monitor utilizzato in sede di produzione ed è composto dai seguenti apparecchi, inserito nell'ambiente di cui alla piantina stilizzata pubblicata a fianco:\u003cbr\u003eLettore CD + DAC:  NORTH STAR DESIGN,  Meccanica 192 + DAC SUPREMO\u003cbr\u003ePreamplificatore:  NORMA SC-2 \u003cbr\u003eDiffusori multiamplificati L + R: GENELEC 1037C\u003cbr\u003eSubwoofer:  GENELEC 7070\u003cbr\u003eMeccanica --\u0026gt; DAC:  WHITE GOLD I2S\u003cbr\u003eDAC --\u0026gt; Preamplificatore --\u0026gt; Diffusori:  VELUT LUNA WIRE, bilanciati e costruiti su nostre specifiche\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49923124658523,"sku":"CVLD306","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49995392450907,"sku":"CVLD306CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d664fb59-e487-4c9d-a58c-c42d66b4203d.jpg?v=1737330742"},{"product_id":"mozart-piano-sonatas-ferrati","title":"MOZART PIANO SONATAS - FERRATI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eMOZART PIANO SONATAS \u003c\/strong\u003e(\u003cspan\u003eCVLD232\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eW. A. MOZART\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eMASSIMILIANO FERRATI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassical. Original compositions by W. A. Mozart. Massimiliano Ferrati piano.\u003cbr\u003e24bit\/48 kHz original live-in-studio recorded, in Villa S. Fermo, Lonigo, Italy, on May 2010.\u003cbr\u003e\u003cbr\u003eNel ricco panorama della produzione sonatistica mozartiana, le tre Sonate eseguite in questo CD sebbene consecutive per data di composizione, spiccano per originalità e si differenziano per aspetti di contenuto, struttura ed invenzione timbrica. Composta nel 1778 a Parigi, la Sonata K. 310 viene spesso associata dai biografi al periodo difficile seguito alla morte della madre. Scritta in tonalità minore, più rara in Mozart, essa è emblema di quel dramma profondo e tutto personale causato sia dal vuoto affettivo di una perdita sia dal disagio dovuto ad una mancata affermazione artistica nell’ambiente parigino. L’uso di elementi ritmici ostinati, accostati a forti dissonanze, conduce ad una culminazione drammatica nello sviluppo del primo e del secondo movimento, evidenziando già una caratteristica propria della forma-sonata romantica. Anche il terzo movimento, in forma di Rondò, insiste su un tema la cui linea melodica, agitata e ansimante, tende a richiudersi in se stessa, senza trovare pace. Unica oasi la sezione centrale in La maggiore, ove una melodia semplice ed evocativa sembra quasi ricondurci a un’infanzia felice, un motivo legato forse al ricordo della madre.\u003cbr\u003eLa Sonata K. 330, completata nel 1783, si discosta per carattere e positività dalla sonata in La minore ed è oggi tra le sonate mozartiane più frequentate nei programmi da concerto. Facile dal punto di vista meccanico-esecutivo, ma tutt’altro che semplice nella sua rappresentazione estetica, è una vera perla rara che richiede all’interprete una grande naturalezza nel fraseggio e la capacità di saper raggiungere rari momenti d’intima profondità, che non mancano di sorprendere l’ascoltatore, suggerendo uno sguardo verso l’infinito, come nella sezione centrale in Fa minore dell’Andante Cantabile. Dal carattere solare del primo movimento al tono umoristico e beffardo del terzo movimento (entrambi in forma-sonata) la K. 330 si chiude con un inaspettato ultimo interrogativo sottolineato da una brevissima fermata sul sesto grado, quasi un momento di dubbio inaspettato e serio che però, dopo un attimo di pausa, scioglie con fierezza ogni apparenza e riporta al carattere spensierato e ormai pieno di una gioia irrefrenabile coi tre accordi finali.\u003cbr\u003eLa Sonata K. 331, coeva alla K330, è un raro caso di una Sonata che non ha nessun movimento in forma-sonata, elemento che consente al compositore una maggiore libertà formale. La K. 331 si apre infatti con un tema (“Andante Grazioso”) e 6 variazioni. Il tema suggerisce l’idea di una ninna nanna, grazie al suo andamento cullante, che subisce inevitabili trasformazioni nelle variazioni e permette a Mozart di giocare molto sull’invenzione timbrica e coloristica: l’uso delle ottave legate presente nella terza variazione in modo minore, nella quarta variazione l’incrocio delle mani evidenzia il dialogo timbrico tra il basso e la voce più acuta della melodia gestito dalla mano sinistra, mentre un disegno centrale affidato alla mano destra fa da collante. Due soli i cambi di tempo indicati da Mozart: l’Adagio alla quinta variazione e l’Allegro alla sesta. Il tutto senza mai cadere nella frammentarietà ma offrendo invece all’interprete la possibilità di creare un unico grande movimento di vaste proporzioni, ma comunque compatto. Al secondo movimento si passa senza traumi, se non fosse per il cambio di forma (Menuetto e Trio): la tonalità rimane la stessa. Ritroviamo, nel Trio, l’incrocio tra le due mani, quasi a sottolineare un’elegante alternanza sulla scena di due personaggi: uno femminile ed uno maschile. Il terzo movimento “Allegretto. Alla Turca” è sicuramente uno dei brani più popolari del repertorio pianistico. In forma di Rondò, nella tonalità di La minore, offre una continua alternanza tra modo minore e modo maggiore, una sezione centrale in Fa diesis minore, ed una Coda finale pure nella tonalità di La maggiore, quasi a coronare un percorso strutturato senza soluzione di continuità, come un grande arco di unico respiro dalla prima all’ultima nota della composizione. Non mancano le invenzioni timbriche per simulare l’uso di percussioni nella marcia, che, ai tempi di Mozart, con uno strumento adeguatamente attrezzato, si potevano realmente attivare grazie a un pedale aggiuntivo.\u003cbr\u003eL’Adagio in Si minore K. 540 (Vienna, 1788) è una tra le opere più profonde e spirituali del compositore salisburghese. Mozart utilizza la forma-sonata e un linguaggio enigmatico, toccando tonalità lontanissime, contrasti dinamici netti, uso di sforzati, dissonanze e andamenti cromatici. Un senso d’instabilità esistenziale si avverte in tutta la composizione e solo nella coda conclusiva in Si maggiore si ritrova la serenità e la tanto ricercata risposta finale ai grandi interrogativi della vita.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002986107227,"sku":"CVLD232CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD","offer_id":50003019858267,"sku":"CVLD232","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97377e39ee12405565e88.jpg?v=1738581067"},{"product_id":"orchestra-filarmonica-giovanile-alpe-adria","title":"ORCHESTRA FILARMONICA GIOVANILE \"Alpe Adria\"","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eORCHESTRA FILARMONICA GIOVANILE \u003c\/strong\u003e(\u003cspan\u003eCVLD182\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eG. ROSSINI, W. A. MOZART, L. V. BEETHOVEN, PUGNANI - KREISLER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eORCHESTRA FILARMONICA GIOVANILE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - Sinfonia al Conventello\u003cbr\u003e02 - Concerto per pianoforte No. 27 in B-Flat Major, K. 595: I. Allegro\u003cbr\u003e03 - Concerto per pianoforte No. 27 in B-Flat Major, K. 595: II. Larghetto\u003cbr\u003e04 - Concerto per pianoforte No. 27 in B-Flat Major, K. 595: III. Rondò Allegro\u003cbr\u003e05 - Romanza per violino e orchestra No. 2 in F Major, Op. 50\u003cbr\u003e06 - Preludio e allegro per violino e orchestra nello stile di Pugnani\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Alpe-Adria-Philharmonic-Youth-Orchestra\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClassical. Original compositions by: G. Rossini, W. A. Mozart, L. V. Beethoven, Pugnani- Kreisler.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra Filarmonica Giovanile “Alpe Adria” conductor Luigi Pistore, Leonora Armellini piano solo, Davide Alogna violino solo. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eL’Orchestra Filarmonica Giovanile “Alpe Adria” fondata a Gorizia dal Maestro Luigi Pistore è composta da giovani musicisti di età compresa fra i 15 ed i 25 anni provenienti da tutta Europa. All’interno dell’orchestra coesistono scuole, tradizioni musicali e interpretative diverse e il linguaggio universale della musica “parlato” dai giovani musicisti diventa veicolo privilegiato per la conoscenza, l’unione e l’amicizia tra i popoli. Dalla sua fondazione e nel corso dei vari laboratori musicali tenuti a Gorizia hanno partecipato più di 250 musicisti d’orchestra e giovani solisti vincitori di prestigiosi concorsi internazionali.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuesto CD è stato registrato interamente dal vivo il giorno 7 dicembre 2008 all’Auditorium di Gorizia, al termine dello Stage 2008.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl programma si apre con una classica Sinfonia di Rossini “scritta al Conventello”.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl secondo brano ci consente di apprezzare per la seconda volta su disco il più luminoso talento pianistico degli ultimi 10 anni almeno, ovvero Leonora Armellini, nell’interpretazione del Concerto n.27, KV595 per pianoforte e orchestra di Mozart.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl disco si chiude con la presenza di un altro giovane e talentuoso solista al violino, Davide Alogna, che ci presenta la celebre Romanza in fa Maggiore di Ludwig van Beethoven ed il preludio e Allegro nello stile di Pugnani, scritto dal grande virtuoso Fritz Kreisler.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa registrazione, curata personalmente da Marco Lincetto, è stata effettuata come di consueto in standard digitale 24bit\/88.2kHz.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015542968667,"sku":"CVLD182CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50948711514459,"sku":"CVLD182","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d972ad5fb8e0539c7e6e35.jpg?v=1738750308"},{"product_id":"bassoon-concertos-canuti-symphonica-toscanini-solo-players-santi","title":"BASSOON CONCERTOS - CANUTI, SYMPHONICA TOSCANINI SOLO PLAYERS, SANTI","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eBASSOON CONCERTOS \u003c\/strong\u003e(\u003cspan\u003eCVLD151\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan id=\"esecutore\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eMOZART, VANHAL, KOZELUH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003eSTEFANO CANUTI, SYMPHONICA TOSCANINI SOLO PLAYERS, CHIARA SANTII\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - Concerto for Bassoon and Orchestra in B-Flat Major, K 191: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Concerto for Bassoon and Orchestra in B-Flat Major, K 191: II. Andante ma adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Concerto for Bassoon and Orchestra in B-Flat Major, K 191: III. Rondò tempo di minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Concerto for Two Bassoons and Orchestra in F Major: I. Allegro moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Concerto for Two Bassoons and Orchestra in F Major: II. Andante grazioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Concerto for Two Bassoons and Orchestra in F Major: III. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Concerto for Bassoon and Orchestra in C Major: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Concerto for Bassoon and Orchestra in C Major: II. Larghetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Concerto for Bassoon and Orchestra in C Major: III. Allegro assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Bassoon-Concertos\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: original compositions by W. A. Mozart, J. B. Vanhal, J. A. Kozeluh. Symphonica Toscanini Solo Players, basson soloists: Stefano Canuti, Chiara Santi.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2 Digital recording made at Teatro G. Verdi, Busseto Italy November 2- 4 2006.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBASSOON CONCERTOS è un CD dedicato ai celebri concerti per fagotto e orchestra di Mozart e Vanhal. Registrato in alta risoluzione digitale nelle splendida cornice del Teatro di Busseto (il famoso teatro di Verdi), vede protagonisti interpreti di assoluto riferimento mondiale, quali Stefano Canuti al fagotto solista ed i Solisti dell’Orchestra Sinfonica Toscanini, a comporre la piccola orchestra da camera.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50017314996571,"sku":"CVLD151CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50943879479643,"sku":"CVLD151","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97276e39ee12b06565e54.jpg?v=1738771108"},{"product_id":"le-plaisir-du-chant-marin-boischio","title":"Le Plaisir Du Chant - Marin, Boischio","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eLe Plaisir Du Chant \u003c\/strong\u003e(\u003cspan\u003eCVLD157\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eFauré G., Haendel G. F., Mozart W. A., Purcell H.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eDiletta Rizzo Marin, Alberto Boischio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - The Fairy-Queen, Z. 629, Act II, Scene 7: \"Come, All Ye Songsters of the Sky\" - Arranged for Voice and Piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Orpheus Britannicus, Z. 583: No. 2, Music for a While\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Pausanius, Z. 585: No. 1, Sweeter Than Roses\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Joshua, HWV 64, Act III, Scene 3: \"Oh! had I Jubal's lyre, or Miriam's tuneful voice\" - Arranged for Voice and Piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Lieder und Gesänge, K. 152: No. 8, Ridente la calma\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Ariette, \"Oiseaux si tous les ans\", K. 307\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Ariette, \"Dans un bois solitaire\", K. 308\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Les chansons de Miarka: No. 10, La pluie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - 5 Mélodies, Op. 58: No. 1, Mandoline\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - En prière\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - 4 Songs, Op. 39: No. 4, Les roses d'Ispahan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Colección de tonadillas: No. 7, El tra-la-la y el punteado\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Colección de tonadillas: No. 3, La maja dolorosa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - 12 Tonadillas en estilo antiguo: No. 3, El majo discreto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - La Canción del Olvido, Cuadro Primero: Canción del Olvido. \"Marinela, Marinela\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Le-plaisir-du-chant\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCLASSICAL: original composition by H. Purcell, G. F. Haendel, W. A. Mozart, A. Georges, G. Faurè, E. Granados, J. Serrano.Diletta Rizzo Manin soprano, Alberto Boischio piano. Recording was made at Magister Studio, Preganziol, Italy on April, 2007. Recorded strictly live in studio direct-to-stereo master, using the latest standard in digital technology based upon PRISM SOUND DREAM AD 2, 24bit\/88.2kHz Ad Converter.\u003c\/p\u003e\n\u003cp\u003eQuesto disco costituisce il primo recital del giovane soprano Diletta Rizzo Marin. Dopo il recente successo ottenuto al Festival di Santander, con la sua voce attraente ed espressiva, così definita dal critico musicale più ragguardevole del quotidiano spagnolo “El Pais”, Enrique Franco, Diletta ripropone il suo recital accompagnata dal pianista Alberto Boischio. Il repertorio scelto spazia dal seicento di Purcell a una delle più popolari zarzuelas del novecento, mettendo così in mostra la freschezza del suo timbro, la sua preparazione musicale e tecnica, la sua versatilità stilistica e la sua intensa espressività nel cantare in quattro diverse lingue.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50021233230171,"sku":"CVLD157CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50946217869659,"sku":"CVLD157","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d972655fb8e094997e6e36.jpg?v=1738831873"},{"product_id":"j-chr-bach-w-a-mozart-j-turina-serova-faes-krasnoyarsk-chamber-orchestra","title":"J. CHR. BACH, W.A. MOZART,  J. TURINA - SEROVA, FAES, KRASNOYARSK CHAMBER ORCHESTRA","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eJ. CHR. BACH, W.A. MOZART,  J. TURINA \u003c\/strong\u003e(\u003cspan\u003eCVLD099\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eJ. CHR. BACH, W.A. MOZART, J. TURINA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eA. SEROVA, F. FAES\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"_4f9bf79 _43c05b5\"\u003e\n\u003cdiv class=\"ds-markdown ds-markdown--block\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e01 - Concerto for Viola and Strings in C Minor: I. Allegro maestoso\u003cbr\u003e02 - Concerto for Viola and Strings in C Minor: II. Adagio espressivo\u003cbr\u003e03 - Concerto for Viola and Strings in C Minor: III. Allegro molto\u003cbr\u003e04 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: I. Allegro vivace\u003cbr\u003e05 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: II. Andantino\u003cbr\u003e06 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: III. 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14.6406C16.3457 14.5859 16.2568 14.4512 16.3418 14.2852C16.3691 14.2324 16.501 14.1016 16.5322 14.0781C16.8838 13.877 17.29 13.9434 17.666 14.0938C18.0146 14.2363 18.2773 14.498 18.6562 14.8672C19.0439 15.3145 19.1133 15.4395 19.334 15.7734C19.5078 16.0371 19.667 16.3066 19.7754 16.6152C19.8408 16.8066 19.7559 16.9648 19.5273 17.0625Z\" id=\"path\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv class=\"ds-markdown ds-markdown--block\"\u003e\n\u003cp class=\"ds-markdown-paragraph\"\u003e01 - Concerto for Viola and Strings in C Minor: I. Allegro maestoso\u003cbr\u003e02 - Concerto for Viola and Strings in C Minor: II. Adagio espressivo\u003cbr\u003e03 - Concerto for Viola and Strings in C Minor: III. Allegro molto\u003cbr\u003e04 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: I. Allegro vivace\u003cbr\u003e05 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: II. Andantino\u003cbr\u003e06 - Concerto No. 14 for Piano and Strings in E-Flat Major, K. 449: III. Allegro ma non troppo\u003cbr\u003e07 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 1, Crépuscule du soir\u003cbr\u003e08 - Scène andalouse for Viola, Piano and Strings, Op. 7: No. 2, A la fenêtre\u003cbr\u003e09 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": I. Allegro\u003cbr\u003e10 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": II. Romanze. Andante\u003cbr\u003e11 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": III. Minuetto. Allegretto\u003cbr\u003e12 - Serenata No. 13, K. 525 \"Eine kleine Nachtmusik\": IV. Rondo. Allegro\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Krasnoyarsk-Chamber-Orchestra-Play-Johann-Christian-Bach-Wolfgang-Amadeus-Mozart-Joaquin-Turina\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: Live recording at Philarmonic Hall - Krasnoyarsk, Russia, on June 17th, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnna Serova: Viola, Filippo Faes: Piano \/ Conductor\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto cd non è interamente dedicato alla viola che, comunque, come strumento solista la fa da padrone, al pari del pianoforte e soprattutto determina il programma, solo in apparenza antologico e privo di connessioni. Si parte infatti all'insegna della viola con il Concerto in do minore per viola e orchestra d'archi di Johann Christian Bach, per proseguire \"logicamente\" con Mozart, il quale fu amico ed estimatore dell'ultimogenito del Cantor e ne assimilò alcuni tratti stilistici. Il genio di Salisburgo non è in scaletta con opere dedicate alla viola, bensì con uno dei suoi Concerti per pianoforte e con una pagina celeberrima, la Piccola Serenata Notturna. Nel mezzo, tra un Mozart e l'altro, un brano del Novecento storico denso di colori, con la viola ancora sotto i riflettori: Scene Andaluse di Joaquin Turina, suite concepita in un'epoca in cui la Cenerentola degli strumenti ad arco, grazie anche a Hindemith e Bartok, era ormai diventata una vera Principessa.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50032233546075,"sku":"CVLD099CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50634241343835,"sku":"CVLD099","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97204e39ee15405565e66.jpg?v=1738964981"},{"product_id":"le-nozze-di-figaro-wolfgang-amadeus-mozart","title":"LE NOZZE DI FIGARO - WOLFGANG AMADEUS MOZART","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eLE NOZZE DI FIGARO\u003c\/strong\u003e (\u003cspan\u003eDVLD001\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eWOLFGANG AMADEUS MOZART\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eGiovanni Battista Rigon (conductor), Lorenzo Regazzo (stage director)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eDurata\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"durata\"\u003eDVD1 92:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: DVD e File HD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMusica di WOLFGANG AMADEUS MOZART (1756-1791)\u003cbr\u003eLibretto di LORENZO DA PONTE (1749-1838)\u003c\/p\u003e\n\u003cp\u003eRecorded live at Teatro Olimpico, Vicenza, 6\/2016\u003c\/p\u003e\n\u003cp\u003eRegion: 0\u003cbr\u003eVideo system: PAL 16:9\u003cbr\u003eAudio: PCM linear - Stereo 24bit\/48kHz\u003c\/p\u003e\n\u003cp\u003e“Uno dei piu grandi capolavori musicali di tutti i tempi nel più antico e spettacolare teatro del mondo: Figaro e il Conte di Almaviva interagiscono mirabilmente con le magniloquenti statue del Teatro Olimpico in un gioco affascinante che fonde insieme tradizione e modernità.”\u003c\/p\u003e\n\u003cp\u003e“One of the greatest musical masterpieces of all time in the most ancient and spectacular theater in the world: Figaro and the Count of Almaviva interact admirably with the magniloquent statues of the Teatro Olimpico in a fascinating game that blends tradition and modernity”\u003c\/p\u003e\n\u003cp\u003eIl Conte di Almaviva:  Marco Bussi \u003cbr\u003eLa Contessa: Patrizia Biccirè\u003cbr\u003eSusanna:  Carolina Lippo\u003cbr\u003eFigaro:  Daniele Caputo \u003cbr\u003eCherubino:  Margherita Rotondi \u003cbr\u003eMarcellina:  Giovanna Donadini\u003cbr\u003eBartolo:   Antonio De Gobbi \u003cbr\u003eAntonio:  Claudio Zancopè \u003cbr\u003eBasilio:  Filippo Pina Castiglioni\u003cbr\u003eCurzio:  Elvis Fanton \u003cbr\u003eBarbarina:  Francesca Cholevas\u003c\/p\u003e\n\u003cp\u003eCoro I polifonici vicentini\u003cbr\u003emaestro del coro:  Periluigi Comparin\u003cbr\u003emaestro al cembalo:  Stefano Gibellato\u003cbr\u003eOrchestra di Padova e del Veneto\u003cbr\u003emaestro concertatore e direttore:  Giovanni Battista Rigon \u003c\/p\u003e\n\u003cp\u003eelementi scenografici Carla Conti Guglia\u003cbr\u003ecostumi Riccardo Longo\u003cbr\u003edisegno luci Claudio Cervelli \u003cbr\u003eregia Lorenzo Regazz\u003c\/p\u003e\n\u003cp\u003evideo GC Records \u003cbr\u003eaudio Matteo Costa\u003cbr\u003efotografie Luigi De Frenza\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"DVD (2 discs)","offer_id":50050066907483,"sku":"DVLD001","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d973f1e39ee19507565e49.jpg?v=1739379226"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/Wolfgang-amadeus-mozart_1.jpg?v=1772894912","url":"https:\/\/www.referencemusicstore.com\/it\/collections\/wolfgang-amadeus-mozart.oembed?page=2","provider":"Reference Music Store","version":"1.0","type":"link"}