{"title":"RIAS Symphonie-Orchester Berlin","description":null,"products":[{"product_id":"rossini-stabat-mater-ferenc-fricsay-rias-symphony-orchestra","title":"Rossini Stabat Mater - Ferenc Fricsay RIAS Symphony Orchestra","description":"\u003cdiv\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eGioachino Rossini: Stabat Mater (CS217)\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"a-bordered a-spacing-none\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003eStabat Mater Dolorosa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eCujus Animam - Ernst Haeflifer\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eQuis Est Homo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003ePro Peccatis - Kim Borg\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003ctd\u003eEja, Mater\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003eSancta Mater\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e7\u003c\/td\u003e\n\u003ctd\u003eFac Ut Portem - Marianna Radev\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003eInflamatus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003ctd\u003eQuando Corpus Morietur\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003eIn Sempiterna Saecula. Amen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaria Stader\u003c\/strong\u003e\u003cspan\u003e, soprano\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMarianna Radev\u003c\/strong\u003e\u003cspan\u003e, alto\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEnrst Haegfliger\u003c\/strong\u003e\u003cspan\u003e, tenor\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKim Borg\u003c\/strong\u003e\u003cspan\u003e, bass\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – \u003cstrong\u003eBerlin St. Hedwig's Cathedral Of Choir - RIAS-Kammerchor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrchesta \u003cspan\u003e–\u003c\/span\u003e \u003cstrong\u003eRIAS Symphonie-Orchester Berlin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eChorus Master – \u003cstrong\u003eKarl Forster\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e Conductor: \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded (mono) live September 22, 1954 in Konzertsaal Der Hochschule Für Musik, Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -76px; top: -18.4062px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538037059931,"sku":"cs-217-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538037092699,"sku":"cs-217-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"192kHz · 24bit","offer_id":48538037125467,"sku":"cs-217-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 64","offer_id":48538037158235,"sku":"cs-217-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 128","offer_id":48538037191003,"sku":"cs-217-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/217cover.jpg?v=1718893390"},{"product_id":"the-symphonies-iv","title":"Fricsay: Bartók — Musica per archi, percussione e celesta \u0026 Concerto per orchestra","description":"\u003cp\u003eDue capolavori orchestrali di \u003cstrong\u003eBéla Bartók\u003c\/strong\u003e nella discografia di \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e: \u003cem\u003eMusica per archi, percussione e celesta\u003c\/em\u003e, Sz. 106, e il \u003cem\u003eConcerto per orchestra\u003c\/em\u003e, Sz. 116.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMusica per archi, percussione e celesta\u003c\/em\u003e fu registrata alla \u003cstrong\u003eJesus-Christus-Kirche di Berlino dal 17 al 20 giugno 1953\u003c\/strong\u003e con la RIAS-Symphonie-Orchester Berlin. Il \u003cem\u003eConcerto per orchestra\u003c\/em\u003e risale invece al \u003cstrong\u003e9–10 aprile 1957\u003c\/strong\u003e, nello stesso luogo, quando l’ensemble aveva assunto la denominazione Radio-Symphonie-Orchester Berlin.\u003c\/p\u003e\u003ch2\u003eFricsay e Bartók\u003c\/h2\u003e\u003cp\u003eIl repertorio di Bartók fu uno dei nuclei più rappresentativi dell’arte di Fricsay. Il direttore ne mette in evidenza tanto l’architettura ritmica quanto la qualità timbrica.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e produzione\u003c\/h2\u003e\u003cp\u003eEntrambe le interpretazioni appartengono alla storica discografia di \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e di Ferenc Fricsay. Per il \u003cem\u003eConcerto per orchestra\u003c\/em\u003e del 1957 sono documentati \u003cstrong\u003eElsa Schiller\u003c\/strong\u003e, \u003cstrong\u003eGünter Hermanns\u003c\/strong\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e e \u003cstrong\u003eAlfred Steinke\u003c\/strong\u003e. Per la \u003cem\u003eMusica per archi, percussione e celesta\u003c\/em\u003e del 1953 sono documentati \u003cstrong\u003eHelmut Elbl\u003c\/strong\u003e, \u003cstrong\u003eFred Hamel\u003c\/strong\u003e, Wolfgang Lohse, Alfred Steinke e \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eDisponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBartók — Music for Strings, Percussion and Celesta, Sz. 106\u003c\/strong\u003e\u003cbr\u003e1. I. Andante tranquillo\u003cbr\u003e2. II. Allegro\u003cbr\u003e3. III. Adagio\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBartók — Concerto for Orchestra, Sz. 116\u003c\/strong\u003e\u003cbr\u003e5. I. Introduzione. Andante non troppo – Allegro vivace\u003cbr\u003e6. II. Presentando le coppie. Allegro scherzando\u003cbr\u003e7. III. Elegia. Andante non troppo\u003cbr\u003e8. IV. Intermezzo interrotto. Allegretto\u003cbr\u003e9. V. Finale. Presto\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestre:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Béla Bartók\u003cbr\u003e\u003cstrong\u003eEtichetta originale:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eSede:\u003c\/strong\u003e Jesus-Christus-Kirche, Berlino\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS618\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. 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L’edizione riunisce due registrazioni realizzate a Berlino con la \u003cstrong\u003eRIAS-Symphonie-Orchester\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003eIl \u003cem\u003eCapriccio\u003c\/em\u003e con Monique Haas fu registrato alla \u003cstrong\u003eJesus-Christus-Kirche di Berlino il 27 settembre 1950\u003c\/strong\u003e; \u003cem\u003eLa sagra della primavera\u003c\/em\u003e fu invece registrata nello stesso luogo dall’\u003cstrong\u003e11 al 13 marzo 1954\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFricsay, Haas e Stravinsky\u003c\/h2\u003e\u003cp\u003eFricsay fu uno dei direttori del secondo Novecento più vicini al repertorio moderno. 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