{"title":"Pyotr Ilyich Tchaikovsky","description":"","products":[{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolaj Karlovi Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tschaikovsky \u0026amp; Michail Vasil'evi Pletnëv\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trépak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e “... visione profonda del testo, unita a grande maturità musicale. Giovanissimo, ma già padrone di tecnica pianistica di grande rilievo e di vasto ed importante repertorio... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianista (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“..forte personalità musicale e talento emergono chiaramente dalle capacità artistiche…non fa mai sfoggio di virtuosismo fine a se stesso… lo subordina sempre a una visione intellettuale superiore, che riflette una chiara consapevolezza dell'architettura musicale.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianista (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eVincitore di numerosi concorsi internazionali in Albania, Italia, Croazia, Gran Bretagna, Macedonia, Kossovo, Svizzera-Francia, Slovenia, il pianista albanese Kostandin Tashko si è esibito in importanti sale da concerto e festivals. \u003c\/span\u003e\u003cspan\u003eIl CD di debutto, con l'etichetta KNS, include opere di Liszt, Scriabin e Ravel. \u003c\/span\u003e\u003cspan\u003eAllievo del Liceu “J.Misja” di Tirana con Valbona Kasaj, si è diplomato con menzione d’onore presso il Conservatorio di Musica di Trieste “Giuseppe Tartini” sotto la guida di Teresa Trevisan. \u003c\/span\u003e\u003cspan\u003eMasterclass con B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! La scrittura per pianoforte tra composizione, trascrizione e restituzione. Il percorso proposto da Kostandin Tashko all’insegna della tradizione musicale russa si dipana lungo un sentiero che seppur tracciato all’interno del contesto novecentesco tende a ripiegare con nostalgia verso un passato dai contorni vagamente definiti, tra l’onirico tardo romantico di Medtner, il fiabesco di Tchaikovsky e l’ancestrale di Stravinsky. Protagonista indiscusso è il pianoforte, strumento storicamente legato all’attività compositiva sia come punto di partenza per la stesura di pagine pianistiche affidate all’esecuzione dello stesso compositore, sia come destinatario di trascrizioni tratte da brani orchestrali ad opera dell’autore o di interpreti successivi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"dsd-hi-res-audio-sampler-vol-2","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.2","description":"\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.2\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e1. \u003cstrong\u003eFinale\u003c\/strong\u003e (09’32) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS190 - Béla Bartók: Concerto For Orchestra)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e2. \u003cstrong\u003eKräftig, bewegt, doch nicht zu schnell\u003c\/strong\u003e (07’55) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS191 - Gustav Mahler: Symphony no. 1 in D major)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e3. \u003cstrong\u003eConfutatis\u003c\/strong\u003e (03’03) DSD64\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS193 - Wolfgang Amadeus Mozart: Requiem KV 626)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e4. \u003cstrong\u003eL'Estate - Presto\u003c\/strong\u003e (2’49) WAV96\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS200 - Antonio Vivaldi: Le Quattro Stagioni Op. 8)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e5. \u003cstrong\u003eVivaldi: Concertoin A Minir.,RV 523\u003c\/strong\u003e (12’40) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS201 - Baroque Festival)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e6. \u003cstrong\u003eFortuna, Imperatrix Mundi\u003c\/strong\u003e (03'54) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS202 - Carl Orff - Carmine Burana)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e7. \u003cstrong\u003eStürmisch Bewegt. Mit größter Vehemenz\u003c\/strong\u003e (13’04) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS211 - Gustav Mahler: Symphony no. 5 in C Sharp Minor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e8. \u003cstrong\u003eThe Year 1812, Op. 49\u003c\/strong\u003e (15’30) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CS226 - Pyotr Ilijc Tchaikovsky: Capriccio italien, Marche slave, Romeo and Juliet, The Year 1812)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003eTotal Time: 01:08:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538023362907,"sku":"CS-SAMPLER24","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dsdsampler2.png?v=1772820861"},{"product_id":"tchaikovsky-ballet-suites-piano-concerto-herbert-von-karajan-philharmonia-orchestra-wiener-symphoniker","title":"Karajan: Tchaikovsky — Suite dai balletti \u0026 Concerto per pianoforte n. 1","description":"\u003cp\u003e\u003cstrong\u003eKarajan: Tchaikovsky — Suite dai balletti \u0026amp; Concerto per pianoforte n. 1 (CS229)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e dirige musiche di \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e: le suite da \u003cem\u003eIl lago dei cigni\u003c\/em\u003e e \u003cem\u003eLa bella addormentata\u003c\/em\u003e con la \u003cstrong\u003ePhilharmonia Orchestra\u003c\/strong\u003e, e il \u003cstrong\u003eConcerto per pianoforte n. 1 in si bemolle minore, Op. 23\u003c\/strong\u003e con \u003cstrong\u003eSviatoslav Richter\u003c\/strong\u003e e i \u003cstrong\u003eWiener Symphoniker\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSuite dai balletti:\u003c\/strong\u003e Londra, gennaio 1959.\u003cbr\u003e\u003cstrong\u003eConcerto per pianoforte n. 1:\u003c\/strong\u003e Musikverein, Vienna, 24–26 settembre 1962.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. 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DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e e richiede un DAC o un player compatibile.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538023887195,"sku":"CS229-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538023919963,"sku":"CS229-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538023952731,"sku":"CS229-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538023985499,"sku":"CS229-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538024018267,"sku":"CS229-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs229-tchaikovsky-ballet-suites-piano-concerto-no-1-karajan-richter-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"tchaikovsky-symphony-no-6-1812-herbert-von-karajan-philharmonia-orchestra","title":"Karajan: Tchaikovsky — Sinfonia n. 6 “Pathétique” \u0026 Ouverture 1812","description":"\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e dirige la \u003cstrong\u003ePhilharmonia Orchestra\u003c\/strong\u003e nella \u003cstrong\u003eSinfonia n. 6 in si minore, Op. 74 “Pathétique”\u003c\/strong\u003e e nell’\u003cstrong\u003eOuverture solennelle 1812, Op. 49\u003c\/strong\u003e di Pyotr Ilyich Tchaikovsky.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003eLa Sinfonia n. 6 fu registrata a Londra tra maggio 1955 e luglio 1956; l’Ouverture 1812 a Londra tra gennaio e febbraio 1958.\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003eDisponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSinfonia n. 6 in si minore, Op. 74 “Pathétique”\u003c\/strong\u003e\u003cbr\u003e01 — I. Adagio – Allegro non troppo — 19’13\u003cbr\u003e02 — II. Allegro con grazia — 08’25\u003cbr\u003e03 — III. Allegro molto vivace — 09’12\u003cbr\u003e04 — IV. Finale. Adagio lamentoso – Andante — 09’33\u003cbr\u003e05 — Ouverture solennelle 1812, Op. 49 — 17’25\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Philharmonia Orchestra\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS228\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. 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Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538024804699,"sku":"CS228-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs228-tchaikovsky-symphony-no-6-pathetique-1812-karajan-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"tchaikovsky-symphony-no-4-5-herbert-von-karajan-philharmonia-orchestra","title":"Karajan: Tchaikovsky — Sinfonie n. 4 \u0026 n. 5","description":"\u003cp\u003e\u003cstrong\u003eKarajan: Tchaikovsky — Sinfonie n. 4 \u0026amp; n. 5 (CS227)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e dirige la \u003cstrong\u003ePhilharmonia Orchestra\u003c\/strong\u003e nelle Sinfonie n. 4 in fa minore, Op. 36 e n. 5 in mi minore, Op. 64 di \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSinfonia n. 4:\u003c\/strong\u003e Londra, febbraio–marzo 1960.\u003cbr\u003e\u003cstrong\u003eSinfonia n. 5:\u003c\/strong\u003e Londra, maggio–luglio 1952 e giugno 1953.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSinfonia n. 4 in fa minore, Op. 36\u003c\/strong\u003e\u003cbr\u003e1. 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Allegro maestoso — Allegro vivace — \u003cstrong\u003e13’02\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Philharmonia Orchestra\u003cbr\u003e\u003cstrong\u003eRegistrazioni:\u003c\/strong\u003e Londra, febbraio–marzo 1960 (Sinfonia n. 4); maggio–luglio 1952 e giugno 1953 (Sinfonia n. 5)\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS227\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. 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DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538026541403,"sku":"CS226-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538026574171,"sku":"CS226-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538026606939,"sku":"CS226-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538026639707,"sku":"CS226-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538026672475,"sku":"CS226-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs226-tchaikovsky-capriccio-italien-marche-slave-romeo-juliet-1812-bernstein-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"dsd-hi-res-audio-sampler-vol-1","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.1","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. \u003cstrong\u003eAllegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck\u003c\/strong\u003e\u003cbr\u003e(CS170 Mahler Symphony no. 2) DSD128\u003cbr\u003e2. \u003cstrong\u003eL’Adoration de la terre\u003c\/strong\u003e\u003cbr\u003e(CS171Stravinsky The Rite of Spring) WAV96\/24\u003cbr\u003e3. \u003cstrong\u003eAllegro con grazia\u003c\/strong\u003e\u003cbr\u003e(CS174 Tchaikovsky Symphony No. 6) DSD64\u003cbr\u003e4. \u003cstrong\u003eAllegretto grazioso\u003c\/strong\u003e\u003cbr\u003e(CS184 Dvorak Symphony No. 8) DSD128\u003cbr\u003e5. \u003cstrong\u003eFinale. Feierlich, nicht schnell\u003c\/strong\u003e\u003cbr\u003e(CS185 Bruckner Symphony No. 8) WAV192\/24\u003cbr\u003e6. \u003cstrong\u003eIntermezzo interrotto\u003c\/strong\u003e\u003cbr\u003e(CS190 Bartók Concerto For Orchestra) WAV96\/24\u003cbr\u003e7. \u003cstrong\u003eUranus, the Magician\u003c\/strong\u003e\u003cbr\u003e(CS197 Holst: The Planets) WAV192\/24\u003cbr\u003e\u003cbr\u003eTotal Time: 01:22:14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003cbr\u003e\u003cbr\u003eEntrate nel mondo dei grandi interpreti della musica classica con DSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1 Esplorate la bellezza della Sinfonia n. 2 di Mahler in Do minore, la “Resurrezione”, lo “Sacre du printemps-L’oiseau de feu” di Stravinsky, la Sinfonia n. 6 di Tchaikovsky in Si minore Op 74 “Patetica”, la Sinfonia n. 8 di Dvořák, la Sinfonia n. 8 di Bruckner, il Concerto per Orchestra di Bartók e i Pianeti di Holst. Assaporate la gamma completa della musica dei compositori più amati, registrata con impeccabile nitidezza. Viaggiate con la bellezza assoluta della musica classica, regalandovi meraviglie senza precedenti. Una volta che inizierete ad apprezzare l'accuratezza dall'alta definizione, non vorrete più tornare indietro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538050330971,"sku":"cs-sampler23","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/samplerdsd1.png?v=1772819579"},{"product_id":"offenbach-tchaikovsky-liszt-arthur-fiedler-boston-pops","title":"Fiedler: Offenbach, Tchaikovsky \u0026 Liszt — Orchestral Showpieces","description":"\u003cp\u003eArthur Fiedler dirige la Boston Pops Orchestra in un programma di celebri pagine orchestrali di Jacques Offenbach, Pyotr Ilyich Tchaikovsky e Franz Liszt.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003eArthur Fiedler — Boston Pops Orchestra.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Tchaikovsky: 1812 Overture, Op. 49\u003cbr\u003e02 — Tchaikovsky: Capriccio italien, Op. 45\u003cbr\u003e03 — Liszt: Les Préludes\u003cbr\u003e04 — Offenbach\/Rosenthal: Gaîté Parisienne\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Arthur Fiedler\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Boston Pops Orchestra\u003cbr\u003e\u003cstrong\u003eCompositori:\u003c\/strong\u003e Jacques Offenbach; Pyotr Ilyich Tchaikovsky; Franz Liszt\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003eFile Hi-Res 96kHz • 24bit\u003cbr\u003eFile Hi-Res 192kHz • 24bit\u003cbr\u003eFile DSD64\u003cbr\u003eFile DSD128\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. 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Ouverture-fantasia\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Leopold Stokowski\u003cbr\u003e\u003cstrong\u003eOrchestre:\u003c\/strong\u003e NBC Symphony Orchestra; Leopold Stokowski's Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS543\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003eDisponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. 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La \u003cem\u003ePathétique\u003c\/em\u003e londinese fu pubblicata da Mercury come \u003cstrong\u003eSR 90312\u003c\/strong\u003e. La Quarta di Schumann fu registrata a \u003cstrong\u003eWatford Town Hall il 18–19 luglio 1963\u003c\/strong\u003e, con \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e producer e \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e engineer, e pubblicata su LP statunitense Mercury \u003cstrong\u003eSR 90511\u003c\/strong\u003e nel \u003cstrong\u003e1969\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003eEdizione digitale disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Schumann: Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam — Lebhaft\u003cbr\u003e02 — II. Romanze. Ziemlich langsam\u003cbr\u003e03 — III. Scherzo. Lebhaft\u003cbr\u003e04 — IV. Langsam — Lebhaft\u003cbr\u003e05 — Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 “Pathétique”: I. Adagio — Allegro non troppo\u003cbr\u003e06 — II. Allegro con grazia\u003cbr\u003e07 — III. Allegro molto vivace\u003cbr\u003e08 — IV. Finale. Adagio lamentoso — Andante\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositori:\u003c\/strong\u003e Robert Schumann; Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRegistrazione della Sinfonia n. 6:\u003c\/strong\u003e Wembley Town Hall, giugno 1960; catalogata al 18 giugno 1960\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS622\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195572355419,"sku":"CS622-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-schumann-tchaikovsky-sinfonie-4-6-capsa-symphonia-CS622-cover.png?v=1788252309"},{"product_id":"great-recordings-4","title":"Doráti: Tchaikovsky — Sinfonia n. 1 “Sogni d’inverno” \u0026 Capriccio italien","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e dirige \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e in due registrazioni con compagini differenti: la \u003cstrong\u003eSinfonia n. 1 in sol minore, Op. 13 “Sogni d’inverno”\u003c\/strong\u003e con la \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e e il \u003cstrong\u003eCapriccio italien, Op. 45\u003c\/strong\u003e con la \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003eLa registrazione della Sinfonia n. 1 è documentata a \u003cstrong\u003eWatford Town Hall il 27 luglio 1965\u003c\/strong\u003e. Doráti mette in evidenza la struttura già fortemente personale della prima prova sinfonica di Tchaikovsky.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e prima pubblicazione\u003c\/h2\u003e\u003cp\u003eLa Sinfonia n. 1 appartiene al catalogo storico \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e. Le sessioni delle prime tre sinfonie di Tchaikovsky furono prodotte da \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e e registrate da \u003cstrong\u003eRobert Eberenz\u003c\/strong\u003e a Watford nel luglio 1965; il ciclo apparve negli Stati Uniti nel settembre dello stesso anno nel cofanetto stereofonico \u003cstrong\u003eMercury SR2-9015\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003eEdizione digitale disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 1 in G Minor, Op. 13 “Winter Daydreams”: I. Dreams of a Winter Journey. Allegro tranquillo\u003cbr\u003e02 — II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto\u003cbr\u003e03 — III. Scherzo. Allegro scherzando giocoso\u003cbr\u003e04 — IV. Finale. Andante lugubre — Allegro maestoso\u003cbr\u003e05 — Capriccio italien, Op. 45\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Sinfonia n. 1):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRegistrazione:\u003c\/strong\u003e Watford Town Hall, 27 luglio 1965\u003cbr\u003e\u003cstrong\u003eOrchestra (Capriccio italien):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS624\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195662664027,"sku":"CS624-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-tchaikovsky-sinfonia-1-capriccio-italien-capsa-symphonia-CS624-cover.png?v=1788252309"},{"product_id":"stereormandy-vol-7","title":"Ormandy: Tchaikovsky — Sinfonia n. 6 “Pathétique” \u0026 Ouverture 1812","description":"\u003cp\u003eLa \u003cstrong\u003eSinfonia n. 6 in si minore, Op. 74 “Pathétique”\u003c\/strong\u003e e l’\u003cstrong\u003eOuverture solennelle 1812, Op. 49\u003c\/strong\u003e di Pyotr Ilyich Tchaikovsky sono presentate in questa edizione con Eugene Ormandy e The Philadelphia Orchestra.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003eIl programma unisce l’ultima sinfonia di Tchaikovsky, conclusa dall’Adagio lamentoso, alla costruzione celebrativa dell’Ouverture 1812.\u003c\/p\u003e\u003ch2\u003eEugene Ormandy e The Philadelphia Orchestra\u003c\/h2\u003e\u003cp\u003eOrmandy guida l’orchestra nei forti contrasti dinamici e timbrici delle due partiture, dalla tensione della “Pathétique” alla dimensione cerimoniale dell’Ouverture 1812.\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 6, Op. 74 “Pathétique”: I. Adagio — Allegro non troppo\u003cbr\u003e02 — II. Allegro con grazia\u003cbr\u003e03 — III. Allegro molto vivace\u003cbr\u003e04 — IV. Adagio lamentoso — Andante\u003cbr\u003e05 — Ouverture solennelle 1812, Op. 49\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Eugene Ormandy\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e The Philadelphia Orchestra\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione qui proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51215949988187,"sku":"CS652-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs652-tchaikovsky-symphony-no-6-pathetique-1812-overture-ormandy-philadelphia-capsa-symphonia-cover.png?v=1789061944"},{"product_id":"all-ombra-dei-giganti-la-direzione-d-orchestra-in-germania-e-in-austria-1900-1950","title":"All’ombra dei giganti — La direzione d’orchestra in Germania e in Austria (1900–1950)","description":"\u003cp\u003e\u003cstrong\u003eAll’ombra dei giganti\u003c\/strong\u003e è un’antologia sonora Capsa Symphōnĭa dedicata alla grande tradizione direttoriale tedesca e austriaca, concepita in dialogo con il volume omonimo di Andrea Bedetti e con la Guida all’Ascolto di \u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e. Il titolo riprende l’orizzonte storico del libro; la selezione comprende anche testimonianze posteriori al 1950 per alcuni dei direttori rappresentati.\u003c\/p\u003e\u003ch2\u003eDieci interpreti, dieci documenti della direzione orchestrale\u003c\/h2\u003e\u003cp\u003eLa raccolta accosta dieci direttori — Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard e Hermann Scherchen — attraverso pagine di Beethoven, Bruckner, Mozart, Wagner, Brahms, Tchaikovsky e Bach. Le registrazioni attraversano differenti scuole, epoche e pratiche fonografiche, dalle sessioni in studio e su disco a 78 giri alle riprese radiofoniche e dal vivo.\u003c\/p\u003e\u003ch2\u003eRegistrazioni\u003c\/h2\u003e\u003cp\u003eLa Quinta di Beethoven diretta da Weingartner con la London Philharmonic Orchestra fu registrata tra il 31 gennaio e il 2 febbraio 1933 allo Studio 1 di Abbey Road; la Nona di Bruckner di Furtwängler con i Berliner Philharmoniker fu realizzata per la radio nel Beethovensaal di Berlino nell’autunno 1944 e non come concerto pubblico; la \u003cem\u003eJupiter\u003c\/em\u003e di Mozart di Bruno Walter con i Wiener Philharmoniker risale al gennaio 1938; l’\u003cem\u003eEroica\u003c\/em\u003e di Klemperer con la Philharmonia Orchestra fu incisa alla Kingsway Hall nel 1955; il \u003cem\u003eParsifal\u003c\/em\u003e di Knappertsbusch dal Festival di Bayreuth del 1962 fu ripreso dal vivo.\u003c\/p\u003e\u003cp\u003eLa Quarta di Bruckner con Oswald Kabasta e i Münchner Philharmoniker è una registrazione radiofonica del 30 giugno 1943 conservata a partire dai nastri RRG. La Quarta di Brahms di Hermann Abendroth con l’orchestra sinfonica della radio di Lipsia risale al 15 aprile 1956; la Nona di Beethoven di Carl Schuricht con l’Orchestre de la Société des Concerts du Conservatoire fu registrata alla Salle Wagram di Parigi nel 1958.\u003c\/p\u003e\u003ch2\u003eFormati disponibili\u003c\/h2\u003e\u003cp\u003eQuesta edizione digitale, codice \u003cstrong\u003eCS001\u003c\/strong\u003e, è proposta in \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e. Il file è PCM 44.1kHz • 16bit e non è un formato Hi-Res.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 5 in C minor, Op. 67: Allegro con brio [08:09] — Felix Weingartner, London Philharmonic Orchestra.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 9 in D minor: Scherzo. Bewegt, lebhaft – Trio. Schnell [09:31] — Wilhelm Furtwängler, Berliner Philharmoniker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e — Symphony No. 41 in C major, K. 551 “Jupiter”: Molto allegro [06:35] — Bruno Walter, Wiener Philharmoniker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 3 in E-flat major, Op. 55 “Eroica”: Marcia funebre [14:43] — Otto Klemperer, Philharmonia Orchestra.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRichard Wagner\u003c\/strong\u003e — \u003cem\u003eParsifal\u003c\/em\u003e, WWV 111: Vorspiel, Act I [12:00] — Hans Knappertsbusch, Bayreuther Festspielorchester.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 4 in E-flat major, WAB 104 “Romantische”: Bewegt, nicht zu schnell [16:02] — Oswald Kabasta, Münchner Philharmoniker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e — Symphony No. 4 in E minor, Op. 98: Allegro energico e passionato [10:20] — Hermann Abendroth, Rundfunk-Sinfonieorchester Leipzig.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 9 in D minor, Op. 125 “Choral”: Molto vivace [11:18] — Carl Schuricht, Orchestre de la Société des Concerts du Conservatoire.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e — \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, Overture-Fantasia [22:30] — Leo Borchard, Berliner Philharmoniker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e — Brandenburg Concerto No. 3 in G major, BWV 1048 [15:08] — Hermann Scherchen, Orchester der Wiener Staatsoper.\u003c\/li\u003e\n\u003c\/ol\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettori:\u003c\/strong\u003e Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard, Hermann Scherchen.\u003cbr\u003e\u003cstrong\u003eEdizione digitale:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS001\u003c\/p\u003e\u003cp\u003eLa \u003cstrong\u003eGuida all’Ascolto\u003c\/strong\u003e collegata a questa antologia è disponibile nel \u003ca href=\"\/it\/collections\/groove-back-magazine\"\u003e\u003cstrong\u003en. 009\/26 di GRooVE back Magazine\u003c\/strong\u003e\u003c\/a\u003e. Sul sito è inoltre disponibile il libro di Andrea Bedetti \u003cem\u003eAll’ombra dei giganti. La direzione d’orchestra in Germania e in Austria (1900–1950)\u003c\/em\u003e, primo volume della collana GRooVE back Parallel.\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione qui proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":53589920153947,"sku":"CS001-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs001-all-ombra-dei-giganti-grandi-direttori-capsa-symphonia-cover.png?v=1789047386"}],"url":"https:\/\/www.referencemusicstore.com\/it\/collections\/pyotr-ilyich-tchaikovsky.oembed?page=2","provider":"Reference Music Store","version":"1.0","type":"link"}