{"title":"Classica","description":"","products":[{"product_id":"die-kunst-der-fugue-bwv1080-nicola-lamon","title":"Die Kunst der Fugue BWV1080 - Nicola Lamon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eJ.S.Bach\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e(1685-1750)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eDie Kunst der Fugue BWV 1080 \u003c\/b\u003e(CVLD352)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eNicola Lamon,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e harpsichord\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 1,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:34\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 2,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:42\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 3,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:19\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 4,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:38\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e05 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 5,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:54\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e06 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 6 a 4 in Stylo Francese,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:33\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e07 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 7 a 4 per Augmentationem et Diminutionem, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:41\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e08 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 8 a 3,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e6:31\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e09 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 9 a 4 alla Duodecima,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:52\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e10 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 10 a 4 alla Decima,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e5:05\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e11 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 11 a 4,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e7:10\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e12 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus 12 a 4 Forma inversa,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e13 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 4 Forma recta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:33\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e14 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 3 Forma recta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e2:45\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e15 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 3 Forma inversa,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e2:50\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e16 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon per Augmentationem in Contrario Motu,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:55\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e17 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Ottava,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:52\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e18 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Decima in Contrapunto alla Terza,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e5:22\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e19 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Duodecima in Contrapunto alla Quinta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:25\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e20 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eFuga a 3 Soggetti,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e8:57\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003eTot. Time: 91:17\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Die-Kunst-der-Fugue-Nicola-Lamon\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cb\u003ePCM 88.2kHz\/24bit\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003e---\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\u003cu\u003e\u003cb\u003eRecording\u003c\/b\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003e was made at Magister Area Recording, Preganziol, Italy, on August 2022\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\u003cu\u003e\u003cb\u003eMix and Mastering\u003c\/b\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003e were made at Velut Luna Studio, Naquera (Valencia), Spain on January 2023\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cu\u003e\u003cb\u003eRecording set up:\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMikes:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eAUSTRIAN OC818 - two stereo pair\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMic preamplifiers:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMillennia Media HV-3B\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMulti-ch 88.2\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003ekHz \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\/ 24\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003ebit\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e ADC\/DAC:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eLynx Aurora \"n\"\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eAnalog mixer:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eRupert Neve Design 5059 Satellite 16 x 2 + 2\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMastering ADC:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003ePrism Sound AD-2 Dream, PCM 88.2kHz\/24bit\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eProduction: \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eMarco Lincetto por VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eBalance recording engineer: \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eRecording engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMattia Zanatta\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eMusical producer and editing engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMattia Zanatta\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eMix and mastering engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eDesign and layout: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eQuesta nuova straordinaria produzione discografica di Marco Lincetto (la prima realizzata nella nuova sede di Velut Luna in Spagna) di uno dei capolavori assoluti di Johann Sebastian Bach è stata realizzata da Nicola Lamon utilizzando un clavicembalo copia dello strumento utilizzato ai tempi di Bach in Germania.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eLa registrazione, effettuata con tecnica e cura di standard audiofilo, consente di apprezzare ogni più nascosta sfumatura del suono del monumentale strumento utilizzato e quindi di penetrare tutti i segreti della musica di Bach, mirabilmente interpretata da Nicola Lamon.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eNicola Lamon\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e ha studiato al conservatorio “B. Marcello\" di Venezia diplomandosi nel 2001 con il massimo dei voti e la lode sia in Organo e composizione organistica con Elsa Bolzonello Zoja che in Clavicembalo con Sergio Vartolo e Marco Vincenzi.Ha conseguito inoltre il diploma in Canto Gregoriano a pieni voti con Lanfranco Menga. Nell’anno accademico 2005-2006, presso il Conservatorio “B. Marcello” di Venezia ha conseguito con il punteggio di 110 e lode il diploma accademico specialistico di II livello in organo. Ha partecipato a numerosi corsi di perfezionamento presso varie accademie internazionali: in organo e improvvisazione con H. Davidson e W. Porter a Smarano (TN), con J.L. Gonzalez Uriol a Daroca (Spagna), presso l'Accademia Chigiana di Siena, per il clavicembalo, con Cristophe Rousset, conseguendo il diploma di merito. Ha ottenuto diversi riconoscimenti in vari concorsi nazionali e internazionali: in organo il terzo premio a Borca di Cadore nel 2001 e nel 2005, il primo premio a Viterbo nel 2003 e il terzo premio a Fano Adriano (TE) nel 2006; in clavicembalo il primo premio a Fusignano (RA) nel 2003 e il primo premio a Pesaro nel 2005. Svolge l’incarico di secondo organista presso la prestigiosa Basilica di San Marco in Venezia, collaborando con la Cappella Marciana nelle esecuzioni concertistiche e discografiche. Segue e studia con particolare interesse il partimento storico e l’improvvisazione finalizzata alla ricerca e all’esecuzione del basso continuo. Con il collega David Brutti al cornetto ha fondato il duo “Seicento Stravagante” impegnato nella valorizzazione degli strumenti a tasto rinascimentali e barocchi partecipando a registrazioni discografiche e concerti. Svolge inoltre attività di organista e clavicembalista continuista in in diverse formazioni collaborando inoltre come tale a masterclass e corsi di perfezionamento.E’ stato docente a contratto presso il conservatorio “C.Pollini di Padova” di pratica della tastiera e lettura del repertorio vocale e, attualmente, svolge attività di accompagnatore al clavicembalo presso i conservatori Arrigo Pedrollo di Vicenza e Agostino Steffani di Castelfranco Veneto (TV). E’ impegnato altresì nella monumentale esecuzione integrale dei due libri del Clavicembalo ben temperato e l’Arte della Fuga di J.S.Bach\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"128\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Die-Kunst-der-Fugue-Nicola-Lamon\/widget?view=clickthrough\" data-lnk-widget=\"\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":41077476786228,"sku":"CVLD352","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/VELUTLUNACVLD352-cover.jpg?v=1681233292"},{"product_id":"petite-messe-solennelle-original-version-for-12-soloists-passy-1863","title":"PETITE MESSE SOLENNELLE - Original Version for 12 Soloists (Passy,1863)","description":"\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003ePETITE MESSE SOLENNELLE  \u003c\/b\u003e(CVLD297)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eOriginal Version for 12 Soloists (Passy,1863)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGLORIA\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e30:59\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e#2 Gloria in excelsis Deo  0.47\u003c\/p\u003e\n\u003cp\u003e#3 Et in terra pax hominibus (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  1:47\u003c\/p\u003e\n\u003cp\u003e#4 Gratias agimus tibi (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLi, Rossetto, Wang\u003c\/strong\u003e)  4:13\u003c\/p\u003e\n\u003cp\u003e#5 Domine Deus (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBiscontin\u003c\/strong\u003e)  5:14\u003c\/p\u003e\n\u003cp\u003e#6 Qui tollis (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Li\u003c\/strong\u003e)  6:02\u003c\/p\u003e\n\u003cp\u003e#7 Quoniam (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIngrasciotta\u003c\/strong\u003e)  7:16\u003c\/p\u003e\n\u003cp\u003e#8 Cum Sancto Spiritu  5:40\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCREDO\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e16:54\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e#9 Credo in unum Deum (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:14\u003c\/p\u003e\n\u003cp\u003e10 Crucifixus (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCorò\u003c\/strong\u003e)  3:15\u003c\/p\u003e\n\u003cp\u003e11 Et resurrexit  (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:42\u003c\/p\u003e\n\u003cp\u003e12 Et vitam venturi  4:13\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOFFERTORIUM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Prélude religieux  7:43\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSANCTUS\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e9:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14 Sanctus (\u003cstrong\u003esolos: Tang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:04\u003c\/p\u003e\n\u003cp\u003e15 O salutaris hostia (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCimolin\u003c\/strong\u003e)  5:27\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAGNUS DEI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16 Agnus Dei (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGirardello\u003c\/strong\u003e)  8:10\u003c\/p\u003e\n\u003cp\u003e    \u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTotal Time: 79:20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Rossini-Petite-messe-solennelle\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArianna Cimolin, Valentina Corò, Miao Tang\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esopranos \/\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eValeria Girardello, Huijao Li, Ludovica Marcuzzi\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ealtos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAndrea Biscontin, Diego Rossetto, Nikolaj Statsyuk\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003etenors \/\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ePaolo Ingrasciotta, Francesco Toso, Chenlong Wang\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ebasses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlberto Boischio\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epianoforte I\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\/ Manuel Ghidini\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epianoforte II \/\u003c\/strong\u003eCarlo Emilio Tortarolo\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eharmonium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGiovanni Battista Rigon, conductor\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusical Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichele Sartor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; mastering:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditing:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto \/ Etienne Carjat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInside Photos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLuigi De Frenza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLayout \u0026amp; Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Dodici cantori di tre sessi, uomini donne e castrati, saranno sufficienti per la sua esecuzione. (…) Un totale di dodici cherubini”.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eÈ quanto prescrive il settantunenne Rossini sulla partitura della\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePetite messe solennelle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecomposta a Parigi nel 1863, più di trent'anni dopo l'enigmatico ritiro dalla scena operistica. L'organico è completato dall'accompagnamento di due pianoforti e un harmonium: Rossini pensava infatti ad un'esecuzione tra pochi intimi, nella cappella privata della famiglia Pillet-Will, dedicataria della messa.\u003c\/p\u003e\n\u003cp\u003eProprio la dimensione “cameristica” di questo capolavoro è ciò che abbiamo cercato di recuperare in questa esecuzione, registrata dal vivo al Teatro Olimpico di Vicenza con un ensemble di giovani cantanti del Conservatorio Benedetto Marcello di Venezia, veri talenti, alcuni dei quali già presenti nella programmazione di importanti teatri. Si tratta con ogni probabilità della prima esecuzione italiana della versione originale, certamente la prima in assoluto in cui nei ruoli solistici si alternano via via tutti i componenti dell'ensemble.\u003c\/p\u003e\n\u003cp\u003eIl testo latino della messa cattolica viene di volta in volta intonato dall'intero ensemble (nel\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKyrie\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einiziale, o nelle due grandi fughe del\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCum Sancto Spiritu\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ee dell'\u003cem\u003eEt vitam\u003c\/em\u003e), a volte con interventi in antifona di un quartetto di solisti (\u003cem\u003eGloria\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ee\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSanctus\u003c\/em\u003e), oppure affidato a momenti solistici di grande efficacia (il\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDomine Deus\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edel tenore, il\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eQuoniam\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edel basso, il\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrucifixus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ee il\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSalutaris hostia\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edel soprano), o declinato in concertati a due o tre voci (\u003cem\u003eQui tollis\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGratias agimus tibi\u003c\/em\u003e). Non manca neppure un intermezzo puramente strumentale all'Offertorio (\u003cem\u003ePrélude religieux\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eal primo pianoforte), ma il momento forse più commovente dell'intera messa Rossini lo riserva alla prediletta voce del contralto, che intona in antifona con il coro lo struggente\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgnus Dei\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003econclusivo.\u003c\/p\u003e\n\u003cp\u003eNel 1867, qualche anno dopo la data di composizione, Rossini si premurerà di orchestrare l'accompagnamento della sua piccola messa (forse nel timore che altri vi ponessero mano) e in questa versione essa viene spesso eseguita, così come le parti corali vengono spesso affidate a grandi compagini in cui i “cherubini” rossiniani da dodici che erano diventano qualche decina. La musica acquista certamente monumentalità, si perdono però la freschezza, la grazia, la trasparenza,  tutto l'autoironico\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eunderstatement\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eche traspare anche nei commenti autografi che accompagnano la partitura:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“Dodici sono anche gli apostoli nel celebre affresco di Leonardo detto La cena e – chi lo crederebbe – tra i tuoi discepoli ce ne sono alcuni che prendono delle note false! Signore, rassicùrati, prometto che non ci saranno Giuda alla mia cena e che i miei canteranno giusto e con amore le tue lodi e questa piccola composizione che è, purtroppo, l'ultimo peccato della mia vecchiaia.”\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000613015899,"sku":"CVLD297CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41083091288116,"sku":"CVLD297","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_9351fe5e-6337-4f11-8f52-d1f9473a1177.jpg?v=1681739447"},{"product_id":"carlo-graziani-walter-al-mondo-musicale","title":"Carlo Graziani-Walter, \"AL MONDO MUSICALE\"","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCarlo Graziani-Walter\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Bruxelles, 1851 – Firenze, 1927)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\"AL MONDO MUSICALE\" \u003c\/b\u003e(CVLD350)\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eCompositions For Mandolins, Piano And Voices\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA Musical Project By Maura Mazzonetto And Pier Corrado Danieli\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eDisponibile in: CD, File HD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003eDante e Beatrice, op.134\u003c\/strong\u003e\u003cspan\u003e  “Meditazione”per orchestra a plettro, arpa e organo, 6:38\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eA Letizia Marcucci  “mia diletta sposa”\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eEnsemble Orchestrale diretto da \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cspan\u003e                          \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - \u003c\/span\u003e\u003cstrong\u003eCanzone d’Amore op.281\u003c\/strong\u003e\u003cspan\u003e   Andante espressivo per mandolino e pianoforte, 2:51\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e“A mademoiselle Jenny Simon”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eGiulio Sensolo\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandolino\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epianoforte\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - \u003c\/span\u003e\u003cstrong\u003eInno op.261\u003c\/strong\u003e\u003cspan\u003e a 2 voci con accompagnamento di pianoforte, 3:27\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eAlla Vergine S.S. del Rosario di Pompei\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 - \u003c\/span\u003e\u003cstrong\u003eAve Maria\u003c\/strong\u003e\u003cspan\u003e  per canto e pianoforte 2° voce ad libitum, 3:58\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKamilla Menlibekova\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003esoprano,\u003c\/em\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cstrong\u003eCristiano Didone’\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003etenore\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - \u003c\/span\u003e\u003cstrong\u003eSur la plage\u003c\/strong\u003e\u003cspan\u003e “Barcarolle” per pianoforte, 2:24\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - \u003c\/span\u003e\u003cstrong\u003eSous le tilleul\u003c\/strong\u003e\u003cspan\u003e “Courante” per pianoforte, 1:35\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eA’ la charmante fillette Emmina Curzio\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e07 - \u003c\/span\u003e\u003cstrong\u003eEn gondole op.131\u003c\/strong\u003e\u003cspan\u003e “Caprice barcarolle” per pianoforte, 2:07\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003epianoforte\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - \u003c\/span\u003e\u003cstrong\u003eGemito Appassionato\u003c\/strong\u003e\u003cspan\u003e  ”Elegia” per due mandolini, mandola e pianoforte, 7:27\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eAll’Esimio Mandolinista Prof. Costantino Bertucci”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGran successo della Società Mandolinisti Margherita\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMaria Cleofe Miotti, Massimo Sanapo\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandolini,\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eKioko Kato\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandola\u003c\/em\u003e\u003cspan\u003e,  \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epianoforte\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - \u003c\/span\u003e\u003cstrong\u003eDans le pays des songes\u003c\/strong\u003e\u003cspan\u003e  “Aubade” per pianoforte, 3:43\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eA la charmante fillette Rita Curzio\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eChiara Gislon\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epianoforte\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003ePatinage\u003c\/strong\u003e\u003cspan\u003e “Caprice caracteristique” per pianoforte, 3:16\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePaolo Cornale\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epianoforte\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eInfanzia\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003esulle 5 note per pianoforte a 4 mani,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e6:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eN.1 Pupa ride (Gavotta)  N.2 Pupa piange (Melodia) N.3 Pupa giuoca (Valzer)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eN.4 Pupa capricciosa (Marcia) N. 5 Pupa dorme(Ninna nanna)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEduardo e Sara Castellano\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epianoforte\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eVogata Notturna op.233\u003c\/strong\u003e\u003cspan\u003e “Barcarola” per Orchestra a plettro, 3:54\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnsemble Orchestrale diretto da \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - \u003c\/span\u003e\u003cstrong\u003ePleine lune\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Contemplation per pianoforte, 3:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - \u003c\/span\u003e\u003cstrong\u003eDante e Beatrice\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e “Meditazione” (versione per pianoforte dell'autore), 6:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epianoforte\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - \u003c\/span\u003e\u003cstrong\u003eMirto e Cipresso op.180\u003c\/strong\u003e\u003cspan\u003e  “Elegia”per orchestra a plettro, 4:57\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eIn memoria di mia madre\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eEnsemble Orchestrale diretto da \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 62:32\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Al-mondo-musicale\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eCarlo Graziani-Walter (Bruxelles, 1851 - Firenze, 1927)\u003c\/em\u003e è stato un pianista, mandolinista, compositore, che si è distinto per un'ampia produzione musicale dedicata al mandolino e in generale al mondo dei plettri, e ovviamente al pianoforte.\u003cbr\u003eSi tratta prevalentemente di musica da camera e per piccole orchestre, nobile punta di diamante del miglior tardo romanticismo europeo.\u003cbr\u003eGrazie alle fitte relazioni con l'alta borghesia e la nobilità mitteleuropea e italiana, Graziani-Walter ha spesso, per non dire quasi sempre, tratto ispirazione dalla conoscenza e dall'amicizia per le sue opere che quasi sempre vantano una dedica specifica a questo o a quella.\u003cbr\u003eIl repertorio proposto in questo disco è frutto di un'attenta ricerca realizzata da Maura Mazzonetto, docente al Conservatorio C.Pollini di Padova, tutta incentrata nella riscoperta di manoscritti originali e inediti.\u003cbr\u003eTutte le registrazioni sono PRIME ASSOLUTE MONDIALI\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cstrong\u003e* Orchestra a plettro di Breganze  \/  Ensemble “Mandolini e chitarre delle Venezie”\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\/  Ensemble di mandolini e chitarre “Pollini”\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eDirettore\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cbr\u003e\u003cu\u003eEsecutori:\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eMandolino:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAnna Bozzetto, Carlo Calzavara, Emanuele Cappellotto,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePier Corrado Danieli, Giannarnaldo Ferrara, Edoardo Lazzarin,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStefano Maciga,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAndrea Miotti, Maria Cleofe Miotti, Davide Petrin,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMassimo Sanapo, Emiliano Scettri, Giacomo Simioni\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMandola:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAlessandro Antonello, Giuliano Menara, Kyoko Kato, Giulio Sensolo\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eChitarra:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAnna Favaro, Filippo Favaro, Marco Fragalà, Alessandro Marchiori, Nicola Mazzon, Ilaria Settimo\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMandoloncello:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAndrea Bazzoni, Paolo Gatto\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eArpa:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eGiorgia Bragante, Chiara Isepato\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eVioloncello:\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eEnrica Frasca\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eContrabbasso:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eFederico Salotto\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eOrgano:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003ePietro Revoltella.\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e24bit \/ 96 kHz original recording made at Auditorium Pollini, Padova, Italy,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eduring different sessions on 2018 and 2019\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTracks 13 and 14 were recorded and mixed by Marco Lincetto, at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca, Italy, on Februray, 2022, using piano Steinway \u0026amp; Sons Mod.O, made in New York on 1909\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eArtistic direction: \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003c\/span\u003e\u003cstrong\u003eGiacomo Brocca\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMastering Enegineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993465921883,"sku":"CVLD350CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41083257520180,"sku":"CVLD350","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_ee4ca168-3903-45f9-b116-8e0fdc46f10e.jpg?v=1681753875"},{"product_id":"miroirs-de-la-musique-luca-chiandotto","title":"Miroirs de la musique - Luca Chiandotto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eMiroirs de la musique \u003c\/b\u003e(CVLD344)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eLuca Chiandotto\u003c\/strong\u003e, \u003cem\u003epiano\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eAleksandr Nikolaevič Skrjabin\u003c\/strong\u003e\u003cspan\u003e (1872 – 1915)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003ePoème op. 72 Vers la flamme\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1914)   \u003c\/span\u003e\u003cstrong\u003e5:36\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaurice Ravel\u003c\/strong\u003e\u003cspan\u003e (1875 – 1937)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMiroirs\u003c\/strong\u003e\u003cspan\u003e (1905)   \u003c\/span\u003e\u003cstrong\u003e30:04\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e02 - Noctuelles  5:23\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Oiseaux tristes   4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Une barque sur l’océan   7:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Alborada del gracioso   6:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - La vallée des cloches   6:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSamuel Barber\u003c\/strong\u003e\u003cspan\u003e (1910 – 1981)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSonata in Mi bemolle minore op. 26\u003c\/strong\u003e\u003cspan\u003e (1949)  \u003c\/span\u003e\u003cstrong\u003e21:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro energico   7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Allegro vivace e leggero   2:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Adagio mesto   5:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Fuga: Allegro con spirito   5:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eTotal Time: 56:56\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Miroirs-de-la-musique\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cem\u003e24 bit \/ 88.2 kHz original recording, made at Magister Recording Area, Preganziol (Italy), on October 8, 9, 10, 2021\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLuca plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: \u003c\/span\u003e\u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003ePhotoservice Latisana\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eMysterium\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, un’opera ambiziosa, portatrice dell’idea rivoluzionaria dell’unione sinestetica dei cinque sensi. Alla sua realizzazione – da ambientarsi ai piedi dell’Himalaya - occorrono una grande orchestra, un coro misto, ballerini, incensi ed effetti luminosi. Il fine ultimo è l’evoluzione spirituale dei fruitori di questa opera immensa, in linea con l’estetica tardoromantica. Skrjabin lavora per anni a questo progetto senza precedenti - seppur debitore della \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eGesamtkunstwerk\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003ewagneriana - lasciandolo incompiuto con la sua morte. Ed è in questo contesto che trova la luce \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVers la flamme\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, un \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003epoema\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e in cui la voce del fuoco è protagonista, dall’inizio in cui arde sotto le braci, sotterraneo e magmatico, al crepitare sempre più intenso e bramoso, sino al finale in cui si espande incontrollato, bruciando tutto ciò che lo circonda. La conclusione estatica è di impronta skrjabiniana, e ricorda quel senso di liberazione che il compositore brama con il \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMysterium\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolto francese e titolo della presente produzione, incentrata sul Primo Novecento pianistico, è la Suite Miroirs di Ravel. È composta da cinque episodi, di cui ognuno ritrae un soggetto diverso, osservato attraverso uno specchio. Il musicista fu infatti ispirato da un verso del Giulio Cesare di Shakespeare: “L’occhio non vede se stesso che per riflesso, attraverso altre cose.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa Sonata di Barber si può definire una “Sonata di guerra”, scritta solo quattro anni dopo la fine del secondo conflitto mondiale, e caratterizzata da esplicita violenza, soprattutto nei movimenti di apertura e chiusura. L’\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eallegro energico\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e si delinea in un’azione imperante e volitiva, quasi opprimente, del primo tema, che si oppone al passivo lamento del secondo. Si può constatare già dal primo movimento come la Sonata aderisca ai modelli formali classici, in questo caso, alla forma-sonata. L’\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eallegro vivace e leggero\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, dall’atmosfera grottesca, contiene frammenti di danza, probabilmente un valzer, che conferiscono un carattere falsamente spensierato e incurante. Il cuore espressivo della sonata risiede nel terzo movimento, l’\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eadagio mesto\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, che sviluppa un canto estremamente tormentato e straziato; nella seconda pagina dello spartito, possiamo assistere ad una perfetta imitazione di un pianto angosciato, che evolve in un climax tremendamente sopraffatto dalla ragione. Tra le dissonanze di nona minore e settima maggiore, si giunge alla quiete finale, un insperatissimo accordo di si minore, provvisoria pace prima del quarto movimento. La fuga finale a quattro voci è celebre nelle sale da concerto, e unisce il dramma dei movimenti precedenti a ritmi in controtempo molto caratteristici e ad armonie di derivazione jazzistica. Sorprendente è la spensieratezza dei divertimenti nella sezione centrale, ancora di più il ritorno all’angoscia nello stretto finale, in cui i bassi poderosi sono tamburi infernali che sanciscono la tragicità che si era palesata sin dalle prime note della sonata.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993492234587,"sku":"CVLD344CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41083271479348,"sku":"CVLD344","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_d84a5807-1895-4da6-916e-1be6116c2aae.jpg?v=1681755405"},{"product_id":"liszt-piano-transcriptions-eliana-grasso","title":"Liszt Piano Transcriptions - Eliana Grasso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLiszt Piano Transcriptions\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(CVLD339)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eEliana Grasso\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eL. van Beethoven - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - Allegretto dalla Sinfonia n. 7 in la maggiore Op. 92 (S. 464), 10:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Schubert - F. Lis\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003ezt \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e2 - Gretchen am Spinnrade (S. 558), 4:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Serenade (S. 560), 6:15\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eG. Verdi\/F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e4 - Danza Sacra e duetto finale da Aida (S. 436), 11:13\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Chopin - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e5 - Mädchens Wunsch, da “Six chants polonais”( S. 480), 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Frühling, da “Six chants polonais” (S. 480), 2:40\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eR. Schumann - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e7 - Widmung (S 566), 4:33\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e8 - Mephisto Waltz n. 1, versione per pianoforte dell’autore (S. 514), 12:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 56:31\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/LisztPianoTranscriptions\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Laboratorio Zanta, Camponogara, Italy, on November and December 2021\u003cbr\u003eEliana Grasso plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003cbr\u003e \u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEliana Grasso\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eEditing: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eNote critiche\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eDi fronte al vasto catalogo di composizioni scritte da Franz Liszt e destinate ad arricchire il repertorio pianistico del XIX secolo ci si trova a dover constatare un maggior numero di opere basate su lavori di altri autori rispetto alle pagine di produzione propriamente originale. L’insieme dei diversi arrangiamenti, scritti durante tutto l’arco dell’attività compositiva dell’autore, rientrano all’interno di due categorie secondo la precisa volontà dello stesso Liszt, a cui si deve la prima distinzione terminologica: da una parte le trascrizioni, ovvero tutti quegli adattamenti pianistici in cui la partitura originaria viene mantenuta sostanzialmente inalterata; dall’altra parte le parafrasi, dei veri e propri esercizi di stile in cui il compositore si prende la libertà di variare il testo di partenza piegandolo alla propria velleità creativa. Sebbene siano stati più volte oggetto di aspre critiche da parte di alcuni esponenti della musicologia del primo Novecento (si veda il commento di Humphrey Searle, responsabile della catalogazione sistematica delle opere di Liszt: «potrebbe aver sprecato molto tempo su alcune di queste trascrizioni, ma almeno hanno fornito uno sbocco per la sua energia sovrabbondante», The Music of Liszt, London 1954), gli arrangiamenti prodotti dal compositore ungherese hanno contribuito alla divulgazione e alla promozione della musica di numerosi autori.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cu\u003e\u003cstrong\u003eELIANA GRASSO\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003e\u003cspan\u003eEliana Grasso, pianista, svolge attività concertistica in Europa e negli Stati Uniti in sale rinomate come la Carnegie Hall a New York, la Wigmore Hall a Londra, la Sala Verdi a Milano, la Royal Academy of Music a Londra, l’Heremitage di San Pietroburgo, Theatre La Filature di Mulhouse, la Sala Maffeiana del Teatro Filarmonico di Verona, il Teatro Sociale di Bellinzona, la Cappella Paolina del Quirinale a Roma, Bloomsbury Theater di Londra, Salon Chopin (Société Historique Polonaise) a Parigi, Palazzo Ducale a Mantova, Teatro Piccolo Regio a Torino e numerose altre.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDebutta nel 1994 eseguendo il concerto in re maggiore di Haydn, diretta da Luca Pfaff con l’Orchestra Sinfonica di Mulhouse, ricevendo grandi consensi di pubblico e critica (\"Eliana Grasso: encore petite et déjà si grande\", l'Alsace, marzo 1994) con numerose orchestre quali l’Orchestra Magister Harmoniae, l’Orchestra Piccolo Auditorium Paradisi, l’Orchestra del Teatro Filarmonico di Verona, diretta fra gli altri da Piero Bellugi. Si esibisce regolarmente come solista e in formazioni cameristiche per le più importanti stagioni musicali italiane quali: MITO Settembremusica (Torino), Società dei Concerti (Milano), Società del Quartetto (Milano), Unione Musicale (Torino) Trame Sonore (Mantova), I Concerti del Quirinale (Roma), Polincontri (Torino), Rivolimusica, I Concerti dell’Università della Tuscia (Viterbo), Milano Classica, I Concerti del Pomeriggio del Teatro Alfieri (Torino), Fondazione William Walton (Napoli), Settembre Musicale Orta (Novara), Ravello Concert Society (Napoli), Concerti a Palazzo Labia (Venezia), Teatro Torti (Bevagna). Si è anche esibita in Norvegia, Russia, Stati Uniti, Francia, Svizzera, Spagna, Inghilterra e Romania.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCollabora stabilmente in duo con il flautista Romano Pucci (primo flauto Teatro alla Scala di Milano), a quattromani e due pianoforti con la pianista Irene Veneziano ed esplora il repertorio liederistico con la soprano Susanna Rigacci. E’ stata premiata in numerosi concorsi: a 13 anni si classifica terza assoluta al Concorso Internazionale di San Pietroburgo, da allora si classifica prima assoluta in numerosissimi concorsi italiani: Stresa, Premio J.S. Bach, Premio Kawai, Premio Clementi e molti altri. Più recentemente, nel 2014 è vincitrice assoluta del Concorso Internazionale Festival di Bellagio.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI suoi concerti sono stati trasmessi in diretta da emittenti radiofoniche quali Rai Radiotre, è recentemente stata ospite della trasmissione “Il Pianista” in onda su Radio Classica. Per l’etichetta Velut Luna ha già registrato “Sortilèges” con musiche di Ravel e Saint Saens in duo con I. Veneziano (“le due musiciste diventano un solo organismo e danno espressione a tutto il fascino di questa musica” Suonare, 2015).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiplomata con il massimo dei voti presso il conservatorio “G. Verdi” di Torino, e premiata con la borsa di studio “Lascito Piacenza” per il miglior esame conclusivo, prosegue gli studi presso l’Accademia “Incontri con il Maestro di Imola”, dove studia con F. Scala, R. Risaliti, P. Masi. Si perfeziona anche con K. Bogino, E. Arciuli, P. Badura-Skoda, M. Damerini, A. Lucchesini, S. Gadžijev, J. Swann, P. De Maria, L. Pogorelich. Ha affiancato all’attività concertistica l’attività di docente e pianista collaboratore stabile presso l’Accademia del Teatro alla Scala di Milano dal 2010 al gennaio 2021. Attualmente insegna Pratica e Lettura Pianistica e Pianoforte presso il Conservatorio “Franco Vittadini” di Pavia.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988793467227,"sku":"CVLD339CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41086770020404,"sku":"CVLD339","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_17e6db64-301b-45e9-91a4-864da879c547.jpg?v=1682009439"},{"product_id":"johann-sebastian-bach-nicola-lamon-maria-giovanna-fiorentino","title":"JOHANN SEBASTIAN BACH - Nicola Lamon Maria Giovanna Fiorentino","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJOHANN SEBASTIAN BACH \u003c\/b\u003e(CVLD328)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaria Giovanna Fiorentino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eflute and recorder\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Nic\u003c\/span\u003eola Lamon,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e harpsichord\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in fa maggiore BWV 1035 per flauto e basso continuo\u003cbr\u003e01 - Adagio ma non tanto, 2:16\u003cbr\u003e02 - Allegro, 3:13\u003cbr\u003e03 - Siciliano, 3:47\u003cbr\u003e04 - Allegro assai, 3:13\u003cbr\u003ePartita in La minore BWV 1013 per flauto solo\u003cbr\u003e05 - Allemanda, 4:32\u003cbr\u003e06 - Corrente, 2:47\u003cbr\u003e07 - Sarabande, 3:38\u003cbr\u003e08 - Bourèe anglaise, 2:00\u003cbr\u003eConcerto in Sol minore BWV 985 per cembalo solo\u003cbr\u003e09 - (Allegro), 2:46\u003cbr\u003e10 - Adagio, 2:15\u003cbr\u003e11 - Allegro, 2:24\u003cbr\u003eSonata in Si minore BWV 1030 per flauto e clavicembalo obbligato\u003cbr\u003e12 - Andante, 7:40\u003cbr\u003e13 - Largo e dolce, 3:11\u003cbr\u003e14 - Presto, 6:23\u003c\/p\u003e\n\u003cp\u003etot. time: 50:14\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johann-Sebastian-Bach-Flute-and-Harpsichord-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e24bit \/ 88.2kHz original recording made at Studio Rosso, di Zanotto Strumenti, \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ein Silvelle di Trebaseleghe, Italy, on July, 4, 5, 6, 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix \u0026amp; Mastering: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhoto: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: L'Image\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eJohann Sebastian Bach\u003c\/em\u003e\u003c\/strong\u003e (1685 Eisenach, 1750 Lipsia) è stato un compositore e musicista tedesco, Thomaskantor a Lipsia dal 1723 alla morte. Considerato tra i più grandi geni nella storia della musica, le sue opere sono notevoli per profondità intellettuale, padronanza dei mezzi tecnici ed espressivi e per bellezza artistica. Operò una sintesi mirabile fra lo stile tedesco di Pachelbel e Buxtehude e le opere dei compositori italiani (particolarmente Vivaldi del quale trascrisse numerosi brani, assimilandone soprattutto lo stile concertante).  La sua opera costituì la summa e lo sviluppo delle varie tendenze stilistico - compositive della sua epoca. Il grado di complessità strutturale, la difficoltà tecnica e l'esclusione del genere melodrammatico, tuttavia, rese la sua opera appannaggio solo dei musicisti più dotati e all'epoca ne limitarono la diffusione fra il grande pubblico, in paragone alla popolarità raggiunta da altri musicisti contemporanei come Haendel o Telemann. Nel 1829 l'esecuzione della Passione secondo Matteo, diretta a Berlino da Felix Mendelssohn portò alla conoscenza di un vasto pubblico la qualità elevatissima dell'opera compositiva di Bach, che è da allora considerata il compendio del contrappunto barocco. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl kantor di Lipsia dove compose tante cantate e lavori sacri, rimane un miracolo del Barocco e della Musica in generale, sicuramente.  Mi sono decisa a inserire nel CD la Sonata BWV 1030 per flauto e clavicembalo obbligato, la partita a flauto solo BWV 1013, il clavicembalista dei lavori trascritti da Telemann e la sonata a flauto e continuo 1035 per amore del compositore e dei brani.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eNicola Lamon\u003c\/em\u003e\u003c\/strong\u003e ha studiato al conservatorio “B. Marcello\" di Venezia diplomandosi nel 2001 con il massimo dei voti e la lode sia in Organo e composizione organistica con Elsa Bolzonello Zoja che in Clavicembalo con Sergio Vartolo e Marco Vincenzi.Ha conseguito inoltre il diploma in Canto Gregoriano a pieni voti con Lanfranco Menga. Nell’anno accademico 2005-2006, presso il Conservatorio “B. Marcello” di Venezia ha conseguito con il punteggio di 110 e lode il diploma accademico specialistico di II livello in organo. Ha partecipato a numerosi corsi di perfezionamento presso varie accademie internazionali: in organo e improvvisazione con H. Davidson e W. Porter a Smarano (TN), con J.L. Gonzalez Uriol a Daroca (Spagna), presso l'Accademia Chigiana di Siena, per il clavicembalo, con Cristophe Rousset, conseguendo il diploma di merito. Ha ottenuto diversi riconoscimenti in vari concorsi nazionali e internazionali: in organo il terzo premio a Borca di Cadore nel 2001 e nel 2005, il primo premio a Viterbo nel 2003 e il terzo premio a Fano Adriano (TE) nel 2006; in clavicembalo il primo premio a Fusignano (RA) nel 2003 e il primo premio a Pesaro nel 2005. Svolge l’incarico di secondo organista presso la prestigiosa Basilica di San Marco in Venezia, collaborando con la Cappella Marciana nelle esecuzioni concertistiche e discografiche. Segue e studia con particolare interesse il partimento storico e l’improvvisazione finalizzata alla ricerca e all’esecuzione del basso continuo. Con il collega David Brutti al cornetto ha fondato il duo “Seicento Stravagante” impegnato nella valorizzazione degli strumenti a tasto rinascimentali e barocchi partecipando a registrazioni discografiche e concerti. Svolge inoltre attività di organista e clavicembalista continuista in in diverse formazioni collaborando inoltre come tale a masterclass e corsi di perfezionamento.E’ stato docente a contratto presso il conservatorio “C.Pollini di Padova” di pratica della tastiera e lettura del repertorio vocale e, attualmente, svolge attività di accompagnatore al clavicembalo presso i conservatori Arrigo Pedrollo di Vicenza e Agostino Steffani di Castelfranco Veneto (TV). E’ impegnato altresì nella monumentale esecuzione integrale dei due libri del Clavicembalo ben temperato e l’Arte della Fuga di J.S.Bach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eMaria Giovanna Fiorentino\u003c\/em\u003e\u003c\/strong\u003e nata a Padova nel.1961, ha studiato flauto dolce a Padova con S. Balestracci (1976-1982) e ha conseguito il diploma in flauto dolce presso il Conservatorio Tartini di Trieste. Laureata in Lettere a pieni voti presso l'università di Padova con tesi in Storia della Musica, collabora con articoli, conferenze e lezioni-concerto a ricerche musicologiche. Ha tenuto 163 concerti in Italia e all'estero e diverse registrazioni in formazioni come il C.M.A. di Padova, l’Orchestra da camera di Padova, Accademia Bach, la Compagnia dei Febi Armonici, Interensemble e Serenissima Chamber Orchestra nel XXIII Festival di Musica Antica ad Urbino. Ha inciso le sonate di D. Bigaglia per flauto e b.c., l'opera V di Corelli, le Triosonate di Sammartini e le Sonate di Bellinzani e Barsanti per la Tactus.Ha proseguito con i Concerti a 4 di Vivaldi nel 2014 e con l’opera XXXVII di Boismortier per Urania Records, come i Concerts Royaux d F. Couperin, in uscita in Settembre Ottobre 2017. Ha insegnato flauto dolce al Conservatorio \"G. Tartini\" di Trieste e presso la Musician School di Reggio Emilia e flauto dolce e Storia della Musica presso la Fondazione Morello di Castelfranco Veneto 1997-2003. Dal 2008 al 2011 è presidente di ERTAItalia, l’associazione di insegnanti e studenti di flauto dolce in Italia, gemellata con le consorelle europee, ora ne è vicepresidente é perfezionata per quattro anni con Pedro Memelsdorff, superando nel 1988 l'esame di repertorio presso la Civica Scuola di Musica di Milano e con Frans Brüggen, Marijke Miessen, Kees Boeke, Walter van Hauwe e Matthias Weilenmann. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 223px; top: 73.7917px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993789374811,"sku":"CVLD328CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46685364420955,"sku":"CVLD328","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_d4087b6f-8d39-46d4-a3a1-76f58663e244.jpg?v=1682334354"},{"product_id":"the-planets-alberto-nose-valentina-fornari","title":"The Planets - Alberto Nosè, Valentina Fornari","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Planets \u003c\/b\u003e(CVLD337)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eGustav Holst\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003earranged for two pianos by the composer\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Mars, the Bringer of War  6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Venus, the Bringer of Peace  7:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Mercury, the Winged Messenger  3:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Jupiter, the Bringer of Jollity  7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Saturn, the Bringer of Old Age  8:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Uranus, the Magician  5:38\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Neptune, the Mystic  8:01\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal Time: 48:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Gustav-Holst-The-Planets\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eAlberto Nosè\u003c\/strong\u003e, piano 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eValentina Fornari\u003c\/strong\u003e, piano 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eUn critico ebbe a definire I PIANETI, probabilmente non a caso, come \"The British Rite Of Springs\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn realtà si tratta di musica molto descrittiva, non disgiunta tuttavia da una notevole complessità di scrittura, che però non appare mai come tale alle orecchie dell'ascoltare. All'interno delle sette piccole rapsodie, che rispondono al nome e all' \"umore\" presunto dei sette pianeti omaggiati, si rincorrono temi e armonie estremamente efficaci e impressive, destinate a fissarsi immediatamente nella memoria anche di un ascoltatore distratto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTali e tanti sono questi momenti felici che quest'opera sarà fonte ispirativa per ben più di un grande compositore di musica da film dei nostri tempi, arrivando questi, spesso, a citare pari pari intere frasi musicali, vedi ad esempio il tema famosissimo della saga di Star Trek, nel finale di Giove. Ma anche John Williams, Bernard Hermann, Alan Silvestri e James Horner sono grandi debitori verso Holst per alcuni dei loro temi più celebri.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNell'ultima parte della sua vita \"dopo\" I Pianeti, Holst realizzerà altre opere di pregio, ma nessuna al livello del suo capolavoro, che consapevolmente o meno, l'Umanità tutta ha imparato ad amare, direttamente o indirettamente.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa versione che proponiamo oggi è una trascrizione de I PIANETI per due pianoforti, realizzata dallo stesso Holst, poco tempo l'originale per orchestra. Si tratta di un'opera rarissima da ritrovare su disco e anche eseguita dal vivo. Infatti da un punto di vista tecnico questa versione presenta difficoltà assolutamente trascendentali per gli interpreti che decidono di cimentarsi: e questo proprio per il fatto di dover ridurre l'estrema complessità delle trame sonore di una grande orchestra sinfonica, alle sole 4 mani e due tastiere di questo organico ridotto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSolo grandissimi e affiatatissimi interpreti possono a buon diritto cimentarsi con questa alta montagna da scalare, come appunto è il caso dei nostri Alberto Nosè e Valentina Fornari, anche compagni nella vita, interpreti  di grandissimo talento e lunga esperienza.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuesto disco infine, offre a mio parere un ultimo ma non ultimo motivo di interesse nel suono che siamo riusciti a proporre, partendo dai pianoforti e dal luogo di registrazione, che sono due meravigliosi FAZIOLI F278 ripresi nell'altrettanto splendida acustica della FAZIOLI HALL di Sacile, sede della prestigiosa ditta FAZIOLI, universalmente nota per costruire alcuni dei migliori pianoforti del Pianeta. La ripresa in alta risoluzione digitale nativa, l'utilizzo di microfoni, e preamplificatori microfonici selezionatissimi e di riferimento assoluto (AUSTRIAN OC818, SCHOEPS MK2s e SENNHEISER MKH8020; e ancora MILLENNIA MEDIA HV3-B) completano l'opera.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e88.2 kHz \/ 24 bit original recording made at FAZIOLI HALL, Sacile (Italy) on September, 14, 15, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto and Valentina play on two wonderful FAZIOLI F278 Gran Coda da Concerto, tuned and prepared by Fazioli Staff.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto choose a proprietary microphones set up, based upon SCHOEPS MK2s linear (stereo pair), SENNHEISER MKH8020 8stereo pair) and AUSTRIAN OC818 (stereo pair), all preamplified by three MILLENNIA MEDIA HV-3B.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eADC: LYNX AURORA \"n\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover photo: Edoardo Brotto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout: L'Image\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993611215195,"sku":"CVLD337CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46729582903643,"sku":"CVLD337","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_bfe418c0-d46b-4891-8709-82fa95333598.jpg?v=1683724614"},{"product_id":"pizzichi-e-sospiri-adriano-lincetto","title":"PIZZICHI E SOSPIRI - Adriano Lincetto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAdriano Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Padova, 1936 – 1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePIZZICHI E SOSPIRI \u003c\/b\u003e(CVLD104)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, SACD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eSuite per Paer, per Orchestra d'Archi (1980)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Allegro con spirito, 1:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Adagio, 2:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Tempo di Valzer, 2:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Allegro molto, 2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eConcerto per Flauto e Archi (1979)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Largo espressivo cantabile. Allegro moderato 5:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Lento, cantando con molta espressione 4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro vivacissimo 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eElegia per Corno delle Alpi e Archi (1996)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e08 - Adagio, ma non troppo lento. Allegro molto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePoco meno cantando. Tempo I  12:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento per Fagotto e Archi (1995)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - notturno  3:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Danza  3:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Elegia  6:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Finale  2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due per Chitarra e Pianoforte (1981)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(trascrizione per chitarra e archi a cura dell'Autore)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Preludio  4:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Danza  3:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - Finale  4:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdagio e Allegro per Mandolino e Pianoforte (1978)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(trascrizione per mandolino e archi a cura di Claudio Mandonico)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e16 - Adagio  2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Allegro  3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDURATA TOTALE: 70:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n  \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-Pizzichi-e-Sospiri\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eOrchestra d'Archi: I Solisti Filarmonici Italiani, diretti da Giovanni Guglielmo\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEnzo Caroli, flauto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessio Benedettelli, corno delle alpi\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Bressan, fagotto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessandro Bono, chitarra\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUgo Orlandi, mandolino\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRegistrazione nativa multi canale in formato DSD, realizzata nel mese di marzo 2003 nella Sala della Biblioteca dell'Abbazia di Carceri d'Este, Italia.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSono stati utilizzati microfoni Schoeps, preamplificatori microfonici Millennia Media HV-3B e un sistema di ripresa SADiE DSD8.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMissaggio e mastering sono stati monitorati usando un preamplificatore analogico multicanale DROMOS EGHEON, amplificazione AUDIA FLIGHT 100 x3 e diffusori SPENDOR S-100 x5\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduttore esecutivo e sound engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto per Velut Luna\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGrafica e Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLa musica di Adriano Lincetto non si è mai allineata ai dettami delle \"correnti musicali\" dominanti nel '900. \u003c\/span\u003e\u003cspan\u003eLincetto ha sempre scritto seguendo una propria idea di bellezza, di melodia e armonia. La sua è musica tonale, e a volte non manca di rendere omaggio a quegli autori che ne sono anche inconsapevolmente fonte ispirativa, da Debussy e Ravel, fino a Bartok e Stravinsky. \u003c\/span\u003e\u003cspan\u003eE' una musica assoluta e fuori dal tempo, spesso nata per assecondare le richieste di \"musica nuova\" degli amici musicisti che poi ne furono anche primi interpreti, come nel caso di questo disco Enzo Caroli e Alessio Benedettelli e l'amico di sempre Giovanni Guglielmo. \u003c\/span\u003e\u003cspan\u003eUna musica da gustare per la bellezza in sè e senza cercare alcun retrogusto pseudo culturale, tipico delle conventicole di potere legate più al potere politico che alla Musica intesa in senso assoluto.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50034401345883,"sku":"CVLD104SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46739548504411,"sku":"CVLD104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/104-cover.jpg?v=1684148174"},{"product_id":"kurt-valentina-fin-ensemble","title":"KURT! - Valentina Fin Ensemble","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eKURT!  \u003c\/b\u003e(CVLD336)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 - My Ship  (Kurt Weill \/ Ira Gershwin), 3:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 - Lost In The Stars (Kurt Weill \/ Maxwell Anderson), 3:36\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 - Lonely house (Kurt Weill \/ Langston Hughes), 4:17\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 - It never was you (Kurt Weill \/ Maxwell Anderson), 4:22\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 - Song of Ruth (Kurt Weill \/ Franz Werfel), 4:13\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 - Lawrence (Federico Zaltron \/ Valentina Fin), 3:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 - Dice Bertolt (Valentina Fin), 6:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/KURT\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eValentina Fin,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e voce Mauro Spanò\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003epianoforte\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFederico Zaltron\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolino\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eSofia di Mambro\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolino\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancesca Pretto, viola Tommaso Valerio\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003evioloncello\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit \/ 88.2kHz original recording, made at Magister Area Recording, Preganziol, Italy,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon July, 19, 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusical Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto, Andrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBalance Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMix and Mastering Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLayout: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInside Photos: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eKURT! è un progetto capitanato dalla cantante Valentina Fin che insieme al pianista Mauro Spanò, ha sviluppato una ricerca dedicata alla figura di Kurt Weill, compositore e musicista tedesco del primo Novecento. La formazione cameristica abbina il classico quartetto d'archi al duo pianoforte e voce. Il sestetto, basandosi sulle partiture originali, ha sviluppato arrangiamenti inediti e contemporanei, riproponendo poi le stesse atmosfere a cavallo tra il jazz e la classica contemporanea, in alcuni brani originali scritti appositamente per la formazione ed ispirati ad alcune poesie dello storico amico e collaboratore di Weill, Bertolt Brecht\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993754444123,"sku":"CVLD336CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46741690909019,"sku":"CVLD336","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_f0aa4b27-767a-4f80-936b-f74c768a4d44.jpg?v=1684169219"},{"product_id":"franz-schubert-piano-sonatas-alessandro-cesaro","title":"FRANZ SCHUBERT PIANO SONATAS - Alessandro Cesaro","description":"\u003ch3 class=\"western\" lang=\"en-US\"\u003e\n\u003cb\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT, PIANO SONATAS - Vol.1 \u003c\/em\u003e\u003c\/strong\u003e\u003c\/b\u003e(CVLD340-1)\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eDISPONIBILE IN BOX 5 CD e FILE HD\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cu\u003eVolume 1\u003c\/u\u003e\u003c\/strong\u003e \u003cstrong\u003e- 74:42\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 537 Op. post. 164 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 7 \u003c\/span\u003e\u003cstrong\u003eSonata D 568 Op. post. 122 in E flat major\u003c\/strong\u003e\u003cspan\u003e, 29:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - 11 \u003c\/span\u003e\u003cstrong\u003eSonata D 575 Op. post. 147 in B major\u003c\/strong\u003e\u003cspan\u003e, 23:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 72:21\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 664 Op. post. 120 in A major\u003c\/strong\u003e\u003cspan\u003e, 23:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 6 \u003c\/span\u003e\u003cstrong\u003eSonata D 784 Op. post. 143 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 840 in C major “Reliquie”,\u003c\/strong\u003e\u003cspan\u003e 26:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 3\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 76:11\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 845 Op. 42 in A minor\u003c\/strong\u003e\u003cspan\u003e, 35:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 894 Op. 78 in G major\u003c\/strong\u003e\u003cspan\u003e, 40:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 4\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 79:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 850 Op. 53 in D major\u003c\/strong\u003e\u003cspan\u003e, 39:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 959 in A major\u003c\/strong\u003e\u003cspan\u003e, 39:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 5\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 77:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 958 in C minor\u003c\/strong\u003e\u003cspan\u003e, 32:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 960 in B flat major\u003c\/strong\u003e\u003cspan\u003e, 44:31\u003c\/span\u003e\n \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/FranzSchubert-PianoSonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e \n  \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e24bit \/ 176.4 kHz\u003c\/strong\u003e original recording made at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca (Italy) \u003c\/span\u003e\u003cspan\u003eon March, 30 - April, 13 - May, 18 - July, 9, 10, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003echoose a \"one point recording\" own exclusive technique, based upon Sennheiser MKH 8020 and Schoeps Mk 4 microphone and Millennia Media HV-3B microphone preamplifiers\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e plays on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSteinway \u0026amp; Sons Mod. O, New York, 1909,\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e tuned and prepared by Maestro Franco Angeleri. This piano belonged to Maestro Adriano Lincetto, and now it is one of the antique pianos' collection of the \"Museo di Pianoforti Antichi\" of \"Fondazione Musicale Centanin e Masiero\", which restored and gave a new life to this wonderful piano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: \u003c\/span\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, editing \u0026amp; mastering: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover photo: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eEseguite dal compositore stesso in occasioni private destinate alla Vienna borghese e alla cerchia di conoscenti, le cosiddette schubertiadi, le \u003c\/span\u003e\u003cstrong\u003eSonate per pianoforte di Franz Schubert\u003c\/strong\u003e\u003cspan\u003e sono rimaste a lungo terreno inesplorato. La prima esecuzione pubblica di un ciclo “completo” delle sonate schubertiane risale al 1868 grazie all’interpretazione di Charles Halle presso la St. James Hall di Londra. Il programma prevedeva l’esecuzione delle sette Sonate a cui era stato assegnato un numero d’opera e le ultime tre sonate composte nel 1828. Nel novembre 1938 Webster Aitkin propose dodici delle sonate in una serie di quattro concerti pubblici. Per l’occasione il Daily Telegraph pubblicò un articolo di Richard Capell dal titolo Revaluation of a Neglected Heritage (Rivalutazione di un patrimonio trascurato) in cui l’autore esortava il recupero delle Sonate schubertiane da parte dei pianisti contemporanei e delle generazioni a venire, inaugurando una vera e propria “Schubert Renaissance” all’insegna della valorizzazione di un patrimonio dimenticato.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMyriam Guglielmo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cspan\u003e showed a strong grasp of musical language and a deep interest in composition since he was a child. He studied piano with Franco Angeleri at the Conservatory of Padua and graduated with highest honors at 16 years of age; he continued his studies with Paul Badura-Skoda and Aldo Ciccolini. Prizes in prestigious competitions such as the “Premio Venezia”, the “Amadeus Giovani” of Palermo, the “Yamaha Prize” in Stresa, and especially the 48th CIEM in Geneva brought him to international attention as an outstanding 18-year-old interpreter. He regularly performs in Italy for such presenters as Serate Musicali di Milano, Amici della Musica of Padua, Vicenza, Verona, Trieste, and Udine, Unione Musicale in Turin, and Alessandro Scarlatti Society in Naples. He has played in Germany (Bochum, Paderborn), Switzerland (Geneva, Bienne, Basilea), Belgium (Bruxelles) and Argentina, where he toured eight times, playing in Buenos Aires, Cordoba, Tucumàn and Salta. In May 2008 he completed a tour of Mexico (Federal Capital and Michoacan), where he played for the National Autonomous University (UNAM) and for the Teatro de la Ciudad, inaugurating a new Steinway piano. Especially well received were his performances of the complete works of Chopin and Schubert and of the 32 Beethoven sonatas on period instruments for the Festival Euganeo. In 2009 he collaborated in the Italian premiere of the recently discovered Cant de les estrelles by Granados. In 2011 he completed a three-year cycle of all the 32 Beethoven’s Sonatas in Adria and Feltre (Italy) and in 2014 he was invited to the 54° Septiembre Musical Tucumano, one of the most important festivals in South America. He performs regularly with such orchestras as I Solisti Veneti, the Orchestra di Padova e del Veneto, the Orchestra of the Suisse Romande, the Collegium Musicum Basel, the Chamber Orchestra of Bienne, the Orchestra of the Theater of Cordoba, the Orchestra of the Province of Tucumàn, and the Sicilian Symphonic Orchestra, collaborating with such musicians as Claudio Scimone, Paul Badura-Skoda, Anton Nanut, Pedro Ignacio Calderòn, and Sergio Balestracci. The Music Critics Association of Argentina awarded him the “Premio Revelaciòn 2015” for a recital organized by ALAPP (Latin American Association of Teaching Pianists) at the Art Museum “Isaac Fernández Blanco”. Last year he presented the program “Chopin at Palma de Mallorca” on a tour in the United States, while this year he has realized in Padua for the first time in the history of the Friends of Music the full performance in consecutive evenings of the ten Sonatas for piano by Alexander Scriabin. A distinct characteristic of his personality is his extraordinary versatility, which allows him to have in his repertory the complete works of major composers for piano, including Mozart, Beethoven, Schubert, and Chopin. He has recorded with Rivo Alto and Azzurra Music (Beethoven) and recently he released an album of Rondos, Variations, and Fantasies by Jan Ladislav Dussek. He is equally active as a composer and his works, published by Swirly Music, are regularly performed.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"BOX 5 CD","offer_id":49993835872603,"sku":"CVLD340CD","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit OPERA COMPLETA","offer_id":49993800581467,"sku":"CVLD340","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 1","offer_id":46748045672795,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 2","offer_id":49993800614235,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 3","offer_id":49993800647003,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 4","offer_id":49993800679771,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 5","offer_id":49993800712539,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e6bbd45-2f97-4782-a078-ea474d7ecca6.jpg?v=1684332455"},{"product_id":"italian-music-for-guitar-and-piano-lapo-vannucci-luca-torrigiani","title":"ITALIAN MUSIC FOR GUITAR AND PIANO - Lapo Vannucci | Luca Torrigiani","description":"\u003ch3 lang=\"en-US\" class=\"western\"\u003eITALIAN MUSIC FOR GUITAR AND PIANO (CVLD275)\u003c\/h3\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLapo Vannucci\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e(guitar)\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e-\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Torrigiani \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e(piano)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eMario Castelnuovo -Tedesco\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFantasia op.145 - Tot. Time: 9'14\"\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Italian-Music-for-Guitar-and-Piano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan\u003e01 - Andantino. Un poco mosso e scorrevole. Più mosso, danzante. Sempre mosso e festoso. Tempo I - 5'21\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Vivacissimo - 3'53\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFranco Margola\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e03 - Fantasia - 7'11\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Improvviso - 3'02\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCarlo Mosso\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Fantasia - 6'08\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdriano Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due - Tot. Time: 9'35\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e06 - Preludio - 3'00\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Danza - 3'01\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08- Finale - 3'34\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLuigi Giachino Il silenzio del tempo - Tot. Time: 11'22\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - Incosciente - 2'52\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Ineluttabile - 2'47\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Viaggiando - 2'10\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Congedo - 3'33\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuseppe Crapisi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Winter Time - 5'59\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTot. Time: 52'35\"\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2 kHz original recording made at Magister Area Studio, Italy, on September 14rd-15th, 2015\u003c\/span\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eProduction: Velut Luna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording Engineers: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEditing Engineer: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMix and Mastering Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhoto: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish translation: Lesley Burgon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: L’Image\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eLapo Vannucci plays on Guitar Masaki Sakurai Model Maestro-RF, especially made for Lapo Vannucci.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Torrigiani plays on Steinway \u0026amp; Sons D274 Concert Grandpiano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cstrong\u003eMUSICHE ITALIANE PER PIANOFORTE E CHITARRA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIl luogo comune vuole che il connubio tra pianoforte e chitarra si risolva in un complicato rebus tanto per i compositori quanto per gli interpreti: troppo distanti le sonorità e gli approcci dei due strumenti, troppo squilibrato il loro amalgama, troppo differente il volume sviluppato, divergente il modo di ‘pensare’ o di costruire le armonie. Insomma, messi insieme, pianoforte e chitarra tendono subito a rivelarsi quasi incompatibili. Inoltre, se non ci si affida una pur minima amplificazione della chitarra, il pianoforte si ritroverà costretto a suonare quasi sempre ‘in punta di piedi’. Nonostante ciò, e nonostante il luogo comune, diversi compositori, soprattutto nel Novecento, sono riusciti a ottenere degli splendidi risultati attraverso un sapiente lavoro sui ‘pieni’ e suoi ‘vuoti’ dei rispettivi strumenti, un’attenzione tutta particolare a un dialogo non convenzionale, una scrittura filigranata e, ovviamente, una buona dose di istinto che non guasta mai. Il disco che avete tra le mani è la testimonianza di tali esiti e vede una collana di lavori originali per chitarra e pianoforte composti tra il 1950 a oggi di autori italiani noti e meno noti.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIl viaggio comincia proprio nel 1950 con uno dei compositori che, volente o nolente da parte sua, ha maggiormente legato il proprio nome a quello della chitarra, ossia il fiorentino Mario Castelnuovo-Tedesco (1895-1968) che scrisse la Fantasia op. 145 in due brevi, sapidi movimenti dedicandola ad Andrés Segovia e alla moglie pianista Francesca ‘Paquita’ Madriguera Rodon. Un miracolo di equilibrio che risente di ineludibili influssi francesi ma che mostra anche una estroversa e personale ispirazione lirica, sempre in bilico tra atmosfere spagnoleggianti e una cantabilità tutta italiana, anzi, per meglio dire toscana.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAltro brano ‘coniugale’ che si fregia del titolo di Fantasia è la pagina in un singolo movimento che il compositore bresciano Franco Margola (1908-1992) scrisse nell’ottobre 1979 e che fu dedicata al duo formato dal chitarrista Guido Margaria e dalla moglie Emilia. Si tratta di un quieto lavoro dalle movenze neobarocche in cui la scrittura, mostra comunque una mano felice nel far dialogare i due strumenti invero cercando scaltramente più una costante alternanza che un’effettiva sovrapposizione.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAltro brano dedicato al duo Margaria è il breve Improvviso, composto tra il novembre 1979 e la primavera del 1980, che poco si discosta dalle atmosfere del precedente.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUn’altra Fantasia – e altro brano dedicato al duo Margaria – è la composizione che il piemontese di origini transalpine Carlo Mosso (1931-1995) scrisse nel 1980. Una pagina meditativa e inquieta, lignea, ricolma di arcaismi e allo stesso tempo portatrice di una rassegnata modernità, volutamente scabra, costruita intorno a poche cellule melodiche sviluppate attraverso un percorso modale che in alcuni punti ricorda sia il linguaggio dello svizzero Frank Martin sia l’amato Gian Francesco Malipiero.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIl Divertimento a due del padovano Adrano Lincetto (1936-1996) composto nel 1981 e suddiviso in tre movimenti (Molto lento. Poco mosso – Allegro molto – Finale. Molto moderato e cantabile. Allegro vivo) è senza dubbio un lavoro meno sibillino, lontano da ogni complicazione sia moderna sia postmoderna, tessuto con un linguaggio modale in cui si contano numerosi accordi di settima.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuesta ricca antologia si chiude con due brani scritti espressamente per Lapo Vannucci e Luca Torrigiani e a loro dedicati. Il silenzio del tempo del torinese Luigi Giachino (1962) risale al 2015 ed è una suite in quattro tempi tinta di venature jazz e di sapori quasi impressionisti.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAffatto diverso è Winter Time del siciliano Giuseppe Crapisi (1967), che in una incisiva pagina di circa sei minuti miscela gesti ripetitivi e caparbi tipici del minimalismo a una vena più elegiaca. In questo caso i due strumenti raramente si alternano, trovandosi spesso a tessere le loro trame ora delicate ora ritmiche per lo più in contemporanea.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnnio Speranza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLapo Vannucci e Luca Torrigiani:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDal 2010 Lapo Vannucci e Luca Torrigiani formano un duo nato da un profonda amicizia, con l'intento di esplorare nuovi ambiti della musica per chitarra e pianoforte.\u003cbr\u003eEntrambi laureati con lode al Conservatorio \"Luigi Cherubini\" di Firenze, approfondiscono gli studi presso prestigiose istituzioni musicali quali l'Accademia \"Incontri col Maestro\" di Imola, la Scuola di Musica di Fiesole, l'École Normale de Musique de Paris \"Alfred Cortot\".\u003cbr\u003eParallelamente all’intensa attività solistica, come duo si esibiscono regolarmente in Italia e all'estero, ricevendo ovunque unanimi consensi. La critica ne esalta la grande capacità comunicativa e l'attenzione costante alla bellezza del suono. Particolarmente attivi nell'ambito della musica contemporanea, hanno eseguito in prima assoluta brani a loro dedicati dei compositori Luigi Giachino e Giuseppe Crapisi. Con la Filarmonica “Ion Dumitrescu” di Râmnicu Vâlcea e la Filarmonica “Mihail Jora” di Bacău hanno eseguito \"Tre Paesaggi\": un concerto per chitarra, pianoforte e orchestra d'archi scritto per il duo dal compositore Francesco Di Fiore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034430640475,"sku":"CVLD275CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46753254605147,"sku":"CVLD275","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/275-cover.jpg?v=1684508813"},{"product_id":"the-well-tempered-clavier-book-1-nicola-lamon","title":"THE WELL TEMPERED-CLAVIER, BOOK 1 - Nicola Lamon","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003eTHE WELL TEMPERED-CLAVIER, BOOK 1 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e|\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003e2 CD\u003c\/strong\u003e (CVLD334)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDas wohltemperirte Klavier    \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNicola Lamon\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eharpsichord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD1\u003c\/strong\u003e\u003cbr\u003e01 - No. 01: Prelude and Fugue in C major, BWV 846  - 4'23\"\u003cbr\u003e02 - No. 02: Prelude and Fugue in C minor, BWV 847  - 5'06\" \u003cbr\u003e03 - No. 03: Prelude and Fugue in C sharp major, BWV 848  - 5'43\"\u003cbr\u003e04 - No. 04: Prelude and Fugue in C sharp minor, BWV 849  - 7'15\"\u003cbr\u003e05 - No. 05: Prelude and Fugue in D major, BWV 850  - 4'11\"\u003cbr\u003e06 - No. 06: Prelude and Fugue in D minor, BWV 851  - 4'44\"\u003cbr\u003e07 - No. 07: Prelude and Fugue in E flat major, BWV 852  - 7'08\"\u003cbr\u003e08 - No. 08: Prelude in E flat minor and Fugue in D sharp minor, BWV 853  - 9'04\"\u003cbr\u003e09 - No. 09: Prelude and Fugue in E major, BWV 854  - 3'18\"\u003cbr\u003e10 - No. 10: Prelude and Fugue in E minor, BWV 855  - 4'18\"\u003cbr\u003e11 - No. 11: Prelude and Fugue in F major, BWV 856  - 2'59\"\u003cbr\u003e12 - No. 12: Prelude and Fugue in F minor, BWV 857  - 6'56\"\u003c\/p\u003e\n\u003cp\u003eTot. Time: 66'13\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/JohannSebastianBach-TheWellTempered-Clavier\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003cbr\u003e01 - No. 13: Prelude and Fugue in F sharp major, BWV 858  - 3'53\"\u003cbr\u003e02 - No. 14: Prelude and Fugue in F sharp minor, BWV 859  - 4'38\"\u003cbr\u003e03 - No. 15: Prelude and Fugue in G major, BWV 860  - 4'40\"\u003cbr\u003e04 - No. 16: Prelude and Fugue in G minor, BWV 861  - 4'26\"\u003cbr\u003e05 - No. 17: Prelude and Fugue in A flat major, BWV 862  - 4'25\"\u003cbr\u003e06 - No. 18: Prelude and Fugue in G sharp minor, BWV 863  - 4'54\"\u003cbr\u003e07 - No. 19: Prelude and Fugue in A major, BWV 864  - 4'53\"\u003cbr\u003e08 - No. 20: Prelude and Fugue in A minor, BWV 865  - 7'49\"\u003cbr\u003e09 - No. 21: Prelude and Fugue in B flat major, BWV 866  - 3'40\"\u003cbr\u003e10 - No. 22: Prelude and Fugue in B flat minor, BWV 867  - 5'23\"\u003cbr\u003e11 - No. 23: Prelude and Fugue in B major, BWV 868  - 3'59\"\u003cbr\u003e12 - No. 24: Prelude and Fugue in B minor, BWV 869  - 12'12\"\u003c\/p\u003e\n\u003cp\u003eTot. Time: 64'58\"\u003c\/p\u003e\n\u003cp\u003eNicola Lamon at the Silbermann harpsichord built by Romain Legros (Verona) Italy\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on February, 12, 13, 14, 2021\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and Layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003eCritical text: \u003cstrong\u003eMyriam Gugliemo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCon la stesura dei 24 Preludi e Fuga (BWV 846-869) Bach partecipa alla vexata quaestio intorno al “temperamento” e si inserisce in un dialogo che a partire dal Rinascimento raggiunge, con echi non meno intensi, le declinazioni novecentesche in merito alla suddivisione razionale dei suoni. Stabiliti gli elementi che costituiscono il modello compositivo, il preludio e la fuga, il compositore sperimenta le potenzialità armonico-contrappuntistiche del sistema basato sulle tonalità maggiori e minori cogliendo tutti gli stimoli provenienti dal crescente interesse verso l’ordinamento cromatico. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnche nel Clavicembalo ben temperato, come in gran parte della produzione bachiana, emerge l’influenza dello stile musicale italiano. Nel caso specifico uno dei riferimenti principali è sicuramente Girolamo Frescobaldi, l’unico compositore italiano citato da Philipp Emanuel Bach tra gli autori apprezzati e studiati dal padre sin dagli anni della gioventù artistica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicola Lamon ha studiato al conservatorio “B. Marcello\" di Venezia diplomandosi nel 2001 con il massimo dei voti e la lode sia in Organo e composizione organistica con Elsa Bolzonello Zoja che in Clavicembalo con Sergio Vartolo e Marco Vincenzi.Ha conseguito inoltre il diploma in Canto Gregoriano a pieni voti con Lanfranco Menga. Nell’anno accademico 2005-2006, presso il Conservatorio “B. Marcello” di Venezia ha conseguito con il punteggio di 110 e lode il diploma accademico specialistico di II livello in organo. Ha partecipato a numerosi corsi di perfezionamento presso varie accademie internazionali: in organo e improvvisazione con H. Davidson e W. Porter a Smarano (TN), con J.L. Gonzalez Uriol a Daroca (Spagna), presso l'Accademia Chigiana di Siena, per il clavicembalo, con Cristophe Rousset, conseguendo il diploma di merito. Ha ottenuto diversi riconoscimenti in vari concorsi nazionali e internazionali: in organo il terzo premio a Borca di Cadore nel 2001 e nel 2005, il primo premio a Viterbo nel 2003 e il terzo premio a Fano Adriano (TE) nel 2006; in clavicembalo il primo premio a Fusignano (RA) nel 2003 e il primo premio a Pesaro nel 2005. Svolge l’incarico di secondo organista presso la prestigiosa Basilica di San Marco in Venezia, collaborando con la Cappella Marciana nelle esecuzioni concertistiche e discografiche. Segue e studia con particolare interesse il partimento storico e l’improvvisazione finalizzata alla ricerca e all’esecuzione del basso continuo. Con il collega David Brutti al cornetto ha fondato il duo “Seicento Stravagante” impegnato nella valorizzazione degli strumenti a tasto rinascimentali e barocchi partecipando a registrazioni discografiche e concerti. Svolge inoltre attività di organista e clavicembalista continuista in in diverse formazioni collaborando inoltre come tale a masterclass e corsi di perfezionamento.E’ stato docente a contratto presso il conservatorio “C.Pollini di Padova” di pratica della tastiera e lettura del repertorio vocale e, attualmente, svolge attività di accompagnatore al clavicembalo presso i conservatori Arrigo Pedrollo di Vicenza e Agostino Steffani di Castelfranco Veneto (TV). E’ impegnato altresì nella monumentale esecuzione integrale dei due libri del Clavicembalo ben temperato e l’Arte della Fuga di J.S.Bach\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993775939931,"sku":"CVLD334","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46770107253083,"sku":"CVLD334","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a196cd8a-d372-4fbd-b863-b6f88db73a94.jpg?v=1685020576"},{"product_id":"johann-sebastian-bach-cello-suites-for-harpsichord-dario-carpanese","title":"Johann Sebastian Bach: Cello Suites For Harpsichord - Dario Carpanese","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eJohann Sebastian Bach - Cello Suites For Harpsichord\u003c\/strong\u003e (CVLD333)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohann Sebastian Bach\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCELLO SUITES FOR HARPSICHORD\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDario Carpanese, \u003c\/strong\u003eharpsichord and trascription\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello Suite No. 1 in G Major BWV 1007 (19:11)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Prélude, 3:15  \/  02 - Allemande,   5:35  \/  03 - Courante, 2:27  \/  04 - Sarabande, 2:32 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Menuet I \u0026amp; II, 3:52  \/  06 - Gigue, 1:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCello Suite No. 2 in D minor BWV 1008 (21:05)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - Prélude, 4:08  \/  08 - Allemande, 4:30  \/  09 - Courante, 2:14  \/  10 - Sarabande, 3:59 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Menuet I \u0026amp; II, 3:19  \/  12 - Gigue, 2:55\u003c\/span\u003e\u003cspan\u003e                                                                                                                                                                                  \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCello Suite No. 3 in C Major BWV 1009 (22:54)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Prélude, 4:28  \/  14 - Allemande, 5:07  \/  15 - Courante, 3:04  \/  16 - Sarabande, 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Bourrée I \u0026amp; II, 3:39  \/  18 - Gigue, 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTot. Time: 63:15\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Johann-Sebastian-Bach\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e176.4kHz \/ 24 bit original recording, made at Studio Rosso, Trebaseleghe, Italy on March 26, 27, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive and Musical  Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, mastering and editing engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover Illustration:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eGiulia Pierobon\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eNina Marranconi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLayout and Design: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa trascrizione è una pratica compositiva che accompagna la storia della musica ormai da diversi secoli. Se nel ’500 iniziano a fiorire le prime intavolature liutistiche di brani vocali, nel ‘700 essa si impone come vero e proprio genere sempre più in voga e sempre più richiesto. Maestro e modello di quest’arte è senza dubbio Johann Sebastian Bach (1685-1750), il quale dedica alla trascrizione l’intero arco della sua produzione musicale. Negli anni giovanili di Weimar, per assecondare le richieste di una corte particolarmente affascinata dal gusto italiano, trascrive numerosi Concerti dando vita a nuove ed interessantissime pagine di solismo tastieristico. A Lipsia diversi Concerti per Violino vengono destinati al clavicembalo, probabilmente per arricchire il repertorio del Collegium Musicum del quale Bach possiede la direzione artistica. Intere Cantate cambiano testo e destinazione in un esercizio di altissimo artigianato musicale, dettato sì da esigenze contingenti, ma condotto con un’arte e una perizia tali da far apparire questi rifacimenti come opere del tutto nuove. Le Sei Suites per Violoncello solo, protagoniste di questa incisione, non hanno mai trovato luce editoriale in forma di trascrizione per mano dell’autore stesso, mentre le Sei Sonate e partite per Violino solo, le quali possono essere considerate loro sorelle, sono state ampiamente rimaneggiate da Bach stesso e trasformate in varie versioni. Inoltre, grazie alla testimonianza di due musicisti contemporanei di Bach, sappiamo che il compositore stesso si cimentava nell’esecuzione al clavicembalo e al clavicordo di questi brani: se l’organista Jacob Adlung (1699-1762) nel descrivere le Sonate e Partite sottolinea il fatto che ‘’possano essere eseguite anche al clavicembalo’’, Johann Friedrich Agricola (1720-1774) ci assicura che ‘’il compositore stesso le suonava spesso al clavicordo e aggiungeva l’armonia che riteneva necessaria’’.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa pratica della trascrizione si rivela come un’ottima e ineguagliabile chiave d’accesso per entrare nel pensiero compositivo dell’autore dell’opera trascritta: più che un mero esercizio di stile, è da considerarsi una vera e propria arte che permette di accedere all’essenza del discorso musicale, svincolandosi dagli automatismi gestuali derivanti dalla tecnica del proprio strumento. Una delle immagini che può descrivere al meglio questo tipo di esperienza è quella di entrare nella bottega di un artigiano, osservare e assorbire i segreti tecnici del mestiere per poi lavorare assieme allo stesso progetto. La trascrizione ci riserva dunque la possibilità di dialogare attivamente con i grandi maestri del passato e di affinare la nostra sensibilità e il nostro pensiero attorno all’estetica di un preciso periodo storico.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn prima battuta, il fatto di rimaneggiare uno dei capolavori più eseguiti e apprezzati dell’intera produzione bachiana mi ha posto di fronte a numerosi interrogativi, i quali sono stati gradualmente risolti a seguito di un adeguato approfondimento analitico delle trascrizioni per clavicembalo operate da Bach stesso a partire da composizioni proprie e altrui. Contrariamente a quanto previsto all’inizio di questo percorso, la difficoltà maggiore non è stata quella di riuscire a produrre concretamente qualcosa a partire dal materiale originario, ma di trovare la forza di scegliere una versione definitiva selezionando tra le numerosissime possibilità interpretative offerte dalle Suites stesse. Occasionalmente, nello stilare questa trascrizione, mi sono trovato di fronte a decine di alternative per il medesimo passaggio musicale e ho dovuto scegliere, di volta in volta, se valorizzare la coerenza con la produzione tastieristica di J. S. Bach, la fedeltà assoluta nei confronti del materiale originario, l’aderenza alla resa sonora della versione violoncellistica, la comodità della mano, l’uniformità stilistica di scrittura per ogni singola danza e altre esigenze che emergono spontaneamente dal confronto con questa particolare tipologia di pratica compositiva. In conclusione, è possibile affermare che le scelte operate durante il processo di trascrizione siano sempre state dettate dall’esigenza di ottenere un risultato il più vicino possibile alla produzione clavicembalistica del compositore tedesco e abbiano rifiutato qualsiasi tentativo di modernizzazione dell’opera trascritta.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003eDario Carpanese\u003c\/em\u003e\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993727869275,"sku":"CVLD333CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit","offer_id":46770224202075,"sku":"CVLD333","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d039eecf-0f88-4d5d-8849-9ca0bd5b9d69.jpg?v=1685022443"},{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolaj Karlovi Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tschaikovsky \u0026amp; Michail Vasil'evi Pletnëv\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trépak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e “... visione profonda del testo, unita a grande maturità musicale. Giovanissimo, ma già padrone di tecnica pianistica di grande rilievo e di vasto ed importante repertorio... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianista (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“..forte personalità musicale e talento emergono chiaramente dalle capacità artistiche…non fa mai sfoggio di virtuosismo fine a se stesso… lo subordina sempre a una visione intellettuale superiore, che riflette una chiara consapevolezza dell'architettura musicale.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianista (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eVincitore di numerosi concorsi internazionali in Albania, Italia, Croazia, Gran Bretagna, Macedonia, Kossovo, Svizzera-Francia, Slovenia, il pianista albanese Kostandin Tashko si è esibito in importanti sale da concerto e festivals. \u003c\/span\u003e\u003cspan\u003eIl CD di debutto, con l'etichetta KNS, include opere di Liszt, Scriabin e Ravel. \u003c\/span\u003e\u003cspan\u003eAllievo del Liceu “J.Misja” di Tirana con Valbona Kasaj, si è diplomato con menzione d’onore presso il Conservatorio di Musica di Trieste “Giuseppe Tartini” sotto la guida di Teresa Trevisan. \u003c\/span\u003e\u003cspan\u003eMasterclass con B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! La scrittura per pianoforte tra composizione, trascrizione e restituzione. Il percorso proposto da Kostandin Tashko all’insegna della tradizione musicale russa si dipana lungo un sentiero che seppur tracciato all’interno del contesto novecentesco tende a ripiegare con nostalgia verso un passato dai contorni vagamente definiti, tra l’onirico tardo romantico di Medtner, il fiabesco di Tchaikovsky e l’ancestrale di Stravinsky. Protagonista indiscusso è il pianoforte, strumento storicamente legato all’attività compositiva sia come punto di partenza per la stesura di pagine pianistiche affidate all’esecuzione dello stesso compositore, sia come destinatario di trascrizioni tratte da brani orchestrali ad opera dell’autore o di interpreti successivi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"within-without-homage-to-rakhmaninov","title":"WITHIN \u0026 WITHOUT - Homage to Rakhmaninov","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eWITHIN \u0026amp; WITHOUT - Homage to Rakhmaninov \u003c\/b\u003e(CVLD330)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Farewell my Dreams Op.9,  6:42\u003cbr\u003e02 - Siberian Blizzard Op.10, 11:31\u003cbr\u003e03 - Waltz of the Fairies Op.11,  7:54\u003cbr\u003e04 - Dusk Spirits Op.12,  11:53\u003cbr\u003e05 - Gloomy Sparks Op.16,  11:47\u003cbr\u003e06 - The Devil in Love Op.14,  15:33\u003c\/p\u003e\n\u003cp\u003etotal time: 65:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Within-and-Without-Homage-to-Rachmaninov\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll compositions by Edoardo Brotto\u003c\/p\u003e\n\u003cp\u003e88kHz \/ 24bit digital recording made at Magister Area Recording, Preganziol, Italy, on September 15, 16, 2020. Analog mix \u0026amp; mastering made at Velut Luna Studio, Padova, Italy, on October 17, 2020\u003c\/p\u003e\n\u003cp\u003eEdoardo Brotto plays on STEINWAY \u0026amp; SONS D274 CONCERT GRANDPIANO, serial number: 592126 granted,  tuned and prepared by Silvano Zanta\u003cbr\u003eMarco Lincetto choose RIBERA R12 tube microphones, Millennia Media HV 3C mic preaplifier, and Rupert Neve Design 5059 summing mix\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e\u003cbr\u003eRecording, mix \u0026amp; mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eClaudio Dalla Costa\u003c\/strong\u003e\u003cbr\u003eDesign: \u003cstrong\u003eFrancesca Brotto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto album è il mio omaggio ad un compositore e pianista che amo profondamente, Sergej Rakhmaninov. La bellezza nel senso più ampio del termine, della natura, di un viso, del profumo del vento invernale, è stata fonte di ispirazione di tutti i brani qui presentati. L’assidua ricerca della stessa, dell’armonia ideale al momento ideale, della forma e della logica della struttura di ogni brano, dei contrasti, delle melodie e delle vivaci note danzanti, mi ha portato ad un attento e lungo lavoro sui più minuziosi dettagli, spesso stravolgendo interamente ciò che era, a favore dell’incertezza del nuovo. Ogni tessera di un puzzle è stata costruita minuziosamente e adattata all’immagine nella sua interezza. Nessuno di questi lavori è scritto su carta ma, al mio solito, è stato composto e “scritto” nella mia mente. Questo processo mi permette, letteralmente, di osservare i piccoli pezzi ed i grandi pezzi da una visuale preferenziale, ove posso giocare con le varie tessere, ricombinarle a mio piacimento creando un vastissimo numero di possibili soluzioni. È poi questa stessa visuale, simile a quella che si prova dall’alto di una vetta, o di un grattacielo, che mi permette di scegliere l’insieme di elementi che secondo me raggiungono la forma più bella.\u003cbr\u003eEdoardo Brotto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995065590107,"sku":"CVLD330CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46770644418907,"sku":"CVLD330","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_97c86d06-3a94-461e-af7c-c45f9a8e1728.jpg?v=1685032453"},{"product_id":"cello-sonatas-luca-giovannini-leonora-armellini","title":"CELLO SONATAS - Luca Giovannini Leonora Armellini","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCELLO SONATAS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD327)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Giovanninitino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ecello\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLeonora Armellini,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e piano\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.1 in E Minor Op. 38\u003cbr\u003e1 - Allegro non troppo  14:34\u003cbr\u003e2 - Allegretto quasi minuetto  5:50\u003cbr\u003e3 - Allegro  6:39\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.2 in F Major, Op. 99\u003cbr\u003e4 - Allegro Vivace  9:06\u003cbr\u003e5 - Adagio affettuoso  6:37\u003cbr\u003e6 - Allegro appassionato  7:43\u003cbr\u003e7 - Allegro molto  4:50\u003c\/p\u003e\n\u003cp\u003etotal time:  55:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johannes-Brahms-Cello-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLuca Giovannini, cello\u003cbr\u003eLeonora Armellini, piano\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Magister Recording Area, Preganziol, Italy, on July 12, 2020 - Leonora plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: Michele Sartor\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohannes Brahms\u003c\/strong\u003e e i violoncellisti delle Sonate op. 38 e op. 99: una retrospettiva fotografica.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eNel complesso insieme di pagine cameristiche che figurano all’interno del catalogo brahmsiano le due Sonate per pianoforte e violoncello (dicitura che per volere dell’autore sottolinea il carattere paritario degli strumenti coinvolti) vengono considerate tradizionalmente come elementi portanti del repertorio dedicato a tale formazione. La loro notorietà, dovuta ad una fortunata ricezione e alla continuità esecutiva di cui siamo ancor oggi testimoni, non deve precludere all’ascoltatore quanto all’interprete una visione d’insieme delle due Sonate, spesso accantonata in favore di un mero confronto sul piano cronologico e compositivo. Sebbene tra la stesura dei primi due movimenti della Sonata in mi minore op. 38 e la pubblicazione della Sonata in fa maggiore op. 99 intercorrano ventiquattro anni, possiamo considerare comune ai due periodi l’interesse rivolto alla scrittura per violoncello, alimentato dalla presenza di figure chiave nella cerchia del compositore.\u003cbr data-mce-fragment=\"1\"\u003eIn una fotografia datata 7 maggio 1894 troviamo Brahms, nel giorno del suo sessantunesimo compleanno, circondato da amici e colleghi presso la casa della famiglia von Miller zu Aichholz (archivio Gesellschaft der Musikfreunde, Wien). Tra i convitati, oltre a Ignaz Brüll, Anton Door, Julius Epstein, Eusebius Mandyczewski, Gustav Walter, Eduard Hanslick e Richard Mühlfeld, sono presenti i dedicatari delle due Sonate per pianoforte e violoncello: Josef Gänsbacher e Robert Hausmann. - \u003c\/span\u003e\u003cspan\u003eMyriam Guglielmo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLuca Giovannini,\u003c\/em\u003e\u003c\/strong\u003e nato a Rovigo nel 2000, ha frequentato il  Francesco Venezze di Rovigo con il M° L. Simoncini e si è diplomato a 17 anni con lode e menzione d'onore. Arricchisce il suo percorso di studio frequentando l’Accademia  R. Romanini di Brescia, nella quale ha studiato con G. Sollima e successivamente con G. Capuçon alla \"Classe d'excellence\" della fondazione Louis Vuitton. Sin da giovanissimo, Luca si è affermato in numerosi concorsi, tra i più prestigiosi vi sono il primo premio nel 2018 al J. Brahms competition di Pörtschach in Austria, primo Italiano ad aggiudicarselo, nel 2016 il terzo premio al concorso \"Schönefeld\" in Cina, e  il Premio Nazionale delle Arti 2020.\u003cbr data-mce-fragment=\"1\"\u003eHa avuto la possibilitá di suonare per i nomi piú illustri del mondo musicale, come G. Kremer, A. Schiff, N. Gutman E. Dindo, M. Brunello, B. Canino, D. Rossi e molti altri ancora, cogliendo prospettive differenti e spunti altamente stimolanti. \u003cbr data-mce-fragment=\"1\"\u003eSi è esibito in numerosi paesi e importanti teatri come la Suntory Hall di Tokyo  la Carnegie Hall di NY  Musikverein di Vienna il Berliner Philharmoniker, Sale Apollinee della Fenice e la Sala Maffeiana di Verona. Luca studia attualmente con F. Helmerson alla Kronberg Academy, Francoforte.  Suona un Ansaldo Poggi gentilmente concesso dal M° M. Brunello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLeonora Armellini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003eè stata una giovanissima vincitrice del “Premio Janina Nawrocka” per la “straordinaria musicalità e la bellezza del suono” al Concorso Pianistico Internazionale “F. Chopin” di Varsavia (2010). L’esito è stato brillantemente confermato nell’edizione del 2021, con un Quinto Premio che ne fa la prima donna italiana ad aver scalato le vette della competizione considerata come il vertice del pianismo mondiale. Leonora Armellini (1992), figlia d’arte, si avvicina allo studio del pianoforte a quattro anni con Laura Palmieri e si diploma a dodici ottenendo il massimo dei voti con lode e menzione speciale. Nel 2005 vince all’unanimità il XXII Premio Venezia, riservato ai migliori diplomati dei Conservatori Italiani, e prosegue la sua formazione con Sergio Perticaroli presso l’Accademia di S. Cecilia di Roma, diplomandosi a diciassette anni con lode e diventando così la più giovane diplomata della prestigiosa istituzione. Si perfeziona con Lilya Zilberstein e Marian Mika, e si diploma presso l’Accademia Pianistica “Incontri col Maestro” di Imola con Boris Petrushansky (2018). Fra i numerosi premi e riconoscimenti per le sue qualità artistiche e umane, Leonora ha ricevuto nel 2013 dalle mani di Zubin Mehta il premio “Galileo 2000 Pentagramma d’oro” per il “grande coraggio e talento musicale”. Nel maggio 2013, l’Associazione Nazionale Critici Musicali ha deciso di assegnare il “XXXII Premio Abbiati”, “Premo Piero Farulli”, al Trio formato da Leonora, Laura Marzadori e Ludovico Armellini (Pianoforte, Violino e violoncello). Tiene regolarmente concerti come solista e camerista per festival e stagioni concertistiche in Italia e all’estero (Carnegie Hall di New York, Teatro Mariinsky di San Pietroburgo, Salle Cortot di Parigi, Filarmonica di Varsavia, Teatro La Fenice di Venezia, Progetto Martha Argerich a Lugano, e in tutta Europa, Cina, Corea del Sud, Giappone, …), ed è stata affiancata da numerose orchestre fra cui la Filarmonica di Varsavia, l’Orchestra di Padova e del Veneto, I Solisti Veneti, l’Orchestra Filarmonica di Torino, l’Orchestra del Teatro La Fenice, l’Orchestra dell’Arena di Verona, l’Orchestra Nazionale Ucraina, la Sinfonia Varsovia, Orchestra Sinfonica della Filarmonica di Lodz (Polonia)… Leonora è protagonista di numerosi progetti discografici; di più recente uscita sono il DVD “Piano Recital” pubblicato da ContempoArs contenente, tra gli altri, gli Studi op. 25 di Chopin, e un CD pubblicato da Brilliant Classics contenente il Concerto per due pianoforti e orchestra di Poulenc, la Scottish Ballad di Britten e la Première Suite di Debussy per pianoforte a 4 mani nella formazione del Duo Pianistico di Padova (con il pianista Mattia Ometto), Orchestra di Padova e del Veneto e il direttore Luigi Piovano. Nella stessa formazione ha inoltre inciso per Da Vinci Classics l’integrale dell’opera per due pianoforti di Brahms. È stata invitata da radiotelevisioni italiane ed estere per trasmissioni di interviste e concerti fra i quali i “Concerti del Quirinale” e l’apparizione come ospite al Festival di Sanremo 2013. A fianco di Matteo Rampin ha scritto e pubblicato il libro di divulgazione musicale “Mozart era un figo, Bach ancora di più”, edito da SALANI (2014), giunto ormai alla settima edizione e tradotto e tradotto in spagnolo. È attualmente docente di Pianoforte Principale presso il Conservatorio “A. Buzzolla” di Adria (RO)\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993798779227,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46807346020699,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e489968-4b8c-4ec0-8d3f-b8c84e5e2c26.jpg?v=1686058633"},{"product_id":"bach-alternative-harpsichord-concertos","title":"BACH - ALTERNATIVE HARPSICHORD CONCERTOS","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eBACH - ALTERNATIVE HARPSICHORD CONCERTOS\u003c\/strong\u003e (CVLD322) \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConcert For Harpsichord and Orchestra in D Minor BWV 1052a\u003cbr\u003eRoberto Loreggian, harpsichord\u003cbr\u003e1 - Allegro, 7:43\u003cbr\u003e2 - Adagio, 7:59\u003cbr\u003e3 - Allegro, 8:32\u003cbr\u003eConcert For Harpsichord and Orchestra in G Minor BWV 1056a\u003cbr\u003eRoberto Loreggian, harpsichord\u003cbr\u003e4 - Allegro, 3:42\u003cbr\u003e5 – Adagio, 2:38\u003cbr\u003e6 - Presto, 4:27\u003cbr\u003eConcert For Flute, Violin, Harpsichord and Orchestra in D Major BWV 1050a\u003cbr\u003eFrancesco Padovani, flute, Federico Guglielmo, violin, Roberto Loreggian, harpsichord\u003cbr\u003e7 – Allegro, 8:28\u003cbr\u003e8 – Adagio, 6:14\u003cbr\u003e9 - Allegro, 5:26\u003c\/p\u003e\n\u003cp\u003etot. time: 55:16\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; 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E’ una ricerca lunga, appassionata, nell’ambito dei “canti veramente popolari, cioè senza che se ne conosca l’autore, quei canti che si odono nei campi, nelle stalle, parto di poeti contadini”, come scrive in una lettera ad uno studioso sardo il suocero di Nigra, Giovenale Vegezzi Ruscalla.\u003cbr\u003eNasce con Nigra la nuova metodologia di ricerca, che prima era area di studio e lavoro di letterati e filologi, prevalentemente toscani.\u003cbr\u003eDa questi studi discende che il canto popolare, se è di autore anonimo per quanto riguarda la scrittura, è però ben identificabile come area di diffusione. Ed è anche ben visibile la traccia storica che il testo compie attraverso le modificazioni cui esso è soggetto nel corso degli anni, se non dei secoli.\u003cbr\u003eI temi trattati investono la vita tutta dell’uomo e della donna, narrando del lavoro, dello svago, dell’amore, dei lutti e delle guerre. 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Invierno porteno 4’32’’\u003c\/p\u003e\n\u003cp\u003eTotal Time: 69’33”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Piazzolla-SoloPiano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e88.2kHz \/ 24bit original recording made at Chiesa di S.Apollinare, Monticello di Lonigo, Italy, on September, 3 - 5, 2018\u003cbr\u003eusing Ribera R12 Tube Microphone\u003cbr\u003eLoredana Piluso plays the BORGATO GRAND PRIX 333 Concert Grandpiano, designed, prepared and tuned by Luigi Borgato himself.\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eMusical Producer: Mattia Zanatta\u003cbr\u003eRecording, Mix \u0026amp; Mastering Engineer: Marco Lincetto\u003cbr\u003eEditing Engineer: Mattia Zanatta\u003cbr\u003ePhoto: Marco Zorzanello\u003cbr\u003eLayout and Design: L'Image \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOREDANA PILUSO\u003c\/strong\u003e è una pianista siciliana che da anni vive e lavora in Veneto.\u003cbr\u003eHa iniziato giovanissima lo studio del pianoforte, diplomandosi all’età di 20 anni con il massimo dei voti. Si è perfezionata con Maestri internazionali, intraprendendo una brillante attività concertistica che l’ha portata ad esibirsi in Italia e all’estero.\u003cbr\u003eAttualmente suona sia in qualità di solista che in formazioni di musica da camera; lavora al fianco di attori e coreografi, curando le musiche di produzioni internazionali inedite. Questo progetto discografico nasce in collaborazione con il Maestro costruttore di pianoforti Luigi Borgato che, per l’occasione, le ha dato la possibilità di registrare sulla sua ultima creazione, il BORGATO GRAND PRIX 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBORGATO GRAND PRIX 333\u003c\/strong\u003e\u003cbr\u003eSi chiama GRAND PRIX 333 ed è il pianoforte più grande al mondo, con la sua lunghezza effettiva di tre metri e trentatre centimetri: circa cinquanta centimetri in più rispetto ai tradizionali pianoforti gran coda, che possono toccare mediamente i due metri e settanta o i due metri ed ottanta..  Lo strumento è costruito interamente a mano, usando preziose essenze lignee: il palissandro per il rivestimento interno; l’acero per i ponticelli; il faggio come cuscino della meccanica; il carpino per le leve e l’ebano per i tasti neri. Fino all’abete armonico, il legno magico che fa «suonare» lo strumento. In particolare il legno di abete utilizzato per il Grand Prix 333 è selezionato personalmente da Luigi Borgato e ricavato dal bosco di Passau, in Germania, ed è caratterizzato da una straordinaria peculiarità, ovvero garantire una velocità del suono pari a seimila metri al secondo, contro i tremila degli abeti normali. \u003cbr\u003eQuesto pianoforte è composto da oltre 15 pezzi e pesa oltre 700kg e la sua costruzione richiede più di 135 giorni lavorativi. Il \u003cstrong\u003eGRAND PIX 333\u003c\/strong\u003e è oggi considerato il nuovo riferimento assoluto nel mondo, uno strumento che apre nuovi orizzonti per le possibilità espressive del suono del pianoforte. Velut Luna è la prima etichetta discografica nel mondo a pubblicare una registrazione del \u003cstrong\u003eBORGATO GRAND PRIX 333.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46865284202843,"sku":"CVLD310","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_5b9f8094-b9b0-40f8-89f8-cdfbabd103ed.jpg?v=1687447547"},{"product_id":"fragmenta-ensemble-juveniliter","title":"FRAGMENTA - ENSEMBLE JUVENILITER","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eFRAGMENTA remaster\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD011)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eENSEMBLE JUVENILITER\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eConductor: \u003cstrong\u003eFederico Zandonà\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01. Sumer is icumen in\u003cbr\u003e02. On parole, A Paris, Brèse nouvelle\u003cbr\u003e03. Scaramella\u003cbr\u003e04. Lirum bililirum\u003cbr\u003e05. Je ne l'ose dire\u003cbr\u003e06. Pavane avec le mesures et battement de tambour\u003cbr\u003e07. Quand je bois\u003cbr\u003e08. Il bianco e dolce cigno\u003cbr\u003e09. Madonna mia pietà\u003cbr\u003e10.Saccio 'na cosa\u003cbr\u003e11. Mon coer\u003cbr\u003e12. Quand mon May\u003cbr\u003e13. L'innamorato\u003cbr\u003e14. Il ballerino\u003cbr\u003e15. Amor vittorioso\u003cbr\u003e16. Fine knacks for ladies\u003cbr\u003e17. Woeful heart\u003cbr\u003e18. Said I that Amarillis\u003cbr\u003e19. Now is the month of maying\u003cbr\u003e20.Fair Phyllis I saw\u003cbr\u003e21. Adieu, sweet Amarullis\u003cbr\u003e22. The silver swan\u003cbr\u003e23.Pavane avec le mesures et battement de tambour, in movimento\u003cbr\u003e24. The three ravens\u003cbr\u003e25. A round of three country dances in one\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTotal time: 56:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Fragmenta\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanzoni brevi dal Rinascimento italiano, Francese XVI secolo, Inglese Renaissance Ensemble Juveniliter: sei voci soliste, Federico Zandonà direttore 20 bit Digital Recording. Live in studio alla Cappella di S.Martino, Campiglia dei Berici (Vicenza). Ottobre 1997\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrevi e piacevolissime canzoni tratte dal repertorio polifonico tardo medioevale e rinascimentale inglese, francese e italiano interpretati da una formazione vocale composta da sei solisti, tre donne e tre uomini, in grado di proporre una tale varietà di timbri e colori che non fanno rimpiangere l'assenza di strumenti comunemente intesi. Alcuni brani, molto noti, sono divenuti patrimonio storico della musica europea. \u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46902601548123,"sku":"CVLD011","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover.jpg?v=1688569923"},{"product_id":"w-a-mozart-b-britten-i-solisti-dellolimpico","title":"W.A. MOZART B. BRITTEN - I Solisti dell'Olimpico","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eI Solisti dell'Olimpico - Mozart, Britten\u003c\/strong\u003e (CVLD090)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart: Adagio and Fugue, K. 546\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1- Adagio and Fugue in C Minor, K. 546\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBritten: Simple Symphony, Op. 4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2- \u003c\/span\u003eI. Boisterous Bourrée. Allegro ritmico\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3- II. Playful Pizzicato. Presto possibile\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e4- \u003cspan data-mce-fragment=\"1\"\u003eIII. Sentimental Sarabande. Poco lento e pesante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5- \u003cspan data-mce-fragment=\"1\"\u003eIV. Frolicsome Finale. Prestissimo con fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Concerto No. 12, K. 414\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-\u003cstrong\u003e \u003c\/strong\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003eI. Allegro\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003e7- \u003c\/span\u003eII. Andante\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e8- III. Rondeau. Allegretto\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Live Recording) - tot. time: 55:16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/I-Solisti-dell-Olimpico-Mozart-Britten\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eG.B. Rigon, conductor and GrandPiano, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTommaso Luison, first violin, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiampiero Zanocco, violin - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFloriano Bolzonella, viola - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiancarlo Trimboli, cello - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNicola Malagugini, double bass - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24Bit \/ 96 kHz Digital Recording. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Teatro Olimpico, Vicenza (Italy) Juin, 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034411340123,"sku":"CVLD090CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46950686490971,"sku":"CVLD090","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_3d7afff3-20b1-4922-b8c9-2985ae3834dc.jpg?v=1689780117"},{"product_id":"unus-inter-pares-stravinsky-bartok-lincetto","title":"UNUS INTER PARES - STRAVINSKY | BARTOK | LINCETTO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cb\u003eUNUS INTER PARES \u003c\/b\u003e(CVLD057)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Carbonare\u003c\/strong\u003e\u003c\/em\u003e, clarinet\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e\u003c\/em\u003e, violin and viola\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlberto Boischio\u003c\/strong\u003e\u003c\/em\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1. Histoire du soldat, Suite 1919 for Violin, Clarinet and Piano (Igor Stravinsky)\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 14'38\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e2. Three Pieces for solo clarinet (Igor Stravinsky) - Alessandro Carbonare 3'40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e3. Contrasts for Violin, Clarinet and Piano, Sz. 111 (Béla Bartók) - Domenico Nordio 17'25\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e4. Sequenza cromatica per flauto (Adriano Lincetto) - \u003c\/span\u003e\u003cspan\u003e(Arranged for Violin) \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e5. Sequenza cromatica per violino solo dall’originale per flauto solo di Adriano Lincetto (Giovanni Bonato) - Domenico Nordio 4'20\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e6. Fantasia per viola, clarinetto e pianoforte (Adriano Lincetto) - Domenico Nordio 7'50\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e7. Quattro improvvisi per pianoforte (Adriano Lincetto), \u003c\/span\u003e\u003cspan\u003ePresto - \u003c\/span\u003e\u003cspan\u003eAlberto Boischio 2'55\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTotal Time: 54:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Unus-Inter-Pares\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e24Bit \/ 96 kHz Digital Recording.\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eLive in studio at Pollini Auditorium (Padova, Italy) April, 2001\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCon questo CD Velut Luna desidera ricordare il compositore padovano Adriano Lincetto all'interno del suo contesto storico di appartenenza. Ecco allora alternarsi i brani in trio con altri per strumento solista: Histoire du Soldat, versione per trio dello stesso Stravinsky e i Tre Pezzi per clarinetto solo, i Contrasti di Bartok, per trio, a cui segue la Sequenza Cromatica per flauto solo di Lincetto. Infine la Fantasia per viola, clarinetto e pianoforte di Lincetto e il virtuosistico Presto per pianoforte dello stesso Autore.\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastering Enegineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034938085723,"sku":"CVLD057CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46977395851611,"sku":"CVLD057","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/057-cover.jpg?v=1690556310"},{"product_id":"flute-concertos-enzo-caroli-lucia-visentin","title":"FLUTE CONCERTOS - Enzo Caroli Lucia Visentin","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eFLUTE CONCERTOS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD293)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnzo Caroli, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eFlute\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003cstrong\u003eLucia Visentin\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFirst violin and conductor\u003c\/span\u003e - \u003cstrong\u003eOrchestra GAV\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSaverio Mercadante (1795 - 1870) 19:58 Concerto in Mi minore per flauto e orchestra d'archi (revisione di Agostino Girard)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 Allegro maestoso 9:26 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e02 Largo 3:53 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e03 Rondò russo (Allegro vivace scherzando) 6:39 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohann Joachim Quantz (1697 - 1773) 17:71 Flute Concerto in G Major \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e04 Allegro 6:30 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e05 Arioso (Mesto) 6:41 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e06 Presto 5:00 Carl Stamiz (1745 - 1801) 19:00 Konzert fur Flote in G-Dur Opus 29 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e07 Allegro 9:03 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e08 Andante non troppo moderato 4:28 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e09 Rondo (Allegro) 5:29 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiovanni Battista Pergolesi (1710- 1736) 12:40 Concerto in sol maggiore per flauto, archi e basso continuo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10 Spiritoso 4:24 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11 Adagio 4:49 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12 Allegro spiritoso 3:27 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eT\u003c\/span\u003e\u003cspan\u003eot. Time: 69:54 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute_Concertos\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/88.2kHz original recording made at Magister Area Studios, Preganziol, Italy, on August 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: \u003cspan data-mce-fragment=\"1\"\u003eMattia Zanatta\u003c\/span\u003e\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: \u003cspan data-mce-fragment=\"1\"\u003eAnna Tonini\u003c\/span\u003e\u003cbr\u003ePhoto: \u003cspan data-mce-fragment=\"1\"\u003eMirella La Rosa\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eI concerti per flauto presentati in questa incisione propongono una sezione centrale del repertorio flautistico, quello dedicato alla forma classica, composti tra la seconda metà del 18° secolo e la prima del 19°, in stile galante, hanno, in questa scelta, la caratteristica singolare di essere tutti in sol maggiore, tranne il concerto di Mercadante che comunque è composto nel tappeto sonoro della relativa minore, mi minore appunto. Suddivisi in tre tempi \u003ca tabindex=\"-1\"\u003e\u003c\/a\u003eseguono lo schema consueto di un primo tempo allegro e più denso, un secondo più lirico e cantabile e un terzo tempo vivace e tecnicamente brillante. Un tema affidato all'orchestra ha il compito di aprire, dopo qualche battuta, il sipario al protagonista, il flauto appunto, che ribadisce la tonalità e comincia a \"giocare\" puntando il faro sull'abilità e la generosità dell'interprete.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000641524059,"sku":"CVLD293CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47001510969691,"sku":"CVLD293","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_37cf3fce-233f-426a-bbef-6d5e1e183fc9.jpg?v=1691426871"},{"product_id":"amor-y-pasion-oscar-del-barba","title":"AMOR Y PASION - Oscar Del Barba","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAMOR Y PASION \u003c\/b\u003e(CVLD215)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Oscar Del Barba. Franca Masu voice\/lirics by Alan Zamboni.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eO. Del Barba, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Beccalossi, accordion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG. Alberti, saxophone\/clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS. Maiore, double bass and cello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM. Vicentini, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Masu, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - EL NINO\u003cbr\u003e02 - PAIS\u003cbr\u003e03 - ORA\u003cbr\u003e04 - ARGENTO VIVO\u003cbr\u003e05 - LETTERA CANZONE\u003cbr\u003e06 - GATO BORRACHO\u003cbr\u003e07 - IL CUORE MUTO\u003cbr\u003e08 - PLAZA DE MAJO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Amor-y-Pasion\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/48hKz recording made at MagisterAreaStudios, Preganziol on October 11 \u0026amp; 12, 2009\/ March 31, 2011. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE’ sempre difficile parlare in poche righe di un nuovo progetto discografico di Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePerché Oscar Del Barba è un autore ricchissimo, che come pochissimi altri oggi riesce a sintetizzare una grande quantità di riferimenti colti a tutta la storia della musica degli ultimi 300 anni almeno.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCultura e preparazione accademica (diploma in pianoforte e poi in composizione), ampia frequentazione del mondo del jazz, spiccato amore per le musiche del “sud del mondo”, in particolare il Sud America: questo e altro ancora è Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolendo a tutti i costi dare a questo disco una definizione di “genere”, potremmo parlare senza dubbio di “tango e dintorni”… Altresì è bene ricordare che Oscar, nel booklet del disco, ringrazia, fra gli altri: Astor (Piazzolla), Igor (Stravinsky), Bela (Bartok), Claude (Debussy), Johann Sebastian (Bach)…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccompagnato da un gruppo da camera di musicisti di valore assoluto, tutti dotati della caratteristica della “duttilità interpretativa” – Salvatore Maiore, contrabbasso e violoncello, Maria Vicentini, violino, Fausto Beccalossi, fisarmonica, Gianni Alberti, sax e clarinetto e la straordinaria voce di Franca Masu – Del Barba consegna alla storia 8 ritratti in musica, in cui la forza descrittiva, diventa di volta in volta evocativa di situazioni ed emozioni, che si muovono con nonchalance fra Buenos Aires e Madrid, girovagando anche un po’ per il centro Europa…\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLast but not least, da sottolineare i bellissimi testi originali scritti appositamente da Alan Zamboni.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eE’ un disco questo, che ti prende per mano alla traccia 1 e non abbandona fimno all’ultima nota.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegistrato in diretta, come di consueto, nella splendida acustica naturale degli studi MagisterArea di Preganziol da Marco Lincetto, anche sul fronte della registrazione offre un suono coinvolgente, avvolgente e assolutamente naturale. Come altro non si potrebbe fare con la musica di Oscar Del Barba.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009272320347,"sku":"CVLD215CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 48kHz · 24bit","offer_id":47028396065115,"sku":"CVLD215","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a39e00c4-206e-463c-8e5c-6999c55f9f97.jpg?v=1692350834"},{"product_id":"crossing-caterina-bergo-paola-donato","title":"CROSSING -  Caterina Bergo Paola Donato","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eCROSSING  \u003c\/b\u003e(CVLD129)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01. Turodo Nacto\u003cbr data-mce-fragment=\"1\"\u003e02. Sonata per due arpe Allegro con spirito\u003cbr data-mce-fragment=\"1\"\u003e03. Sonata per due arpe Adagio espressivo\u003cbr data-mce-fragment=\"1\"\u003e04. Sonata per due arpe Allegro scorrevole\u003cbr data-mce-fragment=\"1\"\u003e05. Progetto per una notte di stelle\u003cbr data-mce-fragment=\"1\"\u003e06. Ariete\u003cbr data-mce-fragment=\"1\"\u003e07. Pesci\u003cbr data-mce-fragment=\"1\"\u003e08. Nia m'è restà, Blues\u003cbr data-mce-fragment=\"1\"\u003e09. Birdy\u003cbr data-mce-fragment=\"1\"\u003e10. New Age Clouds\u003cbr data-mce-fragment=\"1\"\u003e11. Gavotta in rondò per due arpe\u003cbr data-mce-fragment=\"1\"\u003e12. Improvviso\u003cbr data-mce-fragment=\"1\"\u003e13. Here, There and Everywhere\u003c\/p\u003e\n\u003cp\u003eTotal time: 1:02:05\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Crossing\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtistic Producer:\u003cspan\u003e \u003cstrong\u003eCaterina Bergo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; mastering:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto \u0026amp; Matteo Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditing:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMatteo Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLayout \u0026amp; Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL Caterina Bergo, arpa, Paola Donato arpa. High Definition digital recording 24bit \/ 96KHz. at Magister Studio, Preganziol, Italy, on Novembre 2005.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eL'arpa è senz'altro uno degli strumenti classici più affascinanti e magici, in grado di evocare atmosfere e situazioni veramente particolari e pregne di emozioni forti e indimenticabili. Caterina Bergo incarna perfettamente l'icona della grande interprete di questo strumento: giovanissima, ma già  con grande esperienza musicale, bellissima ed elegantissima, riesce nel corso dei suoi concerti a comunicare l'emozione della Musica come pochi altri interpreti. E per il suo disco d'esordio Velut Luna ha voluto organizzare una sorta di evento musicale unico, che oggi veramente poche altre etichette discografiche nel mondo hanno la forza e la credibilià  per poter realizzare. In sostanza, Marco Lincetto ha contattato alcuni dei più rappresentativi compositori italiani del momento ed ha chiesto loro di scrivere alcuni brani musicali espressamente per Caterina ed il suo disco d'esordio! Ecco quindi personalità  come Nicola Campogrande, Emilio Galante, Oscar Del Barba, Sergio Cossu, Fabrizio Castania, ed ancora Adriano Lincetto, Ferrero e Tutino con brani non scritti appositamente per questo disco, ma in prima registrazione mondiale. Si tratta di una musica nuova che difficilmente può essere etichettata sotto un genere preciso: essa infatti si pone come sintesi perfetta della tradizione classica (Campogrande e Castania), ma anche dello spirito più moderno del rock e del blues (Galante), senza disdegnare gli stilemi del jazz e del pop più raffinato (Del Barba e Cossu). E' infine molto importante sottolineare come in ogni caso siamo di fronte ad un programma musicale godibile, spigliato e di immediata presa su chiunque abbia la fortuna di ascoltarlo. E che dire della registrazione? Realizzata fra le magiche mura del grande Studio Magister è forse in grado di presentare per la prima volta un suono d'arpa veramente completo, ricco, di statura sinfonica, addirittura: masterizzato con tecnica VLHD da Marco Lincetto e Matteo Costa.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030112440667,"sku":"CVLD129CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 48kHz · 24bit","offer_id":47042610364763,"sku":"CVLD129","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/129-cover.jpg?v=1692788247"},{"product_id":"the-cinema-show-stravinskij-chamber-orchestra","title":"THE CINEMA SHOW! - Stravinskij Chamber Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTHE CINEMA SHOW! \u003c\/b\u003e(CVLD235)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eDisponibile in: File HD, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eSTRAVINSKIJ CHAMBER ORCHESTRA:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eViolin I:\u003cbr\u003eDaniele Ruzza (solo),\u003cbr\u003eCiaki Kanda, Massimiliano Simonetto,\u003cbr\u003eFrancesca Bonomo\u003cbr\u003eViolin II:\u003cbr\u003eAlessandro Gasparini (solo),\u003cbr\u003eFederica Bertevello, Carlo Giordani\u003cbr\u003eViola:\u003cbr\u003eGiancarlo Bussola (solo), Caterina Camozzi\u003cbr\u003eCello:\u003cbr\u003eAndrea Bellato (solo), Giordano Pegoraro\u003cbr\u003eDouble Bass:\u003cbr\u003eDaniele Roccato (solo), Francesco Piovan\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eFEATURING SPECIAL GUESTS:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eDomenico Nordio, solo violin on Schindler's List\u003cbr data-mce-fragment=\"1\"\u003eMara Comellato, flute\u003cbr data-mce-fragment=\"1\"\u003eAntonio Graziani, clarinet\u003cbr data-mce-fragment=\"1\"\u003eMirko Bellucco, trumpet\u003cbr data-mce-fragment=\"1\"\u003eBenedetta Botter, voice\u003cbr data-mce-fragment=\"1\"\u003eGraziano Zuin, guitars\u003cbr data-mce-fragment=\"1\"\u003eGino Schipillitti, guitars\u003cbr data-mce-fragment=\"1\"\u003ePaolo Vidaich, percussions\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Piovan, drums\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 - Alladin, Suite 4:01\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 - Schindlers' List 5:08\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 - Forrest Gump 3:26\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 - Moon River 3:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 - Amapola 4:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06 - Nuovo cinema paradiso (Suite) 9:12\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07 - Anul tu lev 3:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 - Oblivion 3:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 - Per un pugno di dollari (Suite) 2:02\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 - C'era una volta in America (Suite) 15:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 - The Beauty and the Beast (Suite) 6:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eTotal Time: 60:20\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/TheCinemaShow\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e24\/96 digital recording made at the Public Auditorium, Chiuppano, Italy, on July 7 - 9, 2001 - Analog Remastering made at Velut Luna Studios, Preganziol, Italy, on June 1, 2012\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eMirko Schipilliti\u003c\/strong\u003e\u003cbr\u003ePhoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eLe generazioni di compositori cresciute per e con il cinema, che con esso o addirittura con certi registi finirono per identificarsi pressochè completamente, affermarono l’importanza di una solida scuola compositiva di base per riuscire ad incidere indelebilmente l’immagine nel suono, in una melodia, in un timbro o accordo, compenetrando subito la situazione filmica.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScrivere per il cinema divento’ anche una via possibile per rompere o ridurre lo scarto novecentesco creatosi fra compositori contemporanei e grande pubblico, affrontando il problema della semplificazione all’interno della comunicazione fra artista e fruitore, nella consapevolezza di comporre musica che in brevissimo tempo poteva giungere a un pubblico vastissimo.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuesto CD ne è un evidente esempio: le musiche scritte dai più grandi autori di tutti i tempi, come Ennio Morricone, Henry Mancini, John Williams, Alan Menken, Alan Silvestri, Astor Piazzolla, ci portano attraverso un magico mondo fatto di storie e immagini memorabili\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002854510939,"sku":"CVLD235CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47048011579739,"sku":"CVLD235","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/235-cover.jpg?v=1692980861"},{"product_id":"sergej-rachmaninov-etudes-tableaux-edoardo-brotto","title":"Sergej Rachmaninov: Études Tableaux - Edoardo Brotto","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eSergej Rachmaninov - Études Tableaux \u003c\/b\u003e(CVLD364)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 – Op.39 No.1 in C minor, Allegro agitato 3’09”\u003cbr\u003e02 – Op.33 No.3 in C minor, Grave 4’46”\u003cbr\u003e03 – Op.33 No.1 in F minor, Allegro ma non troppo 2’54”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 – Op.33 No.2 in C major, Allegro 2’31”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Op. 39 No.5 in E\u003cspan style=\"font-family: 'Segoe UI Symbol', serif;\" face=\"Segoe UI Symbol, serif\"\u003e♭\u003c\/span\u003e minor, Appassionato 5’14”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – Op.33 No.5 in E\u003cspan style=\"font-family: 'Segoe UI Symbol', serif;\" face=\"Segoe UI Symbol, serif\"\u003e♭\u003c\/span\u003e minor, Non Allegro – Presto 1’35”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 – Op.33 No.7 in G minor, Moderato 3’ 41”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 – Op.33 No.4 in D minor, Moderato 2’54”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 – Op.39 No.8 in D minor, Allegro Moderato 3’17”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 – Op.39 No.2 in A minor, Lento Assai 6’45”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 – Op.39 No.3 in F# minor, Allegro Molto 2’48”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 – Op.39 No.6 in A minor, Allegro 2’26”\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003etotal time: 42’00”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Rachmaninov-Etudes-Tableaux\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e88kHz \/ 24bit original digital recording made at M° Edoardo Brotto’s studio, Italy, on the 1\u003c\/b\u003e\u003c\/span\u003e\u003csup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003est\u003c\/b\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eand 20\u003c\/b\u003e\u003c\/span\u003e\u003csup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eth\u003c\/b\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eof May 2023.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eAnalog mix \u0026amp; mastering made at Velut Luna Studio, Valencia, Spain, on the 26\u003c\/b\u003e\u003c\/span\u003e\u003csup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eth\u003c\/b\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eof August 2023.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eM° Edoardo Brotto plays his BECHSTEIN D282 CONCERT GRANDPIANO “ALBUS”, tuned and prepared by Edoardo Brotto.\u003c\/p\u003e\n\u003cp\u003eM° Edoardo Brotto chose Sennheiser MKH 8020, Schoeps CMC6 Mk21, Millennia Media HV 3C and Rupert Neve 5211 Portico Designs mic preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe original master was monitored and personally approved by M° Edoardo Brotto.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eINTRODUZIONE DI EDOARDO BROTTO\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eGli Études Tableaux, miniature-capolavoro di una straordinaria bellezza armonica, di forma, di scrittura, di sintesi, di immagini che sono in grado di evocare e…di una straordinaria difficoltà musicale e tecnica. Non voglio aggiungere altro, la musica è meravigliosamente descrittiva ed è giusto che sia l’ascoltatore a creare i suoi mondi e a percepire i quadri che ogni brano dipinge.\u003cbr\u003eNonostante il repertorio sia noto agli appassionati, questo è un disco particolare e, contrariamente allo standard, ve lo racconto in prima persona.\u003c\/p\u003e\n\u003cp\u003eNon avevo il coraggio di suonare gli Études nemmeno quando facevo il pianista a tempo pieno, nonostante avessi sotto le mani le maggiori opere di Rachmaninov, compreso il suo formidabile terzo concerto. Ho pensato invece di studiarli e inciderli quando la vita si è fatta molto più complessa; ingegnere di giorno, pianista di notte. Non voglio mentire dicendo che conciliare le due cose sia facile, non lo è. Suonare a livello da incisione è già di per sé una grande sfida, aggiungere un lavoro complesso da tutti i giorni, rende il tutto eccezionalmente provante. Queste righe fungono da contesto al concetto fondamentale che desidero passi a chi leggerà queste parole: è possibile porsi e centrare obiettivi apparentemente impossibili in un contesto di vita già più che piena. E lo dico perché vale la pena, qualunque cosa si scelga. Le sfide, vinte o perse, ci regalano insegnamenti preziosissimi in primis sul nostro io, sui nostri limiti che puntualmente si riveleranno errati, e poi ci donano una magnifica ondata di conoscenza nuova, ad ampio spettro. Quello che ci vuole è una buona dose di volontà inossidabile, una predisposizione a resistere alla fatica, a volte alla sofferenza, e non farsi mai distrarre dall’obiettivo primario. E un’altra cosa scrivo, non accontentarsi mai di imparare, studiare, sfidarsi, migliorarsi. Perché la soddisfazione è la morte del desiderio.\u003c\/p\u003e\n\u003cp\u003eOra, venendo alle particolarità di questo disco, cominciamo col fatto che il pianoforte utilizzato per l’incisione è il mio personale: un meraviglioso Bechstein D282 che io chiamo\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlbus\u003c\/i\u003e. Un sogno di una vita intera, durato più di vent’anni, diventato realtà.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlbus\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emi è stato consegnato direttamente da Berlino questo aprile (2023) e la sua inaugurazione è stata proprio l’incisione di questo disco. La preparazione e accordatura del pianoforte per l’incisione, l’ho curata personalmente.\u003cbr\u003eAltro fatto peculiare è che questo disco l’ho registrato io. Con ciò intendo proprio che il lavoro di sound and balance engineer (posizionamento dei microfoni, bilanciamento, trattamento acustico e registrazione) l’ho svolto personalmente. Avevo in mente una ripresa che fosse il più fedele possibile al suono dello strumento, estremamente dettagliata e precisa, con particolare attenzione dedicata ad ottenere una perfetta immagine sonora. La scelta è ricaduta inevitabilmente su elettroniche di assoluta eccellenza e dalla caratteristica di una risposta in frequenza lineare e timbrica neutra: microfoni Sennheiser e Schoeps, omnidirezionali e sub-cardiodi per una grande presenza e cristallina pulizia, preamplificatori Millennia e Rupert Neve che garantissero la minor alterazione possibile del segnale nativo, cavi di segnale all’altezza dei componenti citati.\u003cbr\u003eAnche questo è il frutto di anni di studio, di esperienza e di errori; un doveroso grazie va ai preziosi insegnamenti del mio produttore Marco Lincetto al quale ho poi lasciato le tracce finite. Nelle sapienti mani di Marco ho affidato la delicata fase di missaggio e mastering, rigorosamente in catena analogica, come piace a me. Il risultato è una registrazione con un suono naturale e di grande impatto che, con un impianto ben costruito, vi fa entrare il pianoforte in casa, in tutta la sua gloria.\u003c\/p\u003e\n\u003cp\u003eRiguardo la scelta dei brani e del loro ordine, è da molto tempo che intuitivamente avevo immaginato questa esatta sequenza. È un percorso di suoni e di immagini che nella mia testa si è sviluppato proprio così, che amo particolarmente e pertanto, non necessiterebbe di ulteriore illustrazione. Ciononostante, aggiungo che da persona che naturalmente percepisce e immagina mondi astratti, al di là delle immagini che questi brani-quadro evocano, la loro sequenza, per spiegarla a parole comprensibili, mi ricorda una bellissima iterazione di funzioni sinusoidali in tre dimensioni spaziali e una temporale, traducibile in un lenzuolo di puro spazio che si muove sinuosamente, avvolgendoti a volte, intervallando momenti di grandissimo impeto ad altri di profonda riflessione, a volte sgomenta, ma in ogni caso intima. A fronte dell’incisione integrale, l’aver estratto questi dodici brani in questo esatto ordine, non ha fatto altro che confermare quell’intuizione avuta molto tempo addietro. Raccomando un ascolto di filato per comprendere al meglio quanto scritto sopra.\u003c\/p\u003e\n\u003cp\u003eRachmaninov e io.\u003cbr\u003eSi potrebbe dedicare l’intero libretto solo a questo tema. Semplicemente, per concludere, la sua musica è la mia anima gemella in musica. Ho dedicato gli ultimi quindici anni a studiare e suonare le sue opere. Il suo linguaggio è talmente parte di me che ho inciso un intero disco (\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/within-without-homage-to-rakhmaninov\" target=\"_blank\"\u003eWithin \u0026amp; Without – Homage to Rakhmaninov\u003c\/a\u003e) che raccoglie una serie di mie composizioni originali dedicate al grande maestro. Con questo invece, voglio rendergli di nuovo omaggio suonando la sua di musica, per celebrare il 150simo anniversario della sua nascita.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988494917979,"sku":"CVLD364CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47238348505435,"sku":"CVLD364","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_08d677a6-1df1-4871-baaf-dded2b2b85af.jpg?v=1698076741"},{"product_id":"edoardo-brotto-digital-special-box","title":"EDOARDO BROTTO DIGITAL SPECIAL BOX","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEDOARDO BROTTO DIGITAL SPECIAL BOX\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e(Versione digitale in File HD)\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCon l'uscita del nuovissimo CD di \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdoardo Brotto\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eSergej Rachmaninov - ETUDES-TABLEAUX\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, insieme gli altri due CD già precedentemente pubblicati ( \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWITHIN \u0026amp; WITHOUT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ee \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLANDSCAPES\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e vuole offrirvi l'opportunita unica di poter di ascoltare musica sublime eseguita da un pianista eccezionale, il tutto ad un prezzo davvero speciale.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSergej Rachmaninov - Études Tableaux\u003c\/li\u003e\n\u003cli\u003eWITHIN \u0026amp; WITHOUT - Homage to Rakhmaninov\u003c\/li\u003e\n\u003cli\u003eLANDSCAPES - Classic Piano Solo\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Velut Luna","offers":[{"title":"Default Title","offer_id":47297158742363,"sku":"PROMO1023-88","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/EDOARDOBROTTOSPECIALBOX.png?v=1699606765"},{"product_id":"landscapes-classic-piano-solo-edoardo-brotto","title":"LANDSCAPES Classic Piano Solo - Edoardo Brotto","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eLANDSCAPES Classic Piano Solo \u003c\/b\u003e(CVLD298)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e01 Devil's Dance (May, 2017) 10:40 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e02 The Magical Wood, in the style of Ravel (October, 2017) 6:38 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e03 Fantasia Quasi Sonata, in the style of Rachmaninov and Chopin (December, 2017) 17:19 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e04 Prelude in C (September, 2017) 3:39 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e05 Valse Scherzo, in the style of Chopin (July, 2017) 11:47 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e06 Summer Rain, in the style of Ravel (January, 2018) 6:35 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e07 Game Of Thrones Variations (December, 2017) 13:06 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eTotal Time: 69:45 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Landscapes\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll compositions by Edoardo Brotto Edoardo Brotto plays Steinway \u0026amp; Sons D274 Concert Grand, granted by Zin Padova and tuned by Adriano Zin and Edoardo Brotto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e 88.2kHz\/24bit original recording made at AreaMagister Studios, Preganziol, Italy, on January, 16 and 17, 2018, using Ribera R12 and Sennheiser MKH8020 microphones During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was preserved \"flat\" and not passed through any processing device at any step during production. The original master was monitored and personally approved by M. Edoardo Brotto, due to the perfect match with the original natural sound of the Steinway \u0026amp; Sons Grandpiano played by himself during recording sessions. Mastering Monitor Systems Professional System: dac: North Star Design Supremo pre amplifier: Norma SC-2 Reference triamplified professional speakers: Genelec 1037c + 7070 Top Hi-End System: dac: Wadia Digital 1000 pre amplifier: Jeff Rowland Coherence One power amplifier: Spectral DMA 90 speakers: Sonus Faber Extrema by Franco Serblin \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: VELUT LUNA \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: Edoardo Brotto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, Mix \u0026amp; Mastering Engineer: Marco Lincetto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover Photo: Edoardo Brotto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: Francesca Brotto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cspan\u003eCompositore, pianista e fotografo: tre forme di espressione artistica, elencate in ordine rigorosamente alfabetico, che si riuniscono in una sola persona, ai massimi vertici qualitativi. E sono tre Arti che in Edoardo Brotto sono inevitabilmente interconnesse fra loro: le composizioni musicali sono direttamente collegate alle immagini della natura che lui prima \"percepisce\" e poi cattura con il suo obiettivo fotografico. Sono fonte di ispirazione e la sua musica ne descrive i colori e le forme. Ed infine il pianista traduce queste immagini articolandole in \"suono\". Il pianista vicentino crea le sue composizioni improvvisando direttamente alla tastiera in tempo reale, a volte nello stile di alcuni grandi autori della storia della musica (e già questa è una virtù non indifferente che presuppone in ogni caso una profonda conoscenza della materia) e molto più spesso con una vena creativa originale ed unica. Il fatto è che le composizioni che nascono da queste \"improvvisazioni\" sono pagine di altissimo virtuosismo tecnico, oltreche spessore musicale, nè più nè meno che la musica dei compositori del passato che a volte le hanno in qualche modo ispirate. Parlando della musica nello specifico, posso semplicemente affermare con serenità che ogni brano è caratterizzato da difficoltà musicali e tecniche trascendentali. Si tratta di musica bellissima dove le arduità non sono fini a sè stesse o ad un mero virtuosismo, ma esclusivamente funzionali alla pura struttura musicale dei contenuti e delle vere e proprie immagini, \"fotografate e sviluppate\" dalla sua creatività. E', infine, musica tonale, ovvero comprensibile a tutti, ma per nulla banale: è una musica che si abbevera dei grandi classici, li metabolizza e ne ricava una luce nuova, di continuità, ma rivolta verso il futuro. Nè manieristica, nè irrispettosa, nè tronfia o banale.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000624025947,"sku":"CVLD298CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47299320709467,"sku":"CVLD298","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_166c338b-c591-4f86-a36c-58eaa31c7722.jpg?v=1699637359"},{"product_id":"le-otto-stagioni-vivaldi-piazzolla-stravinsky-chamber-orchestra","title":"LE OTTO STAGIONI | VIVALDI \u0026 PIAZZOLLA - Stravinsky Chamber Orchestra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eLE OTTO STAGIONI | VIVALDI \u0026amp; PIAZZOLLA \u003c\/b\u003e(CVLD027)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"western\" lang=\"en-US\"\u003eStravinsky Chamber Orchestra\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eLa Primavera opVIII n1 - Allegro (Antonio Vivaldi)\u003c\/li\u003e\n\u003cli\u003eLa Primavera opVIII n1 - Largo\u003c\/li\u003e\n\u003cli\u003eLa Primavera opVIII n1 - Danza pastorale, Allegro\u003c\/li\u003e\n\u003cli\u003eL'Estate opVIII n2 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eL'Estate opVIII n2 - Adagio\u003c\/li\u003e\n\u003cli\u003eL'Estate opVIII n2 - Presto\u003c\/li\u003e\n\u003cli\u003eL'Autunno opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eL'Autunno opVIII n3 - Adagio molto\u003c\/li\u003e\n\u003cli\u003eL'Autunno opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eL'Inverno opVIII n4 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eL'Inverno opVIII n4 - Largo\u003c\/li\u003e\n\u003cli\u003eL'Inverno opVIII n4 - Allegro\u003c\/li\u003e\n\u003cli\u003ePrimavera Portena (Astor Piazzolla)\u003c\/li\u003e\n\u003cli\u003eVerano Porteno\u003c\/li\u003e\n\u003cli\u003eOtono Porteno\u003c\/li\u003e\n\u003cli\u003eInvierno Porteno\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStravinsky Chamber Orchestra, Marco Tezza, conductor \u0026amp; Piano solo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Le-Otto-Stagioni\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":47381605155163,"sku":"CVLD027","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/027-cover.jpg?v=1701285064"},{"product_id":"l-uccellaja-mario-folena-roberto-loreggian-francesco-galligioni","title":"L’UCCELLAJA - Mario FOLENA Roberto LOREGGIAN Francesco GALLIGIONI","description":"\u003ch1 lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003eL’UCCELLAJA\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eMusic inspired by the birds singing between the 17th and 18th centuries (CVLD361)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eMario \u003cstrong\u003eFOLENA\u003c\/strong\u003e\u003cspan\u003e, traversiere, flauto d’amore\u003c\/span\u003e\u003cbr\u003eRoberto \u003cstrong\u003eLOREGGIAN\u003c\/strong\u003e\u003cspan\u003e, cembalo\u003c\/span\u003e\u003cbr\u003eFrancesco \u003cstrong\u003eGALLIGIONI\u003c\/strong\u003e, violoncello, viola da gamba\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1. Georg Philipp Telemann (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria “Flieg hin flieg hin” e Minuetto per cembalo e violoncello - 01:39\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2. Louis-Claude Daquin (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Le Coucou” per traversiere1 e cembalo - 02:13\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3. Michel Corrette (1707 - 1795)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Le Coucou” per flauto d’amore in la e basso continuo (vlc e cembalo) 02:06\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e4. Anonimo italiano (XVII sec.)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Capriccio fatto sopra il Cucchù” per cembalo - 04:17\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e5. Antoine Dornel (1691 - 1765)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” per traversiere2 e basso continuo (vla da g. e cembalo) - 03:14\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e6. Louis-Claude Daquin (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” per cembalo - 03:16\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e7. Françoise Philidor (1689 - 1717)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” per traversiere2 e basso continuo (vla da g. e cembalo) - 01:07\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e8. Baldassare Galuppi (1706 - 1785)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eDall’opera “Sirbace“ “Qual colomba afflitta” per traversiere1e basso continuo - 03:33\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e9. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eDalla Cantata RV 659 “Indarno cerca la Tortorella” per flauto d’amore in la b e basso continuo (vlc e cembalo) - 03:41\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e10. Georg Friedrich Händel (1685 - 1759)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eDall’opera Acis e Galateac“As when the dove laments” per traversiere1 e basso continuo (vlc e cembalo) - 03:43\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e11. Johann Heinrich Schmelzer (1623 ca. - 1680)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“La gallina” per traversiere2 e basso continuo (vlc e cembalo) - 02:47\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e12. Alessandro Poglietti (? - 1683)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Il gallo e la gallina” per cembalo - 05:06\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e13. Anonimo del XVIII secolo\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eDa “The Delightful Pocket Companion for the Flute” Londra: Robert Bremnen, senza data “Polonese” per flauto d’amore in la - 03:14\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e14. Jean-Baptiste de Bousset - Jacques Hotteterre (1662 - 1725) (1680 ca - 1761 ca)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria: “Pourquoy, doux rossignol” per traversiere2 e basso continuo (vla da g. e cembalo) - 02:49\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e15. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eDalla Cantata RV 796 “Usignoletto bello” per traversiere1 e basso continuo (vlc e cembalo) - 03:04\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e16. Francesco Bartolomeo Conti (1681 - 1732)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria: “L’augellin trà verdi fronde” per traversiere1 e basso continuo (vlc e cembalo) - 02:54\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e17. Alessandro Speranza (1728 - 1797)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Divertimento per cembalo in cui si esprime una Uccellaja” per cembalo - 04:13\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e18. Joseph Bodin de Boismortier (1689 - 1755)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Ramage” per flauto d’amore in la - 04:03\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e19. Jacques-Christophe Naudot (1690 ca. - 1762)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Chant d’oiseaux” per traversiere1, violoncello e basso continuo - 03:34\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e20. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eCantabile dal concerto op. X n. 6 “Il Gardellino” per traversiere1 e basso continuo (vlc e cembalo) - 03:11\u003c\/div\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTotal Time - 63:55\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe style=\"border-radius: 20px\" border=\"0\" height=\"370px\" src=\"https:\/\/velutluna.lnk.to\/L-uccellaja\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraversiere 1 - Martin Wenner, copia da Carlo Palanca\u003c\/li\u003e\n\u003cli\u003eTraversiere 2 - Federico Xiccato, copia da Chevalier\u003c\/li\u003e\n\u003cli\u003eFlauto d’amore in la - Federico Xiccato, copia da Dejardin\u003c\/li\u003e\n\u003cli\u003eFlauto d’amore in la b - Giovanni Tardino, copia da Giuseppe Panormo\u003c\/li\u003e\n\u003cli\u003eVioloncello - Cremona, fine XVII sec.\u003c\/li\u003e\n\u003cli\u003eViola da gamba - Paolo Biordi, Ortimino, 2018 (da Michel Colichon, Paris, 1691)\u003c\/li\u003e\n\u003cli\u003eCembalo - Florindo Gazzola, copia da Anonimo italiano del XVII sec.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eDigital \/ Analog recording made strictly live-in-studio at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on May 8, 9, 2023 - Analog Mix and mastering made at VL Studio, Naquera, Spain, on May 11, 12, 2023, using Rupert Neve Design Summing Mixing Console, Maselec MLA-2 \/ MEA-2 \/ MPL-2 and Studer A810\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eProduction: Marco Lincetto and Massimo Corvino Consulting\u003c\/li\u003e\n\u003cli\u003eExecutive producer: Marco Lincettoo\u003c\/li\u003e\n\u003cli\u003eMusical producer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eEditing: Matteo Costa\u003c\/li\u003e\n\u003cli\u003ePhoto: Musicians’Archive\u003c\/li\u003e\n\u003cli\u003eCover Graphics and layout: L’Imag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCelebrare la bellezza e l’ispirazione del canto degli uccelli: è l’obiettivo di questa antologia di composizioni del XVII e XVIII secolo dedicate proprio alle voci delle creature alate. Il cd prende il titolo dal Divertimento per cembalo in cui si esprime una Uccellaja di Alessandro Speranza e include 20 brani - selezionati con cura – d’epoca barocca e rococò.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl primo pezzo, pagina finora inedita di G. Ph. Telemann, si apre con due note (re - si) che si ripetono enunciando il richiamo del cuculo. Questo incisivo motto musicale, capace di scolpirsi nella nostra memoria uditiva, introduce le successive tracce, dedicate nell’ordine a: cuculo, rondine, tortore e colombe, galli e galline, usignolo, vari uccelli canori\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ee cardellino.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTra ‘6 e ‘700 nelle suite strumentali francesi (ma anche in quelle tedesche) era frequente incontrare movimenti con un titolo dallo specifico intento programmatico. Da queste suite (composte da Daquin, Corrette, Philidor, Schmelzer, Boismortier e Naudot) sono tratti i brani dedicati al canto degli uccelli. E al canto degli uccelli si sono ispirati anche molti musicisti italiani, come Poglietti e Speranza: di questi autori e di un Anonimo vengono presentate tre pagine di grande potenza espressiva per cembalo solo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL’aria di Galuppi Qual colomba afflitta è giunta a noi solamente in veste strumentale. Fa parte di una ponderosa raccolta di arie d’opera, edite a Londra a metà del ‘700 da John Walsh, selezionate e trascritte per traversiere e basso continuo da Carlo Maria Broschi (1705-1782), il famoso castrato detto “il Farinelli”. All’epoca era ancora pratica comune eseguire le composizioni vocali - come arie d’opera o tratte da cantate, le brunettes francesi o le canzoni da battello - in semplice veste strumentale, come avveniva in epoca rinascimentale: una radicata prassi tradizionale con la quale si è pensato di eseguire anche le arie Usignoletto bello di Vivaldi e L’augellin trà verdi fronde di Conti. Il brano di Händel As when the dove laments appartiene invece ad una raccolta di trascrizioni per traversiere e cembalo, edita sempre da J. Walsh a Londra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNell’ambito di questa libera forma esecutiva si colloca anche l’aria Porquoy doux rossignol del compositore Jean-Baptiste de Bousset (1662 - 1725), brano molto popolare alla corte del Re Sole. Si tratta di una magnifica aria che Jacques Hotteterre trascrisse per traversiere e basso continuo, contribuendone alla fama e alla diffusione.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Delightful Pocket Companion for the flute, da cui è tratta la Polonese di autore ignoto qui eseguita sul flauto d’amore, è un vademecum tascabile in più volumetti edito a Londra - senza data - da Robert Bremnen. Al suo interno sono raccolti centinaia di brani originali e trascritti destinati ai numerosi flautisti dilettanti, sempre più avidi di repertorio per il loro strumento. Il tema di questa Polonese, movimento di danza polacca in tre quarti, è il chiocciare della gallina, tanto che con un gioco di parole potrebbe essere rinominata Pollonese.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl CD si conclude con il celebre Cantabile dal concerto Op. X n. 6 “Il Gardellino” di Antonio Vivaldi, la cui melodia pura e lineare viene in questo cd fiorita, durante i ritornelli, nello stesso spirito capriccioso del brano di Alessandro Speranza: e così, oltre al tipico richiamo arpeggiante del cardellino, si può ascoltare l’imitazione di una miriade di uccelli cinguettanti, tributo alla grandezza della Natura, con un tripudio di note e suoni che ha l’intento di trasportarci in un mondo di emozioni e bellezza.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMario Folena\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988463690075,"sku":"CVLD361CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47464153743707,"sku":"CVLD361","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD361-cover.jpg?v=1702924525"},{"product_id":"mozart-quartetti-con-il-flauto-e-loboe-mozart","title":"MOZART QUARTETTI CON IL FLAUTO E L'OBOE - Mozart","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMOZART QUARTETTI CON IL FLAUTO E L'OBOE \u003c\/strong\u003e(CVLD143)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003cspan id=\"autore\"\u003eW.A. MOZART\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003cspan id=\"esecutore\"\u003eE. CAROLI, L. CAROLI, G. GUGLIELMO, M. SGUOTTI, G. PEGORARO\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Flute Quartet in D Major, K. 285: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Flute Quartet in D Major, K. 285: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Flute Quartet in D Major, K. 285: III. Rondeau\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Flute Quartet in G Major, K. 285a: I. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Flute Quartet in G Major, K. 285a: II. Tempo di minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Flute Quartet in C Major, K. 285b: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Flute Quartet in C Major, K. 285b: II. Tema con variazioni. Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Flute Quartet in A Major, K. 298: I. Tema con variazioni. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Flute Quartet in A Major, K. 298: II. Minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Flute Quartet in A Major, K. 298: III. Rondeau. Allegretto grazioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Oboe Quartet in F Major, K. 370: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Oboe Quartet in F Major, K. 370: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Oboe Quartet in F Major, K. 370: III. Rondeau\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Mozart-Quartetti-con-flauto-e-oboe\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eOriginal compositions by W. A. Mozart. 24\/88.2 kHz digital recording made live in studio at Chiesa dei SS. Filippo e Giacomo, Vicenza (Italy) on May 2006 Enzo Caroli, flute; Livio Caroli,oboe; Giovanni Guglielmo,violin; Michele Sguotti, viola; Giordano Pegoraro, cello.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDue solisti di indiscusso livello internazionale, quali i fratelli Enzo e Livio Caroli, rispettivamente al flauto e all'oboe, rendono omaggio a Mozart nella proposta dell'integrale dei quartetti per flauto e oboe con trio ad archi. Ad affiancarli nell'opera il grande violinista Gianni Guglielmo ed i valenti Michele Sguotti alla viola e Giordano Pegoraro al violoncello. L'esecuzione si distingue per grande brillantezza ed autorevolezza, proponendosi come un nuovo riferimento discografico per questo repertorio. Ad aiutare senz'altro una registrazione di particolare pregio realizzata da Marco Lincetto, un'antica Chiesa del centro storico di Vicenza, caratterizzata da acustica morbida e calda, particolarmente adatta al repertorio.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50027919606107,"sku":"CVLD143CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 44.1kHz · 16bit","offer_id":47497153380699,"sku":"CVLD143","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a1c8a7a1-d7c1-49f4-bccb-efe9c7a32d0e.jpg?v=1703928978"},{"product_id":"schubert-beethoven-orchestra-darchi-italiana","title":"SCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA  \u003c\/b\u003e(CVLD050)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eBeethoven: Quartet \"Serioso\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eShubert: Quartet \"Der Tod und das Madchen\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eTracce\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e01 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Allegro\u003cbr\u003e02 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Andante con moto\u003cbr\u003e03 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen, Scherzo-Allegro molto\u003cbr\u003e04 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Presto\u003cbr\u003e05 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro con brio\u003cbr\u003e06 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegretto, ma non troppo\u003cbr\u003e07 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro assai vivace, ma serioso\u003cbr\u003e08 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Larghetto espressivo, Allegretto agitato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Beethoven-Quartet-Serioso-Schubert-Quartet-Der-Tod-und-das-Madchen\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Franz Schubert, Ludwig van Beethoven Orchestra d'Archi Italiana \/ Franco Rossi, conductor 24Bit \/ 96 kHz Digital Recording. 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Mariae Virginis)\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisponibile in formato \u003cstrong\u003eCD \u003c\/strong\u003econ scaricabile da subito il file\u003cstrong\u003e MP3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlberto Gaspardo, organ\u003cbr\u003eCristina Mosca, soprano\u003cbr\u003eClaudio Rado | Mauro Spinazzè, violin\u003cbr\u003eMauro Zavagno, violone\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRimaste sottoforma di manoscritto per secoli, le Sonate proposte in questo disco, sono un’autentica rappresentazione del multiforme universo musicale conosciuto da Pavona, un mondo il cui gusto sonatistico oscillava tra la ‘vecchia’ sonata scarlattiana, monotematica e bipartita, cara ai maestri veneziani, e la ‘nuova’ forma-sonata a due temi, già molto in voga soprattutto in area austriaca.\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47667254952283,"sku":"LDV14105-CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14105-cover-sito.jpg?v=1707508496"},{"product_id":"martini-pro-defunctis-psalms-and-mass","title":"MARTINI: PRO DEFUNCTIS Psalms and Mass","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMARTINI: PRO DEFUNCTIS Psalms and Mass \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14109\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGIOVANNI BATTISTA MARTINI (1706 – 1784)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDe Profundis*\u003c\/li\u003e\n\u003cli\u003eDilexi, quoniam\u003c\/li\u003e\n\u003cli\u003eLevani oculos meos\u003c\/li\u003e\n\u003cli\u003eAd Dominum\u003c\/li\u003e\n\u003cli\u003eDomine, ne in furore tuo\u003c\/li\u003e\n\u003cli\u003eMissa Pro Defunctis\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Martini-Prodefunctis-Psalms-Mass\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEnsemble vocale e strumentale bolognese “San Pietro”\u003c\/p\u003e\n\u003cp\u003eAlice Fraccari, soprano – Angela Troilo, alto\u003cbr\u003ePaolo Davolio, tenor\u003cbr\u003eGiacomo Contro | Mauro Borgioni*, baritones\u003cbr\u003eRiccardo Manuel Vartolo | Matteo Anderlini, violins\u003cbr\u003eLaura Cacciatori, viola – Anna Camporini, cello\u003cbr\u003eFrancesco Maria Cataldo, violone\u003c\/p\u003e\n\u003cp\u003eMarcello Rossi Corradini, organ and conductor\u003c\/p\u003e\n\u003cp\u003eWorld première recording\u003c\/p\u003e\n\u003cp\u003eIl catalogo delle composizioni vocali sacre di Padre Martini è spropositato. Dalla biblioteca del Museo Internazionale della Musica di Bologna e dall’Archivio Diocesano Arcivescovile della Cattedrale di San Pietro di Bologna l’ensemble “San Pietro” ha ricostruito una delle liturgie più sentite per l’anno liturgico cattolico: il rito dei defunti, che qui propone in una accurata selezione. A coronare questo lavoro un salmo estraneo (ma non lontano) all’Ufficio dei Defunti: il De Profundis per Baritono solo, ripieno a 4 voci e archi che rappresenta l’apice della capacità e complessità compositiva di Martini, sia nella musica strumentale che corale che solistica.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47710871617883,"sku":"LDV14109","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14109-cover-sito.jpg?v=1708533468"},{"product_id":"siprutini-cello-sonatas-op-vi-vii","title":"SIPRUTINI: CELLO SONATAS OP. 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Di famiglia ebraica, nato forse in Olanda e giunto in Inghilterra a seguito del “Jewish naturalization act” stabilito nel 1753 da re Giorgio II d’Inghilterra, si stabilì a Londra come commerciante di vini, concertista e insegnante di violoncello ed ebbe fra i suoi allievi John Crosdill, il più celebre violoncellista inglese del Settecento. Leopold Mozart incontrò Siprutini nel 1764, durante il suo soggiorno in Inghilterra col prodigioso figlio ancora bambino. Colpito dal suo talento di violoncellista, tentò di convincerlo a convertirsi al Cattolicesimo, ma Emanuel rimase serenamente ebreo. Tra il 1756 e il 1775 fece pubblicare quattro libri di sonate per il violoncello che certamente i Mozart possedettero, come vien da pensare ritrovandone tracce e frammenti d’idee nelle più belle opere di Wolfgang\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47718284099931,"sku":"LDV14108","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14108-cover-sito.jpg?v=1708625243"},{"product_id":"antonio-caldara-gloria","title":"ANTONIO CALDARA: GLORIA","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eANTONIO CALDARA: GLORIA \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14107\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAntonio Caldara (1670-1736)\u003c\/p\u003e\n\u003cp\u003eGLORIA a 8 voci per soli, coro e orchestra\u003c\/p\u003e\n\u003cp\u003eCristina Fanelli, soprano\u003cbr\u003eLeo Zappitelli, tenore\u003cbr\u003eAlessandro Ravasio, basso\u003c\/p\u003e\n\u003cp\u003eOttorino Respighi (1879-1936)\u003c\/p\u003e\n\u003cp\u003eLAUDA PER LA NATIVITà DEL SIGNORE*\u003cbr\u003eCantata sacra pastorale per soli, coro, 2 flauti, oboe corno inglese, 2 fagotti, triangolo e pianoforte a 4 mani\u003c\/p\u003e\n\u003cp\u003eMaria Eleonora Caminada (Angelo)\u003cbr\u003eBlagoj Nacoski (Pastore)\u003cbr\u003eIlaria Molinari (Maria)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/BERNARDO-PASQUINI-HARPSICHORD-MUSIC\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eINTENDE VOCI ENSEMBLE\u003c\/p\u003e\n\u003cp\u003eEddi De Nadai | Marta Ceretta, pianoforte a 4 mani\u003c\/p\u003e\n\u003cp\u003eORCHESTRA DA CAMERA CANOVA\u003c\/p\u003e\n\u003cp\u003eMirko Guadagnini, maestro concertatore\u003c\/p\u003e\n\u003cp\u003e1 CD\u003c\/p\u003e\n\u003cp\u003eUn omaggio al barocco italiano, ad Antonio Caldara e al suo Gloria a 8 voci trascritto, eseguito e registrato in PRIMA MONDIALE, un capolavoro di pomposa sacralità veneziana a cui si è voluta accostare la meravigliosa Lauda di Ottorino Respighi. Due secoli dopo, il compositore bolognese dona un perfetto esempio di riscrittura di musica medioevale, rinascimentale e barocca insieme. Un modo per tornare a ribadire il forte legame tra barocco e Novecento, fonte sempre di grande ispirazione.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47724269633883,"sku":"LDV14107","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14107-cover-sito.jpg?v=1708709870"},{"product_id":"tchaikovsky-violin-concerto-op-35-meditation-op-42-giovanni-angeleri-orchestra-delle-venezie","title":"Tchaikovsky: Violin Concerto, Op. 35, Méditation, Op. 42 - GIOVANNI ANGELERI ORCHESTRA DELLE VENEZIE","description":"\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003ePëtr Il'ič Čajkovskij \u003c\/span\u003e\u003c\/b\u003e(CVLD241)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eDisponibile in: File HD, SACD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eViolin Concerto, Op. 35\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e Méditation, Op. 42\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1. 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Meditation, op42 n1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Tchaikovsky-Violi-Concerto-Meditation\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl concerto di Tchaikovsky per violino e orchestra op.35 è senza dubbio uno dei più celebri concerti per violino e orchestra mai composti in tutta la storia della musica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuesta edizione Velut Luna vede protagonista assoluto Giovanni Angeleri, celeberrimo virtuoso, già vincitore, fra gli altri, dell'importantissimo Concorso Paganini di Genova.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn questo caso Angeleri è anche direttore, sul podio della prestigiosa Orchestra delle Venezie, che ha saputo plasmare in una interpretazione sorprendente e che riesce a mettere in luce ancora nuove sfumature di questa partitura tanto affascinante, quanto assolutamente immortale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompleta il progetto l'interessante Méditation per violino e orchestra, che deriva direttamente dalla prima stesura dell'Andante del Concerto, nella versione per violino e pianoforte, poi sostituito dalla seconda stesura - la canzonetta.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn questo disco Giovanni Angeleri presenta una sua revisione, che si attiene fedelmente al testo pianistico originario di Tchaikovsky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePCM 24\/88.2 digital recording\u003cbr\u003ePadova, Italy on July, 5th, 6th, 7th, 2011.\u003cbr\u003eProduction: Fondazione Musicale Masiero Centanini\u003cbr\u003eExecutive producer: Marco Lincetto for Velut Luna\u003cbr\u003eMusical production: Fondazione Musicale Masiero Centanini\u003cbr\u003eRecording engineer: Marco Lincetto\u003cbr\u003eMix \u0026amp;amp; mastering engineers: Marco Lincetto\u003cbr\u003eCover photo: Ilenco Tracmot\u003cbr\u003eLayout: L’Image\u003cbr\u003eMarketing \u0026amp;amp; Sales Manager: Patrizia Pagiaro\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50009852477787,"sku":"CVLD241CD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47734705553755,"sku":"CVLD241","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/241-cover.jpg?v=1708953732"},{"product_id":"bernardo-pasquini-harpsichord-music","title":"BERNARDO PASQUINI: HARPSICHORD MUSIC","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eBERNARDO PASQUINI: HARPSICHORD MUSIC \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14106\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBERNARDO PASQUINI (1637 – 1710)\u003c\/p\u003e\n\u003cp\u003eHARPSICHORD MUSIC\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eToccata Ottava\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePartite diverse di Follia\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRicercare in D. sol re\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVariazioni. 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Bernardo Pasquini in Roma, o chi almeno l’avrà inteso, o veduto sonare, avrà potuto conoscere la più vera, bella e nobile, maniera di sonare e di accompagnare; e con questo modo così pieno avrà sentita dal suo Cimbalo una perfezzione di Armonia maravigliosa ».\u003c\/p\u003e\n\u003cp\u003e(Francesco Gasparini, L’armonico pratico al cimbalo, Venezia,1708)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/lnk.to\/Pasquini\" height=\"245\" border=\"0\" scrolling=\"no\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47874072052059,"sku":"LDV14106","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14106-cover-sito.jpg?v=1711043922"},{"product_id":"sinfonie-milanesi-after-the-french-revolution","title":"SINFONIE MILANESI AFTER THE FRENCH REVOLUTION","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eSINFONIE MILANESI AFTER THE FRENCH REVOLUTION \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14104\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBONIFAZIO ASIOLI (1769-1832)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in F minor\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSymphony “Azione teatrale campestre” in G Major\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGIUSEPPE GAZZANIGA (1743-1818)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in D Major\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eALESSANDRO ROLLA (1757-1841)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in D Major, BI 533\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSymphony in E minor, BI 537\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGIUSEPPE NICOLINI (1762-1842)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in B-flat Major\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSTEFANO PAVESI (1779-1850)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eSymphony in B-flat Major\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/SINFONIE-MILANESI-AFTER-THE-FRENCH-REVOLUTION\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAtalanta Fugiens Orchestra\u003c\/p\u003e\n\u003cp\u003eVanni Moretto, conductor\u003c\/p\u003e\n\u003cp\u003eNel compilare il presente CD abbiamo voluto scegliere le opere più rappresentative delle diverse tendenze stilistiche che animavano il sinfonismo lombardo durante gli anni dell’occupazione francese. Questo vorrebbe essere un grande affresco che, senza alcuna pretesa di esaustività, aiuti l’ascoltatore a farsi un idea della musica che si ascoltava nei teatri, nelle chiese, nelle istituzioni scolastiche e nelle feste della Milano dei primi anni dell’ottocento\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47874149810523,"sku":"LDV14104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14104-cover-sito.jpg?v=1711045078"},{"product_id":"duo-trumpet-piano-in-the-20th-century","title":"DUO: TRUMPET \u0026 PIANO IN THE 20th CENTURY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eDUO: TRUMPET \u0026amp; PIANO IN THE 20th CENTURY \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14102\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDUO: TRUMPET \u0026amp; PIANO IN THE 20th CENTURY\u003c\/p\u003e\n\u003cp\u003eGEORGE ENESCU:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLégende\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1906)\u003c\/p\u003e\n\u003cp\u003ePAUL HINDEMITH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1939)\u003c\/p\u003e\n\u003cp\u003eJEAN FRANCAIX:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonatine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1950)\u003c\/p\u003e\n\u003cp\u003eARTHUR HONEGGER:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIntrada\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1947)\u003c\/p\u003e\n\u003cp\u003eHENRI TOMASI:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTriptyque\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1957)\u003c\/p\u003e\n\u003cp\u003eEUGÈNE BOZZA:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCaprice, Op. 47\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1943)\u003c\/p\u003e\n\u003cp\u003eLEONARD BERNSTEIN:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRondo for Lifey\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1948)\u003c\/p\u003e\n\u003cp\u003eSAMMY NESTICO:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePortrait of a Trumpet\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1965)\u003c\/p\u003e\n\u003cp\u003eHOAGY CHARMICHAEL:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Nearness of You\u003c\/em\u003e (1938) Arr. ANTON GIULIO PRIOLO\u003c\/p\u003e\n\u003cp\u003eQuesto cd è dedicato ad alcuni dei più significativi brani per tromba e pianoforte, una formazione che nasce, letteralmente, all’inizio del secolo scorso. Nessun compositore Ottocentesco di primo piano ci ha lasciato brani cameristici, men che mai in duo, che prevedono l’uso solistico della tromba; e vale forse la pena di interrogarsi brevemente sulle ragioni dell’assenza pressoché totale dello strumento dal repertorio. Con questa pubblicazione cercheremo di individuarne le motivazioni e di scoprire alcuni dei brani più suggestivi ad esso dedicati.\u003c\/p\u003e\n\u003cp\u003eANDREA LUCCHI, trumpet\u003cbr\u003eSOFIA ADINOLFI, piano\u003c\/p\u003e\n\u003cp\u003e1 CD\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/lnk.to\/DuoTrumpetandpiano\" height=\"245\" border=\"0\" scrolling=\"no\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe title=\"YouTube video player\" height=\"315\" width=\"560\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1b82df205c8242abab46be194947c12d.mp4\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Urania 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1\u003c\/em\u003e\u003cbr\u003e“Winter dreams”** rec.: Moscow, 1947\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique\u003c\/em\u003e”* rec.: Moscow, 1947\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMarche slave, Op. 31\u003c\/em\u003e\u003cbr\u003erec.: Moscow, 1944\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1812 “Ouverture solennelle” Op. 49\u003c\/em\u003e\u003cbr\u003erec.: Moscow, 1948\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiano Concerto No. 1\u003c\/em\u003e\u003cbr\u003ein B flat major, Op. 23\u003cbr\u003erec.: Moscow, 1946\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/TCHAIKOVSKY-ORCHESTRAL-WORKS-GOLOVANOV\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEmil Gilels, piano\u003cbr\u003eMoscow Radio Symphony Orchestra\u003cbr\u003eNikolaj Golovanov, conductor\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMONO ADD\u003c\/p\u003e\n\u003cp\u003e2 CD\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875527606619,"sku":"WS 121.415","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/415-cover-sito.jpg?v=1711072011"},{"product_id":"leinsdorf-conducts-mahler-wagner","title":"LEINSDORF CONDUCTS MAHLER \u0026 WAGNER","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eLEINSDORF CONDUCTS MAHLER \u0026amp; WAGNER \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eWS 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