{"title":"Minneapolis Symphony Orchestra","description":null,"products":[{"product_id":"dorati-conducts-tchaikovsky-orchestral-works","title":"Dorati Conducts Tchaikovsky: Orchestral Works","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eDorati Conducts Tchaikovsky: Orchestral Works (\u003cspan\u003eCS509\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e Conductor: \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eAntal Dorati\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e:  \u003c\/span\u003e\u003c\/span\u003ePyotr Ilijc Tchaikovsky\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra\u003c\/strong\u003e: Minneapolis Symphony Orchestra 1959* - London Symphony Orchestra 1959**\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eTracce\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e01 - Francesca da Rimini, Op. 32, TH 46 (22:51)*\u003cbr\u003e02 - Marche slave, Op. 31, TH 45 (10:30)**\u003cbr\u003e03 - Eugene Onegin, Op. 24, TH 5: Waltz (5:47)**\u003cbr\u003e04 - Eugene Onegin, Op. 24, TH 5: Polonaise (4:38)**\u003cbr\u003e05 - Romeo and Juliet, TH 42: Overture (18:42)**\u003cbr\u003e06 - 1812 Overture, Op. 49, TH 49 (14:44)*\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Dorati-Conducts-Tchaikovsky-Orchestral-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eNote\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eImmergiti nell'universo musicale di Tchaikovsky con questa eccezionale raccolta, diretta dal leggendario Antal Doráti. L'album presenta alcune delle sue opere orchestrali più amate, tra cui la drammatica \"Francesca da Rimini\", la vibrante \"Marche slave\" e l'iconica \"1812 Overture\". Con esecuzioni magistrali della Minneapolis Symphony Orchestra e della London Symphony Orchestra, questo disco è un must-have per gli appassionati di musica classica e per chi desidera scoprire la potenza e la passione del grande compositore russo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; left: 118px; top: 31.5938px;\" id=\"gtx-trans\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51001492373851,"sku":"cs-509-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/copertinacbh_58c1e94c-1e89-4967-a03b-362dfa53513d.png?v=1752848339"},{"product_id":"great-recordings-1","title":"Doráti: Brahms — Le quattro Sinfonie","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e dirige le \u003cstrong\u003equattro Sinfonie di Johannes Brahms\u003c\/strong\u003e in un ciclo storico che riunisce la \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e e la \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eIl ciclo sinfonico di Brahms\u003c\/h2\u003e\u003cp\u003eLa \u003cstrong\u003eSinfonia n. 1\u003c\/strong\u003e con la London Symphony Orchestra è documentata a \u003cstrong\u003eWatford Town Hall il 18 giugno 1959\u003c\/strong\u003e; la \u003cstrong\u003eSinfonia n. 2\u003c\/strong\u003e con la Minneapolis Symphony Orchestra al \u003cstrong\u003eNorthrop Auditorium il 12 dicembre 1957\u003c\/strong\u003e. Le Sinfonie n. 3 e n. 4 furono realizzate nuovamente a Watford nelle sessioni Mercury del luglio 1963: \u003cstrong\u003e13–16 luglio\u003c\/strong\u003e per la Terza e \u003cstrong\u003e11–13 luglio\u003c\/strong\u003e per la Quarta.\u003c\/p\u003e\u003cp\u003eIl ciclo permette di seguire Doráti attraverso l’intero arco sinfonico brahmsiano, dalla tensione monumentale della Prima alla sintesi formale e contrappuntistica della Quarta, con due orchestre centrali nella sua discografia.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e prime pubblicazioni\u003c\/h2\u003e\u003cp\u003eIl ciclo nasce nel catalogo \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e. Per la Prima Sinfonia la discografia della London Symphony documenta \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e come producer e \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e come engineer; la registrazione fu pubblicata negli Stati Uniti nel \u003cstrong\u003edicembre 1960\u003c\/strong\u003e come \u003cstrong\u003eMercury SR 90268\u003c\/strong\u003e. Le Sinfonie n. 3 e n. 4, registrate a Watford nel 1963 con lo stesso producer e engineer, arrivarono su LP Mercury soltanto nel \u003cstrong\u003enovembre 1968\u003c\/strong\u003e, rispettivamente come \u003cstrong\u003eSR 90502\u003c\/strong\u003e e \u003cstrong\u003eSR 90503\u003c\/strong\u003e. La Seconda, con la Minneapolis Symphony, appartiene invece alla precedente fase americana del ciclo, registrata nel 1957.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eL’edizione è suddivisa in due download: \u003cstrong\u003eCD 1\u003c\/strong\u003e con le Sinfonie n. 1 e n. 3; \u003cstrong\u003eCD 2\u003c\/strong\u003e con le Sinfonie n. 2 e n. 4. Entrambi sono disponibili come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracce\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto — Allegro\u003cbr\u003e02 — II. Andante sostenuto\u003cbr\u003e03 — III. Un poco allegretto e grazioso\u003cbr\u003e04 — IV. Adagio — Allegro non troppo, ma con brio\u003cbr\u003e05 — Symphony No. 3 in F Major, Op. 90: I. Allegro con brio\u003cbr\u003e06 — II. Andante\u003cbr\u003e07 — III. Poco allegretto\u003cbr\u003e08 — IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo\u003cbr\u003e02 — II. Adagio non troppo\u003cbr\u003e03 — III. Allegretto grazioso (quasi Andantino)\u003cbr\u003e04 — IV. Allegro con spirito\u003cbr\u003e05 — Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo\u003cbr\u003e06 — II. Andante moderato\u003cbr\u003e07 — III. Allegro giocoso\u003cbr\u003e08 — IV. Allegro energico e passionato\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Johannes Brahms\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra — Sinfonie n. 1, n. 3 e n. 4\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Minneapolis Symphony Orchestra — Sinfonia n. 2\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS621\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 — File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195544600923,"sku":"CS621-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 — File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195554431323,"sku":"CS621-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-brahms-quattro-sinfonie-capsa-symphonia-CS621-cover.png?v=1788252309"},{"product_id":"great-recordings-3","title":"Doráti: Beethoven — Sinfonia n. 3 “Eroica”, Wellington’s Victory \u0026 Egmont","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e affronta tre pagine di \u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e con tre complessi differenti: la \u003cstrong\u003eSinfonia n. 3 in mi bemolle maggiore, Op. 55 “Eroica”\u003c\/strong\u003e con la \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e, \u003cstrong\u003eWellington’s Victory, Op. 91\u003c\/strong\u003e con la \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e e l’\u003cstrong\u003eOuverture Egmont, Op. 84\u003c\/strong\u003e con la \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTre prospettive beethoveniane\u003c\/h2\u003e\u003cp\u003eIl programma mette a confronto tre aspetti molto diversi della scrittura di Beethoven: l’ampiezza formale dell’\u003cem\u003eEroica\u003c\/em\u003e, il carattere descrittivo di \u003cem\u003eWellington’s Victory\u003c\/em\u003e e la concentrazione drammatica dell’ouverture \u003cem\u003eEgmont\u003c\/em\u003e.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eEdizione digitale disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracce\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 3 in E-flat Major, Op. 55 “Eroica”: I. Allegro con brio\u003cbr\u003e02 — II. Marcia funebre. Adagio assai\u003cbr\u003e03 — III. Scherzo. Allegro vivace\u003cbr\u003e04 — IV. Finale. Allegro molto\u003cbr\u003e05 — Wellington’s Victory, Op. 91\u003cbr\u003e06 — Egmont, Op. 84: Overture\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Sinfonia n. 3):\u003c\/strong\u003e Royal Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eOrchestra (Wellington’s Victory):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eOrchestra (Egmont):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS623\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195599323483,"sku":"CS623-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-beethoven-eroica-wellington-egmont-capsa-symphonia-CS623-cover.png?v=1788252309"},{"product_id":"great-recordings-4","title":"Doráti: Tchaikovsky — Sinfonia n. 1 “Sogni d’inverno” \u0026 Capriccio italien","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e dirige \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e in due registrazioni con compagini differenti: la \u003cstrong\u003eSinfonia n. 1 in sol minore, Op. 13 “Sogni d’inverno”\u003c\/strong\u003e con la \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e e il \u003cstrong\u003eCapriccio italien, Op. 45\u003c\/strong\u003e con la \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eLa Prima Sinfonia di Tchaikovsky con Doráti\u003c\/h2\u003e\u003cp\u003eLa registrazione della Sinfonia n. 1 è documentata a \u003cstrong\u003eWatford Town Hall il 27 luglio 1965\u003c\/strong\u003e. Doráti mette in evidenza la struttura già fortemente personale della prima prova sinfonica di Tchaikovsky.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e prima pubblicazione\u003c\/h2\u003e\u003cp\u003eLa Sinfonia n. 1 appartiene al catalogo storico \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e. Le sessioni delle prime tre sinfonie di Tchaikovsky furono prodotte da \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e e registrate da \u003cstrong\u003eRobert Eberenz\u003c\/strong\u003e a Watford nel luglio 1965; il ciclo apparve negli Stati Uniti nel settembre dello stesso anno nel cofanetto stereofonico \u003cstrong\u003eMercury SR2-9015\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eEdizione digitale disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracce\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 1 in G Minor, Op. 13 “Winter Daydreams”: I. Dreams of a Winter Journey. Allegro tranquillo\u003cbr\u003e02 — II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto\u003cbr\u003e03 — III. Scherzo. Allegro scherzando giocoso\u003cbr\u003e04 — IV. Finale. Andante lugubre — Allegro maestoso\u003cbr\u003e05 — Capriccio italien, Op. 45\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Sinfonia n. 1):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRegistrazione:\u003c\/strong\u003e Watford Town Hall, 27 luglio 1965\u003cbr\u003e\u003cstrong\u003eOrchestra (Capriccio italien):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS624\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195662664027,"sku":"CS624-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-tchaikovsky-sinfonia-1-capriccio-italien-capsa-symphonia-CS624-cover.png?v=1788252309"},{"product_id":"great-recordings-5","title":"Doráti: Rimsky-Korsakov \u0026 Borodin — Scheherazade \u0026 Danze polovtsiane","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e dirige due celebri pagine del repertorio russo in registrazioni storiche provenienti da sessioni differenti: \u003cstrong\u003eScheherazade, Op. 35\u003c\/strong\u003e di Nikolai Rimsky-Korsakov con la \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e e le \u003cstrong\u003eDanze polovtsiane\u003c\/strong\u003e dal \u003cem\u003ePrincipe Igor\u003c\/em\u003e di Alexander Borodin con la \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e e il \u003cstrong\u003eLondon Symphony Chorus\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eScheherazade e le Danze polovtsiane\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eScheherazade\u003c\/em\u003e fu registrata al \u003cstrong\u003eNorthrop Auditorium di Minneapolis il 22 dicembre 1958\u003c\/strong\u003e, con \u003cstrong\u003eRafael Druian\u003c\/strong\u003e al violino solista. Le \u003cem\u003eDanze polovtsiane\u003c\/em\u003e appartengono alle sessioni londinesi Mercury del \u003cstrong\u003e4 luglio 1956\u003c\/strong\u003e a \u003cstrong\u003eWalthamstow Town Hall\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e prime pubblicazioni\u003c\/h2\u003e\u003cp\u003eEntrambe le registrazioni appartengono al catalogo storico \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e. La nuova incisione stereofonica di \u003cem\u003eScheherazade\u003c\/em\u003e fu pubblicata negli Stati Uniti nel \u003cstrong\u003e1959\u003c\/strong\u003e come \u003cstrong\u003eMercury SR 90195\u003c\/strong\u003e. Le \u003cem\u003eDanze polovtsiane\u003c\/em\u003e del 1956 comparvero inizialmente sull’edizione mono \u003cstrong\u003eMG 50122\u003c\/strong\u003e e successivamente sulla stereo \u003cstrong\u003eSR 90122\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eNastri e tecnica Mercury\u003c\/h2\u003e\u003cp\u003eLe sessioni appartengono alla fase della ripresa stereofonica Mercury a \u003cstrong\u003etre microfoni e tre canali\u003c\/strong\u003e, registrati su \u003cstrong\u003enastro analogico da mezzo pollice a tre tracce\u003c\/strong\u003e, con mix 3→2 realizzato in mastering. Per le Danze del 1956 sono documentati \u003cstrong\u003eAlan Melville\u003c\/strong\u003e come producer e \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e come engineer; per \u003cem\u003eScheherazade\u003c\/em\u003e la prima stampa accredita il team Mercury guidato da \u003cstrong\u003eWilma Cozart\u003c\/strong\u003e e C. Robert Fine.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eEdizione digitale disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracce\u003c\/h2\u003e\u003cp\u003e01 — Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad’s Ship\u003cbr\u003e02 — II. The Story of the Kalendar Prince\u003cbr\u003e03 — III. The Young Prince and the Young Princess\u003cbr\u003e04 — IV. Festival at Baghdad — The Sea — Shipwreck\u003cbr\u003e05 — Borodin: Prince Igor — Polovtsian Dances\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCompositori:\u003c\/strong\u003e Nikolai Rimsky-Korsakov; Alexander Borodin\u003cbr\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Scheherazade):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eViolino solista:\u003c\/strong\u003e Rafael Druian\u003cbr\u003e\u003cstrong\u003eOrchestra (Danze polovtsiane):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eCoro:\u003c\/strong\u003e London Symphony Chorus\u003cbr\u003e\u003cstrong\u003eFormato:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCodice:\u003c\/strong\u003e CS625\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195709030747,"sku":"CS625","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-rimsky-korsakov-borodin-scheherazade-danze-polovtsiane-capsa-symphonia-CS625-cover.png?v=1788252309"}],"url":"https:\/\/www.referencemusicstore.com\/it\/collections\/minneapolis-symphony-orchestra.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}