{"title":"Jazz","description":"","products":[{"product_id":"nuvole-di-carta-paola-casula","title":"Nuvole di Carta - Paola Casula","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eNuvole di Carta \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD356) REMASTERED 88.2kHz · 24bit\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD139) ORIGINAL 48kHz · 24bit\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ePaola Casula,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e voce\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e1 - Nuvole di carta (M. Strano - A. Magliarditi) 4:22\u003cbr\u003e2 - Both sides now (J. Mitchell) 4:11\u003cbr\u003e3 - If you go before me (T. T. D’Arby) 4:19\u003cbr\u003e4 - Another day (F. McComb - B. Marsalis - B. Gable) 4:49\u003cbr\u003e5 - The way we were (M. Hamlish - Bergman) 5:54\u003cbr\u003e6 - Stasera che sera (Stellita - Cassano - Marrale) 4:18\u003cbr\u003e7 - Ordinary people (J. Stephens - W. Adams) 5:13\u003cbr\u003e8 - I can’t make you love me (M. Reid - A. Shamblin) 5:12\u003cbr\u003e9 - My favorite thing (Hammerstein - Rodgers) 4:15\u003cbr\u003e10 - Tears (M. Strano - P. Casula) 5:11\u003cbr\u003e11 - Ticket to ride (J. Lennon - P. McCartney) 4:00\u003cbr\u003e12 - Tra i ricordi e i perchè (M. Strano - A. Magliarditi) 3:15\u003cbr\u003e13 - Caro mio ben (G. Giordani “Giordanello”) 4:45\u003cbr\u003e14 - My funny Valentine (R. Rodgers - L. Hart) 5:21\u003cbr\u003e15 - Non più noi (M. Strano - A. Magliarditi) 4:13\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Nuvole-di-carta\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eAll arrangements by Marco Strano\u003cbr\u003eMusicisti\u003cbr\u003eAlessandro Mozzi - grandpiano \u0026amp; Fender Rhodes\u003cbr\u003eMarco Strano - tenor \u0026amp; soprano sax - flute\u003cbr\u003eGastone Scarzanella - electric bass\u003cbr\u003ePaolo Vidaich - percussions \u0026amp; drum machine\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eJAZZ. Alessandro Mozzi, grandpiano Borgato, Fender Rhodes, Marco Strano, tenor sax, soprano sax, flute, Gastone Scarzanella, electric bass, Paolo Vidaich, percussions, drum machine. ANALOG RECORDING. Made at Magister Studio, Preganziol, Treviso Italy, on March, 18,19 - 2006. VLHD HIGH DEFINTION MASTERING\u003cbr\u003e\u003cbr\u003eLa straordinaria voce soul di Paola Casula si mette al servizio dei nuovi minimali arrangiamenti di Marco Strano, una carrellata di 15 brani divisi fra celebri standard e brani originali di sua composizione (My Funny Valentine, Another Day, Both Sides Now, The way we were, etc. ed i suoi Nuvole di Carta, Tears, Non più noi, Tra i ricordi), e ci regala un disco memorabile, in cui una voce calda e rotonda, accompagnata dal pianoforte di Alessandro Mozzi, dai sax e dai flauti di Strano, dalle ricche e variegate percussioni di Paolo Vidaich e dal possente basso del mitico bassista della US Band, Gas The Bass, si esprime con una ricchezza ed un groove senza precedenti garantiti anche da una ripresa interamente analogica, effettuata in diretta live-in-studio direct-to-two-tracks nel grande spazio della Sala A dello Studio Magister di Preganziol.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":41080436260916,"sku":"CVLD356","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 48kHz · 24bit","offer_id":49794396422491,"sku":"CVLD139","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CVLD356folder.jpg?v=1754289731"},{"product_id":"trios-mauo-negri-simone-guiducci","title":"Trios - Mauo Negri, Simone Guiducci","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTrios \u003c\/b\u003e(CVLD357)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eMauro Negri\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e - \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSimone Guiducci\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003eDisponibile in: File HD (CVLD357) e CD (CVLD018)\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e1 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eGramelot per due\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 2:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e2 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eYul\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 7:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Achille Succi, bass clarinet\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e3 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eFilastrocca per Martina\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 8:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Carlo Cantini, violin\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e4 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eGenéve\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 7:34\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Marco Remondini, cello\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e5 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eAl Saltafos \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 8:12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Fausto Beccalossi, accordion\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e6 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eSquirrel\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 1:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Andrea Lease, french horn\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e7 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eCanzone\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 6:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Alan Farrington, voice\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e8 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eMezzocolpo\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 5:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone, Luigi Sabanelli, bassoon\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e9 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eNocturne\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(D. Reinhart) 7:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro e Simone\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003eTot. Time: 54:50\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Trios\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003e48kHz\/20bit Digital and Analog original recording, made at Teatreno, in Mantova (Italy), on May 26, 27, 1998, using ADC Lexicon 20\/20 and Hi-8 Tascam DA78HR and RTR TEAC C2-B \u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eANALOG remastering made at Velut Luna Studio in Naquera (Spain), on February 2023\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eMarco Lincetto use a perfect analog mastering system, based upon:\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eRupert Neve Design 5059 \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eSumming Mixer\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Maselec MLA-2, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003ecompressor\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Maselec MEA-2, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eeq\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Maselec MPL-2, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003elimiter\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eStuder A-810, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eopen reel tape recorder\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Prism Sound AD-2 Dream, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003estate-of-the-art ADC for new HD files\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProduction: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eVELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eExecutive producer: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eMix and original mastering: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003ePhoto: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eDesign and layout: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQuesta musica nasce da una \"costola\" del jazz per poi svilupparsi in qualcosa di notevolmente originale e di molto italiano. Il nucleo centrale del progetto è ovviamente costituito dagli straordinari Simone Guiducci e Mauro Negri (già complici in molte altre avventure, come il Trapezomantilo). Intorno a loro ruotano alternativamente alcuni ospiti con strumenti non molto frequenti nel jazz e dintorni, come il fagotto, il corno, il violoncello, etc.\u003c\/p\u003e\n\u003cp\u003eLe composizioni, tutte di Negri e Guiducci, sono molto belle e funzionali alle varie combinazioni timbriche che risultano dall'alternanza dei musicisti. Questo dà vita ad una serie di quadri dai colori molto diversi, quasi una piccola galleria di ritratti molto vividi, alcuni indimenticabili, ricchi di freschezza e di inventiva.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eEnrico Rava\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50483601506651,"sku":"CVLD018CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41081967902772,"sku":"CVLD357","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/VELUTLUNACVLD357-cover.jpg?v=1681635076"},{"product_id":"retrato-brasileiro-giuditta-franco-pietro-pasinato","title":"Retrato Brasileiro - Giuditta Franco, Pietro Pasinato","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eRetrato Brasileiro \u003c\/b\u003e(CVLD351)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGiuditta Franco\u003c\/strong\u003e, \u003cem data-mce-fragment=\"1\"\u003evoice\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePietro Pasinato\u003c\/strong\u003e, \u003cem data-mce-fragment=\"1\"\u003eguitar\u003c\/em\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 -\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e Corcovado\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim) 3:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 -  \u003c\/span\u003e\u003cstrong\u003eA Felicidade\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim, Vinícius de Moraes) 3:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 -  \u003c\/span\u003e\u003cstrong\u003eSamba Em Preludio\u003c\/strong\u003e\u003cspan\u003e (Vinicius de Moraes, Baden Powell) 4:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 -  \u003c\/span\u003e\u003cstrong\u003eAgua De Beber\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos Jobim, Vinícius de Moraes) 3:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 -  \u003c\/span\u003e\u003cstrong\u003eSo Por Amor \/ Retrato Brasileiro\u003c\/strong\u003e\u003cspan\u003e (Baden Powell) 7:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 -  \u003c\/span\u003e\u003cstrong\u003eChega De Saudade\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim, Vinícius de Moraes) 3:53\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 -  \u003c\/span\u003e\u003cstrong\u003eInterludio\u003c\/strong\u003e\u003cspan\u003e (Pietro Pasinato) 1:31\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 -  \u003c\/span\u003e\u003cstrong\u003eRetrato Em Branco e Preto\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim) 2:48\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 -  \u003c\/span\u003e\u003cstrong\u003eSamba Da volta\u003c\/strong\u003e\u003cspan\u003e (Toquinho, Vinícius de Moraes) 3:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 -  \u003c\/span\u003e\u003cstrong\u003eLuz Negra\u003c\/strong\u003e\u003cspan\u003e (Nelson Cavaquinho, Amancio Cardoso) 2:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 -  \u003c\/span\u003e\u003cstrong\u003eHow Insensitive\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos Jobim) 3:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eGarota de Ipanema\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos Jobim, Vinícius de Moraes) 2:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal  time: 42:15\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/RetratoBrasileiro\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAll arrangements by Pietro Pasinato\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e\u0026amp;\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eGiuditta Franco\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e24bit \/ 88.2 kHz original recording made strictly live-in-studio at Magister Recording Area,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePreganziol, Italy, on August 22, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix \u0026amp; mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eItalian text: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEnglish text: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSpanish Text: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSocial Media Manager: \u003c\/span\u003e\u003cstrong\u003eMassimo Corvino Consulting\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003e41 anni in due...\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuditta Franco\u003c\/strong\u003e\u003cspan\u003e è una cantante che ha appena compiuto 21 anni, che nasce in una famiglia di musicisti, che canta forse da sempre, ma che anche ha pensato di formare la sua voce, studiando in Conservatorio.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa bellezza del suo timbro vellutato, aiutata da una tecnica vocale impeccabile, ci fa ricordare uno stile dimenticato, affabulatorio, che alcuni grandissimi del passato hanno fatto sì che nascesse anche una definizione precisa per questo modo di cantare, ovvero \"crooner\". E questi grandissimi vanno da Frank Sinatra, a Nat \"King\" Cole, a Tony Bennet, ma anche, al femminile, da Lena Horne, a Rosemary Clooney, fino alle famosissime Diana Krall e Norah Jones.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuditta canta con timbro profondo, vellutato, caratterizzato da note basse suadenti e note alte scintillanti, ferme e mai aggressive e così ti accompagna in una dimensione di musica vera, armonicamente complessa, melodicamente ammaliante. Tutte caratteristiche che trovano autentica esaltazione e piena valorizzazione dal grande repertorio della bossanova classica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePietro Pasinato\u003c\/strong\u003e\u003cspan\u003e non è da meno. 20 anni, chitarrista eccelso che parallelamente ai rigorosi studi accademici al Conservatorio, ha sempre mantenuto curiosità e applicazione anche nei confronti di altri generi musicali, dal jazz, innanzitutto, alla musica brasiliana e perchè no, strizzando l'occhio al rock e al blues.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa sua tecnica non teme rivali, è una tecnica \"metabolizzata\", che nonostante la giovane età consente a Pietro di potersi concentrare sulle nuances dello stile specifico che di volta in volta decide di affrontare: una sorta di Zelig elegantissimo al servizio della grande musica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuditta e Pietro\u003c\/strong\u003e\u003cspan\u003e rappresentano un mix tanto perfetto quanto esclusivo nel panorama musicale dei giovani d'oggi. Per nulla servi di un sistema commerciale che li spingerebbe a muoversi in tutt'altri ambiti, sia a livello di contenuti che di spazi mediatici, loro hanno scelto invece di cavalcare la pericolosa tigre dei masterpieces del passato, un repertorio in cui tutti i più grandi di ogni tempo si sono già espressi.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE' una sfida che io so essere già vinta e che non a caso ho deciso di fissare in un disco che lo farà capire anche a tutto quel pubblico più curioso e attento, lontano dalle sirene della comunicazione di massa.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRetrato Brasileiro\u003c\/strong\u003e\u003cspan\u003e è il titolo di una delle più famose canzoni scritte da Baden Powell che descrive perfettamente anche il senso di questo disco: un significato che nell'intimo è ancora meglio fotografato dalla canzone, famosissima \"Chega de Saudade\", ovvero \u003c\/span\u003e\u003cem\u003e\"Basta Nostalgia\"\u003c\/em\u003e\u003cspan\u003e che nel testo originale è dedicata ad una donna. Ma noi vogliamo leggere un significato traslato di questo testo, dedicando l'affermazione \"Basta Nostalgia\" alla Grande Musica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBasta Nostalgia della Grande Musica Brasiliana dell'epoca della Bossa Nova, da parte di tutto quel pubblico stanco dei clichè di plastica imposti dal grande circo mediatico della contemporaneità: la Grande Musica ritorna e lo fa non con una vecchia gloria sul viale del tramonto, ma con due ragazzi giovanissimi che sanno ridare linfa vitale alle note vere, quelle che non moriranno mai.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBuon ascolto!\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988773282139,"sku":"CVLD351CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41083159412788,"sku":"CVLD351","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_946af62c-6c80-45b3-a764-859497413747.jpg?v=1681745092"},{"product_id":"stick-to-duke-selfie-jungle","title":"Stick To Duke - SELFIE JUNGLE","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eStick To Duke \u003c\/b\u003e(CVLD345)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSELFIE 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lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003eviolino\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eCaterina Salizzato\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003evioloncello\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eGlauco Benedetti\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003etuba\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eFederico Pierantoni\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003etrombone\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarcello Abate\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003echitarra\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eDisponibile in: File HD, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e01 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMedley,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e4:07\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eNight Time\u003c\/strong\u003e\u003cspan\u003e,  Edward Kennedy Ellington, Doris Julian, Billy Strayhorn\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAzure\u003c\/strong\u003e\u003cspan\u003e, Edward Kennedy Ellington, Irving Mills\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e02 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLa plus belle Africaine,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e6:05\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e03 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMedley,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e4:07\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDancers in Love,\u003c\/strong\u003e\u003cspan\u003e Edward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJump for Joy\u003c\/strong\u003e\u003cspan\u003e, Edward Kennedy Ellington, Sid Kuller, Paul Francis Webster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e04 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Star Crossed Lovers\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e3:26\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington, Billy Strayhorn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e05 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMedley,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e5:54\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePyramid\u003c\/strong\u003e\u003cspan\u003e, Edward Kennedy Ellington, Irving Gordon, Irving Mills, Juan Tizol\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMoonlight Fiesta\u003c\/strong\u003e\u003cspan\u003e, Irving Mills, Juan Tizol\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e06 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eAwful Sad\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e3:52\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e07 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eFleurette Africaine\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e3:56\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e08 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eEchoes of Harlem\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e2:13\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e09 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ePitter Panther Patter\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e2:59\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e10 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDuke Ellington’s Sound of Love\u003c\/strong\u003e\u003cspan\u003e, 4:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCharles Mingus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time, 40:55\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Stick-to-Duke\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24bit \/ 88.2kHz original live-in-studio recording made at San Giacomo Spazio d'Arte\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlbignasego, Italia, on April, 30th, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBalance, mix and mastering engineer:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePro Tools operator:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eCristiano Zatta\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eVideo maker:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMichele Zangrossi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover art:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMichele Bertoldi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign and Layout:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSelfie Jungle\u003c\/strong\u003e\u003cspan\u003e è un quintetto che onora e stravolge la musica dell’orchestra di Duke Ellington.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegistrato con la tecnica del live-in-studio alla presenza di una manciata di selezionati ascoltatori, questo disco si avvale di un suono caratterizzato da straordinaria presenza e plasticità, con un'immagine sonora incredibilmente aderente alla realtà dell'esecuzione, di cui sopra potete vedere un'esauriente immagine fotografica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTimbrica, Immagine e Dinamica ai massimi livelli, per un disco imperdibile per ogni appassionato di grande musica, anche straordinariamente incisa.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988789403995,"sku":"CVLD345CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41084276408372,"sku":"CVLD345","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_bea3532c-b7f9-4cef-b202-86a87a9fe5c9.jpg?v=1681824433"},{"product_id":"dreamland-lucia-minetti","title":"DREAMLAND - Lucia Minetti","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eDREAMLAND \u003c\/b\u003e(CVLD347)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003evoice\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eDisponibile in: File HD, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e01\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e-\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDreamland\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e5:20\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       \u003c\/em\u003e\u003cem\u003eFabio Ranghiero - Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e02\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e-\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eA Diner One Evening\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e4:38\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti -  Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e03\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e-\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eI-86 Going North  \u003c\/strong\u003e\u003cstrong\u003e5:42\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti - Lucia Minetti\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e04 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eHobo  \u003c\/strong\u003e\u003cstrong\u003e4:29\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti -  Patrizia Villani\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e05 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eIn The Gloaming  \u003c\/strong\u003e\u003cstrong\u003e4:03\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero - Dario Voltolini\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e06 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLet Me Tell You About The Bearman  \u003c\/strong\u003e\u003cstrong\u003e5:27\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       \u003c\/em\u003e\u003cem\u003eFabio Ranghiero \/ Lucia Minetti -  Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e07 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Emerald Moss\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e2:28\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero - Dario Voltolini\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e08 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Sky Begins Here  \u003c\/strong\u003e\u003cstrong\u003e4:44\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero\/ Lucia Minetti  - Giuseppe Grattacaso\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e09 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSacred Datura  \u003c\/strong\u003e\u003cstrong\u003e4:11\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti -  David Hayward \/ Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e10 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThat's Crazy Good  \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e4:48\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti - Dario Voltolini\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e11 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDreamland  (reprise)  \u003c\/strong\u003e\u003cstrong\u003e1:36\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero- Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 47:34\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Dreamland\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFabio Ranghiero\u003c\/strong\u003e, \u003cem\u003egrandpiano, hammond organ, keyboards\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003eAlberto Toninelli\u003c\/strong\u003e, \u003cem\u003edrums\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003eAugusto Veronese\u003c\/strong\u003e, \u003cem\u003edoublebass\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003eGabriele Dusi\u003c\/strong\u003e, \u003cem\u003eacoustic guitar\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eSpecial guest:\u003cstrong\u003e\u003cbr\u003eElena Borgo\u003c\/strong\u003e, \u003cem\u003ecello on \"The Sky Begins Here\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e88.2kHz \/ 24bit original digital recording made at Magister Area Recording, Preganziol, Italy, on March 19,20,21, 2022\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMix and Mastering made at Velut Luna Studio, Casalserugo, Italy, on March 25,26,27 using analog device such as Rupert Neve Design, Maselec, Grace Design and the excellence in digital device such as AD converter Prism Sound AD2 Dream\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producers: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto, Andrea Valfrè\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBalance recording engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and editing engineer: \u003c\/span\u003e\u003cstrong\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMix and mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"Perché intitolare Dreamland un album di canzoni ispirate agli scenari, alla storia, agli angoli segreti d'America?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLa risposta sta tutta nell'accezione che abbiamo dato alla parola \"sogno\". In queste visioni poetico-musicali l'America non è quella reale che tutti conosciamo. È un luogo magico, perfino iniziatico, in cui confluisce e convive tutto ciò che l'America ci ha dato nel corso della sua e della nostra storia; il tutto distillato nell'afflato di un viaggio che vive di sé medesimo, e che diventa la propria stessa destinazione: una destinazione che ci piace cantare, una \"terra di sogno\" che pretendiamo, ostinati, di abitare.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLucia Minetti\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eLe canzoni di Dreamland si ispirano dunque alla grande tradizione sia dei grandi songwriters americani, da Tom Waits a Ryan Bingham, da Woody Guthrie a Bob Dylan, sia alla grande tradizione musicale \"nativa\" che parte dal blues e arriva al jazz. Un disco imperdibile, dunque, per chi ama la grande musica americana, filtrata dalla grande sensibilità di due artisti sublimi come Lucia Minetti e Fabio Ranghiero.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988479746395,"sku":"CVLD347CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41084286631988,"sku":"CVLD347","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_6e94c40e-4ebd-4213-9e20-938183feae3f.jpg?v=1681826043"},{"product_id":"latin-jazz-band-2022-edition","title":"LATIN JAZZ BAND - 2022 Edition","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLATIN JAZZ BAND\u003c\/b\u003e(CVLD349)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e(2022 Edition) Disponibile in: File HD, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003eSOUL BOSSANOVA\u003c\/strong\u003e\u003cspan\u003e Quincy Jones  \/  arr. Masato Myokoin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Michele Dal Cortivo trumpet - Renzo De Rossi alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - \u003c\/span\u003e\u003cstrong\u003eI CAN’T TURN YOU LOOSE\u003c\/strong\u003e\u003cspan\u003e Otis Redding – S.Cropper  \/  arr. Donald Furlano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - \u003c\/span\u003e\u003cstrong\u003eEL CUMBANCHERO\u003c\/strong\u003e\u003cspan\u003e Rafael Hernandez arr. Naohiro Iwai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Lorenzo Sabadini congas - Daniele Cerantola, Enrico Dalla Bona voci - Gregorio Guglielmi flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - \u003c\/span\u003e\u003cstrong\u003eALWAYS LOOK ON THE BRIGHT SIDE of LIFE\u003c\/strong\u003e\u003cspan\u003e Eric Idle  \/  arr. Manfred Schneider\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - \u003c\/span\u003e\u003cstrong\u003eTEQUILA\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eChuck Rio  \/  arr. Masato Myokoin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Lorenzo Sabadini congas - Renzo De Rossi alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - \u003c\/span\u003e\u003cstrong\u003eSEXBOMB\u003c\/strong\u003e\u003cspan\u003e T.Mousse – E.Rennalls  \/  arr. Donald Furlano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Michele Dal Cortivo trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - \u003c\/span\u003e\u003cstrong\u003eSANTANA , A PORTRAIT\u003c\/strong\u003e\u003cspan\u003e arr. Giancarlo Gazzani\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtents: Flor d’Luna (T. Coster) – Oye como va (T.Puente) – Europa (C.Santana\/T.Coster) - Smooth (I.Shur\/R.Thomas)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Michele Scatena alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - \u003c\/span\u003e\u003cstrong\u003ePINK PANTHER\u003c\/strong\u003e\u003cspan\u003e Henry Mancini\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Dino Magrin trumpet - Renzo De Rossi tenor sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - \u003c\/span\u003e\u003cstrong\u003eTHE GIRLS OF JOBIM\u003c\/strong\u003e\u003cspan\u003e A.C. Jobim  \/ arr. Manfred Schneider\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtents: One Note Samba – Meditation – How In sensitive – The Girl from Ipanema\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Daniele Cerantola trombone - Dino Magrin trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003ePETITE FLEUR\u003c\/strong\u003e\u003cspan\u003e Sidney Bechet   \/  arr.Hardy Schneiders\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003edirige Gregorio Guglielmi - solo Renzo De Rossi soprano sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eWEST SIDE STORY\u003c\/strong\u003e\u003cspan\u003e Leonard Bernstein  \/  arr. Naohiro Iwai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eTEQUILA (alt.take)\u003c\/strong\u003e\u003cspan\u003e Chuck Rio arr. Masato Myokoin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Lorenzo Sabadini timbales - Flavio D’Avanzo trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - \u003c\/span\u003e\u003cstrong\u003eYOU CAN LEAVE YOUR HAT ON\u003c\/strong\u003e\u003cspan\u003e Randy Newmann  \/  arr. Daniele Carnevali\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 -  \u003c\/span\u003e\u003cstrong\u003eTHE BEST OF ZUCCHERO\u003c\/strong\u003e\u003cspan\u003e Z.Fornaciari arr.Palmino Pia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtents: Con le mani – Donne – X colpa di chi – Diamante – Diavolo in me – Pippo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 -  \u003c\/span\u003e\u003cstrong\u003eI GOT YOU ( I Feel Good)\u003c\/strong\u003e\u003cspan\u003e James Brown  \/  arr. Andrea Ravizza\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original digital recording was made at Cinema Teatro Pio X, Cartigliano, Italy on May, 22 - 23, 2004, using an analog console Midas Verona and 8 channel DSD Recording system by SADiE DSD8.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe new master PCM 88.2kHz\/24bit was made by Marco Lincetto at Velut Luna Studio on January 2, 2022, using the \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eDigital-to-Analog-to-Digital Mastering Solution\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e by Velut Luna, based upon Rupert Neve Design,  Maselec and Prism Sound technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eMusical production:\u003cstrong\u003e Renzo De Rossi \u0026amp; Marco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMix engineers: \u003cstrong\u003eMarco Lincetto \u0026amp; Matteo Costa\u003c\/strong\u003e\u003cbr\u003eMastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eE’ una questione di “tiro”… questo il traguardo da raggiungere !\u003cbr\u003eLatin Jazz Band è un gruppo orchestrale di derivazione bandistica che ha saputo modificarsi nel corso del tempo migliorando tecnicamente e cambiando così il modo di concepire e di interpretare la musica. Costituito da strumentisti che si sono formati all’interno della scuola di musica di Tezze sul Brenta e dai loro insegnanti, il gruppo, coadiuvato dalla guida attenta e appassionata del Maestro - nonché apprezzato pianista e sassofonista jazz - Renzo De Rossi, in questo lavoro ha saputo fondere sound e ritmi tipicamente latini \u0026amp; jazz presentando nel suo primo CD un repertorio gradevole ed accattivante.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993475326299,"sku":"CVLD349CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41084295217204,"sku":"CVLD349","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder.jpg?v=1681827644"},{"product_id":"guarda-avanti-sax-four-fun","title":"GUARDA AVANTI - Sax Four Fun","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eGUARDA AVANTI \u003c\/b\u003e(CVLD031)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSax Four Fun\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1 - Dolofunky * 2’52” Fiorenzo Zeni\u003cbr data-mce-fragment=\"1\"\u003esolos: Stefano, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e2 - Guarda avanti * 5’03” Fiorenzo Zeni\u003cbr data-mce-fragment=\"1\"\u003esolo: Fiorenzo, Stefano\u003cbr data-mce-fragment=\"1\"\u003e3 - Il senso di Smilla per le note * 4’49” William Tononi\u003cbr data-mce-fragment=\"1\"\u003esolo: Stefano\u003cbr data-mce-fragment=\"1\"\u003e4 - Stort Blues * 4’55” William Tononi\u003cbr data-mce-fragment=\"1\"\u003esolos: Stefano, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e5 - Oasi°© 4’29” Pepito Ros\u003cbr data-mce-fragment=\"1\"\u003esolo: Pepito\u003cbr data-mce-fragment=\"1\"\u003e6 - Sax Four Fun° 3’44” Fiorenzo Zeni\u003cbr data-mce-fragment=\"1\"\u003esolos: Pepito, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e7 - About you°© 5’19” Pepito Ros\u003cbr data-mce-fragment=\"1\"\u003esolo: Pepito\u003cbr data-mce-fragment=\"1\"\u003e8 - Latin Street°°© 4’53” Pepito Ros\u003cbr data-mce-fragment=\"1\"\u003esolo: Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e9 - Reactionary Tango * 4’21” Carla Bley \/ arr.Hans Tutzer\u003cbr data-mce-fragment=\"1\"\u003esolo: Stefano\u003cbr data-mce-fragment=\"1\"\u003e10 - Hard Times * 4’30” Paul F.Mitchell \/ arr.Hans Tutzer\u003cbr data-mce-fragment=\"1\"\u003esolos: Stefano, Fiorenzo, Hans\u003cbr data-mce-fragment=\"1\"\u003e11 - Abbamele°°° 4’52” Paolo Fresu \/ arr. Hans Tutzer\u003cbr data-mce-fragment=\"1\"\u003esolo: Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e12 - Mo Better Blues * 5’23” Bill Lee \/ arr.Giorgio Beberi\u003cbr data-mce-fragment=\"1\"\u003eintro e solos: Stefano, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003eTotal time 55’16”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/GuardaAvanti\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStefano Menato, soprano-alto\u003c\/p\u003e\n\u003cp\u003eHanz Tutzer, alto\u003c\/p\u003e\n\u003cp\u003eFiorenzo Zeni, tenor\u003c\/p\u003e\n\u003cp\u003eGiorgio Beberi, banitone\u003c\/p\u003e\n\u003cp\u003ePepito Ros, soprano-alto\u003c\/p\u003e\n\u003cp\u003e* Stefano, Hans, Fiorenzo, Giorgio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e° Pepito, Hans, Fiorenzo, Giorgio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e°° Pepito, Stefano, Fiorenzo, Giorgio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e°°° Stefano, Pepito, Hans, Fiorenzo, Giorgio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis recording was made at Teatro Comunale Polivalente, Abano Terme, Italy, on July 13 - 14, 1999, using the ultimate and the most advanced digital tecnology based upon 24Bit \/ 96Khz Analog to Digital Converter PRISM SOUND DREAM AD2.\u003cbr data-mce-fragment=\"1\"\u003eMarco Lincetto used only a stereo pair omnidirectional mikes (SCHOEPS MK2s).\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecording \u0026amp; mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtistic Direction: \u003cstrong\u003eSax Four Fun \/ Marco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eEditing engineer: \u003cstrong\u003eFabio Framba\u003c\/strong\u003e on SONIC SOLUTION 24\/96 Workstation\u003cbr data-mce-fragment=\"1\"\u003ePhoto: \u003cstrong\u003eIlenco Tracmot\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCritical notes: \u003cstrong\u003eVittorio Albani\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLayout: \u003cstrong\u003eLimage\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSax Four Fun # Guarda avanti\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl titolo del secondo lavoro discografico dei Sax Four Fun è di per sé una dichiarazione programmatica. Guarda avanti può, infatti, essere tranquillamente vissuto come una risposta ai detrattori del “tutti sassofoni”, per i quali dopo World Saxophone Quartet e 29th Street Saxophone Quartet non sembrano più possibili ulteriori novità virtuose. Una seconda e più intelligente analisi sollecita invece spontaneità e riflessione attorno ad un progetto che, in vero, ha per contro molto da dire. Ed è appunto guardando avanti, pur rispettando gente del calibro di Murray, Hemphill, Lake, Bluiett, Purcell, Watson, Jackson, Rothenberg, Hartog e altri “mostri sacri” del caso, che il quartetto (o il quintetto laddove si aggiungono al coro anche il soprano o il contralto di Pepito Ros) sceglie fraseggi moderni e “creativamente corretti”, ricchi dell’originalità che ovviamente manca ad altri celebrati emuli della Bibbia sassofonistica citata. “Guardando avanti” e pur attraversando territori ben conosciuti come quello del grande mare del blues, la formazione affonda la propria ricerca nell’intera gamma della famiglia delle ance, sondando analiticamente la polifonia della tradizione, pur in assenza di ritmica “storica”, riuscendo a trovare utili soluzioni propositive. Un collage in cui ironia e serietà riescono a combinarsi in efficaci rivoli di fantasia e che – alla fine – forgiano nuove caleidoscopiche strutture, apertamente da godere. L’architettura dei dodici brani contenuti in questo cd è per certi versi notevolmente anticonvenzionale, pronta a giocare sulla volontà di creare funk quando il mondo sembra invece remargli contro (Dolo Funky), nell’improbabile Stort Blues “rubato” all’ensemble di Guido Bombardieri e splendidamente arrangiato dal chitarrista bresciano William Tononi, nel 6\/8 di Oasi in cui Pepito Ros raddoppia le sue credenziali facendo filotto con la meravigliosa ballad About you, nell’omonima Sax Four Fun di Fiorenzo Zeni, ormai diventata nuova “sigla”\u003cbr data-mce-fragment=\"1\"\u003edel gruppo e che ben si adatta ai tanti “walking tunes” dei citati gruppi di Murray e Watson, nello “scherzo” di un “perfect blues” che diventa tale solo in un secondo momento (Hard Times), nella rilettura di uno dei grandi ironici capolavori moderni di Carla Bley (Reactionary Tango) oppure, infine, nel bellissimo Abbamele di Paolo Fresu con cui – tra il resto – il gruppo ha iniziato una collaborazione tutta da vivere e che trova il trombettista sardo in piena sintonia con le evoluzioni di un combo capace di mediare – con innata illuminazione – geometrie della partitura e urgenze dell’improvvisazione. La “live recording”, ben confezionata da Marco Lincetto per la coraggiosa Velut Luna, nobilita il concetto: il tempo in cui il jazz era solo “roba per americani” è davvero finito.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVittorio Albani\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042673496411,"sku":"CVLD031CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":41085772955700,"sku":"CVLD031","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/031-cover.jpg?v=1681927602"},{"product_id":"the-irving-berlin-songbook-paolo-birro-alfredo-ferrario","title":"THE IRVING BERLIN SONGBOOK - Paolo Birro Alfredo Ferrario","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTHE IRVING BERLIN SONGBOOK \u003c\/b\u003e(CVLD243)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePaolo Birro\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e piano\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e\u003cb\u003e\u003cstrong\u003eAlfredo Ferrario\u003c\/strong\u003e\u003c\/b\u003e, clarinet\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eDisponibile in: File HD, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - Soft Lights And Sweet Music - 4:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - What'll I Do - 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Alexander's Ragtime Band - 3:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Russian Lullaby - 4:01\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - I've Got My Love To Keep Me Warm - 5:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Always - 4:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Say It Isn't So - 4:21\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - I'm Putting All My Eggs In One Basket - 3:40\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - The Best Thing For You - 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Isn't This A Lovely Day? - 5:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - God Bless America - 5:46\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Blue Skies - 3:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Marie - 2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Remember - 4:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003etot. time:\u003c\/strong\u003e 59:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/The-Irving-Berlin-Songbook\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit \/ 192kHz original recording made strictly Live-in-Studio at Main Hall of Villa Centanin e Masiero, Arquà Petrarca, Italy on September 25th, 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecording, mix \u0026amp; mastering engineer: \u003cstrong\u003eMARCO LINCETTO\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAssistant recording engineer: \u003cstrong\u003eANTONIO LANFRANCA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhoto: \u003cstrong\u003eMARCO LINCETTO\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLayout: \u003cstrong\u003eL’IMAGE\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eHo avuto l’idea di realizzare questo disco, partendo dal desiderio di valorizzare il suono originale di questo bellissimo pianoforte. Uno strumento che con certezza ci riconsegna le sonorità originali che Irving Berlin stesso e gli autori suoi contemporanei avevano a disposizione per comporre le loro canzoni, la loro musica. Ed anche il luogo che ho scelto per realizzare la registrazione possiede le caratteristiche acustiche delle sale in cui questa musica veniva suonata nella prima metà del ‘900: un salone di generose dimensioni di una villa del ‘800, Villa Masiero e Centanin, costruita sulle colline del Veneto, che con certezza può essere assimilabile ai saloni dei palazzi nobili di New York e delle grandi città Americane, in cui queste musiche venivano suonate.\u003cbr data-mce-fragment=\"1\"\u003eQuesto disco vuole essere anche un mio omaggio alla grande musica americana, alla musica “classica” americana, di cui Irving Berlin è senza dubbio uno dei più splendenti autori. Infine, ma non da ultimo, questo disco è l’occasione per valorizzare una volta di più due dei più interessanti e validi musicisti jazz italiani, \u003cstrong\u003ePaolo Birro\u003c\/strong\u003e e \u003cstrong\u003eAlfredo Ferrario\u003c\/strong\u003e, che con questo lavoro consegnano ai posteri un’interpretazione intima e struggente di canzoni immortali, a cui conferiscono una luce decisamente nuova e personale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaolo Birro\u003c\/strong\u003e suona su Steinway \u0026amp; Sons Mod. 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Live in studio at Teatro Accademico, Castelfranco Veneto (Treviso, Italy) December, 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaolo Birro, Roberto Dani e Salvatore Maiore, si sono uniti alla straordinaria tromba dell'americano Kyle Gregory, per dar vita a questo. Registrato con grande naturalezza e realismo timbrico nella settecentesca cornice del Teatro Accademico di Castelfranco Veneto, tutto il progetto è permeato della magica commistione fra i più tradizionali canoni del jazz d'oltreoceano e delle atmosfere classicheggianti suggerite dal luogo e dal back-ground culturale dei musicisti.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042607403355,"sku":"CVLD047CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46693872337243,"sku":"CVLD047","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_910d3dbb-8135-46b1-8191-faf6c92f1a90.jpg?v=1682513541"},{"product_id":"mystere-piano-zegna-birro-zambrini-tonolo-delbarba-parente","title":"MYSTERE PIANO - R. ZEGNA, P. BIRRO, A. ZAMBRINI, M. TONOLO, O. DEL BARBA, M. PARENTE","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eMYSTERE PIANO \u003c\/b\u003e(CVLD160)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003eDisponibile in: File HD, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003eRiccardo Zegna \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(1,2,3)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003ePaolo Birro \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(4,5)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAntonio Zambrini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(6)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarcello Tonolo \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(7,8)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eOscar Del Barba \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(9)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMassimo Parente \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(10,11)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Rosetta (Zegna) 1:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Tutto Troppo Presto (Ellington) 3:49\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Sammy White (Zegna) 3:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Spampanà (Birro) 4:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Vegne (Birro) 6:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Gaia (Zambrini) 6:34\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. Polvere Di Stelle (Carmichael\/Parrocchia) 2:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Verso Sera (Tonolo) 6:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Improvviso N. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 (Del Barba) 9:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Tema Di Gio (Parente) 5:27\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Al Palazzo Ducale (Parente) 6:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time, 57:09\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Mystere-Piano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJAZZ: original composition by R. Zegna, P. Birro, A. Zambrini, M. Tonolo, O. Del Barba, M. Parente, D. Ellington, H. Carmichel-M. Parish. Piano R. Zegna, P. Birro, A. Zambrini, M. Tonolo, O. Del Barba, M. Parente. Recording was made at Magister Area Studio, Preganziol, Italy. the piano was always the same Steinway \u0026amp; Sons Concert Grandpiano built in new York on 1930.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUn pianoforte, un solo pianoforte, sempre il medesimo, posizionato sempre esattamente nel medesimo luogo, ripreso sempre esattamente con il medesimo set-up microfonico, posizionato sempre esattamente nel medesimo modo ed alla medesima distanza.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE poi sei fra i migliori pianisti, ed autori, italiani di area jazz (ma non solo): ciascuno chiamato ad eseguire una decina di minuti di musica, in assoluta libertà creativa, senza vincoli di repertorio, al solo fine di esprimere il meglio del proprio mondo musicale. Il tutto in diretta e senza possibilità alcuna di editing a posteriori: rigorosamente dal vivo, pur in studio e senza pubblico.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIl tutto allo scopo di dimostrare, forse per la prima volta, quante differenze (e… Vive la difference!) ci siano nel suono di ogni singolo interprete rispetto a ciascun altro, una volta definito con rigore scientifico, il medesimo strumento ripreso sempre nel medesimo identico modo, pur nel corso di alcuni mesi. E quanto differentemente possa suonare un medesimo pianoforte, quando suonato da differenti artisti, sfatando il mito che uno Steinway suoni sempre uguale a se stesso. Ecco quindi spiccare la personalità di ogni singolo pianista, mai confusa nella massa magmatica di strumenti spesso imprecisi, condizioni tecniche ed ambientali differenti, che troppo spesso finiscono per omologare il suono di ogni singolo musicista a quello di molti altri.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSenza rispetto per l’arte e lo studio di ciascuno…\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50021183619419,"sku":"CVLD160CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46705473421659,"sku":"CVLD160","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/160-cover.jpg?v=1682933304"},{"product_id":"onde-mediterranee-jazz","title":"ONDE MEDITERRANEE -  NEW PROJECT JAZZ ORCHESTRA, MILENKOVIC","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eONDE MEDITERRANEE\u003c\/strong\u003e(CVLD044)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e1. \u003cstrong\u003eRONDINI\u003c\/strong\u003e 9’50”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Lorenzo Frizzera, guitar \/ Pepito Ros, alto sax\u003cbr data-mce-fragment=\"1\"\u003eSpecial Guest: Stefan Milenkovic, violin\u003cbr data-mce-fragment=\"1\"\u003eSono gli uccelli migratori,“extracomunitari ”, quasi dimezzati di numero negli ultimi vent ’anni.Vivono fra l’Africa e l ’Europa, varcando i confini senza bisogno del passaporto: perché agli uomini questo non è concesso? È una danza in 5\/4.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e2. \u003cstrong\u003eFATTI NON FOSTE (...a viver come bruti,ma per seguir virtute e conoscenza)\u003c\/strong\u003e1’10”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolo: Fiorenzo Zeni, tenor sax\u003cbr data-mce-fragment=\"1\"\u003eÈ la prima citazione dantesca ed anche il tema conduttore. (Inferno-Canto XXVI)\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e3. \u003cstrong\u003eZEBEKIKO\u003c\/strong\u003e 6’17”\u003cbr data-mce-fragment=\"1\"\u003eGreece - T. Bitaah\u003cbr data-mce-fragment=\"1\"\u003eSolos: Luigi Grata, trombone \/ Giorgio Beberi, baritone sax \/ Paolo Trettel, trumpet\u003cbr data-mce-fragment=\"1\"\u003eIl paese di partenza è la Grecia, rappresentata da questa “nobile ”danza popolare. Ho tratto gran parte della composizione, da una canzone cantata da Taykeria Bitaah, con un testo riguardante lo sconforto e la delusione derivanti dalla società.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e4. \u003cstrong\u003eL ’ALTO MARE APERTO\u003c\/strong\u003e 1’39”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R.Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolo: Walter Civettini, fluegelhorn\u003cbr data-mce-fragment=\"1\"\u003eSeconda citazione, (da notare la ciclicità delle vocali). Questo segna l’inizio del peregrinare e l’abbandono delle certezze precedenti. (Inferno-Canto XXVI)\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e5. \u003cstrong\u003eNUBIAN DREAM\u003c\/strong\u003e 5’58”\u003cbr data-mce-fragment=\"1\"\u003eEgypt - A.Sharara\u003cbr data-mce-fragment=\"1\"\u003eSolo: Fiorenzo Zeni, soprano sax\u003cbr data-mce-fragment=\"1\"\u003eÈ un ’antica regione a sud del misterioso Egitto, dove il musico si confronta con una danza del Cairo composta da Hattia Sharara. Originariamente la danza è eseguita con strumenti del luogo; la nostra versione ne risulta trasformata e ricolorita senza freni filologici.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e6. \u003cstrong\u003eONDE\u003c\/strong\u003e 2’01”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolo: Pepito Ros, alto sax\u003cbr data-mce-fragment=\"1\"\u003eSegna la ripresa del viaggio per mare verso la ex Jugoslavia.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e7. \u003cstrong\u003eMAXUTU\u003c\/strong\u003e 5’21”\u003cbr data-mce-fragment=\"1\"\u003eMacedonia - Kociani Orkestar\u003cbr data-mce-fragment=\"1\"\u003eSolos: Luigi Grata, trombone \/ Walter Civettini, fluegelhorn \/ Fiorenzo Zeni, tenor sax \/ Stefano Chesini, flute \/ Lorenzo Frizzera, guitar \/ Giuliana Beberi, voice \/ Renzo Vigagni, keyboards\u003cbr data-mce-fragment=\"1\"\u003eÈ l’elaborazione di un tema della banda macedone “Kociani Orkestar”. Il paese, gli abitanti e la musica sono tragicamente segnati dalle sconvolgenti guerre nazionalistiche e dalle rivalità etniche. Il testo recita: “se vuoi la pace non preparare la guerra”. I militari ragionano invece in senso opposto.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e8. \u003cstrong\u003eSIRENE\u003c\/strong\u003e 3’06”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Pepito Ros, sprano sax \/ Luigi Grata, trombone\u003cbr data-mce-fragment=\"1\"\u003eNel riprendere il viaggio, Ulisse deve resistere al fascino dei massmedia e delle tentazioni commerciali, che possono compromettere il significato del suo viaggio di conoscenza interiore.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e9. \u003cstrong\u003eALLERIA\u003c\/strong\u003e 4’29”\u003cbr data-mce-fragment=\"1\"\u003eItaly - P. Daniele\u003cbr data-mce-fragment=\"1\"\u003eSolos: Stefano Chesini, flute \/ Lorenzo Frizzera, acoustic guitar \/ Gianni Mascotti, fluegelhorn\u003cbr data-mce-fragment=\"1\"\u003ePino Daniele, Napoli, il sole ed i sentimenti del caldo sud…nel Mediterraneo c’è tanta bellezza….\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e10. \u003cstrong\u003eALI AL FOLLE VOLO\u003c\/strong\u003e 2’09”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Luigi Grata, trombone \/ Fiorenzo Zeni, tenor sax\u003cbr data-mce-fragment=\"1\"\u003eTerza citazione, con uno stupendo rincorrersi di consonanti. (Inferno-Canto XXVI)\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e11. \u003cstrong\u003ePINAR HONDO\u003c\/strong\u003e 5 ’47 ”\u003cbr data-mce-fragment=\"1\"\u003eSpain - C.Dominguez\u003cbr data-mce-fragment=\"1\"\u003eSolos: Lorenzo Frizzera, acoustic guitar \/ Renzo Vigagni, piano \/ Stefano Colpi, double bass\u003cbr data-mce-fragment=\"1\"\u003eLa Spagna,l ’Andalusia, i gitani e gli arabi, il flamenco.Tema tratto dal CD di Chano Dominguez: “Echo a mano ”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e12. \u003cstrong\u003eOLTRE IL SOGNO\u003c\/strong\u003e 9 ’58 ”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R.Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Pepito Ros,alto sax \/ Luigi Grata, trombone \/ Renzo Vigagni, piano \/ Fiorenzo Zeni, tenor sax \/\u003cbr data-mce-fragment=\"1\"\u003eSpecial guest: Stefan Milenkovic, violin\u003cbr data-mce-fragment=\"1\"\u003eBrano basato quasi interamente su due cicli ritmici di 21\/4 e 17\/4. Dopo questo itinerario, Ulisse ha sviluppato nella coscienza che Itaca, non è solo un luogo geografico, ma anche un enorme serbatoio di vita che ha la residenza nel cuore delle persone conosciute durante la sua permanenza terrena. Brano che incarna nella realtà i nostri sogni veri. Il brano “Oltre il sogno” è dedicato con affetto all’onesta ricerca della verità della giornalista Ilaria Alpi, assasinata in Somalia nel 1994. Per lei e per i suoi genitori quale piccolo segno di solidarietà e condivisione.\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUn ringraziamento ad A.T.A.S Onlus “ Associazione Trentina Accoglienza Stranieri”, per i brani “Nubian Dream” e “Maxutu”, a Clara Lotti e Maria Stoffella Fendros per il brano “Zebekiko”. Un ringraziamento ai musicisti e a tutti coloro che hanno collaborato e creduto in questo progetto.\u003cbr data-mce-fragment=\"1\"\u003eNew Project Jazz Orchestra\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eRenzo Vigagni, conductor, piano, keyboards\u003cbr\u003eStefan Milenkovic special guest, violin\u003cbr\u003eWalter Civettini, Gianni Mascotti, trumpet,fluegelhorn\u003cbr\u003ePaolo Trettel, Christian Stanchina, trumpet\u003cbr\u003ePepito Ros, alto sax, soprano sax\u003cbr\u003eEnrico Dellatonio, alto sax\u003cbr\u003eFiorenzo Zeni, tenor sax, soprano sax\u003cbr\u003eLuca Rubertelli, tenor sax\u003cbr\u003eGiorgio Beberi, baritone sax\u003cbr\u003eLuigi Grata, Mauro Piazzi, trombone\u003cbr\u003ePeter Cazzanelli, bass trombone\u003cbr\u003eStefano Chesini, flute\u003cbr\u003eFrancesco Ciech, cello\u003cbr\u003eLorenzo Frizzera, guitars\u003cbr\u003eStefano Colpi, double bass\u003cbr\u003eCarlo Alberto Canevali, drums, percussion\u003cbr\u003eGiuliana Beberi, Luca Merlini, voice\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: VELUT LUNA \/ GRUPPO MUSICALE MADONNA BIANCA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eSound engineer: Marco Lincetto\u003cbr\u003eDigital mix and mastering: Marco Lincetto \/ Fabio Framba\u003cbr\u003eCritical notes: Giuseppe Calliari\u003cbr\u003eInside booklet photos: Giulio Malfer \/ Claudio Micheletti\u003cbr\u003eCover illustration: Michele Giovanazzi\u003cbr\u003eTranslations: Alessandra Sallustro\u003cbr\u003eLayout: limage\u003cbr\u003ePr: Francesco Pesavento\u003cbr\u003eTrading consultant: Yahir Wahl\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eRecording was made at “A. Rosmini” Theatre,Rovereto, Italy, on December 20\/21th, 1999.\u003cbr\u003e\u003cbr\u003eUsing the ultimate and the most advanced digital technology:\u003cbr\u003e6 tracks 24bit\/96kHz PRISM SOUND DREAM AD2 \/ PRISM SOUND MR2024T \/ TASCAM DA38 16 tracks 24bit\/48kHz TASCAM DA78HR (own AD converter) - Microphone amplifers on stage MILLENNIA MEDIA HV3, LAKE PEOPLE F35II - Microphones: SCHOEPS MK2s, MK2h, MK4v, MK21, SENNHEISER MKH 20, MKH 40, AKG C414ULS NEUMANN U87ai - Cables: DROMOS EOS - 24bit\/96kHz mix and mastering workstation SONIC SOLUTIONS USP\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":46729282650459,"sku":"CVLD044","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_556bad75-71d1-48d7-b540-ce45a8dca562.jpg?v=1683718758"},{"product_id":"kurt-valentina-fin-ensemble","title":"KURT! - Valentina Fin Ensemble","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eKURT!  \u003c\/b\u003e(CVLD336)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 - My Ship  (Kurt Weill \/ Ira Gershwin), 3:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 - Lost In The Stars (Kurt Weill \/ Maxwell Anderson), 3:36\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 - Lonely house (Kurt Weill \/ Langston Hughes), 4:17\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 - It never was you (Kurt Weill \/ Maxwell Anderson), 4:22\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 - Song of Ruth (Kurt Weill \/ Franz Werfel), 4:13\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 - Lawrence (Federico Zaltron \/ Valentina Fin), 3:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 - Dice Bertolt (Valentina Fin), 6:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/KURT\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eValentina Fin,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e voce Mauro Spanò\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003epianoforte\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFederico Zaltron\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolino\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eSofia di Mambro\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolino\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancesca Pretto, viola Tommaso Valerio\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003evioloncello\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit \/ 88.2kHz original recording, made at Magister Area Recording, Preganziol, Italy,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon July, 19, 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusical Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto, Andrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBalance Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMix and Mastering Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLayout: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInside Photos: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eKURT! è un progetto capitanato dalla cantante Valentina Fin che insieme al pianista Mauro Spanò, ha sviluppato una ricerca dedicata alla figura di Kurt Weill, compositore e musicista tedesco del primo Novecento. La formazione cameristica abbina il classico quartetto d'archi al duo pianoforte e voce. Il sestetto, basandosi sulle partiture originali, ha sviluppato arrangiamenti inediti e contemporanei, riproponendo poi le stesse atmosfere a cavallo tra il jazz e la classica contemporanea, in alcuni brani originali scritti appositamente per la formazione ed ispirati ad alcune poesie dello storico amico e collaboratore di Weill, Bertolt Brecht\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993754444123,"sku":"CVLD336CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46741690909019,"sku":"CVLD336","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_f0aa4b27-767a-4f80-936b-f74c768a4d44.jpg?v=1684169219"},{"product_id":"jazz-nature-lucia-minetti","title":"JAZZ NATURE - Lucia Minetti","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJAZZ NATURE \u003c\/b\u003e(CVLD294)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#1 - The Nearness Of You (M.Washington - H.Carmichael) 3:24 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#2 - Alone Together (A.Schwartz - H.Dietz) 4:20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#3 - Wild Is The Wind (D.Tiomkin - N.Washington ) 3:55 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#4 - So In Love (Cole Porter) 4:02 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#5 - The Two Lonely People (B.Evans - C.Hall)) 4:25 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#6 - Skylark (J.Mercer - H.Carmichael) 4:20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#7 - The Old Country (C.Lewis - N.Adderley) 2:52 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#8 - Turn Out The Stars (B.Evans - G.Lees) 4:54 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#9 - I Wish I Knew (M.Gordon - H.Warren) 3:23 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#10 - No moon at all ( D. Mann\/L.?Red? Evans) 4:39 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#11 - Try Your Wings (M.Barr - D.McGregor) 3:13 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eTotal Time: 43:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Jazz-Nature\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e, voice \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003ePietro Ballestrero\u003c\/strong\u003e, guitar \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eStefano Profeta\u003c\/strong\u003e, double bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cbr\u003eProduction: VELUT LUNA \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive producer: Marco Lincetto \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording, mix and mastering engineer: Marco Lincetto \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCover photo: Massimo Forchino \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInside photos: Marco Lincetto \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign and layout: L'Image \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe recording was made direct to stereo master, strictly live-in-studio, during only one session at MagisterArea Studios, Main Hall, Preganziol, Italy, on September 23rd, 2017 THIS IS A PURE AUDIOPHILE RECORDING: during the recording of the digital HD PCM 88.2kHz\/24bit master and the contemporary analog master and the subsequent transfer to disc, the entire audio chain was trasformerless. The signal was not passed through any processing device (no compression, no equalization and no corrective editing) at any step during production. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentazione di Lucia Minetti:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNegli anni ho cantato ed amato molti repertori, esplorando mondi sonori differenti, dal fado alla musica brasiliana, dalla canzone francese al jazz. Dai tempi del mio disco Elle, fatto nel 2003 insieme al mio maestro Giorgio Gaslini, questo il mio primo lavoro completamente dedicato agli standards del grande songbook americano, quasi un ritorno, atteso e raggiunto con la maturità acquisita dopo un lungo viaggio, al cuore di quello che sempre stato il principale punto di riferimento del mio percorso. Come se fosse parte della propria natura, il jazz può costituire per un musicista una maniera di rapportarsi in generale all'arte, un desiderio di liberta, una voglia di provare emozioni sempre nuove, di rischiare e di mettersi in gioco ogni volta in cui ci si esprime. Insieme a Pietro e Stefano ho trovato una profonda condivisione di questo spirito, questa indole, che abbiamo voluto chiamare \u003cstrong\u003eJAZZ NATURE,\u003c\/strong\u003e e che ha da subito costituito la chiave per leggere un vasto repertorio di canzoni, dagli anni '30 ai '70, trovando il nostro suono di gruppo e selezionando con grande piacere i brani per il disco. Cogliendo appieno la filosofia di questa ricerca e proiettandoci completamente nell'epoca di quel jazz, Marco Lincetto ci ha proposto una modalità di registrazione rigorosamente live in studio, che esaltasse al massimo le caratteristiche del nostro approccio 'NATURE', nonchè le straordinarie qualit? tecniche della ripresa audio. Abbiamo accettato con entusiasmo la difficile sfida, e vissuto insieme un'esperienza incredibile, due giornate durante le quali la musica è stata suonata, cantata, ascoltata ed incisa con la stessa tensione e la stessa intensità emotiva che si prova nei migliori concerti. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000706404699,"sku":"CVLD294","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46750803886427,"sku":"CVLD294","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD294-cover.jpg?v=1684428042"},{"product_id":"bix-tiger-dixie-band","title":"BIX - Tiger Dixie Band","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eBIX (CVLD082)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" total\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTiger Dixie Band\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Total\" narrow sans-serif\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. AT THE JAZZ BAND BALL (arr. R. Sportiello) 3:20\u003cbr\u003eDe Rossi (bars); Menato (cl); Caniato (p)\u003cbr\u003e2. DAVENPORT BLUES (arr. S. Caniato) 2:52\u003cbr\u003eTrettel (cornet); collective\u003cbr\u003e3. MINOR BOUNCE (arr. S. Caniato) 3:49\u003cbr\u003eStockhausen (tp); Zeni (C-Melody); Caniato (p)\u003cbr\u003e4. A GOOD MAN IS HARD TO FIND (arr. S. Caniato) 3:18\u003cbr\u003eGrata (tb); Menato (cl); Beberi (bs) \u0026amp; Casera (violin)\u003cbr\u003e5. CLARINET MARMALADE (arr. R. Sportiello) 3:26\u003cbr\u003eMenato (cl); De Rossi (bars); collective; Hinteregger (d)\u003cbr\u003e6. SUGAR (arr. S. Caniato) 3:14\u003cbr\u003eCasera (violin); Minetti (vocal chorus); Trettel (cornet)\u003cbr\u003e7. BLUE RIVER (arr. F. Zeni) 4:05\u003cbr\u003eMinetti (vocal chorus); Zeni (C-Melody sax); Grata (tb)\u003cbr\u003e8. MATTINATA (arr. S. Caniato) 2:52\u003cbr\u003eMenato (cl); Caniato (p)\u003cbr\u003e9. IN A MIST (arr. S. Caniato) 4:51\u003cbr\u003eMenato (cl); Grata (tb); Stockhausen (piccolo tp)\u003cbr\u003e10. CANDLELIGHTS (arr. F. Zeni) 5:38\u003cbr\u003eStockhausen (tp) \u0026amp; Merlin (el.g \u0026amp; electronics); Grata (tb)\u003cbr\u003e11. FLASHES (arr. R. Sportiello) 6:06\u003cbr\u003eZeni (ts); Stockhausen (tp)\u003cbr\u003e12. PHRYTHM (arr. S. Caniato) 4:25\u003cbr\u003eStockhausen (tp); Zeni (C-Melody sax); Caniato (p)\u003cbr\u003e13. IN THE DARK (arr. L. Grata) 2:55\u003cbr\u003eNo solos\u003cbr\u003e14. BIX ON THE BOX (arr. F. Zeni) 7:36\u003cbr\u003eZeni (ts); Merlin (el.g \u0026amp; electronics) \u0026amp; Stockhausen (tp); free collective\u003cbr\u003e15. A PRAYER (arr. S. Caniato) 4:38\u003cbr\u003eZeni (C-Melody sax); Stockhausen (tp); Merlin (el.g); Caniato (p)\u003cbr\u003e16. WE AND BIX (arr. L. Grata) 3:34\u003cbr\u003eDe Rossi (bars); Grata (tb); Merlin (bjo); Caniato (p)\u003cbr\u003eTotal Time: 66:45\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Bix\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIGER DIXIE BAND\u003c\/strong\u003e\u003cbr\u003ePaolo Trettel (cornet on 1, 2, 4, 6, 7, 9, 12, 16; trumpet on 3, 5, 8, 10, 11, 13, 14)\u003cbr\u003eGigi Grata (trombone)\u003cbr\u003eStefano Menato (metal clarinet \u0026amp; clarinet)\u003cbr\u003eFiorenzo Zeni (C-Melody sax on all tracks, exc. tenor sax on 1, 11)\u003cbr\u003eGiorgio Beberi (bass sax)\u003cbr\u003eStefano Caniato (piano)\u003cbr\u003eEnrico Merlin (banjo; acoustic, archtop \u0026amp; electric guitars, live electronics, loops)\u003cbr\u003eRoman Hinteregger (drums, percussion)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGUESTS:\u003c\/strong\u003e\u003cbr\u003eRenzo De Rossi (baritone sax on 1, 5, 16)\u003cbr\u003eLorenzo Casera (violin on 4, 6)\u003cbr\u003eLucia Minetti (vocal on 6, 7)\u003cbr\u003eMarkus Stockhausen (trumpet on 3, 10, 11, 12, 14, 15; piccolo trumpet on 9)nzo, Giorgi\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eProducers:\u003cstrong\u003e Tiger Dixie Band, Velut Luna\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eRecording engineer:\u003cstrong\u003e Marco Lincetto\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eDigital Editing:\u003cstrong\u003e Matteo Costa\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eMastering:\u003cstrong\u003e Marco Lacchini - Audiomaster Milano\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eConcept:\u003cstrong\u003e Giorgio Beberi \u0026amp; Enrico Merlin\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eLiner notes:\u003cstrong\u003e Enrico Merlin\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eBand Pictures:\u003cstrong\u003e Paolo Trettel, Marco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e24 Bit 96 kHz original recording. Teatro Polivalente, Abano Terme - Italy, May, 19-20 2003. \u003cstrong\u003eRemastered 2023\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cbr\u003e“Attraverso la lettura di una biografia di Leon Bix Beiderbecke, avvenuta nel remoto 1952, penetrai nello sconfinato, affascinantissimo mondo del jazz. Collezionando i suoi dischi, allora quasi introvabili, appresi i primi fraseggi che tentai di replicare sul mio clarinetto. Traducendo dall’inglese il corposo volume di Phil Evans mi sono avventurato\u003cbr data-mce-fragment=\"1\"\u003enei meandri più intimi della sua dolorosissima vicenda umana. Ne sono rimasto talmente colpito da decidere di farne un film. E’ proprio quel film, sulla sua vita, che mi ha permesso di girare per la prima volta in America, di avviare quella straordinaria esperienza. Oggi la casa in cui Bix nacque, a Davenport, sulla Grand Avenue, è stata restaurata, riportata a come era agli inizi del secolo. Quella casa di legno bianco, protetta da due grandi faggi, è nostra ed è inserita nell’albo dei luoghi di rilevanza storica degli Stati Uniti d’America. A Bix debbo quindi molto, forse la parte più eccitante della mia avventura umana”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePupi Avati\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLa celebrazione del centenario della nascita di Leon Bix Beiderbecke è stata l’occasione per realizzare un tributo ad uno dei più grandi esponenti del Jazz. Il suo modo di suonare, di interpretare ritmo e melodie, di costruire gli assoli e soprattutto i (purtroppo) pochi brani da lui composti, lanciano un ponte verso il futuro, caratteristica comune a tutti i grandi innovatori nel campo della musica di estrazione afroamericana. La fase preparatoria del progetto è stata fondamentale, in quanto si voleva realizzare un omaggio che non fosse solo un esercizio di stile, teso a ricreare le sonorità originali, ma piuttosto una sorta di viaggio nel tempo, che partendo dall’inizio del secolo si sviluppasse poi sino alle esperienze musicali più recenti cercando di mantenere quel determinato colore, ma trascendendo i confini abituali del genere. La sonorità generale è caratterizzata dall’utilizzo di molti strumenti d’epoca (C-melody sax, sax basso, clarinetto in metallo, cornetta, ecc.), ma nella seconda parte la chitarra elettrica si sostituisce al banjo e alla chitarra acustica e gli arrangiamenti si muovono verso spazi diversi. A completamento del progetto si voleva coinvolgere un trombettista moderno, che impersonasse una sorta di trasfigurazione stilistica del musicista di Davenport e Markus Stockhausen ha accettato la sfida di buon grado, fornendo un’interpretazione magistrale che molto ha aggiunto all’intero lavoro. Il veicolo che ci ha permesso di effettuare il salto temporale è “In A Mist”, brano particolarmente significativo nella vita e nella carriera di Bix. La nostra versione si apre con un arrangiamento aderente all’originale per pianoforte per poi muoversi su coordinate modali\u003cbr\u003ein un cross-over tra “Maiden Voyage” e “So What”. Nel CD sono contenute le cinque composizioni conosciute di Bix Beiderbecke, alcune delle quali esistono solo in forma di partitura, in quanto Bix non ebbe il tempo di trasferirle dalla carta al solco. Alcune di esse hanno subito un processo di metamorfosi, come ad esempio “Candlelights”, che partendo da elementi dati si sviluppa come un “latin diagonale”, per\u003cbr\u003eapprodare nella sua parte centrale ad un episodio free. Nella selezione sono stati inclusi anche alcuni dei brani che Bix registrò come membro delle formazioni di Trumbauer, Whiteman e Goldkette. E preziosa è stata la partecipazione di Lucia Minetti, che con il suo timbro “antico” ha contribuito a ricreare la sonorità dell’epoca.\u003cbr\u003eUn tributo particolare a Paul Whiteman è pagato anche dall’arrangiamento della celebre “Mattinata” di Ruggero Leoncavallo, che richiama alla memoria quei “pastiches” orchestrali, talvolta al limite del grottesco, con i quali si “jazzavano” brani appartenenti al repertorio classico. Il disco è completato da alcune composizioni originali ispirate alla figura di Bix Beiderbecke o ad alcuni aspetti del suo stile: “Minor Bounce”, “Phrythm”, “A Prayer”, “Bix on the Box” e “We and Bix”. “Minor Bounce” con le sue figure ritmiche rende omaggio al Charleston ed alla “danzabilità” della musica del tempo. “Phrythm” è un “Rhythm changes” lanciato nello spazio, dove le armonie moderne ricalcano stilemi antichi. “Bix on the Box” parla di un navigatore che in un piccolo guscio affronta un viaggio in terre lontane e sconosciute e dopo straordinari incontri con le più strane creature, tra i perigliosi flutti, giunge al fin alla sua\u003cbr\u003emeta… “A Prayer” si apre con un’introduzione a cappella e si sviluppa su una delle progressioni classiche del Gospel, che in una certa maniera ci riporta indietro nel tempo dove ci attende “We \u0026amp; Bix”, composizione costruita intorno ad un assolo di Bix, così come Ulisse, il suo letto e la sua casa.\u003cbr\u003e\u003cstrong\u003eEnrico Merlin\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"88.2kHz · 24bit","offer_id":46763317690715,"sku":"CVLD082","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/082-cover.jpg?v=1684828334"},{"product_id":"just-here-right-there-tiger-dixie-band","title":"JUST HERE, RIGHT THERE - Tiger Dixie Band","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJUST HERE, RIGHT THERE\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD046)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTiger Dixie Band\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEd un giorno una tigre iniziò a suonare...\u003cbr\u003e“From Italy to New York City”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Just-Here-Right-There\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. WHEN THE SAINTS GO MARCHING IN (Traditional)\u003c\/p\u003e\n\u003cp\u003eCos’è questo suono, cos’è questa musica?\u003cbr\u003eLa domanda mi colse sull’ottavo dei venticinque scalini, bianchi come il mio cappello, di quella grande nave che aveva attraversato l’oceano per portarmi in America.\u003cbr\u003eUna musica strana che non avevo mai sentito, note che si rispecchiavano come onde lontane tra i riflessi di finestre appese a case talmente alte da far ombra al sole.\u003cbr\u003ePer giorni e giorni il mare mi aveva cullato ed io nel blu gli avevo vomitato tutto il mio passato. Ora però ero a New York, nella grande città ed avevo deciso di accarezzarla tuffandomi tra le braccia eleganti e delicate di una sirena dagli occhi verdi e profondi come un orgasmo a ottomila miglia dalle rocce che bucavano la mia finestra, come la voglia di ricominciare per sentirsi vivo.\u003c\/p\u003e\n\u003cp\u003eTribute to Scott Joplin\u003cbr\u003e2. MAPLE LEAF RAG (Scott Joplin)\u003cbr\u003e“ From New York to New Orleans”\u003c\/p\u003e\n\u003cp\u003eLe ruote del treno si mossero lentamente portandomi con loro verso il sud.\u003cbr\u003eQuel ragazzo senza scarpe ma con un mandolino arancione mise a tacere vecchi e bambini mentre la sua melodia giocava nella mia mente cavalcando le piatte increspature del Mississipi. Al di là dei sedili di legno, duri come il volto del nero di fronte a me, i miei pensieri correvano in un mondo dove l’orizzonte non avrebbe mai trovato limiti. A New Orleans, dove arte, sesso e preghiera si trovavano ogni notte per liberare nell’aria quella musica jazz che faceva sorridere anche la luna, Henry Matranga mi disse che il mio sudore non sarebbe mai stato ricompensato ma che portare whiskey a neri di classe era pur sempre un lavoro. Ed una sera un uomo sorrise allo specchio leccandosi un brillante sospeso tra i denti color latte, si sedette al pianoforte per conquistare la corona di una melodia racchiusa in un attimo che sa di eterno.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to Jelly Roll Morton\u003c\/span\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003e3. WOLVERINE BLUES (Ferdinand “Jelly Roll” Morton)\u003cbr data-mce-fragment=\"1\"\u003e4. PANAMA (William H. Tyers)\u003cbr data-mce-fragment=\"1\"\u003e5. TIN ROOF BLUES (Leon Roppolo, Paul Mares, Ben Pollack)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMa le mie lacrime caddero nel whiskey quando un tale che parlava la mia lingua salì sul palco e con la sua band attaccò un brano ad un ritmo frenetico, il cui titolo aveva a che fare con una tigre. All’epoca egli non lo sapeva, ma ben presto quel suono che sembrava più veloce del tempo sarebbe stato actturato in un solco sonoro. E in quel cerchio nero che roteava strisciando, quelle note se ne sarebbero andate in giro per il mondo a divertire uomini e donne che non avrei mai conosciuto.\u003cbr data-mce-fragment=\"1\"\u003eAllora il pianista di colore smise di leccarsi il brillante, si alzò, prese il cappello e senza dire una parola, lentamente, se ne andò.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to D. J. LaRocca\u003cbr data-mce-fragment=\"1\"\u003e6. FIDGETY FEET (D.J. LaRocca – Larry Shields)\u003cbr data-mce-fragment=\"1\"\u003e7. TIGER RAG (D.J. LaRocca)\u003cbr data-mce-fragment=\"1\"\u003e“Nov. 1917, The closing of Storyville – From New Orleans to Chicago”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUna notte vennero uniformi con stelle dorate sul petto e Storyville se ne andò in una cometa di note lasciando i suoi figli seduti nella polvere. Allora indossai le scarpe nuove e me ne andai a Chicago dove uno strano musicista dalla bocca a forma di sacco, toccando il cielo con la sua cornetta, faceva vibrare le emozioni che ballavano felici sull’orlo dell’anima.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to Louis Armstrong\u003cbr data-mce-fragment=\"1\"\u003e8. MUSKRAT RAMBLE (Edward “Kid” Ory)\u003cbr data-mce-fragment=\"1\"\u003e9. BASIN STREET BLUES (Spencer Williams)\u003cbr data-mce-fragment=\"1\"\u003e10. STRUTTIN’ WITH SOME BARBECUE (Lillian Hardin Armstrong)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUna domenica sul battello un ragazzo diede un calcio allo spartito, si aggiustò i capelli biondi ed estrasse un assolo. Improvvisamente il battello iniziò a girare su se stesso per perdersi nel vento di Chicago in un\u003cbr data-mce-fragment=\"1\"\u003eturbinio di suoni, come se tutta la città avesse deciso di vestirsi con quelle note che sembravano unire in una melodia di fine estate, il nero ed il bianco del jazz.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to Bix Beiderbecke\u003cbr\u003e11. BILL BAILEY (Hughie Cannon)\u003cbr\u003e12. ROYAL GARDEN BLUES (Clarence \u0026amp; Spencer Williams)\u003cbr\u003e13. WHO’S SORRY NOW (Ted Snyder)\u003cbr\u003e14. I’VE FOUND A NEW BABY (Jack Palmer \u0026amp; Spencer Williams)\u003cbr\u003e“Just Here, Right There - Back to Italy at present day”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOra sono tornato dove sono nato decine di anni fa. Sono seduto ad occhi chiusi mentre il sole scende lento lungo la montagna. Un suono lontano risveglia il mio sguardo: un gruppo di musicisti gioca con dei suoni familiari, giocano e ridono con la passione di un secolo appena nato. Li guardo e sorrido mentre i miei piedi seguono un ritmo che volando sul mare rimbalza nello spazio e nel tempo.\u003cbr\u003eRichiudo gli occhi e qualcuno mi sussurra nell’orecchio “Proprio qui, esattamente là”.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e15. THE DISCLAND (Maurizio Scomparin)\u003cbr\u003e16. THE REVENGE OF THE ELEPHANT (D.J. LaRocca, Paolo Trettel)\u003cbr\u003e17. GOOD MORNING BLUES (Fiorenzo Zeni)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e18. WHEN THE SAINTS GO MARCHING IN (Traditional)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTIGER DIXIE BAND\u003c\/strong\u003e\u003cbr\u003ePaolo Trettel (trumpet)\u003cbr\u003eLuigi Grata (trombone; tuba on 11, 12, 16)\u003cbr\u003eStefano Menato (clarinet; soprano sax on 5, 9, 17)\u003cbr\u003eGiorgio Beberi (bass sax; tenor sax on 5, 9, 11, 12; out on 17)\u003cbr\u003eEnrico Merlin (banjo; acoustic guitar on 5, 9, 17; add. mandolin on 1)\u003cbr\u003eCarlo Alberto Canevali (drums, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpecial guests:\u003c\/strong\u003e\u003cbr\u003eFiorenzo Zeni (tenor sax on 2, 10, 12, 16, 17; soprano sax on 11)\u003cbr\u003eBeppe Pilotto (acoustic bass on 5, 9, 17)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: \u003cstrong\u003eVelut Luna \/ Tiger Dixie Band\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eSound Engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDigital Editing and Mastering: \u003cstrong\u003eFabio Framba\u003c\/strong\u003e\u003cbr\u003eProject and storyboard: \u003cstrong\u003eEnrico Merlin\u003c\/strong\u003e\u003cbr\u003ePhotos: \u003cstrong\u003eSergio DeCarli\u003c\/strong\u003e\u003cbr\u003eNovel: \u003cstrong\u003eAndrea Manfredi\u003c\/strong\u003e\u003cbr\u003eEnglish Translation: \u003cstrong\u003eFrancesca Menna\u003c\/strong\u003e\u003cbr\u003eLayout: \u003cstrong\u003eL’image\u003c\/strong\u003e\u003cbr\u003eTrading Consultant: \u003cstrong\u003eYair Wahl\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording was made at Public Auditorium, Chiuppano-Vicenza, Italy, on October 22-23th, 2000, using the ultimate and the most advanced digital technology, based upon Prism Sound Dream AD2 24Bit\/96kHz AD converter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":46763613552987,"sku":"CVLD046","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/046cover.jpg?v=1684831474"},{"product_id":"kd-jazz","title":"KD - JAZZ","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eKD \u003c\/b\u003e(CVLD331)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDorham's Epitaph, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e1:40\u003c\/p\u003e\n\u003cp\u003e2 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMonaco, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e6:02\u003c\/p\u003e\n\u003cp\u003e3 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eNone Shall Wander, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e5:32\u003c\/p\u003e\n\u003cp\u003e4 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLotus Blossom, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e6:01\u003c\/p\u003e\n\u003cp\u003e5 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLa Mesha, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e5:46\u003c\/p\u003e\n\u003cp\u003e6 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJazz-classic, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e6:09\u003c\/p\u003e\n\u003cp\u003e7 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSunset,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e5:04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eBlues Elegante, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e5:05\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eTot. Time:  41:24\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/_KD\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAll compositions by Kenny Dorham\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eLorenzo De Luca,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003esax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMartino De Franceschi,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003edouble bass\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMarcello Abate,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eguitar\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMarco Soldà,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003edrums\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e88.2kHz \/ 24bit digital recording made at Magister Recording Area, Preganziol- Italy,  on January 5, 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduction:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalance recording engineer:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePro Tools operator:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrea Valfrè\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMix and Mastering engineer:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhoto:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesign and layout:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto disco si avvale anche del contributo economico del\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003ePROGETTO LPM\u003c\/em\u003e\u003c\/strong\u003e, nato da un atto di mecenatismo privato e finalizzato a sostenere l'avvio all'attività professionale dei giovani eccellenti fra i laureandi e i laureati dai Conservatori Statali di Musica del Veneto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Dorham\u003c\/strong\u003e (a differenza del quasi coetaneo Miles Davis) viene spesso inserito nella categoria dei musicisti sottovalutati, nonostante una carriera molto intensa; in effetti soprattutto nel suo ultimo periodo - è morto nel 1972 - non ha avuto vita facile.\u003c\/p\u003e\n\u003cp\u003eUn aspetto che però caratterizza e nobilita la figura di KD (così viene chiamato dai jazzisti) è la sua attività di compositore: sono oltre la sessantina i brani da lui scritti, tutti interessanti, articolati e a volte molto lirici. Numerose sue composizioni sono entrate a far parte del repertorio jazzistico contemporaneo e questo CD ne è la prova.\u003c\/p\u003e\n\u003cp\u003eL’energia e la creatività di Lorenzo, Marcello, Martino e Marco dimostrano come sia possibile dare una versione assolutamente contemporanea e non datata delle composizioni di KD rispettando pienamente l’idea originaria dell’autore. Lunga vita a KD!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePietro Tonolo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eQuando ci è stato proposto di realizzare un omaggio alla musica di Kenny Dorham, abbiamo colto l’occasione con entusiasmo e curiosità. Il lavoro che ne è uscito è il prodotto delle nostre numerose esperienze come gruppo (condivise sia in ambito accademico sia artistico) e del nostro background musicale, dal quale abbiamo attinto nel reinterpretare un repertorio intriso di colori e suoni affascinanti. Di fatto, abbiamo scelto le composizioni più vicine alla nostra sensibilità, in alcuni casi deviando dall’idea originaria del trombettista. \u003c\/p\u003e\n\u003cp\u003eSonorità afrocentriche, reminiscenze blues e delicato lirismo trovano negli elementi tipici del bebop il loro denominatore comune, fornendoci un materiale ricco sul quale lavorare senza stravolgerne, di per sé, l'essenza. Affrontare un lavoro monografico su un autore prolifico come KD è stata un’opportunità stimolante: collaborare  ad  un  progetto  discografico  in  un  periodo  in  cui  gli  incontri  sono  rari,  ha rappresentato  per  noi  una  sfida,  mettendoci  alla  prova  nel  realizzare  un  album  che  fosse  il  più  fedele possibile  a  un’esecuzione  dal  vivo.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLorenzo, Marcello, Marco, Martino\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993763783003,"sku":"CVLD331","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46770589860187,"sku":"CVLD331","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_ef1387e6-ff69-41e5-bc15-3ccd1e2cfd75.jpg?v=1685029808"},{"product_id":"catch-me-francesco-pollon","title":"CATCH ME - Francesco Pollon","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eCATCH ME \u003c\/b\u003e(CVLD324)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Preghiera antica (F.Pollon)  4:56\u003cbr\u003e02 - Catch Me (F.Pollon)  7:10\u003cbr\u003e03 - 181 Years Later (from Chopin's Prelude N. 8, Op. 28) (F.Pollon)  7:01\u003cbr\u003e04 - Beatrice (S.Rivers)  4:53\u003cbr\u003e05 - Impro 1 (F.Pollon)  4:27\u003cbr\u003e06 - Flying To (F.Pollon)  7:49\u003cbr\u003e07 - M. O. (F.Pollon)  7:48\u003cbr\u003e08 - Impro 2 (F. Pollon)  4:36\u003cbr\u003e09 - A Smile (F. Pollon)  7:31\u003cbr\u003e10 - I Fall In Love Too Easily (J. Styne, S. Cahn)  6:38\u003c\/p\u003e\n\u003cp\u003etot. time: 63:07\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/CatchMe\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2 digital recording made at Laboratorio ZANTA, Camponogara, Italy, on June 4, 5, 2020\u003cbr\u003eFrancesco Pollon plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording, mix \u0026amp; mastering engineer: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eCovert Art: L'Image\u003cbr\u003eDesign and Layout: L'Image\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ davvero un grande piacere ascoltare Francesco suonare. Sono veramente impressionato dalla sua immaginazione, sensibilità, dal suo bellissimo suono sul pianoforte e dal modo in cui si esprime attraverso la musica. Ciò che è raro per l’età di Francesco, è che chi lo ascolta può sentire la sua voce forte, personale e unica. Francesco non suona semplicemente il piano. Lui racconta vere e proprie storie e canta attraverso lo strumento! Il che lo rende un autentico tesoro tra i pianisti della sua generazione. Tengo le dita incrociate per i suoi prossimi traguardi musicali!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePiotr Wylezol - pianista jazz, compositore e professore presso l’Accademia di Musica di Cracovia.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995083612507,"sku":"CVLD324","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46807686873435,"sku":"CVLD324","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_020ba81f-931d-489b-a237-583bda935e86.jpg?v=1686062615"},{"product_id":"mingus-world-maria-vicentini-salvatore-maiore","title":"MINGUS WORLD - Maria Vicentini Salvatore Maiore","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eMINGUS WORLD\u003c\/strong\u003e (CVLD320)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Monk, Bunk \u0026amp; Vice Versa  4:30\u003cbr\u003e02 - Fables Of Faubus  6:40\u003cbr\u003e03 - Goodbye Pork Pie Hat  4:51\u003cbr\u003e04 - Jelly Roll  3:35\u003cbr\u003e05 - Duke Ellington Sound Of Love \/ Oh Lord, Don't Let Them Drop That Atomic Bomb On Me  7:55\u003cbr\u003e06 - O.P.  3:10\u003cbr\u003e07 - Sue's Changes  6:18\u003cbr\u003e08 - Jump Monk  4:38\u003cbr\u003e09 - Better Get Hit In Your Soul  4:18\u003c\/p\u003e\n\u003cp\u003etotal time: 45:58\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/MingusWorld\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll compositions by Charles Mingus\u003cbr\u003eAll arrangements by Salvatore Maiore and Maria Vicentini\u003c\/p\u003e\n\u003cp\u003eMaria Vicentini, violin and viola\u003cbr\u003eSalvatore Maiore, cello and double bass\u003c\/p\u003e\n\u003cp\u003e88.2kHz\/24bit original recording made live-in-studio at San Giacomo Spazio d'Arte, Italy, on November, 30, 2019\u003cbr\u003eMarco Lincetto choose a pure DECCA TREE recording set up, using three RIBERA R12 vacuum tube microphones\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance Engineer: Marco Lincetto\u003cbr\u003eRecording Engineers: Cristiano Zatta \u0026amp; Marco Lincetto\u003cbr\u003eEditing Engineers: Cristiano Zatta \u0026amp; Marco Lincetto\u003cbr\u003eMix and Mastering Engineer: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003c\/p\u003e\n\u003cp\u003eKingus Mingus\u003c\/p\u003e\n\u003cp\u003ePiù invecchio, più mi irrito per la banalità del racconto sul jazz e sui suoi personaggi rinchiusi nei luoghi comuni che vanno dal “buontempone dalla risata perenne” al “genio e sregolatezza”, passando per una serie di frasi fatte che vi risparmio e mi risparmio.\u003cbr\u003ePiù invecchio, più gioisco quando mi imbatto nei lavori di musicisti di ogni generazione che non si fermano alle formulette stereotipate, ma al contrario si attivano in opere di sana ricerca e di  approfondimento, guidati da una concezione del jazz come grande crocevia di apporti culturali .\u003cbr\u003eLa rilettura dei capolavori di Charles Mingus realizzata da Maria Vicentini e Salvatore Maiore, se da una parte ne mantiene con grande luminosità l’effervescente fiume tematico, dall’altra ne esalta i valori contrappuntistici, la vocazione per il dialogo, il coraggio della sperimentazione, e il gusto per i colori tipico dell’amato Ellington, ma anche di Oscar Pettiford, qui deliziosamente omaggiato con “O.P.”, e non a caso anche lui violoncellista oltre che contrabbassista.\u003cbr\u003eIl tutto con la competenza strumentale, l’impegno nella progettazione del percorso, l’esecuzione “senza trucco e senza inganno”, ma al tempo stesso la leggerezza e la sottile ironia vuoi nelle improvvisazioni quanto negli obbligati che caratterizzano i musicisti maturi ma ancora freschi e creativi, in grado di quel non prendersi troppo sul serio che è in realtà l’anticamera della serietà.\u003cbr\u003eInsomma un bel servizio a Mingus, che se ce ne fosse ancora bisogno, si disvela artista dalle ampie visioni, ben oltre quel borioso e vanitoso attaccabrighe da bar dello sport che tante voci (…compresa quella di lui medesimo…) ci hanno superficialmente descritto.\u003c\/p\u003e\n\u003cp\u003eBruno Tommaso\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46813254287707,"sku":"CVLD320","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a7573992-0a70-4e57-8ed8-67cfade91e61.jpg?v=1686216574"},{"product_id":"at-time-it-is-vincenzo-cipriani","title":"AT TIME IT IS - Vincenzo Cipriani","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eAT TIME IT IS \u003c\/b\u003e(CVLD307)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Parallels 4.08\u003cbr\u003e02 - At times It is (voice Cinzia Tedesco)* 3.31\u003cbr\u003e03 - W.A. Sebastian (viola Piero Massa) 4.51\u003cbr\u003e04 - Running Time 6.59\u003cbr\u003e05 - Song for Anna (viola Piero Massa) 4.24\u003cbr\u003e06 - Take off 5.00\u003cbr\u003e07 - 5:6:5 Around The Music (viola Piero Massa) 5.14\u003cbr\u003e08 - Eclectic Inside (Live in Studio) 7.44\u003cbr\u003e09 - Frescobaldi (piano solo Vincenzo Cipriani) 6.02\u003cbr\u003e10 - At times It is - Solo Trio (Live in Studio) 3.19\u003cbr\u003e       \u003cbr\u003e       Total Time 51.16\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/At-Times-It-Is\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll compositions and arrangements by Vincenzo Cipriani\u003cbr\u003e* Lyrics by Cinzia Tedesco\u003c\/p\u003e\n\u003cp\u003eVincenzo Cipriani piano\u003cbr\u003eCinzia Tedesco voice\u003cbr\u003eFrancesco La Capra electric bass\u003cbr\u003eFrancesco Rondinone drums\u003cbr\u003ePiero Massa viola\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original live recording made at Areamagister Studios, Preganziol,  August 19-20-21, 2018\u003cbr\u003eVoice recorded by Angelo Cannarile at Studio Strada Recording, Matera on August 23. 2018\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna \u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording, Mix \u0026amp; Mastering: Marco Lincetto\u003cbr\u003eCover photo: Marco Lincetto\u003cbr\u003eVincenzo Cipriani photo: Aurora Maletik\u003cbr\u003eCinzia Tedesco photo: Stefano Ramaccia\u003c\/p\u003e\n\u003cp\u003eDopo due dischi, Weke music for piano \u0026amp; string e Eclectic Inside, dedicati fondamentalmente alla composizione per pianoforte e string orchestra, At times it isvuole essere un ritorno ad un processo creativo che mira, attraverso il trio jazz (piano, basso elettrico e batteria), la viola e il canto, alla essenzialità della forma e dello stile senza rinunciare ai tratti distintivi che da sempre caratterizzano il mio stilo compositivo ovvero la voglia di raccontare delle storie nel segno del crossover style. Le composizioni, tra di loro differenti per stile, pathos e forma, si caratterizzeranno sempre da una struttura formale solida legata al jazz cameristico influenzato dal pop, funky, latin e alcuni stilemi ritmici e melodici tipici della cultura araba. Da sempre sono convinto che ciò che accomunala musica dei nostrigiorni, in particolare il jazz, e la musica del passato, in particolare quella barocca, è che in entrambi i generi è possibile suonare anche “ciò che non è scritto”. Da ciò è nata l’esigenza di omaggiare “a modo mio” due compositori del passato ma al contempo modernissimi come J. S. Bach e Girolamo Frescobaldi che hanno fortissimamente influenzato la mia formazione musicale. Infine un grazie ai miei compagni di questa avventura i quali hanno condiviso “la mia idea di fare musica”.\u003c\/p\u003e\n\u003cp\u003eVincenzo Cipriani nato a Bad Canstatt (Germania) il 12 Ottobre 1969, pianista, organista e compositore, è docente presso il Conservatorio E.R. Duni di Matera di armonia jazz, ritmica della musica contemporanea, ear training. Ha pubblicato due cd di sue composizioni inedite Weke music for piano \u0026amp; string (Velut Luna, 2010), Eclectic Inside (Farelive, 2018). Ha tenuto tourneè internazionali in Cina,Hong Kong, Lithuania, Belgio, Brasile, Thailandia, Turchia, Egitto, Romania, El Salvador, Germania e Francia. Ha eseguito le sue composizioni in reading teatrali collaborando con diversi attori tra cui Giancarlo Giannini, Michele Mirabella, Silvia D’Amico.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000503570779,"sku":"CVLD307CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46845290316123,"sku":"CVLD307","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_6000ce68-3adc-4834-bfce-af43dd2b5e43.jpg?v=1686935625"},{"product_id":"lidjienko-smile-massimo-salvagnini-paolo-birro","title":"LIDJIENKO SMILE - Salvagnini, Birro","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLIDJIENKO SMILE \u003c\/b\u003e(CVLD311)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e01 - \u003cstrong\u003eDo You know What It Means to Miss New Orleans?\u003c\/strong\u003e (De lange, Alter) 3:21\u003cbr\u003e02 - \u003cstrong\u003eSoft Bone\u003c\/strong\u003e (Salvagnini) 3:52\u003cbr\u003e03 - \u003cstrong\u003eHappy New Reed\u003c\/strong\u003e (Salvagnini) 1:54\u003cbr\u003e04 - \u003cstrong\u003eSanta Claus Is Coming to Town\u003c\/strong\u003e (Coots, Gillespie) 5:01\u003cbr\u003e05 - \u003cstrong\u003eChange of Ghost\u003c\/strong\u003e (Salvagnini) 4:15\u003cbr\u003e06 - \u003cstrong\u003eI Don’t Like These New Flowers\u003c\/strong\u003e (Salvagnini) 3:25\u003cbr\u003e07 - \u003cstrong\u003eI Hope You’ll Change\u003c\/strong\u003e (Salvagnini) 5:34\u003cbr\u003e08 - \u003cstrong\u003eOnly Afternoon\u003c\/strong\u003e (Salvagnini) 4:09\u003cbr\u003e09 - \u003cstrong\u003eClosed Eyes\u003c\/strong\u003e (Salvagnini) 6:06\u003cbr\u003e10 - \u003cstrong\u003eLidjienko’s Way\u003c\/strong\u003e (Salvagnini) 2:49\u003cbr\u003e11 - \u003cstrong\u003eI Can’t Get Started\u003c\/strong\u003e (Duke, I.Gershwin) 2:26\u003cbr\u003e12 - \u003cstrong\u003eA Pit Is Not a Grave\u003c\/strong\u003e (Salvagnini) 4:41\u003cbr\u003e13 - \u003cstrong\u003eWorms at Work\u003c\/strong\u003e (Salvagnini) 4:18\u003cbr\u003e14 - \u003cstrong\u003eEmpty Suit\u003c\/strong\u003e (Salvagnini) 3:47\u003cbr\u003e15 -\u003cstrong\u003e Funny Corpse\u003c\/strong\u003e (Salvagnini) 7:52\u003cbr\u003e16 - \u003cstrong\u003eHe’s Funny That Way\u003c\/strong\u003e (Whiting, Moret 4:58\u003cbr\u003e17 - \u003cstrong\u003eI Remember You\u003c\/strong\u003e (Mercer, Schwertzinger) 2:17\u003cbr\u003eTotal Time: 72:27\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Lidjienko-Smile\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginal compositions by \u003cstrong\u003eMassimo Salvagnini\u003c\/strong\u003e and American Standards \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMassimo Salvagnini\u003c\/strong\u003e, saxophone \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePaolo Birro\u003c\/strong\u003e, piano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz re-mastering from original analog tapes using ADC Prism Sound AD2 Dream and analog console Neve 88, made at Velut Luna Studios, Casalserugo, Italy on November, 8, 2018\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eMusical producers: \u003cstrong\u003eMassimo Salvagnini,\u003c\/strong\u003e \u003cstrong\u003ePaolo Birro\u003c\/strong\u003e\u003cbr\u003eRecording engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRe-mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eCover painting: \u003cstrong\u003eMassimo Salvagnini\u003c\/strong\u003e\u003cbr\u003eInside photos: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e, \u003cstrong\u003eMassimo Salvagnini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIl disco in duo, registrato in parte in abitazioni private e in parte in un grande auditorium vuoto, offre con il suo riverbero una singolare apertura timbrica alla musica e testimonia lo straordinario risultato dell'incontro dei due musicisti, tra atmosfere jazz e geniali improvvisazioni in un'atmosfera romantica, ma non crepuscolare. Opera prima di Velut Luna, dedicata al filosofo e letterato rumeno \u003cstrong\u003eRadu Lidijenko\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracks 1 - 8:\u003c\/strong\u003e\u003cbr\u003erecorded in a little rehearsal room at Paolo Birro’s home in Montagnana, Italy, on February, 21, 1995 using a Yamaha C3 Piano and analog recording set up: Revox PR99 with Maxell UD Master Tape 1\/4” 38cm\/sec - O.T.L. 2ch Mic Preamp 1, custom built for Velut Luna by Riccardo Ceolin - AKG C535B microphones, XY stereo pair\u003cbr\u003e\u003cstrong\u003eTracks 9 - 17:\u003c\/strong\u003e\u003cbr\u003erecorded at Auditorium Pollini, Padova, Italy, on March, 21, 1995, using a Steinway \u0026amp; Sons D274 Concert Grandpiano and analog recording set up: Revox PR99 with Maxell UD Master Tape 1\/4” 38cm\/sec - Millennia Media HV-3C, 2ch mic preamp - Sennheiser MKH-20 microphones, A-B stereo pair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLidjienko Smile\u003c\/strong\u003e è qualcosa di molto simile alla leggendaria “Numero Uno” di Zio Paperone...\u003cbr\u003eUn disco prezioso, fondamentale, imprescindibile e autentica icona di Velut Luna. Così come nel corso degli anni Massimo Salvagnini è diventato l’artista simbolo per antonomasia della mia Velut Luna. Con questo lavoro di remastering, assolutamente rispettoso delle inedite registrazioni analogiche originali, intendo dare nuova luce a queste musiche, che nel lontano 1995 vennero consegnate alla stampe partendo dalle riprese digitali allora realizzate in semplice formato 16bit\/44.1kHz del DAT Tascam DA20 utilizzato per le riprese in parallelo al registratore analogico Revox.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46865210048859,"sku":"CVLD311","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_8f44c4a2-fae8-4332-9e8e-875cf24bbf4c.jpg?v=1687444414"},{"product_id":"serengeti-oscar-del-barba","title":"SERENGETI - Oscar Del Barba","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eSERENGETI \u003c\/b\u003e(CVLD035)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eOscar del Barba,  \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003egrandpiano\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eMauro Negri, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eclarinets\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarkus Stokhausen, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003etrumpet and Fluegelhorn\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eSara Michieletto, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eviolin\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaolo Pasoli, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eviola\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicola Boscaro, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ecello\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003ci style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eGianaldo Tatone, \u003c\/b\u003esecond violin\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e1. Giocolieri - 00:07:28 (Oscar Del Barba)\u003cbr\u003e2. Il mare nel cielo - 00:10:07 (Oscar Del Barba)\u003cbr\u003e3. Burlesca - 00:05:56 (Oscar Del Barba)\u003cbr\u003e\u003cbr\u003eRapsodia Balcanica(Oscar Del Barba)\u003cbr\u003e4. No. 1 - 00:05:41\u003cbr\u003e5. No. 2 - 00:07:06\u003cbr\u003e6. No. 3 - 00:04:37\u003cbr\u003e7. Balanço - 00:04:42 Trio Fenice (Oscar Del Barba)\u003cbr\u003e8. Inverno - 00:07:29 (Oscar Del Barba)\u003cbr\u003e9. Serengeti - 00:11:03 (Oscar Del Barba)\u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" data-store=\"it-it\" data-nbtracksdisplayed=\"9\" data-nbtracks=\"9\" data-itemid=\"8019349035002\" data-limit=\"50\" data-offset=\"0\" id=\"playerTracks\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"player__item\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"western\" lang=\"en-US\"\u003eTOTAL TIME: 1:04:10\u003c\/div\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Serengeti\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24Bit \/ 96 kHz Digital Recording. Live in studio at Pollini Auditorium (Padova, Italy). March - April, 2000\u003cbr\u003e\u003cbr\u003eLa sintesi perfetta della musica moderna. Su un impianto Jazz, echi classici, etnici e sperimentali. Nove brani originali di Oscar del Barba, luminoso talento Italiano, pianista e compositore. Ospite speciale alla Tromba e flicorno, Markus Stokhausen. Registrazione caratterizzata da grande naturalezza e realismo realizzata \"Live in studio\" presso l'Auditorium Pollni di Padova.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":46994373706075,"sku":"CVLD035","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_b5966b5d-a5d2-47bb-bb93-b2423459d937.jpg?v=1691158853"},{"product_id":"riflessi-in-contrasto-tiziana-cappellino","title":"RIFLESSI IN CONTRASTO - Tiziana Cappellino","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eRIFLESSI IN CONTRASTO \u003c\/b\u003e(CVLD288)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1 - Occhi velati (Tiziana Cappellino) 8:46\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 - La voglia e la pazzia (Vinicius de Moraes, Toquinho, Sergio Bardotti) 5:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Insolita luce azzurra (Piero Piccioni) 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - Da sola sott'acqua (Tiziana Cappellino) 7:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - Ninna Nanna per Nicolò (Tiziana Cappellino) 4:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Caffè alla finestra (Tiziana Cappellino) 4:53\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - Ritratto in bianco e nero (Antonio Carlos Jobim, Giorgio Calabrese) 8:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal Time: 45:45\u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Riflessi-in-contrasto\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan\u003eTiziana Cappellino, voice and piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJavier Girotto, soprano sax and flutes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Maiorino, double bass and electric bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMattia Barbieri, drums and percussions\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e24bit\/48kHz Original Digital Recording made at Only Music Studio, in Bruino, Italy, on October 2016, using: Pro Tools DAW.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnalog Mix and Mastering made at Velut Luna Studio, in Casalserugo, Italy on March 2017 using: Prism Sound DA-8HR Multitrack DAC --\u0026gt; Neve 88 analog console --\u0026gt; 24bit\/88.2kHz stereo ADC Prism Sound AD2 Dream --\u0026gt; Magix Sequoia DAW, for the 24bit\/88.2 Original Stereo Digital Master\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduction: Velut Luna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producers: Marco Lincetto and Tiziana Cappellino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer: Tiziana Cappellino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording Sound Engineer: Carlo Miori (Only Music Studio)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMix and Mastering Sound Engineer: Marco Lincetto (Velut Luna Studio)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout: L'Image\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTiziana Cappellino's cover and inside photos: Ugo Bellardone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Maiorino's photo: Rita Bernardi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMattia Barbieri's photo: Leonardo Schiavone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJavier Girotto's photo: Fabio Orlando\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003eRiflessi in contrasto. Voce e pianoforte. Musica jazz e latina, che abbraccia lievemente il tango, ma non solo. Quello che emerge è un insieme di riflessi di ciò che è stato, di quel che è, di quello che deve ancora nascere. Sono sfumature, in contrasto su più fronti. Sicuramente note che stridono con quello che oggi ci viene sapientemente imposto dal mercato discografico e dalla società in generale. C’è poi una contraddizione personale, da cui scaturisce lo stile delle composizioni originali e degli arrangiamenti. In questi sette brani risuonano anni delle più disparate esperienze umane, artistiche, professionali… di quelle che ti conducono dal buio della malinconia alla rabbia più nera, dall’insicurezza fragile alle velate richieste di aiuto, fino ad un’inattesa quanto inebriante esplosione di gioia e bellezza. Una forbice molto ampia di dinamiche per emozioni e musiche contrastanti ma sincere, prive di filtri e velleità di consenso. Il tutto è bilanciato dal suono unico di Javier che, insieme alla sezione ritmica, interpreta ed esalta la melodia in ogni passaggio del processo creativo.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002458607963,"sku":"CVLD288CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47019597922651,"sku":"CVLD288","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_ce7a2a32-6d29-4ddc-b981-36781b470465.jpg?v=1692030188"},{"product_id":"amor-y-pasion-oscar-del-barba","title":"AMOR Y PASION - Oscar Del Barba","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAMOR Y PASION \u003c\/b\u003e(CVLD215)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Oscar Del Barba. Franca Masu voice\/lirics by Alan Zamboni.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eO. Del Barba, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Beccalossi, accordion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG. Alberti, saxophone\/clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS. Maiore, double bass and cello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM. Vicentini, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Masu, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - EL NINO\u003cbr\u003e02 - PAIS\u003cbr\u003e03 - ORA\u003cbr\u003e04 - ARGENTO VIVO\u003cbr\u003e05 - LETTERA CANZONE\u003cbr\u003e06 - GATO BORRACHO\u003cbr\u003e07 - IL CUORE MUTO\u003cbr\u003e08 - PLAZA DE MAJO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Amor-y-Pasion\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/48hKz recording made at MagisterAreaStudios, Preganziol on October 11 \u0026amp; 12, 2009\/ March 31, 2011. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE’ sempre difficile parlare in poche righe di un nuovo progetto discografico di Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePerché Oscar Del Barba è un autore ricchissimo, che come pochissimi altri oggi riesce a sintetizzare una grande quantità di riferimenti colti a tutta la storia della musica degli ultimi 300 anni almeno.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCultura e preparazione accademica (diploma in pianoforte e poi in composizione), ampia frequentazione del mondo del jazz, spiccato amore per le musiche del “sud del mondo”, in particolare il Sud America: questo e altro ancora è Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolendo a tutti i costi dare a questo disco una definizione di “genere”, potremmo parlare senza dubbio di “tango e dintorni”… Altresì è bene ricordare che Oscar, nel booklet del disco, ringrazia, fra gli altri: Astor (Piazzolla), Igor (Stravinsky), Bela (Bartok), Claude (Debussy), Johann Sebastian (Bach)…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccompagnato da un gruppo da camera di musicisti di valore assoluto, tutti dotati della caratteristica della “duttilità interpretativa” – Salvatore Maiore, contrabbasso e violoncello, Maria Vicentini, violino, Fausto Beccalossi, fisarmonica, Gianni Alberti, sax e clarinetto e la straordinaria voce di Franca Masu – Del Barba consegna alla storia 8 ritratti in musica, in cui la forza descrittiva, diventa di volta in volta evocativa di situazioni ed emozioni, che si muovono con nonchalance fra Buenos Aires e Madrid, girovagando anche un po’ per il centro Europa…\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLast but not least, da sottolineare i bellissimi testi originali scritti appositamente da Alan Zamboni.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eE’ un disco questo, che ti prende per mano alla traccia 1 e non abbandona fimno all’ultima nota.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegistrato in diretta, come di consueto, nella splendida acustica naturale degli studi MagisterArea di Preganziol da Marco Lincetto, anche sul fronte della registrazione offre un suono coinvolgente, avvolgente e assolutamente naturale. Come altro non si potrebbe fare con la musica di Oscar Del Barba.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009272320347,"sku":"CVLD215CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 48kHz · 24bit","offer_id":47028396065115,"sku":"CVLD215","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a39e00c4-206e-463c-8e5c-6999c55f9f97.jpg?v=1692350834"},{"product_id":"crossing-caterina-bergo-paola-donato","title":"CROSSING -  Caterina Bergo Paola Donato","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eCROSSING  \u003c\/b\u003e(CVLD129)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01. Turodo Nacto\u003cbr data-mce-fragment=\"1\"\u003e02. Sonata per due arpe Allegro con spirito\u003cbr data-mce-fragment=\"1\"\u003e03. Sonata per due arpe Adagio espressivo\u003cbr data-mce-fragment=\"1\"\u003e04. Sonata per due arpe Allegro scorrevole\u003cbr data-mce-fragment=\"1\"\u003e05. Progetto per una notte di stelle\u003cbr data-mce-fragment=\"1\"\u003e06. Ariete\u003cbr data-mce-fragment=\"1\"\u003e07. Pesci\u003cbr data-mce-fragment=\"1\"\u003e08. Nia m'è restà, Blues\u003cbr data-mce-fragment=\"1\"\u003e09. Birdy\u003cbr data-mce-fragment=\"1\"\u003e10. New Age Clouds\u003cbr data-mce-fragment=\"1\"\u003e11. Gavotta in rondò per due arpe\u003cbr data-mce-fragment=\"1\"\u003e12. Improvviso\u003cbr data-mce-fragment=\"1\"\u003e13. Here, There and Everywhere\u003c\/p\u003e\n\u003cp\u003eTotal time: 1:02:05\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Crossing\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtistic Producer:\u003cspan\u003e \u003cstrong\u003eCaterina Bergo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; mastering:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto \u0026amp; Matteo Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditing:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMatteo Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLayout \u0026amp; Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL Caterina Bergo, arpa, Paola Donato arpa. High Definition digital recording 24bit \/ 96KHz. at Magister Studio, Preganziol, Italy, on Novembre 2005.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eL'arpa è senz'altro uno degli strumenti classici più affascinanti e magici, in grado di evocare atmosfere e situazioni veramente particolari e pregne di emozioni forti e indimenticabili. Caterina Bergo incarna perfettamente l'icona della grande interprete di questo strumento: giovanissima, ma già  con grande esperienza musicale, bellissima ed elegantissima, riesce nel corso dei suoi concerti a comunicare l'emozione della Musica come pochi altri interpreti. E per il suo disco d'esordio Velut Luna ha voluto organizzare una sorta di evento musicale unico, che oggi veramente poche altre etichette discografiche nel mondo hanno la forza e la credibilià  per poter realizzare. In sostanza, Marco Lincetto ha contattato alcuni dei più rappresentativi compositori italiani del momento ed ha chiesto loro di scrivere alcuni brani musicali espressamente per Caterina ed il suo disco d'esordio! Ecco quindi personalità  come Nicola Campogrande, Emilio Galante, Oscar Del Barba, Sergio Cossu, Fabrizio Castania, ed ancora Adriano Lincetto, Ferrero e Tutino con brani non scritti appositamente per questo disco, ma in prima registrazione mondiale. Si tratta di una musica nuova che difficilmente può essere etichettata sotto un genere preciso: essa infatti si pone come sintesi perfetta della tradizione classica (Campogrande e Castania), ma anche dello spirito più moderno del rock e del blues (Galante), senza disdegnare gli stilemi del jazz e del pop più raffinato (Del Barba e Cossu). E' infine molto importante sottolineare come in ogni caso siamo di fronte ad un programma musicale godibile, spigliato e di immediata presa su chiunque abbia la fortuna di ascoltarlo. E che dire della registrazione? Realizzata fra le magiche mura del grande Studio Magister è forse in grado di presentare per la prima volta un suono d'arpa veramente completo, ricco, di statura sinfonica, addirittura: masterizzato con tecnica VLHD da Marco Lincetto e Matteo Costa.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030112440667,"sku":"CVLD129CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 48kHz · 24bit","offer_id":47042610364763,"sku":"CVLD129","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/129-cover.jpg?v=1692788247"},{"product_id":"making-whopee-rosella-caporale-oscar-del-barba","title":"MAKING WHOPEE - Rosella Caporale Oscar Del Barba","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eMAKING WHOPEE \u003c\/b\u003e(CVLD132)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRosella Caporale\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, voce\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, SACD\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e01 My favourite things \/ Hammerstein - Rodgers 5:24\u003cbr data-mce-fragment=\"1\"\u003e02 Making Whopee \/ Kahn - Donaldson 4:47\u003cbr data-mce-fragment=\"1\"\u003e03 Sul fiume \/ O. Del Barba - R.Caporale 5:20\u003cbr data-mce-fragment=\"1\"\u003e04 Il soldato di latta \/ O.Del Barba 10:53\u003cbr data-mce-fragment=\"1\"\u003e05 When you wish upon a star \/ Harline - Washington 2:31\u003cbr data-mce-fragment=\"1\"\u003e06 Someday my prince will come \/ Morey - Churchill 5:03\u003cbr data-mce-fragment=\"1\"\u003e07 Icaro \/ O.Del Barba - R.Caporale 4:08\u003cbr data-mce-fragment=\"1\"\u003e08 Speak low \/ Weill - Nash 5:18\u003cbr data-mce-fragment=\"1\"\u003e09 Ninna per noi \/ O.Del Barba - A.Zamboni 3:27\u003cbr data-mce-fragment=\"1\"\u003e10 Embreceable you \/ G.\u0026amp;I.Gershwin 5:42\u003cbr data-mce-fragment=\"1\"\u003e11 Tenderly \/ Gross - Lawrence 3:43\u003cbr data-mce-fragment=\"1\"\u003eTotal Time 57:04\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Making-Whopee\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cstrong\u003eAll arrangements by Oscar Del Barba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosella Caporale, voice\u003cbr data-mce-fragment=\"1\"\u003eDelio Caporale, voice, special guest on “Making Whoopee”\u003cbr data-mce-fragment=\"1\"\u003eand “When you wish upon a star”\u003cbr data-mce-fragment=\"1\"\u003eFausto Beccalossi, accordion solo on Track 4\u003cbr data-mce-fragment=\"1\"\u003eAntonio Zambrini, piano solo on Track 4\u003cbr data-mce-fragment=\"1\"\u003eAchille Succi, bass clarinet and alto sax solo on Tracks 2, 3, 5, 7, 8, 10\u003cbr data-mce-fragment=\"1\"\u003eOscar Del Barba, piano solo on Track 11\u003cbr data-mce-fragment=\"1\"\u003eCaterina Bergo, harp\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCoro da Camera del Concentus Musicus Patavinus dell’Università di Padova\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eElizabeth Aronson, Licia Barbarotto, Stefania Cerutti, Giulia Colombo, Laura Galvani, Francesca Lazzarin, Laura Pinola, Elena Dante, Silvia Giannelli, Ludovica Strizoli, José Luis Palazòn, Martinez, Marco Mazzorana, Marco Michelon, Giacomo Dalla Libera, Luca Forchignone, Gianni Tamiello, Marco Zambon.\u003cbr data-mce-fragment=\"1\"\u003eFabio Framba conductor, special guest on Tracks 1, 7\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOrchestra di Padova e del Veneto\u003c\/strong\u003e, \u003cstrong\u003eOscar Del Barba\u003c\/strong\u003e, conductor\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eFirst Violin: Piero Toso\u003cbr data-mce-fragment=\"1\"\u003eViolins: Stefano Bencivenga, Enrico Rebellato, Sonia Domuschieva, Pavel Cardas, Gianluca Baruffa, Guido Furini, Serena Bicego, Chiaki Kanda, Roberto Zampieri\u003cbr data-mce-fragment=\"1\"\u003eViolas: Alberto Salomon, Walter Barbiero, Fabrizio Scalabrin\u003cbr data-mce-fragment=\"1\"\u003eCellos: Mario Finotti, Caterina Libero, Fernando Sartor\u003cbr data-mce-fragment=\"1\"\u003eDoublebasses: Ubaldo Fioravanti, Giorgia Pellarin\u003cbr data-mce-fragment=\"1\"\u003eFlutes: Mario Folena, Riccardo Pozzato\u003cbr data-mce-fragment=\"1\"\u003eOboe: Paolo Brunello, Victor Vecchioni\u003cbr data-mce-fragment=\"1\"\u003eEnglish horn: Victor Vecchioni\u003cbr data-mce-fragment=\"1\"\u003eClarinet: Luca Lucchetta\u003cbr data-mce-fragment=\"1\"\u003eBassoon: Aligi Voltan\u003cbr data-mce-fragment=\"1\"\u003eFrench Horns: Marco Bertona, Michele Fait, Alberto Prandina\u003cbr data-mce-fragment=\"1\"\u003eTrumpets: Diego Cal, Roberto Caterini\u003cbr data-mce-fragment=\"1\"\u003ePercussions: Alberto Macchini, Silvia De Checchi\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: \u003cstrong\u003eVelut Luna\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer and sound engineer: \u003cstrong\u003eMarco LIincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtistic direction: \u003cstrong\u003eOscar Del Barba\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusical producer: \u003cstrong\u003eFabio Framba\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eMixdown, editing and mastering: \u003cstrong\u003eMarco Lincetto \u0026amp; Matteo Costa\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRosella Caporale cover and rear booklet photo: \u003cstrong\u003eLaura Camia\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOscar Del Barba inlay card photo: \u003cstrong\u003eRenzo Bertasi\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLayout: \u003cstrong\u003eL’image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eSales manager: \u003cstrong\u003ePatrizia Pagiaro\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTECHNICAL NOTES\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracks 1, 2, 3, 4, 6, 7, 8, 9, 10, 11: 24bit\/88.2kHz original recording at Auditorium Pollini, Padova on June, 12, 14, 2006. Tracks 5: 24bit\/88.2 original recording at Magister Studio, Sala A, Preganziol on July, 1, 2006. All songs performed at Auditorium Pollini were recorded live-in-studio on 32tracks-HDRecorder, using N.2 PRISM SOUND ADA8 XR A\/D\u003cbr data-mce-fragment=\"1\"\u003econverters. “When you wish upon a star” was recorded at Magister Studio using 7 voices overdub: Delio Caporale performed all male voices (tenor 1, tenor 2, bass) and Rosella Caporale performed all female voices (alto 1, alto 2, soprano and Solo).\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eQuesto disco rappresenta un punto d'arrivo per uno dei più grandi compositori ed arrangiatori di area jazz italiana, Oscar del Barba, artista di riferimento da sempre per Velut Luna. La straordinaria voce di Rosella Caporale anche autrice di alcuni testi originali, si mette al servizio dell'arte di Oscar, che per questo disco ha realizzato otto nuovi arrangiamenti di grandi classici della canzone americana (Making Whopee, Speak Low, Someday my Prince Will Come, etc.) e cinque nuovissimi brani di sua composizione, tutti pensati per la grande orchestra sinfonica e con il contributo di alcuni grandi solisti jazz: Antonio Zambrini al pianoforte, Robert Bonisolo e Massimo Salvagnini ai sax, Fausto Beccalossi alla fisarmonica e Caterina Bergo all'arpa. Registrato in presa diretta nel grande Auditorium Pollini di Padova in alta definizione e multicanale, questo SACD non farà  rimpiangere le grandi produzioni orchestrali americane targate Telarc.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50027930026331,"sku":"CVLD132SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47110950060379,"sku":"CVLD132","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/132-cover.jpg?v=1695031016"},{"product_id":"restless-spirits-roberto-magris","title":"RESTLESS SPIRITS - Roberto Magris","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eRESTLESS SPIRITS \u003c\/b\u003e(CVLD368)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eHD REMASTER FROM ANALOG TAPE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eJAZZ. Original compositions by Roberto Magris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Band Ritmo Sinfonica Città di Verona, conductor Marco Pasetto. Special guests: Roberto Magris piano, Massimo Greco trumpet and flugelhorn, Sbibu percussions.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2kHz\/40 Tracks digital recording made strictly-live-in-studio (with no digital editing) at Teatro Martinelli, Castelnuovo del Garda, Italy, on September 2008.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - African Mood\u003cbr\u003e02 - Blues for My Sleeping Baby\u003cbr\u003e03 - Peaceful Heart\u003cbr\u003e04 - Ambiguous\u003cbr\u003e05 - Restless Spirits\u003cbr\u003e06 - Short \u0026amp; Shorter\u003cbr\u003e07 - Standard Life\u003cbr\u003e08 - Mallblues\u003cbr\u003e09 - Ambiguous - Alternate Take\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Restless-Spirits\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa Big Band Ritmo Sinfonica “Città di Verona” è una “super big band” formata da oltre 40 artisti della storica città di Verona. Fondata nel 1946 per iniziativa di alcuni musicisti dell’orchestra sinfonica di Verona, si è evoluta negli anni verso una formidabile formazione jazzistica, condotta prima da Mario Pezzotta e Renzo Nardini e, dal 1995, da Marco Pasetto. Oltre all’esecuzione della musica di grandi autori americani come Duke Ellington, Count Basie e Miles Davis, Pasetto ha proposto alla band l’esplorazione di brani di jazz moderno contemporaneo da includere nel repertorio e da registrare in questo CD, che nasce dalla collaborazione con il grande pianista Roberto Magris, un artista universalmente noto sia come esecutore che come compositore, con 17 album all’attivo. Il presente album rappresenta quindi la continuazione della predilezione della big band per la musica di questo artista, che il gruppo esegue e propone da anni.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCon Restless Spirit il direttore Marco Pasetto e la BBRS festeggiano quindi l’amicizia con Roberto Magris attraverso la registrazione delle sue composizioni. L’incisione è stata realizzata nel mese di settembre 2008 al Teatro Martinelli di Castelnuovo del Garda, in Italia. E’ stato scelto un teatro, anzichè uno studio di registrazione, per ottenere la qualità sonora dello spettacolo dal vivo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOltre a Roberto Magris, ospite principale, hanno collaborato a realizzare il presente CD altri due ospiti speciali: il trombettista italiano Massimo Greco e lo specialista in percussioni Sbibu. La sonorità della band, in evidenza in questo disco, ricorda il sound di grandi orchestre contemporanee come la rinnovata Netherland’s Metropole Orchestra, formata da 50 elementi o quello un tempo prodotto da leggendari gruppi come la Woody Herman’s Thundering Herds o la Stan Kenton Orchestra. La robusta sezione di ottoni è sorretta infatti da una sezione di venti ance in grado di entusiasmare chiunque.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMagris conduce il ritmo ed espone otto vibranti brani originali che includono una riproposizione del “Blues for My Sleeping Baby”, già incluso nell’album Check-in, oltre ad un alternate-take di “Ambigous”. Il risultato sono nove moderni arrangiamenti per big-band e settanta minuti di sound ricercato e pieno di ritmo.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":47273172631899,"sku":"CVLD368","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD368-cover.jpg?v=1698926531"},{"product_id":"two-for-the-road-chiara-pasto-francesco-pollon","title":"Two For The Road - Chiara Pastò Francesco Pollon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTwo For The Road\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363A - VINYL\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363B - CD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363   - FILE HD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e01. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eLibertango\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Astor Piazzolla)* 1:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e02. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eTwo For The Road\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Henry Mancini \/ Leslie Bricusse) 4:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e03. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eClose Your Eyes\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Bernice Petkere) 3:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e04.\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e'Round Midnight\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Theolonius Monk \/ Bernie Hanighen) 6:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e05. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eBewitched, Bothered And Bewildered\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e (Richard Rodgers \/ Lorenz Hart) 3:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e06 . \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eWhen Lights Are Low\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Benny Carter \/ Spencer Williams) 2:46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e07. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eJust A Smile\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Enrico Santacatterina \/ Chiara Pastò) 4:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e08. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eThey Can't Take That Away From Me\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e (George \u0026amp; Ira Gershwin) 3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e09. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eOne Day I'll Fly Away\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Joe Sample \/ Will Jennings) 4:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e\u003cb\u003eTotal Time: \u003c\/b\u003e34:36\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eChiara Pastò,\u003c\/b\u003e voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eFrancesco Pollon\u003c\/b\u003e, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e*Lyrics of Libertango are written by Chiara Pastò\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Two-For-The-Road\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e24bit\/88.2kHz and Analog recording made strictly live-in-studio at Magister Recording Area, Preganziol, Italy, on July 29, 2023 - Analog mix and mastering made at MLStudio, Naquera, Spain, on August 3, 2023\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSome technical data:\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMic \u003cb\u003eNEUMANN U47fet + Massenburg MicPreamplifier\u003c\/b\u003e,\u003ci\u003e voice\u003c\/i\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMics \u003cb\u003eAUSTRIAN OC818 + Millennia Media MicPreamplifier\u003c\/b\u003e,\u003ci\u003e piano\u003c\/i\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMix and Mastering, made using \u003cb\u003eRupert Neve Design Analog Summing Mix\u003c\/b\u003e and \u003cb\u003eMaselec Analog Mastering Outboards\u003c\/b\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMusical producers: \u003cb\u003eMarco Lincetto, Andrea Valfrè\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eBalance recording engineer: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eSound engineer: \u003cb\u003eAndrea Valfrè\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMix and Mastering engineer: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003ePhoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eLA MEGLIO GIOVENTU’ di Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eChiara Pastò arriva finalmente a realizzare un disco di Jazz. Al quarto lavoro discografico, tutti realizzati con la mia etichetta Velut Luna e con me come produttore, la giovane, brillante, cantante padovana affronta ormai nel pieno della sua maturità artistica e vocale il suo “territorio d’elezione” a cui ha lavorato lungo tutto il suo percorso accademico e che ha praticato in molte occasioni concertistiche. Il repertorio di questo disco presenta alcuni famosissimi standard, come la title track o Round Midnight, ma anche una originalissima escursione nel celeberrimo brano di Astor Piazzolla, libertango, a cui la stessa Chiara dona un affascinate testo inedito. E poi un suo brano originale, scritto con Enrico Santacatterina, Just A Smile, che è un suo cavallo di battaglia di area pop, per così dire, oggi riletto in chiave di standard jazz. Un disco completo e maturo, che viene esaltato dalla sapienza pianistica, dal gusto sopraffino, condito da una tecnica mirabile di Francesco Pollon, forse il più rappresentativo pianista jazz italiano della giovane generazione, che attualmente vive ed opera a New York, dopo aver lì conseguito un prestigioso master alla Manhattan School Of Music - Jazz Arts. Insomma... I giovani, grandi musicisti, esistono ancora, e più che mai, in Italia: basta dare loro lo spazio che si meritano!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.com\/product\/28298830\/two-for-the-road-lp-180-gr-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBILE ANCHE IN FORMATO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bMvReQBCBMw\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":49988586832219,"sku":"CVLD363A","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":51165182722395,"sku":"CVLD363B","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47289258279259,"sku":"CVLD363","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CD-363-CVLD_9bb101f1-ebbb-405c-aef9-375e218ff371.jpg?v=1748505599"},{"product_id":"planetarium-gianni-pirollo-luca-rossetti-beppe-gioacchini","title":"PLANETARIUM - Gianni Pirollo, Luca Rossetti, Beppe Gioacchini","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLANETARIUM \u003c\/b\u003e(CVLD034)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal compositions by \u003cstrong\u003eGianni Pirollo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eGianni Pirollo\u003c\/strong\u003e, clarinet and alto clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLuca Rossetti\u003c\/strong\u003e, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBeppe Gioacchini\u003c\/strong\u003e, percussions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAldo Lucchini\u003c\/strong\u003e, doublebas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e1 -\u003c\/span\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003ePlanetarium\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e 6:41\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e2 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003ePrisma I \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e13:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e3 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003ePrisma II\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e15:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e4 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eAstrea\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e 7:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e5 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eEbe\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e 3:17\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e6 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eStasi\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e 5:15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e7 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eEpicentro\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e 6:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003eTot. Time: 58:34\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Planetarium\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24Bit \/ 96 kHz Digital Recording. Live in studio at Studio Papillons (Padova, Italy) February, 2000\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProduction: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eVELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eExecutive producer: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRemastering: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003ePhoto: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eRenzo Bertasi\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eDesign and layout: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCosì gli Autori descrivono la loro Opera. \"E' una musica alla ricerca di chiarezza, melodia ,morbidezza, interna armonia proprio come il gravitare dei pianeti ai quali in molti titoli l'Autore si richiama. Può essere dunque che l'incanto della melodia pura possa cedere il posto al parossismo improvvisativo (Prisma), o che la staticità di un tema implichi dentro di sè un turbinio centripeto che lo porti al di fuori di sè(Epicentro)...\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":47390250402139,"sku":"CVLD034","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_b4341dac-7658-4c78-822e-ecfc1fdf7909.jpg?v=1701456869"},{"product_id":"sketches-of-memories-the-best-songs-of-our-life","title":"SKETCHES OF MEMORIES THE BEST SONGS OF OUR LIFE","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eSKETCHES OF MEMORIES THE BEST SONGS OF OUR LIFE \u003c\/b\u003e(CVLD210)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eOriginal compositions by F. S. Key, J. Van Heusen-J. Burke, J. Styne-L. Robin, B. Dylan, S. Mc Kenzie, J. Phillips-M. Phillips, M. Jagger-K. Richards, G. Paoli, P. Simon, E. Bennato, A. C. Jobim, Quilapayùn-S. Ortega, D. Gilmour-R. Waters, G. Marzorati.\u003c\/span\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eTracce\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003e01 - Music For Play per orchestra a plettro-Allegro\u003cbr\u003e02 - Music For Play per orchestra a plettro-Canzone\u003cbr\u003e03 - Music For Play per orchestra a plettro-Ritmico\u003cbr\u003e04 - Ceciliana, 10 variazioni su un tema di Max Roach per quintetto a plettro\u003cbr\u003e05 - Improvviso,-Ad Alessandro-, per chitarra sola\u003cbr\u003e06 - Requiem-aprilemillenovecentoottantadueadErika\u003cbr\u003e07 - Preludio e Fuga per orchestra a plettro-Preludio\u003cbr\u003e08 - Preludio e Fuga per orchestra a plettro-Fuga\u003cbr\u003e09 - Jazz, Pop, Rock-I promenade - Mambo\u003cbr\u003e10 - Jazz, Pop, Rock-II promenade - Blues\u003cbr\u003e11 - Jazz, Pop, Rock-III promenade - Stomp\u003cbr\u003e12 - Tiperatatupeti, 5 variazioni sulla canzone infantile italiana per quintetto a plettro\u003cbr\u003e13 - Fabulus, concerto per flauto e orchestra a plettro-Merlino, allegro\u003cbr\u003e14 - Fabulus, concerto per flauto e orchestra a plettro-Morgana, lentamente\u003cbr\u003e15 - Fabulus, concerto per flauto e orchestra a plettro-Gnomus, allegro\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Sketches-of-Memories\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing: Cheryl Porter, Massimo Salvagnini Quartet \u0026amp; Stefano Riva, Nina \u0026amp; Marco Strano, Mideando String Quartet, Enrico Santacatterina, Melting Pop \u0026amp; Emilia Vecchi, Four Fried Fish, Nina \u0026amp; Villa el Salvador, Sax Four Fun \u0026amp; Cristina Sartori, Paola Casula \u0026amp; Alessandro Mozzi, Ninni Arini, Tatiana Maria Meira de Aguiar \u0026amp; Alberto Boischio, Alejandro Martinez \u0026amp; Maurizio Scomparin, Fabiana Martone \u0026amp; Fabio Ranghiero, Guido Marzorati.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eThis is a live-in-studio recording, using vintage instruments from Sixties and Seventies: so it will not be strange, if you will listen to anykind of “isss” or “uhmmm” from Marshall or Fender tube amplifier, or “natural distortion” from Leslie amplifier of original Hammond B3…\u003cbr\u003eEach recording has been appropriately realized, on original arrangement ad hoc, by Marco Lincetto at the Magister Area Studios in Preganziol (with the exception of “El pueblo...”, recorded by Alejandro Martinez in his own studio in Padua), using 24bit\/88.2kHz digital recorder; and Marco Lincetto also have mixed and mastered each piece of this CD.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eLa scelta e la sequenza dei brani presentati in questo disco è apparentemente priva di una linea musicale comune. L’altro titolo del progetto, fino a pochissimo tempo fa, era “Il Posto delle Fragole”: infatti, il significato di questa raccolta va ricercato in un motivo aggregante differente dalla musica in sé: ovvero in me stesso, che l’ho concepita e che in quest’Anno Domini 2011 compio cinquant’anni di vita. Questo disco, originariamente, non doveva neppure essere pubblicato, trattandosi del mio personale regalo a me stesso per il mio cinquantesimo compleanno; ma poi i miei collaboratori mi hanno suggerito che probabilmente molte altre persone, miei coetanei e non, avrebbero potuto identificarsi e trarre soddisfazione da una pubblicazione di questo materiale e quindi si è deciso di inserirlo nell’ormai lungo catalogo Velut Luna.\u003cbr\u003e\u003cbr\u003ePer gli anniversari importanti – e “50” anni lo sono senza dubbio – c’è chi si regala un oggetto prezioso, una grande festa oppure un viaggio epico. Io ho deciso di regalarmi un viaggio nella memoria, attraverso la rilettura di quei brani musicali che hanno contribuito alla mia formazione, nel senso più ampio del termine. Sono per lo più quelle canzoni che io ascoltavo fra i 15 ed i 20 anni. E c’è da dire che ero un ragazzino piuttosto eclettico: in quegli anni studiavo il clarinetto, per via della mia passione per la musica swing americana degli anni ’40 e Benny Goodman e Glenn Miller erano i miei eroi (ed ecco allora “Polka dots and moonbeams”). Erano gli anni ’70, ma io ero cresciuto molto vicino ad una persona, mia zia, appena più “anziana” di me che era stata adolescente alla fine degli anni ’60, che mi aveva in qualche modo lasciato un “imprinting” molto forte della cultura della splendida “stagione dell’amore”. Ecco allora sfilare alcune delle canzoni simbolo di quell’epoca leggendaria: “Like a Rolling Stone”, “San Francisco”, “California Dreaming”, The sounds of silence”, “Jumping Jack Flash”.\u003cbr\u003e\u003cbr\u003eUn’altra insana passione di quegli anni fu lo spirito poetico, molto maudit dei cantautori italiani della cosiddetta “scuola genovese”, di cui senza dubbio Gino Paoli fu l’alfiere principale. E quindi non potevano mancare due suoi brani simbolo: “Sapore di sale” e “Senza Fine”.\u003cbr\u003e\u003cbr\u003eOgni adolescente che si rispetti, finisce per innamorarsi, più o meno platonicamente, di una star del cinema (oggi forse i giovani si innamorano delle “veline” della televisione… ma questa è un’altra storia, ed è un’altra epoca…): ed anche a me accadde. E devo dire che mi trattai bene, visto che l’oggetto del desiderio fu, da principio, un’autentica icona del glamour e del fascino femminile di tutti i tempi, ovvero l’indimenticabile Marilyn Monroe. E “Bye, bye, Baby” credo che la rappresenti al meglio.\u003cbr\u003e\u003cbr\u003eMa poi, la realtà “contemporanea” della mia adolescenza, ovvero la metà degli anni ’70, non poteva non fissarsi nel grande rock inglese - qui rappresentato dalla splendida e struggente “Wish you were here” dei Pink Floyd – e nei grandi ideali di ribellione e libertà, di cui un popolo, quello cileno, ed un gruppo, gli Inti Illimani, si ersero a simbolo: “El pueblo unido jamas serà vencido”, si cantava nelle piazze, tutti quanti, con il pugno sinistro alzato, indossando l’Eskimo e le Clarks. Ed infine nei cantautori della mia generazione, che qui ho deciso di rappresentare con quello che più di ogni altro sentivo a me affine: Edoardo Bennato, con il suo capolavoro “Un giorno credi”, tratto dal suo primo album.\u003cbr\u003e\u003cbr\u003eLa fine dell’adolescenza e l’ingresso nell’età adulta, all’inizio degli anni ’80, e quindi alla fine della mia piccola storia che ho deciso di raccontare con questo disco, coincise con la scoperta di tutto un mondo musicale per me “alternativo”, fra cui la musica “etnica”. Ed ecco quindi, dirompente, il Brasile, con la bossa nova, qui rappresentata da uno dei brani simbolo, lo splendido “Aguas de março” di Antonio Carlos Jobim.\u003cbr\u003e\u003cbr\u003eInfine, discorso a parte per i due brani che rispettivamente aprono e chiudono il disco: “Stars Spangled Banner” ovvero l’inno nazionale degli Stati Uniti d’America e “Journey of hope” di Guido Marzorati. Parafrasando un frammento del celeberrimo prologo del film Manhattan di Woody Allen, posso dire con malcelato orgoglio: “Amo l’America e l’ho sempre amata”. La mia vita, sempre più, ogni anno che passa, può considerarsi un lungo intervallo fra un viaggio in USA ed il successivo. Il “Journey of hope”, invece, cantato da Guido Marzorati, completa il concetto espresso dal mio amore per l’America e per i suoi ideali: ed è la proiezione verso il futuro, nella costante speranza e convinzione, di un mondo migliore.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eMarco Lincetto\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":47497074213211,"sku":"CVLD210","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/210-cover.jpg?v=1703928362"},{"product_id":"fil-rouge-lucia-minetti","title":"FIL ROUGE - Minetti","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eFIL ROUGE \u003c\/b\u003e(CVLD285)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e, voce \/ \u003cstrong\u003eAndrea Zani\u003c\/strong\u003e, pianoforte \/ \u003cstrong\u003eEnsemble “La Foule”\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e1 Non, rien de rien (Michel Vaucaire-Charles Dumont) 3:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2\u2028Mon homme (My man) (Albert Willemetz \u0026amp; Jacques Charles-Maurice Yvain) 3:46\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 Avec le temps (Léo Ferré) 4:14\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 Tous les visages de l’amour (She) (Charles Aznavour-Herbert Kretzmer) 5:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 Ne me quitte pas (If you go away) (Jacques Brel) 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 La mer (Somewhere beyond the sea) (Charles Trenet) 4:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 Jardin d’hiver (Benjamin Biolay-Karen Ann) 3:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 Chanson des vieux amants (Jacques Brel) 4:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 Je ne sais pas dire je t’aime (Barbara) 4:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Le tourbillon de la vie \/ La vie s’envole (Serge Rezvani) 2:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Litanies pour un retour (Jacques Brel) 2:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 La foule (Michel Rivgauche-Angel Cabral) 3:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 India song (Marguerite Duras-Carlos D’Alessio) 3:38\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 La vie en rose (Edith Piaf-Louiguy) 4:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 Milord (Georges Moustaki-Marguerite Monnot) 5:28\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal Time 61:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Fil-rouge\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eProduction Velut Luna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign Limage\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFront and back cover photos by Massimo Forchino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInside booklet:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLucia Minetti photos by Daniele Bricalli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscar del Barba photo by Alberto Reina\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAndrea Zani photo by Tommaso Ferigo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnsemble on stage photos by Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eAndrea Zani, piano (tracks 3,5,7,9,10,11,13,14)\u003cbr\u003e\u003cbr\u003eEnsemble “La Foule” (tracks 1,2,4,6,8,12,15)\u003cbr\u003eCecilia Franchini, orchestra leader and piano\u003cbr\u003eElio Orio, first violin\u003cbr\u003eFrancesco Mardegan, second violin\u003cbr\u003eFrancesca Marino, viola\u003cbr\u003eVeronica Nava Puerto, cello\u003cbr\u003eGiancarlo Pavan, doublebass\u003cbr\u003eSalvatore Baronilli, clarinet\u003cbr\u003eMattia Marangon, horn\u003cbr\u003eLucrecia Fernandez, bassoon\u003cbr\u003eRiccardo Nicolin, percussions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Lucia Minetti torna ad incantare con la sua voce dal timbro unico, elegante e sensuale nel suo nuovo lavoro discografico che parla d’amore. Un racconto in punta di labbra morbido, sfaccettato, dolcissimo ed intenso. Un disco emozionante nel senso più autentico del termine, ricco di fascino, lirismo e intense evoluzioni di una grande interprete della scena italiana.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLucia Minetti è una cantante molto stimata per la grande qualità ed eleganza, la sensibilità artistica, il timbro magico della sua voce. È la solista prediletta di grandi autori di area jazz, classic, contemporanea, canzone d’autore, registi teatrali, e di grandi scrittori che le hanno dedicato musiche e liriche. Lucia Minetti impronta i suoi interessi artistici sulla forma canzone. Senza soluzione di continuità tra musica colta e popolare ridisegna un’interpretazione intensa e ricca di fascino della canzone d’autore cadenzando melodie, testi ed evoluzioni vocali di nuovi spunti personalissimi e significativi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE' mia opinione che l’ingannevole dicotomia Musica Classica vs Musica leggera, comprendendo in quest’ultima anche la cosiddetta Canzone d’autore, sia del tutto inefficace a descrivere la Musica in senso fenomenologico. Ragionando per opposti è molto più indicativo contrapporre la Musica bella a quella brutta, identificando questa come noiosa, stereotipata, convenzionale e così via. Non basta essere nati nel 18° secolo per essere ritenuti come autori interessanti che hanno dato un contributo alla storia di quest’arte tant’è vero che a molta, moltissima musica di quel periodo è stato conferito, nell’interesse degli appassionati moderni, il dono dell’oblio. Le operazioni di “riesumazione” di presunti capolavori obliati appaiono spesso come ispirate da intenti meramente musicologici o filologici, e quindi scientifici piuttosto che artistici in senso lato. Questo CD ha invece l’intento di riproporre un repertorio invero prezioso e di grande impatto artistico ed emozionale, quello degli Chansonniers francesi del ‘900, un genere musicale molto ben definito e collocato a pieno titolo nella Storia della Musica perché capace di dare in modo irripetibile il senso del vivere una dimensione bohémienne, vagabonda, randagia, anticonformista e libera. C’è negli Chansonniers anche un elemento politico, di osservazione e di critica delle persone, della società e delle autorità, sempre espresso con lo stile poetico (cit. M. Priore) per cui molti osservatori si sono spinti ad affermare che, proprio grazie agli Chansonniers, la rivolta giovanile del ’68 poteva per prima aver luogo solo in Francia. Credo che questo bellissimo CD, oltre che deliziare i palati educati dei numerosi appassionati della Canzone francese d’autore, potrà dare ispirazione alle giovani generazioni, mai come oggi a rischio omologazione, su come cercare e trovare una nuova sensibilità, un rinnovato gusto per la vita e la consapevolezza che “libertà è partecipazione”. Un sincero plauso a Lucia Minetti, in questo momento senza ombra di dubbio uno dei migliori interpreti della Canzone d’autore a livello planetario, e un ringraziamento pieno di orgoglio ai docenti e agli studenti del Conservatorio “C. Pollini” di Padova che hanno dato un contributo di grande raffinatezza e musicalità alla realizzazione di Fil Rouge.\u003cbr data-mce-fragment=\"1\"\u003eLeopoldo Armellini, Direttore del Conservatorio C.Pollini di Padova\u003cbr\u003e\u003cbr\u003eVoglio ringraziare prima di tutto Marco Lincetto e Leopoldo Armellini che hanno reso possibile questo lavoro. Andrea Zani, musicista (e persona) di grandissimo valore e talento, i musicisti del Conservatorio Pollini di Padova, nuovi straordinari compagni di viaggio. Oscar Del Barba per la sua generosità e sensibilità di scrittura. Stefania Marchesi per il suo prezioso aiuto. Massimo Forchino, Daniele Bricalli, Tommaso Ferigo, Alberto Reina per il loro contributo. E soprattutto ringrazio Christian e il nostro piccolo Leo, che sono per me fonte di ispirazione ed emozione, sempre. A loro due questo disco è dedicato\".\u003cbr\u003eLucia Minetti\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":47497117040987,"sku":"CVLD285","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/285-cover.jpg?v=1703928846"},{"product_id":"hot-wire-giacomazzi-giacomelli-vergari","title":"HOT WIRE - Giacomazzi, Giacomelli, Vergari","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eHOT WIRE \u003c\/b\u003e(CVLD300)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eMichele Giacomazzi, Francesco Giacomelli, Diego Vergari\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e01 - Freedom - Robben Ford 7:26 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e02 - Cold Duck Time - Ed Harris, Les McCann 8:08 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e03 - Blues in Fa# - M.Giacomazzi, F.Giacomelli, D.Vergari 6:53 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e04 - Footprints - Wayne Shorter 8:13 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e05 - Life Song - Robben Ford 7:48 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e06 - Wes Thing - Larry Carlton 5:41 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e07 - Chitlins Con Carne - Kenny Burrell 7:36 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e08 - Boss City - Lee Ritenour 7:30 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e09 - Eastbound 101 - Nathan East, Marcel East 6:54 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e10 - The Brother - Robben Ford 5:57 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eTot. Time: 72:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Hot-Wire\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichele Giacomazzi, chitarra elettrica, Francesco Giacomelli, basso elettrico e Diego Vergari, batteria, ovvero il classico \"power trio\". Il territorio di elezione ? una sorta di fusion che vede il pi? classico jazz elettrico fondersi con stilemi blues e scorribande nel rock... Se si volesse richiamare qualcosa di simile sarebbe pi? che lecito ricordare lo stile del grande chitarrista Robben Ford, di cui non a caso il Trio esegue in suo omaggio, i celebri \"Freedom\", \"Life Song\" e \"The Brother\". Si tratta di musica travolgente che vede nei nostri interpreti tre autentici fuoriclasse a livello internazionale. Giacomazzi ritorna al disco dopo lunghi anni di assenza in progetti a suo nome e a 20 anni esatti dal suo primo leggendario CD per Velut Luna \"In Viaggio\", che ha raggiunto ed esaurito ben due ristampe. Diego Vergari ? un batterista che ha suonato stabilmente nella US Band, con cui ha anche accompagnato dal vivo grandi star internazionali a partire da Wilson Pickett. E non di meno Francesco Giacomelli, bassista dal piglio deciso e autorevole, motore pulsante del groove del trio.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":47599317057883,"sku":"CVLD300","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":52598288253275,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_e4c582cf-4f06-4c13-9f10-3925c0221a7e.jpg?v=1706031998"},{"product_id":"pangea-oscar-del-barba-trio-xavier-girotto-1","title":"PANGEA - Oscar Del Barba Trio \u0026 Xavier Girotto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePANGEA \u003c\/b\u003e(CVLD077)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Paesaggi dal cielo\u003c\/li\u003e\n\u003cli\u003e2 Cavalli\u003c\/li\u003e\n\u003cli\u003e3 Memoria\u003c\/li\u003e\n\u003cli\u003e4 Cacatoa\u003c\/li\u003e\n\u003cli\u003e5 Little Song\u003c\/li\u003e\n\u003cli\u003e6 Essenza\u003c\/li\u003e\n\u003cli\u003e7 Lamento\u003c\/li\u003e\n\u003cli\u003e8 Balanco\u003c\/li\u003e\n\u003cli\u003e9 Sera\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Pangea\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"playerTracks\" data-offset=\"0\" data-limit=\"50\" data-itemid=\"8019349035002\" data-nbtracks=\"9\" data-nbtracksdisplayed=\"9\" data-store=\"it-it\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"player__item\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"player__tracks\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"player__tracks\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSpesso un’opera viene dedicata dal suo creatore, ad una persona. Io intendo dedicare questa musica alla Natura e fargliene omaggio. Questo che stiamo vivendo è un periodo difficile per l’ambiente: infatti questo viene messo a dura prova dagli scempi perpetrati dall’uomo e, se un tempo la natura ha dato prova di recuperare in fretta dalle ferite, ora pare che il peso sia divenuto davvero insopportabile. Di questo fatto dobbiamo rendercene conto, risvegliarci dall’indifferenza causata dallo stress provocato dal tipo di vita che ci è stata imposta (dedicata al lavoro e al guadagno più sfrenato). Uno dei sistemi che può aiutarci a recuperare l’assopito istinto ed il rispetto nei confronti della natura (come quello che avevano gli Indiani d’America o che possiamo notare ancora presso alcuni popoli non occidentali) è quello di sviluppare una maggiore sensibilità nei confronti dell’arte ed in particolar modo della musica. Con Pangea io voglio dare il mio contributo a questa causa sperando di riuscire nel difficile intento di far arrivare a più persone possibile questo messaggio.\u003cbr\u003eOscar Del Barba, Brescia, marzo 2003\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"player__tracks\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e        \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv lang=\"en-US\" class=\"western\"\u003eProduction: Velut Luna\u003cbr\u003eProducers: M. Lincetto, O. Del Barba\u003cbr\u003eSound engineer: Marco Lincetto\u003cbr\u003eAssistant engineer: Giorgio Bruni\u003cbr\u003eEditing and mastering: Fabio Framba\u003cbr\u003eDesign: limage\u003cbr\u003eCover and landscapes photos: Ilenco Tracmot\u003cbr\u003ePortraits: Giorgio Bruni\u003cbr\u003eP.R. and consultant: Francesco Pesavento\u003c\/div\u003e\n\u003cdiv lang=\"en-US\" class=\"western\"\u003e\n\u003cbr\u003e24 Bit 96 kHz original recording at Seminario Nuovo in Brescia, Italy on december 29, 2002.\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":47701043937627,"sku":"CVLD077","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/077cover.jpg?v=1708354947"},{"product_id":"roots-pietro-ballestrero-achille-succi","title":"ROOTS - Pietro Ballestrero Achille Succi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eROOTS\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e \u003c\/b\u003e(CVLD279)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Hopeful triads (P. Ballestrero) 7:13\u003cbr\u003e2 Non vuole uscire (Achille Succi) 4:27\u003cbr\u003e3 Upi (P. Ballestrero) 6:02\u003cbr\u003e4 Gigiù madama (Achille Succi) 4:00\u003cbr\u003e5 Ugo (P. Ballestrero) 6:42\u003cbr\u003e6 I cavalieri della tavola rotonda (P. Ballestrero) 6:02\u003cbr\u003e7 Gentle snow (Achille Succi) 6:34\u003cbr\u003e8 Paranoid android (Radiohead) 7:14\u003cbr\u003e9 Roots (P. Ballestrero) 3:23\u003cbr\u003e10 Into my arms (Nick Cave) 3:41\u003cbr\u003e\u003cbr\u003eTotal Time: 55:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Roots\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz recording made live-in-studio at Areamagister Recording Studios, Preganziol (Italy),\u003cbr\u003eon September 27th and 28th, 2016\u003cbr\u003e\u003cbr\u003eProduction: Velut Luna\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign: Limage\u003cbr\u003ePhotographs: Andrea Faggiano, Marco Lincetto, Manù Ballestrero\u003c\/p\u003e\n\u003cp\u003eIl chitarrista torinese Pietro Ballestrero firma il suo quarto lavoro solista con l’etichetta Velut Luna, qui insieme ad Achille Succi, musicista italiano tra i più interessanti, apprezzato anche all’estero come specialista del clarinetto basso.\u003cbr\u003eIn questo progetto ognuno dei due strumenti può essere cantante o bassista, creare linee melodiche oppure riffs, ritmo e armonia, per dar vita ad un intenso dialogo che fonde scrittura, improvvisazione jazzistica e contrappunto.\u003cbr\u003eLa profonda ricerca timbrica, che permette al duo di spaziare con omogeneità da composizioni originali fino ai Radiohead e Nick Cave, è fedelmente ritratta con un’incisione “live in studio” dal fonico e produttore Marco Lincetto, che ancora una volta ci regala una qualità audio straordinaria.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002510414171,"sku":"CVLD279CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47720588018011,"sku":"CVLD279","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1d4bf85c-2fca-4575-a9e8-34311b039291.jpg?v=1708680638"},{"product_id":"the-velut-lunas-reference-vinyl-vol-2","title":"The Velut Luna's Reference Vinyl Vol. 2","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eThe Velut Luna's Reference Vinyl Vol. 2 \u003c\/b\u003e(CVLD370)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eLATO A - 20:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShort \u0026amp; Shorter 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Band Ritmo Sinfonica Cittàdi Verona, Marco Pasetto, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Marinelli, Castelnuovo del Garda, September 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNubian Dream 5:57\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNew Project Jazz Orchestra, Renzo Vigagni, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Rosmini, Rovereto, December 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInverno 7:31(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscar Del Barba Ensemble, feat, Mauro Negri, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, Padova, April 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO B - 18:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRadames 3:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Metronomes, feat. Michele Giacomazzi, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Papillons Studio, Padova, January 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Pink Panther Theme 6:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Condulmer Recording Studio, Zerman, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmor em paz 5:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet, feat. Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Magister Recording Area, Preganziol, November 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI’m On My Way 2:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Traditional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Public Auditorium, Chiuppano, October 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO C - 18:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrimavera Portena 7:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStravinsky Chamber Orchestra, Marco Tezza, piano solo \u0026amp; conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, April 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Paquito D’Rivera)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Carbonare, clarinet \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLunas de cielo griz 2:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Studio A, Padova, June 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEl pueblo unido jamas serà vencido 4:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Sergio Ortega, Quilapayùn)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at MLH, Naquera (Spain), September 2023\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO D - 19:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConcert in A Major K622\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efor Clarinet and Orchestra: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Verdi, Padova, October 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI Sogni di Gianò:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa fisarmonica e il bambino 7:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Fabio Framba, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, September 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll recordings made in Italy, except for C4 made in Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn sentito ringraziamento a tutti quei musicisti che hanno contribuito a rendere grande Velut Luna in questi suoi primi 30 anni.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIngeniero de sonido: Marco Lincetto a menos que se indique lo contrario\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiseño gráfico: L’Image \/ Foto de portada: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl bambino nell’immagine di copertina sono io. All’età di due anni. Era il 1963.\u003cbr\u003eDa che mi ricordo, ho sempre amato ascoltare i dischi. Certamente per via della mia storia famigliare, con mio papà che fu illustre pianista classico e compositore raffinato, e mia mamma cantante lirica.\u003cbr\u003eMa certamente in quegli anni della prima infanzia era grande il fascino che suscitavano in me quei padelloni neri che giravano sul vecchio giradischi di famiglia e da cui uscivano le mie favole preferite, narrate da grandi voci di grandi attori (ricordo ad esempio, Nando Gazzolo e la sua Cappuccetto Rosso, e Hansel e Grethel, e Pollicino, i cui dischi ho letteralmente consumato...).\u003cbr\u003eAttorno agli otto o nove anni il passaggio dalle favole ai 45 giri dei Beatles alla fine della loro carriera (Obladì, Obladà), oppure a quella sonorità inconsueta e sconosciuta del Theremin usato in Good Vibrations dei Beach Boys, fu un fatto del tutto naturale.\u003cbr\u003eE quando a 13 anni cominciai progressivamente a scoprire Santana, i Pink Floyd, i Genesis, etc.etc.etc., uniti alla lettura di Suono e Stereoplay, fu altrettanto naturale incapricciarmi con le immagini dei grandi registratori a bobine dell’epoca, adatti agli allora rari home studio.\u003cbr\u003eIl mio primo amore, tanto sognato e mai posseduto, fu il Tascam 80-8, otto tracce su nastro da mezzo pollice. E i microfoni dei sogni erano i Sennheiser, gli MD441 e gli MD421... Ma il sogno vero era “farmi lo studio”... cosa che resterà per lungo tempo solo, appunto, un sogno. Quando infine a 19 anni conobbi la musica di Jim Croce e capii che... “Si-Può-Fare!” (cit.), fu il momento in cui mi fu chiaro che presto o tardi, io avrei fatto quel lavoro, avrei “fatto i dischi”.\u003cbr\u003eE il resto è storia...\u003cbr\u003e\u003cbr\u003eLa mia cultura, la mia tradizione, le mie esperienza fondamentali, sono ANALOGICHE. Anche se da subito, all’inizio della mia carriera professionale nel 1992, sono stato un alfiere del digitale di qualità, non ho mai abbandonato l’analogico e soprattutto non ho mai abbandonato la “mentalità analogica”.\u003cbr\u003eEcco quindi arrivare questo secondo volume delle mie registrazioni più amate, più significative di oltre trent’anni di attività di produzione con VELUT LUNA. Come già nel volume 1, ogni lato dei quattro che compongono questo doppio vinile è tematico e dedicato alle grandi Big Band, che si muovono fra il jazz e il crossover etnico (Lato A), il jazz in formato club, dallo swing all’italiana dei The Metronomes, al gospel di Cheryl Porter (Lato B), la musica sud americana e latina, per me importantissima e colonna portante del mio sentimento più profondo (Lato C), ed infine la grande\u003cbr\u003emusica classica, qui tradotta nel meraviglioso Concerto per Clarinetto, di Mozart e il movimento finale dalla Suite Sinfonica “I Sogni di Gianò”, di mio papà Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e...E arrivederci al terzo e ultimo volume di questa mia “summa”, previsto in pubblicazione a febbraio 2025, in occasione del 30° anniversario della nascita di VELUT LUNA.\u003c\/p\u003e\n\u003cp\u003eMarco Lincetto\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan style=\"color: #2b00ff; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBILE IN FORMATO DOPPIO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" src=\"https:\/\/www.youtube.com\/embed\/X_gJ6oZtxZs\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm (2 LP)","offer_id":49988427153755,"sku":"CVLD370LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47869912449371,"sku":"CVLD370","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1e4ddf10-58c3-4ea9-93ef-e2768ff885f6.jpg?v=1748505599"},{"product_id":"corea-chick-piano-works","title":"COREA CHICK: PIANO WORKS","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eCOREA CHICK: PIANO WORKS \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14083\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCOREA CHICK:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePIANO WORKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20 Children’s Songs (1983)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiano Fantasy\u003c\/em\u003e* (1978)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e5 Piano music\u003c\/em\u003e* (1976-1985)\u003c\/p\u003e\n\u003cp\u003e* World première recording\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Chick-Corea-Piano-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1 CD\u003c\/p\u003e\n\u003cp\u003eROBERTO FRANCA, piano\u003c\/p\u003e\n\u003cp\u003eQuesto Album raccoglie alcune prime incisioni mondiali di un compositore che troppo a lungo è stato considerato espressione della sola musica jazz. È questo l’omaggio a un artista in grado di fondere nelle sue composizioni diversi generi e coniugare le esperienze di giganti del repertorio classico, quali Bach e Debussy, con quelle di Bartok e Ligeti. Egli stesso, con la sua frase “This is… music”, sembra non voler catalogare le sue composizioni né in uno né in un altro genere\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875772809563,"sku":"LDV14083","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14083-cover-SITO.jpg?v=1711080309"},{"product_id":"gira-lanima-tiziana-cappellino-pietro-ballestrero","title":"Gira l'anima -  Tiziana Cappellino Pietro Ballestrero","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eGira l'anima \u003c\/b\u003e(CVLD367)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiziana Cappellino\u003c\/strong\u003e, voice and piano\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePietro Ballestrero\u003c\/strong\u003e, guitars\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, Gold CD\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e01 - Accendi una luna nel cielo (Toquinho, Vinicius De Moraes, Sergio Bardotti), 3:52\u003cbr data-mce-fragment=\"1\"\u003e02 - Better Days Ahead (Pat Metheny), 4:31\u003cbr data-mce-fragment=\"1\"\u003e03 - Giuramento, da Rosa (Pixinguinha - Joe Barbieri), 4:00\u003cbr data-mce-fragment=\"1\"\u003e04 - Yatra-ta (Tania Maria), 4:11\u003cbr data-mce-fragment=\"1\"\u003e05 - Gira l'anima (Pietro Ballestrero), 4:53\u003cbr data-mce-fragment=\"1\"\u003e06 - Wildflower (Noa), 4:30\u003cbr data-mce-fragment=\"1\"\u003e07 - Loro (Egberto Gismonti), 4:55\u003cbr data-mce-fragment=\"1\"\u003e08 - Sipario (Tiziana Cappellino), 6:12\u003cbr data-mce-fragment=\"1\"\u003e09 - Deep Breath (Pietro Ballestrero), 6:43\u003cbr data-mce-fragment=\"1\"\u003e10 - Fly Away (Tiziana Cappellino), 4:57\u003cbr data-mce-fragment=\"1\"\u003e11 - Cara (Lucio Dalla), 5:54\u003cbr data-mce-fragment=\"1\"\u003e       Tot. Time: 54:46\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Gira-l-anima\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTiziana Cappellino plays Steinway \u0026amp; Sons D274 Concert Grandpiano, patent New York, 1928\u003cbr data-mce-fragment=\"1\"\u003ePietro Ballestrero plays classical guitars made by Paulino Bernabè\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e24bit\/88.2kHz original HD recording, made at Magister Recording Area, Preganziol (Italy), January 3 - 4, 2024\u003cbr data-mce-fragment=\"1\"\u003eAnalog mix and mastering made at VLS, Naquera, Valencia (Spain), January, 12, 2024\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduction: MARCO LINCETTO for VELUT LUNA\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Marco Lincetto\u003cbr data-mce-fragment=\"1\"\u003eBalance recording engineer: Marco Lincetto\u003cbr data-mce-fragment=\"1\"\u003eSound engineer on Pro Tools: Andrea Valfrè\u003cbr data-mce-fragment=\"1\"\u003eMix and mastering: Marco Lincetto\u003cbr data-mce-fragment=\"1\"\u003eCover painting: Pietro Ballestrero\u003cbr data-mce-fragment=\"1\"\u003ePhoto: Marco Lincetto\u003cbr data-mce-fragment=\"1\"\u003eDesign: L'Image\u003c\/p\u003e\n\u003cp\u003eDue artisti con uno stile molto personale ed una sensibilità forte. La passione per la musicalità ed i ritmi del Brasile da un lato e la vitalità del jazz dall’altro dà vita ad un incontro in cui voce, chitarra e pianoforte si intrecciano creando arrangiamenti freschi, contaminazioni di stili e di mondi.\u003cbr\u003eArmonie raffinate e improvvisazione si legano imprescindibilmente alla ricerca della bellezza e della semplicità delle melodie, siano esse strumentali, dove le parti cantate vengono vocalizzate senza un testo, oppure attraverso vere e proprie poesie, versi messi in musica.\u003cbr\u003eLa voce della Cappelino, uno Steinway gran coda che ha quasi un secolo e le chitarre acustiche di Ballestrero, valorizzati dall'eccezionale fedeltà dell’incisione di Marco Lincetto, come di consueto catturata rigorosamente live in studio, conducono l’ascoltatore in un viaggio tra le diverse anime che appassionano gli autori. Da loro brani originali a temi di grandi compositori come Pat Metheny o Egberto Gismonti, intercalati da vere proprie songs, canzoni brasiliane con il testo tradotto in italiano, un pezzo di Noa, e in chiusura la bellissima “Cara” di Lucio Dalla.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"GOLD CD","offer_id":49971408634203,"sku":"CVLD367GOLDCD","price":21.9,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47969538081115,"sku":"CVLD367","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD367-cover.jpg?v=1712055787"},{"product_id":"rec-live","title":"REC LIVE !","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eREC LIVE ! \u003c\/b\u003e(CVLD264)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - Fly Me To The Moon - Bart Howard 5:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Love Is A Losing Game - Amy Winehouse 3:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - If You Go Before Me - Terence Trent D'Arby 4:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, November 23rd, 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaola Casula, voice, Alessandro Mozzi, piano, Marco Strano, sax\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e04 - Empty Promises - Guido Marzorati 4:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Petrolkiller - Guido Marzorati 3:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Force Of Habit - Guido Marzorati 3:48\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, June 7th, 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGuido Marzorati, voice, guitar and harmonica, Elisa Marzorati, electric piano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e07 - Sonata in la magg. op. posth. D959: Andantino - Franz Schubert 8:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, November 29th, 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChiara Bertoglio, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e08 - Smells Like Teen Spirit - Kurt Cobain \u0026amp; Nirvana 5:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - I Heard It Through The Grapevine - Marvin Gaye 4:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Libertango - Astor Piazzolla 3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/RecLive\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Hotel Crystal, Preganziol, December 15th, 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarbara Belloni, voice, Ivan Prevedello, Roland Electric Piano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCorreva l'anno 2009 ed un po' per caso ed un po' no... mi venne l'idea di realizzare una sorta di \"format discografico\", finalizzato a valorizzare dal vivo ed in registrazione la \"musica da camera\", ad ampio spettro intesa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDi solito infatti con questa definizione si identifica inequivocabilmente un certo tipo di \"musica classica\": ma io invece reputo musica da camera qualunque tipo di musica sia pensata per pochi interpreti (2, 3, forse 4 al massimo) che la eseguono davanti ad un piccolo pubblico in un ambiente raccolto, differente dai grandi spazi dei teatri o degli auditori. Quindi, non solo musica classica, ma anche jazz, rock, etnica... senza limite alla fantasia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDunque cos'è il \"Velut Luna Rec Live\"? E' un piccolo evento in cui un numero ridotto di persone (20 - 25 o poco più) si raccoglie in un piccolo ambiente caratterizzato da un'ottima acustica, si siede letteralmente a ridosso degli interpreti e si gusta un concerto in una posizione vicinissima agli esecutori - un metro o poco più - assolutamente inusuale per qualsiasi altro ambiente specificamente dedicato alla musica dal vivo. Creando, così, un feeling decisamente unico con i musicisti che si esibiscono di fronte a loro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesta magia viene anche catturata da pochi microfoni accuratamente posizionati per trasferire su supporto discografico la \"magia complessiva\" di questi happenings. Naturalmente per far questo è indispensabile evitare qualunque manomissione o alterazione del suono originale: ecco quindi che un Rec Live così inteso si può anche considerare la quint'essenza della purezza della registrazione, garantendo ai pochi fortunati presenti di portarsi a casa le emozioni vissute dal vivo quasi intatte.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn questo CD ho voluto selezionare alcuni di questi momenti, realizzati e registrati nel corso di 20 incontri nell'arco di 6 anni, per consentire ad un pubblico più vasto di \"assaggiare\" queste atmosfere uniche e di per sé irripetibili.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHo scelto non a caso eventi che mi rappresentano in modo particolarmente efficace: ecco quindi largo spazio a due grandi interpreti vocali femminili, spazio al rock, mio primo amore e spazio al pianoforte classico, strumento che appartiene letteralmente al mio dna.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInfine una breve nota tecnica: tutte le registrazioni sono realizzate in modo assolutamente minimalista, spesso con una semplice coppia di microfoni in configurazione stereofonica, direttamente su master stereo digitale ad alta risoluzione (24bit\/88.2kHz) e contemporaneamente su master analogico 1\/4\" 38cm\/sec.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePer non alterare in alcun modo la purezza della ripresa, nè quindi le dinamiche originali dei singoli eventi, non è stata effettuata nessuna normalizzazione fra i vari brani presenti in questo CD e quindi sarà necessario regolare il volume più volte nel corso dell'ascolto di questo disco.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuon ascolto!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":48063153013083,"sku":"CVLD264","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_bee76b08-aba2-4b49-97ce-53cdbdd9c4de.jpg?v=1713028636"},{"product_id":"x-massimo-salvagnini-quartet-patrizia-laquidara","title":"X - MASSIMO SALVAGNINI QUARTET \u0026 PATRIZIA LAQUIDARA","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eX - MASSIMO SALVAGNINI QUARTET \u0026amp; PATRIZIA LAQUIDARA \u003c\/b\u003e(CVLD153)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJazz: original compositions by M. Salvagnini, A. C. Jobim, R. Fred-B. Lane, I. Berlin, S. Rollins, L. Konitz. Tenor saxophone: M. Salvagnini, voice (on Amor em paz): P. Laquidara, guitar: S. Gibellini, double bass: G. Panagin, drums: R. Facchinetti. 24bit\/88.2kHz original recording was made at Magister Studio- Preganziol Italy- on November 2006.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - MOTIMPARO\u003cbr\u003e02 - AMOR EM PAZ\u003cbr\u003e03 - HOW ABOUT YOU\u003cbr\u003e04 - THEY SAY IT'S WONDERFUL\u003cbr\u003e05 - VERTIGO\u003cbr\u003e06 - DESAFINADO\u003cbr\u003e07 - CORSO DEL POPOLO\u003cbr\u003e08 - AIREGIN\u003cbr\u003e09 - SUBCONSCIOUS-LEE\u003cbr\u003e10 - FOTOGRAFIA\u003cbr\u003e11 - MOTIMPARO (ALTERNATIVE TAKE)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/x-massimo-salvagnini-quartet\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eX come incrocio, come crocevia di umori, di atmosfere, di generi. L'annuale appuntamento con Massimo Salvagnini, il suo sax, il suo gruppo, trova questa volta come tema più marcato del solito l'incontro con certa musica brasiliana: più ancora con i ritmi e gli umori della bossa nova. Qual miglior matrimonio quindi se non quello con la ammaliante voce di Patrizia Laquidara? Amor em Paz e Fotografia, seconda e penultima traccia del CD, stanno lì a supportare come cardine questo disco, che poi sviluppa momenti anche differenti in cui più del solito esce una personalità  forte e marcata del leader, accompagnato dai soliti valentissimi Gibellini alla chitarra, Facchinetti alla batteria e Panagin al contrabbasso. E quindi X rappresenta anche l'incrocio fra l'anima soft e suadente con quella più libera irrequieta ed improvvisativa del leader. Lo Studio Magister questa volta ha visto la realizzazione di un vero evento: questo disco infatti registrato in sole tre ore, in rigorosa diretta live-in-studio offre veramente una prestazione sonica state-of-the-art, grazie alla quale lìascolto garantirà  soddisfazioni, all'appassionato attento, difficilmente sostituibili o imitabili.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"LC20lb MBeuO DKV0Md\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/153_-_book.pdf?v=1714155568\" rel=\"noopener\" target=\"_blank\"\u003eBooklet\u003c\/a\u003e\u003c\/h3\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":48134837829979,"sku":"CVLD153","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d9725be39ee1cc04565e64.jpg?v=1714142719"},{"product_id":"double-time-oscar-del-barba","title":"Double Time - Oscar Del Barba","description":"\u003ch2\u003e\n\u003cstrong\u003eDouble Time \u003c\/strong\u003e(CVLD373)\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Del Barba\u003c\/strong\u003e, Piano Solo\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, Gold CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e1 All the things you are (J. Kern, O. Hammerstein), 5:06\u003cbr\u003e2 Skippy (T. Monk), 4:12\u003cbr\u003e3 Stella by starlight (V. Young), 6:53\u003cbr\u003e4 Our Spanish love song (C. Haden), 4:31\u003cbr\u003e5 Heaven (D. Ellington), 5:28\u003cbr\u003e6 Instante immenso (O. Del Barba), 4:20\u003cbr\u003e7 Rhapsodyando, improvvisazione 2 (O. Del Barba), 5:51\u003cbr\u003e8 Elegia (O. Del Barba), 5:28\u003cbr\u003e9 Skyline, improvvisazione 1 (O. Del Barba), 7:18\u003cbr\u003eTotal time: 49:13\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOscar Del Barba\u003c\/strong\u003e, Piano Solo\u003c\/p\u003e\n\u003cdiv\u003eTracks 1 - 5: 88.2kHz \/ 24bit original recording made by Marco Lincetto at Studio Zanta, Camponogara, Italy, on November 2018 - Steinway \u0026amp; Sons D274 Concert Grandpiano, “Henry”\u003cbr\u003eTracks 6 - 9: 88.2kHz \/ 24bit original recording made by Giancarlo Roberti at Teatro delle Ali, Breno, Italy, on April 2012 - Steinway \u0026amp; Sons D274 Concert Grandpiano, theatre resident\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAll’interno di questo cd ci sono delle registrazioni che riguardano due diversi momenti della mia vita musicale. Le tracce da 1 a 5 sono state registrate nel 2018 mentre le successive quattro nel 2012. Le prime riguardano dei brani molto famosi, degli standards “classici” del jazz mentre gli altri pezzi sono mie composizioni e due improvvisazioni estemporanee, non basate su un tema preesistente. Quindi due importanti aspetti della visione musicale di un jazzista: l’aspetto improvvisativo e quello legato alla composizione che spesso si intrecciano e convivono non sempre in maniera “pacifica”. Intendo che le due cose, dentro di me, hanno sempre un po’ combattuto ma, alla fine, l’una non può esistere senza l’altra.\u003cbr\u003e\u003cbr\u003eUn grazie particolare alla mia famiglia che mi sopporta e supporta da anni; un grande grazie a Luca Remelli senza il quale questo cd non sarebbe potuto uscire; un grazie a Marco Lincetto per il suo lavoro e il suo ruolo di divulgatore culturale, sempre attento alla qualità delle sue produzioni. Grazie a Giancarlo Roberti, a tutti coloro che mi hanno fatto crescere musicalmente fino ad oggi.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOscar Del Barba\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eProduction: MARCO LINCETTO for VELUT LUNA\u003cbr\u003eRecording engineers: Marco Lincetto (T. 1\/5), Giancarlo Roberti (T. 6\/9)\u003cbr\u003eMix and mastering engineer: Marco Lincetto at MLS Studio, Valencia, Spain\u003cbr\u003eCover photo: Rocco Delillo\u003cbr\u003eDesign and layout: L’Image\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"GOLD CD","offer_id":49971368919387,"sku":"CVLD373GLODCD","price":21.9,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":48161787740507,"sku":"CVLD373","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_0aeeaeaa-91f4-41a1-a3cc-79f3a0b70f43.jpg?v=1714582605"},{"product_id":"luz-lucia-minetti-musicamorfosi","title":"LUZ - Lucia Minetti | MUSICAMORFOSI","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eLUZ \u003c\/b\u003e(CVLD106)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eLUCIA MINETTI, MUSICAMORFOSI\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eLUCIA MINETTI, MUSICAMORFOSI, D. DI GREGORIO, M. E. GIOVANARDI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1 BOSSA DEL VENTO? Nicola Campogrande \/ Dario Voltolini 3:49\u003cbr\u003e2 MAREA Daniele Di Gregorio \/ Saul Beretta 5:03\u003cbr\u003eospite Mauro Ermanno Giovanardi (La Crus)\u003cbr\u003e3 TANGO DEL VENTO? Nicola Campogrande \/ Dario Voltolini 3:16\u003cbr\u003e4 CORAÇÃO VAGABUNDO Caetano Veloso (arr. di Giovanni Bataloni) 5:27\u003cbr\u003e5 VOCÉ Pietro Ballestrero \/ Lucia Minetti 5:49\u003cbr\u003e6 SE RITORNI Emilio Galante \/ Saul Beretta 4:00\u003cbr\u003e7 SO DANÇO SAMBA Antonio Carlos Jobim \/ Vinicius de Moraes 3:08\u003cbr\u003e8 DE CARA A LA PARED Lhasa de Sela 4:30\u003cbr\u003e9 QUANDO EU PENSO NA BAHIA Ary Barroso 1:52\u003cbr\u003e10 LUZ! Javier Perez Forte \/ Saul Beretta 4:38\u003cbr\u003e11 AS ROSAS NAO FALAM Cartola - Angenor de Oliveira (arr. di Andrea Zani) 3:21\u003cbr\u003e12 QUANTOMAR Yuri Beretta (arr. di Alberto Turra) 3:44\u003cbr\u003e13 DISSERAM QUE EU VOLTEI AMERICANIZADA Louis Peixato \/ Vicente Paida 2:09\u003cbr\u003e14 ACALANTO Chico Buarque 1:47\u003cbr\u003e15 DERRADEIRA PRIMAVERA Antonio Carlos Jobim \/ Vinicius de Moraes 2:47\u003cbr\u003e16 APANHEI-TE CAVAQUINHO Ernesto Nazareth 2:47\u003cbr\u003e17 POR TODA MINHA VIDA Antonio Carlos Jobim \/ Vinicius de Moraes 2:20\u003cbr\u003e(arr. di Filippo Saya) 10:20\u003cbr\u003e\u003cstrong\u003eTotal Time 60:59\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Luz\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eUn viaggio tra Italia e sudamerica per una formazione inedita, composta da musicisti jazz, classici e rock. Canti di terra e di mare dall'estrema varietà  espressiva che attingono al materiale musicale dell'area sudamericana: dal compositore classico tra i classici Antonio Carlos Jobim, fino a musicisti che ormai sono considerati veri e propri poeti come Caetano Veloso, Cartola, Chico Buarque fino ad arrivare a una serie di brani originali in prima esecuzione e incisione assoluta.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eLucia Minetti voice\u003cbr\u003eMusicamorfosi\u003cbr\u003ePietro Ballestrero guitar\u003cbr\u003eDaniele Parziani violin\u003cbr\u003eMarco Decimo cello\u003cbr\u003eAndrea Zani piano\u003cbr\u003eYves Rossignol doublebass\u003cbr\u003eRoberto Zanisi 12 strings guitar, cümbüs, percussions\u003cbr\u003eGennaro Scarpato drums, percussions, cahon\u003cbr\u003eDebora Mancini narrator\u003cbr\u003eAlberto Nazzareno Turra electric guitar (Quantomar)\u003cbr\u003eJavier Perez Forte, guitar (Luz!)\u003cbr\u003eSaul Beretta piano (Marea)\u003cbr\u003eGuest\u003cbr\u003eDaniele Di Gregorio marimba (Marea)\u003cbr\u003eMauro Ermanno Giovanardi (La Crus)\u003cbr\u003evoice (Marea) - by courtesy permission of WEA\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e24 Bit \/ 88.2kHz original live in studio recording\u003cbr\u003eat Teatrino di Corte della Villa Reale, Monza (Italy)\u003cbr\u003eon 17th, 18th 19th May 2004.\u003cbr\u003eProduction Velut Luna\u003cbr\u003eBalance engineer Marco Lincetto\u003cbr\u003eArtistic Production Saul Beretta and Lucia Minetti\u003cbr\u003eMix and mastering engineer Marco Lincetto\u003cbr\u003ePhotos Silvia Lelli (cover)\u003cbr\u003ePhotos Napoleone Ferrari, Naìda\u003cbr\u003eDesign Naìda Tarakcija\u003cbr\u003eSales manager Patrizia Pagiaro\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":48169921216859,"sku":"CVLD106","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/106-cover.jpg?v=1714720017"},{"product_id":"linfa-paola-casula","title":"LINFA - Paola Casula","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLINFA \u003c\/b\u003e(CVLD185)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ePaola Casula,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e voce\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eTracce\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e01 - Linfa\u003cbr\u003e02 - Come vetro\u003cbr\u003e03 - Questa storia in testa\u003cbr\u003e04 - L'amante\u003cbr\u003e05 - Gli uomini del vento\u003cbr\u003e06 - Prendere o lasciare\u003cbr\u003e07 - Venezia 70\u003cbr\u003e08 - Rapido\u003cbr\u003e09 - Soltanto tua\u003cbr\u003e10 - Sparirei\u003cbr\u003e11 - Favole\u003cbr\u003e12 - Paola e Mery\u003cbr\u003e13 - Domani\u003cbr\u003e14 - A Salty Dog\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Linfa\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePOP: original compositions by: P. Fanton, A. Mozzi, P. Casula, A. Magliarditi, M. Strano, V. Matteucci, A. Boccato, M. Bucchi, W. Biasin, R. Fellini, Procol Harum-Brooker-Reid.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eP. Casula voice and background voice, A. Mozzi piano \u0026amp; keyboards, F. Malaman electric bass \u0026amp; double bass, M. Campigotto drums \u0026amp; percussion, M. Strano tenor, soprano, alto sax, flute, harp, synth.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2KHz original recording made at Magister Area Studios, Preganziol (Italy) on May 2009.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA tre anni di distanza dal suo primo disco da solista, ecco finalmente disponibile il nuovo progetto di Paola Casula. La grande interprete padovana con questo lavoro si propone definitivamente come una della grandi signore del pop italiano. Tredici brani inediti, appositamente scritti per lei da autori sofisticati e raffinati quali Vittorio Matteucci, Alessandro Mozzi, Alessandro Magliarditi, Piera Fanton e Marco Strano, il quale ha anche curato tutti gli arrangiamenti musicali del disco.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA buon diritto possiamo coniare il termine di “pop-jazz”: infatti su una struttura classica di “canzone” si innesta la cifra stilistica dei musicisti che accompagnano Paola, tutti jazzisti di altissimo profilo stilistico. Su questo substrato culturale si vanno poi ad innestare tutta una serie di echi, di rimandi e citazioni a certo soul degli anni ’70 – Roberta Flack e dintorni - e certo pop inglese – Prefab Sprout e dintorni - tipico degli anni ’80.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChiude il disco un tributo collegialmente voluto da interpreti, autori e produttore alla grande stagione del Progressive anni ’70, presentando l’unica cover presente nel disco: A Salty Dog dei Procol Harum.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRegistrazione, missaggio e mastering, effettuate nello studio Magister Area da Marco Lincetto, portano ad un risultato sonoro che si può a buon diritto definire sontuoso. In particolare questo disco si distingue per la grandissima dinamica disponibile, distinguendosi in ciò da TUTTI gli altri progetti analoghi oggi disponibili sul mercato.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUna risposta di Marco Lincetto alla cosiddetta loudness war, offrendo con “Linfa” un oggetto unico per gli appassionati della qualità sonora assoluta, in un genere – la musica pop - sicuramente bistrattato dalle grandi majors discografiche. Un’occasione più unica che rara d’ascolto per gli audiofili esigenti.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":48190483267931,"sku":"CVLD185","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/185-cover.jpg?v=1715099994"},{"product_id":"blue-stefania-salvador","title":"BLUE - Stefania Salvador","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eBLUE \u003c\/b\u003e(CVLD118)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eStefania Salvador,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e voce\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 - Ovunque sei\u003cbr\u003e02 - La memoria mia di te\u003cbr\u003e03 - Bridge over troubled water\u003cbr\u003e04 - Fantasia di infinito\u003cbr\u003e05 - E se domani\u003cbr\u003e06 - Ingenuo clown\u003cbr\u003e07 - Come acqua attesa\u003cbr\u003e08 - La vie en rose\u003cbr\u003e09 - Hey Jude\u003cbr\u003e10 - Pagine dei miei pensieri\u003cbr\u003e11 - Se stasera sono qui\u003cbr\u003e12 - Fonemi d'amore\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Blue\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit \/ 96kHz original recordings made at Magister Studio, Preganziol, Italy, on April 8 - 20, 2005 All arrangements by Stefania Salvador, except for strings arrangements on Fonemi d'amore by Fabrizio Castania Stefania Salvador plays Steinway\u0026amp;Sons D 274 Concert Grandpiano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStefania Salvador è uno dei più interessanti talenti musicali comparsi sulla scena italiana negli ultimi tempi. 28 anni, pianista, autrice e cantante, dopo una solida preparazione accademica -diploma in pianoforte al conservatorio e studi di composizione - si innamora del blues e del jazz ascoltando le grandi interpreti americane del passato quali Ella Fitzgerald, Sarah Vaughan, Bessie Smith. Atmosfere malinconiche e sognanti, scatti di energia nell'esaltazione della melodia e dei ritmi più vari caratterizzano i sette brani originali ed i cinque classici (Bridge over troubled water, Hey Jude, La vie en rose, E se domani, Se stasera sono qui) che compongono il progetto, sono dunque il Blues ed il Jazz, che caratterizzano questo disco. Con lei, ospiti di eccezione nel disco vi sono: Enzo Carpentieri, Sergio Cossu, Enrico Dindo, Sandro Gibellini, Kyle Gregory, Jacopo Jacopetti, Benny Lamonica, Giuliano Perin, Cheryl Porter, Leonardo Rigo, Sax Four Fun, Daniele Scala.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 48kHz · 24bit","offer_id":48378944061787,"sku":"CVLD118","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/118-cover.jpg?v=1717153272"},{"product_id":"miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-1","title":"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1","description":"\u003ch2\u003e\n\u003cstrong\u003eMiles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1 \u003c\/strong\u003e(GBR00124)\u003c\/h2\u003e\n\u003ch3\u003eLP AUDIOPHILE PRESSING\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvete tra le mani il primo dei tre volumi dedicati alle registrazioni effettuate da Miles Davis, tra il 1956 e il 1958 al Café Bohemia, situato al 15 di Barrow Street, nel Greenwich Village, a New York.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIl ristorante (che recava un evidente errore di ortografia nell’insegna – Restraurnt) era gestito dall’italo-americano Jimmy Garofalo e fu inaugurato nel 1955. In breve tempo il Café Bohemia divenne una sorta di Mecca per i modernisti del jazz, e diversi album furono registrati da alcuni degli artisti più interessanti del tempo (Art Blakey, Charles Mingus, Kenny Dorham, George Wallington). Inoltre, Oscar Pettiford, (che nei primi tempi ricopriva l’incarico di direttore artistico del Jazz Club) vi dedicò anche una composizione, intitolandola «Bohemia After Dark».\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIl Café Bohemia era inoltre una delle sedi da cui si trasmetteva il programma\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBandstand U.S.A. sulle onde del Mutual Network Radio Broadcasts. Ogni settimana il presentatore Guy Wallace, spesso accompagnato da ospiti, registrava e trasmetteva alcuni incredibili live direttamente dal Bohemia. Miles Davis fece parte di queste trasmissioni per ben otto volte, tra il 15 settembre 1956 e il 17 maggio 1958.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQui troverete, per la prima volta nella storia, l’integrale delle registrazioni di Miles (circa 120 minuti), a suo tempo trasmesse dal Mutual Network.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParte di questo materiale è stato pubblicato nel corso degli anni su dischi non ufficiali, ma la maggior parte compare per la prima volta su vinile se non addirittura è di fatto completamente inedito. In tutti i casi, il materiale viene qui pubblicato con la migliore qualità sonora possibile e con velocità corretta (la maggior parte delle versioni precedenti giravano alla velocità sbagliata, ovvero stonate rispetto alla tonalità originale d’esecuzione).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSu tratta di una vera macchina che viaggia nel tempo e nello spazio, in quanto abbiamo cercato di riprodurre il suono di quell’epoca nel modo più fedele possibile. Per migliorare e rispettare filologicamente quel mondo del suon\u003c\/em\u003e\u003cem\u003eo, abbiamo deciso di pubblicare anche tutti gli annunci (di Guy Wallace e dei suoi ospiti) nella loro versione completa.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eAlcuni aspetti molto interessanti e imprevisti emergono da questi annunci, che aiuteranno l’ascoltatore a vivere al meglio quell’epoca, sia da un punto di vista sociale sia storico.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQuindi, accendete la radio e immergetevi nell’atmosfera della seconda metà degli anni ’50 con la musica precedentemente inedita del Miles Davis Quintet al suo meglio.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMiles Davis (tp); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (d)\u003cbr\u003eGuy Wallace (Radio Broadcast announcer)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnnouncement by Guy Wallace 2:01\u003c\/li\u003e\n\u003cli\u003eWell You Needn’t 5:48\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind 5:02\u003c\/li\u003e\n\u003cli\u003eA Gal in Calico 4:43\u003c\/li\u003e\n\u003cli\u003eStablemates 3:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Am I to Know? 3:03\u003c\/li\u003e\n\u003cli\u003eThe Theme 1:34\u003c\/li\u003e\n\u003cli\u003eWoody’n You 3:58\u003c\/li\u003e\n\u003cli\u003eWalkin’ [Gravy] 7:10\u003c\/li\u003e\n\u003cli\u003eAll of You 2:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eUnfortunately, the sole surviving (obviously) mono tape transcriptions of these recordings were not always in good shape, but we improved the quality with state-of-the-art equipment and remastering tools.\u003cbr\u003eTo present the complete performances we have used the best available sources, considering that the material was recorded through a period of three years by different technical crews and completely different miking techniques and positioning. This resulted in a slight change in audio quality. This is the best and most complete collection of the legendary Café Bohemia recordings aired by the Mutual Network for Bandstand U.S.A. Radio Broadcast.\u003c\/p\u003e\n\u003cp\u003eThanks to Piergiorgio Cupellini, Elisa Gabrielli, Paola Giordano, Igor Ebuli Poletti, and Fabio Sala. Special thanks to Bob Belden, Jan Lohmann, Peter Losin, and Teo Macero.\u003c\/p\u003e\n\u003cp\u003eSpeed corrected and remastered by Enrico Merlin\u003cbr\u003eExecutive producer, Massimo Corvino for Groove Back Records\u003cbr\u003eLiner notes by Enrico Merlin, with special help from Giovanni Principe and Ginger Minneman\u003cbr\u003eCover picture by Marvin Koner, shot between May 25 and June 10, 1956, outside the Café Bohemia\u003cbr\u003eArtwork concept and album design by Roberto Mares\u003c\/p\u003e\n\u003cp\u003eComplete recordings with radio speaker announcements and voiceovers included.\u003c\/p\u003e\n\u003cp\u003eNel n. 1 di GRooVE back Magazine trovate il racconto e la genesi di questo disco (disponibile gratuitamente la versione digitale della rivista su questo sito nella sezione magazine)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecensioni: \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/articolo_andrea_bin_su_Miles_Davis_vol.1.pdf?v=1747243073\" title=\"Recensione AudioReview Aprile25\" rel=\"noopener\" target=\"_blank\"\u003eAudioReview\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"GRooVE back records","offers":[{"title":"LP 33 rpm","offer_id":48678091391323,"sku":"GBR00124","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/MilesDavis5thCafeBohemiaLP.png?v=1721038958"},{"product_id":"velut-luna-2025-vol-3-master-file-sampler","title":"Velut Luna 2025 Vol. 3 Master File Sampler","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eVelut Luna 2025 Vol. 3 Master File Sampler \u003c\/b\u003e(SVLH004) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003col\u003e\n\u003cli\u003eAmos Ghirardelli  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eLibero Arbitrio\u003c\/strong\u003e)  -  Malinconia  -  01  -  2024  -  Progressive Rock  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eLuca Lucchetta, Gian Luca Sriso, Francesco Martignon  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eNINO ROTA\u003c\/strong\u003e)  -  Trio per clarinetto, violoncello e pianoforte - Allegrissimo  -  02  -  2024  -  Classical  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eGiovanni Tirindelli  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eDieci Studi sul Trillo\u003c\/strong\u003e)  -  Dieci Studi sul trillo per pianoforte, Fascicolo 1, Mazurka  -  03  -  2024  -  Classical  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eAntonello Cresti, Frankie Giordano  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eLe radici di una intolleranza\u003c\/strong\u003e)  -  Empi divi  -  04  -  2024  -  Pop  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eMartian Noise  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eFrequency Of Humanity\u003c\/strong\u003e)  -  Hanging Garden  -  05  -  2024  -  Progressive Rock  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eTiziana Cappellino, Pietro Ballestrero  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eGira l'anima\u003c\/strong\u003e)  -  Cara  -  06  -  2024  -  Jazz  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eOscar Del Barba  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eDouble Time\u003c\/strong\u003e)  -  Istante immenso  -  07  -  2024  -  Jazz  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eFederica Artuso  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003ePapier-Maché\u003c\/strong\u003e)  -  Milonguea del Ayer  -  08  -  2024  -  Classical  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eLapo Vannucci, Luca Torrigiani  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eITALIAN MUSIC FOR GUITAR AND PIANO - revisited\u003c\/strong\u003e)  -  Il silenzio del tempo, Ineluttabile  -  09  -  2024  -  Classical  -  Velut Luna\u003c\/li\u003e\n\u003cli\u003eOrchestra di Padova e del Veneto  -  Velut Luna 2025 Hi-Res Sampler vol. 3 (\u003cstrong\u003eADRIANO LINCETTO LEGACY\u003c\/strong\u003e)  -  I Sogni di Gianò, Suite Orchestrale, Finale  -  10  -  2024  -  Classical  -  Velut Luna\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e℗ 2025 Velut Luna®_Released 2024-12-15\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49534523998555,"sku":"SVLH003-88","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VelutLuna2025Vol.3MasterFileSampler.png?v=1732264655"},{"product_id":"imagenes-de-tango-modern-saxophone-quartet","title":"IMAGENES DE TANGO - Modern Saxophone Quartet","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eIMAGENES DE TANGO \u003c\/b\u003e(CVLD042)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eModern Saxophone Quartet\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e01 Imagenes 676.wav\u003cbr\u003e02 Vuelvo al sur.wav\u003cbr\u003e03 Coral.wav\u003cbr\u003e04 Astor que estas en los cielos.wav\u003cbr\u003e05 Contramilonga a la funerala.wav\u003cbr\u003e06 Allegro tangabile.wav\u003cbr\u003e07 Asleep.wav\u003cbr\u003e08 Fear.wav\u003cbr\u003e09 Tango per Astor.wav\u003cbr\u003e10 Oblivion.wav\u003cbr\u003e11 Libertango.wav\u003cbr\u003e12 Milonga del Angel.wav\u003c\/p\u003e\n\u003cp\u003eTotal time: 1:06:23\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Imagenes-de-Tango\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL FROM 20th CENTURY : original compositions by Astor Piazzolla, Pepito Ros, Gustavo Toker. Modern Saxophone Quartet \/ Simone Zanchini, accordeon 24Bit \/ 96 kHz Digital Recording. Live in studio at Chiuppano Public Auditorium (Vicenza, Italy) May, 2000. VLHD REMASTERED, May, 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNoi di Velut Luna consideriamo questo disco, una delle nostre perle nascoste.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCon questo “Imagenes de Tango” inizia un lavoro di riscoperta di alcuni dei titoli che noi amiamo di più e che presentano contenuti di assoluto rilievo musicale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn questo progetto la prestigiosa formazione del Modern Saxophone Quartet, composta da 4 sassofonisti classici, ospita come solista il grandissimo e acclamatissimo solista al bandoneon Simone Zanchini, nell’esecuzione di alcuni classici di Astor Piazzola, utilizzando arrangiamenti originali, composti per l’occasione.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDa sottolineare anche un aspetto rilevantissimo di questa esecuzione, ovvero il fatto di essere stata realizzata rigorosamente dal vivo, pur senza pubblico, nella splendida acustica dell’Auditorium di Chiuppano, in provincia di Vicenza. E’ una cosa, questa, a cui tutti noi teniamo molto. Una curiosità simpatica e significativa del nostro approccio: i brani Oblivion e Libertango (tracce 10 e 11) sono in realtà uniti fra loro a sorta di mini suite ed il “collante” è una lunga cadenza (un lungo “solo”) del bandoneon. Ad un certo punto c’è una piccola imperfezione esecutiva – una piccola nota stonata – sottolineata da un verso di disapprovazione di Zanchini: ora, avremmo ovviamente potuto correggerla, ma per volontà dello stesso Zanchini si è deciso di lasciarla a testimonianza di una freschezza esecutiva che nessuna perfezione al “profumo di editing” potrà mai dare alla musica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUltimo, ma non ultimo, motivo di interesse è legato al lavoro di remastering realizzato. E’ stata applicata la ormai nota tecnologia VLHD, che “si limita”, per così dire con un grande eufemismo, ad utilizzare i più sofisticati algoritmi di decimazione del segnale oggi disponibili, non disgiunti da un precisissimo e proprietario controllo del clock digitale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEcco quindi che anche coloro che avessero già acquistato questo disco, avrebbero oggi un buon motivo per riacquistarlo, riuscendo in questo modo ad ottenere l’opportunità di verificare direttamente a casa propria, in un confronto diretto, quanto sia importante e quanto si sia evoluta la tecnologia digitale al servizio del CD standard in questi ultimi anni.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49612305793371,"sku":"CVLD042","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_87e8ebca-c36d-4bf1-b00b-0d95970435f4.jpg?v=1733160585"},{"product_id":"improvvisamente-un-giorno-tra-i-mesi-remastered","title":"IMPROVVISAMENTE UN GIORNO TRA I MESI - Franco D'Andrea Valerio Tasca","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eIMPROVVISAMENTE UN GIORNO TRA I MESI \u003c\/b\u003e(\u003cspan\u003eCVLD012\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranco D'Andrea\u003c\/strong\u003e, pianoforte - \u003cstrong\u003eValerio Tasca\u003c\/strong\u003e, vibrafono e marimba\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e1 Piccolo (Tasca) 7'14\"\u003cbr\u003e2 Ventoso (D'Andrea) 7'05\"\u003cbr\u003e3 Woody (Tasca) 7'19\"\u003cbr\u003e4 Eolie (D'Andrea) 7'48\"\u003cbr\u003e5 Friburgo (Tasca) 10′40″\u003cbr\u003e6 Afro Dream (D'utente a) 5'30\"\u003cbr\u003e7 Una piccola passeggiata (D'Andrea) 5'43\"\u003cbr\u003e8 Nomade (D'Andrea, Tasca) 5'16\"\u003cbr\u003e9 Butch (Tasca) 5'29\"\u003cbr\u003e10 De Gama (Tasca) 9'43\"\u003cbr\u003e11 Cercando (D'Andrea) 5'59\"\u003c\/p\u003e\n\u003cp\u003eTempo totale 79'10\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Improvvisa-mente-un-giorno-tra-i-mesi\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote a margine e breve guida all'ascolto di M. A. Lincetto\u003c\/strong\u003e\u003cbr\u003eLa registrazione è stata effettuata nel corso del pomeriggio di venerdì 11 settembre 1997, presso la Fondazione Musicale \"Masiero e Centanin\", di Arquà Petrarca in provincia di Padova. Franco ha suonato un pianoforte Steinway\u0026amp;Sons D274 Grandpiano, mentre Saverio un vibrafono ed una marimba, gentilmente resa disponibile dal Maestro Massimo Pastore.\u003cbr\u003eQuesta registrazione è la cronaca di un incontro di talenti che dura da ormai 4 anni: ogni nota documentata dalle tre ore di registrazione si può considerare gemma preziosa. Nulla ha turbato 1' interplay degli artisti e nulla è da buttare: la selezione dei brani da inserire nel presente CD èstata durissima quindi per sovrabbondanza di qualità.\u003cbr\u003eAncora una volta l' umile tecnico si è limitato ad alzare due microfoni omnidirezionali e ad attendere che l' evento si compisse, lasciando che il legno e la pietra della sala amalgamassero i suoni in un unicum perfetto, caldo morbido ed avvolgente.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSistema di registrazione\u003c\/strong\u003e\u003cbr\u003econvertitore A\/D 20 bit: LEXICON 20\/20 AD\u003cbr\u003eMeccanica digitale: SONY PCM 2600\u003cbr\u003ePreamplificatore microfonico: MILLENNIA MEDIA HV 3\u003cbr\u003eMicrofoni: SCHOEPS CMC6+ MK2s\u003cbr\u003eMonitor sul palco: cuffia BEYERDYNAMIC DT 801\u003cbr\u003eMonitor da studio: SPENDOR S 100 + ETALON INTEGRAL\u003cbr\u003eCondizionatore rete elettrica: DROMOS S.P.D.6\u003cbr\u003eCablaggio: KLOTZ, BELDEN, AUDIOQUEST LAPIS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrediti\u003c\/strong\u003e\u003cbr\u003eProduzione: VELUT LUNA\u003cbr\u003eRivelatore del suono: Marco Lincetto (la Luna)\u003cbr\u003eProduttore associato: Saverio Tasca\u003cbr\u003eMastering: Matteo Costa\u003cbr\u003eImpaginazione: L'Immagine\u003cbr\u003eFotografie musicisti: Ilenco Tracmot\u003cbr\u003eLe foto di copertina rappresentanti gli \"Undici Mesi\" di Alessio Tasca sono di Mario Bozzetto.\u003cbr\u003ePubbliche relazioni: Francesco Pesavento (1' altra faccia della Luna)\u003cbr\u003eConsulenza tecnica e merceologica: Yahir Wahal.\u003c\/p\u003e\n\u003cp\u003eIl pianoforte Steinway \u0026amp; Sons D274 Grand Piano suonato da Franco D'Andrea è stato fornitio e preparato dalla Ditta ZANTA di Fossò (Venezia)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042736935259,"sku":"CVLD012CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz - 24 bit","offer_id":49623581753691,"sku":"CVLD012","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/012-cover.jpg?v=1733325616"},{"product_id":"romantique-duniya-francesco-mascio","title":"ROMANTIQUE DUNIYA - Francesco Mascio","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003eFrancesco Mascio | ROMANTIQUE DUNIYA  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003cspan style=\"font-size: large;\"\u003eBBR2024FM02)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003e33 rpm vinile 180 gr. numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list Vinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eA1 Brigid’s Dance 03:05\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA2 Sarah 05:54\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA3 Thinking of Farzad 03:40\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA4 Vinicio’s Song 05:12\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA5 Tre Trifogli 03:17\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB1 A Song for Peace 04:36\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB2 Pensando a Django 06:00\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB3 The Rebirth of Lilith 04:13\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB4 Tarhindu 03:17\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB5 Samsara 03:57\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eReference Master Tape Copy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e1  Brigid’s Dance \u003c\/span\u003e\u003cspan\u003e03:05\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e2  Sarah \u003c\/span\u003e\u003cspan\u003e05:54\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e3  Thinking of Farzad \u003c\/span\u003e\u003cspan\u003e03:40\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e4  Vinicio’s Song \u003c\/span\u003e\u003cspan\u003e05:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e5  Tre Trifogli \u003c\/span\u003e\u003cspan\u003e03:17\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e6  A Song for Peace \u003c\/span\u003e\u003cspan\u003e04:36\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e7  Pensando a Django \u003c\/span\u003e\u003cspan\u003e06:00\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e8  The Rebirth of Lilith \u003c\/span\u003e\u003cspan\u003e04:13\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e9  Tarhindu \u003c\/span\u003e\u003cspan\u003e03:17\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e10  Samsara \u003c\/span\u003e\u003cspan\u003e03:57\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/Romantique-Duniya\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSteve Wickham | violin (#1)\u003cbr\u003eChecco Pallone | percussion (#1, #8, #9)\u003cbr\u003eCarmine Ioanna | accordion (#2, #4, #7)\u003cbr\u003eNicola Scagliozzi | double bass (#2, #4, #7, #10)\u003cbr\u003eDomenico Benvenuto | drums (#2, #4, #7)\u003cbr\u003ePericle Odierna | clarinets (#3, #9)\u003cbr\u003eVito Cardellicchio | percussion (#3)\u003cbr\u003eClaudio Merico | violin (#5)\u003cbr\u003eLorenzo Beverati | bodhran (#5)\u003cbr\u003eFabiana Dota | voice (#6)\u003cbr\u003eEsharef Alì Mhagag | voice (#6)\u003cbr\u003eGiovanni Imparato | voice \u0026amp; percussion (#6)\u003cbr\u003eAlberto La Neve | sax (#6)\u003cbr\u003eJalimansa Haruna Kuyateh | kora (#6)\u003cbr\u003ePaolo Mazziotti | bass (#6)\u003cbr\u003eAntonella D’Avino | voice (#8)\u003cbr\u003eFarzad Basatpour | tambour (#8)\u003cbr\u003eDiletta Longhi | percussion (#9)\u003cbr\u003eFrancesco Mascio | classical guitar \u0026amp; composition (on all tracks)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRomantique Duniya - Francesco Mascio\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn coinvolgente viaggio sonoro attraverso diversi paesaggi musicali, ROMANTIQUE DUNIYA svela il ricco arazzo di scambi culturali che ha plasmato la musica in tutto il mondo. \u003c\/span\u003e\u003cspan\u003eSi cela un mondo nascosto, quello della musica, tracciato da uomini che hanno percorso antichi sentieri, portando le loro tradizioni culturali dal lontano Oriente, fondendole con quelle incontrate lungo il cammino, nei nuovi territori che hanno attraversato. \u003c\/span\u003e\u003cspan\u003eLe dieci composizioni originali di Romantique Duniya raccontano di questi antichi viaggiatori, dei territori da loro esplorati, delle tradizioni sconosciute incontrate e assorbite, ma soprattutto parlano della miriade di emozioni che l'essenza stessa del viaggio evoca nello spirito umano. \u003c\/span\u003e\u003cspan\u003e\"Romantique Duniya \", allude al linguaggio universale della musica che trascende i confini culturali. \u003c\/span\u003e\u003cspan\u003eOltre che dall’Italia, ad arricchire la narrativa dell'album ci sono i contributi di un insieme diversificato di musicisti provenienti da Irlanda, Iran, Libia e Gambia. Questi virtuosi infondono alla musica l'autenticità dei loro strumenti tradizionali, aggiungendo profondità e dimensione alle composizioni di Mascio. \u003c\/span\u003e\u003cspan\u003eLa giustapposizione di strumenti culturalmente diversi sottolinea la fede incrollabile del compositore nell'arricchimento che deriva dalla confluenza di tradizioni e culture musicali distinte. Questa miscela armoniosa funge da potente testimonianza della nozione di musica come linguaggio universale, che trascende i confini e promuove un profondo senso di liberazione. \u003c\/span\u003e\u003cspan\u003eROMANTIQUE DUNIYA è una testimonianza dell'abilità artistica di Mascio e della sua profonda passione per l'esplorazione delle infinite possibilità della musica. L'album invita gli ascoltatori in una emissione sonora indimenticabile, dove le antiche tradizioni convergono con la sensibilità contemporanea, creando una sinfonia di ricchezza culturale e risonanza emotiva.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCER: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella | BIRDBOX RECORDS Executive Producer: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposer and arranger: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording, Mixing, Mastering engineer: Lorenzo Vella - Nightingale Studios Mixing Assistant: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraphic designer: Nerina Fernandez Photography: Simona Mililli\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eRECORDING\/MIXING\/MASTERING EQUIPMENT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis album was recorded in the analog domain with digital archiving in lossless quality at 192 kHz \u003c\/span\u003e\u003cspan\u003e32\u003c\/span\u003e\u003cspan\u003e-bit using a state- of-the-art Metric Halo ULN8 3D converter. Mixing and mastering were performed exclusively in the analog domain employing a top-notch suite of external tube gear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis approach seamlessly blends the timeless essence of analog with the cutting-edge capabilities of digital. Mastering in analog domain on RTM SM900 high-output on Ampex ATR102 2-channel 1\/2-inch analog tape recorder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe wide dynamic range may lead to tracking issues if your system is not optimally calibrated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuesto vinile viene fornito unitamente ad una comoda busta protettiva spessore 40 micron, richiudibile tramite patella di chiusura a biadesivo.\u003c\/p\u003e\n\u003cp\u003e\"Per garantire la migliore esperienza di ascolto possibile, consigliamo vivamente di pulire questo disco in vinile con un pulitore ad ultrasuoni di prima qualità prima della riproduzione.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaratteristiche Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePer queste esclusive copie su nastro, Lorenzo Vella realizza il master analogico, che viene trasferito su una STUDER A80 1\/4, da AMPEX ATR102 1\/2. Il nastro da un quarto di pollice viene poi spedito insieme ad una preziosa bobina di alluminio all'interno di un'elegante scatola di lusso. Utilizziamo solo nastri RecordingTheMasters.\u003cbr\u003eControllo qualità sui registratori a nastro Sony AR5003V, Otari MX55 e Telefunken M15A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical data Tape:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NAB on request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49659830174043,"sku":"BBR2024FM02VYN","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_76ab910618414682870df733400bb59b_mv2.webp?v=1734448294"},{"product_id":"dialoghi-parente-berlen-gadaleta","title":"DIALOGHI - PARENTE, BERLEN, GADALETA","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eDIALOGHI \u003c\/b\u003e(\u003cspan\u003eCVLD026\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eM. PARENTE, G. BERLEN, P.GADALETA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cspan\u003eEsecutore: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan id=\"esecutore\"\u003eTHE TRIO, G. GUASTAMACCHIA, L. CIANI, STRING ORCHESTRA T. TRAETTA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e01 - Piccola Suite per trio - M Parente - Massimo Parente Trio\u003cbr\u003e02 - I Remember Clifford - B Golson - Massimo Parente Trio \u0026amp; Trio D'Archi Tommaso Traetta\u003cbr\u003e03 - Bolinando per chitarra - M Parente - Luigi Ciani\u003cbr\u003e04 - Valzer Lulù per clarinetto e archi - M Parente - Gaetano Guastamacchia e Orchestra Tommaso Traetta\u003cbr\u003e05 - Napoletana per trio e chitarra, Adagio - M Parente - Massimo Parente Trio \u0026amp; Luigi Ciani\u003cbr\u003e06 - Napoletana per trio e chitarra, Allegro - M Parente - Massimo Parente Trio \u0026amp; Luigi Ciani\u003cbr\u003e07 - Suite per trio violino e violoncello, The Peakocks - J Roads - Massimo Parente Trio, Fabrizio Signorile, Sara Gentile\u003cbr\u003e08 - Suite per trio violino e violoncello, Hullo Bolinas - S Swallow - Massimo Parente Trio, Fabrizio Signorile, Sara Gentile\u003cbr\u003e09 - Suite per trio violino e violoncello, We Will Meet Again - B Evans - Massimo Parente Trio, Fabrizio Signorile, Sara Gentile\u003cbr\u003e10 - Suite per trio violino e violoncello, Aria - M Parente - Massimo Parente Trio, Fabrizio Signorile, Sara Gentile\u003cbr\u003e11 - Edy Song per trio clarinetto e archi - M Parente - Massimo Parente Trio, Gaetano Guastamacchia, Orchestra Tommaso Traetta\u003cbr\u003e12 - Color per sole percussioni - M Parente - Giuseppe Berlen\u003cbr\u003e13 - Lullaby per trio e archi - M Parente - Massimo Parente Trio, Orchestra Tommaso Traetta\u003cbr\u003e14 - Blues per trio - M Parente - Massimo Parente Trio\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Dialoghi\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginal compositions by Massimo Parente, Giancarlo Berlen, Benny Golson, Steve Swallow, Bill Evans The Trio: Massimo Parente, grandpiano \/ Giancarlo Berlen, drums \/ Pasquale Gadaleta, doublebass \/ Special Guests: Gaetano Guastamacchia, clarinet \/ Luigi Ciani, guitar \/ String Orchestra Tommaso Traetta, Vito Clemente, conductor. 20 Bit Digital Recording. Live in studio at Studio Cavalieri (Bari, Italy). July, 1998.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn classico trio jazz incontra una grande orchestra d'archi ed alcuni solisti (clarinetto, chitarra, violino, violoncello) affrontando un programma che spazia dai grandi standard del jazz americano, alle musiche originali appositamente composte dai due titolari del progetto, fino alle melodie tradizionali della Puglia, terra d'origine del gruppo. Il risultato è un crossover di generi che tenendo come linea guida lo spirito del jazz rimanda ad echi classici. \u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042684768603,"sku":"CVLD026CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49685961539931,"sku":"CVLD026","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_95a74373-2bc4-4bac-9579-00dd2cca8403.jpg?v=1734102110"},{"product_id":"vivo-sonhando-salvagnini-birro","title":"VIVO SONHANDO - SALVAGNINI, BIRRO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eVIVO SONHANDO\u003c\/strong\u003e (\u003cspan\u003eCVLD030\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eAutore: \u003c\/strong\u003eCARLOS JOBIM\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003e\u003cspan\u003eEsecutore: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan id=\"esecutore\"\u003eM. SALVAGNINI, P. BIRRO\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Samba de uma nota sò\u003cbr\u003e02 - Triste\u003cbr\u003e03 - Desafinado\u003cbr\u003e04 - Eu sei que vou te amar - Discussao\u003cbr\u003e05 - Corcovado\u003cbr\u003e06 - Brigas nunca mais\u003cbr\u003e07 - Luiza\u003cbr\u003e08 - Garota de Ipanema\u003cbr\u003e09 - O grande amor\u003cbr\u003e10 - Insensatez\u003cbr\u003e11 - Vivo sonhando\u003cbr\u003e12 - Este seu olhar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Vivo-Sonhando\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginal compositions by Antonio Carlos Jobim Massimo Salvagnini, tenor saxophone \/ Paolo Birro, grandpiano 24Bit \/ 96 kHz Digital Recording. Live in studio at Sala Polivalente Abano Terme (Padova, Italy). July, 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn omaggio alle immortali canzoni di Antonio Carlos Jobim: Garota de lpanema, Corcovado, Samba de uma nota so, Desafinado, lnsensatez, Vivo Sonhando ed altre ancora. Lo standard audio ad alta risoluzione digitale a 24bit\/96Khz, uniti alle consuete raffinate e minimali tecniche di microfonazione in ambienti naturali (grande teatro) permettono di ottenere suoni straordinariamente naturali.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":49686210445659,"sku":"CVLD030","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/030-cover.jpg?v=1734104556"},{"product_id":"radio-days-the-metronomes","title":"RADIO DAYS - THE METRONOMES","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eRADIO DAYS\u003c\/strong\u003e (\u003cspan\u003eCVLD036\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eTHE METRONOMES\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cem\u003eDisponibile in: File HD, CD\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e1 - Pennies from Heaven (Johnston - Burke)*@ 2:28\u003cbr\u003e2 - Il giovanotto matto (Luttazzi)^ 3:18\u003cbr\u003e3 - Sermonette (J.Adderly - J.Hendricks)^@ 3:23\u003cbr\u003e4 - Baciami piccina (Morbelli - Astore)* 2:43\u003cbr\u003e5 - Sweet Sue, just you (W.J.Harris - V.Young)§ 2:08\u003cbr\u003e6 - Chattanooga Choo Choo (H.Warren - M.Gordon - Devilli)*@ 3:23\u003cbr\u003e7 - Radames (Coslow - Testi italiani: Age e Savona)^ 3:00\u003cbr\u003e8 - Learnin’ the blues (D. Silvers)* 5:01\u003cbr\u003e9 - In cerca di te perduto amor (Testoni - Sciorilli)^ 4:19\u003cbr\u003e10 - Caterina (Gemmot - Angels)*@ 2:57\u003cbr\u003e11 - Conosci mia cugina (Pinchi - Rossi)* 2:13\u003cbr\u003e12 - Big Bad Billy is Sweet William now (M.Ager - J.Yellen)@ 2:07\u003cbr\u003e13 - Cabaret (Kander - Ebb)§ 2:36\u003cbr\u003e14 - Mille lire al mese (Sopranzi - Innocenzi)§ 3:05\u003cbr\u003e15 - Tamp ‘em up solid (Traditional)@ 2:19\u003cbr\u003eTOTAL TIME: 45’09”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegenda tracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpecial Guests:\u003cbr\u003e@ The Diapa Sons (Stefano Balsano, Daniele Schiavon) chorus\u003cbr\u003e^ Michele Giacomazzi acoustic guitar\u003cbr\u003e§ Marco Pasetto soprano saxopho\u003cbr\u003e* Marco Strano tenor saxophone\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Radio-Days\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eRecording \u0026amp; Mastering engineer: Marco Lincetto\u003cbr\u003eEditing: Fabio Framba on SONIC SOLUTIONS USP 24\/96\u003cbr\u003eArtistic direction: Marco Lincetto\/The Metronomes\u003cbr\u003eCover photo: Ilenco Tracmot\u003cbr\u003eInside Photos: Stefano Balsano\u003cbr\u003eCritical notes: Adriano Mazzoletti\u003cbr\u003eLayout: Limage\u003cbr\u003eEnglish translation: Adriana Tuz\/Andrea Borsato\u003cbr\u003eMarketing: Francesco Pesavento\u003cbr\u003eSales manager: Moreno Danieli \u0026amp; Patrizia Pagiaro\u003cbr\u003ePress Agent: Emanuela Dalla Valle\u003cbr\u003eWorld wide contacts: Cristiana Dalla Valle\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStandards from Italian and American Swing Age, '40 and '50 years. The Metronomes: Francesco Michielin, vocal \/ Carlo Piccoli, piano \/ Stefano Fedato, drums \/ Special Guests: Marco Strano, saxophones \/ Michele Giacomazzi, guitars \/ Marco Pasetto, soprano sax \/ Gianni Pirollo, clarinet \/ The Diapa Sons, chorus 24Bit \/ 96 kHz Digital Recording. Live in studio at Studio Papillons (Padova, Italy). January, 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIl repertorio dei Metronomes spazia dalle canzoni italiane degli anni '30 e '40 (Baciami Piccina, Mille lire al mese, Il giovanotto matto, scritta quest'ultima nel 1940 da un Lelio Luttazzi appena ventenne) a quelle successive (Conosci mia cugina), ad evergreens americani come Pennies from Heaven, Undecided, Cabaret, ma anche brani decisamente più moderni come Sermonette.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042630996315,"sku":"CVLD036CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49707831591259,"sku":"CVLD036","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER_036.jpg?v=1734393141"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/jazz.png?v=1785257889","url":"https:\/\/www.referencemusicstore.com\/it\/collections\/jazz.oembed?page=8","provider":"Reference Music Store","version":"1.0","type":"link"}