{"title":"Igor Stravinsky","description":"","products":[{"product_id":"pizzichi-e-sospiri-adriano-lincetto","title":"PIZZICHI E SOSPIRI - Adriano Lincetto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAdriano Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Padova, 1936 – 1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePIZZICHI E SOSPIRI \u003c\/b\u003e(CVLD104)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, SACD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eSuite per Paer, per Orchestra d'Archi (1980)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Allegro con spirito, 1:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Adagio, 2:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Tempo di Valzer, 2:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Allegro molto, 2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eConcerto per Flauto e Archi (1979)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Largo espressivo cantabile. Allegro moderato 5:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Lento, cantando con molta espressione 4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro vivacissimo 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eElegia per Corno delle Alpi e Archi (1996)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e08 - Adagio, ma non troppo lento. Allegro molto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePoco meno cantando. Tempo I  12:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento per Fagotto e Archi (1995)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - notturno  3:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Danza  3:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Elegia  6:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Finale  2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due per Chitarra e Pianoforte (1981)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(trascrizione per chitarra e archi a cura dell'Autore)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Preludio  4:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Danza  3:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - Finale  4:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdagio e Allegro per Mandolino e Pianoforte (1978)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(trascrizione per mandolino e archi a cura di Claudio Mandonico)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e16 - Adagio  2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Allegro  3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDURATA TOTALE: 70:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n  \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-Pizzichi-e-Sospiri\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eOrchestra d'Archi: I Solisti Filarmonici Italiani, diretti da Giovanni Guglielmo\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEnzo Caroli, flauto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessio Benedettelli, corno delle alpi\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Bressan, fagotto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessandro Bono, chitarra\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUgo Orlandi, mandolino\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRegistrazione nativa multi canale in formato DSD, realizzata nel mese di marzo 2003 nella Sala della Biblioteca dell'Abbazia di Carceri d'Este, Italia.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSono stati utilizzati microfoni Schoeps, preamplificatori microfonici Millennia Media HV-3B e un sistema di ripresa SADiE DSD8.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMissaggio e mastering sono stati monitorati usando un preamplificatore analogico multicanale DROMOS EGHEON, amplificazione AUDIA FLIGHT 100 x3 e diffusori SPENDOR S-100 x5\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduttore esecutivo e sound engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto per Velut Luna\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGrafica e Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLa musica di Adriano Lincetto non si è mai allineata ai dettami delle \"correnti musicali\" dominanti nel '900. \u003c\/span\u003e\u003cspan\u003eLincetto ha sempre scritto seguendo una propria idea di bellezza, di melodia e armonia. La sua è musica tonale, e a volte non manca di rendere omaggio a quegli autori che ne sono anche inconsapevolmente fonte ispirativa, da Debussy e Ravel, fino a Bartok e Stravinsky. \u003c\/span\u003e\u003cspan\u003eE' una musica assoluta e fuori dal tempo, spesso nata per assecondare le richieste di \"musica nuova\" degli amici musicisti che poi ne furono anche primi interpreti, come nel caso di questo disco Enzo Caroli e Alessio Benedettelli e l'amico di sempre Giovanni Guglielmo. \u003c\/span\u003e\u003cspan\u003eUna musica da gustare per la bellezza in sè e senza cercare alcun retrogusto pseudo culturale, tipico delle conventicole di potere legate più al potere politico che alla Musica intesa in senso assoluto.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50034401345883,"sku":"CVLD104SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46739548504411,"sku":"CVLD104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/104-cover.jpg?v=1684148174"},{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolaj Karlovi Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tschaikovsky \u0026amp; Michail Vasil'evi Pletnëv\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trépak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e “... visione profonda del testo, unita a grande maturità musicale. Giovanissimo, ma già padrone di tecnica pianistica di grande rilievo e di vasto ed importante repertorio... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianista (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“..forte personalità musicale e talento emergono chiaramente dalle capacità artistiche…non fa mai sfoggio di virtuosismo fine a se stesso… lo subordina sempre a una visione intellettuale superiore, che riflette una chiara consapevolezza dell'architettura musicale.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianista (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eVincitore di numerosi concorsi internazionali in Albania, Italia, Croazia, Gran Bretagna, Macedonia, Kossovo, Svizzera-Francia, Slovenia, il pianista albanese Kostandin Tashko si è esibito in importanti sale da concerto e festivals. \u003c\/span\u003e\u003cspan\u003eIl CD di debutto, con l'etichetta KNS, include opere di Liszt, Scriabin e Ravel. \u003c\/span\u003e\u003cspan\u003eAllievo del Liceu “J.Misja” di Tirana con Valbona Kasaj, si è diplomato con menzione d’onore presso il Conservatorio di Musica di Trieste “Giuseppe Tartini” sotto la guida di Teresa Trevisan. \u003c\/span\u003e\u003cspan\u003eMasterclass con B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! La scrittura per pianoforte tra composizione, trascrizione e restituzione. Il percorso proposto da Kostandin Tashko all’insegna della tradizione musicale russa si dipana lungo un sentiero che seppur tracciato all’interno del contesto novecentesco tende a ripiegare con nostalgia verso un passato dai contorni vagamente definiti, tra l’onirico tardo romantico di Medtner, il fiabesco di Tchaikovsky e l’ancestrale di Stravinsky. Protagonista indiscusso è il pianoforte, strumento storicamente legato all’attività compositiva sia come punto di partenza per la stesura di pagine pianistiche affidate all’esecuzione dello stesso compositore, sia come destinatario di trascrizioni tratte da brani orchestrali ad opera dell’autore o di interpreti successivi.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"the-velut-luna-reference-vol-1","title":"The Velut Luna's Reference Vol. 1: Masterclone 24K GOLD CD","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Velut Luna's Reference CD Vol.1 \u003c\/b\u003e(VLLP009) (CVLD393)\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/www.referencemusicstore.com\/product\/26406588\/the-velut-luna-s-reference-vinyl-limited-edition-2-lp-140-gr-\" target=\"_blank\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eDisponibile in: \u003cstrong\u003eMasterclone 24K GOLD CD\u003c\/strong\u003e e \u003cstrong\u003eFile HD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eindividually made one by one -  Disponibili solo 50 pezzi su Gold 24K CD!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eI-86 Going North\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:42 \u003c\/span\u003e(Fabio Ranghiero \/ Lucia Minetti - Lucia Minetti)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLucia Minetti \u0026amp; Fabio Ranghiero, Recorded at Magister Recording Area, Preganziol April 2022\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAmarsi un po'\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(Battisti - Mogol)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò \u0026amp; Enrico Santacatterina, Recorded at Parco Euganeo, Montegrotto Terme, August 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFind Me\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:06 \u003c\/span\u003e(D. Nisi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBaraonna, Recorded by Andy \u0026amp; Claudio Bartolucci at Delta-Top Studio, Roma, August 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eQuesta storia in testa\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:21 \u003c\/span\u003e(P.Fanton - M. Strano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula \u0026amp; Marco Strano, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eWhen You Wish Upon A Star\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:32 \u003c\/span\u003e(Harline - Washington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRosella Caporale, Delio Caporale \u0026amp; Achille Succi, Recorded at Magister Recording Area, Preganziol, June 2006\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlack Dog Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:33 \u003c\/span\u003e(traditional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNik Lee \u0026amp; The Jingle Fellas, Recorded at Magister Recording Area, Preganziol, April 2015\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFunk Checking\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:31 \u003c\/span\u003e(E. Santacatterina)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEnrico Santacatterina, Recorded by Enrico Santacatterina at E.S.P Studio, Mellaredo, October 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAsk The Trash Can\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan\u003e \u003c\/span\u003e4:18 \u003c\/span\u003e(G. Marzorati)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGuido Marzorati \u0026amp; The Blugos, Recorded by Andrea Valfrè at Magister Recording Area, Preganziol, April 2012\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eJust A Smile\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(E. Santacatterina - C. Pastò)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò, Recorded at Magister Recording Area, Preganziol, June 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Salty Dog\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:45 \u003c\/span\u003e(Procol Harum - Brooker - Reid)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlues Elegante\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:05 \u003c\/span\u003e(K. Dorham)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLorenzo De Luca, Marcello Abate, Martino De Franceschi \u0026amp; Marco Soldà, Recorded at Magister Recording Area, Preganziol, January 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCaravan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e7:13 \u003c\/span\u003e(D. Ellington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRoyal Big Band, Benny Lamonica\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Auditorium Comunale, Chiuppano, April 2003\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBasin Street Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(S. Williams)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTiger Dixie Band, Recorded at Auditorium Comunale, Chiuppano, October 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eLibertango\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:33 \u003c\/span\u003e(A. Piazzolla)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSimone Zanchini \u0026amp; Modern Saxophone Quartet, Recorded at Auditorium Comunale, Chiuppano, May 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eDarth Vader Theme from Empire Strikes Back\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:10 \u003c\/span\u003e(J. Williams, arr. F. Castania)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRaimondo Mazzon, Recorded at Auditorium Pollini, Padova, September 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePas de deux from Nutcracker Suite\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:33 \u003c\/span\u003e(P.I. Tchaikovsky)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKostandin Tashko, Recorded at Studio Zanta, Camponogara, December 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEstate, Allegro non molto from \"Le Quattro stagioni\", Op. VIII, n.2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:44 \u003c\/span\u003e(A. Vivaldi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eStravinsky Chamber Orchestra, Marco Tezza\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor\u003c\/i\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e, Daniele Ruzza,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003esolo violin, \u003c\/i\u003e\u003c\/span\u003eRecorded at Chies di S. Francesco, Schio, May 1999\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSinfonia in sol min, KV183, Allegro con brio\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e6:40 \u003c\/span\u003e(W.A. Mozart)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Teatro Olimpico, Vicenza, June 2004\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 1:20:19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e - - -\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eProducer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMARCO LINCETTO \u003c\/b\u003efor\u003cb\u003e VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eSound engineer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e (unless otherwise stated)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eGraphic designer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eCover photo:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003ePaolo Vettore\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"1\" style=\"font-size: xx-small;\"\u003e\u003ci\u003e\u003cb\u003e(1963)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl bambino nell'immagine di copertina sono io. All'età di due anni. Era il 1963.\u003c\/p\u003e\n\u003cp\u003eDa che mi ricordo, ho sempre amato ascoltare i dischi. Certamente per via della mia storia famigliare, con mio papà che fu illustre pianista classico e compositore raffinato, e mia mamma cantante lirica.\u003c\/p\u003e\n\u003cp\u003eMa certamente in quegli anni della prima infanzia era grande il fascino che suscitavano in me quei padelloni neri che giravano sul vecchio giradischi di famiglia e da cui uscivano le mie favole preferite, narrate da grandi voci di grandi attori (ricordo ad esempio, Nando Gazzolo e la sua\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eCappuccetto Rosso\u003c\/b\u003e\u003c\/i\u003e, e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eHansel e Grethel,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003ee\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003ePollicino\u003c\/b\u003e\u003c\/i\u003e, i cui dischi ho letteralmente consumato...).\u003c\/p\u003e\n\u003cp\u003eAttorno agli otto o nove anni il passaggio dalle favole ai 45 giri dei Beatles alla fine della loro carriera (Obladì, Obladà), oppure a quella sonorità inconsueta e sconosciuta del Theremin usato in Good Vibrations dei Beach Boys, fu un fatto del tutto naturale.\u003c\/p\u003e\n\u003cp\u003eE quando a 13 anni cominciai progressivamente a scoprire Santana, i Pink Floyd, i Genesis, etc.etc.etc., uniti alla lettura di Suono e Stereoplay, fu altrettanto naturale incapricciarmi con le immagini dei grandi registratori a bobine dell'epoca, adatti agli allora rari home studio.\u003c\/p\u003e\n\u003cp\u003eIl mio primo amore, tanto sognato e mai posseduto, fu il Tascam 80-8, otto tracce su nastro da mezzo pollice. E i microfoni dei sogni erano i Sennheiser, gli MD441 e gli MD421... Ma il sogno vero era \"farmi lo studio\"... cosa che resterà per lungo tempo solo, appunto, un sogno.\u003c\/p\u003e\n\u003cp\u003eQuando infine a 19 anni conobbi la musica di Jim Croce e capii che...\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003e\"Si-Può-Fare!\"\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e(cit.),\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003efu il momento in cui mi fu chiaro che presto o tardi, io avrei fatto quel lavoro, avrei\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003e\"fatto i dischi\".\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eE il resto è storia...\u003c\/p\u003e\n\u003cp\u003eLa mia cultura, la mia tradizione, le mie esperienza fondamentali, sono ANALOGICHE.\u003c\/p\u003e\n\u003cp\u003eAnche se da subito, all'inizio della mia carriera professionale nel 1992, sono stato un alfiere del digitale di qualità, non ho mai abbandonato l'analogico e soprattutto non ho mai abbandonato la \"mentalità analogica\".\u003c\/p\u003e\n\u003cp\u003eEcco quindi che questo nono vinile da me prodotto non può che essere spero il primo di una serie di \"raccolte\" del meglio della tanta bella musica che ho prodotto nel corso degli ultimi 30 anni con la mia Velut Luna. E in copertina non trovate la parolina \"Volume 1\", solo per scaramanzia. Ma se questo format avrà successo altri ne seguiranno.\u003c\/p\u003e\n\u003cp\u003eNel frattempo, buon ascolto di questi miei, autentici, \"figli\" ideali.\u003c\/p\u003e\n\u003cp\u003eUn sentito ringraziamento a tutti quei musicisti che hanno contribuito a rendere grande Velut Luna in questi suoi primi 30 anni.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e\u003ci\u003eMarco Lincetto\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":46949907628379,"sku":"CVLD393","price":36.0,"currency_code":"EUR","in_stock":true},{"title":"Masterclone 24K GOLD CD","offer_id":50577453842779,"sku":"CVLD393MC","price":69.0,"currency_code":"EUR","in_stock":false},{"title":"LP 33 rpm (2 LP)","offer_id":50762588684635,"sku":"VLLP009","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD393-cover.jpg?v=1747240137"},{"product_id":"unus-inter-pares-stravinsky-bartok-lincetto","title":"UNUS INTER PARES - STRAVINSKY | BARTOK | LINCETTO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cb\u003eUNUS INTER PARES \u003c\/b\u003e(CVLD057)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Carbonare\u003c\/strong\u003e\u003c\/em\u003e, clarinet\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e\u003c\/em\u003e, violin and viola\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlberto Boischio\u003c\/strong\u003e\u003c\/em\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1. Histoire du soldat, Suite 1919 for Violin, Clarinet and Piano (Igor Stravinsky)\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 14'38\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e2. Three Pieces for solo clarinet (Igor Stravinsky) - Alessandro Carbonare 3'40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e3. Contrasts for Violin, Clarinet and Piano, Sz. 111 (Béla Bartók) - Domenico Nordio 17'25\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e4. Sequenza cromatica per flauto (Adriano Lincetto) - \u003c\/span\u003e\u003cspan\u003e(Arranged for Violin) \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e5. Sequenza cromatica per violino solo dall’originale per flauto solo di Adriano Lincetto (Giovanni Bonato) - Domenico Nordio 4'20\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e6. Fantasia per viola, clarinetto e pianoforte (Adriano Lincetto) - Domenico Nordio 7'50\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e7. Quattro improvvisi per pianoforte (Adriano Lincetto), \u003c\/span\u003e\u003cspan\u003ePresto - \u003c\/span\u003e\u003cspan\u003eAlberto Boischio 2'55\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTotal Time: 54:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Unus-Inter-Pares\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e24Bit \/ 96 kHz Digital Recording.\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eLive in studio at Pollini Auditorium (Padova, Italy) April, 2001\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCon questo CD Velut Luna desidera ricordare il compositore padovano Adriano Lincetto all'interno del suo contesto storico di appartenenza. Ecco allora alternarsi i brani in trio con altri per strumento solista: Histoire du Soldat, versione per trio dello stesso Stravinsky e i Tre Pezzi per clarinetto solo, i Contrasti di Bartok, per trio, a cui segue la Sequenza Cromatica per flauto solo di Lincetto. Infine la Fantasia per viola, clarinetto e pianoforte di Lincetto e il virtuosistico Presto per pianoforte dello stesso Autore.\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastering Enegineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034938085723,"sku":"CVLD057CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":46977395851611,"sku":"CVLD057","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/057-cover.jpg?v=1690556310"},{"product_id":"amor-y-pasion-oscar-del-barba","title":"AMOR Y PASION - Oscar Del Barba","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAMOR Y PASION \u003c\/b\u003e(CVLD215)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Oscar Del Barba. Franca Masu voice\/lirics by Alan Zamboni.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eO. Del Barba, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Beccalossi, accordion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG. Alberti, saxophone\/clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS. Maiore, double bass and cello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM. Vicentini, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Masu, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - EL NINO\u003cbr\u003e02 - PAIS\u003cbr\u003e03 - ORA\u003cbr\u003e04 - ARGENTO VIVO\u003cbr\u003e05 - LETTERA CANZONE\u003cbr\u003e06 - GATO BORRACHO\u003cbr\u003e07 - IL CUORE MUTO\u003cbr\u003e08 - PLAZA DE MAJO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Amor-y-Pasion\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/48hKz recording made at MagisterAreaStudios, Preganziol on October 11 \u0026amp; 12, 2009\/ March 31, 2011. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE’ sempre difficile parlare in poche righe di un nuovo progetto discografico di Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePerché Oscar Del Barba è un autore ricchissimo, che come pochissimi altri oggi riesce a sintetizzare una grande quantità di riferimenti colti a tutta la storia della musica degli ultimi 300 anni almeno.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCultura e preparazione accademica (diploma in pianoforte e poi in composizione), ampia frequentazione del mondo del jazz, spiccato amore per le musiche del “sud del mondo”, in particolare il Sud America: questo e altro ancora è Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolendo a tutti i costi dare a questo disco una definizione di “genere”, potremmo parlare senza dubbio di “tango e dintorni”… Altresì è bene ricordare che Oscar, nel booklet del disco, ringrazia, fra gli altri: Astor (Piazzolla), Igor (Stravinsky), Bela (Bartok), Claude (Debussy), Johann Sebastian (Bach)…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccompagnato da un gruppo da camera di musicisti di valore assoluto, tutti dotati della caratteristica della “duttilità interpretativa” – Salvatore Maiore, contrabbasso e violoncello, Maria Vicentini, violino, Fausto Beccalossi, fisarmonica, Gianni Alberti, sax e clarinetto e la straordinaria voce di Franca Masu – Del Barba consegna alla storia 8 ritratti in musica, in cui la forza descrittiva, diventa di volta in volta evocativa di situazioni ed emozioni, che si muovono con nonchalance fra Buenos Aires e Madrid, girovagando anche un po’ per il centro Europa…\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLast but not least, da sottolineare i bellissimi testi originali scritti appositamente da Alan Zamboni.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eE’ un disco questo, che ti prende per mano alla traccia 1 e non abbandona fimno all’ultima nota.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegistrato in diretta, come di consueto, nella splendida acustica naturale degli studi MagisterArea di Preganziol da Marco Lincetto, anche sul fronte della registrazione offre un suono coinvolgente, avvolgente e assolutamente naturale. Come altro non si potrebbe fare con la musica di Oscar Del Barba.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009272320347,"sku":"CVLD215CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 48kHz · 24bit","offer_id":47028396065115,"sku":"CVLD215","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a39e00c4-206e-463c-8e5c-6999c55f9f97.jpg?v=1692350834"},{"product_id":"the-cinema-show-stravinskij-chamber-orchestra","title":"THE CINEMA SHOW! - Stravinskij Chamber Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTHE CINEMA SHOW! \u003c\/b\u003e(CVLD235)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eDisponibile in: File HD, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eSTRAVINSKIJ CHAMBER ORCHESTRA:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eViolin I:\u003cbr\u003eDaniele Ruzza (solo),\u003cbr\u003eCiaki Kanda, Massimiliano Simonetto,\u003cbr\u003eFrancesca Bonomo\u003cbr\u003eViolin II:\u003cbr\u003eAlessandro Gasparini (solo),\u003cbr\u003eFederica Bertevello, Carlo Giordani\u003cbr\u003eViola:\u003cbr\u003eGiancarlo Bussola (solo), Caterina Camozzi\u003cbr\u003eCello:\u003cbr\u003eAndrea Bellato (solo), Giordano Pegoraro\u003cbr\u003eDouble Bass:\u003cbr\u003eDaniele Roccato (solo), Francesco Piovan\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eFEATURING SPECIAL GUESTS:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eDomenico Nordio, solo violin on Schindler's List\u003cbr data-mce-fragment=\"1\"\u003eMara Comellato, flute\u003cbr data-mce-fragment=\"1\"\u003eAntonio Graziani, clarinet\u003cbr data-mce-fragment=\"1\"\u003eMirko Bellucco, trumpet\u003cbr data-mce-fragment=\"1\"\u003eBenedetta Botter, voice\u003cbr data-mce-fragment=\"1\"\u003eGraziano Zuin, guitars\u003cbr data-mce-fragment=\"1\"\u003eGino Schipillitti, guitars\u003cbr data-mce-fragment=\"1\"\u003ePaolo Vidaich, percussions\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Piovan, drums\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 - Alladin, Suite 4:01\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 - Schindlers' List 5:08\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 - Forrest Gump 3:26\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 - Moon River 3:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 - Amapola 4:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06 - Nuovo cinema paradiso (Suite) 9:12\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07 - Anul tu lev 3:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 - Oblivion 3:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 - Per un pugno di dollari (Suite) 2:02\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 - C'era una volta in America (Suite) 15:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 - The Beauty and the Beast (Suite) 6:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eTotal Time: 60:20\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/TheCinemaShow\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e24\/96 digital recording made at the Public Auditorium, Chiuppano, Italy, on July 7 - 9, 2001 - Analog Remastering made at Velut Luna Studios, Preganziol, Italy, on June 1, 2012\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eMirko Schipilliti\u003c\/strong\u003e\u003cbr\u003ePhoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eLe generazioni di compositori cresciute per e con il cinema, che con esso o addirittura con certi registi finirono per identificarsi pressochè completamente, affermarono l’importanza di una solida scuola compositiva di base per riuscire ad incidere indelebilmente l’immagine nel suono, in una melodia, in un timbro o accordo, compenetrando subito la situazione filmica.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eScrivere per il cinema divento’ anche una via possibile per rompere o ridurre lo scarto novecentesco creatosi fra compositori contemporanei e grande pubblico, affrontando il problema della semplificazione all’interno della comunicazione fra artista e fruitore, nella consapevolezza di comporre musica che in brevissimo tempo poteva giungere a un pubblico vastissimo.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuesto CD ne è un evidente esempio: le musiche scritte dai più grandi autori di tutti i tempi, come Ennio Morricone, Henry Mancini, John Williams, Alan Menken, Alan Silvestri, Astor Piazzolla, ci portano attraverso un magico mondo fatto di storie e immagini memorabili\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002854510939,"sku":"CVLD235CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47048011579739,"sku":"CVLD235","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/235-cover.jpg?v=1692980861"},{"product_id":"le-otto-stagioni-vivaldi-piazzolla-stravinsky-chamber-orchestra","title":"LE OTTO STAGIONI | VIVALDI \u0026 PIAZZOLLA - Stravinsky Chamber Orchestra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eLE OTTO STAGIONI | VIVALDI \u0026amp; PIAZZOLLA \u003c\/b\u003e(CVLD027)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"western\" lang=\"en-US\"\u003eStravinsky Chamber Orchestra\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eLa Primavera opVIII n1 - Allegro (Antonio Vivaldi)\u003c\/li\u003e\n\u003cli\u003eLa Primavera opVIII n1 - Largo\u003c\/li\u003e\n\u003cli\u003eLa Primavera opVIII n1 - Danza pastorale, Allegro\u003c\/li\u003e\n\u003cli\u003eL'Estate opVIII n2 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eL'Estate opVIII n2 - Adagio\u003c\/li\u003e\n\u003cli\u003eL'Estate opVIII n2 - Presto\u003c\/li\u003e\n\u003cli\u003eL'Autunno opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eL'Autunno opVIII n3 - Adagio molto\u003c\/li\u003e\n\u003cli\u003eL'Autunno opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eL'Inverno opVIII n4 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eL'Inverno opVIII n4 - Largo\u003c\/li\u003e\n\u003cli\u003eL'Inverno opVIII n4 - Allegro\u003c\/li\u003e\n\u003cli\u003ePrimavera Portena (Astor Piazzolla)\u003c\/li\u003e\n\u003cli\u003eVerano Porteno\u003c\/li\u003e\n\u003cli\u003eOtono Porteno\u003c\/li\u003e\n\u003cli\u003eInvierno Porteno\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStravinsky Chamber Orchestra, Marco Tezza, conductor \u0026amp; Piano solo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Le-Otto-Stagioni\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":47381605155163,"sku":"CVLD027","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/027-cover.jpg?v=1701285064"},{"product_id":"the-velut-lunas-reference-vinyl-vol-2","title":"The Velut Luna's Reference Vinyl Vol. 2","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eThe Velut Luna's Reference Vinyl Vol. 2 \u003c\/b\u003e(CVLD370)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eLATO A - 20:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShort \u0026amp; Shorter 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Band Ritmo Sinfonica Cittàdi Verona, Marco Pasetto, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Marinelli, Castelnuovo del Garda, September 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNubian Dream 5:57\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNew Project Jazz Orchestra, Renzo Vigagni, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Rosmini, Rovereto, December 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInverno 7:31(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscar Del Barba Ensemble, feat, Mauro Negri, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, Padova, April 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO B - 18:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRadames 3:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Metronomes, feat. Michele Giacomazzi, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Papillons Studio, Padova, January 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Pink Panther Theme 6:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Condulmer Recording Studio, Zerman, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmor em paz 5:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassimo Salvagnini Quartet, feat. Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Magister Recording Area, Preganziol, November 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI’m On My Way 2:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Traditional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Public Auditorium, Chiuppano, October 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO C - 18:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrimavera Portena 7:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStravinsky Chamber Orchestra, Marco Tezza, piano solo \u0026amp; conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, April 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Paquito D’Rivera)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Carbonare, clarinet \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Chiesa di San Francesco, Schio, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLunas de cielo griz 2:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Studio A, Padova, June 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEl pueblo unido jamas serà vencido 4:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Sergio Ortega, Quilapayùn)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at MLH, Naquera (Spain), September 2023\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO D - 19:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConcert in A Major K622\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efor Clarinet and Orchestra: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Teatro Verdi, Padova, October 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI Sogni di Gianò:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa fisarmonica e il bambino 7:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra di Padova e del Veneto, Fabio Framba, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Auditorium Pollini, September 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll recordings made in Italy, except for C4 made in Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn sentito ringraziamento a tutti quei musicisti che hanno contribuito a rendere grande Velut Luna in questi suoi primi 30 anni.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIngeniero de sonido: Marco Lincetto a menos que se indique lo contrario\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiseño gráfico: L’Image \/ Foto de portada: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl bambino nell’immagine di copertina sono io. All’età di due anni. Era il 1963.\u003cbr\u003eDa che mi ricordo, ho sempre amato ascoltare i dischi. Certamente per via della mia storia famigliare, con mio papà che fu illustre pianista classico e compositore raffinato, e mia mamma cantante lirica.\u003cbr\u003eMa certamente in quegli anni della prima infanzia era grande il fascino che suscitavano in me quei padelloni neri che giravano sul vecchio giradischi di famiglia e da cui uscivano le mie favole preferite, narrate da grandi voci di grandi attori (ricordo ad esempio, Nando Gazzolo e la sua Cappuccetto Rosso, e Hansel e Grethel, e Pollicino, i cui dischi ho letteralmente consumato...).\u003cbr\u003eAttorno agli otto o nove anni il passaggio dalle favole ai 45 giri dei Beatles alla fine della loro carriera (Obladì, Obladà), oppure a quella sonorità inconsueta e sconosciuta del Theremin usato in Good Vibrations dei Beach Boys, fu un fatto del tutto naturale.\u003cbr\u003eE quando a 13 anni cominciai progressivamente a scoprire Santana, i Pink Floyd, i Genesis, etc.etc.etc., uniti alla lettura di Suono e Stereoplay, fu altrettanto naturale incapricciarmi con le immagini dei grandi registratori a bobine dell’epoca, adatti agli allora rari home studio.\u003cbr\u003eIl mio primo amore, tanto sognato e mai posseduto, fu il Tascam 80-8, otto tracce su nastro da mezzo pollice. E i microfoni dei sogni erano i Sennheiser, gli MD441 e gli MD421... Ma il sogno vero era “farmi lo studio”... cosa che resterà per lungo tempo solo, appunto, un sogno. Quando infine a 19 anni conobbi la musica di Jim Croce e capii che... “Si-Può-Fare!” (cit.), fu il momento in cui mi fu chiaro che presto o tardi, io avrei fatto quel lavoro, avrei “fatto i dischi”.\u003cbr\u003eE il resto è storia...\u003cbr\u003e\u003cbr\u003eLa mia cultura, la mia tradizione, le mie esperienza fondamentali, sono ANALOGICHE. Anche se da subito, all’inizio della mia carriera professionale nel 1992, sono stato un alfiere del digitale di qualità, non ho mai abbandonato l’analogico e soprattutto non ho mai abbandonato la “mentalità analogica”.\u003cbr\u003eEcco quindi arrivare questo secondo volume delle mie registrazioni più amate, più significative di oltre trent’anni di attività di produzione con VELUT LUNA. Come già nel volume 1, ogni lato dei quattro che compongono questo doppio vinile è tematico e dedicato alle grandi Big Band, che si muovono fra il jazz e il crossover etnico (Lato A), il jazz in formato club, dallo swing all’italiana dei The Metronomes, al gospel di Cheryl Porter (Lato B), la musica sud americana e latina, per me importantissima e colonna portante del mio sentimento più profondo (Lato C), ed infine la grande\u003cbr\u003emusica classica, qui tradotta nel meraviglioso Concerto per Clarinetto, di Mozart e il movimento finale dalla Suite Sinfonica “I Sogni di Gianò”, di mio papà Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e...E arrivederci al terzo e ultimo volume di questa mia “summa”, previsto in pubblicazione a febbraio 2025, in occasione del 30° anniversario della nascita di VELUT LUNA.\u003c\/p\u003e\n\u003cp\u003eMarco Lincetto\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan style=\"color: #2b00ff; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBILE IN FORMATO DOPPIO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" src=\"https:\/\/www.youtube.com\/embed\/X_gJ6oZtxZs\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm (2 LP)","offer_id":49988427153755,"sku":"CVLD370LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":47869912449371,"sku":"CVLD370","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1e4ddf10-58c3-4ea9-93ef-e2768ff885f6.jpg?v=1748505599"},{"product_id":"queen-piano-transcriptions","title":"QUEEN: PIANO TRANSCRIPTIONS","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eQUEEN: PIANO TRANSCRIPTIONS \u003c\/strong\u003e(LDV14112)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDon’t stop me now (1979)\u003cbr data-mce-fragment=\"1\"\u003eBohemian Rhapsody (1975)\u003cbr data-mce-fragment=\"1\"\u003eCrazy little thing called love (1979)\u003cbr data-mce-fragment=\"1\"\u003eLove of my life (1979)\u003cbr data-mce-fragment=\"1\"\u003eAnother one bites the dust (1980)\u003cbr data-mce-fragment=\"1\"\u003eWho wants to live forever (1986)\u003cbr data-mce-fragment=\"1\"\u003eWe will rock you (1977)\u003cbr data-mce-fragment=\"1\"\u003eSomebody to love (1976)\u003cbr data-mce-fragment=\"1\"\u003eI want it all (1989)\u003cbr data-mce-fragment=\"1\"\u003eI want to break free (1984)\u003cbr data-mce-fragment=\"1\"\u003eLiving on my own (1985)\u003cbr data-mce-fragment=\"1\"\u003eRadio Gaga (1984)\u003cbr data-mce-fragment=\"1\"\u003eThe show must go on (1991)\u003cbr data-mce-fragment=\"1\"\u003eWe are the champions (1977)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe mixing of musical genres is now a widespread practice even among the so-called “classical musicians”; from the jazz influences that seduced Ravel and Stravinsky, to Mussorgsky Pictures reinterpreted in a rock key by Emerson Lake \u0026amp; Palmer, no matter what the musical form of origin and destination; the important thing is to experiment, and in the experimentation, keeping alive the character of the work itself, with a contribution of originality that brings different styles and audiences closer together.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 CD\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Queen-Piano-Transcriptions\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eROBERTO FRANCA\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996448244059,"sku":"LDV 14112","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14112-14112-queen-piano-transcoption-sito-cover.jpg?v=1712327611"},{"product_id":"stokowski-conducts-the-xx-century","title":"STOKOWSKI CONDUCTS THE XX CENTURY","description":"\u003cp\u003e\u003cstrong\u003eSTOKOWSKY CONDUCTS THE XX CENTURY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSHOSTAKOVICH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphony No. 5\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e( New York Studium Sympony Orchestra, 1958)\u003c\/p\u003e\n\u003cp\u003eSCRIABIN:\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eLe Poème de l’Extase, Op. 54\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Houston Symphony Orchestra, 1960)\u003c\/p\u003e\n\u003cp\u003eGLIERE:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphony No. 3\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Houston Symphony Orchestra, 1957)\u003c\/p\u003e\n\u003cp\u003eSTRAVINSKY:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePetrushka – Suite\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Berliner Philharmoniker, 1957)\u003c\/p\u003e\n\u003cp\u003eBLOCH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSchelomo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e( The Symphony of the Air, 1959 – George Neikrug, cello)\u003c\/p\u003e\n\u003cp\u003eIBERT:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEscales\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(French Radio Nationl Orchestra, 1958)\u003c\/p\u003e\n\u003cp\u003eLEOPOLD STOKOWSKY\u003c\/p\u003e\n\u003cp\u003e(2 CD)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Stokowski-Plays-the-20th-Century\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996452831579,"sku":"WS 121.168","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/168-cover-SITO.jpg?v=1712327702"},{"product_id":"dsd-hi-res-audio-sampler-vol-1","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.1","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. \u003cstrong\u003eAllegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck\u003c\/strong\u003e\u003cbr\u003e(CBH170 Mahler Symphony no. 2) DSD128\u003cbr\u003e2. \u003cstrong\u003eL’Adoration de la terre\u003c\/strong\u003e\u003cbr\u003e(CBH171Stravinsky The Rite of Spring) WAV96\/24\u003cbr\u003e3. \u003cstrong\u003eAllegro con grazia\u003c\/strong\u003e\u003cbr\u003e(CBH174 Tchaikovsky Symphony No. 6) DSD64\u003cbr\u003e4. \u003cstrong\u003eAllegretto grazioso\u003c\/strong\u003e\u003cbr\u003e(CBH184 Dvorak Symphony No. 8) DSD128\u003cbr\u003e5. \u003cstrong\u003eFinale. Feierlich, nicht schnell\u003c\/strong\u003e\u003cbr\u003e(CBH185 Bruckner Symphony No. 8) WAV192\/24\u003cbr\u003e6. \u003cstrong\u003eIntermezzo interrotto\u003c\/strong\u003e\u003cbr\u003e(CBH190 Bartók Concerto For Orchestra) WAV96\/24\u003cbr\u003e7. \u003cstrong\u003eUranus, the Magician\u003c\/strong\u003e\u003cbr\u003e(CBH197 Holst: The Planets) WAV192\/24\u003cbr\u003e\u003cbr\u003eTotal Time: 01:22:14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003cbr\u003e\u003cbr\u003eEntrate nel mondo dei grandi interpreti della musica classica con DSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1 Esplorate la bellezza della Sinfonia n. 2 di Mahler in Do minore, la “Resurrezione”, lo “Sacre du printemps-L’oiseau de feu” di Stravinsky, la Sinfonia n. 6 di Tchaikovsky in Si minore Op 74 “Patetica”, la Sinfonia n. 8 di Dvořák, la Sinfonia n. 8 di Bruckner, il Concerto per Orchestra di Bartók e i Pianeti di Holst. Assaporate la gamma completa della musica dei compositori più amati, registrata con impeccabile nitidezza. Viaggiate con la bellezza assoluta della musica classica, regalandovi meraviglie senza precedenti. Una volta che inizierete ad apprezzare l'accuratezza dall'alta definizione, non vorrete più tornare indietro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538050330971,"sku":"cbh-sampler23","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/samplerdsd1.png?v=1772819579"},{"product_id":"stravinsky-the-rite-of-spring-leonard-bernstein-new-york-philharmonic-orchestra","title":"Stravinsky The Rite of Spring - Leonard Bernstein New York Philharmonic Orchestra","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eIgor Stravnsky: Le Sacre du printemps\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan color=\"#000000\" style=\"font-size: 1.4em; color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. L’Adoration de la terre \u003c\/span\u003e\u003c\/span\u003e\u003cb style=\"font-size: medium; color: #000000;\"\u003e(15’46)\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e2. Le sacrificie \u003c\/span\u003e\u003cspan color=\"#000000\" style=\"font-size: 1.4em; color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(18’46)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e3. L’oiseau de feu \u003c\/i\u003e\u003c\/span\u003e\u003cspan color=\"#202122\" style=\"font-size: 1.4em; color: #202122;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e(Suite, 1919 version) \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan color=\"#202122\" style=\"font-size: 1.4em; color: #202122;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(21’12)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003eNew York Philharmonic Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e Conductor: \u003c\/span\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eLeonard Bernstein\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e \u003c\/span\u003eRecording:  \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan\u003eNew York, Broocklyn, St. George Hotel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e, January 20, 1958 (\u003ci\u003eSacre\u003c\/i\u003e)\u003c\/p\u003e\n\u003cp\u003eRecording:  \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan\u003eNew York, Broocklyn, St. George Hotel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e, January 28, 1957 (\u003ci\u003eL’oiseau\u003c\/i\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eProducer: Howard Scott\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eSound Engineer: Fred Plaut\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScopri Igor Stravinsky con l'esecuzione di Leonard Bernstein e l'Orchestra Filarmonica di New York! Un'esperienza musicale senza pari ricca di trionfi ed emozioni che vi trascinerà in un'avventura lunga 55 minuti.\u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 118px; top: 31.5938px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz · 16bit","offer_id":48538109051227,"sku":"cbh-171-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 96kHz · 24bit","offer_id":48538109116763,"sku":"cbh-171-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 192kHz · 24bit","offer_id":48538109149531,"sku":"cbh-171-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE DSD · 64","offer_id":48538109182299,"sku":"cbh-171-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE DSD · 128","offer_id":48538109215067,"sku":"cbh-171-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercapsa171.png?v=1773646247"},{"product_id":"americanizada-boischio-rinaldo","title":"AMERICANIZADA - BOISCHIO, RINALDO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eAMERICANIZADA \u003c\/strong\u003e(\u003cspan\u003eCVLD122\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eBARBER, COPLAND, PIAZZOLLA, MILHAUD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eA. BOISCHIO, D. RINALDO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in:\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eREMASTERED DIGITAL: FILE HD  96kHz · 24bit\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eREMASTERED ANALOG: FILE HD 88.2kHz · 24bit\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eCD\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Samuel Barber - From Souvenirs op 28-Pas de Deux\u003cbr\u003e02 - Samuel Barber - From Souvenirs op 28-Hesitation Tango\u003cbr\u003e03 - Richard Rodney Bennet - From Pieces Suite-Samba triste\u003cbr\u003e04 - Richard Rodney Bennet - From Pieces Suite-Country Blues\u003cbr\u003e05 - Richard Rodney Bennet - From Pieces Suite-Ragtime Waltz\u003cbr\u003e06 - Richard Rodney Bennet - From Pieces Suite-Finale, Hard Rock\u003cbr\u003e07 - Aaron Copland - Danzon Cubano\u003cbr\u003e08 - Aaron Copland - Danza de Jalisco\u003cbr\u003e09 - Astor Piazzolla - Le Grand Tango\u003cbr\u003e10 - Darius Milhaud - Scaramouche-Vif\u003cbr\u003e11 - Darius Milhaud - Scaramouche-Moderè\u003cbr\u003e12 - Darius Milhaud - Scaramouche-Brazileira\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Americanizada-for-Two-Pianos\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eDiscografia:\u003cbr\u003eMendelssohn, conc. per pianoforte, violino e archi (vl. S. Furini), Azzurra Music 1995\u003cbr\u003eAlbeniz, Recuerdos de Viaje (prima registrazione), Lincetto, Schizzi per pf. , Velut Luna 1998\u003cbr\u003eChopin, antologia (150° anniversario), Sicut Sol 1999\u003cbr\u003eGrieg, opere per pianoforte vol. I, Velut Luna\u003cbr\u003eGarcia Lorca-Albeniz, Lyrics per canto e pianoforte. , Canzoni dalla Spagna op. 232 per pianoforte, Velut Luna\u003cbr\u003eBartok, Contrasti, Stravinsky, Histoire du Soldat, Lincetto, Fantasia (violino e viola Domenico Nordio, clarinetto Alessandro Carbonare), Velut Luna 2001\u003cbr\u003eFerruccio Busoni, 24 Preludes op. 37 per pianoforte e altre rarità, Velut Luna 2003\u003cbr\u003eAmericanizada, musica per due pianoforti, Velut Luna 2005\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEcco un disco veramente trasversale: alcuni dei più noti compositori classici americani, e non solo, del '900, rendono omaggio ai ritmi popolari e alle danze delle due americhe. Barber, Copland, Piazzolla e ancora Bennet e Millhaud alle prese col Tango, Il Samba, il Blues, Il Ragtime Waltz, le danze cubane, la Brasileira. Protagonisti due neri e lucidi pianoforti Steinway \u0026amp; Sons Gran Coda da concerto, che con le loro variegate e multiple sonorità , riempiono in disco come e più di una grande orchestra, adiuvati anche da una registrazione caratterizzata dalla massima qualità oggi possibile.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030336082267,"sku":"CVLD122CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"REMASTERED DIGITAL: FILE HD 96kHz · 24bit","offer_id":49783797416283,"sku":"CVLD122D","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"REMASTERED ANALOG: FILE HD 88.2kHz · 24bit","offer_id":49783784964443,"sku":"CVLD122A","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/122-cover.jpg?v=1735382218"},{"product_id":"i-sogni-di-giano-concerto-orchestra-di-padova-e-del-veneto","title":"I SOGNI DI GIANO' CONCERTO - ORCHESTRA DI PADOVA E DEL VENETO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eI SOGNI DI GIANO' CONCERTO \u003c\/strong\u003e(\u003cspan\u003eCVLD205\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eADRIANO LINCETTO SILVIO OMIZZOLO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eORCHESTRA DI PADOVA E DEL VENETO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILVIO OMIZZOLO (1905 – 1991)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eConcerto per violoncello, archi e pianoforte (1958)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 – Allegro marcato,  9:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 – Andante,  6:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 – Rondò (Presto),  9:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eADRIANO LINCETTO (1936 – 1996)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eI Sogni di Gianò (1985)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSuite orchestrale per flauto, oboe, fagotto, due trombe, archi e voce\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 – Canzone d’Amore,  13:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Sono stato soldato,  12:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – La fisarmonica e il bambino,  7:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTempo totale: 59:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-AND-Silvio-Omizzolo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eGrabación digital original 24bit\/88.2 realizada en el Auditorio Pollini, Padua, en septiembre de 2009\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProducción Velut Luna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProductor ejecutivo Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProductor musical e ingeniero de edición Fabio Framba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIngeniero de equilibrio y mezcla Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCubierta (Grand Prismatic Spring, Parque Nacional de Yellowstone, Wyoming) Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto, Nicola Righetti, Elide Cataldo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiseño y maquetación L'image\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMario FOLENA flauto  Paolo BRUNELLO oboe  Andrea BRESSAN fagotto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSimone LONARDI tromba  Roberto CATERINI tromba  Silvia REGAZZO voce \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDamiano SCARPA violoncello  Pierluigi PIRAN pianoforte   \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eORCHESTRA DI PADOVA E DEL VENETO  FABIO FRAMBA direttore\u003c\/span\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto e Silvio Omizzolo furono due compositori italiani che attraversarono la storia musicale del ‘900, scomparsi entrambi sul finire del secolo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAccomunati dal fatto di essere stato il primo allievo del secondo, condivisero poi molte esperienze musicali comuni, compreso l’importante ruolo della direzione del Conservatorio di Musica Cesare Pollini di Padova, in momenti successivi, ed una intensa attività concertistica come insigni e stimati pianisti.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl Concerto per violoncello, archi e pianoforte di Silvio Omizzolo si colloca nella grande tradizione della musica mitteleuropea della metà del ‘900, trovando illustri riferimenti in autori quali Bartok e Stravinsky. Chiaramente strutturato nella forma concerto, offre al violoncello importanti occasioni virtuosistiche.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa Suite “I Sogni di Gianò” di Adriano Lincetto è ricavata dallo stesso autore dalle sue musiche di scena originali scritte nel 1969 come colonna sonora dell’omonima pantomima in atto unico di Cornelia Mora Taboga. Si tratta di musica fortemente descrittiva ed evocativa, che basa la sua forza su una serie ininterrotta di struggenti melodie, permeate della più profonda e colta tradizione italiana, ma ricche di echi “Francesi”, in ossequio all’ambientazione parigina della storia del barbone Gianò, che si svolge in una dimenticata Parigi, senza tempo.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRegistrato nella consueta forma del live-in-studio nell’Auditorium Cesare Pollini di Padova, questo disco vede l’accorata interpretazione dell’Orchestra di padova e del Veneto diretta da Fabio Framba, con Damiano Scarpa solista al violoncello, Pierluigi Piran al pianoforte e Silvia Regazzo, interprete di un importante cameo vocale solista all’interno della Suite I Sogni di Gianò.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015359566171,"sku":"CVLD205CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49820735504731,"sku":"CVLD205","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/205-cover.jpg?v=1736002068"},{"product_id":"flute-for-dinner-ammendola-benciolini-candiotto-casa-degli-innocenti-di-giorgio-guglielmo-la-malfa-nobile-pavan-sabbadin-valerio-bisi","title":"FLUTE FOR DINNER - Ammendola, Benciolini, Candiotto, Casa, Degli Innocenti, Di Giorgio, Guglielmo, La Malfa, Nobile, Pavan, Sabbadin, Valerio, Bisi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eFLUTE FOR DINNER \u003c\/strong\u003e(\u003cspan\u003eCVLD248\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eADRIANO LINCETTO; ARTHUR HONEGGER AND FRANCIS POULENC\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eGloria Ammendola, Tommaso Benciolini, Simone Candiotto, Giulia Casa, Ludovico Degli Innocenti, Marco Aurelio Di Giorgio, Elia Guglielmo, Veronica La Malfa, Roberta Nobile, Caterina Pavan, Alice Sabbadin, Niccolò Valerio; Maria Bisi ( grandpiano )\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e   Adriano Lincetto\u003cbr\u003eQuartetto per flauti in do (1977) 12:16\u003cbr\u003e01. Allegro deciso e molto marcato\u003cbr\u003e02. Andante cantabile e sognante\u003cbr\u003e03. Vivacissimo\u003cbr\u003eSonatina per flauto e pianoforte (1978) 9:41\u003cbr\u003e04. Allegro spigliato\u003cbr\u003e05. Andante elegiaco\u003cbr\u003e06. Allegro ironico e grottesco\u003cbr\u003e07. Sequenza per flauto solo (1979) 3:03\u003cbr\u003eGiochi d’infanzia per tre flauti in do (1979) 4:39\u003cbr\u003e08. Allegro spiritoso\u003cbr\u003e09. Adagio ma non troppo\u003cbr\u003e10. Scorrevole\u003cbr\u003e   Arthur Honegger (bonus track)\u003cbr\u003e11. Dance de la Chèvre (1921) 3:27\u003cbr\u003eFrancis Poulenc (bonus tracks)\u003cbr\u003eSonata for flute and piano (1956) 11:44\u003cbr\u003e12. Allegro Malinconico\u003cbr\u003e13. Cantilena\u003cbr\u003e14. Presto giocoso\u003cbr\u003eAdriano Lincetto\u003cbr\u003e15.Adagio e Allegro per orchestra di flauti (1982) 5:54\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute-for-Dinner\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e88.2 kHz \/ 24bit original recording made at Auditorium Pollini, Padova, Italy on December 11st, 12nd 2014\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eProduction: Velut Luna\u003c\/strong\u003e\u003cbr\u003eMusical producer and artistic direction: Daniele Ruggieri\u003cbr\u003eRecording and mastering engineer: Marco Lincetto\u003cbr\u003eEditing engineer: Matteo Costa\u003cbr\u003eCover and inside photos: Marco Lincetto\u003cbr\u003eDesign: L’Image\u003cbr\u003eMarketing and Sales Manager: Patrizia Pagiaro\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdriano Lincetto ha dedicato una parte importante della sua vita all'educazione musicale ed alla valorizzazione dei giovani talenti, nel suo ruolo di docente di pianoforte, titolare di cattedra a partire dal 1966. E questa importante attività formativa e didattica lo ha visto protagonista all'interno del Conservatorio di Musica \"Cesare Pollini\" di Padova per oltre 30 anni: conservatorio che ha anche guidato con tenacia e caparbietà negli ultimi 10 anni della sua vita, prima della prematura scomparsa avvenuta il 24 aprile 1996.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIl flauto è uno strumento molto importante e considerato nell'ambito del corpus delle composizioni di Adriano Lincetto. Ed un motivo importante, forse il più importante, ci porta a fare riferimento alla principale fonte ispirativa del Maestro padovano, quella che sottende a tutte le sue composizioni: la vicinanza agli interpreti.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE' noto, come ben sottolinea anche il grande Radu Lidijenko nei suoi scritti critici sul Maestro di Padova, che Lincetto scriveva senza dubbio perchè \"non poteva non scrivere\": la sua era cioè un'esigenza primaria del suo essere artista; ma poi, parimenti, scrivere per lui significava anche \"donare\" la sua musica ai suoi amici, oppure, a suo figlio Francesco, che guarda caso, è stato un eccellente flautista. A questo proposito non si può dimenticare che una parte importante della carriera concertistica di Adriano Lincetto pianista si sia sviluppata nella formazione del duo cameristico con flauto, con Enzo Caroli, negli anni '70 e '80.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEcco dunque che la maggior parte delle composizioni presenti in questo disco sono scritte, pensate, dedicate a questi importanti... amici.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eE' sempre difficile parlare dello stile compositivo di un autore del secondo '900, chiaramente indipendente, ovvero svincolato dai dettami delle \"scuole\" (\"di regime\", permettetemi di aggiungere con voluto spirito polemico...). E' difficile perchè una persona sensibile e profondamente colta non può non essere influenzata dalle stratificazioni di mille e più anni di letteratura musicale pregressa. E questo in modo consapevole, ma certamente più ancora inconsapevole.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE' quindi compito arduo per il \"bravo critico\" cercare di identificare ed isolare queste fonti di ispirazione. Con certezza Lincetto era innamorato dell'innovazione radicale portata nel mondo della musica da due massimi rivoluzionari quali Debussy e Stravinsky, dei quali a volte Lincetto cita modi e consuetudini. Ma non era insensibile neppure alla capacità di sintesi della grande musica popolare dell'Est europeo compiuta da autori come Bartok o Prokofiev.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCon certezza Adriano Lincetto è comunque figlio del '900 (anche se non si può dimenticare una fondamentale composizione per orchestra d'archi del 1980 che si intitolava in modo significativo \"Suite per Paer\").\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScavando più nel dettaglio, è molto interessante rilevare una forte necessità di comunicare all'interprete la sua visione delle note scritte sul pentagramma, anche usando la parola: sono sempre illuminanti e direi fulminanti, le definizioni dei singoli movimenti e le indicazioni agogiche lungo la partitura. Prendendo ad esempio paradigmatico la Sonata per flauto e pianoforte, possiamo e dobbiamo notare i titoli dei movimenti: Allegro spigliato, Andante elegiaco, Allegro ironico e grottesco. Non manca mai un aggettivo alle classiche definizioni: aggettivi sempre molto precisi, che fanno percepire all'interprete sensibile la quasi disperata esigenza dell'autore che la sua musica sia capita fino in fondo. Non di meno le indicazioni agogiche: \"scorrevole, ma marcato\" si legge all'inizio del terzo movimento della Sonata...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEcco, la vera grande difficoltà nel tradurre in suoni le composizioni di Lincetto sta, più ancora che non nella stretta difficoltà tecnica di eseguire le note corettamente, nel riuscire a comprendere fino in fondo ciò che con tanta fantasia e caparbietà l'autore ha cercato di comunicare con quelle note, non disgiunte dalle parole che vogliono ulteriormente definirle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesta \"ansia\" comunicativa, infine, allontana nettamente l'autore dall'asciuttezza algida dei grandissimi del passato, quali ad esempio J.S.Bach, che invece notoriamente lasciava quasi esclusivamente alla nota scritta sul pentagramma tutto il suo messaggio artistico (per la gioia un po' perversa dei tanti fantasiosi interpreti che nel corso dei secoli si sono cimentati con la musica del sommo autore tedesco).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE anche in questo Adriano Lincetto è non solo figlio del '900, ma anche in qualche modo precursore del ventunesimo secolo, il secolo della grande comunicazione diretta, il secolo di internet e dei social network.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMi sono sempre chiesto come Adriano Lincetto avrebbe vissuto questa nuova era e mi sono sempre risposto che si sarebbe divertito tantissimo e forse avrebbe trovato il suo più autentico \"habitat artististico\" naturale. Purtroppo Adriano Lincetto è prematuramente scomparso all'alba della nuova era, ed ogni nostra curiosità è inesorabilmente destinata a restare senza risposta.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49894404030811,"sku":"CVLD248","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/248-cover.jpg?v=1736893580"},{"product_id":"original-dixie-songbook-tiger-dixie-band","title":"ORIGINAL DIXIE SONGBOOK - TIGER DIXIE BAND","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eORIGINAL DIXIE SONGBOOK \u003c\/strong\u003e(\u003cspan\u003eCVLD251\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: TIGER DIXIE BAND\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOriginal Dixieland One-Step (Original Dixieland Jass Band)\u003c\/li\u003e\n\u003cli\u003eSouth (Bennie Moten)\u003c\/li\u003e\n\u003cli\u003eChina Boy (trad.)\u003c\/li\u003e\n\u003cli\u003eSkeleton Jungle (Original Dixieland Jass Band)\u003c\/li\u003e\n\u003cli\u003eDown by the Riverside (trad.)\u003c\/li\u003e\n\u003cli\u003eFidgety Feet (Original Dixieland Jass Band)\u003c\/li\u003e\n\u003cli\u003eMoten Swing (Bennie Moten)\u003c\/li\u003e\n\u003cli\u003eAt the Jazz Band Ball (Original Dixieland Jass Band) **\u003c\/li\u003e\n\u003cli\u003eMaple Leaf Rag (Scott Joplin)\u003c\/li\u003e\n\u003cli\u003eSomebody Stole My Gal (Leo Wood)\u003c\/li\u003e\n\u003cli\u003eAlabama Jubilee (George L. Cobb)\u003c\/li\u003e\n\u003cli\u003eDavenport Blues (Bix Beiderbecke)\u003c\/li\u003e\n\u003cli\u003eSadie Green, The Vamp of New Orleans (trad.)\u003c\/li\u003e\n\u003cli\u003eTiger Rag (Original Dixieland Jass Band)\u003c\/li\u003e\n\u003cli\u003eBill Bailey (Hughie Cannon)\u003c\/li\u003e\n\u003cli\u003eIce Cream (trad.)\u003c\/li\u003e\n\u003cli\u003eAmazing Grace (trad.) ***\u003c\/li\u003e\n\u003cli\u003eWhen the Saints Go Marching In (trad.)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Original-Dixieland-Songbook\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePaolo Trettel: trumpet\u003c\/p\u003e\n\u003cp\u003eStefano Menato: clarinet\u003c\/p\u003e\n\u003cp\u003eFiorenzo Zeni: tenor sax\u003c\/p\u003e\n\u003cp\u003eLuigi Grata: trombone (tuba on track 16)\u003c\/p\u003e\n\u003cp\u003eAndrea Boschetti: banjo – guitar\u003c\/p\u003e\n\u003cp\u003eRenzo De Rossi: piano (baritone sax on track 17)\u003c\/p\u003e\n\u003cp\u003eGiorgio Beberi: bass sax\u003c\/p\u003e\n\u003cp\u003eClaudio Ischia: drums\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuale significato hanno oggi i brani riuniti in questa raccolta proposta dalla Tiger Dixie Band? Si tratta di un repertorio alle origini del jazz, la cui età si aggira ormai attorno ai cento anni, apparso in buona parte nel Sud degli Stati Uniti, che rappresenta una musica nata dall’incontro di culture diverse, europee e africane.\u003c\/p\u003e\n\u003cp\u003ePer mantenendo in sé chi di quel periodo è stato, il jazz ha maturato una propria fisionomia originale, che possiamo a tutti gli effetti definire autenticamente americana.\u003c\/p\u003e\n\u003cp\u003eAnni del secolo scorso, quando fu portata in Europa e in particolare a Parigi, non mancò di colpire l’interesse di artisti e musicisti come Stravinskij, Ravel, Picasso, Matisse. Quest’ultimo elaborò il suo splendido album grafico intitolato Jazz, con realizzazioni di rara bellezza, cui si aggiungevano considerazioni sull’arte e il processo creativo, ispirate alla nuova musica proveniente da oltre oceano. Così scriveva Matisse nell’album, prendendo spunto dall’osservante spontaneità del jazz: “L’artista deve portare tutta la sua energia, la sua sincerità e la più grande modestia per evitare i cliché nel suo lavoro”.\u003c\/p\u003e\n\u003cp\u003ePerché riproporre oggi quelle musiche? Forse perché hanno mantenuto intatta quella freschezza, la tensione comunicativa, pur non essendo più in grado di scuotere così fortemente le abitudini percettive, come fece agli inizi del Novecento. Perché, pur nella loro apparente semplicità, celano raffinatezza e grande varietà di impasti timbrici, di colori e sfumature. Tanti musicisti che oggi sviluppano un discorso innovativo si ricollegano con intelligenza a quelle esperienze timbriche, alla polifonia spontanea, opportunamente definita eterofonia da alcuni studiosi, che supera l’atteggiamento del solista singolo per ridare forza all’improvvisazione collettiva. In generale per lo stimolo che ancora questa musica è in grado di accendere.\u003c\/p\u003e\n\u003cp\u003eLa Tiger Dixie Band riunisce solisti di valore del Triveneto, che ha una storia quasi ventennale, che in certi momenti ha cercato un approccio avveniristico, registrando con musicisti come Markus Stockhausen e inserendo una sensibilità contemporanea nelle proprie esecuzioni. Ma nel contempo la band ha voluto mantenere un rigore fedele al modello originario. L’equilibrio tra le due componenti irora la proposta e la rende godibile, attuale. I solisti hanno metabolizzato quel linguaggio in anni di pratica e lo hanno immerso nella propria sensibilità contemporanea, arrivando a un’interpretazione fluida, ricca di sfumature e di sottile umorismo.\u003c\/p\u003e\n\u003cp\u003eCon tale bagaglio la band ha affrontato questo repertorio classico delle origini, aderendo in modo filologico a quelle composizioni e infondendo loro nuova vitalità. In primo piano c’è la forte interazione tra gli strumenti a fiato nella front-line: tromba, clarinetto e trombone, come nella tradizione di New Orleans, cui si aggiunge il sax tenore. In tanti brani si ascolta la perfetta distribuzione delle parti, trattate in spontaneo contrapunto dall’iniziale Original Dixieland One-Step a China Boy, da Davenport Blues a Bill Bailey, che cela al proprio interno con delizioso senso dell’umorismo Stormy Weather e La vie en rose. La stessa attenzione si nota negli arrangiamenti, che coprono brani celebri e che fanno della pratica dell’improvvisazione una risorsa preziosa.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49894438764891,"sku":"CVLD251","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/251-cover.jpg?v=1736894684"},{"product_id":"sasha-mashin-happy-run","title":"Sasha Mashin | HAPPY RUN","description":"\u003cdiv class=\"f985Lm QfrfFD cell\"\u003e\n\u003ch1 data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003eSasha Mashin | HAPPY RUN \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(BBR2023SM01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cBttMq QfrfFD cell\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eDisponibile in: \u003c\/strong\u003eCD, Tape, FILE HD 96kHz • 24bit\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracce\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCountry of Obscurantism (Sasha Mashin) 09:11\u003c\/li\u003e\n\u003cli\u003eYellow Blues (Makar Novikov) 08:29\u003c\/li\u003e\n\u003cli\u003eHey it's Spring (Igor Stravinsky) 06:44\u003c\/li\u003e\n\u003cli\u003eDarn the Dream (Jimmy Van Heusen) 06:06\u003c\/li\u003e\n\u003cli\u003eSuite et Poursuite (Rosario Giuliani) 16:17\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/birdboxrecords.lnk.to\/Happy-Run\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSasha Mashin  | drums\u003cbr\u003eRosario Giuliani| alto sax\u003cbr\u003eMakar Novikov  | double bass\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCredits\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Sasha Mashin | SMASHIN PRODUCTION\u003cbr\u003eExecutive Producer: Lorenzo Vella | BIRDBOX RECORDS \u003cbr\u003eRecorded at Saint Louis College of Music (Roma)\u003cbr\u003eRecording\/mixing engineer: Sasha Mashin\u003cbr\u003eMastering engineer: Lorenzo Vella\u003cbr\u003eCover photo: Lorenzo Vella | NIGHTINGALE STUDIOS\u003cbr\u003eAdditional photos: Alessio Cesario, Ira Polyarnaya\u003cbr\u003eGraphics: Nerina Fernandez\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDescrizione\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSasha Mashin - Happy Run\u003cbr\u003eIl nuovo e primo album italiano di Sasha Mashin, intitolato “Happy Run”, vede la partecipazione di due artisti straordinari, il sassofonista Rosario Giuliani e il contrabbassista Makar Novikov.\u003cbr\u003e \u003cbr\u003eMashin, batterista russo, ha scelto l'Italia e Roma come luogo di residenza negli ultimi due anni dopo l'inizio del conflitto che ha coinvolto il suo Paese. Sasha Mashin ha vissuto a Mosca, dove ha svolto un ruolo di primo piano nella scena culturale e musicale della città. Due attività in particolare occupavano gran parte del suo tempo: “Sasha Mashin Happy Lab”, che si svolgeva una volta alla settimana nel principale jazz club di Mosca, e ‘Sasha Mashin Happy Run’, dove gli amici si incontravano per correre 10 chilometri e chiacchierare una volta alla settimana. L'idea alla base del laboratorio musicale era quella di abbattere la barriera tra il pubblico e il palco, promuovendo la comunicazione informale, i concerti e lo scambio di idee. In breve tempo, il laboratorio è diventato un appuntamento fisso per ascoltare ottima musica e un luogo di incontro per creativi che hanno condiviso idee e avviato nuovi progetti. Allo stesso modo, è diventato popolare l'evento sportivo amatoriale, con molti degli stessi partecipanti dell'“Happy Lab”. Le regole erano semplici: finché si corre, si può imparare tutto ciò che si vuole, non solo dal creatore dell'evento, Mashin stesso, ma anche da tutti i musicisti o le persone coinvolte nella corsa di 10 chilometri, che provenivano da diversi contesti professionali. Lo scoppio della guerra ha cambiato profondamente le dinamiche, non solo su scala internazionale ma anche, e soprattutto, nella vita dei singoli. Sasha Mashin ha continuato a “correre”, non solo metaforicamente. Arrivato in Italia come rifugiato politico, ha trovato nuovi amici, musicisti eccezionali che lo hanno accolto sia come persona che come artista. Oggi il batterista russo sente di poter chiamare Roma la sua “casa” e i suoi nuovi e vecchi amici “la sua famiglia”.\u003c\/p\u003e\n\u003cp\u003e“Ho la sensazione di aver finalmente terminato la mia corsa”, spiega Sasha Mashin nelle note di copertina del suo album, ”per la prima volta dopo tanto tempo mi sento veramente felice. Mentre un tempo l'idea di emigrare mi riempiva di terrore esistenziale, non mi sembra nemmeno di essermi allontanato da casa. Gli italiani sono così aperti, amichevoli e solidali che mi sembra di aver completato una maratona e di aver raggiunto il traguardo. Sono a casa”. Le canzoni dell'album “Happy Run” sono composte dallo stesso Sasha Mashin. “Country of Obscurantism” suggerisce che non deve essere necessariamente bello, il che aiuta l'artista a condividerlo con un cuore più leggero. “Prometto che continuerò con i miei tentativi e forse un giorno scriverò qualcosa di più bello con un sottofondo più gioioso”. L'album include la bellissima composizione “Yellow Blues” di Makar Novikov, la magnifica “Suite et Poursuite” in tre parti di Rosario Giuliani, la ballata “Darn That Dream” di Jimmy Van Heusen e persino un brano tratto da “The Rite of Spring” del compositore più amato dall'artista, Igor Stravinsky (“Introduction, Les Augures printaniers”), abbinato alla composizione di Victor Lewis “Hey, It's Me You Are Talkin' To” (musica che l'artista è convinto sia stata ispirata dallo stesso Stravinsky). “Una delle esperienze più belle legate alla corsa”, dice Sasha, ”è la capacità di pensare e pianificare mentre si corre. In questi momenti, la chimica del cervello cambia in modo significativo, producendo più serotonina e dopamina, e si può pensare in modo più chiaro e preciso. Correndo regolarmente ho capito una cosa importante: non si può fuggire da se stessi. Ma si può fuggire dall'oscurità, sia dentro che fuori di noi. La corsa è uno sport intelligente. Correte felici!”.\u003cbr\u003e\u003cbr\u003e“Happy Run” è un album che non parla solo di musica ma racconta anche una storia. È una “corsa” metaforica che ha permesso all'artista di allontanarsi dall'oscurità di un passato difficile e lo ha portato in Italia per una nuova vita, nella sua nuova casa!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"CsrIwl BnmySN JSlVyv\" data-hook=\"columns-info-item\"\u003e\n\u003cp class=\"suDFwqW ogFb3AX---typography-11-runningText ogFb3AX---priority-7-primary _HOcyB JUtQCP sxbtulv ftb6e2\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCaratteristiche\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-hook=\"info-section-description\" class=\"zp8uy2\"\u003e\n\u003cp\u003ePer queste esclusive copie su nastro, Lorenzo Vella realizza il master analogico, che viene trasferito su una STUDER A80 1\/4, da AMPEX ATR102 1\/2. Il nastro da un quarto di pollice viene poi spedito insieme ad una preziosa bobina di alluminio all'interno di un'elegante scatola di lusso. Utilizziamo solo nastri RecordingTheMasters.\u003cbr\u003eControllo qualità su uno dei registratori a nastro come: Studer A807, Sony AR5003V, Otari MX55 e Telefunken M15A.\u003cbr\u003eOgni scatola personalizzata fatta a mano contiene una custodia professionale, un inserto grafico, una lettera di ringraziamento, un certificato di garanzia, un certificato di autenticità di pura opera analogica e ogni set è numerato a mano.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli class=\"CsrIwl BnmySN JSlVyv\" data-hook=\"columns-info-item\"\u003e\n\u003cp class=\"suDFwqW ogFb3AX---typography-11-runningText ogFb3AX---priority-7-primary _HOcyB JUtQCP sxbtulv ftb6e2\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eDati tecnici\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-hook=\"info-section-description\" class=\"zp8uy2\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e : 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NABon request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e LPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReference level:\u003c\/strong\u003e 320 nWb\/m\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BirdBox Records","offers":[{"title":"CD","offer_id":49957207540059,"sku":"BBR2023SM01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_c4d60c1e6ad04c3ab3946b5f9278ca14_mv2.webp?v=1737926611"},{"product_id":"piano-boischio","title":"Alberto Boischio Plays Grieg","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eALBERTO BOSCHIO PLAYS GRIEG (PIANO) \u003c\/strong\u003e(\u003cspan\u003eCVLD148\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eE. GRIEG\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eALBERTO BOISCHIO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - Holberg Suite, Op. 40: I. Praeludium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Holberg Suite, Op. 40: II. Sarabande\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Holberg Suite, Op. 40: III. Gavotte\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Holberg Suite, Op. 40: IV. Air\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Holberg Suite, Op. 40: V. Rigaudon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 1, Vuggesang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 2, Liden Häkon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 3, Jegelskerdig\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 4, Hun er saa hvid\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 5, Prinsessen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 6, Jeg giver mit digit til våren\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 1, Modersorg\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 2, Det første møte\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 3, Du fatter ei Bolgernes evige Gang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 4, Solveigs sang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 5, Kjærlighed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 6, Du gamle Mor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 - Moods, Op. 73: No. 1, Resignation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19 - Moods, Op. 73: No. 2, Scherzo-Impromptu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 - Moods, Op. 73: No. 3, Nattligt Rïdt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 - Moods, Op. 73: No. 4, Folketone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22 - Moods, Op. 73: No. 5, Studie. Hommage à Chopin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e23 - Moods, Op. 73: No. 6, Studenternes Serenade\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 - Moods, Op. 73: No. 7, Lualât\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Alberto-Boischio-Plays-Grieg\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: Original compositions by E. Grieg. Suite \"Dal tempo di Holberg\" Op. 40, Trascrizioni di propri lieder Op. 41 e Op. 52, Impressioni Op. 73.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePiano: Alberto Boischio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2kHz original recording made at Studio Zanta-Camponogara Italy-on novembre 2005.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlberto Boischio è forse uno dei più rappresentativi pianisti italiani della sua generazione. Per sua scelta un po' defilato dai clamori dei grandi circuiti, dei grandi concorsi, ha svolto un lungo ed accurato percorso di ricerca personale, dedicandosi molto alla documentazione su disco del suo lavoro: dischi che hanno sempre riscosso un grande consenso popolare. Da Albeniz a Stravinsky, da Chopin a Busoni, da Lincetto a Grieg: grande capacità la sua di entrare perfettamente a suo agio nelle atmosfere più diverse; doti spesso sottolineate da giudizi favorevolissimi da parte dei critici più illustri del giornalismo italiano da Riccardo Risaliti a Piero Rattalino, ad Angelo Foletto. Con questa raccolta di brani molto affascinanti e spiccatamente romantici del grande compositore norvegese, Alberto Boischio celebra il suo quarantesimo compleanno ed il decimo anno di collaborazione con Velut Luna. Due traguardi importanti e degni di nota. La registrazione come sempre effettuata da Marco Lincetto utilizzando un pianoforte Steinway \u0026amp; Sons D274 Concert Grand, offre la grande qualità  del suono ormai nota a tutti gli appassionati.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50022979731803,"sku":"CVLD148CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50943843959131,"sku":"CVLD148","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d9725fe39ee12405565e78.jpg?v=1738855229"},{"product_id":"i-solisti-di-pavia-shostakovich-stravinskij-francaix","title":"I SOLISTI DI PAVIA: SHOSTAKOVICH, STRAVINSKIJ, FRANCAIX","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eI SOLISTI DI PAVIA: SHOSTAKOVICH, STRAVINSKIJ, FRANCAIX \u003c\/strong\u003e(\u003cspan\u003eCVLD126\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eSHOSTAKOVICH, STRAVINSKIJ, FRANCAIX\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eI SOLISTI DI PAVIA, ENRICO DINDO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Chamber Symphony in C Minor, Op. 110a: I. Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Chamber Symphony in C Minor, Op. 110a: II. Allegro molto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Chamber Symphony in C Minor, Op. 110a: III. Allegretto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Chamber Symphony in C Minor, Op. 110a: IV. Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Chamber Symphony in C Minor, Op. 110a: V. Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Concerto for String Orchestra in D Major \"BaseI\": I. Vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Concerto for String Orchestra in D Major \"BaseI\": II. Arioso. Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Concerto for String Orchestra in D Major \"BaseI\": III. Rondò\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Symphonie d'archets: I. Andantino misterioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Symphonie d'archets: II. Andante molto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Symphonie d'archets: III. Scherzo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Symphonie d'archets: IV. Allegretto assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/I-Solisti-di-Pavia-Shostakovich-Stravinsky-Francaix\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL - Original compositions by Shostacovich Stravinskij Francaix. 24bit\/96kHz digital recording made at Castello Visconteo, Pavia, Italy,on February 2,3,4-2005.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProsegue con l'attesissimo terzo volume la proposta musicale de I Solisti di Pavia, incentrata nella nuova ed affascinante lettura di alcune delle pagine più importanti della letteratura per orchestra d'archi a cavallo di '800 e '900. Ecco quindi oggi scorrerre in un continuum ideale la dolorosa ed intensa Kammersinfonie di Shostakovich, lo strabiliante ed innovativo Concerto per Archi nato dal genio di Igor Stravinskij per concludere con il divertissment \"Symphonie d'Archets\" di un autore sempre sopra le righe qual è Jean Francaix. Nello splendore dell'alta qualità  del suono digitale ad alta risoluzione garantito dal master originale a 24bit \/ 96kHz.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030195966299,"sku":"CVLD126CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50888641249627,"sku":"CVLD126","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97224e39ee12b06565e3d.jpg?v=1738940661"},{"product_id":"bernstein-conducts-stravinsky-and-britten","title":"Bernstein conducts Stravinsky and Britten","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eBernstein conducts Stravinsky and Britten (\u003cspan\u003eCBH531\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Igor Stravinsky, Benjamin Britten\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: New York Philharmonic Orchestra, London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - La sacre du printemps, L'adoration de la terre\u003cbr\u003e02 - La sacre du printemps, Le Sacrifice\u003c\/p\u003e\n\u003cp data-end=\"211\" data-start=\"97\"\u003e\u003cem\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e – orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e03 - Spring Symphony, Introduction: Shine Out\u003cbr\u003e04 - Spring Symphony, Welcome, Maids of Honour\u003cbr\u003e05 - Spring Symphony, When will my may come?\u003cbr\u003e06 - Spring Symphony, London, to Thee I do Present\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eJennifer Vyvyan\u003c\/strong\u003e – soprano\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eRegina Sarfaty\u003c\/strong\u003e – contralto\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eRichard Lewis\u003c\/strong\u003e – tenore\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eNew York Philharmonic \u003c\/strong\u003e– orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"http:\/\/cbhmusic.lnk.to\/Bernstein-conducts-Stravinsky-and-Britten\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCon “Bernstein conducts Stravinsky and Britten”, l’ascoltatore viene trasportato in due universi sonori opposti ma sorprendentemente compatibili. L’incedere ritmico e tagliente di Stravinsky trova nella London Symphony Orchestra una voce precisa e pulsante, guidata dall’energia meticolosa di Leonard Bernstein. Poi, l’atmosfera cambia radicalmente: la “Spring Symphony” di Britten sboccia in una celebrazione poetica della natura e della rinascita, resa ancora più intensa dalla brillante combinazione di voci e colori orchestrali. Jennifer Vyvyan, Regina Sarfaty e Richard Lewis offrono interpretazioni vocali raffinate, sostenute con finezza dalla New York Philharmonic. Un contrasto dinamico che illumina la versatilità del repertorio novecentesco.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51030482518363,"sku":"CBH531","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_c4bb9761-d9e6-4690-8974-da29e45b766a.png?v=1753274593"},{"product_id":"lalo-sibelius-stravinsky-orchestral-works","title":"Lalo, Sibelius \u0026 Stravinsky: Orchestral Works","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eLalo, Sibelius \u0026amp; Stravinsky: Orchestral Works (\u003cspan\u003eCBH580\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Edoaurd Lalo, Jean Sibelius, Igor Stravinsky\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Eduard van Beinum\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e:  Royal Concertgebouw Orchestra, London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Symphonie espgnole Op. 21, I. Allegro non troppo\u003cbr\u003e02 - Symphonie espgnole Op. 21, II. Scherzando. Allegro molto\u003cbr\u003e03 - Symphonie espgnole Op. 21, III. Intermezzo. Allegretto non troppo \u003cbr\u003e04 - Symphonie espgnole Op. 21, IV. Andante. \u003cbr\u003e05 - Symphonie espgnole Op. 21, V. Rondo. Allegro\u003cbr\u003e\u003cem\u003eEdoaurd Lalo, Eduard van Beinum, Alfredo Campoli (violino solista), London Philharmonic Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e06 - En Saga\u003cbr\u003e\u003cem\u003eJean Sibelius, Eduard van Beinum, Royal Concertgebouw Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e07 - The Rite of Spring, I. The Adoration of the Earth\u003cbr\u003e08 - The Rite of Spring, II. The Sacrifice\u003cbr\u003e\u003cem\u003eIgor Stravinsky, Eduard van Beinum, Royal Concertgebouw Orchestra\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Lalo-Sibelius-Stravinsky-Orchestral-Works\" width=\"100%\" data-darkreader-inline-border-top=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-left=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNote\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn questo album, tre mondi sonori distinti si incontrano sotto la direzione raffinata di Eduard van Beinum. La Symphonie espagnole di Lalo brilla nelle prime cinque tracce grazie al virtuosismo lirico di Alfredo Campoli, capace di fondere eleganza e slancio in un dialogo avvincente con la London Philharmonic Orchestra. L’atmosfera si fa più nordica con En Saga di Sibelius, dove la Royal Concertgebouw Orchestra evoca paesaggi ampi e misteriosi. Infine, il balzo nel modernismo di Stravinsky con La sagra della primavera rivela una tensione ritmica e un’energia primordiale, scolpite con precisione e vigore, concludendo un percorso musicale di sorprendente ampiezza.\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51149047038299,"sku":"CBH580","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CBH580.png?v=1754829065"},{"product_id":"the-symphonies-v","title":"The Symphonies V","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eThe Symphonies V (\u003cspan\u003eCBH619\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Igor Stravinsky\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Ferenc Fricsay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: RIAS-Symphonie-Orchester Berlin * , Berlin Radio Symphony Orchestra**\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - The Rite of Spring , I.  L'Adoration de la Terre *\u003cbr\u003e02 - The Rite of Spring , II. Le Sacrifice *\u003cbr\u003e03 - Capriccio for Piano \u0026amp; Orchestra, I.. Presto ** \u003cem\u003e(Monique Haas - piano solo)\u003c\/em\u003e\u003cbr\u003e04 - Capriccio for Piano \u0026amp; Orchestra, II. Andante rapsodico ** \u003cem\u003e(Monique Haas - piano solo)\u003c\/em\u003e\u003cbr\u003e05 - Capriccio for Piano \u0026amp; Orchestra, III. Allegro capriccioso ** \u003cem\u003e(Monique Haas - piano solo)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/The-Symphonies-V\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNote\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eQuesto album offre un ritratto intenso della modernità di Stravinsky attraverso due capolavori distinti. La RIAS-Symphonie-Orchester Berlin interpreta con energia primitiva \u003cem\u003eLe Sacre du Printemps\u003c\/em\u003e, restituendo la forza tellurica delle danze pagane e la tensione drammatica del sacrificio, in una lettura che unisce rigore e impeto. La seconda parte del programma si concentra sul brillante \u003cem\u003eCapriccio for Piano \u0026amp; Orchestra\u003c\/em\u003e, affidato alla Berlin Radio Symphony Orchestra con Monique Haas al pianoforte. La solista scolpisce con chiarezza le linee virtuosistiche, trovando un equilibrio ideale tra brillantezza e lirismo, mentre Fricsay guida con precisione l’orchestra, esaltando i colori e la vivacità ritmica della partitura.\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51195468382555,"sku":"CBH619","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_6d19f8f4-1832-425b-9f08-e07cddd97e62.png?v=1755507431"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/W1siZiIsIjE5MDQ4MCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg?v=1772893788","url":"https:\/\/www.referencemusicstore.com\/it\/collections\/igor-stravinsky.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}