{"title":"Franz Schubert","description":"","products":[{"product_id":"liszt-piano-transcriptions-eliana-grasso","title":"Liszt Piano Transcriptions - Eliana Grasso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLiszt Piano Transcriptions\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(CVLD339)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eEliana Grasso\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eL. van Beethoven - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - Allegretto dalla Sinfonia n. 7 in la maggiore Op. 92 (S. 464), 10:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Schubert - F. Lis\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003ezt \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e2 - Gretchen am Spinnrade (S. 558), 4:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Serenade (S. 560), 6:15\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eG. Verdi\/F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e4 - Danza Sacra e duetto finale da Aida (S. 436), 11:13\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Chopin - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e5 - Mädchens Wunsch, da “Six chants polonais”( S. 480), 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Frühling, da “Six chants polonais” (S. 480), 2:40\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eR. Schumann - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e7 - Widmung (S 566), 4:33\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e8 - Mephisto Waltz n. 1, versione per pianoforte dell’autore (S. 514), 12:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 56:31\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/LisztPianoTranscriptions\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Laboratorio Zanta, Camponogara, Italy, on November and December 2021\u003cbr\u003eEliana Grasso plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003cbr\u003e \u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEliana Grasso\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eEditing: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eNote critiche\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eDi fronte al vasto catalogo di composizioni scritte da Franz Liszt e destinate ad arricchire il repertorio pianistico del XIX secolo ci si trova a dover constatare un maggior numero di opere basate su lavori di altri autori rispetto alle pagine di produzione propriamente originale. L’insieme dei diversi arrangiamenti, scritti durante tutto l’arco dell’attività compositiva dell’autore, rientrano all’interno di due categorie secondo la precisa volontà dello stesso Liszt, a cui si deve la prima distinzione terminologica: da una parte le trascrizioni, ovvero tutti quegli adattamenti pianistici in cui la partitura originaria viene mantenuta sostanzialmente inalterata; dall’altra parte le parafrasi, dei veri e propri esercizi di stile in cui il compositore si prende la libertà di variare il testo di partenza piegandolo alla propria velleità creativa. Sebbene siano stati più volte oggetto di aspre critiche da parte di alcuni esponenti della musicologia del primo Novecento (si veda il commento di Humphrey Searle, responsabile della catalogazione sistematica delle opere di Liszt: «potrebbe aver sprecato molto tempo su alcune di queste trascrizioni, ma almeno hanno fornito uno sbocco per la sua energia sovrabbondante», The Music of Liszt, London 1954), gli arrangiamenti prodotti dal compositore ungherese hanno contribuito alla divulgazione e alla promozione della musica di numerosi autori.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cu\u003e\u003cstrong\u003eELIANA GRASSO\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003e\u003cspan\u003eEliana Grasso, pianista, svolge attività concertistica in Europa e negli Stati Uniti in sale rinomate come la Carnegie Hall a New York, la Wigmore Hall a Londra, la Sala Verdi a Milano, la Royal Academy of Music a Londra, l’Heremitage di San Pietroburgo, Theatre La Filature di Mulhouse, la Sala Maffeiana del Teatro Filarmonico di Verona, il Teatro Sociale di Bellinzona, la Cappella Paolina del Quirinale a Roma, Bloomsbury Theater di Londra, Salon Chopin (Société Historique Polonaise) a Parigi, Palazzo Ducale a Mantova, Teatro Piccolo Regio a Torino e numerose altre.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDebutta nel 1994 eseguendo il concerto in re maggiore di Haydn, diretta da Luca Pfaff con l’Orchestra Sinfonica di Mulhouse, ricevendo grandi consensi di pubblico e critica (\"Eliana Grasso: encore petite et déjà si grande\", l'Alsace, marzo 1994) con numerose orchestre quali l’Orchestra Magister Harmoniae, l’Orchestra Piccolo Auditorium Paradisi, l’Orchestra del Teatro Filarmonico di Verona, diretta fra gli altri da Piero Bellugi. Si esibisce regolarmente come solista e in formazioni cameristiche per le più importanti stagioni musicali italiane quali: MITO Settembremusica (Torino), Società dei Concerti (Milano), Società del Quartetto (Milano), Unione Musicale (Torino) Trame Sonore (Mantova), I Concerti del Quirinale (Roma), Polincontri (Torino), Rivolimusica, I Concerti dell’Università della Tuscia (Viterbo), Milano Classica, I Concerti del Pomeriggio del Teatro Alfieri (Torino), Fondazione William Walton (Napoli), Settembre Musicale Orta (Novara), Ravello Concert Society (Napoli), Concerti a Palazzo Labia (Venezia), Teatro Torti (Bevagna). Si è anche esibita in Norvegia, Russia, Stati Uniti, Francia, Svizzera, Spagna, Inghilterra e Romania.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCollabora stabilmente in duo con il flautista Romano Pucci (primo flauto Teatro alla Scala di Milano), a quattromani e due pianoforti con la pianista Irene Veneziano ed esplora il repertorio liederistico con la soprano Susanna Rigacci. E’ stata premiata in numerosi concorsi: a 13 anni si classifica terza assoluta al Concorso Internazionale di San Pietroburgo, da allora si classifica prima assoluta in numerosissimi concorsi italiani: Stresa, Premio J.S. Bach, Premio Kawai, Premio Clementi e molti altri. Più recentemente, nel 2014 è vincitrice assoluta del Concorso Internazionale Festival di Bellagio.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI suoi concerti sono stati trasmessi in diretta da emittenti radiofoniche quali Rai Radiotre, è recentemente stata ospite della trasmissione “Il Pianista” in onda su Radio Classica. Per l’etichetta Velut Luna ha già registrato “Sortilèges” con musiche di Ravel e Saint Saens in duo con I. Veneziano (“le due musiciste diventano un solo organismo e danno espressione a tutto il fascino di questa musica” Suonare, 2015).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiplomata con il massimo dei voti presso il conservatorio “G. Verdi” di Torino, e premiata con la borsa di studio “Lascito Piacenza” per il miglior esame conclusivo, prosegue gli studi presso l’Accademia “Incontri con il Maestro di Imola”, dove studia con F. Scala, R. Risaliti, P. Masi. Si perfeziona anche con K. Bogino, E. Arciuli, P. Badura-Skoda, M. Damerini, A. Lucchesini, S. Gadžijev, J. Swann, P. De Maria, L. Pogorelich. Ha affiancato all’attività concertistica l’attività di docente e pianista collaboratore stabile presso l’Accademia del Teatro alla Scala di Milano dal 2010 al gennaio 2021. Attualmente insegna Pratica e Lettura Pianistica e Pianoforte presso il Conservatorio “Franco Vittadini” di Pavia.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988793467227,"sku":"CVLD339CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":41086770020404,"sku":"CVLD339","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_17e6db64-301b-45e9-91a4-864da879c547.jpg?v=1682009439"},{"product_id":"franz-schubert-piano-sonatas-alessandro-cesaro","title":"FRANZ SCHUBERT PIANO SONATAS - Alessandro Cesaro","description":"\u003ch3 class=\"western\" lang=\"en-US\"\u003e\n\u003cb\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT, PIANO SONATAS - Vol.1 \u003c\/em\u003e\u003c\/strong\u003e\u003c\/b\u003e(CVLD340-1)\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eDISPONIBILE IN BOX 5 CD e FILE HD\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cu\u003eVolume 1\u003c\/u\u003e\u003c\/strong\u003e \u003cstrong\u003e- 74:42\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 537 Op. post. 164 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 7 \u003c\/span\u003e\u003cstrong\u003eSonata D 568 Op. post. 122 in E flat major\u003c\/strong\u003e\u003cspan\u003e, 29:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - 11 \u003c\/span\u003e\u003cstrong\u003eSonata D 575 Op. post. 147 in B major\u003c\/strong\u003e\u003cspan\u003e, 23:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 72:21\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 664 Op. post. 120 in A major\u003c\/strong\u003e\u003cspan\u003e, 23:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 6 \u003c\/span\u003e\u003cstrong\u003eSonata D 784 Op. post. 143 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 840 in C major “Reliquie”,\u003c\/strong\u003e\u003cspan\u003e 26:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 3\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 76:11\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 845 Op. 42 in A minor\u003c\/strong\u003e\u003cspan\u003e, 35:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 894 Op. 78 in G major\u003c\/strong\u003e\u003cspan\u003e, 40:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 4\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 79:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 850 Op. 53 in D major\u003c\/strong\u003e\u003cspan\u003e, 39:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 959 in A major\u003c\/strong\u003e\u003cspan\u003e, 39:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 5\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 77:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 958 in C minor\u003c\/strong\u003e\u003cspan\u003e, 32:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 960 in B flat major\u003c\/strong\u003e\u003cspan\u003e, 44:31\u003c\/span\u003e\n \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/FranzSchubert-PianoSonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e \n  \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e24bit \/ 176.4 kHz\u003c\/strong\u003e original recording made at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca (Italy) \u003c\/span\u003e\u003cspan\u003eon March, 30 - April, 13 - May, 18 - July, 9, 10, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003echoose a \"one point recording\" own exclusive technique, based upon Sennheiser MKH 8020 and Schoeps Mk 4 microphone and Millennia Media HV-3B microphone preamplifiers\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e plays on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSteinway \u0026amp; Sons Mod. O, New York, 1909,\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e tuned and prepared by Maestro Franco Angeleri. This piano belonged to Maestro Adriano Lincetto, and now it is one of the antique pianos' collection of the \"Museo di Pianoforti Antichi\" of \"Fondazione Musicale Centanin e Masiero\", which restored and gave a new life to this wonderful piano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: \u003c\/span\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, editing \u0026amp; mastering: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover photo: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eEseguite dal compositore stesso in occasioni private destinate alla Vienna borghese e alla cerchia di conoscenti, le cosiddette schubertiadi, le \u003c\/span\u003e\u003cstrong\u003eSonate per pianoforte di Franz Schubert\u003c\/strong\u003e\u003cspan\u003e sono rimaste a lungo terreno inesplorato. La prima esecuzione pubblica di un ciclo “completo” delle sonate schubertiane risale al 1868 grazie all’interpretazione di Charles Halle presso la St. James Hall di Londra. Il programma prevedeva l’esecuzione delle sette Sonate a cui era stato assegnato un numero d’opera e le ultime tre sonate composte nel 1828. Nel novembre 1938 Webster Aitkin propose dodici delle sonate in una serie di quattro concerti pubblici. Per l’occasione il Daily Telegraph pubblicò un articolo di Richard Capell dal titolo Revaluation of a Neglected Heritage (Rivalutazione di un patrimonio trascurato) in cui l’autore esortava il recupero delle Sonate schubertiane da parte dei pianisti contemporanei e delle generazioni a venire, inaugurando una vera e propria “Schubert Renaissance” all’insegna della valorizzazione di un patrimonio dimenticato.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMyriam Guglielmo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cspan\u003e showed a strong grasp of musical language and a deep interest in composition since he was a child. He studied piano with Franco Angeleri at the Conservatory of Padua and graduated with highest honors at 16 years of age; he continued his studies with Paul Badura-Skoda and Aldo Ciccolini. Prizes in prestigious competitions such as the “Premio Venezia”, the “Amadeus Giovani” of Palermo, the “Yamaha Prize” in Stresa, and especially the 48th CIEM in Geneva brought him to international attention as an outstanding 18-year-old interpreter. He regularly performs in Italy for such presenters as Serate Musicali di Milano, Amici della Musica of Padua, Vicenza, Verona, Trieste, and Udine, Unione Musicale in Turin, and Alessandro Scarlatti Society in Naples. He has played in Germany (Bochum, Paderborn), Switzerland (Geneva, Bienne, Basilea), Belgium (Bruxelles) and Argentina, where he toured eight times, playing in Buenos Aires, Cordoba, Tucumàn and Salta. In May 2008 he completed a tour of Mexico (Federal Capital and Michoacan), where he played for the National Autonomous University (UNAM) and for the Teatro de la Ciudad, inaugurating a new Steinway piano. Especially well received were his performances of the complete works of Chopin and Schubert and of the 32 Beethoven sonatas on period instruments for the Festival Euganeo. In 2009 he collaborated in the Italian premiere of the recently discovered Cant de les estrelles by Granados. In 2011 he completed a three-year cycle of all the 32 Beethoven’s Sonatas in Adria and Feltre (Italy) and in 2014 he was invited to the 54° Septiembre Musical Tucumano, one of the most important festivals in South America. He performs regularly with such orchestras as I Solisti Veneti, the Orchestra di Padova e del Veneto, the Orchestra of the Suisse Romande, the Collegium Musicum Basel, the Chamber Orchestra of Bienne, the Orchestra of the Theater of Cordoba, the Orchestra of the Province of Tucumàn, and the Sicilian Symphonic Orchestra, collaborating with such musicians as Claudio Scimone, Paul Badura-Skoda, Anton Nanut, Pedro Ignacio Calderòn, and Sergio Balestracci. The Music Critics Association of Argentina awarded him the “Premio Revelaciòn 2015” for a recital organized by ALAPP (Latin American Association of Teaching Pianists) at the Art Museum “Isaac Fernández Blanco”. Last year he presented the program “Chopin at Palma de Mallorca” on a tour in the United States, while this year he has realized in Padua for the first time in the history of the Friends of Music the full performance in consecutive evenings of the ten Sonatas for piano by Alexander Scriabin. A distinct characteristic of his personality is his extraordinary versatility, which allows him to have in his repertory the complete works of major composers for piano, including Mozart, Beethoven, Schubert, and Chopin. He has recorded with Rivo Alto and Azzurra Music (Beethoven) and recently he released an album of Rondos, Variations, and Fantasies by Jan Ladislav Dussek. He is equally active as a composer and his works, published by Swirly Music, are regularly performed.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"BOX 5 CD","offer_id":49993835872603,"sku":"CVLD340CD","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit OPERA COMPLETA","offer_id":49993800581467,"sku":"CVLD340","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 1","offer_id":46748045672795,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 2","offer_id":49993800614235,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 3","offer_id":49993800647003,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 4","offer_id":49993800679771,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 5","offer_id":49993800712539,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e6bbd45-2f97-4782-a078-ea474d7ecca6.jpg?v=1684332455"},{"product_id":"schubert-beethoven-orchestra-darchi-italiana","title":"SCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA  \u003c\/b\u003e(CVLD050)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eBeethoven: Quartet \"Serioso\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eShubert: Quartet \"Der Tod und das Madchen\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eTracce\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e01 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Allegro\u003cbr\u003e02 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Andante con moto\u003cbr\u003e03 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen, Scherzo-Allegro molto\u003cbr\u003e04 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Presto\u003cbr\u003e05 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro con brio\u003cbr\u003e06 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegretto, ma non troppo\u003cbr\u003e07 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro assai vivace, ma serioso\u003cbr\u003e08 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Larghetto espressivo, Allegretto agitato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Beethoven-Quartet-Serioso-Schubert-Quartet-Der-Tod-und-das-Madchen\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Franz Schubert, Ludwig van Beethoven Orchestra d'Archi Italiana \/ Franco Rossi, conductor 24Bit \/ 96 kHz Digital Recording. 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D959: Andantino - Franz Schubert 8:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive at San Giacomo Spazio d'Arte, November 29th, 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChiara Bertoglio, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e08 - Smells Like Teen Spirit - Kurt Cobain \u0026amp; Nirvana 5:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - I Heard It Through The Grapevine - Marvin Gaye 4:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Libertango - Astor Piazzolla 3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/RecLive\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Hotel Crystal, Preganziol, December 15th, 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBarbara Belloni, voice, Ivan Prevedello, Roland Electric Piano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCorreva l'anno 2009 ed un po' per caso ed un po' no... mi venne l'idea di realizzare una sorta di \"format discografico\", finalizzato a valorizzare dal vivo ed in registrazione la \"musica da camera\", ad ampio spettro intesa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDi solito infatti con questa definizione si identifica inequivocabilmente un certo tipo di \"musica classica\": ma io invece reputo musica da camera qualunque tipo di musica sia pensata per pochi interpreti (2, 3, forse 4 al massimo) che la eseguono davanti ad un piccolo pubblico in un ambiente raccolto, differente dai grandi spazi dei teatri o degli auditori. Quindi, non solo musica classica, ma anche jazz, rock, etnica... senza limite alla fantasia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDunque cos'è il \"Velut Luna Rec Live\"? E' un piccolo evento in cui un numero ridotto di persone (20 - 25 o poco più) si raccoglie in un piccolo ambiente caratterizzato da un'ottima acustica, si siede letteralmente a ridosso degli interpreti e si gusta un concerto in una posizione vicinissima agli esecutori - un metro o poco più - assolutamente inusuale per qualsiasi altro ambiente specificamente dedicato alla musica dal vivo. Creando, così, un feeling decisamente unico con i musicisti che si esibiscono di fronte a loro.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuesta magia viene anche catturata da pochi microfoni accuratamente posizionati per trasferire su supporto discografico la \"magia complessiva\" di questi happenings. 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Schubert: Vier Impromptus op.90 D.899 - n.1 in do minore\u003cbr\u003e02 - F. Schubert: Vier Impromptus op.90 D.899 - n.2 in mi bemolle maggiore\u003cbr\u003e03 - F. Schubert: Vier Impromptus op.90 D.899 - n.3 in sol bemolle maggiore\u003cbr\u003e04 - F. Schubert: Vier Impromptus op.90 D.899 - n.4 in la bemolle maggiore\u003cbr\u003e05 - F. Schubert \/ F. Liszt: Impromptu S.565b - n.1 in mi bemolle maggiore\u003cbr\u003e06 - F. Schubert \/ F. Liszt: Impromptu S.565b - n.2 in sol maggiore\u003cbr\u003e07 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.1 in fa minore\u003cbr\u003e08 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.2 in la bemolle maggiore\u003cbr\u003e09 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.3 in si bemolle maggiore\u003cbr\u003e10 - F. Schubert: Vier Impromptus op.posth.142 D.935 - n.4 in fa minore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Schubert-Impromptus\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClassical. Original compositions by Franz Peter Shubert. Chiara Bertoglio grandpiano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2 kHz original live-in-studio recorded, in Velut Luna Studio, Preganziol, Italy, on August 7- 2012.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNell’ambito della produzione pianistica di Franz Schubert, gli otto Impromptus op. 90 ed op. 142 sono forse tra i brani più noti ed eseguiti, e sicuramente vengono proposti ed ascoltati assai più sovente di molte delle incantevoli Sonate. Mi sembra perciò inutile riproporre qui, nell’inevitabile brevità imposta dalle dimensioni di un booklet, le analisi e gli studi che ne sono stati fatti; forse è più utile che mi limiti ad offrire al lettore una “presentazione” di questi brani, una guida che si integri con la chiave di lettura che ne propongo con la mia interpretazione.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCon gli Improvvisi ho una consuetudine lunghissima, che per alcuni di essi è ormai più che ventennale; e posso dire che siano dei veri e propri “amici” musicali, che hanno intessuto con la loro presenza discreta e costante il mio cammino di musicista e di persona.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuelli dell’op. 90 hanno caratteri più definiti, e strutture più chiare, più limpide. La straordinaria fantasia di Schubert e la sua ricchezza emozionale sono ancora incanalate in forme “pulite”, con l’alternarsi ed il giustapporsi di diversi livelli di articolazione compositiva. Il n. 1 si gioca interamente sul contrasto fra il ritmo marziale dell’incipit e la morbidezza di una melodia accompagnata da un mormorio di terzine. Il n. 2 è semplice solo nella sua macrostruttura, che alterna sezioni di scale ininterrotte, quasi onde di note, ad un Trio ed una Coda dall’aggressività quasi barbarica; tuttavia, il ritmo di danza che lo percorre è lo stesso in entrambe le sezioni, con il posarsi sghembo dell’accento sul secondo movimento della battuta.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiustamente celebre è il n. 3, una sorta di Lied senza parole che sarebbe assai riduttivo definire come una semplice melodia accompagnata. La ricchezza di un tessuto armonico pervasivo e onnipresente lo rende assai più simile ad un brano polifonico, in cui la liquidità dell’armonia permette di farne emergere la ricchezza contrappuntistica velata dall’incanto di una contemplazione melodica. Il n. 4 inanella una serie di ghirlande di arpeggi che si alternano alla stasi assorta degli accordi e ad una progressione ascendente sul canto della mano sinistra che costruisce mirabilmente il climax che conclude tanto la prima parte quanto l’intero improvviso. Racchiuso tra le sezioni estreme, un Trio di infinita bellezza, quasi una preghiera in cui, ancora una volta, le voci interne del corale vengono rese palpitanti dalle ripetizioni e dalle ribattute.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eL’op. 142 è invece da un lato più compatta, tanto che Schumann ne ipotizzò una concezione sonatistica (un approccio che personalmente condivido), dall’altro più indecifrabile. Ciascuno dei quattro Impromptus che la compone (e che come tali vennero ribattezzati dal primo editore) sfoggia un caleidoscopio più ricco di emozioni e più difficile da interpretare rispetto a quelli dell’op. 90.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl n. 1, in particolare, presenta una serie assai complessa di momenti indimenticabili: l’apertura solenne e tragica, che inaugura non solo questo brano ma l’intera serie; i riverberi cangianti di un soggetto che si nasconde fra i tremoli; il “duetto” in cui la mano sinistra risponde a se stessa, scavalcando continuamente il movimento circolare ed ipnotico della destra.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePiù omogenea è invece la cifra stilistica del n. 2, un unicum nel suo riconciliare le forme del corale, del Lied e della danza: è forse la vetta mistica degli Impromptus, con una bellezza serena, composta ed assorta. Il n. 3, composto da variazioni su un tema dalla Rosamunde, ci guida in un itinerario che ripropone, in miniatura, tutti i grandi temi del romanticismo schubertiano: il ritmo circolare della prima variazione, la gioia di vivere della seconda, le tenebre senza speranza della terza, che si aprono alla danza nella quarta e si stemperano in una pioggia di scale nell’ultima.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA conclusione del ciclo troviamo il n. 4, ricco di movenze del folclore ungherese, con un tema che trabocca di energia e vivacità, ancora una volta non priva di voluti barbarismi. E nuovamente Schubert ci dimostra la potenzialità melodica e narrativa delle scale, che qui vengono proposte in modo quasi ossessivo e colorate dalle armonie della sinistra fino a diventare una risorsa musicale di fascino inimmaginabile.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA completamento del CD vengono qui proposte le versioni che Franz Liszt elaborò degli Impromptus op. 90 n. 2 e n. 3. Nell’interpretazione lisztiana, il n. 2 aumenta la propria connotazione virtuosistica (per esempio con l’aggiunta di note “di riempimento”) ed accentua il carattere “ungherese” del Trio e della Coda. Il n. 3 è invece trasportato da Liszt nella più comoda e – soprattutto – meno problematica, misteriosa ed oscura tonalità di sol maggiore (dall’originale in sol bemolle); alla ripresa del tema principale, Liszt propone una riscrittura molto personale, che ricorda le atmosfere del celeberrimo Liebestraum.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eChiara Bertoglio\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002901696859,"sku":"CVLD233CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 88.2kHz · 24bit","offer_id":49872085385563,"sku":"CVLD233","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/233-cover.jpg?v=1736555111"},{"product_id":"audiophile-musical-journey","title":"AUDIOPHILE MUSICAL JOURNEY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eAUDIOPHILE MUSICAL JOURNEY \u003c\/strong\u003e(\u003cspan\u003eCVLD306\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAAVV\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eVARI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, \u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBenjamin Britten \u003cbr\u003eSimple Symphony op.4\u003cbr\u003e01 - Boisterous Bouree, 3:10\u003cbr\u003e02 - Playful Pizzicato, 3:11\u003cbr\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon, conductor\u003cbr\u003eLive recording at Teatro Olimpico, Vicenza, June 7th, 2003\u003cbr\u003efrom VELUT LUNA CVLD090 - ITW310409002  -03\u003c\/p\u003e\n\u003cp\u003eFelix Mendelssohn-Bartholdy\u003cbr\u003e03 - Midnight's Summer Dream, Op.21, Overture, finale, 3:15\u003cbr\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording at Auditorum Pollini, Padova, April 19th, 2007\u003cbr\u003eVELUT LUNA never published before - ITW311799901\u003c\/p\u003e\n\u003cp\u003eWolfgang Amadeus Mozart\u003cbr\u003eConcert in A Major K622 for Clarinet and Orchestra\u003cbr\u003e04 - Allegro [fragment], 4:08\u003cbr\u003eLuca Lucchetta, clarinet, Orchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording at Teatro Verdi, Padova, October 4th, 2004\u003cbr\u003efrom VELUT LUNA CVLD292 - ITW311729201  \u003c\/p\u003e\n\u003cp\u003e05 - Era de' Maggio (M.Costa - S.Di Giacomo) 5:30\u003cbr\u003eRosella Caporale, voice\u003cbr\u003eOrchestra C.Pollini del Conservatorio di Padova, Giuliano Medeossi, conductor\u003cbr\u003eStudio recording at Auditorium Pollini, Padova, May, 2015\u003cbr\u003efrom VELUT LUNA CVLD265 - ITW311526508\u003c\/p\u003e\n\u003cp\u003eFranz Schubert\u003cbr\u003e06 - Sonata in A major D959: Andantino, 8:05\u003cbr\u003eChiara Bertoglio, grandpiano\u003cbr\u003eLive-in-studio recording at Spazio d'Arte, San Giacomo, November 29th, 2014\u003cbr\u003efrom VELUT LUNA CVLD090 - ITW311526407\u003c\/p\u003e\n\u003cp\u003e07 - Albori (S.Tasca) 5:44\u003cbr\u003eSaverio Tasca \u0026amp; AlterArco\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, July, 2015\u003cbr\u003efrom VELUT LUNA CVLD269 - ITW311526901\u003c\/p\u003e\n\u003cp\u003e08 - At The Jazz Band Ball (L.Shields) 3:38\u003cbr\u003eStoryville Jazz Band\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, July, 26th, 2006\u003cbr\u003efrom VELUT LUNA CVLD145 - ITW310614501\u003c\/p\u003e\n\u003cp\u003e09 - Vertigo (M.Salvagnini) 4:34\u003cbr\u003eMassimo Salvagnini Quartet\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, November, 11st, 2006\u003cbr\u003efrom VELUT LUNA CVLD153 - ITW310715305\u003c\/p\u003e\n\u003cp\u003e10 - Birdland (J.Zawinul) 5:19\u003cbr\u003eArt Percussion Ensemble, Massimo Pastore conductor\u003cbr\u003eStudio recording at Auditorium Pollini, Padova, October 2010\u003cbr\u003efrom VELUT LUNA CVLD196 - ITW311119604\u003c\/p\u003e\n\u003cp\u003e11 - Toni Nokia (D.B.Soto Chero) 6:31\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003efrom VELUT LUNA CVLD239 - ITW311323908\u003c\/p\u003e\n\u003cp\u003e12 - Tears (M.Strano - P.Casula) 5:17\u003cbr\u003ePaola Casula\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, March, 16th, 2006\u003cbr\u003efrom VELUT LUNA CVLD139 - ITW310613910\u003c\/p\u003e\n\u003cp\u003e13 - So in love (C.Porter) 4:06\u003cbr\u003eLucia Minetti, Pietro Ballestrero \u0026amp; Stefano Profeta\u003cbr\u003eLive-in-studio recording at MagisterArea Studios, Preganziol, September, 23rd, 2017\u003cbr\u003efrom VELUT LUNA CVLD294 - ITW311729404\u003c\/p\u003e\n\u003cp\u003e14 - Contigo en la distancia (Cesar Portillo de la Luz) 3:57\u003cbr\u003eAlejandro Martinez y Nina y Villa el Salvador\u003cbr\u003eStudio recording at Studio A, Padova, June 2015\u003cbr\u003efrom VELUT LUNA CVLD266 - ITW311526601\u003c\/p\u003e\n\u003cp\u003e15 - Vedrai, Vedrai (L.Tenco) 4:36\u003cbr\u003eNinni Arini\u003cbr\u003eStudio recording at Cantina Martinez, Marsala, January 27th, 2017\u003cbr\u003efrom VELUT LUNA CVLD286 - ITW311728604\u003c\/p\u003e\n\u003cp\u003e16 - Nia, nia, nia \/ Rodrigo Martines (Anonimous XVI sec.) 4:34\u003cbr\u003eEnsemble Terra d'Otranto\u003cbr\u003eStudio recording at Masseria Torcito, Lecce, october, 3rd, 2003\u003cbr\u003efrom VELUT LUNA CVLD099 - ITW311799902\u003c\/p\u003e\n\u003cp\u003e17 - Reso (D.B.Soto Chero) 3:08\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording at MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003efrom VELUT LUNA CVLD239 - ITW311323913\u003cbr\u003eTotal time: 78:55\u003c\/p\u003e\n\u003ch3\u003eNOTE:\u003c\/h3\u003e\n\u003cp\u003eLo scopo di questo disco è quello di farvi apprezzare musica di eccezionale interesse, suonata da musicisti di assoluto valore, registrata secondo criteri di eccellenza assoluta.\u003c\/p\u003e\n\u003cp\u003e Grazie poi a queste note a margine che seguiranno vogliamo mettervi in grado di conoscere come questo disco deve suonare correttamente e quindi offrirvi uno strumento per valutare come il vostro impianto di riproduzione si comporta in relazione a come dovrebbe comportarsi...\u003cbr\u003eQuesto non significa a priori che, qualora il vostro impianto proponga un suono differente da quanto indicato in questa guida, suoni \"male\": significa, appunto, e solamente, che propone un suono differente da quello indicato da chi ha realizzato la registrazione. \u003cbr\u003eSe il suono proposto dal vostro impianto, pur differente da quanto indicato qui, è di vostro gradimento, non esiste alcun obbligo per voi di cambiare alcunchè.\u003cbr\u003eQuesto disco è solo una \"cartina tornasole\" nata per fornirvi alcune informazioni aggiuntive, che a vostra totale discrezione potrete ritenere utili o meno e grazie alle quali potrete scegliere se continuare ad ascoltare il vostro impianto così com'è oppure apportare qualche lieve o anche sostanziale modifica.\u003cbr\u003eNoi non offriamo alcuna legge scolpita nella pietra... Offriamo solo indicazioni aggiuntive rispetto a quanto normalmente trovate negli altri dischi.\u003c\/p\u003e\n\u003cp\u003eL'impianto d'ascolto utilizzato per compilare questa guida è il medesimo impianto di monitor utilizzato in sede di produzione ed è composto dai seguenti apparecchi, inserito nell'ambiente di cui alla piantina stilizzata pubblicata a fianco:\u003cbr\u003eLettore CD + DAC:  NORTH STAR DESIGN,  Meccanica 192 + DAC SUPREMO\u003cbr\u003ePreamplificatore:  NORMA SC-2 \u003cbr\u003eDiffusori multiamplificati L + R: GENELEC 1037C\u003cbr\u003eSubwoofer:  GENELEC 7070\u003cbr\u003eMeccanica --\u0026gt; DAC:  WHITE GOLD I2S\u003cbr\u003eDAC --\u0026gt; Preamplificatore --\u0026gt; Diffusori:  VELUT LUNA WIRE, bilanciati e costruiti su nostre specifiche\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49923124658523,"sku":"CVLD306","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49995392450907,"sku":"CVLD306CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d664fb59-e487-4c9d-a58c-c42d66b4203d.jpg?v=1737330742"},{"product_id":"the-ultimate-sound","title":"THE ULTIMATE SOUND","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eTHE ULTIMATE SOUND \u003c\/strong\u003e(\u003cspan\u003eCVLD348\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: Marco Lincetto (produzione, mix e mastering)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsecutori\u003c\/strong\u003e: Vari, inclusi Maria Vicentini, Salvatore Maiore, Roberto Loreggian, Orchestra Sinfonica del Conservatorio C. Pollini, Chiara Pastò, Valentina Fin, Eugenio Finardi, e molti altri.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eBASS\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Fables Of Faubus , 2:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Charles Mingus)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaria Vicentini, viola; Salvatore Maiore, doublebass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSOUND IMAGE\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e02 - Concert For Harpsichord and Orchestra in G min, BWV1056a, Adagio, 2:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Johann Sebastian Bach)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRoberto Loreggian, harpsichord; L'Arte dell'Arco, Federico Guglielmo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSYMPHONIC ORCHESTRA\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e03 - Symphony N.1 in D major, \"Titan\", Sturmisch bewegt, 3:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Gustav Mahler)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra Sinfonica del Conservatorio C. Pollini, Giuliano Medeossi, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive recording, 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003ePIANO\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e04 - Sonata D959 in A major, Scherzo, 4:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Franz Schubert)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Cesaro, piano Steinway \u0026amp; Sons Mod.O, NY, 1909\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eGRAND PIANO\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Uranus, The Magician, 4:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Gustav Holst)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto Nosè \u0026amp; Valentina Fornari, 2x Fazioli F278 Concert Grand\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSTRING ORCHESTRA\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e06 - Suite per Paer, per orchestra d'archi, Tempo di valzer, 2:29\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI Solisti Filarmonici Italiani, Giovanni Guglielmo, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eBIG BAND : BRASS AND PERCUSSIONS - DYNAMIC TEST\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - El Cumbanchero, 4:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Rafael Hernandez)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLatin Jazz Band, Renzo De Rossi, conductor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2004\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eFEMALE VOICE\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e08 - Cry Me A River, 4:57\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Arthur Hamilton)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChiara Pastò, Ensemble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estudio recording, 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - My Ship, 4:38\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Kurt Weill, Ira Gershwin)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eValentina Fin, Ensemble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Coquerais, 3:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Lara Cavalli Monteiro, David Beltran Soto Chero)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLara Cavalli Monteiro \u0026amp; David Beltran Soto Chero\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eMALE VOICE\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e11 - Polka Dots And Moonbeans, 4:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(J. Van Heusen, J. Burke)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStefano Riva \u0026amp; Massimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Since I Fell For You, 6:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(C. Johnsonn)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFrancesco Michielin \u0026amp; The Metronomes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Il pugile sentimentale, 3:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Vladimir Vysotsky, Sergio Secondiano Sacchi)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEugenio Finardi \u0026amp; Sentieri Selvaggi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2007\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003ePOLIPHONIC CHORUS\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e14 - A Round Of Three Country Dances In One, 2:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Thomas Ravenscroft)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnsemble Juveniliter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 1997\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eCHAMBER JAZZ: STRING QUARTET AND CLARINET\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e15 - Balanço, 4:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscar Del Barba Ensemble, featuring Mauro Negri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2000\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eDIXIELAND JAZZ BAND\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e16 - At The Jazz Band Ball, 3:21\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(D. La Rocca, L. Shields)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTiger Dixie Band\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2003\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eSYMPHONIC ORGAN\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e17 - The Throne Room \u0026amp; End Title, 6:46\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(John Williams)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRaimondo Mazzon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elive in studio recording, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 69:45\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eE' una accuratissima selezione fra le migliori registrazioni mai realizzate da Marco Lincetto, caratterizzate da un'altissima qualità artistica e tecnica e per ciascuna di queste è indicato il particolare strumentale valorizzato.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":49935476916571,"sku":"CVLD348","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover_ee016b43-dfbc-416c-a392-ccb0288e7ff6.jpg?v=1740684378"},{"product_id":"schubert-schumann-roccato-tezza","title":"SCHUBERT, SCHUMANN - ROCCATO, TEZZA","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eSCHUBERT, SCHUMANN \u003c\/strong\u003e(\u003cspan\u003eCVLD054\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eSCHUBERT, SCHUMANN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eD. ROCCATO, M. TEZZA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e01 - Sonata in A Minor, D. 821 \"Arpeggione\": I. Allegro moderato - Arranged for Double Bass and Piano\u003cbr\u003e02 - Sonata in A Minor, D. 821 \"Arpeggione\": II. Adagio - Arranged for Double Bass and Piano\u003cbr\u003e03 - Sonata in A Minor, D. 821 \"Arpeggione\": III. Allegretto - Arranged for Double Bass and Piano\u003cbr\u003e04 - Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck - Arranged for Double Bass and Piano\u003cbr\u003e05 - Fantasiestücke, Op. 73: No. 2, Lebhaft, leicht - Arranged for Double Bass and Piano\u003cbr\u003e06 - Fantasiestücke, Op. 73: No. 3, Rasch und mit Feuer - Arranged for Double Bass and Piano\u003cbr\u003e07 - Romances, Op. 94: No. 1, Nicht schnell - Arranged for Double Bass and Piano\u003cbr\u003e08 - Romances, Op. 94: No. 2, Einfach, innig - Arranged for Double Bass and Piano\u003cbr\u003e09 - Romances, Op. 94: No. 3, Nicht schnell - Arranged for Double Bass and Piano\u003cbr\u003e10 - 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied - Arranged for Double Bass and Piano\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Roccato-e-Tezza-Play-Schubert-Schumann\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: original compositions by Franz Schubert, Robert Schumann. Daniele Roccato, double bass \/ Marco Tezza, piano 24Bit \/ 96 kHz Digital Recording. Live in studio at Auditorium Sandro Pertini, Adria (Padova, Italy) May, 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIl disco presenta un interessante nuovo punto di vista interpretativo su alcune celeberrime pagine del repertorio romantico: Fantasiestucke op.73, Romanzen op.94 e Abendlied dall'op.85 di Robert Schumann ed il celebre \"Arpeggione\" di Schubert. L'arpeggione, era uno strumento particolare, lontano parente del violoncello, andato in disuso e sostituito dal violoncello, appunto. Ecco quindi come le trascrizioni del brillantissimo Daniele Roccato non appaiono fuori luogo, ma anzi creano nuove interessanti combinazioni timbriche. RECENSIONI: AUDIOREVIEW - Marzo 2002, Marco Cicogna (rubrica News) SUONO - Aprile 2002, Paola Raschi AMADEUS - marzo 2002 (segnalazione breve, 4 e 5 stelle)\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50035108872539,"sku":"CVLD054CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"FILE CD 44.1kHz • 16bit","offer_id":50513673257307,"sku":"CVLD054","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97107e39ee10905565e58.jpg?v=1739024464"},{"product_id":"valses-tenaglia","title":"VALSES - TENAGLIA","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eVALSES \u003c\/strong\u003e(\u003cspan\u003eCVLD041\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eFRANZ SCHUBERT, MAURICE RAVEL\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutore\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eALESSANDRO TENAGLIA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cpre\u003e01 - 12 Vaises nobles, Op. 77, D. 969: Nos. 1, 2 \u0026amp; 3\n02 - 12 Vaises nobles, Op. 77, D. 969: Nos. 4, 5 \u0026amp; 6\n03 - 12 Vaises nobles, Op. 77, D. 969: Nos. 7, 8 \u0026amp; 9\n04 - 12 Vaises nobles, Op. 77, D. 969: Nos. 10, 11 \u0026amp; 12\n05 - Vaises nobles et sentimentales, M. 61: Nos 1, 2, 3, 4, 5, 6 \u0026amp; 7\n06 - Vaises nobles et sentimentales, M. 61: No. 8, Épilogue. Lent\n07 - Vaises sentimentales, Op. 50, D. 779: Nos. 1, 2, 3 \u0026amp; 4\n08 - Vaises sentimentales, Op. 50, D. 779: Nos. 5, 6 \u0026amp; 7\n09 - Vaises sentimentales, Op. 50, D. 779: Nos. 8, 9, 10 \u0026amp; 11\n10 - Vaises sentimentales, Op. 50, D. 779: Nos. 12, 13 \u0026amp; 14\n11 - Vaises sentimentales, Op. 50, D. 779: Nos. 15, 16 \u0026amp; 17\n12 - Vaises sentimentales, Op. 50, D. 779: Nos. 18, 19 \u0026amp; 20\n13 - Vaises sentimentales, Op. 50, D. 779: Nos. 21, 22, 23 \u0026amp; 24\n14 - Vaises sentimentales, Op. 50, D. 779: Nos. 25 \u0026amp; 26\n15 - Vaises sentimentales, Op. 50, D. 779: Nos. 27, 28 \u0026amp; 29\n16 - Vaises sentimentales, Op. 50, D. 779: Nos. 30, 31 \u0026amp; 32\n17 - Vaises sentimentales, Op. 50, D. 779: Nos. 33 \u0026amp; 34\u003cbr\u003e\u003c\/pre\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Schubert-Ravel-Valses\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL: original compositions by Franz Schubert, Maurice Ravel Alessandro Tenaglia, tafelklavier (Schubert) and grandpiano (Ravel) 24Bit \/ 96 kHz Digital Recording. 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April - October, 2000\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":50510580154715,"sku":"CVLD041","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD (esaurito)","offer_id":50510580187483,"sku":"CVLD041CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_51463bac-a0d1-4dbe-b962-a3085ac9bf61.jpg?v=1746093696"},{"product_id":"schubert-symphonies-nos-1-9-overture-in-the-italian-style-d-591","title":"Schubert: Symphonies Nos. 1-9 \u0026 Overture in the Italian Style, D. 591","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eSchubert: Symphonies Nos. 1-9 \u0026amp; Overture in the Italian Style, D. 591 (\u003cspan\u003eCBH513\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Franz Schubert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Staatskaeplle Dresden 1967\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSymphony n°1 D.82 I. 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Andantino\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Schubert-Rosamunde-Furstin-von-Zypern-D-797-Live\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_0fb41b2cc824992a\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_270beffcdcdec0a2\" dir=\"ltr\"\u003e\n\u003cp\u003eVivi la poesia di Schubert con “Rosamunde, Fürstin von Zypern, D. 797 (Live) (CBH517)”, una registrazione audio dal vivo e indimenticabile diretta da Mario Rossi con la Turin Rai Orchestra. L’esecuzione cattura la magia del repertorio romantico, dai colori timbrici intensi alle dinamiche sorprendenti, dal lirismo della Romanza all’atmosfera enigmatica del Geisterchor.\u003c\/p\u003e\n\u003cp\u003eLa direzione di Rossi esalta le sfumature orchestrali, regalando un ascolto profondamente avvolgente e autentico. Ideale per momenti di relax ed occasioni speciali.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51014666223963,"sku":"CBH517","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_93ac96fb-5f7b-4eb9-93dc-ed95ed43b5b7.png?v=1753090518"},{"product_id":"schubert-symphony-no-3-d-200-mendelssohn-symphony-no-4-op-90-mwv-n-16","title":"Schubert: Symphony No.3, D. 200 - Mendelssohn: Symphony No.4, Op.90, MWV N 16","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eSchubert: Symphony No.3, D. 200 - Mendelssohn: Symphony No.4, Op.90, MWV N 16 (\u003cspan\u003eCBH523\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Franz Schubert, Felix Mendelssohn\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Mario Rossi\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Turin Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFranz Schubert \u003c\/strong\u003e- Symphony No. 3 in D Major, D. 200\u003c\/span\u003e\u003cbr\u003e01 - Symohony No. 3 in D Major, D. 200, I. 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La Terza Sinfonia di Schubert, con la sua freschezza melodica e i vivaci contrasti ritmici, rivela l’inventiva giovanile del compositore viennese, evidenziata da una lettura attenta ai dettagli e al respiro lirico delle frasi. Nella celebre Quarta di Mendelssohn, detta “Italiana”, la scrittura brillante e la vitalità tematica si fondono con atmosfere solari e danzanti, culminando nell’energico Saltarello finale. L’interpretazione di Rossi coniuga precisione formale e slancio espressivo, offrendo una lettura coerente e stilisticamente consapevole di entrambi i lavori.\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51022505083227,"sku":"CBH523","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_eb926799-6bbe-42fb-8472-21ea1c8b0958.png?v=1753173110"},{"product_id":"karajan-conducts-mozart-beethoven-schubert-symphonies","title":"Karajan conducts Mozart, Beethoven, Schubert: Symphonies","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eKarajan conducts Mozart, Beethoven, Schubert: Symphonies (\u003cspan\u003eCBH536\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Wolfgang Amadeus Mozart, Franz Schubert, Ludwig van Beethoven\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Herbert von Karajan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Berliner Philharmoniker, Los Angeles Philharmonic, Wiener Philharmoniker\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e01 - Symphony No. 35 in D Major, KV 385 , I. Allegro con spirito\u003cbr\u003e02 - Symphony No. 35 in D Major, KV 385, II. Andante\u003cbr\u003e03 - Symphony No. 35 in D Major, KV 385, III. Minuetto\u003cbr\u003e04 - Symphony No. 35 in D Major, KV 385, IV. Presto\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWolfgang Amadeus Mozart\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLos Angeles Philharmonic\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e05 - Symphony No. 39 in E Flat Major, KV 543, I. Adagio - Allegro\u003cbr\u003e06 - Symphony No. 39 in E Flat Major, KV 543, II. Andante con moto\u003cbr\u003e07 - Symphony No. 39 in E Flat Major, KV 543, III. Minuetto\u003cbr\u003e08 - Symphony No. 39 in E Flat Major, KV 543, IV. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWolfgang Amadeus Mozart\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWiener Philharmoniker\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e09 - Symphony No. 8 in B minor, D759 , I. Allegro moderato\u003cbr\u003e10 - Symphony No. 8 in B minor, D759 , II. Andante con moto\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eFranz Schubert\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWiener Philharmoniker\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e01 - Symphony No. 5 in C Minor, Op. 67, I. Allegro con brio\u003cbr\u003e02 - Symphony No. 5 in C Minor, Op. 67, II. Andante con moto\u003cbr\u003e03 - Symphony No. 5 in C Minor, Op. 67, III. Allegro\u003cbr\u003e04 - Symphony No. 5 in C Minor, Op. 67, IV. Allegro\u003cbr\u003e05 - Symphony No. 5 in C Minor, Op. 92, I. Poco sostenuto - Vivace\u003cbr\u003e06 - Symphony No. 5 in C Minor, Op. 92, II. Allegretto\u003cbr\u003e07 - Symphony No. 5 in C Minor, Op. 92, III. Presto\u003cbr\u003e08 - Symphony No. 5 in C Minor, Op. 92, IV. Allegro con brio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLudwig van Beethoven\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eHerbert von Karajan\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eBerliner Philharmoniker\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Karajan-conducts-Mozart-Beethoven-Schubert-Symphonies\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eHerbert von Karajan dirige con slancio misurato e profonda comprensione le Sinfonie di Mozart, esaltandone la limpidezza formale e l’equilibrio orchestrale. Le linee melodiche risplendono per il loro nitore, e l’interplay fra archi, fiati e ottoni restituisce la grazia e il rigore tipici del genio salisburghese. L’orchestra risponde con precisione assoluta, offrendo un suono trasparente e luminoso che valorizza ogni dettaglio strutturale.\u003c\/p\u003e\n\u003cp\u003eNelle Sinfonie di Beethoven, Karajan dosala forza eroica e introspezione lirica, mettendo in risalto la capacità trasformativa dei temi e il contrasto dinamico tra i momenti più energici e quelli di contemplazione. Il passaggio alle pagine giovanili di Schubert introduce un candore melodico e un’ampiezza armonica che fanno vibrare il cuore con senso di meraviglia. Suono e fraseggio si fondono in un’esecuzione calda e avvolgente, testimonianza della grande tradizione sinfonica austriaca.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - FILE CD 44.1kHz • 16bit","offer_id":51034096566619,"sku":"CBH536-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - FILE CD 44.1kHz • 16bit","offer_id":51034096599387,"sku":"CBH536-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_af904c24-5393-4fe2-918a-a4c283e3b89a.png?v=1753352720"},{"product_id":"a-portrait-vol-6-jascha-horenstein-remastered-2022","title":"A Portrait, Vol. 6: Jascha Horenstein (Remastered 2022)","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eA Portrait, Vol. 6: Jascha Horenstein (Remastered 2022) (\u003cspan\u003eCBH586\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Franz Schubert\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Jascha Horenstein\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e:  Göthenburg Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Symphony No. 9 in C Major, D. 944 \"The Great\", I. Andante - Allegro ma non troppo\u003cbr\u003e02 - Symphony No. 9 in C Major, D. 944 \"The Great\", II. Andante con moto\u003cbr\u003e03 - Symphony No. 9 in C Major, D. 944 \"The Great\", III. Scherzo. Allegro vivace \u003cbr\u003e04 - Symphony No. 9 in C Major, D. 944 \"The Great\", IV. Finale: Allegro vivace\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/a-portrait-vol-6-jascha-horenstein-remastered-2022\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNote\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn questa interpretazione della “Grande” Sinfonia n. 9 di Schubert, Jascha Horenstein guida la Göthenburg Symphony Orchestra in un viaggio sonoro ampio e luminoso. L’opera si apre con un Andante che sboccia gradualmente in un Allegro ma non troppo dall’energia vigorosa, seguito da un Andante con moto che alterna malinconia e dolcezza. Lo Scherzo irrompe con slancio danzante, mentre il Finale trascina in un vortice di ritmi vivaci e colori orchestrali brillanti. Horenstein esalta la maestosità architettonica della partitura, mantenendo una tensione narrativa costante, e l’orchestra risponde con suono pieno, nitido e avvolgente, rendendo omaggio allo Schubert più monumentale e visionario.\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51164317548891,"sku":"CBH586","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_8ebe69e2-f54f-4adf-b62b-264691f80d61.png?v=1755081391"},{"product_id":"the-symphonies-iii","title":"The Symphonies III","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eThe Symphonies III (\u003cspan\u003eCBH617\u003c\/span\u003e)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Ludwig van Beethoven* , Franz Schubert**\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e:  Ferenc Fricsay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Berliner Philharmoniker* , Berlin Radio Symphony Orchestra**\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Symphony No. 7 in A Major Op. 92 , I. Poco sostenuto. Vivace *\u003cbr\u003e02 - Symphony No. 7 in A Major Op. 92, II. Allegretto *\u003cbr\u003e03 - Symphony No. 7 in A Major Op. 92, III. Presto *\u003cbr\u003e04 - Symphony No. 7 in A Major Op. 92, IV. Allegro con brio *\u003cbr\u003e05 - Symphony No. 8 in B Minor D. 957 \"Unfinished\", I. Allegro moderato **\u003cbr\u003e06 - Symphony No. 8 in B Minor D. 957 \"Unfinished\", II. Andante con moto **\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/the-symphonies-iii\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNote\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn questo album Ferenc Fricsay affronta due capisaldi del repertorio sinfonico. Con la Berliner Philharmoniker offre una lettura della Settima Sinfonia di Beethoven, esaltandone il ritmo vitale, la tensione drammatica e la forza propulsiva che attraversa i quattro movimenti, dal solenne incipit al travolgente finale. Con la Berlin Radio Symphony Orchestra affronta l’Ottava Sinfonia “Incompiuta” di Schubert, restituendone il lirismo sospeso e l’intensità malinconica, con un equilibrio timbrico che unisce trasparenza e profondità. La doppia prospettiva interpretativa mostra la capacità di Fricsay di fondere energia e sensibilità, dando voce a due universi musicali diversi ma complementari.\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51192818860379,"sku":"CBH617","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_b9bdcdb1-996d-4066-9e6e-144e8110fd2b.png?v=1755429741"},{"product_id":"beethoven-piano-concerto-no-3-in-c-minor-op-37-schubert-symphony-no-8-in-b-minor-d-759-unfinished-live","title":"Beethoven: Piano Concerto No. 3 in C Minor, Op. 37 - Schubert: Symphony No. 8 in B Minor, D. 759 \"Unfinished\" (Live)","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eBeethoven: Piano Concerto No. 3 in C Minor, Op. 37 - Schubert: Symphony No. 8 in B Minor, D. 759 \"Unfinished\" (Live)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompositore\u003c\/strong\u003e: Ludwig van Beethoven* , Franz Schubert**\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor \u003c\/strong\u003e: Istvan Kertesz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra \u003c\/strong\u003e: Bamberger Symphoniker* , London Symphony Orchestra**\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Piano Concerto No. 3, Op. 37, I. Allegro con brio *\u003cbr\u003e02 - Piano Concerto No. 3, Op. 37, II. Largo *\u003cbr\u003e03 - Piano Concerto No. 3, Op. 37, III. Rondo. Allegro *\u003cbr\u003e\u003cem\u003eConrad Hansen - pianoforte solista\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e04 - Symphony No. 8 \"Unfinished\", I. Allegro moderato **\u003cbr\u003e05 - Symphony No. 8 \"Unfinished\", II. Andante con moto **\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/beethoven-piano-concerto-no-3-in-c-minor-op-37-schubert-symphony-no-8-in-b-minor-d-759-unfinished\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eNote\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp class=\"ng-star-inserted\"\u003e\u003c!----\u003e\u003cspan\u003eQuesto programma dal vivo accosta due capolavori diretti da Istvan Kertesz. Nel Terzo Concerto per pianoforte di Beethoven, il solista Conrad Hansen dialoga con la Bamberger Symphoniker, offrendo una lettura tesa e drammatica, dal fraseggio energico. L'interpretazione dell'Incompiuta di Schubert, affidata alla London Symphony Orchestra, si sposta invece su un registro più intimo, esplorando con suono profondo e lirico le tinte malinconiche della partitura, creando un efficace e affascinante contrasto stilistico.\u003c\/span\u003e\u003cbr\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"FILE CD 44.1kHz • 16bit","offer_id":51216347136347,"sku":"CBH657","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_37074ffc-5dc2-4417-955d-6f4e96cf44d2.png?v=1772816275"},{"product_id":"audiophile-album-test-ahf01","title":"AUDIOPHILE ALBUM TEST - AHF01","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAUDIOPHILE ALBUM TEST - AHF01 | Velut Luna\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eTracce:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAudiophile Musical Journey - Franz Schubert  06 - Sonata in A major D959: Andantino, 8:05\u003c\/li\u003e\n\u003cli\u003eAudiophile Musical Journey -  10 - Birdland (J. Zawinul) 5:19\u003c\/li\u003e\n\u003cli\u003eAudiophile Musical Journey -  Wolfgang Amadeus Mozart  Concert in A Major K622 for Clarinet and Orchestra  04 - Allegro [fragment], 4:08\u003c\/li\u003e\n\u003cli\u003eAudiophile Musical Journey -  15 - Vedrai, Vedrai (L. Tenco) 4:36\u003c\/li\u003e\n\u003cli\u003eRec Live! - 03  If You Go Before Me - Terence Trent D’Arby  4:20\u003c\/li\u003e\n\u003cli\u003eRec Live! - 04 Empty Promises - Guido Marzorati 4:15\u003c\/li\u003e\n\u003cli\u003eRec Live! - 08 Smells Like Teen Spirit - Kurt Cobain \u0026amp; Nirvana  5:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e℗ 2026 Velut Luna®_Released 2026-02-15\u003c\/p\u003e\n\u003cp\u003eÈ il primo album allegato alla rivista AUDIOPHILE HI-FI, realizzato in collaborazione con Velut Luna, storica etichetta audiophile che nel 2025 ha celebrato i suoi primi trent’anni di attività e che inaugura con noi questa prestigiosa serie di dischi test allegati al magazine.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Audiophile Hi-Fi","offers":[{"title":"FILE HD 88.2kHz · 24bit","offer_id":52397386957147,"sku":"AHF01-WAV","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/digitalalbumtestaudhiophile.png?v=1775331609"}],"url":"https:\/\/www.referencemusicstore.com\/it\/collections\/franz-schubert.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}