{"title":"Ferenc Fricsay","description":null,"products":[{"product_id":"rossini-stabat-mater-ferenc-fricsay-rias-symphony-orchestra","title":"Rossini Stabat Mater - Ferenc Fricsay RIAS Symphony Orchestra","description":"\u003cdiv\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eGioachino Rossini: Stabat Mater (CS217)\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"a-bordered a-spacing-none\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003eStabat Mater Dolorosa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eCujus Animam - Ernst Haeflifer\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eQuis Est Homo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003ePro Peccatis - Kim Borg\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003ctd\u003eEja, Mater\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003eSancta Mater\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e7\u003c\/td\u003e\n\u003ctd\u003eFac Ut Portem - Marianna Radev\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003eInflamatus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003ctd\u003eQuando Corpus Morietur\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003eIn Sempiterna Saecula. Amen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaria Stader\u003c\/strong\u003e\u003cspan\u003e, soprano\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMarianna Radev\u003c\/strong\u003e\u003cspan\u003e, alto\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEnrst Haegfliger\u003c\/strong\u003e\u003cspan\u003e, tenor\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKim Borg\u003c\/strong\u003e\u003cspan\u003e, bass\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – \u003cstrong\u003eBerlin St. Hedwig's Cathedral Of Choir - RIAS-Kammerchor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrchesta \u003cspan\u003e–\u003c\/span\u003e \u003cstrong\u003eRIAS Symphonie-Orchester Berlin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eChorus Master – \u003cstrong\u003eKarl Forster\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e Conductor: \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded (mono) live September 22, 1954 in Konzertsaal Der Hochschule Für Musik, Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -76px; top: -18.4062px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538037059931,"sku":"cs-217-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538037092699,"sku":"cs-217-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"192kHz · 24bit","offer_id":48538037125467,"sku":"cs-217-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 64","offer_id":48538037158235,"sku":"cs-217-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 128","offer_id":48538037191003,"sku":"cs-217-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/217cover.jpg?v=1718893390"},{"product_id":"beethoven-symphony-no-9-in-d-minor-op-125-ferenc-fricsay-berliner-philharmoniker","title":"Beethoven Symphony no. 9 in D minor Op. 125 - Ferenc Fricsay Berliner Philharmoniker","description":"\u003cdiv\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eLudwig van Beethoven: Symphony no. 9 in D minor Op. 125 (CS181)\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e1. 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Questa edizione Capsa Symphōnĭa riunisce la Quarta con la RIAS-Symphonie-Orchester Berlin, la Quinta con la Stockholm Philharmonic Orchestra e la Sesta “Pathétique” con i Berliner Philharmoniker.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003eLa \u003cstrong\u003eSinfonia n. 4\u003c\/strong\u003e appartiene alla discografia berlinese di Fricsay del \u003cstrong\u003e1952\u003c\/strong\u003e con la RIAS-Symphonie-Orchester. La \u003cstrong\u003eSinfonia n. 5\u003c\/strong\u003e è il documento radiofonico realizzato a Stoccolma il \u003cstrong\u003e6 marzo 1957\u003c\/strong\u003e con la Stockholm Philharmonic Orchestra. La \u003cstrong\u003eSinfonia n. 6 “Pathétique”\u003c\/strong\u003e è l’incisione con i Berliner Philharmoniker documentata nel catalogo del \u003cstrong\u003e1953\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFricsay e Tchaikovsky\u003c\/h2\u003e\u003cp\u003eIl trittico permette di seguire tre differenti architetture drammatiche: la tensione ciclica della Quarta, il percorso narrativo della Quinta e la progressiva dissoluzione della “Pathétique”.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eL’album è suddiviso in due parti, entrambe in formato \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist — CD 1\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 4 in F Minor, Op. 36\u003c\/strong\u003e\u003cbr\u003e1. I. Andante sostenuto – Moderato con anima\u003cbr\u003e2. II. Andantino in modo di canzona\u003cbr\u003e3. III. Scherzo. Pizzicato ostinato\u003cbr\u003e4. IV. Finale. Allegro con fuoco\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 5 in E Minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e5. I. Andante – Allegro con anima\u003cbr\u003e6. II. Andante cantabile, con alcuna licenza\u003c\/p\u003e\u003ch2\u003eTracklist — CD 2\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 5 in E Minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e1. III. Valse. Allegro moderato\u003cbr\u003e2. IV. Finale. Andante maestoso\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 6 in B Minor, Op. 74 “Pathétique”\u003c\/strong\u003e\u003cbr\u003e3. I. Adagio – Allegro non troppo\u003cbr\u003e4. II. Allegro con grazia\u003cbr\u003e5. III. Allegro molto vivace\u003cbr\u003e6. IV. Finale. Adagio lamentoso\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestre:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin (n. 4); Stockholm Philharmonic Orchestra (n. 5); Berliner Philharmoniker (n. 6)\u003cbr\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS615\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 — File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192721146203,"sku":"CS615-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 — File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192741429595,"sku":"CS615-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-tchaikovsky-sinfonie-4-5-6-pathetique-capsa-CS615-cover.png?v=1788257154"},{"product_id":"the-symphonies-ii","title":"Fricsay: Dvořák \u0026 Smetana — Sinfonia n. 9 “Dal Nuovo Mondo” \u0026 La Moldava","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e e i \u003cstrong\u003eBerliner Philharmoniker\u003c\/strong\u003e in due opere emblematiche della tradizione boema: la \u003cstrong\u003eSinfonia n. 9 in mi minore, Op. 95 “Dal Nuovo Mondo”\u003c\/strong\u003e di Antonín Dvořák e \u003cstrong\u003eLa Moldava\u003c\/strong\u003e di Bedřich Smetana.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003eLa Nona di Dvořák fu registrata alla \u003cstrong\u003eJesus-Christus-Kirche di Berlino il 5–6 ottobre 1959\u003c\/strong\u003e. \u003cem\u003eLa Moldava\u003c\/em\u003e appartiene alle successive sessioni berlinesi fra \u003cstrong\u003egennaio e febbraio 1960\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eDvořák e Smetana secondo Fricsay\u003c\/h2\u003e\u003cp\u003eNella Sinfonia “Dal Nuovo Mondo” Fricsay controlla con precisione le transizioni fra slancio ritmico, cantabilità e tensione drammatica. Ne \u003cem\u003eLa Moldava\u003c\/em\u003e, il disegno orchestrale di Smetana viene costruito come un flusso continuo.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e produzione\u003c\/h2\u003e\u003cp\u003eLe registrazioni appartengono al catalogo storico \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e. Per la Sinfonia n. 9 del 1959 sono documentati \u003cstrong\u003eElsa Schiller\u003c\/strong\u003e, \u003cstrong\u003eOtto Gerdes\u003c\/strong\u003e e \u003cstrong\u003eWerner Wolf\u003c\/strong\u003e. Per \u003cem\u003eLa Moldava\u003c\/em\u003e del 1960 sono documentati Otto Gerdes, \u003cstrong\u003eHans Ritter\u003c\/strong\u003e, \u003cstrong\u003eGerhard Henjes\u003c\/strong\u003e e Werner Wolf. La fonografia della Nona è attribuita al \u003cstrong\u003e1960 Deutsche Grammophon\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eIl programma è disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e. Entrambe sono registrazioni in studio.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDvořák — Symphony No. 9 in E Minor, Op. 95 “From the New World”\u003c\/strong\u003e\u003cbr\u003e1. I. Adagio – Allegro molto\u003cbr\u003e2. II. Largo\u003cbr\u003e3. III. Molto vivace\u003cbr\u003e4. IV. Allegro con fuoco\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSmetana — The Moldau, from “My Country”\u003c\/strong\u003e\u003cbr\u003e5. The Moldau\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Berliner Philharmoniker\u003cbr\u003e\u003cstrong\u003eCompositori:\u003c\/strong\u003e Antonín Dvořák; Bedřich Smetana\u003cbr\u003e\u003cstrong\u003eEtichetta originale:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eSede:\u003c\/strong\u003e Jesus-Christus-Kirche, Berlino\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS616\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192755552603,"sku":"CS616-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-dvorak-9-smetana-moldava-berliner-philharmoniker-capsa-CS616-cover.png?v=1788257154"},{"product_id":"the-symphonies-iii","title":"Fricsay: Beethoven \u0026 Schubert — Sinfonia n. 7 \u0026 Sinfonia n. 8 “Incompiuta”","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e accosta due capisaldi del repertorio sinfonico viennese: la \u003cstrong\u003eSinfonia n. 7 in la maggiore, Op. 92\u003c\/strong\u003e di Ludwig van Beethoven e la \u003cstrong\u003eSinfonia n. 8 in si minore, D. 759 “Incompiuta”\u003c\/strong\u003e di Franz Schubert.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003eLa Settima di Beethoven fu registrata alla \u003cstrong\u003eJesus-Christus-Kirche di Berlino dal 3 al 5 ottobre 1960\u003c\/strong\u003e con i Berliner Philharmoniker. 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Andante con moto\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestre:\u003c\/strong\u003e Berliner Philharmoniker; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eCompositori:\u003c\/strong\u003e Ludwig van Beethoven; Franz Schubert\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS617\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192818860379,"sku":"CS617-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-beethoven-7-schubert-8-incompiuta-capsa-CS617-cover.png?v=1788257154"},{"product_id":"the-symphonies-iv","title":"Fricsay: Bartók — Musica per archi, percussione e celesta \u0026 Concerto per orchestra","description":"\u003cp\u003eDue capolavori orchestrali di \u003cstrong\u003eBéla Bartók\u003c\/strong\u003e nella discografia di \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e: \u003cem\u003eMusica per archi, percussione e celesta\u003c\/em\u003e, Sz. 106, e il \u003cem\u003eConcerto per orchestra\u003c\/em\u003e, Sz. 116.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMusica per archi, percussione e celesta\u003c\/em\u003e fu registrata alla \u003cstrong\u003eJesus-Christus-Kirche di Berlino dal 17 al 20 giugno 1953\u003c\/strong\u003e con la RIAS-Symphonie-Orchester Berlin. Il \u003cem\u003eConcerto per orchestra\u003c\/em\u003e risale invece al \u003cstrong\u003e9–10 aprile 1957\u003c\/strong\u003e, nello stesso luogo, quando l’ensemble aveva assunto la denominazione Radio-Symphonie-Orchester Berlin.\u003c\/p\u003e\u003ch2\u003eFricsay e Bartók\u003c\/h2\u003e\u003cp\u003eIl repertorio di Bartók fu uno dei nuclei più rappresentativi dell’arte di Fricsay. Il direttore ne mette in evidenza tanto l’architettura ritmica quanto la qualità timbrica.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e produzione\u003c\/h2\u003e\u003cp\u003eEntrambe le interpretazioni appartengono alla storica discografia di \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e di Ferenc Fricsay. Per il \u003cem\u003eConcerto per orchestra\u003c\/em\u003e del 1957 sono documentati \u003cstrong\u003eElsa Schiller\u003c\/strong\u003e, \u003cstrong\u003eGünter Hermanns\u003c\/strong\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e e \u003cstrong\u003eAlfred Steinke\u003c\/strong\u003e. Per la \u003cem\u003eMusica per archi, percussione e celesta\u003c\/em\u003e del 1953 sono documentati \u003cstrong\u003eHelmut Elbl\u003c\/strong\u003e, \u003cstrong\u003eFred Hamel\u003c\/strong\u003e, Wolfgang Lohse, Alfred Steinke e \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eDisponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBartók — Music for Strings, Percussion and Celesta, Sz. 106\u003c\/strong\u003e\u003cbr\u003e1. I. Andante tranquillo\u003cbr\u003e2. II. Allegro\u003cbr\u003e3. III. Adagio\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBartók — Concerto for Orchestra, Sz. 116\u003c\/strong\u003e\u003cbr\u003e5. I. Introduzione. Andante non troppo – Allegro vivace\u003cbr\u003e6. II. Presentando le coppie. Allegro scherzando\u003cbr\u003e7. III. Elegia. Andante non troppo\u003cbr\u003e8. IV. Intermezzo interrotto. Allegretto\u003cbr\u003e9. V. Finale. Presto\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestre:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Béla Bartók\u003cbr\u003e\u003cstrong\u003eEtichetta originale:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eSede:\u003c\/strong\u003e Jesus-Christus-Kirche, Berlino\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS618\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195445444955,"sku":"CS618-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-bartok-musica-archi-percussione-celesta-concerto-orchestra-capsa-CS618-cover.png?v=1788257154"},{"product_id":"the-symphonies-v","title":"Fricsay \u0026 Haas: Stravinsky — La sagra della primavera \u0026 Capriccio","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e affronta due pagine profondamente diverse di \u003cstrong\u003eIgor Stravinsky\u003c\/strong\u003e: \u003cem\u003eLa sagra della primavera\u003c\/em\u003e e il \u003cem\u003eCapriccio per pianoforte e orchestra\u003c\/em\u003e, quest’ultimo con \u003cstrong\u003eMonique Haas\u003c\/strong\u003e al pianoforte. L’edizione riunisce due registrazioni realizzate a Berlino con la \u003cstrong\u003eRIAS-Symphonie-Orchester\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eLe registrazioni storiche\u003c\/h2\u003e\u003cp\u003eIl \u003cem\u003eCapriccio\u003c\/em\u003e con Monique Haas fu registrato alla \u003cstrong\u003eJesus-Christus-Kirche di Berlino il 27 settembre 1950\u003c\/strong\u003e; \u003cem\u003eLa sagra della primavera\u003c\/em\u003e fu invece registrata nello stesso luogo dall’\u003cstrong\u003e11 al 13 marzo 1954\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFricsay, Haas e Stravinsky\u003c\/h2\u003e\u003cp\u003eFricsay fu uno dei direttori del secondo Novecento più vicini al repertorio moderno. Nella \u003cem\u003eSagra\u003c\/em\u003e la precisione ritmica e la trasparenza delle sezioni orchestrali diventano elementi strutturali; nel \u003cem\u003eCapriccio\u003c\/em\u003e, Monique Haas porta nitore e incisività alla scrittura pianistica.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e produzione\u003c\/h2\u003e\u003cp\u003eLe due interpretazioni appartengono al catalogo storico \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e. Per \u003cem\u003eLa sagra della primavera\u003c\/em\u003e sono documentati \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e come producer e \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e come balance engineer.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eIl programma è disponibile come \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — The Rite of Spring\u003c\/strong\u003e\u003cbr\u003e1. I. Adoration of the Earth\u003cbr\u003e2. II. The Sacrifice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — Capriccio for Piano \u0026amp; Orchestra\u003c\/strong\u003e\u003cbr\u003e3. I. Presto\u003cbr\u003e4. II. Andante rapsodico\u003cbr\u003e5. III. Allegro capriccioso ma tempo giusto\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003ePianoforte:\u003c\/strong\u003e Monique Haas\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Igor Stravinsky\u003cbr\u003e\u003cstrong\u003eEtichetta originale:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS619\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. 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Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195468382555,"sku":"CS619-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-monique-haas-stravinsky-sagra-capriccio-rias-capsa-CS619-cover.png?v=1788257154"},{"product_id":"the-symphonies-vi","title":"Fricsay: Mozart — Sinfonie n. 39, 40 \u0026 41 “Jupiter”","description":"\u003cp\u003eLe ultime tre sinfonie di \u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e occupano un posto centrale nella discografia di \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e. In questa edizione Capsa Symphōnĭa il direttore ungherese è alla guida dei \u003cstrong\u003eWiener Symphoniker\u003c\/strong\u003e, in una lettura che riunisce le Sinfonie n. 39, n. 40 e n. 41 “Jupiter”.\u003c\/p\u003e\u003ch2\u003eLa registrazione storica\u003c\/h2\u003e\u003cp\u003eLe Sinfonie n. 39 e n. 40 furono registrate al \u003cstrong\u003eMusikverein di Vienna il 29 novembre 1959\u003c\/strong\u003e, mentre la Sinfonia n. 41 “Jupiter” risale al \u003cstrong\u003e25 marzo 1961\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFerenc Fricsay e i Wiener Symphoniker\u003c\/h2\u003e\u003cp\u003eFricsay sviluppò con Mozart un rapporto interpretativo particolarmente intenso, fondato su chiarezza della trama orchestrale, controllo del fraseggio e attenzione alla struttura.\u003c\/p\u003e\u003ch2\u003eEtichetta originale e pubblicazione\u003c\/h2\u003e\u003cp\u003eLe tre interpretazioni appartengono al catalogo storico \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e. La Sinfonia n. 39 e la n. 40 derivano dalle sessioni viennesi del 1959, mentre la “Jupiter” qui utilizzata è la registrazione del 1961 con i Wiener Symphoniker.\u003c\/p\u003e\u003ch2\u003eEdizione digitale Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eQuesta pubblicazione presenta il programma in formato \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eMozart — Symphony No. 39 in E-flat Major, K. 543\u003c\/strong\u003e\u003cbr\u003e1. I. Adagio – Allegro\u003cbr\u003e2. II. Andante con moto\u003cbr\u003e3. III. Menuetto. Allegretto\u003cbr\u003e4. IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMozart — Symphony No. 40 in G Minor, K. 550\u003c\/strong\u003e\u003cbr\u003e5. I. Molto allegro\u003cbr\u003e6. II. Andante\u003cbr\u003e7. III. Menuetto. Allegretto – Trio\u003cbr\u003e8. IV. Finale. Allegro assai\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMozart — Symphony No. 41 in C Major, K. 551 “Jupiter”\u003c\/strong\u003e\u003cbr\u003e9. I. Allegro vivace\u003cbr\u003e10. II. Andante cantabile\u003cbr\u003e11. III. Menuetto. Allegretto – Trio\u003cbr\u003e12. IV. Molto allegro\u003c\/p\u003e\u003ch2\u003eCrediti\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirettore:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Wiener Symphoniker\u003cbr\u003e\u003cstrong\u003eCompositore:\u003c\/strong\u003e Wolfgang Amadeus Mozart\u003cbr\u003e\u003cstrong\u003eEtichetta originale:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eRegistrazioni:\u003c\/strong\u003e Musikverein, Vienna — 29 novembre 1959 e 25 marzo 1961\u003cbr\u003e\u003cstrong\u003eEdizione:\u003c\/strong\u003e Capsa Symphōnĭa — CS620\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/it\/collections\/capsa-symphonia\"\u003eScopri la collection Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eChe cosa sono DSD e DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e è un sistema di codifica digitale a 1 bit basato su pulse-density modulation. DSD64 opera a circa \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 a circa \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e e DSD256 a circa \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Per la riproduzione è necessario un DAC o un player compatibile con la specifica frequenza DSD scelta.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e è un formato PCM ad altissima risoluzione; nella versione proposta opera a \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Nato anche come ambiente di editing e post-produzione professionale per lavorazioni ad altissima risoluzione, richiede un DAC o un player compatibile.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195496268123,"sku":"CS620-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-mozart-sinfonie-39-40-41-jupiter-wiener-symphoniker-capsa-CS620-cover.png?v=1788257154"}],"url":"https:\/\/www.referencemusicstore.com\/it\/collections\/ferenc-fricsay.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}