{"product_id":"jazz-30-anniversary","title":"JAZZ - 30° ANIVERSARIO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eJAZZ - 30TH ANNIVERSARY\u003c\/strong\u003e ( \u003cspan\u003eCVLD388\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Available in the following media: LP, HD File\u003c\/h3\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003e\u003cstrong\u003eSIDE A - 19:58\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e01 All Of Me\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(S. Simmons) 4:46 \/ adj. 06-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRoyal Big Band \/ Fabrizio Bosso, trumpet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianni Basso, tenor sax\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e02 The Nearness Of You\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(M. Washington, H. Carmichael) 3:25 \/ reg. 9-2017\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLucia Minetti, voice \/ Pietro Ballestrero, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStefano Profeta, double bass\u003c\/span\u003e\u003c\/em\u003e \u003cbr\u003e\u003cstrong\u003e03 Mothers washed our hair\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(N. Piovani) 4:47 \/ reg. 5-2002\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSaxFourFun \/ Paolo Fresu, flugelhorn\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e04 The Lady Is A Tramp\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(R. Rodgers, L. Hart) 3:09 \/ dir. 3-1997\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePaolo Birro, piano \/ Sandro Gibellini, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMauro Negri, tenor sax\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e05 Minor Bounce\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(S. Caniato) 3:47 \/ reg. 3-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eTiger Dixie Band \/ Markus Stockhausen, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSIDE B - 20:04\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e01 Alabama Blues, live recording\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(G. Gaslini) 6:12 \/ reg. 3-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGiorgio Gaslini, piano\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e02 Tanghesi\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(G. Coscia) 5:56 \/ reg. 2-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianni Coscia, accordion\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianluigi Trovesi, bass clarinet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStefano Bertoli, percussions\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLucia Minetti, voice\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e03 You\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(P. Ballestrero) 6:10 \/ reg. 4-2012\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePietro Ballestrero, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGabriele Mirabassi, clarinet\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003ePB Strings Ensemble\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e04 Milla Camilla\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(G. Gaslini) 1:44 \/ dir. 4-2000\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eTiziana Ghiglioni, voice\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGiorgio Gaslini, prepared piano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecording Sound Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMixing and Mastering: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGraphic design: Maurizio Ciato for Studio L'Image\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003e1\/4” Analogue Master made in the VLS studio in Naquera (Spain), starting from the original analogue and digital recordings, the latter made in native high resolution, PCM wav 88.2kHz \/ 24bit\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cstrong\u003eATTENTION: the strange sound you can hear in the song “Millacamilla”, the last track on Side B, is NOT a defect in the record or the recording, BUT... the very particular percussive sound of the “Prepared Piano”, that is, by placing sheets of paper between the hammers and the strings of the instrument.\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eRoyal Big Band, Sax Four Fun, Markus Stockhausen, Tiger Dixie Band, Gianluigi Trovesi.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp align=\"justify\"\u003eIt is always difficult to create a collection of musical pieces, even if they belong to the same genre; and it is even more difficult if the one who has to do it is the one who wanted them, produced them, recorded them: that is, someone who ultimately considers himself divided between the role of \"father\" and \"co-author\", in this case myself who is writing these short notes.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e The difficulty lies in choosing songs that make sense one after the other, but also in having to exclude, due to physical lack of space, so many others no less beautiful, no less interesting. Also in the awareness of leaving out with a heavy heart so many wonderful musicians to whom I always feel tied by an indissoluble bond for the common passion that has united us in loving the music we propose.\u003c\/p\u003e\n\n \u003cp align=\"justify\"\u003eThis is why every collection I make implicitly has, next to the title, that fundamental definition that can only be \"Volume 1\". In the belief that sooner or later other volumes will follow, because it is truly impossible for me to draw up a ranking of merit among the many songs, all of them, I have produced in 30 years of career.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e And here comes the fundamental note that I have realized especially in the last few years, that is, that ALL my productions, for me, are absolutely equipollent: they are all on the same level. Because I have always made an incredible selection BEFORE going into production, and, once the journey with the chosen musicians began, it was always clear that the work could only become a pearl in a very long necklace that today has a total of three hundred and eighty-eight.\u003c\/p\u003e\n\n \u003cp align=\"justify\"\u003eJazz in my opinion, or rather in Velut Luna's opinion, has always meant research and tradition, warmth and humanity, immediacy and symbol of the elusive \"Hic et Nunc\" of the moment of the recordings, which were all made live, without editing cuts, often mixed directly on a stereo master.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e Listening to these songs again, one by one, I relived the atmosphere, in the broadest possible sense, of those unrepeatable moments: after all, recording is a way to travel backwards in time every time I listen to it.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e The musicians and I are lucky people, to have received the privilege of living these emotions that are very difficult to describe in words, but that I hope can be at least a little conveyed by the sound tracks that remain in the grooves of the records. Forever.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e Thank you all,\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e Marco Lincetto\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e \u003ci\u003e\u003cb\u003eI dedicate this project to my friend Giorgio Gaslini,\u003c\/b\u003e\u003c\/i\u003e \u003ci\u003e\u003cb\u003ewho left us too soon, 11 years ago.\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50057906782555,"sku":"CVLD388LP","price":49.0,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO HD 88.2kHz • 24bit","offer_id":50057906815323,"sku":"CVLD388","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CVLD-388.jpg?v=1739378425","url":"https:\/\/www.referencemusicstore.com\/es\/products\/jazz-30-anniversary","provider":"Reference Music Store","version":"1.0","type":"link"}