{"title":"LP SUPPORT","description":"\u003cp\u003eThe \u003cstrong\u003eLP (Long Play) format\u003c\/strong\u003e , introduced in 1948 by Columbia Records, revolutionized the music industry. Unlike 78 rpm records, it could hold up to \u003cstrong\u003e20–25 minutes per side\u003c\/strong\u003e , allowing for complete albums instead of individual songs. Made of vinyl, it guaranteed greater durability and sound quality. LPs favored the spread of genres such as jazz, rock, and classical music, changing the way music was enjoyed and giving rise to the album as a complete art form.\u003c\/p\u003e","products":[{"product_id":"living-blues-enrico-merlin-max-prandi","title":"BLUES VIVIENTE - Enrico Merlin Max Prandi","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eVIVIENDO EL BLUES - LAS GRABACIONES ITALIANAS \u003c\/b\u003e(CVLD360)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003eEnrico Merlin\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e\u003cspan\u003eguitarras acústicas y de cuerpo hueco, banjo, bajo, coros\u003c\/span\u003e\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e\u003cb\u003e\u003cstrong\u003eMax Prandi\u003c\/strong\u003e\u003c\/b\u003e, \u003cspan\u003evoces principales, guitarras acústicas y eléctricas, bajo, percusión\u003c\/span\u003e\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eEn la versión LP 180 GR se incluyen el \u003cstrong\u003eCD \u003c\/strong\u003ey el \u003cstrong\u003eARCHIVO HD - \u003c\/strong\u003eEl CD y los archivos HD están insertados en el gatefold.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e01. BLUES DEL CRUCE \u003c\/span\u003e\u003c\/strong\u003e(Robert Johnson) 3:51\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e02. BLUES DE LA PRISIÓN DE FOLSOM \u003c\/span\u003e\u003c\/strong\u003e(Johnny Cash) 4:07\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e03. REQUIEM POR BLIND WILLIE JOHNSON \u003c\/span\u003e\u003c\/strong\u003e(Enrico Merlin) 3:19\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e04. SONRIENDO EN TU CARA \u003c\/span\u003e\u003c\/strong\u003e(Edward James “Son” House Jr.) 3:35\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e05. SUAVE Y CÓMODO \u003c\/span\u003e\u003c\/strong\u003e(Willie Dixon) 6:00\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e06. JESÚS EN LA LÍNEA PRINCIPAL \u003c\/span\u003e\u003c\/strong\u003e(Tradicional) 3:58\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e07. A VECES ME SIENTO COMO UN NIÑO SIN MADRE \u003c\/span\u003e\u003c\/strong\u003e(Tradicional) 5:04\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e08. GRITO DE BATALLA DE LA LIBERTAD \u003c\/span\u003e\u003c\/strong\u003e[Rally ‘Round the Flag] (George Frederick Root) 1:05\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e09. LLAMANDO A LA PUERTA DEL CIELO \u003c\/span\u003e\u003c\/strong\u003e(Bob Dylan) 4:49\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e10. VIEJO \u003c\/span\u003e\u003c\/strong\u003e(J. J. Cale) 3:36\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e11. AÚN NO HE ENCONTRADO LO QUE BUSCO \u003c\/span\u003e\u003c\/strong\u003e(Paul David Hewson,\u003cbr\u003eDavid Howell Evans, Adam Clayton, Larry Mullen Jr.) 4:33\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e12. BLUES DEL GATO \u003c\/span\u003e\u003c\/strong\u003e(Enrico Merlin) 2:45\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003e13. LARGA VEIL NEGRA \u003c\/span\u003e\u003c\/strong\u003e(Danny Dill y Marijohn Wilkin) 3:47\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eTiempo total: 50:38\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/LIVING-BLUES-The-Italian-Recordings\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  Pistas 1, 2, 5, 6, 9, 10, 11, 13 arregladas por ENRICO MERLIN y MAX PRANDI\u003cbr\u003ePistas 3, 4, 7, 8, 12 arregladas por ENRICO MERLIN\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e “¿Viviendo el Blues o “¿Tocando el Blues?\u003cbr\u003eSin duda, Max pertenece a la primera categoría, y por tal razón tocar y compartir tiempo se transforma en una experiencia fuera de lo común. A pesar de tener en común un amplio territorio - la Tierra del Blues - nuestros objetivos musicales parecen aparentemente distantes, sin embargo, cada uno de nuestros encuentros genera una alquimia irrepetible, que nos sorprende a nosotros primero. Este disco habla de la vida, de sus alegrías y de sus penas, del amor y de la resignación, pero nunca de la derrota. El primer lado del LP expresa la esencia del Blues, sus raíces y su evolución. El segundo es un viaje en el tiempo y el espacio, entre las dificultades de la vida, la esperanza y la aceptación, aunque el solo que disuelve la tonalidad y el ritmo en la primera de las pistas adicionales es la metáfora del hecho de que “We still haven’t found what we’re looking for”; y por lo tanto seguimos buscando.\u003cbr\u003e\u003cbr\u003eEnrico Merlin\u003cbr\u003eEnrico Merlin toca a través de amplificadores Tony D’angelo y pedales Fattoria Mendoza.\u003cbr\u003e\u003cbr\u003eGrabación digital \/ analógica realizada estrictamente en vivo en el estudio en Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italia, los días 3 y 4 de mayo de 2023. Mezcla analógica y masterización realizadas en VL Studio, Naquera, España, los días 11 y 12 de mayo de 2023, utilizando la consola de mezcla Rupert Neve Design, Maselec MLA-2 \/ MEA-2 \/ MPL-2 y Studer A810.\u003cbr\u003e\u003cbr\u003eProducción: Marco Lincetto y Massimo Corvino Consulting\u003cbr\u003eProductor ejecutivo: Marco Lincetto\u003cbr\u003eProductor musical: Enrico Merlin\u003cbr\u003eIngeniero de balance, grabación, mezcla y masterización: Marco Lincetto\u003cbr\u003eFoto: Marco Lincetto\u003cbr\u003eGráficos y diseño: L’Image\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/27427593\/living-blues-the-italian-recordings-lp-180-gr-cd-file-hd-\" style=\"color: #2b00ff;\" target=\"_blank\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":46837492384091,"sku":"CVLD360","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"LP con CD y FILE HD","offer_id":49988607050075,"sku":"CVLD360LP","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CVLD-360_b12dcaa2-aad7-4f38-a33f-bf7ef9babc2f.jpg?v=1686814189"},{"product_id":"project-one-marco-lo-muscio-david-jackson","title":"PROYECTO UNO - Marco Lo Muscio David Jackson","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eROJECT ONE\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eMarco Lo Muscio\u003c\/b\u003e,\u003ci\u003e \u003c\/i\u003e\u003cb\u003eDavid Jackson, John Hackett,\u003ci\u003e \u003c\/i\u003eSteve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSoportes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362A - VINILO\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362B - CD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362   - ARCHIVO HD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e01. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eTema Uno\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGeorge Martin 3:13\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e02. \u003c\/span\u003e\u003cb\u003eVocalise n.3\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e03. \u003c\/span\u003e\u003cb\u003eHammer in the Sand\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eSteve Hackett 3:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e04. \u003c\/span\u003e\u003cb\u003eCorazón Sin Pelo\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003ePhil Collins, Steve Hackett, Tony Banks, Mike Rutherford, Peter Gabriel 3:47\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e05. \u003c\/span\u003e\u003cb\u003eCorpus Christi Carol\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eBenjamin Britten 3:08\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e06. \u003c\/span\u003e\u003cb\u003eHills Of The North Rejoice\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMartin Shaw 2:30\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e07. \u003c\/span\u003e\u003cb\u003eMolde Canticle Parte I\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eJan Garbarek 4:40\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e08. \u003c\/span\u003e\u003cb\u003eThe Great Gig In The Sky\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eRichard Wright, Clare Torry 6:15\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e09. \u003c\/span\u003e\u003cb\u003eSolo de Pedal Rojo\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 2:38\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e10. \u003c\/span\u003e\u003cb\u003eMoonchild\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGreg Lake, Peter Sinfield 2:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e11. \u003c\/span\u003e\u003cb\u003ePreludio y Ostinato \"Homenaje a Keith Emerson\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 5:20\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e12. \u003c\/span\u003e\u003cb\u003eMusica Ricercata n.7 (Ostinato)\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGyörgy Ligeti 4:18\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e13. \u003c\/span\u003e\u003cb\u003eVocalise de \"The Ninth Gate\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eVojciech Kilar 3:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e14. \u003c\/span\u003e\u003cb\u003eVocalise n.1 \"A mi madre\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:00\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e15. \u003c\/span\u003e\u003cb\u003eIn Memoriam\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e16. \u003c\/span\u003e\u003cb\u003ePilgrims\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003ePeter Hammil, David Jackson 5:44\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e17. \u003c\/span\u003e\u003cb\u003eThe Hermit \u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eSteve Hackett 5:41\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e18. \u003c\/span\u003e\u003cb\u003eFanfare for the Common Man\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eAaron Copland, Keith Emerson 8:01\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e\u003cb\u003eTiempo Total: 74:05\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/ProjectOne\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e órgano de iglesia y piano\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eDavid Jackson\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e saxofones y flautas \u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003einvitados muy especiales:\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eJohn Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e flauta en \"The Hermit\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eSteve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003ci\u003e guitarra eléctrica en \"Hammer In The sand\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eGrabación original 24bit\/88.2kHz realizada en la Iglesia San Gregorio VII, Roma, los días 24, 25 y 26 de julio de 2023. \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMezcla y masterización analógica realizada en MLStudio, Naquera, España el 5 de agosto de 2023\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProducción:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProducción musical:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lo Muscio \u0026 David Jackson\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eIngeniero de grabación, mezcla y masterización:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eAsistente de grabación:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Rosanova\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eDiseño \u0026 Layout:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e La Imagen\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\"Project One\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e: un proyecto discográfico \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eVelut Luna\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e que nace gracias a la amistad y a la larga colaboración musical y artística del M° Marco Lo Muscio con tres nombres icónicos de la música Progressive y contemporánea: David Jackson, John Hackett y Steve Hackett.\u003cbr\u003eEl proyecto es un gran homenaje, con arreglos totalmente acústicos, a los varios estilos de la gran música del '900 y contemporánea. La base ve el sonido gótico y sinfónico del órgano de tubos amalgamado junto a la potencia de los saxofones de David Jackson. La guitarra de Steve Hackett y la flauta de John Hackett añaden el toque final en algunos arreglos especiales creados específicamente para este proyecto discográfico.\u003cbr\u003eLos compositores elegidos provienen del mundo de la música del '900 y contemporánea (Benjamin Britten, György Ligeti, Aaron Copland, George Martin y Marco Lo Muscio), de las bandas sonoras (Wojciech Kilar), del Jazz moderno (Jan Garbarek) y del Progressive (King Crimson, Genesis, Van Der Graaf Generator, Emerson Lake \u0026 Palmer, Pink Floyd, David Jackson y Steve Hackett). La escucha en clave acústica de estas músicas hará descubrir nuevas matices y detalles; se podrá entender también cuánto la música Progressive interpretada en esta clave está efectivamente muy cerca e influenciada por la música clásica del '900.\u003cbr\u003eFinalmente la conocida gran calidad de las grabaciones \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eVelut Luna\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e di Marco Lincetto ofrecerán una increíble gama sonora en la escucha de este original y único proyecto discográfico!\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":49988598694235,"sku":"CVLD362A","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":51165146874203,"sku":"CVLD362B","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":47157532229979,"sku":"CVLD362","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_555240fe-2f4d-4f18-b2f0-86e312ac1ea5.jpg?v=1773427050"},{"product_id":"two-for-the-road-chiara-pasto-francesco-pollon","title":"Dos Para El Camino - Chiara Pastò Francesco Pollon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTwo For The Road\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSoportes: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363A - VINILO\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363B - CD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD363   - ARCHIVO HD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e01. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eLibertango\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Astor Piazzolla)* 1:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e02. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eTwo For The Road\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Henry Mancini \/ Leslie Bricusse) 4:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e03. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eClose Your Eyes\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Bernice Petkere) 3:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e04.\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e'Round Midnight\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Theolonius Monk \/ Bernie Hanighen) 6:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e05. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eBewitched, Bothered And Bewildered\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e (Richard Rodgers \/ Lorenz Hart) 3:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e06 . \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eWhen Lights Are Low\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Benny Carter \/ Spencer Williams) 2:46\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e07. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eJust A Smile\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Enrico Santacatterina \/ Chiara Pastò) 4:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e08. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eThey Can't Take That Away From Me\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e (George \u0026amp; Ira Gershwin) 3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e09. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eOne Day I'll Fly Away\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e(Joe Sample \/ Will Jennings) 4:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e\u003cb\u003eTiempo total: \u003c\/b\u003e34:36\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eChiara Pastò,\u003c\/b\u003e voz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eFrancesco Pollon\u003c\/b\u003e, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e*Las letras de Libertango están escritas por Chiara Pastò\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Two-For-The-Road\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eGrabación analógica de 24bit\/88.2kHz realizada estrictamente en vivo en el estudio en Magister Recording Area, Preganziol, Italia, el 29 de julio de 2023 - Mezcla y masterización analógica realizadas en MLStudio, Naquera, España, el 3 de agosto de 2023\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eAlgunos datos técnicos:\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMicrófono \u003cb\u003eNEUMANN U47fet + Massenburg MicPreamplifier\u003c\/b\u003e,\u003ci\u003e voz\u003c\/i\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMicrófonos \u003cb\u003eAUSTRIAN OC818 + Millennia Media MicPreamplifier\u003c\/b\u003e,\u003ci\u003e piano\u003c\/i\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMezcla y masterización, realizadas utilizando \u003cb\u003eRupert Neve Design Analog Summing Mix\u003c\/b\u003e y \u003cb\u003eMaselec Analog Mastering Outboards\u003c\/b\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducción: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eProductores musicales: \u003cb\u003eMarco Lincetto, Andrea Valfrè\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eIngeniero de grabación de balance: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eIngeniero de sonido: \u003cb\u003eAndrea Valfrè\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eIngeniero de mezcla y masterización: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eFoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eDiseño y maquetación: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eLA MEGLIO GIOVENTU’ de Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eChiara Pastò finalmente logra realizar un disco de Jazz. En su cuarto trabajo discográfico, todos realizados con mi etiqueta Velut Luna y conmigo como productor, la joven y brillante cantante padovana aborda ya en plena madurez artística y vocal su “territorio de elección” en el que ha trabajado a lo largo de su trayectoria académica y que ha practicado en muchas ocasiones de conciertos. El repertorio de este disco presenta algunos famosísimos estándares, como la pista principal o Round Midnight, pero también una originalísima excursión en el célebre tema de Astor Piazzolla, libertango, al que la misma Chiara aporta un fascinante texto inédito. Y luego, una de sus composiciones originales, escrita con Enrico Santacatterina, Just A Smile, que es su caballo de batalla en el área pop, por así decirlo, hoy reinterpretado en clave de estándar jazz. Un disco completo y maduro, que se ve realzado por la sabiduría pianística, el gusto exquisito, aderezado con una técnica admirable de Francesco Pollon, quizás el pianista de jazz italiano más representativo de la joven generación, que actualmente vive y trabaja en Nueva York, después de haber obtenido allí un prestigioso máster en la Manhattan School Of Music - Jazz Arts. En resumen... ¡Los jóvenes y grandes músicos aún existen, y más que nunca, en Italia: solo hay que darles el espacio que merecen!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.com\/product\/28298830\/two-for-the-road-lp-180-gr-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBLE TAMBIÉN EN FORMATO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bMvReQBCBMw\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":49988586832219,"sku":"CVLD363A","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":51165182722395,"sku":"CVLD363B","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":47289258279259,"sku":"CVLD363","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CD-363-CVLD_9bb101f1-ebbb-405c-aef9-375e218ff371.jpg?v=1748505599"},{"product_id":"the-velut-lunas-reference-vinyl-vol-2","title":"El Vinilo de Referencia de Velut Luna Vol. 2","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eEl Vinilo de Referencia de Velut Luna Vol. 2 \u003c\/b\u003e(CVLD370)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponible en: Archivo HD, LP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eLATO A - 20:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCorto \u0026amp; Más Corto 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Band Ritmo Sinfónica Ciudad de Verona, Marco Pasetto, director\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Teatro Marinelli, Castelnuovo del Garda, septiembre de 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSueño Nubio 5:57\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNueva Orquesta de Jazz Project, Renzo Vigagni, director\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Teatro Rosmini, Rovereto, diciembre de 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInvierno 7:31(Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnsamble Oscar Del Barba, con Mauro Negri, clarinete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Auditorium Pollini, Padua, abril de 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO B - 18:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRadamés 3:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLos Metronomos, con Michele Giacomazzi, guitarra\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Estudio Papillons, Padua, enero de 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEl Tema de la Pantera Rosa 6:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCuarteto Massimo Salvagnini\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Estudio de Grabación Condulmer, Zerman, agosto de 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmor en paz 5:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCuarteto Massimo Salvagnini, con Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Área de Grabación Magister, Preganziol, noviembre de 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEstoy en mi camino 2:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Tradicional)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Auditorio Público, Chiuppano, octubre de 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO C - 18:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrimavera Porteña 7:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrquesta de Cámara Stravinsky, Marco Tezza, piano solo \u0026amp; director\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en la Iglesia de San Francisco, Schio, abril de 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Paquito D’Rivera)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Carbonare, clarinete \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en la Iglesia de San Francisco, Schio, agosto de 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLunas de cielo gris 2:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Estudio A, Padua, junio de 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEl pueblo unido jamás será vencido 4:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Sergio Ortega, Quilapayùn)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en MLH, Naquera (España), septiembre de 2023\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLATO D - 19:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConcierto en La Mayor K622\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epara Clarinete y Orquesta: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrquesta de Padua y del Véneto, Zsolt Hamar, director, Luca Lucchetta, clarinete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Teatro Verdi, Padua, octubre de 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLos Sueños de Gianò:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa acordeón y el niño 7:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrquesta de Padua y del Véneto, Fabio Framba, director\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGrabado en el Auditorium Pollini, septiembre de 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTodas las grabaciones realizadas en Italia, excepto C4 realizado en España.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUn agradecimiento sincero a todos esos músicos que han contribuido a hacer grande Velut Luna en estos sus primeros 30 años.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIngeniero de sonido: Marco Lincetto a menos que se indique lo contrario\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDiseño gráfico: L’Image \/ Foto de portada: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEl niño en la imagen de la portada soy yo. A la edad de dos años. Era 1963.\u003cbr\u003eDesde que tengo memoria, siempre he amado escuchar discos. Ciertamente por mi historia familiar, con mi papá que fue un ilustre pianista clásico y compositor refinado, y mi mamá cantante lírica.\u003cbr\u003ePero ciertamente en esos años de la primera infancia había un gran encanto que despertaban en mí esos discos negros que giraban en el viejo tocadiscos de la familia y de los que salían mis cuentos favoritos, narrados por grandes voces de grandes actores (recuerdo, por ejemplo, a Nando Gazzolo y su Caperucita Roja, y Hansel y Gretel, y Pulgarcito, cuyos discos he consumido literalmente...).\u003cbr\u003eAlrededor de los ocho o nueve años, el paso de los cuentos a los 45 rpm de los Beatles al final de su carrera (Obladí, Obladá), o a esa sonoridad inusual y desconocida del Theremin usado en Good Vibrations de los Beach Boys, fue un hecho del todo natural.\u003cbr\u003eY cuando a los 13 años comencé a descubrir progresivamente a Santana, a los Pink Floyd, a Genesis, etc. etc. etc., unido a la lectura de Suono y Stereoplay, fue igualmente natural encariñarme con las imágenes de las grandes grabadoras de bobinas de la época, adecuadas para los entonces raros home studio.\u003cbr\u003eMi primer amor, tanto soñado y nunca poseído, fue el Tascam 80-8, ocho pistas en cinta de media pulgada. Y los micrófonos de mis sueños eran los Sennheiser, los MD441 y los MD421... Pero el verdadero sueño era “hacerme el estudio”... cosa que permanecerá durante mucho tiempo solo, precisamente, un sueño. Cuando finalmente a los 19 años conocí la música de Jim Croce y entendí que... “¡Se-Puede-Hacer!” (cita), fue el momento en que me quedó claro que tarde o temprano, yo haría ese trabajo, “haría discos”.\u003cbr\u003eY el resto es historia...\u003cbr\u003e\u003cbr\u003eMi cultura, mi tradición, mis experiencias fundamentales, son ANALÓGICAS. Aunque desde el principio, al inicio de mi carrera profesional en 1992, fui un abanderado del digital de calidad, nunca abandoné lo analógico y sobre todo nunca abandoné la “mentalidad analógica”.\u003cbr\u003eAquí llega, por lo tanto, este segundo volumen de mis grabaciones más queridas, más significativas de más de treinta años de actividad de producción con VELUT LUNA. Al igual que en el volumen 1, cada lado de los cuatro que componen este doble vinilo es temático y dedicado a las grandes Big Band, que se mueven entre el jazz y el crossover étnico (Lado A), el jazz en formato club, desde el swing a la italiana de The Metronomes, hasta el gospel de Cheryl Porter (Lado B), la música sudamericana y latina, para mí importantísima y columna vertebral de mi sentimiento más profundo (Lado C), y finalmente la gran\u003cbr\u003emúsica clásica, aquí traducida en el maravilloso Concierto para Clarinete, de Mozart y el movimiento final de la Suite Sinfónica “Los Sueños de Gianò”, de mi papá Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e...Y hasta la próxima en el tercer y último volumen de esta “suma”, previsto para publicación en febrero de 2025, con motivo del 30° aniversario del nacimiento de VELUT LUNA.\u003c\/p\u003e\n\u003cp\u003eMarco Lincetto\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan style=\"color: #2b00ff; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eDISPONIBLE EN FORMATO DOPPIO LP 180GR\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" src=\"https:\/\/www.youtube.com\/embed\/X_gJ6oZtxZs\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm (2 LP)","offer_id":49988427153755,"sku":"CVLD370LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":47869912449371,"sku":"CVLD370","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1e4ddf10-58c3-4ea9-93ef-e2768ff885f6.jpg?v=1748505599"},{"product_id":"papier-mache-federica-artuso","title":"Papel Maché - Federica Artuso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePapier-Maché \u003c\/b\u003e(CVLD365)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDisponible en: \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eLP Vinilo Claro + ARCHIVO HD\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCD Oro\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eArchivo HD\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMaría Luisa Anido (1907- 1996)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAire norteño\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl misachico\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e3:45\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMinueto del “Don Juan” de Mozart\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanción del Yucatán\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e05 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBoceto Indígena\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eAbel Fleury (1903-1958)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003etambién publicado como “Melodia popular argentina” por María Luisa Anido\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e06 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMilonguea del Ayer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e2:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eManuel Ponce (1882-1948)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTres canciones populares mexicanas\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e07 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Pajarera\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e1:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e08 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePor ti mi corazón\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e3:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e09 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eLa Valentina\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eEnrique Granados (1867-1916)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003etrascr. M. Llobet\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e10 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDanza española n.5, Andaluza\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eMiguel Llobet (1878-1938)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e11 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEl Testament de n’\u003c\/b\u003e\u003cspan style=\"font-family: Times Roman, serif;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eAmèlia\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e12 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanço de lladre\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eFrancisco\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eTárrega\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e(1852-1909)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e13 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMaría\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eGavota\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e14 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlborada Caixa de Música\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e15 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdelita Mazurka\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJulián\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eArcas (1832- 1882)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e16 -\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eSoleà\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e5:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e17 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBolero\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e2:16\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eJuan Parga (1843 - 1899)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e18 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMi lira, op.8 n.1\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e19 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGuajira, op.5 n.2\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCarlos Garcia Tolsa (1858-1905)\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e20 -\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAl fin solos\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: small;\"\u003e4:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTiempo total:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e59:13\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Papier-Mache\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eGuitarras de Papier-Mâché hechas por Fabio Zontini (2023) inspiradas en Torres FE14 (1862\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCuerdas\u003c\/strong\u003e\u003cbr\u003ePara la grabación de “Al fin solos” y “Adelita” se utilizaron: cuerdas de rayón para bajos \/ 2ª y 3ª cuerdas de tripa \/ 1ª cuerda de nylgut. Para la grabación del resto del repertorio se utilizaron: cuerdas de tripa para agudos \/ rayón para bajos\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e - - - - - - - - - - - - - - - - - \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eUNA HISTORIA MISTERIOSA\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eDon Antonio, no deben llevarse a la tumba el secreto de sus guitarras…”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"rtl\" align=\"right\"\u003e\u003cspan style=\"color: #000000;\"\u003e“…\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eme es imposible transmitirlo a las futuras generaciones”\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eEl de la Papier-Mâché de Torres ha sido \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eun caso único\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e en la historia de la lutería no solo guitarrística: Antonio de Torres (1817-1892), considerado hoy el Stradivari de las seis cuerdas, fue el primero y, que se sepa, el único en construir en 1862 un ejemplar de instrumento de Papier-Mâché. Esta guitarra, paradójicamente, a pesar de su aparente humildad, devuelve un mundo sonoro fascinante, misterioso y único. Dado que \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eel original\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, conservado en el Museo de la Música de Barcelona, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eno es más capaz de expresar su propia voz, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eel álbum tiene el propósito de redescubrir y revivir las características timbrales y sonoras de este interesante instrumento a través del uso de dos copias inspiradas en él.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eEl \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eliutaio Fabio Zontini\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e ha recogido el desafío lanzado por Torres y desde hace casi veinte años se ocupa de la construcción de copias de Papier-Mâché. Los dos ejemplares utilizados por Federica Artuso para la grabación fueron realizados entre abril y septiembre de 2023 y pesan ambos (increíblemente) apenas 995 gramos. Además, montan cuerdas de tripa natural. Zontini ha trazado así una especie de conexión con el gran Torres, captando una especie de experimento-prototipo del lutier andaluz, y tratando con éxito de difundirlo en la actualidad.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eEl Papier-Mâché es una especie de \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003econtradicción viviente\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e justamente por la contraposición entre el material pobre del que está hecha y el resultado sonoro artísticamente sorprendente. E inspirándose en esta contraposición, se ha registrado un programa emblemático de ese paradoja que encarna la identidad de la guitarra, siempre \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003een equilibrio entre el alma pobre\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, auténtica y popular por un lado \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003ey el Olimpo de la música culta\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e del otro. Las músicas aquí registradas son todas de \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eguitarristas-compositores\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e que son \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003evividos en la época de la guitarra de cartón\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e o que han tenido que ver con los instrumentos de Torres. Estos guitarristas son parte de esa tradición ejecutiva y de esa poética sonora de la que el Papier-Mâché es emblema. Algunas de las piezas, aunque han sido escritas por compositores no guitarristas, forman parte de ese repertorio en el que más se identifican las seis cuerdas.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eArcas y Parga* \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eintentaron elevar la guitarra a instrumento culto, sin lograr emanciparse totalmente de las reminiscencias flamencas. Su estilo se adapta perfectamente al’\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eesencialidad arcaica \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003edel sonido del Papier-Mâché y sus músicas, aunque fuertemente arraigadas en el lenguaje popular, nos conducen poco a poco al estilo burgués y de salón de \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eGarcia Tolsa*\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e y de \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eTarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, alumnos de Arcas. Su música ya no es solo para aquellos a quienes les corre por las venas sangre flamenca o para los que consideran la ópera lírica la única música culta. Es música que gusta a los intelectuales y, si admite algún baile, lo hace siempre que sea de salón. Desde el punto de vista de los músicos, a diferencia de sus predecesores, Tarrega logra confeccionar los ímpetus expresivos en formas totalmente completas.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMiguel Llobet\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e, alumno de Tarrega, es conocido como compositor sobre todo por su versión guitarrística de las \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003eCanciones populares catalanas\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e. En la parte del programa que le concierne también se propone un repertorio del que no es autor, pero que lo representa fielmente y donde se perciben todas las novedades aportadas por su ingenio creativo, que hacen emerger lo que de la guitarra es más característico.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue', serif; color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eMaria Luisa Anido\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e fue alumna de Llobet, así como su pareja en dúo de guitarras. La musicista argentina fue una de las últimas guitarristas en los años 50 en utilizar cuerdas de tripa -ya difíciles de conseguir- y, entre otras cosas, \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003efue propietaria de la Torres de Tarrega\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003e (1864, FE17). Anido es el emblema de la imagen de la guitarra como punto de inflexión entre el mundo de la música folclórica y el de la música culta, una oposición que probablemente nunca se resolverá completamente. Nos lo demuestran sus irresistibles transcripciones de los grandes clásicos como Bach, Mozart, Tchaikovsky y sus piezas sudamericanas, pulsantes de energía indígena.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\n\u003cp align=\"justify\"\u003e\u003cspan style=\"font-family: Helvetica Neue, serif;\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan style=\"color: #984806;\"\u003e\u003cspan style=\"font-family: Arial Narrow, serif;\"\u003e\u003cspan style=\"font-size: small;\"\u003eLos temas de Parga y Garcia Tolsa no están contenidos en la versión en vinilo.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.referencemusicstore.com\/post\/papier-mache.html\" target=\"_blank\"\u003eLee todo sul nostro blog\u003c\/a\u003e\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eDISPONIBLE TAMBIÉN EN:  \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077056\/papier-mache-lp-180gr-su-top-clear-vinyl-\" target=\"_blank\"\u003e\u003cspan\u003eLP 180gr. en Top Clear Vinyl\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e-  \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/32077093\/papier-mache-lp-180gr-su-top-clear-vinyl-gold-cd-file-hd-\" target=\"_blank\"\u003e\u003cspan\u003eBUNDLE\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\nGrabación digital a 88.2kHz \/ 24bit realizada en Magister Recording Area, Pereganziol (Italia) el 5, 6, 7, 8 de enero de 2024. Mezcla y Masterización analógica realizada en MLS Studio, Naquera (España), el 5, 6 de abril de 2024\u003cbr\u003e\u003cbr\u003eProducción: Marco Lincetto, Federica Artuso, Fabio Zontini\u003cbr\u003eProductor Ejecutivo: Marco Lincetto\u003cbr\u003eIngeniero de grabación, mezcla y masterización: Marco Lincetto\u003cbr\u003eProductor musical en el escenario: Andrea Bissoli\u003cbr\u003eEdición: Federica Artuso\u003cbr\u003eFoto de portada: Diego Ferrini, Vicenza\u003cbr\u003eTraducción al inglés por Maria Michela Camerlengo\u003cbr\u003eDiseño: L’Image\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"LP 33rpm","offer_id":49971329597787,"sku":"CVLD365LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"CD DE ORO","offer_id":49971296665947,"sku":"CVLD365GOLDCD","price":21.9,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":48427947098459,"sku":"CVLD365","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD365B-cover.jpg?v=1748505599"},{"product_id":"miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-1","title":"Miles Davis Quintet • Transmisiones de Radio Completo Café Bohemia U.S.A. 1956-58 • Volumen 1","description":"\u003ch2\u003e\n\u003cstrong\u003eMiles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1 \u003c\/strong\u003e(GBR00124) - \u003cspan style=\"text-decoration: underline;\"\u003e2ª Ristampa\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eLP AUDIOPHILE PRESSING\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eTienes en tus manos el primero de los tres volúmenes dedicados a las grabaciones realizadas por Miles Davis, entre 1956 y 1958 en el Café Bohemia, situado en el 15 de Barrow Street, en Greenwich Village, Nueva York.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEl restaurante (que tenía un evidente error de ortografía en el letrero – Restraurnt) era gestionado por el italoamericano Jimmy Garofalo y fue inaugurado en 1955. En poco tiempo, el Café Bohemia se convirtió en una especie de Meca para los modernistas del jazz, y varios álbumes fueron grabados por algunos de los artistas más interesantes de la época (Art Blakey, Charles Mingus, Kenny Dorham, George Wallington). Además, Oscar Pettiford, (quien en los primeros tiempos ocupaba el cargo de director artístico del Jazz Club) le dedicó también una composición, titulándola «Bohemia After Dark».\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEl Café Bohemia era también una de las sedes desde donde se transmitía el programa\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBandstand U.S.A. a través de las ondas de Mutual Network Radio Broadcasts. Cada semana, el presentador Guy Wallace, a menudo acompañado de invitados, grababa y transmitía algunos increíbles directos directamente desde el Bohemia. Miles Davis formó parte de estas transmisiones en ocho ocasiones, entre el 15 de septiembre de 1956 y el 17 de mayo de 1958.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAquí encontrarás, por primera vez en la historia, la integral de las grabaciones de Miles (aproximadamente 120 minutos), que en su momento fueron transmitidas por Mutual Network.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParte de este material ha sido publicado a lo largo de los años en discos no oficiales, pero la mayor parte aparece por primera vez en vinilo o incluso es completamente inédito. En todos los casos, el material se publica aquí con la mejor calidad sonora posible y con la velocidad correcta (la mayoría de las versiones anteriores giraban a la velocidad incorrecta, es decir, desafinadas respecto a la tonalidad original de ejecución).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSe trata de una verdadera máquina que viaja en el tiempo y en el espacio, ya que hemos intentado reproducir el sonido de esa época de la manera más fiel posible. Para mejorar y respetar filológicamente ese mundo del sonido, hemos decidido publicar también todos los anuncios (de Guy Wallace y sus invitados) en su versión completa.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eAlgunos aspectos muy interesantes e imprevistos emergen de estos anuncios, que ayudarán al oyente a vivir mejor esa época, tanto desde un punto de vista social como histórico.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAsí que, enciende la radio y sumérgete en la atmósfera de la segunda mitad de los años 50 con la música previamente inédita del Miles Davis Quintet en su mejor momento.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMiles Davis (tp); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (d)\u003cbr\u003eGuy Wallace (anunciante de Radio Broadcast)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eLista de Pistas:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLado A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnuncio de Guy Wallace 2:01\u003c\/li\u003e\n\u003cli\u003eWell You Needn’t 5:48\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind 5:02\u003c\/li\u003e\n\u003cli\u003eA Gal in Calico 4:43\u003c\/li\u003e\n\u003cli\u003eStablemates 3:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLado B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Am I to Know? 3:03\u003c\/li\u003e\n\u003cli\u003eThe Theme 1:34\u003c\/li\u003e\n\u003cli\u003eWoody’n You 3:58\u003c\/li\u003e\n\u003cli\u003eWalkin’ [Gravy] 7:10\u003c\/li\u003e\n\u003cli\u003eAll of You 2:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eNota técnica:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eDesafortunadamente, las únicas transcripciones de cinta mono sobrevivientes (obviamente) de estas grabaciones no siempre estaban en buen estado, pero mejoramos la calidad con equipos de última generación y herramientas de remasterización.\u003cbr\u003ePara presentar las actuaciones completas hemos utilizado las mejores fuentes disponibles, considerando que el material fue grabado a lo largo de un período de tres años por diferentes equipos técnicos y completamente diferentes técnicas y posicionamientos de micrófono. Esto resultó en un ligero cambio en la calidad de audio. Esta es la mejor y más completa colección de las legendarias grabaciones del Café Bohemia emitidas por la Mutual Network para Bandstand U.S.A. Radio Broadcast.\u003c\/p\u003e\n\u003cp\u003eGracias a Piergiorgio Cupellini, Elisa Gabrielli, Paola Giordano, Igor Ebuli Poletti y Fabio Sala. Agradecimientos especiales a Bob Belden, Jan Lohmann, Peter Losin y Teo Macero.\u003c\/p\u003e\n\u003cp\u003eVelocidad corregida y remasterizada por Enrico Merlin\u003cbr\u003eProductor ejecutivo, Massimo Corvino para Groove Back Records\u003cbr\u003eNotas del álbum por Enrico Merlin, con ayuda especial de Giovanni Principe y Ginger Minneman\u003cbr\u003eFoto de portada por Marvin Koner, tomada entre el 25 de mayo y el 10 de junio de 1956, fuera del Café Bohemia\u003cbr\u003eConcepto artístico y diseño del álbum por Roberto Mares\u003c\/p\u003e\n\u003cp\u003eGrabaciones completas con anuncios de locutores de radio y voces en off incluidas.\u003c\/p\u003e\n\u003cp\u003eEn el n. 1 de GRooVE back Magazine encuentras el relato y la génesis de este disco (disponible gratuitamente la versión digital de la revista en este sitio en la sección magazine)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReseñas: \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/articolo_andrea_bin_su_Miles_Davis_vol.1.pdf?v=1747243073\" title=\"Reseña AudioReview Abril25\" rel=\"noopener\" target=\"_blank\"\u003eAudioReview\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"GRooVE back records","offers":[{"title":"LP 33 rpm","offer_id":48678091391323,"sku":"GBR00124","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/MilesDavis5thCafeBohemiaLP.png?v=1721038958"},{"product_id":"se-potessi-avere-new-project-classical-orchestra","title":"SE POTESSI AVERE... - New Project Classical Orchestra","description":"\u003cp lang=\"es\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSE POTESSI AVERE... - New Project Classical Orchestra \u003c\/b\u003e(CVLD374)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"es\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eNUEVO REMASTERIZADO A PARTIR DE CINTA ANALÓGICA ORIGINAL\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"es\" class=\"western\"\u003e\u003cem\u003eDisponible en: Archivo HD, \u003cspan\u003eLP 180gr. en Vinilo Clear + ARCHIVO HD\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"es\" class=\"western\"\u003e\u003cspan\u003e1 - \u003c\/span\u003e\u003cstrong\u003eMille lire al mese\u003c\/strong\u003e\u003cspan\u003e (Innocenzi, Sopranzi \/ arr. P.Trentini) 2:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 - \u003c\/span\u003e\u003cstrong\u003eMa l'amore no\u003c\/strong\u003e\u003cspan\u003e (D'Anzi, Galdieri \/ arr. F.Castania) 2:29\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - \u003c\/span\u003e\u003cstrong\u003eParlami d'amore Mariù\u003c\/strong\u003e\u003cspan\u003e (Neri, Bixio \/ arr. P.Trentini) 3:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - \u003c\/span\u003e\u003cstrong\u003eMotivetto\u003c\/strong\u003e\u003cspan\u003e (Merlini, Caniato \/ arr. S.Caniato) 4:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - \u003c\/span\u003e\u003cstrong\u003eBa-ba baciami piccina\u003c\/strong\u003e\u003cspan\u003e (Morbelli, Astore \/ arr. S.Caniato) 3:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - \u003c\/span\u003e\u003cstrong\u003eAmore baciami\u003c\/strong\u003e\u003cspan\u003e (Rossi, Testoni \/ arr. F.Castania) 3:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - \u003c\/span\u003e\u003cstrong\u003eHo un sassolino nella scarpa\u003c\/strong\u003e\u003cspan\u003e (Valci, Fernando \/ arr. F.Castania) 3:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - \u003c\/span\u003e\u003cstrong\u003eNon dimenticar le mie parole\u003c\/strong\u003e\u003cspan\u003e (D'Anzi, Bracchi \/ arr. F.Castania) 3:04\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 - \u003c\/span\u003e\u003cstrong\u003ePiccola radio\u003c\/strong\u003e\u003cspan\u003e (Merlini, Castania \/ arr. F.Castania) 2:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003eTi parlerò d'amor\u003c\/strong\u003e\u003cspan\u003e (Martinelli, Bracchi \/ arr. S.Caniato) 3:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eLa strada nel bosco\u003c\/strong\u003e\u003cspan\u003e (Nisa, Bixio \/ arr. F.Castania) 3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eCanta ancora marinaio\u003c\/strong\u003e\u003cspan\u003e (Merlini, Trentini \/ arr. P.Trentini) 2:54\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi y Luca Merlini, voz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"es\" class=\"western\"\u003e\u003cstrong\u003eTiempo total\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e38:20\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Project Classical Orchestra\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Ferroni\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eIvo Crepaldi\u003c\/strong\u003e\u003cspan\u003e, violín I\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Roveda\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eSilvia Avitabile\u003c\/strong\u003e\u003cspan\u003e, violín II\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLuigi Azzolina\u003c\/strong\u003e\u003cspan\u003e, viola\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLorenzo Corbolini\u003c\/strong\u003e\u003cspan\u003e, violonchelo\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Colpi\u003c\/strong\u003e\u003cspan\u003e, contrabajo\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Chesini\u003c\/strong\u003e\u003cspan\u003e, flauta\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMarco Milelli\u003c\/strong\u003e\u003cspan\u003e, clarinete, saxofón alto y tenor\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiorgio Beberi\u003c\/strong\u003e\u003cspan\u003e, saxofón barítono, clarinete bajo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"es\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\"...Se potessi avere\"\u003c\/strong\u003e\u003cbr\u003ees un afectuoso y conmovedor homenaje a la gran canción ligera italiana de los años '30 y '40 y, en definitiva, a esa época, tan atormentada y sufrida, pero aún impregnada de positividad, mirada hacia el futuro y valores que quizás hoy se han perdido un poco (sin mencionar la \"calidad\" de las canciones ligeras italianas de hoy...). Quiero subrayar que se trata de un homenaje y no, como ha sucedido a menudo en los últimos años en operaciones similares, de una caricatura o de una relectura en clave más o menos irónica, más o menos contaminada.\u003cbr\u003eDesde la realización de los arreglos se optó por una elección instrumental rigurosamente filológica respetando el organigrama típico de las agrupaciones orquestales de la época (ver, por ejemplo, las orquestas dirigidas por Cinico Angelini); para continuar luego con las elecciones exquisitamente interpretativas de los dos cantantes solistas (Luca Merlini y Giuliana Beberi), que han dedicado largos meses al estudio de los grandes protagonistas de la época y de su estilo, no tanto para \"copiarlo\", sino para hacerlo propio. Y el extraordinario resultado al final es evidente: no se imita a ninguno de los cantantes de la época, sino que Luca y Giuliana parecen provenir directamente de esos años.\u003cbr\u003eUn motivo adicional de interés, testigo del esfuerzo amoroso realizado, es la creación de tres nuevas piezas, compuestas en el estilo de la época, por los tres arregladores de todo el proyecto, que son los maestros Stefano Caniato, Fabrizio Castania y Patrik Trentini (este último también director de la orquesta, en el podio).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e96kHz \/ 24bit \/ 24 pistas grabación original realizada en Magister Recording Area, preganziol (Italia), 8 y 9 de abril de 2004\u003cbr\u003eRemix y remasterización en tiempo real realizados en VLS Studio, Naquera (España), 23 de marzo de 2024 \/ Flujo de trabajo:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREMIX:\u003c\/strong\u003e\u003cbr\u003e96\/24 reproductor DAW: \u003cstrong\u003eMAGIX SEQUOIA\u003c\/strong\u003e\u003cbr\u003e96kHz \/ 24bit \/ 24 pistas DA: \u003cstrong\u003eLYNX AURORA \"n\"\u003c\/strong\u003e\u003cbr\u003emezcla analógica: \u003cstrong\u003eRUPERT NEVE DESIGN 5059 + NEVE 8816\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREMASTERING:\u003c\/strong\u003e\u003cbr\u003ecompresor: \u003cstrong\u003eMASELEC MLA-2\u003c\/strong\u003e\u003cbr\u003eecualizador: \u003cstrong\u003eMASELEC MEA-2\u003c\/strong\u003e\u003cbr\u003elimitador: \u003cstrong\u003eMASELEC MPL-2\u003c\/strong\u003e\u003cbr\u003eRTR: \u003cstrong\u003eSTUDER A810 \u003c\/strong\u003e---\u0026gt; \u003cstrong\u003emáster analógico\u003c\/strong\u003e\u003cbr\u003e88.2kHz \/ 24bit AD: \u003cstrong\u003ePRISM SOUND AD2 DREAM\u003c\/strong\u003e ---\u0026gt; \u003cstrong\u003emáster digital HD\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStefano Caniato toca el BORGATO L 282 Piano de Concierto, afinado por Luigi Borgato\u003c\/strong\u003e\u003cbr\u003eProducción: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e (Velut Luna)\u003cbr\u003eGrabación, remix y remasterización: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDiseño y maquetación: \u003cstrong\u003eStudio L'Image\u003c\/strong\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Se-potessi-avere\" height=\"320\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"es\" class=\"western\"\u003e\u003cspan\u003e\u003ciframe width=\"480\" src=\"https:\/\/referencemusicstore.disco.ac\/e\/p\/18483276?download=false\u0026amp;s=BAMmE-ANl3n2eNTPr-KUoo-rIpM%3AMGR7YW5S\u0026amp;artwork=true\u0026amp;color=%2332B57C\u0026amp;theme=white\" name=\"disco-playlist-18483276\" id=\"disco-playlist-18483276\" height=\"395\" class=\"disco-embed\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 180gr. su Top Clear Vinyl + FILE HD","offer_id":49969282548059,"sku":"CVLD374LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":48993162363227,"sku":"CVLD374","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD374-cover.jpg?v=1748505599"},{"product_id":"il-cantante-al-microfono-eugenio-finardi","title":"Il Cantante al Microfono - Eugenio Finardi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eEl Cantante al Microfono - Eugenio Finardi \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(\u003cspan\u003eCVLD162\u003c\/span\u003e) CD y HD - VERSIÓN ORIGINAL 2007\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD386) LP y HD - VERSIÓN REMASTERIZADA 2024\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Il-Cantante-Al-Microfono\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRutas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - El horizonte\u003cbr\u003e02 - Del frente no ha vuelto\u003cbr\u003e03 - Gimnasia matutina\u003cbr\u003e04 - El vuelo interrumpido\u003cbr\u003e05 - La caza de lobos\u003cbr\u003e06 - El canto de la tierra\u003cbr\u003e07 - El cantante al micrófono\u003cbr\u003e08 - Caballos salvajes\u003cbr\u003e09 - El boxeador sentimental\u003cbr\u003e10 - El baño a la blanca\u003cbr\u003e11 - Variaciones sobre temas gitanos\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEl proyecto discográfico Il Cantante Al Microfono establece un puente entre la canción de autor y la música clásica contemporánea partiendo del gran actor, poeta y cantautor ruso Vysotsky, trágicamente fallecido en 1980, quien entendió y cantó el verdadero alma de su pueblo y por ello fue duramente criticado por el régimen soviético. Su música acompaña con melodías intrigantes, a veces de sabor balcánico, a veces con tonos orientales, a veces evocando antiguos tiempos de vals, los textos agudos y mordaces. Del corpus de sus más de 500 canciones, Eugenio Finardi y Filippo Del Corno han elegido una decena de títulos que son fuertemente representativos de la tensión ética, espiritual, política y de la ironía corrosiva que anima el trabajo de Vysotsky. Las canciones, ya traducidas al italiano por Sergio Secondiano Sacchi, han sido orquestadas para el conjunto instrumental Sentieri Selvaggi por el mismo Del Corno, en una versión que resalta la altísima calidad poética y musical de los versos de Vysotsky y permite el pleno despliegue de la extraordinaria potencia interpretativa de Eugenio Finardi.\u003cbr\u003eDe hecho, ha pasado un tiempo desde que Finardi acompaña su actividad como protagonista del rock de autor italiano con un profundo y riguroso trabajo de investigación vocal, que dejará asombrados a quienes no conocen el camino que lo ha llevado del fado, a su amado blues, hasta la música clásica contemporánea. La gráfica, muy refinada, ha sido diseñada por el Studio Convertino. En resumen, un proyecto que se alinea perfectamente con la línea productiva que siempre ha propuesto Velut Luna: originalidad en propuestas artísticamente y técnicamente de la máxima calidad.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eEugenio Finardi \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evoz \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eSentieri selvaggi\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e : \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaola Fre \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eflauta \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eMirco Ghirardini \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eclarinete \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaolo Pasqualin \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evibrafono \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eAndrea Rebaudengo \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003epiano \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePiercarlo Sacco \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eviolín \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaola Perardi \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eviolonchelo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eCarlo Boccadoro\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e dirección\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eSergio Secondiano Sacchi\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e traducción italiana\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eFilippo Del Corno\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e orquestación\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan size=\"2\"\u003eLa ópera ha ganado el Targa Tenco 2008, en la Sección intérpretes de canciones no propias\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003eGrabación analógica en vivo en estudio, mezcla y masterización original realizada en el estudio Magister Recording Area, Preganziol, Italia del 18 al 22 de diciembre de 2007\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eRe-mastering analógico realizado en VLS Studio, Naquera, España, el 4 de noviembre de 2024\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eGRABACIÓN ANALÓGICA\u003c\/u\u003e: \u003cb\u003eRTR Soundcraft Saturn 24 pistas \/ cinta de 2\" a 76 cm\/seg de velocidad de grabación\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eMEZCLA Y MASTERING ANALÓGICO\u003c\/u\u003e: \u003cb\u003eRTR Studer A820, 2 pistas, usando cinta de 1\/4\" a 38 cm\/seg de velocidad de grabación\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eRE-MASTERING ANALÓGICO\u003c\/u\u003e: \u003cb\u003eMaselec Analog Mastering Suite (MLA-2 \/ MEA-2 \/ MPL-2) a RTR Studer A810\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"DOPPIO LP 45 RPM","offer_id":49966477869403,"sku":"CVLD386LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"CD (2007)","offer_id":49967541027163,"sku":"CVLD162CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 88.2kHz · 24bit (2024 REMASTERIZADO)","offer_id":49542017253723,"sku":"CVLD386","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 88.2kHz · 24bit (2007)","offer_id":49539915186523,"sku":"CVLD162","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUT_LUNA_CVLD386_-_cover.jpg?v=1748505599"},{"product_id":"romantique-duniya-francesco-mascio","title":"ROMANTIQUE DUNIYA - Francesco Mascio","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003eFrancesco Mascio | ROMANTIQUE DUNIYA  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003cspan style=\"font-size: large;\"\u003eBBR2024FM02)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003e33 rpm vinilo 180 gr. edición numerada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLista de pistas Vinilo:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eA1 El Baile de Brigid 03:05\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA2 Sarah 05:54\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA3 Pensando en Farzad 03:40\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA4 La Canción de Vinicio 05:12\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA5 Tre Trifogli 03:17\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB1 Una Canción por la Paz 04:36\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB2 Pensando en Django 06:00\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB3 El Renacer de Lilith 04:13\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB4 Tarhindu 03:17\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eB5 Samsara 03:57\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eCopia de la cinta maestra de referencia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLista de pistas cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e1  El Baile de Brigid \u003c\/span\u003e\u003cspan\u003e03:05\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e2  Sarah \u003c\/span\u003e\u003cspan\u003e05:54\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e3  Pensando en Farzad \u003c\/span\u003e\u003cspan\u003e03:40\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e4  La Canción de Vinicio \u003c\/span\u003e\u003cspan\u003e05:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e5  Tre Trifogli \u003c\/span\u003e\u003cspan\u003e03:17\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e6  Una Canción por la Paz \u003c\/span\u003e\u003cspan\u003e04:36\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e7  Pensando en Django \u003c\/span\u003e\u003cspan\u003e06:00\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e8  El Renacer de Lilith \u003c\/span\u003e\u003cspan\u003e04:13\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e9  Tarhindu \u003c\/span\u003e\u003cspan\u003e03:17\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e10  Samsara \u003c\/span\u003e\u003cspan\u003e03:57\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/Romantique-Duniya\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLista de artistas:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSteve Wickham | violín (#1)\u003cbr\u003eChecco Pallone | percusión (#1, #8, #9)\u003cbr\u003eCarmine Ioanna | acordeón (#2, #4, #7)\u003cbr\u003eNicola Scagliozzi | contrabajo (#2, #4, #7, #10)\u003cbr\u003eDomenico Benvenuto | batería (#2, #4, #7)\u003cbr\u003ePericle Odierna | clarinetes (#3, #9)\u003cbr\u003eVito Cardellicchio | percusión (#3)\u003cbr\u003eClaudio Merico | violín (#5)\u003cbr\u003eLorenzo Beverati | bodhrán (#5)\u003cbr\u003eFabiana Dota | voz (#6)\u003cbr\u003eEsharef Alì Mhagag | voz (#6)\u003cbr\u003eGiovanni Imparato | voz \u0026amp; percusión (#6)\u003cbr\u003eAlberto La Neve | saxofón (#6)\u003cbr\u003eJalimansa Haruna Kuyateh | kora (#6)\u003cbr\u003ePaolo Mazziotti | bajo (#6)\u003cbr\u003eAntonella D’Avino | voz (#8)\u003cbr\u003eFarzad Basatpour | tambor (#8)\u003cbr\u003eDiletta Longhi | percusión (#9)\u003cbr\u003eFrancesco Mascio | guitarra clásica \u0026amp; composición (en todas las pistas)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRomantique Duniya - Francesco Mascio\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUn cautivador viaje sonoro a través de diversos paisajes musicales, ROMANTIQUE DUNIYA revela el rico tapiz de intercambios culturales que ha moldeado la música en todo el mundo. \u003c\/span\u003e\u003cspan\u003eSe oculta un mundo escondido, el de la música, trazado por hombres que han recorrido antiguos senderos, llevando sus tradiciones culturales desde el Lejano Oriente, fusionándolas con las que encontraron a lo largo del camino, en los nuevos territorios que atravesaron. \u003c\/span\u003e\u003cspan\u003eLas diez composiciones originales de Romantique Duniya cuentan sobre estos antiguos viajeros, los territorios que exploraron, las tradiciones desconocidas que encontraron y absorbieron, pero sobre todo hablan de la miríada de emociones que la esencia misma del viaje evoca en el espíritu humano. \u003c\/span\u003e\u003cspan\u003e\"Romantique Duniya\" alude al lenguaje universal de la música que trasciende las fronteras culturales. \u003c\/span\u003e\u003cspan\u003eAdemás de Italia, enriquecen la narrativa del álbum las contribuciones de un conjunto diversificado de músicos provenientes de Irlanda, Irán, Libia y Gambia. Estos virtuosos infunden a la música la autenticidad de sus instrumentos tradicionales, añadiendo profundidad y dimensión a las composiciones de Mascio. \u003c\/span\u003e\u003cspan\u003eLa yuxtaposición de instrumentos culturalmente diversos subraya la fe inquebrantable del compositor en el enriquecimiento que proviene de la confluencia de tradiciones y culturas musicales distintas. Esta mezcla armoniosa actúa como un poderoso testimonio de la noción de música como lenguaje universal, que trasciende fronteras y promueve un profundo sentido de liberación. \u003c\/span\u003e\u003cspan\u003eROMANTIQUE DUNIYA es un testimonio de la habilidad artística de Mascio y de su profunda pasión por la exploración de las infinitas posibilidades de la música. El álbum invita a los oyentes a una emisión sonora inolvidable, donde las antiguas tradiciones convergen con la sensibilidad contemporánea, creando una sinfonía de riqueza cultural y resonancia emocional.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCréditos:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCTOR: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella | BIRDBOX RECORDS Productor Ejecutivo: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompositor y arreglista: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIngeniero de grabación, mezcla y masterización: Lorenzo Vella - Nightingale Studios Asistente de mezcla: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiseñadora gráfica: Nerina Fernandez Fotografía: Simona Mililli\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eEQUIPO DE GRABACIÓN\/MIXING\/MASTERING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEste álbum fue grabado en el dominio analógico con archivo digital en calidad sin pérdida a 192 kHz \u003c\/span\u003e\u003cspan\u003e32\u003c\/span\u003e\u003cspan\u003e-bit utilizando un convertidor Metric Halo ULN8 3D de última generación. La mezcla y masterización se realizaron exclusivamente en el dominio analógico empleando un conjunto de equipos de válvulas externos de primera calidad.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEste enfoque combina sin esfuerzo la esencia atemporal del analógico con las capacidades de vanguardia del digital. Masterización en dominio analógico en RTM SM900 de alta salida en grabadora de cinta analógica Ampex ATR102 de 2 canales de 1\/2 pulgada.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEl amplio rango dinámico puede provocar problemas de seguimiento si su sistema no está calibrado de manera óptima.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas del vinilo:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEste vinilo se proporciona junto con un conveniente sobre protector de 40 micrones de grosor, reutilizable mediante una solapa de cierre de doble cara.\u003c\/p\u003e\n\u003cp\u003e\"Para garantizar la mejor experiencia de escucha posible, recomendamos encarecidamente limpiar este disco de vinilo con un limpiador ultrasónico de primera calidad antes de la reproducción.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas de la cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePara estas copias exclusivas en cinta, Lorenzo Vella realiza el máster analógico, que se transfiere a una STUDER A80 1\/4, desde AMPEX ATR102 1\/2. La cinta de un cuarto de pulgada se envía junto con una valiosa bobina de aluminio dentro de una elegante caja de lujo. Utilizamos solo cintas RecordingTheMasters.\u003cbr\u003eControl de calidad en grabadoras de cinta Sony AR5003V, Otari MX55 y Telefunken M15A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDatos técnicos de la cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanales\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 estéreo - 1⁄4 pulgada\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVelocidades de cinta\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEcualización\u003c\/strong\u003e:  CCIR (NAB a pedido)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModelo de cinta:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Cinta de Estudio de Larga Duración ¼\" 1100m - RecordingTheMasters (versión de larga duración de SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49659830174043,"sku":"BBR2024FM02VYN","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_76ab910618414682870df733400bb59b_mv2.webp?v=1734448294"},{"product_id":"odisseya-cristiano-giardini","title":"ODISSEYA - Cristiano Giardini","description":"\u003ch3 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003e\n\u003cstrong\u003eCristiano Giardini | Odisseya\u003c\/strong\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023CG01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003e33 rpm vinilo 180 gr. edición numerada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLista de pistas del vinilo:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLADO A\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003col\u003e\n\u003cli\u003eIl Viaggio (Ταξίδι) 06:39\u003c\/li\u003e\n\u003cli\u003eLa Tela (Ο καμβάς) 06:05\u003c\/li\u003e\n\u003cli\u003eLa Tempesta (Η καταιγίδα) 08:50\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eLADO B\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan\u003eIl Ciclope \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΟ Κύκλωπας\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e08:44\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eIl Silenzio \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΣιωπή\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e05:42\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLe Mille Stelle \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΤα χίλια αστέρια\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e07:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003eCopia de la Cinta Maestra de Referencia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLista de pistas de la cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e1  \u003c\/span\u003e\u003cspan\u003eIl Viaggio \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan\u003eΤαξίδι\u003c\/span\u003e\u003cspan\u003e) \u003c\/span\u003e\u003cspan\u003e06:39\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2  \u003cspan style=\"font-size: 0.875rem;\"\u003eLa Tela \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΟ κα\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eμ\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eβάς\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e06:05\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e3  \u003cspan style=\"font-size: 0.875rem;\"\u003eLa Tempesta \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΗ καταιγίδα\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e08:50\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e4  \u003cspan style=\"font-size: 0.875rem;\"\u003eIl Ciclope \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΟ Κύκλωπας\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e08:44\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e5  \u003cspan style=\"font-size: 0.875rem;\"\u003eIl Silenzio \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΣιωπή\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e05:42\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e6  \u003cspan style=\"font-size: 0.875rem;\"\u003eLe Mille Stelle \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΤα χίλια αστέρια\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e07:12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e7  \u003cspan style=\"font-size: 0.875rem;\"\u003eIl Sogno \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e(\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eΤο όνειρο\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e04:30\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/Odisseya\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReparto:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCristiano Giardini \u003c\/span\u003e\u003cspan\u003esaxofón tenor y soprano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaolo Recchia \u003c\/span\u003e\u003cspan\u003esaxofón alto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLuca Mannutza \u003c\/span\u003e\u003cspan\u003epiano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKim Baiunco \u003c\/span\u003e\u003cspan\u003econtrabajo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSasha Mashin \u003c\/span\u003e\u003cspan\u003ebatería\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\"\u003e\u003cstrong\u003eCréditos:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCTOR: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella \u003c\/span\u003e\u003cspan\u003e| BIRDBOX RECORDS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProductor ejecutivo: Lorenzo Vella\u003cbr\u003eCompositor y arreglista: Cristiano Giardini\u003cbr\u003eGrabado en Nightingale Studios (Palombara Sabina, Roma) Ingeniero de grabación\/mezcla\/masterización: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColaborador: Massimo La Manna\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiseñadora gráfica: Nerina Fernandez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFotografía y video: Andrea Tomarchio\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eEQUIPO DE GRABACIÓN\/MEZCLA\/MASTERIZACIÓN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEste álbum fue grabado en el dominio analógico con almacenamiento en dominio digital en calidad sin pérdida a 192 kHz 32 bits utilizando un convertidor de última generación Metric Halo ULN8 3D. La mezcla y el masterizado se realizaron exclusivamente en el dominio analógico utilizando una suite de equipos externos de válvulas de primera calidad. Este enfoque integra perfectamente la esencia atemporal del analógico con las funcionalidades de vanguardia del digital. \u003cspan\u003eCinta Maestra Original: RTM SM900 de alta salida en \u003cstrong\u003eAmpex ATR102 grabadora de cinta analógica de 2 canales de 1\/2 pulgada\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas del vinilo:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinilo Bio 180 gr. 12\" negro 33rpm edición numerada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEste vinilo se proporciona con un conveniente sobre protector de 40 micrones de grosor, que se puede cerrar mediante una solapa adhesiva. \"Para garantizar la mejor experiencia de escucha posible, recomendamos encarecidamente limpiar este disco de vinilo con un limpiador ultrasónico de primera calidad antes de la reproducción.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas de la cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanales\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 estéreo - 1⁄4 pulgada\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVelocidades de cinta\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEcualización\u003c\/strong\u003e: CCIR (NAB a pedido)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModelo de cinta:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCinta de estudio LPR90 Long-Play ¼\" 1100m - RecordingTheMasters (versión de larga duración de SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49712017801563,"sku":"BBR2023CG01VYN","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_439233a3e19341c29d4da487781274b5_mv2.webp?v=1734446775"},{"product_id":"anamorfosi-fiorentino-quartarone","title":"ANAMORFOSI - Fiorentino, Quartarone","description":"\u003ch2 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003eU.Fiorentino \u0026amp; C. Quartarone | ANAMORFOSI \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(BBR2023FIQU01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eDisponible en CD, Cinta y archivo HD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLista de pistas CD, Cinta y archivo HD:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTodos nosotros 04:31\u003c\/li\u003e\n\u003cli\u003e2. Caminos de brida 04:53\u003c\/li\u003e\n\u003cli\u003e3. Mira las estrellas 05:24\u003c\/li\u003e\n\u003cli\u003e4. ¿Qué dijiste? 02:52\u003c\/li\u003e\n\u003cli\u003e5. De la nada 06:56\u003c\/li\u003e\n\u003cli\u003e6. Ok, lo tengo 03:41\u003c\/li\u003e\n\u003cli\u003e7. En un estado sentimental 05:19\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/birdboxrecords.lnk.to\/Anamorfosi\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Capturado en el alma cálida del analógico y preservado en la nitidez del digital. Este álbum es un viaje sensorial único, donde la autenticidad del sonido analógico se encuentra con la precisión de la grabación a 192 kHz\/24 bits, gracias al convertidor Metric Halo ULN8 3D. El toque final, completamente analógico, con una suite de equipos externos a válvulas de excelencia, otorga a este disco una profundidad y emoción sin igual.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCinta maestra original: RTM SM900 de alta salida en grabadora de cinta analógica Ampex ATR102 de 2 canales de 1\/2 pulgada\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReparto:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUmberto Fiorentino guitarra archtop\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClaudio Quartarone guitarra eléctrica\/clásica\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCRÉDITOS ESPECIALES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUmberto toca habitualmente guitarras construidas por Nico Moffa, Stefan Schottmueller, D'Angelico Guitars y Fulvio Cappelli. \u003c\/span\u003e\u003cspan\u003eEn este álbum suena una guitarra construida por Leonardo Manni, modelo “Trevi”. Claudio Quartarone toca: guitarra eléctrica y guitarra clásica Domenico Spada.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eCréditos:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\n\u003cspan\u003ePRODUCTOR: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIngeniero de grabación: Lorenzo Vella (grabación con micrófono cercano pista 1)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eIngeniero de grabación: Matteo Spinazzè Savaris (pista de grabación binaural 2-3-4-5-6-7)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cspan\u003eIngeniero de mezcla\/masterización: Lorenzo Vella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eEQUIPO DE MEZCLA\/MASTER TAPE: Consola de mezcla analógica personalizada Argentini EP6000 (1973) Ampex ATR102 2 pistas 1\/2 pulgada 15 ips, Studer A80\/RC 2 pistas 1\/4 pulgada 15 ips\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eMonitoreo: Neumann HK120, B\u0026amp;W802 serie 3, Tannoy Super Red Monitor SRM15\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eTorno de corte Neumann VMS70 equipado con cabezal de corte Ortofon DSS821. Electrónica de corte de tubo completa \u003cspan style=\"font-size: 0.875rem;\"\u003epor Roberto e Chiara Barbolini\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eDiseño visual y gráfico: Nerina Fernandez\u003c\/li\u003e\n\u003cli class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003eFotografía detrás del escenario: Nightingale Studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eGRABACIÓN DE SESIÓN BINAURAL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEn la pista 7, la base rítmica se grabó en vivo con alta calidad\u003cbr\u003eestéreo hi-fi. \u003c\/span\u003e\u003cspan\u003eReproductor Macbook pro - Convertidor Metric Halo ULN8 3D 192khz\/32bit -\u003cbr\u003ePre-amplificador Audio Research LS1 - McIntosh MC500 - B\u0026amp;W 802 D Nautilus\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eGrabado, mezclado y masterizado en Nightingale Studios - Palombara Sabina (RM) Italia. 3 de noviembre de 2019 y 20 de febrero de 2022. \u003c\/span\u003e\u003cspan\u003e℗© \u003c\/span\u003e\u003cspan\u003e2022 Birdbox Records s.r.l.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLos CD, producidos y enviados directamente desde nuestra fábrica, se prueban inmediatamente antes del envío en varios reproductores, para dar la máxima garantía de funcionamiento a pesar de la masterización en glass-master realizada en fábrica.\u003c\/p\u003e\n\u003cp\u003eLos reproductores utilizados son: Studer A727 - Emt 981\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas del vinilo:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinilo 180 gr. 12\" COLOR edición numerada 33rpm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEste vinilo se proporciona junto con una cómoda funda protectora de 40 micrones, reutilizable mediante una solapa de cierre de doble cara. \"Para garantizar la mejor experiencia de escucha posible, recomendamos encarecidamente limpiar este disco de vinilo con un limpiador ultrasónico de primera calidad antes de la reproducción.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas de la cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePara estas copias exclusivas en cinta, Lorenzo Vella realiza el máster analógico, que se transfiere a un STUDER A80 1\/4, a través de AMPEX ATR102 1\/2. La cinta de un cuarto de pulgada se envía luego junto con una valiosa bobina de aluminio dentro de una elegante caja de lujo. Utilizamos solo cintas RecordingTheMasters.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eControl de calidad en los grabadores de cinta Sony AR5003V y Otari MX55.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCada caja personalizada hecha a mano contiene una funda profesional, un inserto gráfico, una carta de agradecimiento, un certificado de garantía, un certificado de autenticidad de trabajo analógico puro y cada set está numerado a mano.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanales\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 estéreo - 1⁄4 pulgada\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVelocidades de cinta\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEcualización\u003c\/strong\u003e: CCIR (NAB a pedido)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModelo de cinta:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCinta de estudio LPR90 Long-Play ¼\" 1100m - RecordingTheMasters (versión de larga duración de SM 900)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49712453484891,"sku":"BBR2023FIQU01VYN","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":49712505454939,"sku":"BBR2023FIQU01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_0be74a574ce1451a9aca520b8f4e54eb_mv2.png?v=1742557905"},{"product_id":"imaginary-place-paolo-recchia","title":"LUGAR IMAGINARIO - Paolo Recchia","description":"\u003ch2 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003ePaolo Recchia | Lugar imaginario \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023PR01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003eEdición numerada de vinilo 180 gr. a 33 rpm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLista de pistas Vinilo, CD y Cinta:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWork (Thelonious Monk) 07:27\u003c\/li\u003e\n\u003cli\u003e1. All Rise (Ben Van Gelder) 06:39\u003c\/li\u003e\n\u003cli\u003e2. Zhivago (Kurt Rosenwinkel) 08:22\u003c\/li\u003e\n\u003cli\u003e3. Too Marvelous for Words (Richard Whiting) 05:58\u003c\/li\u003e\n\u003cli\u003e4. Emmanina (Paolo Recchia) 07:25\u003c\/li\u003e\n\u003cli\u003e5. Esc (Luca Mannutza) 08:59\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/birdboxrecords.lnk.to\/Imaginary-Place\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Capturado en el alma cálida de lo analógico y preservado en la nitidez de lo digital. Este álbum es un viaje sensorial único, donde la autenticidad del sonido analógico se encuentra con la precisión de la grabación a 192 kHz\/24 bits, gracias al convertidor Metric Halo ULN8 3D. El toque final, completamente analógico, con una suite de equipos externos de válvulas de excelencia, otorga a este disco una profundidad y emoción sin igual.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaster original: cinta RTM SM900 de alta salida en grabadora de cinta analógica Ampex ATR102 de 2 canales y 1\/2 pulgada\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormación:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaolo Recchia saxofón\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Mannutza piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuseppe Romagnoli contrabajo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicola Angelucci batería\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCRÉDITOS ESPECIALES\u003c\/strong\u003e\u003cbr\u003ePaolo Recchia toca: Selmer Mark VI, boquilla Meyer y ligaduras Nino Sortino Técnico de instrumentos de viento: Daniele Vagnetti\u003cbr\u003eLuca Mannutza toca Yamaha C3\u003cbr\u003eNicola Angelucci toca baquetas de la firma Ideas for drummers\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\"\u003e\u003cstrong\u003eCréditos:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProductor\u003c\/strong\u003e: Lorenzo Vella\u003cbr\u003e\u003cstrong\u003eProductor Ejecutivo\u003c\/strong\u003e: Paolo Recchia, Lorenzo Vella\u003cbr\u003e\u003cstrong\u003eIngeniero de Grabación\u003c\/strong\u003e: Matteo Spinazzè Savaris\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIngeniero de Mezcla\u003c\/strong\u003e: Lorenzo Vella\u003cbr\u003e\u003cstrong\u003eIngeniero de Masterización\u003c\/strong\u003e: Bob Katz\u003cbr\u003e\u003cstrong\u003eAsistentes de Estudio\u003c\/strong\u003e: Sandro Profeta, Valerio Vella, Elisabetta Innocenzi\u003cbr\u003e\u003cstrong\u003eDiseño visual y gráfico\u003c\/strong\u003e: Nerina Fernandez Fotografía de backstage: Nightingale Studios\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLos CD, producidos y enviados directamente desde nuestra fábrica, son probados inmediatamente antes del envío en varios reproductores, para garantizar el máximo funcionamiento a pesar de la masterización en glass-master realizada en fábrica. Los reproductores utilizados son: Studer A727 - Emt 981\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas del Vinilo:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinilo 180 gr. 12\" COLOR 33rpm edición numerada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEste vinilo se proporciona junto con un conveniente sobre protector de 40 micrones, que se puede cerrar mediante una solapa adhesiva. \"Para garantizar la mejor experiencia de escucha posible, recomendamos encarecidamente limpiar este disco de vinilo con un limpiador ultrasónico de primera calidad antes de la reproducción.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCaracterísticas de la Cinta:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePara estas copias exclusivas en cinta, Lorenzo Vella realiza el máster analógico, que se transfiere a un STUDER A80 1\/4, por AMPEX ATR102 1\/2. La cinta de un cuarto de pulgada se envía junto con un valioso carrete de aluminio dentro de una elegante caja de lujo. Solo utilizamos cintas de RecordingTheMasters.\u003c\/p\u003e\n\u003cp\u003eControl de calidad en grabadoras de cinta Sony AR5003V y Otari MX55\u003c\/p\u003e\n\u003cp\u003eCada caja personalizada hecha a mano contiene un estuche profesional, un inserto gráfico, una carta de agradecimiento, un certificado de garantía, un certificado de autenticidad de trabajo puramente analógico, y cada conjunto está numerado a mano.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePistas\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: 2 estéreo - 1⁄4 pulgada\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVelocidades de Cinta\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEcualización\u003c\/strong\u003e:  CCIR (NAB a pedido)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModelo de Cinta:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLPR90 Cinta de Estudio de Larga Duración ¼\" 1100m - RecordingTheMasters (versión de larga duración de SM 900)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNivel de referencia:\u003c\/strong\u003e 320 nWb\/m\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49728947192155,"sku":"BBR2023PR01VYN","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":49728947224923,"sku":"BBR2023PR01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/b26284_3bb61603524944a193ceef6b6a8bc936_mv2.webp?v=1734633072"},{"product_id":"gershwin-hallo-mr-sax-saxophone-orchestra","title":"GERSHWIN - Hola Sr. Sax | Saxophone Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eGEORGE GERSHWIN - Hola Sr. Sax, orquesta de saxofones\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cem\u003eDisponible en: LP (incluido el archivo HD); MASTERCLONE BLACK CD (incluido el archivo HD); ARCHIVO HD; BUNDLE \u003c\/em\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eLP+MASTERCLONE BLACK+ARCHIVO HD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cu\u003eLADO A \u003c\/u\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003ci\u003e\u003cu\u003e– 16:28\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eRHAPSODY IN BLUE\u003c\/b\u003e \u003cspan style=\"font-size: small;\"\u003e16:28 \u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Paolo Zannini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003eLADO B \u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e– 19:49\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan lang=\"en-US\"\u003e\u003cb\u003eOVERTURA CUBANA\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e10:41 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Pierluigi Alessandrini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eVARIACIONES I GOT RHYTHM, PARA PIANO Y ORQUESTA\u003c\/b\u003e\u003cspan style=\"font-size: 0.875rem;\" lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e9:07 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Paolo Zannini\u003c\/i\u003e\u003ci style=\"font-size: small;\"\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ci style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cem\u003eDisponible en: MASTERCLONE BLACK (CVLD404); Archivo HD REMASTER 2025\u003c\/em\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e(CVLD403HD); \u003ci style=\"font-size: small;\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cem\u003eArchivo HD VERS. 2003\u003c\/em\u003e (CVLD083)\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan lang=\"en-US\"\u003e\u003cb\u003eRHAPSODY IN BLUE\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e16:28 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Paolo Zannini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOVERTURA CUBANA\u003c\/b\u003e\u003cspan lang=\"en-US\" style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e10:41 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Pierluigi Alessandrini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eVARIACIONES I GOT RHYTHM, PARA PIANO Y ORQUESTA\u003c\/b\u003e \u003cspan style=\"font-size: small;\"\u003e9:07 \u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Paolo Zannini\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSUITE PORGY AND BESS\u003c\/b\u003e\u003cspan lang=\"en-US\" style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e14:08 \u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"font-size: small;\"\u003eArreg. Stefano Nanni\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHOLA SR. SAX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTiziano Rossi, saxofón sopranino\u003c\/p\u003e\n\u003cp\u003eStefano Menato, Emiliano Rodriguez, saxofón soprano\u003c\/p\u003e\n\u003cp\u003eMario Giovannelli, Roberto Favaro, Enrico Dellantonio, saxofón alto\u003c\/p\u003e\n\u003cp\u003eStefano Marzi, Elena Ducoli, Barbara Morelli, saxofón tenor\u003c\/p\u003e\n\u003cp\u003eAlessandro Creola, Pierluigi Alessandrini, saxofón barítono\u003c\/p\u003e\n\u003cp\u003eGiorgio Beberi, saxofón bajo\u003c\/p\u003e\n\u003cp\u003eMario Marzi, director\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003ePaolo Zannini,\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e piano de cola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eGrabación digital original de multitrack a 96kHz \/ 24bit, realizada en el Auditorio Público, Chiuppano, Italia \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eEl 26 y 27 de abril de 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRemezcla analógica de la grabación original de multitracks, realizada en VLS Studio, Naquera, España\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eEl 10 de octubre de 2025, utilizando equipo analógico completo de la consola de mezcla Rupert Neve Design y dispositivos de masterización analógica Maselec, directo a cinta maestra de ¼” a 38cm\/sec por Studer A810\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eProducción: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eProductores musicales\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e: Hola Sr. Sax y Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eIngeniero de grabación: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eIngeniero asistente: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eGiorgio Bruni\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eIngeniero de remezcla y re-masterización: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eMarco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiseño: L’Image\u003c\/p\u003e\n\u003cp\u003eA menudo el público asocia el saxofón a los géneros musicales más modernos, desde el jazz hasta la música pop, y no sin razón.\u003c\/p\u003e\n\u003cp\u003ePero en realidad es un instrumento que ha sido utilizado con gran provecho también en el ámbito llamado “clásico”, desde ya finales del siglo XIX y durante todo el siglo XX y hasta hoy, sobre todo en el ámbito de grandes obras orquestales, pero también en la música llamada de cámara. Compositores fundamentales como Stravinsky, Ravel, Milhaud y muchos otros han sabido captar las muchas facetas del sonido de este instrumento que forma parte de la familia de los metales, valorando tanto la amalgama sonora, cuando se agrupa en conjunto, como la verve solista peculiar.\u003c\/p\u003e\n\u003cp\u003eLa orquesta Hallo Mr. Sax es una de las formaciones más originales hoy en actividad: está compuesta por 14 extraordinarios solistas (12 saxofones y 2 percusiones) reunidos en este particular organico, que sabe aprovechar al máximo toda la vasta gama de saxofones existentes con 1 sopranino, 2 soprano, 3 contraltos, 3 tenores, 2 barítonos y 1 bajo. Las diversas voces, por lo tanto, desde los tonos más agudos hasta los más profundos logran transformar un organico aparentemente reducido, en dimensiones y en variedad de colores, que no hacen extrañar las dimensiones de la gran orquesta sinfónica, sin embargo sugiriendo matices y colores peculiares y únicos.\u003c\/p\u003e\n\u003cp\u003eLa música del gran George Gershwin, al fin, un punto de encuentro perfecto entre los estilos de la llamada música clásica y las sugerencias y los matices de la tradición popular americana del jazz y del blues, exalta al máximo nivel la potencia y la emoción del resultado.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":51694770258267,"sku":"CVLD403LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"MASTECLONE BLACK CD","offer_id":51694983610715,"sku":"CVLD404MCB","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 96kHz · 24bit - REMASTER 2025","offer_id":51694770225499,"sku":"CVLD403HD","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 96kHz · 24bit - VERS. 2003","offer_id":49758955372891,"sku":"CVLD083","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"PAQUETE LP+MASTERBLACK+ARCHIVO HD","offer_id":51695452586331,"sku":"CVLD403404B","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-403.jpg?v=1762449337"},{"product_id":"gold-fingers-30-anniversary-massimo-salvagnini-quintet-patrizia-laquidara","title":"DEDOS DE ORO - 30° ANIVERSARIO - Massimo Salvagnini Quinteto, Patrizia Laquidara","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eGOLD FINGERS - 30° ANIVERSARIO \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(\u003cspan\u003eCVLD391\u003c\/span\u003e) (\u003cspan\u003eCVLD086\u003c\/span\u003e) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eDisponible en:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: left;\"\u003eVINILO AUDIOFILO - EDICIÓN LIMITADA CON FILE MASTER HD (prevendita)\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eFILE MASTER HD (con 4 pistas extra)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eAutori\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eH. HUPFELD, J. BARRY, J. MANDEL, R. ORBISON, R. SHERMAN, L. ROBIN - J. STYNE, J. KANDER - F. EBB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEsecutori\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eMASSIMO SALVAGNINI QUINTET, P. LAQUIDARA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eRutas LP:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eLATO A \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e21:47\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e01 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eA MEDIDA QUE PASA EL TIEMPO\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Herman Hupfeld) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e7:25\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e02 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eGOLDFINGER\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (John Barry) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:49\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003econ Patizia Laquidara\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e03 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eYOU ONLY LIVE TWICE\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (John Barry) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e6:19\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e04 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eOH, MUJER BONITA\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Roy Orbison) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e5:11\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eLATO B\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e 19:02\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e01 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eEL SUICIDIO NO DUELE\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Johnny Mandel) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e7:50\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e02 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eTEMA DE TAXI DRIVER\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Bernard Hermann) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e5:11\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e03 –\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eBYE BYE BABY\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e (Leo Robin, Jule Styne) \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e6:00\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMassimo Salvagnini\u003c\/b\u003e, saxofón tenor\u003cbr\u003e\u003cb\u003eStefano Bassato\u003c\/b\u003e, guitarra\u003cbr\u003e\u003cb\u003eFranco Lion\u003c\/b\u003e, contrabajo\u003cbr\u003e\u003cb\u003ePaolo Balladore\u003c\/b\u003e, batería\u003cbr\u003e\u003cb\u003ePaolo Vidaich\u003c\/b\u003e, percusiones\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePatrizia Laquidara\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eaparece cortesía de Rossodisera Ed. Mus. \u003cbr\u003ey Genius Records por Renato Venturiero\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eGrabación digital original a 96kHz \/ 24bit, realizada en el Teatro Polivalente, \u003cbr\u003eAbano Terme, Italia, el 24 y 25 de agosto de 2003\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eRe-masterización analógica realizada en VLS Studio, Naquera, España\u003cbr\u003eel 8 de marzo de 2025\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eProducción:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto para VELUT LUNA\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eIngeniero de grabación:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eIngenieros de mezcla:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto y Matteo Costa\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eIngeniero de masterización:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eDiseño y maquetación:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e L’Image\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eFoto:\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e Marco Lincetto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRutas FILE HD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 A medida que pasa el tiempo 7:27\u003cbr\u003e   Herman Hupfeld\u003c\/li\u003e\n\u003cli\u003e2 Tema de You only live twice 6:17\u003cbr\u003e   John Barry\u003c\/li\u003e\n\u003cli\u003e3 El suicidio no duele 7:52\u003cbr\u003e   Johnny Mandel\u003c\/li\u003e\n\u003cli\u003e4 Goldfinger,\u003cbr\u003e   con PATRIZIA LAQUIDARA 2:47\u003cbr\u003eJohn Barry\u003c\/li\u003e\n\u003cli\u003e5 Oh, mujer bonita 5:13\u003cbr\u003e   Roy Orbison\u003c\/li\u003e\n\u003cli\u003e6 Tema de Taxi Driver 5:13\u003cbr\u003e   Bernard Hermann\u003c\/li\u003e\n\u003cli\u003e7 Una cucharada de azúcar 5:22\u003cbr\u003e   Richard Sherman\u003c\/li\u003e\n\u003cli\u003e8 Goldfinger (versión instrumental) 3:55\u003cbr\u003e   John Barry\u003c\/li\u003e\n\u003cli\u003e9 Cabaret 8:08\u003cbr\u003e   John Kander \/ Fred Ebb\u003c\/li\u003e\n\u003cli\u003e10 Bye bye baby 6:03\u003cbr\u003e   Leo Robin \/ Jule Styne\u003c\/li\u003e\n\u003cli\u003e11 Goldfinger (versión instrumental, C.H. como) 3:04\u003cbr\u003e   John Barry\u003cbr\u003eTiempo total: 61:25\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Gold-Fingers\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eConsideraciones introductorias de Radu Lidjienko\u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003eEl cine ha entrado en nosotros porque está hecho de imaginación, fantasía, sueño, ilusión, es decir, las mismas cosas de las que está hecha nuestra vida. Siempre estamos inmersos en fantasías de todo tipo, desde positivas hasta negativas, desde alegres hasta dramáticas. Cada uno, en su momento, prefiere una y se apega a ella, eligiendo para sí la película más adecuada. Nadie puede liberarse del sueño. Las personas deprimidas viven una versión fantástica de su terrible pasado y de su horrible futuro. Todos reinventamos cada día nuestro pasado y nuestro futuro. Los hechos no se desarrollaron como los recordamos, y nada sucederá de la manera en que lo hemos previsto. Hemos recordado decenas de pasados diferentes y soñado miles de futuros diferentes. Nada logra arrancarnos de nuestras fantasías, desde el primer día de vida. Creo que es una de nuestras características, y no un defecto. Sería imposible para nosotros prescindir de ello y seguir viviendo. Incluso las personas más pragmáticas, o incluso cínicas, están atrapadas en una fantasía, tal vez la de vivir en un mundo frío, desolado, pobre en belleza y emociones, o poblado por seres estúpidos o malignos. El filósofo sueña con haber aclarado la situación del Hombre en el universo, la persona religiosa sueña con ser perdonada por su dios por las atrocidades que ha hecho y que hará. Algunos sueñan con vivir en un mundo en el que solo sufre quien es inferior e irrelevante, para poder disfrutar de su riqueza sin vergüenza. Otros más ven el sufrimiento, pero viven el sueño de poder combatirlo. Los músicos viven el sueño de hacer felices a sus semejantes. Quien escucha música vive en el sueño de que los músicos son criaturas especiales y sumergidas en una vida llena de estímulos y satisfacción. Los productores musicales viven en el sueño de haber producido música de altísimo nivel, y que esto les será reconocido algún día. Yo sueño que un día será posible encontrarnos todos en el mismo lugar, para reírnos a carcajadas.\u003c\/p\u003e\n\u003cp\u003eLisbona, septiembre 2003\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50426410467675,"sku":"CVLD391LP","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO HD 96kHz · 24bit","offer_id":49759073534299,"sku":"CVLD086","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD391-cover.jpg?v=1744619220"},{"product_id":"my-standards-francesco-mascio","title":"MIS ESTÁNDARES - Francesco Mascio","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eFrancesco Mascio | MY STANDARDS  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023FM01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003e33 rpm vinyl 180 gr. numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list Vinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKarma Mood\u003c\/li\u003e\n\u003cli\u003eSamba Stramba\u003c\/li\u003e\n\u003cli\u003eMattia\u003c\/li\u003e\n\u003cli\u003eSeven Bop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Poke for You\u003c\/li\u003e\n\u003cli\u003eBlack Mama\u003c\/li\u003e\n\u003cli\u003eNotes from the Hearth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list CD:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKarma Mood\u003c\/li\u003e\n\u003cli\u003eSamba Stramba\u003c\/li\u003e\n\u003cli\u003eA poke for you\u003c\/li\u003e\n\u003cli\u003eBlues Minove\u003c\/li\u003e\n\u003cli\u003eEsharef’s moment\u003c\/li\u003e\n\u003cli\u003eMattia\u003c\/li\u003e\n\u003cli\u003eBlack mama\u003c\/li\u003e\n\u003cli\u003eSeven bop\u003c\/li\u003e\n\u003cli\u003eSoul of New York\u003c\/li\u003e\n\u003cli\u003eNotes from the heart\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine up Vinyl:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrancesco Mascio | guitars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto La Neve | sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaolo Mazziotti | bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicola Scagliozzi | doublebass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDomenico Benvenuto | drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLine up CD:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrancesco Mascio | guitars\u003cbr\u003eEsharef Alì Mhagag | voice\u003cbr\u003eAlberto La Neve | sax\u003cbr\u003ePaolo Mazziotti | bass\u003cbr\u003eNicola Scagliozzi | doublebass\u003cbr\u003eDomenico Benvenuto | drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy Standards - Francesco Mascio\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAbout ten years after his first recording release \"Europa Jazz Quartet\" and after eight albums characterized by the use of the most disparate stylistic ingredients, Francesco Mascio returns to his origins with a new work inspired by the jazz tradition: \"My Standards\". As the album title suggests, this is a production entirely composed of original pieces, eight of which are the result of songwriting matured over the years, while the compositions 'Esharef's Moment' and 'Soul of New York' are the result of ensemble experimentation based on the concept of radical improvisation. Although the album's theme is strongly focused on jazz, Mascio does not fail to express a marked versatility, which he manifests through the skillful use of numerous stylistic influences (Latin, world, soul, free, classical, and more) and his peculiar jazz crossover tuned to 432 Hertz. The album concludes with the solo classical guitar composition \"Notes from the heart\", from which Mascio reveals a dense emotional component, already strongly marked throughout his work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sMgpOzd o_waQ4x---typography-11-runningText o_waQ4x---priority-7-primary _HOcyB fNY6IC sxbtulv\"\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePRODUCER: \u003c\/span\u003e\u003cspan\u003eLorenzo Vella | BIRDBOX RECORDS Executive Producer: Lorenzo Vella\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComposer and arranger: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording, Mixing, Mastering engineer: Lorenzo Vella - Nightingale Studios Mixing Assistant: Francesco Mascio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraphic designer: Nerina Fernandez Photography: Simona Mililli\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eRECORDING\/MIXING\/MASTERING EQUIPMENT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis album was recorded in the analog domain with digital archiving in lossless quality at 192 kHz \u003c\/span\u003e\u003cspan\u003e32\u003c\/span\u003e\u003cspan\u003e-bit using a state- of-the-art Metric Halo ULN8 3D converter. Mixing and mastering were performed exclusively in the analog domain employing a top-notch suite of external tube gear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis approach seamlessly blends the timeless essence of analog with the cutting-edge capabilities of digital. Mastering in analog domain on RTM SM900 high-output on Ampex ATR102 2-channel 1\/2-inch analog tape recorder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe wide dynamic range may lead to tracking issues if your system is not optimally calibrated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis vinyl is supplied with a convenient protective sleeve, 40 micron thick, resealable with an adhesive flap.\u003c\/p\u003e\n\u003cp\u003e\"To ensure the best possible listening experience, we highly recommend cleaning this vinyl record with a premium ultrasonic cleaner before playback.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003eCDs, produced and shipped directly from our factory, are tested immediately before shipment on various players, to provide the maximum guarantee of functionality despite the glass-master burning carried out in the factory.\u003c\/p\u003e\n\u003cp\u003eThe players used are: Studer A727 - Emt 981\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":49939736396123,"sku":"BBR2023FM01VYN","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49939736428891,"sku":"BBR2023FM01CD","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_bf0437bfd07442799375546f854e2e30_mv2.webp?v=1737571610"},{"product_id":"stop-at-the-devil-s-crossroad-nik-lee-the-jingle-fellas","title":"Detente en el Cruce del Diablo - Nik Lee \u0026 The Jingle Fellas","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eStop At The Devil's Crossroad\u003c\/strong\u003e (CVLD378)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eAUDIOPHILE PRESSING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eAA. VV.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eNik Lee \u0026amp; The Jingle Fellas\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cem\u003eAvailable in: HD File (10 tracks), 150gr LP\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e \u003cspan\u003eA SIDE - 7:52 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e1st - Good Morning Blues - traditional - 4:31\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e2nd - Catfish Blues - traditional - 3:48\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e3rd - Shake That Thing - traditional - 3:47\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e4a - Black Dog Blues - traditional - 4.30\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e5a - New York City - traditional - 3:13\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB SIDE - 19:42\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e1b - Make Me Down A Pallet On Your Floor - traditional - 3:28\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e2b - They're Red Hot - Robert Johnson - 3:43\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e3b - Hey Hey Daddy Blues - traditional - 2:33\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e4b - Walking My Troubles Away - traditional - 5:36\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e5b - Early Morning Blues - traditional - 4:22\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Stop-at-the-Devils-Crossroad\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e24bit\/88.2kHz original digital recording made at Magister Recording Area Studio, Preganziol (Italy)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eon April 17 - 19, 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eAnalog mixing and mastering made at MLStudio, Naquera (Spain) on May 16, 2024\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eProduction: Marco Lincetto for VELUT LUNA\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMusical producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecording, Mixing and Mastering Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePhotos: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eDesign and Layout: The Image\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eSlavery, the denial of fundamental rights, and the disregard for individual African-Americans contributed to the birth of the Blues, a popular music, the synthesis and product of a difficult journey undertaken by Africans on American soil, a powerful means of expression capable of reaching the listener's ear in a simple and direct way.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe classics played by the great historical fathers, Blind Blake, Blind Boy Fuller, Robert Johnson and Charley Patton are completely rearranged in a more modern guise through the stylistic and timbric diversity of each individual member of the group, thus allowing for the creation of character and the transmission of the typical elements that make the Blues unique, in its simplicity.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eStop At The Devil's Crossroad is more than just a playlist, it's a collection of atmospheres that highlight different sonic nuances, from the more classic Delta-Blues with acoustic resonator guitar, harmonica and vocals, to the electric sound of the traditional Blues trio, up to a more extended line-up, made up of a rhythm section, vocals and horn section.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStop At The Devil's Crossroad is a work of rediscovery, an engaging tribute by Nik Lee and The Jingle Fellas to this simple yet great music.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"ARCHIVO HD 88.2kHz · 24bit","offer_id":49945573097819,"sku":"CVLD378","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"LP 150gr + FILE HD","offer_id":49971096584539,"sku":"CVLD378LP","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/1_a65ff306-30c1-4550-b74d-9695f9f448d2.jpg?v=1737679189"},{"product_id":"camille-martegiani-coclite-mariozzi","title":"CAMILLE - Martegiani, Coclite, Mariozzi","description":"\u003ch2 data-hook=\"product-title\" class=\"OXQzmM uvtEMb\"\u003eCAMILLE - Martegiani, Coclite, Mariozzi  \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cspan data-sheets-root=\"1\"\u003eARCLS025\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAvailable in:\u003c\/span\u003e\u003c\/strong\u003e LP, CD, File HD (wav) and File CD (flac)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTrack list\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 – Acqua (M. Coclite – A. Martegiani) 4.51\u003cbr\u003e2 – Promenade (M. Coclite – A. Martegiani) 4.59\u003cbr\u003e3 – La Vague (M. Coclite – A. Martegiani) 3.49\u003cbr\u003e4 – La Valse (M. Coclite – A. Martegiani) 3.54\u003cbr\u003e5 – L’Âge Mür (M. Coclite – A. Martegiani) 4.47\u003cbr\u003e6 – L’Abandon (M. Coclite – A. Martegiani) 5.04\u003cbr\u003e7 – Persée et la Gorgone (M. Coclite – A. Martegiani) 3.42\u003cbr\u003e8 – Ninna Nanna per Paul (M. Coclite – A. Martegiani) 4.04\u003c\/p\u003e\n\u003cp\u003eAlessia Martegiani – Vocals\u003cbr\u003eMassimiliano Coclite – Piano\u003cbr\u003eFrancesco Mariozzi – Cello\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/audiorecords.lnk.to\/Camille\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRecorded on May 19 and 20, 2018 at Cotton Lab Music Club in Ascoli Piceno. Mixed and mastered by Stefano Isola at Arcipelago Studio in Rome between June and August 2018.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by: HD MusicLab Srls\u003cbr\u003eExecutive Producer: Rocco Patriarca\u003cbr\u003ePhotos: Pierluigi Giorgi\u003cbr\u003eCover image: Marino Melarangelo\u003cbr\u003eTitle lettering: M° Manlio Patriarca\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe encounter with Camille was devastating.\u003c\/strong\u003e\u003cbr\u003eShe immediately crept into the heart, into the soul. Born in drama, heard raw when it was only partially composed, in private, lived and recounted. But already pulsating with passion, with overwhelming emotional intensity.\u003c\/p\u003e\n\u003cp\u003eThen the project took shape, convincing, almost forcing, with a very tight schedule, the authors to give it a complete meaning. To make it an album, or rather, a Concept Album of classical memory. Eight musical sculptures conceived to be represented on vinyl. Alessia and Massimiliano show that they have reached that artistic maturity long awaited that will lead them from now on to explore new expressive heights, each in their own language. Francesco accompanied, indulged, experienced Camille with elegance, with vigor, with transport.\u003c\/p\u003e\n\u003cp\u003ePerhaps it is the musical language that makes this album so special. Perhaps it is the simple yet luxuriant writing in a language unexpected for our times but very modern, rich in that expression that Stefano Isola, as a perfect tonmeister, rendered with invaluable mastery.\u003c\/p\u003e\n\u003cp\u003eThere is a special story in this album, a story made of passions and fears, of glances and intertwined hands. A story as intense as it is impossible. That leaves its mark.\u003c\/p\u003e\n\u003cp\u003eEnjoy listening.\u003cbr\u003e\u003cem\u003eRocco Patriarca\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eIt's hard to say how this work came to be.\u003c\/strong\u003e\u003cbr\u003eIt was a period in which my musical inspiration focused on impressionistic music, with soft, veiled, suspended sounds. There was a desire to write with a chamber music concept rather than a song, even if the final form was that of the \u003cem\u003elieder\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eDuring that period I was experiencing a renewed passion for the study of Schubert, Brahms, Debussy, and these authors inevitably influenced my writing. Thus, various material was born, including what later became \u003cem\u003eAcqua\u003c\/em\u003e, the first track on the album. It was during the same period that Alessia developed her knowledge of the character of Camille. Our paths crossed, and Alessia's readings, texts, and visits to exhibitions helped me to better understand the figure of Camille, generating a new creative impulse linked to her figure after entering her world, in the period in which she lived, while maintaining the original approach: conceptually chamber music, inspired by late romanticism and early twentieth-century impressionism.\u003c\/p\u003e\n\u003cp\u003eFrom this came the idea of accompanying the voice and piano with the cello and sticking with this idea for the entire project, for which I developed the general \u003cem\u003econcept\u003c\/em\u003e, the story, which I then translated into \"eight small musical sculptures.\" Surely the timbres influenced me, and inevitably Alessia's vocal timbre and the cello's timbre, two instruments that I conceived very melodically, very lyrically, had a strong influence during the writing process.\u003c\/p\u003e\n\u003cp\u003eIt's interesting that the journey began with musical inspiration, to which Alessia's suggestions in the form of literary text were added, but also the pleasant surprise of the opposite, that is, musical writing inspired by and based on texts, which, moreover, is a type of conception that should be closer to what the musician's work of that period was. It is right that the music should follow the accents of the text, its intrinsic meaning, and the image that can arise from literary concepts, and therefore \u003cem\u003ePromenade\u003c\/em\u003e or \u003cem\u003eNinna Nanna per Paul\u003c\/em\u003e, pieces written on Alessia's text, highlight their ability to contribute to the overall meaning of the work.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCamille\u003c\/em\u003e represents a focused recording work, a project with a classical approach of a completely different nature from my previous works, written for classical instruments and without rhythms. A work with an original \u003cem\u003econcept\u003c\/em\u003e, with a written and published score, which also offered me the opportunity to intervene as a \u003cem\u003eperformer\u003c\/em\u003e, interpreting my music, alongside excellent interpreters. A work rich in satisfaction for each of the elements to which I contributed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMassimiliano Coclite\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe stories of artists are transmitted through the centuries through the eyes of other artists.\u003c\/strong\u003e\u003cbr\u003eThis is how Camille Claudel was introduced to me three years ago, through the passionate vision of a voice and gesture artist like Umberto Fabi. Her image grew within me until she became a daily and cherished presence.\u003c\/p\u003e\n\u003cp\u003eBut then again, how can one not fall in love with this strong and fragile woman, with this proud and sorrowful gaze that projects all her sweet restlessness head held high through time? Camille Claudel was a sculptor in glorious fin-de-siècle Paris. She was a student of the greatest French sculptor, Auguste Rodin. The two, even before meeting, were linked by the same approach to material and idea. Camille became Rodin's assistant, modeling parts of the human body for him, especially hands and feet, and offering her body to the master's gaze, posing as a model.\u003c\/p\u003e\n\u003cp\u003eIt was natural for them to fall in love. A love between artists, between equals, between two souls who had gold in their hands. In Camille's hands, the gold soon became a shattered dream, loneliness, poverty, disappointment, persecution, madness. 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class=\"OXQzmM uvtEMb\" data-hook=\"product-title\"\u003e RANDOM - Antonella Vitale \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cspan data-sheets-root=\"1\"\u003eARCLS020\u003c\/span\u003e \u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eAvailable in:\u003c\/span\u003e\u003c\/strong\u003e LP, CD, HD File (wav) and CD File 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\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e3:14\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"3\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eDestiny\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n \u003cdiv\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by –\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eGuido Morra\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eMaurizio Fabrizio\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e3:31\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"4\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eI Want More\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003ePino Daniele\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5:28\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"5\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e \n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eBaby If I Knew\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eSergio Caputo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:08\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"6\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eWe Don't Need Words\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRosalino Cellamare\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:04\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"7\" style=\"height: 39.1875px;\"\u003e\n\n \u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eSicily\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eChick Corea\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003ePino Daniele\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:44\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"8\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eMoon Slice\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eSergio Caputo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n \u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:17\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"9\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eKeep me inside you\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eFabio Concato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5:16\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"10\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eDifferent Loves\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n \u003cdiv\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by –\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eGiorgio Restelli\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eGrazia Di Michele\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRossana Casale\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e5:04\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"11\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eYou will return\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eBruno Lauzi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:15\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr data-track-position=\"12\" style=\"height: 39.1875px;\"\u003e\n\n\u003ctd class=\"trackPos_2RCje\" style=\"width: 6.30841%; height: 39.1875px;\"\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\u003ctd class=\"artist_3zAQD\" style=\"width: 1.0514%; height: 39.1875px;\"\u003e\u003c\/td\u003e\n\n\u003ctd class=\"trackTitle_CTKp4\" style=\"width: 80.7827%; height: 39.1875px;\"\u003e \n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003e\u003cspan\u003eI Who Love Only You\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"credits_12-wp expanded_3odiy trackCredits_iogpt\"\u003e\n\n\u003cdiv\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003cspan\u003eWritten by\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eSergio Endrigo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd class=\"duration_2t4qr\" style=\"width: 10.8645%; height: 39.1875px;\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan\u003e4:13\u003c\/span\u003e\u003c\/span\u003e \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"main_2FbVC\"\u003e\n\n\u003cdiv class=\"ad_video_1R1G1 ad display-ad ads-here ads-ad\" role=\"marquee\" aria-label=\"Annuncio\"\u003e\n\n\u003cdiv id=\"ad_video\" class=\"inner_3X7e_\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"main_2FbVC\"\u003e\n\n\u003csection id=\"release-companies\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\u003cheader 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class=\"role_2ga14\"\u003e\u003cspan\u003eProducer\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eNewMediaPro Srl, Rome\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eExecutive Producer\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRocco Patriarca\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eRecorded by\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eStefano Isola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eMastered by\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eStefano Isola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eMixed by\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eStefano Isola\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003ePhoto by\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eDario Tassa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eGraphics\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eDaniela Sciubba Caniglia\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"main_2FbVC\"\u003e\n\n\u003csection id=\"release-credits\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\u003cheader class=\"header_W2hzl\"\u003e\n\u003ch2\u003e Artists:\u003c\/h2\u003e\n\n\u003c\/header\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\n\u003cul class=\"list_1HutQ\"\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eBass, Double Bass\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eFrancesco Puglisi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eDrums\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAlessandro Marzi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eGuitar\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eEnrico Bracco\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eRoberto Genovesi\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e \u003cspan\u003etracks: 12\u003c\/span\u003e \u003cspan\u003e)\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003ePercussions\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eBruno Marcozzi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAndrea Beneventano\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e \u003cspan\u003etracks: 7, 8\u003c\/span\u003e \u003cspan\u003e)\u003c\/span\u003e \u003cspan\u003e,\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eDomenico Sanna\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eTrumpet\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAldo Bassi\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"role_2ga14\"\u003e\u003cspan\u003eVoice\u003c\/span\u003e\u003c\/span\u003e \u003cspan\u003e–\u003c\/span\u003e \u003cspan class=\"link_15cpV\"\u003e\u003cspan\u003eAntonella Vitale\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"side_3-xID\"\u003e\n\n\u003csection id=\"release-stats\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\u003c\/section\u003e\n\n\u003c\/div\u003e","brand":"AudioRecords","offers":[{"title":"LP 33 rpm","offer_id":49951749701979,"sku":"ARCLS020LP","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49951749734747,"sku":"ARCLS020CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 96kHz • 24bit  WAV","offer_id":49951749767515,"sku":"ARCLS020HD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO CD 44.1kHz • 16bit FLAC","offer_id":49951749800283,"sku":"ARCLS020FLAC","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/R-9480199-1522957904-8299_1.jpg?v=1737797743"},{"product_id":"alessandro-bianchini-10-5","title":"Alessandro Bianchini - 10|5","description":"\u003cdiv class=\"f985Lm QfrfFD cell\"\u003e\n\n\u003ch1 data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e Alessandro Bianchini - 10|5 \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e(BBR2023AB01 \u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \n\n\u003c\/h1\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" class=\"\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" class=\"\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n \u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e\u003cstrong\u003eAvailable in:\u003c\/strong\u003e LP, CD, HD FILE 88.2kHz • 32bit\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cu\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eTraces\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1. Invitation (Bronislau Kaper)\u003c\/p\u003e\n\n\u003cp\u003e 2. Song for Peace (Alessandro Bianchini)\u003c\/p\u003e\n\n\u003cp\u003e 3. Mud for Bud (Alessandro Bianchini)\u003c\/p\u003e\n\n\u003cp\u003e 4. 10 \/ 5 (Alessandro Bianchini)\u003c\/p\u003e\n\n\u003cp\u003e 5. Alice (Alessandro Bianchini)\u003c\/p\u003e\n\n\u003cp\u003e 6. Bud Powell (Chick Corea)\u003c\/p\u003e\n\n\u003cp\u003e 7. Thank you Armando (Alessandro Bianchini)\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/birdboxrecords.lnk.to\/10-5\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLine up\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Alessandro Bianchini | vibraphone - marimba\u003cbr\u003e Simone Brilli | drums\u003cbr\u003e Marco Micheli | double bass\u003c\/p\u003e\n\n\u003cp\u003e Special guest vocals: Beatrice Sberna (10\/5; Alice)\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb\u003eDescription\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003e 10\/5 is the result of a fusion of different genres and styles, reflecting Alessandro Bianchini's musical education: from the academicism typical of classical music to improvisation, through the sounds of traditional jazz.\u003c\/p\u003e\n\n\u003cp\u003e \u003cbr\u003eThese elements indelibly mark the vibraphonist's aesthetics and musical language, which are then embellished by a constant and meticulous search for detail, allowing his compositions to be identified.\u003cbr\u003e When asked about his music he says:\u003cbr\u003e The choice of tonal qualities of the mallets, which vary depending on the song, the idea of ​​combining vibraphone and marimba, and the almost obsessive emphasis on dynamics are the elements that, in my opinion, give the album a jazzy sound, with prominent notes and recognizable, deliberately refined elements. Another aspect that is certainly evident to listeners is the presence of an element that I personally always put first and which is the basis of improvisation and interplay: timing. It is precisely timing that allowed me to create a natural sound, an almost instinctive connection with the other members of the group: Marco Micheli on double bass and Simone Brilli on drums.\u003cbr\u003e Short description of the songs: \u003cbr\u003e\"Invitation\" The choice to arrange this jazz standard stems from the desire to incorporate rhythmic and timbral elements from one of the most significant pieces in the bop repertoire. This standard was composed by Kaper, a prominent composer of the 20th-century American jazz scene. Despite being a piece from 1952, it immediately struck me as very contemporary, almost as if it were a contemporary composition. The arrangement creates free-flowing moments in the intro and outro, encouraging musical exploration and lending spontaneity to improvisation and the interaction between the trio's musicians. From the first notes, one immediately senses the influences of percussive, almost prehistoric, tribal music.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"Song for Peace,\" a classic jazz waltz, inspired by the sounds and interplay typical of Bill Evans's first piano trio, with Scott LaFaro on double bass and Paul Motian on drums. Furthermore, the piece's melodic lines are undoubtedly influenced by another composer who has had and continues to have a profound impact on my musical aesthetic: Johann Sebastian Bach.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"Mud for Bud\" is essentially a tribute to the two musicians who shaped my studies of bebop repertoire: Charlie Parker and Bud Powell. The former is a saxophonist, the latter a pianist. The harmonic structure and form are nothing more than a parody of \"Donna Lee,\" one of the manifesto songs of the bebop era, with a deliberate departure from the original tone. \"Mud for Bud\" is in Eb Maj, unlike Donna Lee, which is in Ab Maj. The final vibraphone solo refrain quotes part of the original theme of the song made famous by Bird.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"10\/5\" is the title track of the album, drawing inspiration from the repertoire of Egberto Gismonti, a composer I consider a source of inspiration. The title comes from the meter that guides the music, meaning it can be counted and interpreted in either 5\/4 or 10\/16 time. In my opinion, it's the most intense composition, being the result of a melodic line created on a 5\/4 clave, which is ever-present as a groove in the development of both the themes and the improvisation. Compositionally, section A differs from section B only in a change in harmonic rhythm, while maintaining the thematic line unchanged.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"Alice,\" dedicated to my wife, is a traditional ballad with hints of post-bop tension. This song features the extraordinary vocals of Beatrice Sberna.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003e\"Bud Powell\" This jazz standard captures two of my great passions: the bebop language and the compositional mastery of one of my favorite contemporary jazz pianists, Chick Corea. The song is dedicated to Bud Powell, an infinite artist for me, and is included on an album entirely dedicated to the pianist who passed away prematurely, entitled \"Remember Bud Powell\" (Stretch label 1997).\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \"Grazie Armando\" is a piece conceived and dedicated to Chick Corea and is imbued with the timbres and grooves typical of the Latin jazz repertoire. The composition's dynamism is created by the alternating themes of the two instruments: the vibraphone and the marimba. The introduction is played on the vibraphone, then switches to the marimba, where the theme is played in the instrument's lowest register. This creates a stark contrast with the vibraphone solo, making for a fluid yet dynamic listening experience.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cp\u003eFive of the seven tracks were composed and arranged by Alessandro Bianchini, while the first and sixth tracks on the album are two jazz standards rearranged for the trio formation: vibraphone\/marimba, double bass and drums.\u003cbr\u003e\u003cbr\u003e The album is strongly influenced by the typical stylistic features of traditional jazz and is the result of a musical language and aesthetic that the vibraphonist has developed over the years.\u003c\/p\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":50084457873755,"sku":"BBR2023AB01LP","price":39.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":49957276451163,"sku":"BBR2023AB01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/mockupsvinile10_5.jpg?v=1742552892"},{"product_id":"pietro-antonio-locatelli-orchestra-da-camera-del-festival-internazionale-di-brescia-e-bergamo-agostino-orizio-sei-introduttioni-teatrali-op-iv","title":"Pietro Antonio Locatelli, Orquesta de cámara del Festival Internacional de Brescia y Bergamo, Agostino Orizio – Seis Introducciones Teatrales Op. IV","description":"\u003ch2 class=\"MuiTypography-root MuiTypography-headLineXL title_1q3xW css-12sap66\"\u003e\n\n \u003cstrong\u003ePietro Antonio Locatelli, Chamber Orchestra of the International Festival of Brescia and Bergamo,\u003c\/strong\u003e \u003cstrong\u003eAgostino Orizio\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eSix Theatrical Introductions Op. IV - \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cspan data-sheets-root=\"1\"\u003eARCLS005\u003c\/span\u003e \u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \n\n\u003c\/h2\u003e\n\n\u003cdiv class=\"main_2FbVC\"\u003e\n\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-credits\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\n\u003cul class=\"list_1HutQ\"\u003e\n\n\u003cli\u003e\n\n\u003ch3\u003e 2LP box set 180 gr. (LIMITED EDITION)\u003c\/h3\u003e\n\n\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003ch3\u003e Pure Analogue Recordings\u003c\/h3\u003e\n\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Track List: \u003c\/p\u003e\n\n\u003ctable cellspacing=\"0\" cellpadding=\"0\" width=\"675\"\u003e\n\n\u003ccolgroup\u003e\n\u003ccol width=\"68\"\u003e\n\u003ccol width=\"459\"\u003e\n\u003ccol width=\"147\"\u003e\n\u003c\/colgroup\u003e\n\n\u003ctbody\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e \u003cb\u003eIntroduction I\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e1:53\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Always slow\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:31\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Soon\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e3:19\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n \u003cp\u003e\u003cb\u003eIntroduction II\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:20\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Andante\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:40\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:14\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e \u003cb\u003eIntroduction III\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:34\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Andante\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e1:48\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Soon\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e1:26\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e \u003cb\u003eIntroduction IV\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e1:50\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Andante\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e1:58\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Soon\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e1:04\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e \u003cb\u003eIntroduction V\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:07\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Andante\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e3:00\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Soon\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:36\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e \u003cb\u003eIntroduction VI\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:05\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Andante\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:11\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Soon\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e2:10\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr bgcolor=\"#e9e9e9\"\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e \u003cb\u003eConcerto in A major\u003c\/b\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e3:12\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Wide\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e3:28\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd width=\"68\"\u003e\u003c\/td\u003e\n\n\u003ctd width=\"459\"\u003e\n\n\u003cp\u003e Cheerful\u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\u003ctd width=\"147\"\u003e\n\n\u003cp align=\"right\"\u003e \u003cspan style=\"color: #444444;\"\u003e3:46\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\u003ch2 class=\"western\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"side_3-xID\"\u003e\n\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-stats\"\u003e\u003c\/section\u003e\n\n\u003c\/div\u003e","brand":"AudioRecords","offers":[{"title":"2 LP 33 rpm","offer_id":50022233407835,"sku":"ARCLS005LP","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/coverxcd-lp1440.png?v=1738849795"},{"product_id":"jazz-30-anniversary","title":"JAZZ - 30° ANIVERSARIO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eJAZZ - 30TH ANNIVERSARY\u003c\/strong\u003e ( \u003cspan\u003eCVLD388\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Available in the following media: LP, HD File\u003c\/h3\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003e\u003cstrong\u003eSIDE A - 19:58\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e01 All Of Me\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(S. Simmons) 4:46 \/ adj. 06-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRoyal Big Band \/ Fabrizio Bosso, trumpet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianni Basso, tenor sax\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e02 The Nearness Of You\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(M. Washington, H. Carmichael) 3:25 \/ reg. 9-2017\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLucia Minetti, voice \/ Pietro Ballestrero, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStefano Profeta, double bass\u003c\/span\u003e\u003c\/em\u003e \u003cbr\u003e\u003cstrong\u003e03 Mothers washed our hair\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(N. Piovani) 4:47 \/ reg. 5-2002\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSaxFourFun \/ Paolo Fresu, flugelhorn\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e04 The Lady Is A Tramp\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(R. Rodgers, L. Hart) 3:09 \/ dir. 3-1997\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePaolo Birro, piano \/ Sandro Gibellini, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMauro Negri, tenor sax\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e05 Minor Bounce\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(S. Caniato) 3:47 \/ reg. 3-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eTiger Dixie Band \/ Markus Stockhausen, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSIDE B - 20:04\u003c\/strong\u003e\u003cbr\u003e \u003cstrong\u003e01 Alabama Blues, live recording\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(G. Gaslini) 6:12 \/ reg. 3-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGiorgio Gaslini, piano\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e02 Tanghesi\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(G. Coscia) 5:56 \/ reg. 2-2003\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianni Coscia, accordion\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianluigi Trovesi, bass clarinet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStefano Bertoli, percussions\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLucia Minetti, voice\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e03 You\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(P. Ballestrero) 6:10 \/ reg. 4-2012\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePietro Ballestrero, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGabriele Mirabassi, clarinet\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003ePB Strings Ensemble\u003c\/span\u003e\u003cbr\u003e \u003cstrong\u003e04 Milla Camilla\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e(G. Gaslini) 1:44 \/ dir. 4-2000\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eTiziana Ghiglioni, voice\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGiorgio Gaslini, prepared piano\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecording Sound Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMixing and Mastering: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGraphic design: Maurizio Ciato for Studio L'Image\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003e1\/4” Analogue Master made in the VLS studio in Naquera (Spain), starting from the original analogue and digital recordings, the latter made in native high resolution, PCM wav 88.2kHz \/ 24bit\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cstrong\u003eATTENTION: the strange sound you can hear in the song “Millacamilla”, the last track on Side B, is NOT a defect in the record or the recording, BUT... the very particular percussive sound of the “Prepared Piano”, that is, by placing sheets of paper between the hammers and the strings of the instrument.\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eRoyal Big Band, Sax Four Fun, Markus Stockhausen, Tiger Dixie Band, Gianluigi Trovesi.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cp align=\"justify\"\u003eIt is always difficult to create a collection of musical pieces, even if they belong to the same genre; and it is even more difficult if the one who has to do it is the one who wanted them, produced them, recorded them: that is, someone who ultimately considers himself divided between the role of \"father\" and \"co-author\", in this case myself who is writing these short notes.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e The difficulty lies in choosing songs that make sense one after the other, but also in having to exclude, due to physical lack of space, so many others no less beautiful, no less interesting. Also in the awareness of leaving out with a heavy heart so many wonderful musicians to whom I always feel tied by an indissoluble bond for the common passion that has united us in loving the music we propose.\u003c\/p\u003e\n\n \u003cp align=\"justify\"\u003eThis is why every collection I make implicitly has, next to the title, that fundamental definition that can only be \"Volume 1\". In the belief that sooner or later other volumes will follow, because it is truly impossible for me to draw up a ranking of merit among the many songs, all of them, I have produced in 30 years of career.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e And here comes the fundamental note that I have realized especially in the last few years, that is, that ALL my productions, for me, are absolutely equipollent: they are all on the same level. Because I have always made an incredible selection BEFORE going into production, and, once the journey with the chosen musicians began, it was always clear that the work could only become a pearl in a very long necklace that today has a total of three hundred and eighty-eight.\u003c\/p\u003e\n\n \u003cp align=\"justify\"\u003eJazz in my opinion, or rather in Velut Luna's opinion, has always meant research and tradition, warmth and humanity, immediacy and symbol of the elusive \"Hic et Nunc\" of the moment of the recordings, which were all made live, without editing cuts, often mixed directly on a stereo master.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e Listening to these songs again, one by one, I relived the atmosphere, in the broadest possible sense, of those unrepeatable moments: after all, recording is a way to travel backwards in time every time I listen to it.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e The musicians and I are lucky people, to have received the privilege of living these emotions that are very difficult to describe in words, but that I hope can be at least a little conveyed by the sound tracks that remain in the grooves of the records. Forever.\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e Thank you all,\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e Marco Lincetto\u003c\/p\u003e\n\n\u003cp align=\"justify\"\u003e \u003ci\u003e\u003cb\u003eI dedicate this project to my friend Giorgio Gaslini,\u003c\/b\u003e\u003c\/i\u003e \u003ci\u003e\u003cb\u003ewho left us too soon, 11 years ago.\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50057906782555,"sku":"CVLD388LP","price":49.0,"currency_code":"EUR","in_stock":false},{"title":"ARCHIVO HD 88.2kHz • 24bit","offer_id":50057906815323,"sku":"CVLD388","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVER-CVLD-388.jpg?v=1739378425"},{"product_id":"30-anni-fuori-tempo-the-metronomes","title":"30 AÑOS FUERA DE TIEMPO - The Metronomes","description":"\u003ch2 style=\"text-align: left;\"\u003e\n\n \u003cspan\u003e\u003cspan style=\"font-family: MS Sans Serif, serif;\"\u003e\u003cb\u003e30 YEARS OUT OF TIME\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e (CVLD384)\u003c\/h2\u003e\n\n\u003cp style=\"text-align: left;\"\u003e Available in:\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli style=\"text-align: left;\"\u003e AUDIOPHILE VINYL - LIMITED EDITION WITH HD MASTER FILE (pre-sale)\u003c\/li\u003e\n\n\u003cli style=\"text-align: left;\"\u003e GOLD CD (available)\u003c\/li\u003e\n\n\u003cli style=\"text-align: left;\"\u003e AUDIOPHILE VINYL + GOLD CD + MASTER FILE HD (pre-sale)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003e\u003cstrong\u003eTHE METRONOMES\u003c\/strong\u003e :\u003cbr\u003e \u003cstrong\u003eFrancesco Michielin\u003c\/strong\u003e , voice, kazoo, chorus, vocal trumpet\u003cbr\u003e \u003cstrong\u003eCarlo Piccoli\u003c\/strong\u003e , piano, chorus\u003cbr\u003e \u003cstrong\u003eStefano Fedato\u003c\/strong\u003e , drums, chorus\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cu\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"font-family: MS Sans Serif, serif;\"\u003eOn delivery\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n\u003ch2\u003e \u003cstrong\u003eLP\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003cp\u003e \u003cstrong\u003eSIDE A - 18:54\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e01 When the Metronomes Play\u003c\/strong\u003e 3:29\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C.Piccoli - new recording, 2024\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e02 Me, My Dream And Ray\u003c\/strong\u003e 6:01\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C.Piccoli - new recording, 2024 - Filippo Tantino, double bass, Luca Mozzoni, guitar, Marta Bevilacqua, Franca Cristofoli, Federica Roncalli, chorus\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003e03 Medley: Juke Box \/ It's Raining 4:52\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e L. Beretta, G. Malgoni \/ L. Chiosso, F. Buscaglione - new recording, 2024 - David Boato, trumpets, Stefano Balsano, Stefano Fedato, Caro Piccoli, Alberto Rosano, chorus\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003e04 Ain't Necessarily So 4:32\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e G. \u0026amp; I. Gershwin - new recording, 2024 - David Boato, trumpets\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eLP SIDE B - 18:42\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e01 Five Guys Named Moe\u003c\/strong\u003e 2:36\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Bresler, Wyn, Adamo, Let's Swing, 2011 - Marco Strano, sax\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e02\u003c\/strong\u003e \u003cstrong\u003eO' Sarracino\u003c\/strong\u003e 3:20\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Carosone, Nisa - Ciao Fred! 2005 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e03 Adam\u003c\/strong\u003e 3:38\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C. 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Buscaglione - Ciao Fred! 2005 - Marco Strano, saxophone\u003cbr\u003e\u003cbr\u003e - - -\u003c\/p\u003e\n\n\u003ch2\u003e \u003cstrong\u003eCD:\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e01 When the Metronomes Play\u003c\/strong\u003e 3:29\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C.Piccoli - new recording, 2024\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e02 Me, My Dream And Ray\u003c\/strong\u003e 6:01\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C.Piccoli - new recording, 2024 - Filippo Tantino, double bass, Luca Mozzoni, guitar, Marta Bevilacqua, Franca Cristofoli, Federica Roncalli, chorus\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003e03 Medley: Juke Box \/ It's Raining 4:52\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003eL. Beretta, G. Malgoni \/ L. Chiosso, F. Buscaglione - new recording, 2024 - David Boato, trumpets, Stefano Balsano, Stefano Fedato, Caro Piccoli, Alberto Rosano, chorus\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003e04 Ain't Necessarily So 4:32\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e G. \u0026amp; I. Gershwin - new recording, 2024 - David Boato, trumpets\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e05 Five Guys Named Moe\u003c\/strong\u003e 2:36\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Bresler, Wyn, Adamo, Let's Swing, 2011 - Marco Strano, sax\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e06 I Want to Discover America\u003c\/strong\u003e 2:47\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e L. Chiosso, F. Buscaglione - Ciao Fred! 2005 - Marco Strano, saxophone\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e07\u003c\/strong\u003e \u003cstrong\u003eIs It True What They Say About Dixie?\u003c\/strong\u003e 2:46\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Marks, Irving, Lemer - Adamo, Let's Swing, 2011 - Luciano Bottos, guitar\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e08 Radames\u003c\/strong\u003e 3:01\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Coslow, Age, Savona - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e09 How Long Has This Going On?\u003c\/strong\u003e 4:24\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e G. \u0026amp; I. Gershwin - Adamo, Let's Swing, 2011 - Marco Strano, sax, Michele Gava, double bass\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e10 Adam\u003c\/strong\u003e 3:38\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C. Piccoli - Adamo, Let's Swing, 2011\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cstrong\u003e11\u003c\/strong\u003e \u003cstrong\u003eO' Sarracino\u003c\/strong\u003e 3:20\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Carosone, Nisa - Ciao Fred! 2005 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e12 Blueberry Hill\u003c\/strong\u003e 2:48\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Rose, Lewis, Stock - Adamo, Let's Swing, 2011 - Marco Strano, sax\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e13 Meet My Cousin\u003c\/strong\u003e 2:16\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Pinchi, Rossi - Radio Days, 2000 - Marco Strano, sax\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 14 \u003cstrong\u003eLonely Fucking Blues\u003c\/strong\u003e 5:42\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e C. Piccoli - Adamo... 2011 - Michele Bonivento, Hammond organ\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e15 The Chicago Forehand\u003c\/strong\u003e 2:53\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e L. Chiosso, F. Buscaglione - Jumpin' With Metronomes, 1997\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e16 Looking for You (Lost Love)\u003c\/strong\u003e 4:20\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Testoni, Sciorilli - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e17 Since I Fell For You\u003c\/strong\u003e 6:09\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Johnson - Adamo, Let's Swing, 2011 - Michele Gava, doublebass, Michele Bonivento, Hammond organ\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e18 Bar Sky\u003c\/strong\u003e 3:22\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e L. Chiosso, F. Buscaglione - Ciao Fred! 2005 - Marco Strano, saxophone\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e19 The Crazy Young Man\u003c\/strong\u003e 3:18\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e L. Luttazzi - Radio Days, 2000 - Michele Giacomazzi, guitar\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cstrong\u003e20 C' est la vie\u003c\/strong\u003e 2:48\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Cichellero - Hello Fred! 2005 - Marco Strano, saxophone\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e21 Tamp'em Up Solid\u003c\/strong\u003e 2:19\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e traditional - Adamo, Let's Swing, 2011 - The Diapa Sons, chorus\u003cbr\u003e \u003cstrong\u003eTotal time: 77:34\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp\u003e It's now a wedding dress shop, but way back in 1994, music roared through the legendary Bar Dolomiti in Conegliano. Francesco Michielin, Carlo Piccoli, and Stefano Fedato didn't yet know that for the next six (six!) decades, they would grace the Italian music scene under the timeless name of Metronomes. Anyone who, that evening thirty years ago, had the privilege of witnessing the birth of their trio can boast of having witnessed an event of inestimable rarity and importance, perhaps equal only to the discovery of America or the passage of the Hale-Bopp comet. And indeed, I boast, I boast indeed. And while I boast, I insert their new album, \"Trent'anni fuori tempo,\" into my old CD player. \u003cbr\u003eThirteen years after the release of the wonderful \"Adamo, Let's Swing!\", the Metronomes return with this beautiful anthology of their recordings, spanning from 1997 to the most recent era. With the addition of four new songs, the album gains new life and shows us how these eternal boys have more or less remained the same as those who, thirty years ago, reunited at the Bar Dolomiti. Everything has been said and written about them. The story of their spectacular live performances walks a tightrope between reality and true legend. \u003cbr\u003eIt's said, for example, that the singer, a sumptuous vocalist with a tarry throat and a crazy attitude—I saw him a few weeks ago dressing up in a big wig and glasses, mimicking Elvis—is actually a meticulous neat freak. They say he keeps all his song lyrics, handwritten by himself, in ten enormous volumes that he carries with him to gigs. He's also been seen assembling a highly complicated gadget called a \"spritz holder,\" which he can't do without at a concert. \u003cbr\u003eThey also say that the drummer, once playing \"As Time Goes By,\" set the swing tempo so high that it made the drumsticks smoke (luckily, the host had a fire extinguisher and extensive fire safety training under his belt). For him, these years don't seem to have passed; he still looks thirty, has full hair and not a single gray strand (the other two envious metronomes say he dyes it), but above all, while he plays at these frenetic rhythms, he smiles and has fun like a child. \u003cbr\u003eEven the pianist, who uses his left hand like a double bass, is a strange character. Some say he plays exclusively by ear (one ear moving ten fingers? What kind of prodigy is that?). He doesn't rehearse or study pieces, but if you ask him for a song, he can reproduce it with the precision of a jukebox. And as he plays, he taps his feet and sways constantly off-beat: it remains a mystery how the song stays in time while he follows some other internal rhythm.\u003cbr\u003e Since April 20, 1994, many liters of red wine have passed through singer Francesco's tarry throat, and black and white keys under Carlo's fingers, and calluses and drumsticks in Stefano's hands. And yet, the legend of the Metronomes continues to amaze us, make us laugh, and tap our foot under the table. \u003cstrong\u003eFranco Ceci Colpis\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP SIDE A (new recordings 2024):\u003c\/strong\u003e \u003cbr\u003eHD Digital and Analog Recording made by Andrea Valfrè at Magister Recording Area, Preganziol (Italy) on October, 8, 2024 \u003cstrong\u003e\u003cbr\u003eAnalog mix and mastering\u003c\/strong\u003e made by Marco Lincetto at VLS Studio, Naquera (Spain), on November, 1, 2024 \u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eLP SIDE B:\u003cbr\u003e Analog and HD Digital Recording\u003c\/strong\u003e made by Marco Lincetto at several different locations, i.e.: \u003cstrong\u003e\u003cbr\u003e- \"Adamo, Let's Swing\", 2011\u003c\/strong\u003e and \u003cstrong\u003e\"Ciao Fred\", 2005,\u003c\/strong\u003e Magister Recording Area, Preganziol \u003cstrong\u003e\u003cbr\u003e- \"Radio Days\", 2000, Papillon Studio, Padua\u003cbr\u003e Analog remix and remastering\u003c\/strong\u003e made by Marco Lincetto at VLS Studio, Naquera (Spain), on November, 1, 2024\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003e \u003cstrong\u003eCD Tracks 01 – 04 (new records 2024:\u003cbr\u003e Analog and HD Digital Recording\u003c\/strong\u003e made by Andrea Valfrè at Magister Recording Area, Preganziol (Italy) on October, 8, 2024\u003cbr\u003e \u003cstrong\u003eAnalog mix and mastering\u003c\/strong\u003e made by Marco Lincetto at VLS Studio, Naquera (Spain), on November, 1, 2024\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eCD Tracks 05 - 21\u003c\/strong\u003e \u003cbr\u003eAnalog and HD Digital Recording made by Marco Lincetto at several different locations, i.e.:\u003cbr\u003e - \u003cstrong\u003e\"Adamo, Let's Swing\", 2011\u003c\/strong\u003e and \u003cstrong\u003e\"Ciao Fred\", 2005\u003c\/strong\u003e , Magister Recording Area, Preganziol\u003cbr\u003e - \u003cstrong\u003e\"Radio Days\", 2000\u003c\/strong\u003e , Papillon Studio, Padua\u003cbr\u003e - \u003cstrong\u003e\"Jumpin' With Metronomes\", 1997\u003c\/strong\u003e Marco Lincetto Home Studio, Padua (Italy)\u003cbr\u003e \u003cstrong\u003eAnalog remix and remastering\u003c\/strong\u003e made by Marco Lincetto at VLS Studio, Naquera (Spain), on November, 1, 202\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Production: \u003cstrong\u003eMarco Lincetto and The Metronomes\u003c\/strong\u003e\u003cbr\u003e Executive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e Graphics layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e Cover design: \u003cstrong\u003eGiorgio Munari\u003c\/strong\u003e\u003cbr\u003e Photo: \u003cstrong\u003eLuca Calconi\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50071685267803,"sku":"CVLD384LP","price":39.0,"currency_code":"EUR","in_stock":true},{"title":"LP + CD DE ORO + 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(pre-order)\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eHD MASTER FILES\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cstrong\u003eLP \u0026amp; FILE HD\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eSide A\u003c\/b\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e15:02\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e01 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eTrátame bien\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Max Russo,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eYolanda Gomez Carreño\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:36\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e02 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003ePaís\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e(Oscar Del Barba, Alan Zamboni) 2:37\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e03 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e¿Dime dónde est\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eá\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003es?\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Max Russo)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:12\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e04 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa llorona\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(traditional Mexican) 5:34\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide B\u003c\/b\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e16:10\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e01 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eSoy así\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Max Russo,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eYolanda Gomez Carreño\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e2:38\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e02 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa bambola\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Ruggero Cini, Franco Migliacci, Bruno Zambrini)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:23\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e03 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eHijo de la Luna\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(\u003c\/i\u003e\u003ci\u003eJosé María Cano)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:39\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e04 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa bruja\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(\u003c\/i\u003e\u003ci\u003eJosé Luis López Santiago\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e3:33\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e05 -\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eLa tarara\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e(Federico Garcia Lorca, Ricardo Pachón)\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e2:57\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e^\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eYolanda G\u003c\/b\u003e\u003cb\u003eó\u003c\/b\u003e\u003cb\u003emez Carreño,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003evocals\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMax Russo,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eguitars and piano\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStefano Cecchi,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003etrumpet\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCristian Delabela,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eelectric bass\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEmilio Mora,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003epercussion\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBeto Garcia,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003edrums and percussion\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Tratame-bien\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\"Trátame bien\" is an album that captures a mix of emotions, with which I wanted to explore the complexities of human relationships, both with others and with ourselves. Each topic reflects a sense of vulnerability, the need to be understood and respected. With a fresh and authentic sound, the album plays with various genres, blending modern sound textures with lyrics that address themes of love, heartbreak, and self-acceptance. \"Trátame bien\" is a cry about the importance of respect. It invites you to reflect on how we relate to others, but above all, on how we relate to ourselves. With sincere and direct words, this act of personal implementation is born, in which self-understanding and self-respect become the priority. It is also a call to break with society's imposed beauty standards, a reminder to embrace our authenticity\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eYolanda G\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003eó\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cb\u003emez Carreño\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e*\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e Recorded at Hive studio in Valencia (Spain), on September 27, 28 and 29, 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003e^\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan\u003e Recorded at Lincetto's studio in Naquera (Spain), on December 22, 2024\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eproduction:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMARCO LINCETTO for VELUT LUNA\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003esound engineer:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e* Rafa Sánchez and Marco Lincetto \/ ^ Marco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003emixing and mastering:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003ephotography:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003egraphic 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class=\"product__title\"\u003e\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/gold-fingers-30-anniversary-massimo-salvagnini-quintet-patrizia-laquidara\" target=\"_blank\" rel=\"noopener\"\u003eGOLD FINGERS - 30TH ANNIVERSARY LP\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp class=\"product__title\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/giant-moon-30-anniversary-salvagnini-quartet\" target=\"_blank\" rel=\"noopener\"\u003eGIANT MOON - 30TH ANNIVERSARY CD\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"Default Title","offer_id":50429354443099,"sku":"PROMO0425","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/BUNDLESALVAGNINI.png?v=1744644218"},{"product_id":"test-pressing-velut-luna","title":"PRUEBA DE PRESIÓN - VELUT LUNA","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003ePRESSING TEST - VELUT LUNA\u003c\/strong\u003e ( \u003cspan\u003eCVLDTTP)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e Available in the following media: LP\u003c\/h3\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eAVAILABLE TITLES:\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli\u003e\u003cspan lang=\"en-US\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/stop-at-the-devil-s-crossroad-nik-lee-the-jingle-fellas\" target=\"_blank\"\u003eSTOP AT THE DEVIL'S CROSSROAD\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/30-anni-fuori-tempo-the-metronomes\" target=\"_blank\"\u003eTHE METRONOMES – 30 YEARS\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/tratame-bien-yolanda-gomez-carreno\" target=\"_blank\"\u003eTREAT ME WELL\u003c\/a\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003ca rel=\"noopener\" href=\"https:\/\/www.referencemusicstore.it\/products\/living-blues-enrico-merlin-max-prandi\" target=\"_blank\"\u003eLIVING BLUES\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/project-one-marco-lo-muscio-david-jackson\" rel=\"noopener\" target=\"_blank\"\u003ePROJECT ONE\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan lang=\"en-US\"\u003e\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/the-velut-lunas-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003eTHE VELUT LUNA'S REFERENCE VINYL VOL. 2\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan lang=\"en-US\"\u003e\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/papier-mache-federica-artuso\" rel=\"noopener\" target=\"_blank\"\u003ePAPIER-MACHE\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan lang=\"en-US\"\u003e\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/se-potessi-avere-new-project-classical-orchestra\" rel=\"noopener\" target=\"_blank\"\u003eIF I COULD HAVE\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/just-for-you-chiara-pasto-enrico-santacatterina\" rel=\"noopener\" target=\"_blank\"\u003eJUST FOR YOU\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/il-cantante-al-microfono-eugenio-finardi\" rel=\"noopener\" target=\"_blank\"\u003eTHE SINGER AT THE MICROPHONE\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\u003cli lang=\"en-US\"\u003e \u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/two-for-the-road-chiara-pasto-francesco-pollon\" rel=\"noopener\" target=\"_blank\"\u003eTWO FOR THE ROAD\u003c\/a\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Velut Luna","offers":[{"title":"PARA ENFRENTAR AL CRUCE DEL DIABLO","offer_id":50498134868315,"sku":"CVLDTTP01","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"LOS METRONOMOS – 30 AÑOS","offer_id":50498204303707,"sku":"CVLDTTP02","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"TRÁTAME BIEN","offer_id":50498204336475,"sku":"CVLDTTP03","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"BLUES VIVIENTE","offer_id":50498204369243,"sku":"CVLDTTP04","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"PROYECTO UNO","offer_id":50498204402011,"sku":"CVLDTTP05","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"LA REFERENCIA VINILO DE VELUT LUNA VOL. 2 (2LP 33 rpm)","offer_id":50498204434779,"sku":"CVLDTTP06","price":129.0,"currency_code":"EUR","in_stock":true},{"title":"PAPEL MACHÉ","offer_id":50498204467547,"sku":"CVLDTTP07","price":99.0,"currency_code":"EUR","in_stock":false},{"title":"SI PUDIERAS TENER","offer_id":50498204500315,"sku":"CVLDTTP08","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"SOLO PARA TI","offer_id":50498204533083,"sku":"CVLDTTP09","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"EL CANTANTE AL MICRÓFONO (2 LP 45 rpm)","offer_id":50498204565851,"sku":"CVLDTTP10","price":129.0,"currency_code":"EUR","in_stock":true},{"title":"DOS PARA EL CAMINO","offer_id":50498204598619,"sku":"CVLDTTP11","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVERTESTPRESSING.png?v=1746353314"},{"product_id":"miles-davis-miles-davis-in-berlin","title":"MILES DAVIS - Miles Davis En Berlín","description":"\u003ch2\u003e\n\n \u003cstrong\u003eMILES DAVIS - Miles Davis In Berlin\u003c\/strong\u003e ( \u003cb\u003eSPC62976\u003c\/b\u003e )\u003c\/h2\u003e\n\n\u003ch2\u003e\n\n \u003cspan\u003eSpeakers Corner -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp class=\"title_and_interpreter\"\u003e \u003cstrong\u003e\"Miles In Berlin\" - Miles Davis (tp); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIt's 1964, and the first Berlin Jazz Festival is about to reach its absolute pinnacle: Miles Davis's final concert on the evening of Friday, September 25th. And Columbia Records' European subsidiary, CBS, couldn't wait to release this legendary event on LP.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eThe new quintet, featuring Wayne Shorter on tenor saxophone for the first time (and not yet as a composer), thrilled and captivated the Philharmonie audience from the first minute to the last. The classics \"Miles(tones),\" \"So What,\" and \"Walkin'\" were performed at a surprisingly fast pace, while the ballads were tender and dreamy. Such a magical atmosphere was rarely evoked in subsequent concerts, probably thanks to the excellent acoustics of the large concert hall. The audience was seated behind the stage, so Miles could not provocatively turn his back; sometimes he simply crouched on the stage. However, this did not prevent him from performing his solos with lyricism and tenderness, most of them finely nuanced, soft and delicate, yet audible to the furthest corner. The rhythmic structure created by the young drummer Anthony Williams provided the necessary excitement.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eMiles in top form, an enthusiastic audience, impressive acoustics, and, to top it all, excellent recording technology and a fantastic virgin vinyl pressing: what more could a jazz fan ask for? Now's the time to break out the credit card!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThis Speakers Corner LP has been remastered using only analog components, from the masters to the cutting head ( \u003ca href=\"https:\/\/pure-analogue.com\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e )\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"production_info\"\u003e \u003cspan\u003eRecording: September 1964 live at the Philharmonic Hall in Berlin, from SFB Radio in mono\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eProduction: Rudy Wolpert\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Columbia 62976\u003c\/li\u003e\n\n\u003cli\u003e Format: 1LP 180g 33rpm \/ standard sleeve\u003c\/li\u003e\n\n\u003cli\u003e Original label: Columbia\u003c\/li\u003e\n\n\u003cli\u003e Barcode: 4260019715418\u003c\/li\u003e\n\n\u003cli\u003e Release Date: 2017-09-21\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":50603136188763,"sku":"SPC62976","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/71REKUYAi4L._AC_SL1200.jpg?v=1747669790"},{"product_id":"miles-davis-quintet-round-about-midnight","title":"MILES DAVIS QUINTETO - Round About Midnight","description":"\u003ch2\u003e\n\n \u003cstrong\u003eMILES DAVIS QUINTET - Round About Midnight\u003c\/strong\u003e ( \u003cb\u003eSPC949\u003c\/b\u003e )\u003c\/h2\u003e\n\n\u003ch2\u003e \n\u003cspan\u003eSpeakers Corner -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp class=\"title_and_interpreter\"\u003e \u003cstrong\u003e\"'Round About Midnight\" - Miles Davis (tr); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThese early recordings, which Miles Davis made for the Columbia label in 1955 and 1956, are finally available on LP again. And, even more importantly, they were made without alternate takes or second takes, as is customary these days.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eYou can sit back and enjoy the six tracks in the order the producer, presumably in collaboration with Davis, decided. Sure, all the titles are well-known and have been performed thousands of times in many different versions. But what this Quintet (and here we mean every single player!) produces in terms of inventiveness, thrilling improvisations, and mastery is absolutely first-rate. Davis's vibrato-free sound is flawlessly captured by John Coltrane—wonderfully demonstrated in the middle of \"Bye, Bye Blackbird,\" while Paul Chambers's highlight is \"Ack Värmeland du sköna\" (aka \"Dear Old Stockholm\"). In 1955\/56, bebop was all the rage, as evidenced by Tadd Dameron's classics \"Tadd's Delight\" and Charlie Parker's \"Ah-Leu-Cha.\" Here, however, the improvised melodic veins are more moderate, paving the way for the style that would later become known as modal jazz.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eWhile 'Round About Midnight' as an album doesn't enjoy the reputation of 'Kind Of Blue,' this Columbia recording contains many gems worth listening to.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThis Speakers Corner LP has been remastered using only analog components, from the masters to the cutting head ( \u003ca rel=\"noopener\" href=\"https:\/\/pure-analogue.com\/\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e )\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"production_info\"\u003e \u003cspan\u003eRecorded: October 1955, June and September 1956 at Columbia's 30th Street Studio, New York in mono\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eProduction: George Avakian\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan class=\"catalog_number\"\u003eColumbia CL 949\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e Format:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"contentAndConfiguration\"\u003e1LP 180g 33rpm \/ standard sleeve\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Original label:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"label\"\u003eColumbia\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Barcode:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"barcode\"\u003e4260019713353\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Release Date:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"release-date\"\u003e2008-07-22\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":50603211784539,"sku":"SPC949","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/81Na6ZqVckL._AC_SL1500.jpg?v=1747670449"},{"product_id":"alessandro-bianchini-my-space-24","title":"Alessandro Bianchini - MI ESPACIO 24","description":"\u003ch1\u003e\n\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eAlessandro Bianchini - MY SPACE 24 ( \u003cspan\u003eBBR2025AB02\u003c\/span\u003e )\u003c\/span\u003e\u003c\/span\u003e \u003c\/h1\u003e\n\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" class=\"\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" class=\"\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e \u003cstrong\u003eAvailable in:\u003c\/strong\u003e LP \u003cspan style=\"font-size: 0.875rem;\"\u003e33rpm GATEFOLD 180 gr. AAA Pure Analog\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e1. Cape Town A. Bianchini (05:51)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e2. Tu Dihi A. Bianchini (04:41)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e3. My voice A. Bianchini (04:22)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e1. Cyclic Episode S. Rivers arr A. Bianchini (04:29)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e2. Lute Suite in E minor, BWV 996\u003c\/span\u003e \u003cspan\u003eJS Bach\u003c\/span\u003e \u003cspan\u003earr A Bianchini (03:39)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e3 Summer Night H. Warren arr D. Friedman\/ D. Samuels (06:07)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e4. How I Would Know A. Bianchini (04:32)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLine up\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSTUDIO RECORDING SESSION\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eAlessandro Bianchini | vibraphone \/ marimba\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eLorenzo Simoni | alto saxophone\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMarco Micheli | double bass\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eNelide Bandello | drums\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003e\u003cstrong\u003eLIVE VERSION “Summer Night”, “Come saprei”\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eGiacomo Papetti | double bass\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eSimone Brilli | drums\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cb\u003eDescription\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e \u003cspan\u003eWe are pleased to announce the release on numbered edition, AAA Pure Analog 180-gram vinyl of \" \u003cstrong\u003eMy Space 24\u003c\/strong\u003e \", the new album by vibraphonist Alessandro Bianchini.\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e \u003cspan\u003eVinyl embellished in the high-weight gatefold version with 8-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ca href=\"https:\/\/www.birdboxrecords.com\/bianchini-music-my-space-24\" target=\"_blank\"\u003e\u003cspan\u003eListen in advance!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e Experience an unprecedented sonic journey with this recording, meticulously sourced from the original 2-inch multitrack masters and expertly mastered on the iconic Ampex ATR102 1\/2-inch record player. Lacquered on: Neumann VMS70 lathe equipped with Neumann SX74 and Ortofon DSS821 cutting heads.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n \u003cp\u003eThis second album was born from the desire to write songs that were more understandable and easier to listen to. (This is my personal wish and hope, for those who purchase this album...)\u003c\/p\u003e\n\n\u003cp\u003e Unlike 10\/5 (my first solo album, also produced by Lorenzo Vella's BirdBox Records label), I decided to dedicate myself as much as possible to compositions that were close to the typical pieces of the American jazz standards tradition.\u003c\/p\u003e\n\n\u003cp\u003e Hence the desire to seek immediate melodic lines and essentially regular forms, all the while trying to avoid falling into banality, helping myself through harmonic explorations, seeking non-obvious solutions.\u003c\/p\u003e\n\n\u003cp\u003e From this need arose the need to have a soloist in the ensemble who was always present on all the recorded songs, with the exception of \"Come Saprei\".\u003c\/p\u003e\n\n\u003cp\u003e Lorenzo Simoni, on alto saxophone, fully captured the atmosphere and sounds I wanted for this record.\u003c\/p\u003e\n\n \u003cp\u003eThe rhythm section made up of Marco Micheli on double bass and Simone Brilli on drums is always a sure thing. \u003c\/p\u003e\n\n\u003ch2 data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sRKeelW oK_hHI7---typography-11-runningText oK_hHI7---priority-7-primary _HOcyB x4nptw sdk0ViP ftb6e2\"\u003e Credits \u0026amp; Gear\u003c\/h2\u003e\n\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e All songs are composed and arranged by Alessandro Bianchini, except for Summer Night (H. Warren), Cyclic Episode (S. Rivers) Lute Suite in E minor, BWV 996 (JS Bach)\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003eProduced by: Lorenzo Vella\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003eRecorded at Duna Studio by Andrea Scardovi (Russi - Ravenna)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003eRecording Engineer: Andrea Scardovi\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003eLive Sound Engineer: Luca Vianini\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003eMixing \u0026amp; Mastering Engineer: Lorenzo Vella\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003eArtwork \u0026amp; Design: Nightingale Studios\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cspan\u003ePackaging printed by: DUEGI Packaging srl\u003c\/span\u003e \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cdiv class=\"aecizt ciGGdC QfrfFD cell\"\u003e\u003csvg height=\"15\" width=\"15\" fill=\"currentColor\" viewbox=\"0 0 15 15\"\u003e\u003cg fill-rule=\"evenodd\" stroke-width=\"1\" fill=\"none\" stroke=\"none\" id=\"Page-2\"\u003e\u003cg fill-rule=\"nonzero\" fill=\"currentColor\" id=\"Desktop-1920-\/-1080\"\u003e\u003cg transform=\"translate(2 7)\" id=\"new_minus\"\u003e\u003cg id=\"Rectangle-5\"\u003e\u003cg id=\"Page-1\"\u003e\u003cg id=\"Desktop-1920-\/-1080\"\u003e\u003cg id=\"Group\"\u003e\u003cpath d=\"M0 0L11 0 11 1 0 1z\" id=\"Rectangle-5\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"rah-static rah-static--height-auto\" aria-hidden=\"false\"\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv class=\"ulKuLk QfrfFD cell\"\u003e\n\n\u003cdiv class=\"zp8uy2\" data-hook=\"info-section-description\"\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eSpecial Thanks To:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eMy friends and musicians who were part of this amazing project, and all the beloved people involved!\u003c\/span\u003e \u003cspan\u003eLast but not least, to Lorenzo Vella for producing this record.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eSpecial credits:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEquipment Alessandro Bianchini\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003e\u003cspan\u003eMallets:\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003col\u003e\n\n\u003cli\u003e \u003cspan\u003eVic Firth M 25 Gary Burton\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMike Balter Christos Rafalides\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMalletech Lee Steven LS 5\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cstrong\u003e\u003cspan\u003eInstruments:\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003col\u003e\n\n\u003cli\u003e \u003cspan\u003eMusser M 55 Gold\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan\u003eMalletech Stiletto 5 - octave marimba\u003c\/span\u003e \u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 data-hook=\"info-section-title\" aria-hidden=\"false\" class=\"sRKeelW oK_hHI7---typography-11-runningText oK_hHI7---priority-7-primary _HOcyB x4nptw sdk0ViP ftb6e2\"\u003e Characteristics \u003c\/h2\u003e\n\n\u003cdiv class=\"aecizt ciGGdC QfrfFD cell\"\u003e\u003csvg height=\"15\" width=\"15\" fill=\"currentColor\" viewbox=\"0 0 15 15\"\u003e\u003cg fill-rule=\"evenodd\" stroke-width=\"1\" fill=\"none\" stroke=\"none\" id=\"Page-2\"\u003e\u003cg fill-rule=\"nonzero\" fill=\"currentColor\" id=\"Desktop-1920-\/-1080\"\u003e\u003cg transform=\"translate(2 7)\" id=\"new_minus\"\u003e\u003cg id=\"Rectangle-5\"\u003e\u003cg id=\"Page-1\"\u003e\u003cg id=\"Desktop-1920-\/-1080\"\u003e\u003cg id=\"Group\"\u003e\u003cpath d=\"M0 0L11 0 11 1 0 1z\" id=\"Rectangle-5\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"rah-static rah-static--height-auto\" aria-hidden=\"false\"\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv class=\"ulKuLk QfrfFD cell\"\u003e\n\n\u003cdiv class=\"zp8uy2\" data-hook=\"info-section-description\"\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eGatefold Vinyl Numbered Edition, 180g Audiophile Pressing,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAAA Fully Analog Process.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Experience an unprecedented sonic journey with this recording, meticulously sourced from the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eoriginal 2-inch multitrack masters\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand masterfully mastered on the iconic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAmpex ATR102 ½ inch\u003c\/strong\u003e .\u003cbr\u003e\u003cbr\u003e Lacquering on: lathe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNeumann VMS70\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eequipped with cutting heads\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNeumann SX74\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAnd\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOrtofon DSS821\u003c\/strong\u003e .\u003cbr\u003e \u003cbr\u003ePurely analog audio processing, for an authentically analog vinyl release. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm","offer_id":50609491050843,"sku":"BBR2025AB02VYN","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8eaf41e0-a0d6-4b00-1355-04293685a56f_dbd4a2f6-3ef2-4aad-9ca2-508857288966.jpg?v=1747756786"},{"product_id":"miles-davis-quintet-miles-smiles","title":"MILES DAVIS QUINTETO - Miles Smiles","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS QUINTET - Miles Smiles \u003c\/strong\u003e(\u003cb\u003eSPC9401\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"\u003c\/strong\u003e\u003cstrong\u003eMiles Smiles\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\" \u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eMiles Davis (tr); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApart from the recording of a live performance at the Portland Festival, Miles Davis' discography for 1966 lists only the recordings made for the LP \"Miles Smiles\"! How strange, considering the usual comprehensive output of Miles and his ensembles for Columbia Records in the sixties.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBassist Ron Carter was just the right man for the complex rhythm part and remained Miles' “number one” in a quintet that reinterpreted compositions by Wayne Shorter as well as jazz hits like Eddie Harris's \"Freedom Jazz Dance\" and Jimmy Heath's \"Gingerbread Boy\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEvery second of Shorter’s nine-minute \"Footprints\" is an absolute highlight, while young Tony Williams’ drumming on \"Freedom Jazz Dance\" is full of vitality, tightly paced, and even described as 'menacing' in the liner notes. This music is neither \"new current\" nor \"old guard\", but good modern jazz, according to Anthony Tuttle. That was exactly what \"Miles Smiles\" stood for at the time of its release 40 years ago – and still does today! And that Miles Davis once smiled due to the splendid musical accord between the five musicians is certainly no mere rumour.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Speakers Corner LP was remastered using exclusively analogue components, from the masters all the way through to the cutting head (\u003ca rel=\"noopener\" href=\"https:\/\/pure-analogue.com\/\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRecording: October 1966 at Columbia RecordsStudios, New York, by Frank Laico\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: Teo Macero\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColumbia CS 9401\u003c\/li\u003e\n\u003cli\u003eFormat: 1LP 180g 33rpm \/ standard sleeve\u003c\/li\u003e\n\u003cli\u003eOriginal Label: Columbia\u003c\/li\u003e\n\u003cli\u003eBarcode: 4260019713292\u003c\/li\u003e\n\u003cli\u003eRelease Date: 2008-03-11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":50706822005083,"sku":"SPC9401","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/9401_250.jpg?v=1748598665"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-chesky-records","title":"LAS MEJORES GRABACIONES VOCAL DE AUDIOFILOS DEL MUNDO - Volumen 1 - Chesky Records","description":"\u003ch2\u003e \n\u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 1 | Chesky Records\u003c\/strong\u003e ( \u003cb\u003eEVLP47\u003c\/b\u003e )\u003c\/h2\u003e\n\n\u003ch2\u003e\n\n \u003cspan\u003eEvolution Music -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eArtist:\u003c\/strong\u003e Various Artists\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTitle:\u003c\/strong\u003e The World's Greatest Audiophile Vocal Recordings Volume 1\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGenre:\u003c\/strong\u003e Audiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eConfiguration:\u003c\/strong\u003e 180G BLACK VINYL LP\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003e\u003cspan\u003e“The World's Greatest Audiophile Vocal Recordings” features sublime performances by some of the world's finest vocalists, all captured by \u003cstrong\u003eChesky Records\u003c\/strong\u003e , a New York label renowned for its superb recording techniques. 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Thanks to the sophisticated recording techniques used, the voices of outstanding singers such as \u003cstrong\u003eSara K.\u003c\/strong\u003e , \u003cstrong\u003eAna Caram\u003c\/strong\u003e , \u003cstrong\u003eValerie Joyce\u003c\/strong\u003e , and \u003cstrong\u003eMarta Gomez\u003c\/strong\u003e sound remarkably natural and clear. “ \u003cstrong\u003eThe World's Greatest Audiophile Vocal Recordings Vol. 1\u003c\/strong\u003e ” is a musical journey that opens up truly new sonic perspectives for the listener.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVolume 2:\u003c\/strong\u003e “The World's Greatest Audiophile Vocal Recordings Vol. 2” features some of the best vocalists on the music scene today, including Ana Caram (“Fly Me To The Moon”), Valerie Joyce (“That's What Friends Are For”), Macy Gray (“First Time”), Christy Baron (“Spooky”), and many more. The album is a testament, if any were needed, to \u003cstrong\u003eChesky Records'\u003c\/strong\u003e commitment to providing audiences with detailed, clear, and high-quality sound.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVolume 3\u003c\/strong\u003e : “The World's Greatest Audiophile Vocal Recordings Vol. 3” features some of the world's finest vocalists, including Macy Gray (“I Try”), Casey Abrams (“Why Don't You Do Right”), Livingston Taylor (“I Must Be Doing Something Right”), and many more. 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Now, Japan's Evolution Music is releasing a new 180g vinyl version that is a must-have for any true audiophile enthusiast. \u003cstrong\u003eVolume 1,\u003c\/strong\u003e \"The World's Greatest Audiophile Vocal Recordings Vol. 1,\" opens with \u003cstrong\u003eRebecca Pidgeon\u003c\/strong\u003e 's stunning version of \"Spanish Harlem,\" which instantly transports the listener to a sonic realm of extraordinary beauty. Thanks to the sophisticated recording techniques used, the voices of outstanding singers such as \u003cstrong\u003eSara K.\u003c\/strong\u003e , \u003cstrong\u003eAna Caram\u003c\/strong\u003e , \u003cstrong\u003eValerie Joyce\u003c\/strong\u003e , and \u003cstrong\u003eMarta Gomez\u003c\/strong\u003e sound remarkably natural and clear. “ \u003cstrong\u003eThe World's Greatest Audiophile Vocal Recordings Vol. 1\u003c\/strong\u003e ” is a musical journey that opens up truly new sonic perspectives for the listener.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVolume 2:\u003c\/strong\u003e “The World's Greatest Audiophile Vocal Recordings Vol. 2” features some of the best vocalists on the music scene today, including Ana Caram (“Fly Me To The Moon”), Valerie Joyce (“That's What Friends Are For”), Macy Gray (“First Time”), Christy Baron (“Spooky”), and many more. The album is a testament, if any were needed, to \u003cstrong\u003eChesky Records'\u003c\/strong\u003e commitment to providing audiences with detailed, clear, and high-quality sound.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVolume 3\u003c\/strong\u003e : “The World's Greatest Audiophile Vocal Recordings Vol. 3” features some of the world's finest vocalists, including Macy Gray (“I Try”), Casey Abrams (“Why Don't You Do Right”), Livingston Taylor (“I Must Be Doing Something Right”), and many more. This album completes an essential audiophile trio of essential \u003cstrong\u003eChesky Records\u003c\/strong\u003e albums reissued by Japan's Evolution Music.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eVolume 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan lang=\"en-us\"\u003eSide A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eInsensatez (Rosa Passos and Ron Carter)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eFirst Time (Macy Gray)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eZombie (Meiko)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eMaria Mulata (Marta Gomez)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eSpooky (Christy Baron)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan lang=\"en-us\"\u003eSide B\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eSomeone to Watch Over Me (Kenny Rankin)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n \u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eFly Me to the Moon (Ana Caram)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eHave You Ever Seen the Rain (Casey Abrams)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eThat's What Friends Are for (Valerie Joyce)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e\n\n \u003ci\u003e\u003cspan lang=\"en-us\"\u003eFull Moon in Paris (Amber Rubarth)\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003c\/span\u003e\u003c\/i\u003e\n\u003cp\u003e\u003c\/p\u003e\n\n \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cheskyrecords.lnk.to\/The-World-s-Greatest-Audiophile-Vocal-Recordings-Vol-2\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Chesky Records","offers":[{"title":"VOLUMEN 2 - LP 33 rpm ONE STEP","offer_id":50747163246939,"sku":"EVLP048","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/aavv-the-world-s-greatest-audiophile-vocal-recordings-vol2.jpg?v=1748609877"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-volume-3-chesky-records","title":"LAS MEJORES GRABACIONES VOCAL DE AUDIOFILOS DEL MUNDO - Volumen 3 - Chesky Records","description":"\u003ch2\u003e\n\n \u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 3 | Chesky Records\u003c\/strong\u003e ( \u003cb\u003eEVLP49\u003c\/b\u003e )\u003c\/h2\u003e\n\n\u003ch2\u003e\n\n \u003cspan\u003eEvolution Music -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eArtist:\u003c\/strong\u003e Various Artists\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTitle:\u003c\/strong\u003e The World's Greatest Audiophile Vocal Recordings Volume 3\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGenre:\u003c\/strong\u003e Audiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eConfiguration:\u003c\/strong\u003e 180G BLACK VINYL LP\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003e\u003cspan\u003e“The World's Greatest Audiophile Vocal Recordings” features sublime performances by some of the world's finest vocalists, all captured by \u003cstrong\u003eChesky Records\u003c\/strong\u003e , a New York label renowned for its superb recording techniques. Now, Japan's Evolution Music is releasing a new 180g vinyl version that is a must-have for any true audiophile enthusiast. \u003cstrong\u003eVolume 1,\u003c\/strong\u003e \"The World's Greatest Audiophile Vocal Recordings Vol. 1,\" opens with \u003cstrong\u003eRebecca Pidgeon\u003c\/strong\u003e 's stunning version of \"Spanish Harlem,\" which instantly transports the listener to a sonic realm of extraordinary beauty. Thanks to the sophisticated recording techniques used, the voices of outstanding singers such as \u003cstrong\u003eSara K.\u003c\/strong\u003e , \u003cstrong\u003eAna Caram\u003c\/strong\u003e , \u003cstrong\u003eValerie Joyce\u003c\/strong\u003e , and \u003cstrong\u003eMarta Gomez\u003c\/strong\u003e sound remarkably natural and clear. “ \u003cstrong\u003eThe World's Greatest Audiophile Vocal Recordings Vol. 1\u003c\/strong\u003e ” is a musical journey that opens up truly new sonic perspectives for the listener.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVolume 2:\u003c\/strong\u003e “The World's Greatest Audiophile Vocal Recordings Vol. 2” features some of the best vocalists on the music scene today, including Ana Caram (“Fly Me To The Moon”), Valerie Joyce (“That's What Friends Are For”), Macy Gray (“First Time”), Christy Baron (“Spooky”), and many more. The album is a testament, if any were needed, to \u003cstrong\u003eChesky Records'\u003c\/strong\u003e commitment to providing audiences with detailed, clear, and high-quality sound.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVolume 3\u003c\/strong\u003e : “The World's Greatest Audiophile Vocal Recordings Vol. 3” features some of the world's finest vocalists, including Macy Gray (“I Try”), Casey Abrams (“Why Don't You Do Right”), Livingston Taylor (“I Must Be Doing Something Right”), and many more. This album completes an essential audiophile trio of essential \u003cstrong\u003eChesky Records\u003c\/strong\u003e albums reissued by Japan's Evolution Music.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eVolume 3\u003c\/strong\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan lang=\"en-us\"\u003eSide A\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eHarvester of Sorrow (Little Kruta and Jenn Mundia)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eI Try (Macy Gray)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eThe Nearness of You (Camille Thurman)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eWhy Don't You Do Right? (Casey Abrams)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eWayfaring Stranger (The New Appalachians)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan lang=\"en-us\"\u003eSide B\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n \u003cli class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003eAs Time Goes By (Anna Nalick)\u003c\/span\u003e\u003c\/i\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eThe Pearls of Your Mouth (Xiomara Laugart)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eAin't We Got Fun (Alexis Cole)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli class=\"MsoNoSpacing\"\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eI Must Be Doing Something Right (Livingston Taylor)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003ci\u003e\u003cspan lang=\"en-us\"\u003eLosing My Religion (Amber Rubarth)\u003c\/span\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003c!----\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cheskyrecords.lnk.to\/The-World-s-Greatest-Audiophile-Vocal-Recordings-Vol-3\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Chesky Records","offers":[{"title":"VOLUMEN 3 - LP 33 rpm ONE STEP","offer_id":50747174814043,"sku":"EVLP049","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/aavv-the-world-s-greatest-audiophile-vocal-recordings-vol3.jpg?v=1748609877"},{"product_id":"blues-30-anniversary","title":"BLUES - 30° ANIVERSARIO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eBLUES - 30° ANNIVERSARY\u003c\/strong\u003e (\u003cspan\u003eCVLD395\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eAvailable on: LP, HD File\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSIDE A – 18:12\u003c\/strong\u003e\u003cbr\u003e01 – So Long (F.Ranghiero, F.Mazzaron) 7:32 \/ rec. 03-2008\u003cbr\u003eFour Fried Fish\u003cbr\u003e02 – Five Short Minutes (J. Croce) 3:23 \/ rec. 07-2012\u003cbr\u003eBarbara Belloni, vocals\u003cbr\u003eFour Fried Fish\u003cbr\u003e03 – Tin Roof Blues (L. Roppolo, P. Mares, B. Pollack) 3:14 \/ rec. 10-2000\u003cbr\u003eTiger Dixie Band\u003cbr\u003e04 – I Ain’t Got Nothin’ But The Blues (D. Ellington) 3:59 \/ rec. 10-2005\u003cbr\u003eCristina Sartori, vocals\u003cbr\u003eStefano Lionello, double bass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSIDE B – 19:33\u003c\/strong\u003e\u003cbr\u003e- 01 – Rollin’ Stone (Mc Kinley Morganfield) 5:18 \/ rec. 03-2008\u003cbr\u003eFour Fried Fish\u003cbr\u003e- 02 - Freedom (R. Ford) 6:52 \/ rec. 03-2018\u003cbr\u003eMichele Giacomazzi, guitar Francesco Giacomelli, electric bass\u003cbr\u003eDiego Vergari, drums\u003cbr\u003e- 03 – Come Together (J. Lennon, P. McCartney) 3:36 \/ rec. 01-2010\u003cbr\u003eYasmina and Bad Songs\u003cbr\u003e- 04 – Cross Road Blues (R. Johnson) 3:46 \/ rec. 07-2023\u003cbr\u003eMax Prandi, vocals and guitar\u003cbr\u003eEnrico Merlin, guitar\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003e\u003cbr\u003e1\/4\" Analog Master created at VLS studio in Naquera (Spain), starting from original analog and digital recordings, the latter made in native high resolution, PCM wav 88.2kHz \/ 24bit\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording Engineer: Marco Lincetto\u003cbr\u003eMixing and Mastering: Marco Lincetto\u003cbr\u003eInterior Photography: Marco Lincetto\u003cbr\u003eGraphic Design: Maurizio Ciato for Studio L'Image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003eIt was the first of July 2009.\u003cbr\u003eWe decided to leave Memphis early, eight, eight-thirty in the morning; because around those parts, at that time, the heat kills you. Humid, so much so that as soon as you step out onto the street you're already soaked in sweat, even if it's early morning.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eThe first stop was relatively close, Clarksdale, the moral capital of the Mississippi Delta, the moral capital of the Blues. One hundred and twenty-five kilometers all along the legendary Highway 61: yes, the one Bob Dylan also sang about, even if he meant it in the opposite direction to us, from south to north.\u003cbr\u003eOn the asphalt in front of our white Ford van, the road, already scorching from the sun, made imaginary images, mirages of reflection, appear on the horizon. And with us there was nothing, no one, only parched fields to the right and left.\u003cbr\u003eAround half past ten we finally saw the arrow indicating the turn-off for Clarksdale, and we took it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eThe town seemed deserted, the streets stretched out desolate amidst rows of decidedly run-down wooden houses, with the varied African-American population already exhausted in the scant shade of dilapidated arcades that had certainly seen better days. And my feeling was strange, inscrutable, even if decidedly restless, perhaps also because of those looks, not threatening, but rather astonished, that looked at the decidedly anomalous body that was me and my six friends inside that white Ford van, too clean, modern and untouched, which definitely clashed in that context.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAfter a while, the little houses ended and we found ourselves, so to speak, \"downtown\": four or five-story buildings, also somewhat decrepit, stretching within a few squared blocks. And without a single tree, so the sun had free rein to wipe out the few remaining sentiments.\u003cbr\u003eWe turned right, then right again, then left: and John Lee Hooker Lane appeared: it's the short street that leads to the Delta Blues Museum, the temple of the Blues.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eNow, we Europeans are used to a concept of \"museum\" that involves austere, polished monumental buildings, with armed guards for access, cameras and all the paraphernalia of control...\u003cbr\u003eThere, none of that.\u003cbr\u003eA low, discreetly maintained red brick building, built next to an old abandoned railway line, with rusty tracks, and a canopy with the rusty sign \"Delta Blues Museum\" underneath it.\u003cbr\u003eIn museums you expect a quiet movement of attentive and discreet patrons, perhaps with the classic joyful and somewhat noisy school group: there, again, none of that. Deserted. No one. Just us.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eThe exhibition was entirely structured within a single large hall, with a ceiling not as high as you would expect. And what was exhibited were common memorabilia: a few \"belonging to\" instruments, a few trinkets, many photographs, historical and otherwise, very beautiful, I must say.\u003cbr\u003eAnd little else.\u003cbr\u003eThe tour ended quickly, but the previous restlessness, instead of subsiding, increased. There was SOMETHING I couldn't focus on. At one point, I heard the rhythmic sound of drums, like someone practicing a few passages. It came from the entrance area, but distant, from below, perhaps from some obscure cellar. I would never find out who or where it was.\u003cbr\u003eAt that point, however, I noticed an old, a really old, African-American man, sitting behind the counter of what looked like a bar; he was distractedly reading a crumpled newspaper, while savoring a noxious cigarette, the smell, the stench, decidedly strong for someone like me, who doesn't smoke.\u003cbr\u003eIt immediately and naturally came to me, from deep within, the urge, the need, to ask him a question that had been buzzing in my head for many years, related to one of the most famous legends of the blues, which tells how one fine day in the late 1920s, Robert Johnson, who was a poor cotton picker with no art or skill, in the countryside near Clarksdale met the Devil – yes, that very one – who proposed a pact: he, the Devil, would guarantee him success in exchange for his soul. And Johnson accepted. And the rest of the story is known.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eWell, that's when the question came to me, and opening my mouth with an uncertain demeanor, I asked the old man: \"Can you tell me where the Devil's Crossroads and Robert Johnson's are?\"\u003cbr\u003eThe old man didn't bat an eyelid... but he raised it, imperceptibly, while simultaneously lowering his newspaper, sizing me up in silence. A silence that lasted a few eternal seconds, in which time had actually stopped. Then, parting his lips wet with sweat and parched by smoke, he told me: \u003cstrong\u003e\"Hey guy... It's Everywhere...!\"\u003c\/strong\u003e\u003cbr\u003eAnd in that moment, for the first time in my life, I understood what the word \"Blues\" meant.\u003cbr\u003eAnd the sense of uneasiness disappeared in the dangerous grin that appeared on the old man's impassive face.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eThe musicians and I are fortunate people, to have been privileged to experience these emotions that are very difficult to put into words, but which I hope can at least be conveyed a little by the sound tracks left in the grooves of the records. Forever.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eThanks to everyone,\u003cbr\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eI dedicate this project to that old African-American with the newspaper,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ewho finally made me understand what the BLUES is.\u003c\/strong\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50751696503131,"sku":"CVLD395LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 88.2kHz • 24bit","offer_id":50751696535899,"sku":"CVLD395","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CVLD395-cover.jpg?v=1749210813"},{"product_id":"vinyl-collection-stockfisch-records","title":"Colección de Vinilos - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\n\u003cstrong\u003eVinyl Collection - STOCKFISCH RECORDS\u003c\/strong\u003e ( \u003cb\u003eSFR35780061\u003c\/b\u003e )\u003c\/h2\u003e\n\u003ch2\u003e\n\n \u003cspan\u003eStockfisch Records -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e A1 No Sanctuary Here - Chris Jones\u003cbr\u003e A2 Stars - Sara K.\u003cbr\u003e A3 captain of the loving kind - Paul Stephenson\u003cbr\u003e A4 Caruso - Christian Willisohn\u003cbr\u003e A5 Song For You Far Away - David Roth\u003c\/p\u003e\n\u003cp\u003e B1 Closer - Steve Strauss\u003cbr\u003e B2 Paris - Ewen Carruthers\u003cbr\u003e B3 The Same Kind Words - Eugene Ruffolo\u003cbr\u003e B4 Heaven - Mike Silver\u003cbr\u003e B5 Au large du Gueveur - Louis Capart \u0026amp; Duo Balance\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eIn the 80s, experts and professionals warned that the vinyl record would soon be overtaken by the new digital media. Today we can say that they were wrong: turntables and vinyl records are experiencing a real sales boom! Stockfisch Records and its mastering studio Pauler Acoustics have always been passionate about vinyl, offering selected recordings of great quality such as \"Water Falls\" by Sara K. or \"Pearl Diver\" by David Roth. For the first volume of the \"Vinyl Collection\" series, Stockfisch has selected 10 extraordinary tracks from its precious repertoire of the last 4 years. The final result is a record that offers uncompromising quality given by a 180 gr vinyl with audiophile pressing, DMM cut and a cover full of photos and explanations.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767282307419,"sku":"SFR35780061","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8006_VC1_1000shop_ml.jpg?v=1749555330"},{"product_id":"vinyl-collection-vol-2-stockfisch-records","title":"Colección de Vinilos Vol.2 - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\n\u003cstrong\u003eVinyl Collection Vol.2 - STOCKFISCH RECORDS\u003c\/strong\u003e ( \u003cb\u003eSFR35780091\u003c\/b\u003e )\u003c\/h2\u003e\n\u003ch2\u003e\n\n \u003cspan\u003eStockfisch Records -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e A1 Tief im Innern - Katja Maria Werker\u003cbr\u003e A2 That Train - Ewen Carruthers\u003cbr\u003e A3 Frogs - Ralf Illenberger\u003cbr\u003e A4 He Can Dance - Paul O'Brien\u003cbr\u003e A5 Westwinds - Mckinley Black\u003c\/p\u003e\n\u003cp\u003e B1 Let The Music Flow - Allan Taylor\u003cbr\u003e B2 Into The Light - Carl Cleves \u0026amp; Parissa Bouas\u003cbr\u003e B3 Improvisation - Chris Jones\u003cbr\u003e B4 Carolina Song - David Munyon\u003cbr\u003e B5 Now So Far - Paul Stephenson\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eIt is surprising that, despite downloads and mp3s, the demand for vinyl is constantly growing. Stockfisch has therefore decided to publish \"Vinyl Collection vol. 2\", the second volume of the Vinyl Collection series containing ten selected tracks from the repertoire of the German label. On this album we find available for the first time on vinyl \"That Train\" by Ewen Carruthers, a heartfelt tribute to the English singer-songwriter who passed away in 2010, recorded by Allan Taylor in the famous Porsche\/Burmester session. The tracklist also includes some songs by the melancholic Irish singer-songwriter living in Canada Paul O'Brien, the Australian folk duo Carl \u0026amp; Parissa and others from David Munyon's album \"Pretty Blue\". We continue with the unreleased track from Katja Maria Werker's first album on Stockfisch, \"Mitten im Sturm\", a guitar piece played by the virtuoso Ralf Illenberger who recorded with the German label in the 70s, a wonderful song from Paul Stephenson's third album and also an unreleased track by the exceptional guitarist Chris Jones, who sadly passed away in 2005.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767606645083,"sku":"SFR35780091","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8009_VC2_1000shop_ml.jpg?v=1749560603"},{"product_id":"vinyl-collection-vol-3-stockfisch-records","title":"Colección de Vinilos Vol.3 - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\n\u003cstrong\u003eVinyl Collection Vol.3 - STOCKFISCH RECORDS\u003c\/strong\u003e ( \u003cb\u003eSFR35780151\u003c\/b\u003e )\u003c\/h2\u003e\n\u003ch2\u003e\n\n \u003cspan\u003eStockfisch Records -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e A1 Silvia's River - Paul O'Brien\u003cbr\u003e A2 Sea of Dreams - Steve Strauss\u003cbr\u003e A3 Haunted - Carrie Newcomer\u003cbr\u003e A4 I'll Be Here For You - David Roth\u003cbr\u003e A5 Nowhere Fast - The Greater Good\u003c\/p\u003e\n\u003cp\u003e B1 The Full Force Of The Wind - Carl \u0026amp; Parissa\u003cbr\u003e B2 Strange World - Ranagri\u003cbr\u003e B3 Song For Danko - David Munyon\u003cbr\u003e B4 The Ferryman - Kerstin Blodig\u003cbr\u003e B5 The Best I Can - Allan Taylor\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eFor the third volume of the Vinyl Collection series, \"Vinyl Collection vol. 3\", Stockfisch has selected songs from its repertoire that, thanks to their deep, soft and transparent timbre, are particularly well suited sonically to the vinyl record. The tracklist includes songs from the latest works of Allan Taylor, Steve Strauss, David Muyon and Paul O'Brien. Then there are also pieces from some of Stockfisch founder Guenter Pauler's more recent discoveries, such as Carrie Newcomer from Indiana, Kerstin Blodig from Norway and the Anglo-Irish band Ranagri. Carrie Newcomer is a very good singer with a velvety voice and her sincere songs captivate audiences all over the world. Singer, songwriter and guitarist Kerstin Blodig presents songs from her debut album for Stockfisch, pieces recorded in a clearing in one of the largest forest areas in Germany, in Solling. The inspiring natural atmosphere that has entered the album through the birdsong and the sounds of the vegetation, fits wonderfully with Kerstin's Norwegian songs and the deep sound of the acoustic guitar. The Ranagri quartet hails from the UK and consists of an Irish traditional musician, two classically trained musicians and a blues singer and guitarist, all with a passion for folk music.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767635611995,"sku":"SFR35780151","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VC3_8015_1000shop_ml.jpg?v=1749561264"},{"product_id":"vinyl-collection-vol-4-stockfisch-records","title":"Colección de Vinilos Vol.4 - STOCKFISCH RECORDS","description":"\u003ch2\u003e\n\n\u003cstrong\u003eVinyl Collection Vol.4 - STOCKFISCH RECORDS\u003c\/strong\u003e ( \u003cb\u003eSFR35780221\u003c\/b\u003e )\u003c\/h2\u003e\n\u003ch2\u003e\n\n \u003cspan\u003eStockfisch Records -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003cp\u003e \u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e TO\u003c\/div\u003e\n\u003cdiv\u003e 1 Rise We Will\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e David Roth\u003c\/div\u003e\n\u003cdiv\u003e 2 Restless Heart\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Ian Smith\u003c\/div\u003e\n\u003cdiv\u003e 3 England Green \u0026amp; England Grey\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Reg Meuross\u003c\/div\u003e\n\u003cdiv\u003e 4 Every Broken Glass\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Steve Strauss\u003c\/div\u003e\n\u003cdiv\u003e 5 The Streets of Africa\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Katja Werker\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e B\u003c\/div\u003e\n\u003cdiv\u003e 6 Big River\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Steve Folk\u003c\/div\u003e\n\u003cdiv\u003e 7 Silence Is Deafening\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Paul Stephenson\u003c\/div\u003e\n\u003cdiv\u003e 8 Devil's Need\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Frogs\u003c\/div\u003e\n\u003cdiv\u003e 9 The Painter\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-Brian\u003c\/span\u003e Flanagan\u003c\/div\u003e\n\u003cdiv\u003e 10 Ways to Become Unbroken\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e-\u003c\/span\u003e Anne Clark\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003cspan\u003eThe precious \"Vinyl Collection\" are among the most appreciated albums by lovers of the purest audiophile sounds: precious treasure chests that contain musical pearls that shine with sounds that are truly difficult to listen to on other records. The perfection of the sound is confirmed by the awaited \"Vinyl Collection Vol. 4\" which contains 10 of the most beautiful songs from the entire production of the Stockfisch house in recent years. Among the protagonists of this brilliant sound journey we find the Irish composer and singer Brian Flanagan who sings \"The Painter\", a song inspired by the beauty of the landscape of his country. Similar to Flanagan in tone and interpretative method, is the new discovery of the German label, the London singer Steve Folk who on this occasion presents \"Big River\", a fascinating piece that combines melancholy and seduction. Although active for decades, Reg Meuross is also a new discovery for Stockfisch: he is an excellent folk singer of the English school who in \"Vinyl Collection Vol. 4\" performs \"England Green \u0026amp; England Grey\", an interesting song that contains a deep social criticism. Among the new arrivals there is also the Irish Ian Smith, a talented artist who demonstrates all his ability as a narrator. There are also some of the historical voices of the label such as Katja Werker, Steve Strauss, David Roth, Paul Stephenson and Ranagri. Enriching an already exceptional cast is the icon of electronic music and the European new wave movement, Anne Clark who, having arrived at the Stockfisch studios in the 80s, returned in 2022 for the recording of her latest album \"Borderland\" from which the evocative song \"How to Become Unbroken\" is taken which closes the B-side of \"Vinyl Collection Vol. 4\". Don't miss it!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Stockfisch Records","offers":[{"title":"LP 33 rpm","offer_id":50767688335707,"sku":"SFR35780221","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8022_VinylColl4_1000shop_ml.jpg?v=1749562124"},{"product_id":"orchestra-30-anniversary","title":"ORQUESTA - 30° ANIVERSARIO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eORCHESTRA - 30° ANNIVERSARY \u003c\/strong\u003e(\u003cspan\u003eCVLD396\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eAA.VV.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eAA.VV.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eAvailable in formats: LP, HD File\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTracks:\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A: 20:09\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e01 – Ouverture, from Le Nozze di Figaro 4:24\u003cbr\u003eWolfgang Amadeus Mozart I Solisti dell’Olimpico, Giovanni Battista Rigon, conductor\u003cbr\u003eLive Recording, Teatro Olimpico, Vicenza, June 2016\u003c\/li\u003e\n\u003cli\u003e02 – Symphony n. 4 in A Major, Op. 90 “Italiana”, Saltarello 5:32\u003cbr\u003eFelix Mendelsshon-Bartholdy\u003cbr\u003eOrchestra di Padova e del Veneto, Giancarlo Andretta, conductor\u003cbr\u003eStudio Recording, Auditorium Pollini, Padova, August 2000\u003c\/li\u003e\n\u003cli\u003e03 – Sinfonia in C Major “dei giocattoli” 3:16\u003cbr\u003eLeopold Mozart\u003cbr\u003eI Solisti dell’Olimpico, Giovanni Battista Rigon, conductor Live Recording, Teatro Olimpico, Vicenza, June 2004\u003c\/li\u003e\n\u003cli\u003e04 – Intermezzo, from Cavalleria Rusticana 3:20\u003cbr\u003ePietro Mascagni\u003cbr\u003eOrchestra Cesare Pollini del Conservatorio di Padova, Giuliano Medeossi, conductor\u003cbr\u003eStudio Recording, Auditorium Pollini, Padova, May 2015\u003c\/li\u003e\n\u003cli\u003e05 – Halleluja, from Messiah, HW 56 3:33\u003cbr\u003eGeorg Friedrich Händel\u003cbr\u003eSchola S.Rocco \u0026amp; Archicembalo Ensemble, Francesco Erle, conductor\u003cbr\u003eLive Recording, Basilica di San Felice, Vicenza, December 2009\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B: 19:00\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e01 – Suite per Paer, Allegro con spirito 1:30\u003cbr\u003eAdriano Lincetto\u003cbr\u003eI Solisti di Venezia, Giovanni Guglielmo, conductor and first violin\u003cbr\u003eStudio Recording, Sala della Biblioteca, Abbazia di Carceri d’Este, April 2004\u003c\/li\u003e\n\u003cli\u003e02 – Concerto per violoncello, archi e pianoforte, Rondò 9:41\u003cbr\u003eSilvio Omizzolo Orchestra di Padova e del Veneto, Fabio Framba, conductor\u003cbr\u003eDamiano Scarpa, violoncello, Pierluigi Piran, piano\u003cbr\u003eStudio Recording, Auditorium Pollini, Padova, September 2009\u003c\/li\u003e\n\u003cli\u003e03 – Danse profane, pour harpe Chromatique avec accompagnaiment d’orchestre à cordes 5:07\u003cbr\u003eClaude Debussy\u003cbr\u003eDavide Burani, harp\u003cbr\u003eOrchestra da Camera di Ravenna, Paolo Mainetti, conductor\u003cbr\u003eStudio Recording, Teatro Incontro, Formigine, December 2012\u003c\/li\u003e\n\u003cli\u003e04 – Moto Velocetto Perpetuo 2:39\u003cbr\u003eGiorgio Gaslini\u003cbr\u003eOrchestra del Teatro Marrucino, Giorgio Gaslini, conductor\u003cbr\u003eLive Recording, Teatro Marrucino, Chieti, February 2007\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003e38 cm\/sec, ¼” Analog Master made at VLS Studio, Naquera (Spain), on May 2025, starting from PCM wav 88.2kHz \/ 24bit original digital master recordings made at several different locations in Italy, from September 2000 to June 2016\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cbr\u003eProduction: Marco Lincetto for VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eRecording engineer: Marco Lincetto (Matteo Costa on tracks 1 \u0026amp; 3, Side A)\u003cbr\u003eMix and mastering engineer: Marco Lincetto\u003cbr\u003eInside photo: Marco Lincetto\u003cbr\u003eDesign and layout: Studio L'Image\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eIt's easy to say Classical Music...\u003cbr\u003eToday more than ever, people have a genuine anxiety stemming from the need to clearly and unambiguously categorize things, actions, and thoughts. A famous record store owner once told me that he needs to know immediately and without hesitation what genre every record he sells belongs to, because, simply, he needs to know which shelf to put it on... because the public needs to know what they are buying.\u003cbr\u003eIt's no coincidence that I emphasized the verb \"needs\"; and forgive me if my critical thinking is inevitably triggered, but... why \"needs\" to know? Because perhaps the ability to think for oneself, to autonomously create categories of knowledge, has now become too revolutionary an act for a modern Western society enslaved by the rules of control at all costs, of the moralistic guidance of human beings by an oppressive power increasingly intent on dominating its subjects, rather than serving its citizens.\u003cbr\u003eAnd in this context, nothing can be left to chance, least of all the ability to think autonomously within the realm of \"dangerously\" cultural content, such as music.\u003cbr\u003eThe definition \"classical music\" has therefore been associated with a whole series of conventional stylistic features, typically referring to the music of the past that has been handed down to us as \"classical\" by the usual learned and wise men of the temple. But in reality, for example, and from my point of view, \"classical\" can be understood as music that draws inspiration, not forgetting, from those pages composed throughout the history of Humanity that contain the sense of the absolute, or rather fall into absolute categories of value and beauty, which know how to transcend and overcome the passage of time.\u003cbr\u003eHence, the journey of this album aims to propose a true conceptual summary of these just expressed concepts. And so you will find a SIDE A that presents some of the most famous and celebrated pages of that classical music of tradition that has rightfully established itself as definitive, overcoming and exorcising the possible oblivion of time.\u003cbr\u003eWhile on SIDE B you will find a significant selection of music written in the 20th century, that is, the \"middle century,\" which managed to capture the synthesis of the past, mixing its native roots with the most diverse influences from the various cultural worlds that, precisely in the twentieth century, perhaps for the first time, managed to break down geographical barriers, without forgetting the lessons of the past.\u003cbr\u003eWithout a doubt, therefore, somewhat provocatively but not too much, I did not want to title this third collection of Velut Luna's thirtieth anniversary with the term \"Classical\" (after \"Jazz\" and \"Blues\"), but more simply \"ORCHESTRA,\" a word that intentionally specifies only the ensemble used to play this music.\u003cbr\u003eAnd so it was, so it is, and so it will be.\u003cbr\u003e\u003cstrong\u003eI dedicate this album to my father, Adriano Lincetto.\u003c\/strong\u003e\u003cbr\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":50925490307419,"sku":"CVLD396LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO HD 88.2kHz • 24bit","offer_id":50925490340187,"sku":"CVLD396","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_b42979ae-008a-4f58-bf2e-778025f15d29.jpg?v=1751544690"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-volume-4-chesky-records","title":"LAS MEJORES GRABACIONES VOCAL DE AUDIOFILOS DEL MUNDO - Volumen 4 - Chesky Records","description":"\u003ch2\u003e\n\n\u003cstrong\u003eTHE WORLD'S GREATEST AUDIOPHILE VOCAL RECORDINGS - Volume 4 | Chesky Records\u003c\/strong\u003e ( \u003cb\u003eEVLP90\u003c\/b\u003e )\u003c\/h2\u003e\n\n\u003ch2\u003e\n\n \u003cspan\u003eEvolution Music -\u003c\/span\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eArtist:\u003c\/strong\u003e Various Artists\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTitle:\u003c\/strong\u003e The World's Greatest Audiophile Vocal Recordings Volume 4\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGenre:\u003c\/strong\u003e Audiophile, Vocal Jazz, Folk, Singer-songwriter\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eConfiguration:\u003c\/strong\u003e 180G BLACK VINYL LP\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003eThe audiophile 180g vinyl series offered by \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" data-markjs=\"true\"\u003eEvolution\u003c\/span\u003e Music, but originally released by Chesky Records, is enriched with a brand new fourth volume to add to our collection: “The World's Greatest Audiophile Vocal Recordings Vol. 4”. Recorded with innovative techniques and equipment by renowned sound engineers Nicholas Prout and Bob Katz, the album offers a series of unmissable performances featuring artists such as Anglo-American singer and actress Rebecca Pidgeon, American folk-pop singer-songwriter Anna Nalick, Ohio R\u0026amp;B icon Macy Gray, jazz-pop singer Casey Abrams and New York jazz-rock pianist Rachel Z.. “The World's Greatest Audiophile Vocal Recordings Vol. 4” is offered in an eye-catching, limited edition, high-quality, single-press, 33 rpm, 180g green vinyl. Don't miss it!\u003c\/p\u003e\n\n \u003cp\u003e\u003ci\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eVolume 4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e Side A\u003cbr\u003e 1. HELPLESSLY HOPING – ANNA NALICK\u003cbr\u003e 2. YOU HAVEN'T DONE NOTHIN – JEN CHAPIN\u003cbr\u003e 3. GRANDMOTHER – REBECCA PIDGEON\u003cbr\u003e 4. 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REDEMPTION SONG – MACY GRAY\u003c\/p\u003e\n\n\u003c!----\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/cheskyrecords.lnk.to\/The-World-s-Greatest-Audiophile-Vocal-Recordings-Vol-4\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Chesky Records","offers":[{"title":"VOLUMEN 4 - LP 33 rpm UN PASO","offer_id":51033193054555,"sku":"EVLP90 ","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/shopping.png?v=1753343021"},{"product_id":"riccardo-muti-mozart-sinfonie-n-25-n-35-haffner-n-39","title":"RICCARDO MUTI - MOZART: Sinfonía N.25 - N.35 \"Haffner\" - \u0026 N.39","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eRICCARDO MUTI - MOZART: Symphonies N.25 - N.35 \"Haffner\" - \u0026amp; N.39\u003c\/strong\u003e ( \u003cspan\u003ePJLPB1002\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch2 lang=\"en-US\"\u003e Wiener Philharmoniker \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003e\u0026amp; Riccardo Muti\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003ch2 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n \u003ch3 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e \u003cspan\u003eTogether with the Vienna Philharmonic, Riccardo Muti created a true masterpiece with Mozart's Symphonies Nos. 25, 35, and 39. Both are among the most esteemed classical artists of the modern era, and this vinyl recording combines an exceptional performance with an unparalleled sound experience, preserving the warm, mellow atmosphere of the Vienna Musikverein.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThis extremely rare audiophile recording has been lovingly and painstakingly remastered by none other than Georg Burdicek, the heart and soul of Tonzauber. His references include recordings with world-renowned artists such as Nikolaus Harnoncourt, Milan Horvat, Elina Garancia, Joe Zawinul, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThe very beginning of the slow introduction to No. 39 makes it abundantly clear that Muti has no intention of being influenced by the latest ideas in period performance. It's impossible to determine precisely how many strings he's using, but the result on the first chord is imposing, bold, and full-bodied. Thus, the surprising dissonances in the introduction emerge clearly, and despite the fluidity, the textures of the tutti in the main Allegro are commendably clean. In No. 25, the \"little\" G minor, Muti is fast and impetuous in the first movement, without the sense of an early work, and in the second movement, the Andante, he keeps the violins unmuted, more sharply highlighting the tonal contrasts with the woodwinds in the alternating phrases. The various wind solos, from piccolo to trumpet, are wittily characterized. But the highlight here is the “Haffner” Symphony, a wholly exuberant account, cinematic in its focus and intensity, racing toward a finale that is beyond belief.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 1\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide A - Symphony No. 25 in G minor:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1. Allegro con brio\u003c\/p\u003e\n\n\u003cp\u003e 2. Andante\u003c\/p\u003e\n\n\u003cp\u003e 3. Menuetto\u003c\/p\u003e\n\n\u003cp\u003e 4. Allegro\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide B - Symphony No. 35 „Haffner“ in D major:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1. Cheerful with spirit\u003c\/p\u003e\n\n\u003cp\u003e 2. Andante\u003c\/p\u003e\n\n\u003cp\u003e 3. Menuetto\u003c\/p\u003e\n\n\u003cp\u003e 4. Soon\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide C - Symphony No. 39 in E flat major:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1. Adagio – Allegro\u003c\/p\u003e\n\n\u003cp\u003e 2. Andante con moto\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide D\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 3. Menuetto\u003c\/p\u003e\n\n\u003cp\u003e 4. Allegro\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Original label: Decca\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (doble)","offer_id":51132243902811,"sku":"PJLPB1002","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/muti_-_mozart.webp?v=1754497317"},{"product_id":"herbert-von-karajan-strauss-also-sprach-zarathustra-don-juan-tod-und-verklarung","title":"HERBERT von KARAJAN - STRAUSS: Así habló Zaratustra - Don Juan - Muerte y transfiguración","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eHERBERT von KARAJAN - STRAUSS: Also sprach Zarathustra - Don Juan - Tod und Verklärung\u003c\/strong\u003e ( \u003cspan\u003ePJLP3\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eThe Vienna Philharmonic \u0026amp; Herbert von Karajan\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch2 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003ch3 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\n \u003cp\u003e\u003cspan\u003eHallmark Recordings of the Vienna Philharmonic re-released by Pro-Ject Audio Systems: “Analog Only” sets the standard for sound quality.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThe new vinyl edition of the Vienna Philharmonic on Pro-Ject Audio Systems was transferred directly from the original Deutsche Grammophon and Decca master tapes, without any intermediate digital processing. Heinz Lichtenegger, owner and mastermind behind Pro-Ject Audio Systems, is more than just a music enthusiast in his private life. Over the years, he has established himself as one of the most ardent international advocates of analog audio. His admiration for the Vienna Philharmonic led to the project of reissuing 12 legendary recordings of the world-famous orchestra from the analog era.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThe Vienna Philharmonic's select recordings are known above all for their sonic fidelity: after all, Decca and later Deutsche Grammophon allowed only the finest recording engineers to work with this world-class orchestra. With this series, Pro-Ject Audio Systems intends to preserve these irreplaceable recordings in their original condition, as part of our cultural heritage for posterity.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eTogether with a team of specialists, Lichtenegger chose Herbert von Karajan for this Vienna Philharmonic LP. Between concerts, operas, tours, and recording sessions, the Vienna Philharmonic performed approximately 700 times with Herbert von Karajan, from 1934 until the conductor's death in 1989.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThese Strauss symphonic poems are extraordinary examples of Karajan's extraordinary interpretive mastery. Recorded at Vienna's Sofiensäle in the late 1950s and early 1960s with the Vienna Philharmonic Orchestra, they demonstrate nothing less than Karajan's exceptional sensitivity for tone, balance, and, above all, expressive depth.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eAs Lichtenegger states: \"We produce the best possible quality for our customers, and while the original tapes continue to age, the vinyl records have been documenting their acoustic condition since 2019.\"\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eRichard Strauss\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 1 - Don Juan, Tod und Verklärung, Also Sprach Zarathustra\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTO\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDon Juan, Op. 20 17:04\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eB\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eTod und Verklärung, Op. 24 11.55pm\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eC \u003cspan\u003e- Also sprach Zarathustra, Op. 30 [1-7]\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1. Prelude [Sonnenaufgang] 1:45 \u003cbr\u003e2. From the Hinterweltlern 3:35\u003cbr\u003e 3. Von der großen Sehnsucht 1:56\u003cbr\u003e 4. Von den Freuden und Leidenschaften 1:55\u003cbr\u003e 5. Das Grablied 2:24\u003cbr\u003e 6. From Knowledge 4:18\u003cbr\u003e 7. Der Genesende [Teil 1] 1:43\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eD\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 7. Der Genesende [Teil 2] 3:36\u003cbr\u003e 8. The Dance Song 7:43\u003cbr\u003e 9. Das Nachtwandlerlied 4:35\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Original label: Decca\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (doble)","offer_id":51132521415003,"sku":"PJLP3","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/WienerPhilharmonikerKarajan-RichardStrauss-2.webp?v=1754499103"},{"product_id":"karl-bohm-beethoven-sinfonia-n-6-pastorale-overture-egmont","title":"KARL BOHM - BEETHOVEN: Sinfonía N.6 'Pastoral' - Obertura Egmont","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eKARL BOHM - BEETHOVEN: Symphony No.6 'Pastorale' - Egmont Overture\u003c\/strong\u003e ( \u003cspan\u003ePJLP1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eWiener Philharmoniker \u0026amp; Karl Böhm\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\n\u003ch2 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003ch3 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eRemastered with care and love from the original master tape by Georg Burdicek\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThis album was produced in collaboration with Pro-Ject Audio Systems to reproduce the original music and audio experience of this famous concert in the Golden Hall of the Vienna Musikverein. Pressed with the utmost precision on high-quality 180g vinyl by Pallas Germany.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIn 1803, Beethoven noted in his notebook: \"Bubbling brooks, andante molt[o], the wider the brook, the deeper the tone\" and sketched the first sketches for the dance rhythm of the third movement. Five years later, he labeled the first three movements as scenes: \"Scene: Arrival in the Countryside [and] Effect on the Mood,\" \"Scene by the Brook,\" and \"Scene: Festive Gathering,\" to which he added, \"Even without descriptions, the whole will be perceived more as an expression than as a painting of sound.\" Finally, he prefaced the symphony with the words, \"More expression of feeling than painting.\" Although the symphony was inspired by impressions of nature (Beethoven called it \"Pastoral Symphony, or Recollections of Country Life\"), this F major composition is not intended to depict natural events. Rather, the idea of ​​nature itself was poured into the symphony's form, giving it five movements instead of the usual four. Thematically, the work is fundamentally constructed on triads. The opening of the first movement already anticipates the formative material of the following Allegro, which owes its characteristic color not least to the sustained pitches reminiscent of bagpipes and hurdy-gurdy. The \"Scene by the Brook,\" with its onomatopoeic allusions to birdsong, is conceived as an expanded rondo. Whether or not the cuckoo's song struck a chord with Gustav Mahler, a similar song can be found in the opening of his First Symphony.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThe third movement, which replaces a scherzo, draws its character from the German dance known as the Deutscher. It is a gruff and assertive Allegro that leads directly to the symphony's dramatic climax: a musical thunderstorm. Here, thunder is represented by sixteenth-note quintets in the cellos and double basses, and raindrops by a sparkling four-note figure in the violins. The finale follows without interruption, returning once again to the tranquil atmosphere of the first movement. Beethoven's return to the rondo concept of this movement in his late String Quartet, Op. 132, is due to the similarity of the subjects: in the \"Pastoral\" finale, the shepherds express their gratitude for the end of the storm, while in the string quartet, a man previously afflicted by a serious illness gives thanks to God for his recovery.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eKarl Böhm, born in Graz in 1894 and died in Salzburg in 1981, holds a special place in the history of the Vienna Philharmonic. In 1967, this doctor of law became the first person to be awarded the title of \"honorary conductor\" by the orchestra, an honor that has since been bestowed only once in the orchestra's history, to Herbert von Karajan in 1980. Böhm's warmth for the orchestra is evident in the words he spoke during his final appearance with the Philharmonic. It was the final recording session for the film version of Richard Strauss's Electra, which counted Böhm among its favorite conductors: \"I have loved the orchestra as a human being ever since I first heard it, at the back of the stalls of the Musikverein, and ever since I first conducted Tristan at the State Opera.\"\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIt was the success of this performance of Tristan und Isolde at the Vienna State Opera (where Böhm conducted from 1943–45 and again from 1954–56) that led to his debut concert with the Vienna Philharmonic in April 1933. His last concert was in Japan in 1980. If we add to this his 667 appearances at the Vienna State Opera, Karl Böhm, \"General Music Director of Austria,\" conducted the Vienna Philharmonic 1,430 times. This figure does not even include the sessions for the numerous recordings he made with the orchestra during their 48-year association. These included his highly acclaimed complete recording of Beethoven's symphonies from the early 1870s, along with several overtures, including \"Egmont,\" composed in 1810 for a Viennese performance of Goethe's tragedy of the same name. All these pieces are an eloquent testimony to a musical ideal characterized by precision and naturalness of expression and provide documentary evidence of Böhm's impeccable sense of timing.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLudwig Van Beethoven\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 1 - \u003cspan\u003eSymphony No. 6 in F-Major, Op. 68 “Pastoral”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e1. Erwachen heiterer Empfindungen bei Ankunft auf dem Lande \/ Allegro ma non tanto\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e2. Scene by Bach \/ Andate molto mosso\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e3. Lustiges Zusammensein der Landleute \/ Allegro\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e4. Gewitter – Sturm\/Allegro\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm \/ Allegretto\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eSide D -\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003e\u003cspan\u003eOverture \"Egmont\" op. 84\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e6. Music to Goethe's Tragedy\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Original label: Deutsche Grammophon\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (doble)","offer_id":51132579316059,"sku":"PJLP1","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Beethoven-Symphonie6_Ouverture-1.webp?v=1754500584"},{"product_id":"zubin-metha-mahler-sinfonia-n-2-resurrezione","title":"ZUBIN METHA - MAHLER: Sinfonía N.2 \"Resurrección\"","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eZUBIN METHA - MAHLER: Symphony No. 2 \"Resurrection\"\u003c\/strong\u003e ( \u003cspan\u003ePJLP1001\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e) (incl. download voucher)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch2 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eWiener Philharmoniker \u0026amp; Zubin Mehta\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan\u003eIleana Cotrubas\u003c\/span\u003e\u003c\/b\u003e \u003cspan\u003e, soprano\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan\u003eChrista Ludwig\u003c\/span\u003e\u003c\/b\u003e \u003cspan\u003e, mezzo-soprano\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cb\u003e\u003cspan\u003eVienna State Opera\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\n\u003ch2 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003ch3 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\n\u003cp class=\"MsoNoSpacing\"\u003e \u003cspan\u003e\u003cstrong\u003e180 gram double LP in a limited edition of only 2000 copies worldwide\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003e\u003cstrong\u003eRemastered from the original Decca analogue tapes at the legendary Abbey Road Studios\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eTo celebrate Zubin Mehta's 80th birthday, Decca (Universal Music) is proud to present Zubin Mehta's iconic albums, in collaboration with the Vienna Philharmonic Orchestra and Pro-Ject Audio Systems. A must-have for music lovers of the analog era, reissued on high-quality vinyl. Presented with the original sleeve, this recording has been meticulously mastered from the original Decca analog tapes at Abbey Road Studios.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThis is probably Mehta's best Mahler album ever. The first movement is very dramatic. Mehta opens with a very tense and brisk tempo. Mehta never rushes, but he never drags it out. The timpani are very well defined, but not overbearing, throughout the movement, as they are throughout the album. The Andante is very well played. The phrasing is wonderful. The Scherzo begins in the best way I've ever heard. Two timpani strokes are crisp and clear. Then the next two are softer, and then the next two softer still, which gives it a stunning effect.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThen, the Urlicht. Mehta's slower tempo only adds to the heartbreaking beauty. Add to that the stunning voice of Ileana Contrubas, and you have a winning combination. All the way to the soaring finale, where Mehta truly triumphs. The timing is perfect. Mehta builds to the climaxes perfectly, never dragging. The brass sounds superb! I heard some of the lower brass in this movement that I'd never heard before in my other recordings. Truly impressive. When the choir enters, just listen to the bass singers! Spectacular. The entire choir seems like a gift from heaven. Contrubas and Ludwig sing crystal clear and beautiful. The organ is crystal clear. The combination of perfect timing, magnificent recordings, and ultra-virtuoso playing make the finale one of the most moving pieces of music you'll ever hear.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThis recording has everything you could wish for. Mehta's perfect timing, the splendid collaboration of Contrubas, Ludwig, and the Vienna State Opera. The Vienna Philharmonic, especially the brass, sounds like the virtuoso ensemble they are. Get it as soon as possible.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan\u003eGustav Mahler\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 1\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide A:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Aus-druck\u003c\/p\u003e\n\n\u003cp\u003e 2. Andante moderato. Sehr gemachlich\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide B:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 3. Joke: In ruhig fliessender Bewegung\u003c\/p\u003e\n\n\u003cp\u003e 4. O Roschen rot! Der Mensch liegt in grosster Not!\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 2\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide C:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 5. Part 1: I'm Tempo Des Scherzo, Wild Herausfahrend\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide D:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 5. Conclusion: Sehr Langsam Und Gedehnt\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Original label: Deutsche Grammophon\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (doble)","offer_id":51132635119963,"sku":"PJLP1001","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/mahlerno2.webp?v=1754502450"},{"product_id":"project-two-a-genesis-rhapsody-marco-lo-muscio-steve-hackett-john-hackett-vinyl","title":"PROJECT TWO - A GENESIS RHAPSODY | Marco Lo Muscio, Steve Hackett, John Hackett (Vinilo)","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePROJECT TWO - A GENESIS RHAPSODY\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan\u003eMarco Lo Muscio,\u003ci\u003e \u003c\/i\u003eSteve Hackett, John Hackett\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cb\u003eAvailable media:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli lang=\"en-US\" class=\"western\"\u003e\n\n \u003cspan\u003e\u003cb\u003eCVLD387C -\u003c\/b\u003e\u003c\/span\u003e \u003cb\u003eDMM- \u003cspan\u003eONE STEP\u003c\/span\u003e\u003c\/b\u003e \u003cb\u003eVINYL\u003c\/b\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cspan\u003e\u003cb\u003eCVLD387A - CLASSIC VINYL\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eA SIDE\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e19:55\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eEntangled\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:47\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS. Hackett, T. Banks\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePrelude in G Major BWV1007\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eJSBach\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHorizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:32\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS. Hackett\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMeditations On Horizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:10\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eMr. Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eAfter The Ordeal\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:59\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS. Hackett,\u003cbr\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eB SIDE\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e21:03\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eWatcher Of The Skies\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePrelude on Firth of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e1:13\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eMr. Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eFirth of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:15\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHairless Hearth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:40\u003c\/span\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003cbr\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eThe Cinema Show\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e9:28\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1 style=\"text-align: center;\"\u003e Direct Metal Mastering (DMM \u003cspan\u003eONE STEP\u003c\/span\u003e )\u003c\/h1\u003e\n\n\u003cp align=\"left\"\u003e \u003cb\u003eDirect Metal Mastering\u003c\/b\u003e (DMM \u003cspan\u003e- ONE STEP\u003c\/span\u003e ) is an analog audio mastering technique for vinyl records developed by two German companies: Telefunken-Decca (Teldec) and Georg Neumann GmbH, towards the end of the 20th century. \u003cbr\u003eUnlike traditional disc mastering processes, where the sound is mechanically engraved onto an acetate disc, typically using 5 pre-mastering steps (Vinyl lacquer \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Father\/negative \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Mother\/positive \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Galvanic stamper\/negative \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Final vinyl), with the DMM process the audio is engraved directly into the metal (copper) using a high-frequency carrier system and special diamond needles, vibrating at more than 40kHz, to facilitate the engraving (Father\/positive \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Galvanic stamper\/negative \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Final vinyl)  \u003cbr\u003eThis allows for improved precision in the grooves produced, with a consequent improvement in sound output (in particular with a reduction in background noise and greater response at high frequencies).\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e \u003cb\u003eThe differences between PET and PVC.\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e PET, or polyethylene terephthalate, is increasingly replacing PVC, or polyvinyl chloride, even in the common uses of plastics in everyday life, due to a series of advantages, including the possibility of perfect and 100% complete recycling, especially useful when used as a packaging material.\u003cbr\u003e But let's see the main differences and considerations of these two plastics:\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e PET is more expensive than PVC but is definitely more interesting for audio use, considering its qualities:\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e - PET is resistant to abrasion and static electricity\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e - PET is temperature resistant and therefore much less sensitive to deformation problems, and is therefore also more stable over time\u003c\/p\u003e\n\n\u003cp align=\"left\"\u003e - PET is much less toxic than regular PVC\u003c\/p\u003e\n\n \u003cp align=\"left\"\u003e\u003cb\u003eReal advantages of using PET in audio vinyl printing\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli align=\"left\"\u003e Perfect vertical and horizontal centering (eccentricity), ensures significantly reduced wow \u0026amp; flutter during playback.\u003c\/li\u003e\n\n\u003cli align=\"left\"\u003e The grooved surface is ultra-smooth, resulting in a very low noise floor, which ensures greater effective dynamics, with much better transient response.\u003c\/li\u003e\n\n\u003cli align=\"left\"\u003e As we have seen, PET guarantees less deformation of the groove during contact with the stylus, resulting in greater durability over time, and greater extension and stability of high frequencies.\u003c\/li\u003e\n\n\u003cli align=\"left\"\u003e Its insensitivity to static electricity makes it much less sensitive to dust accumulation and sudden impulsive noises (tick-tock).\u003c\/li\u003e\n\n\u003cli align=\"left\"\u003e Injection molding, then, is much more precise and therefore causes less distortion of the grooves, resulting in a more stable, wider and deeper stereo image and improved spatial depth.\u003c\/li\u003e\n\n \u003cli align=\"left\"\u003eAgain by virtue of the characteristics of PET and in our case of injection moulding, it allows the use of two fewer mastering steps (One Step), thus guaranteeing stability and uniformity of performance from the first to the last printed copy: injection on \u003cb\u003eFather (positive)\u003c\/b\u003e \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e \u003cb\u003eStamper (negative)\u003c\/b\u003e \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e \u003cb\u003eFinal vinyl\u003c\/b\u003e .\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan lang=\"en-US\"\u003e\u003ci\u003eAll arrangements by Marco Lo Muscio, except for THE CINEMA SHOW, by David Myers, Eric Johnsen and Marco Lo Muscio\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarco Lo Muscio\u003c\/strong\u003e ,\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003ci\u003egrandpiano\u003c\/i\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eJohn Hackett\u003c\/strong\u003e ,\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003ci\u003eflute\u003c\/i\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003eand \u003cstrong\u003eSteve Hackett\u003c\/strong\u003e ,\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003ci\u003eacoustic and electric guitar\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan lang=\"en-US\"\u003e88.2kHz\/24bit original live-in-studio recording made at Magister Recording Area, Preganziol (Italy),\u003cbr\u003e on December 2024. Analog mixing and mastering made at VLS Studio, Naquera (Spain), on January 2025\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan lang=\"en-US\"\u003eProduction:\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cb\u003eMARCO LINCETTO for VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eMusical producers:\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lo Muscio and Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eRecording, mixing and mastering engineer:\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eDesign and layout:\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cbr\u003eInside photos:\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e\"Project Two\"\u003c\/b\u003e\u003c\/span\u003e \u003cspan lang=\"en-US\"\u003e: the ideal follow-up to \"Project One.\"\u003c\/span\u003e On the first album, we had almost a live concert recorded in a church and dedicated to contemporary music and prog in general. On \"Project Two,\" however, we have a true \u003ci\u003econcept album\u003c\/i\u003e dedicated to the world of Genesis: \"A Genesis Rhapsody.\"\u003c\/p\u003e\n\n\u003cp\u003e This time, the \u003ci\u003eVelut Luna\u003c\/i\u003e recording project was entirely made in the studio and features the splendid Steynway \u0026amp; Sons D274 Concert Grand, housed at the Magister Recording Area studio in Preganziol. John and Steve Hackett return to the stage as featured artists with Maestro Lo Muscio on two tracks.\u003c\/p\u003e\n\n\u003cp\u003e The focus of the album is a classically styled and entirely acoustic reinterpretation of the world of Genesis.\u003c\/p\u003e\n\n \u003cp\u003eThe album opens with \u003ci\u003e\"Entangled,\"\u003c\/i\u003e a post-Gabriel Genesis gem, and then continues with three pieces linked by a subtle thread: the Prelude from Bach's Cello Suite (arranged for piano by Maestro Lo Muscio), which will form the basis of \"Horizons.\" This is followed by \" \u003ci\u003eMeditations on Horizons\u003c\/i\u003e ,\" a composition by Lo Muscio himself based on \"Horizons,\" but set to the rhythm of Hackett's beloved Spanish habanera (e.g., \"Bay\" or \"Kings\"), and finally, the piano version of \"Horizons.\" The first part concludes with \" \u003ci\u003eAfter the Ordeal\u003c\/i\u003e ,\" a trio with the Hackett brothers!\u003c\/p\u003e\n\n \u003cp\u003eSide B opens with the intro and coda of \u003ci\u003e\"Watcher of the Skies\";\u003c\/i\u003e it continues with a fugal prelude by Lo Muscio based on the melodic part of \u003ci\u003e\"Firth of Fifth,\"\u003c\/i\u003e which serves as the actual introduction to Genesis's classic masterpiece. It continues with the trio version of \" \u003ci\u003eHairless Heart\"\u003c\/i\u003e with the Hackett brothers, and ends in grand style with that sumptuous and refined masterpiece, \" \u003ci\u003eCinema Show\u003c\/i\u003e .\"\u003c\/p\u003e\n\n\u003cp\u003e Finally, the great quality of the \u003ci\u003eVelut Luna\u003c\/i\u003e recordings will offer an incredible sound palette when listening to all the nuances of the great Steinway piano, filmed with a brand new microphone technique developed by Marco Lincetto which guarantees a truly “symphonic” piano sound: full, detailed, imperial!\u003c\/p\u003e\n\n\u003cp lang=\"en-US\"\u003e ---\u003cbr\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\"Project Two\": the ideal follow-up to \"Project One\". In the first album we had almost a live concert recorded in church and dedicated to contemporary music and Prog in general. In this \"Project Two\" we have a real concept dedicated to the world of Genesis: \"A Genesis Rhapsody\".\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe Velut Luna recording project this time has been realized entirely in the studio and makes use of the splendid Steynway \u0026amp; Sons D274 Concert Grand resident in the Magister Recording Area of ​​Preganziol. In two tracks\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eJohn and Steve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003ereturn to collaborate as protagonists with\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eM° Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe focus of the album is on the classical and entirely acoustic reinterpretation of the world of Genesis.\u003cbr\u003e The disc opens with Entangled a gem of Genesis post Gabriel and then continues with three pieces linked together by a thin thread: the Prelude from Bach's Cello Suite (arranged for piano by M° Lo Muscio) that will be the basis of Horizons; to follow the Meditations on Horizons a composition by Lo Muscio itself that is based on Horizons but inserted in the rhythm of the Spanish Habanera much loved by Hackett (Bay or Kings for example) and finally the piano version of Horizons. The first part ends with After the Ordeal in trio with the Hackett brothers!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe B-side opens with the introduction and the tail of Watcher of the Skies; it continues with a fuged Prelude by Lo Muscio based on the melodic part of Firth of Fifth that is the real introduction to the classic masterpiece of Genesis. We continue with the trio version with the Hackett brothers of Hairless Heart to finish in a grand way with that sumptuous and refined masterpiece of Cinema Show.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eFinally, the great quality of the Velut Luna recordings will offer an incredible sound palette in listening to all the nuances of the Steinway grand piano, recorded with a brand new microphone technique elaborated by Marco Lincetto that guarantees a real piano \"symphonic sound\": full, detailed, imperial!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 DMM (cristal)","offer_id":51971909779803,"sku":"CVLD387C","price":59.0,"currency_code":"EUR","in_stock":true},{"title":"LP 33 rpm (negro)","offer_id":51163416953179,"sku":"CVLD387A","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CVLD387-COVERPETDMM.jpg?v=1773427050"},{"product_id":"atom-heart-mother-pink-floyd","title":"Atom Heart Mother - Pink Floyd","description":"\u003ch2\u003e\n\n \u003cstrong\u003eAtom Heart Mother - Pink Floyd\u003c\/strong\u003e (2016 Version)\u003c\/h2\u003e\n\n\u003ch2\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Support: 12\" LONG PLAY DISCS Pieces: 1\u003cbr\u003e Release date: June 27, 2025\u003c\/p\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e Tracklist \u003c\/h3\u003e\n\n\u003cdiv class=\"liquid\"\u003e\n\n\u003ctable\u003e\n\n\u003ctbody\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side A\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Atom Heart Mother\u003c\/td\u003e\n\n\u003ctd\u003e (11.42pm)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e If\u003c\/td\u003e\n\n\u003ctd\u003e (4:30)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e Summer '68\u003c\/td\u003e\n\n\u003ctd\u003e (5:28)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 4)\u003c\/td\u003e\n\n\u003ctd\u003e Fat Old Sun\u003c\/td\u003e\n\n\u003ctd\u003e (5:23)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side B\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Alan's Psychedelic Breakfast\u003c\/td\u003e\n\n\u003ctd\u003e (1.01pm)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"card__header\"\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e Description \u003c\/h3\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"card__section\"\u003e\n\n\u003cdiv class=\"rte text--pull\"\u003e\n\n \u003cp\u003eAtom Heart Mother is the fifth studio album by the legendary band Pink Floyd, originally released in October 1970. Recorded at London's iconic Abbey Road Studios, this album marked an innovative shift in the band's sound thanks to the inclusion of an orchestra, a sonic experiment that greatly expanded their musical possibilities. The album represented a milestone in Pink Floyd's career, becoming their first to reach number one in the UK. Its complex compositional structure and orchestral arrangements make Atom Heart Mother a fundamental work for understanding the evolution of progressive rock and musical experimentation of the 1970s.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e","brand":"Pink Floyd Records","offers":[{"title":"LP 33 rpm","offer_id":51357762879835,"sku":"PF88875184221","price":32.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/AtomHeartMotherLP.webp?v=1758024536"},{"product_id":"pink-floyd-at-pompeii-mcmlxxii","title":"Pink Floyd en Pompeya - MCMLXXII","description":"\u003ch2\u003e \u003cstrong\u003ePink Floyd at Pompeii - MCMLXXII\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003ch2\u003e 2LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Support: 12\" LONG PLAY DISCS Pieces: 2\u003cbr\u003e Release date: 02.05.2025\u003c\/p\u003e\n\n\u003cp\u003e Tracklist\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n\u003ctable\u003e\n\n\u003ctbody\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e (1) Vinyl Longplay 33 1\/3\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n \u003ctd colspan=\"4\"\u003eSide A\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Pompeii Intro Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (3:31)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Echoes - Part 1 Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (12:00)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e Careful with That Axe, Eugene Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (6:37)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side B\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e A Saucerful of Secrets Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (10:15)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Set the Controls for the Heart of the Sun Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (10:29)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e (2) Vinyl Longplay 33 1\/3\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side A\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e One of These Days Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (6:00)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Mademoiselle Nobs Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (1:55)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e Echoes - Part 2 Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (1.24pm)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side B\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Careful with That Axe, Eugene - Alternate Take Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (6:08)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e A Saucerful of Secrets - Unedited Live at Pompeii - MCMLXXII - 2025 Mix\u003c\/td\u003e\n\n\u003ctd\u003e (12:46)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n\u003ch2\u003e Description\u003c\/h2\u003e\n\n\u003cdiv class=\"card__section\"\u003e\n\n\u003cdiv class=\"rte text--pull\"\u003e\n\n \u003ch2\u003ePink Floyd at Pompeii - MCMLXXII is the iconic 1972 film directed by Adrian Maben, now restored to its full splendor with a 4K digital remaster from the original 35mm prints, accompanied by enhanced, richly detailed audio. Set in the captivating and solemn setting of Pompeii's Roman amphitheater, the film captures the band during an intimate, audience-free concert, offering an unprecedented sonic and aesthetic experience. Among the pieces performed, masterpieces such as \"Echoes,\" \"A Saucerful of Secrets,\" and \"One of These Days\" resonate with new intensity thanks to the restoration. The images, shot both at dusk and in daylight, enhance the poignant beauty of the location, enhancing the unique atmosphere of the event. Steven Wilson's work on the soundtrack, with a 5.1 mix and Dolby Atmos for theater and home environments, delivers astonishing clarity and depth without compromising the original essence. This remastered edition is not only a celebration of Pink Floyd's talent, but also a visual and sonic testament to musical and technical innovation, transforming a treasured work into an immersive and unforgettable experience for fans and new audiences alike.\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e","brand":"Pink Floyd Records","offers":[{"title":"2LP 33 rpm","offer_id":51358205509979,"sku":"PF19802876231","price":42.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/26349418_2007_Cover1500-mlib_1500x1500_300dpi_RGB_100Q.webp?v=1758029008"},{"product_id":"the-dark-side-of-the-moon-50th-anniversary-remaster","title":"El Lado Oscuro de la Luna (Remasterización del 50° Aniversario)","description":"\u003ch2\u003e The Dark Side of the Moon (50th Anniversary Remaster)\u003c\/h2\u003e\n\n\u003ch2\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cspan class=\"label-bold\"\u003eSupport:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e12\" LONGPLAY DISCS\u003c\/span\u003e \u003cspan class=\"label-bold\"\u003ePieces:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\u003cbr\u003e \u003cspan class=\"label-bold\"\u003eRelease date:\u003c\/span\u003e \u003cspan\u003eMarch 28, 2025\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e Tracklist \u003c\/h3\u003e\n\n\u003cdiv class=\"liquid\"\u003e\n\n\u003ctable\u003e\n\n\u003ctbody\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side A\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Speak to Me\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (1:04)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Breathe (In the Air)\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (2:49)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e On the Run\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (3:36)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 4)\u003c\/td\u003e\n\n\u003ctd\u003e Time\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (7:02)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 5)\u003c\/td\u003e\n\n\u003ctd\u003e The Great Gig in the Sky\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (4:44)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side B\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Money\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (6:22)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Us and Them\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (7:52)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e Any Color You Like\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (3:25)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 4)\u003c\/td\u003e\n\n \u003ctd\u003eBrain Damage\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (3:50)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 5)\u003c\/td\u003e\n\n\u003ctd\u003e Eclipse\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e2023 Remaster\u003c\/i\u003e\n\n\u003c\/td\u003e\n\n\u003ctd\u003e (1:54)\u003c\/td\u003e\n\n\u003ctd\u003e Pink Floyd \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\n\u003c\/div\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e Description\u003c\/h3\u003e\n\n\u003cdiv class=\"card__section\"\u003e\n\n\u003cdiv class=\"rte text--pull\"\u003e\n\n \u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe Dark Side of the Moon (50th Anniversary Remaster) celebrates half a century of Pink Floyd's musical innovation and sonic experimentation. The album, developed partly during live performances and premiered at London's Rainbow Theatre, revolutionized the concept of a rock album with its seamless suite and seamless fusion of music, lyrics, and recording technology. Recorded at London's historic EMI Studios between 1972 and 1973, the album is distinguished by its innovative use of synthesizers, sound effects, and themes exploring alienation and the human condition. The iconic prism cover, designed by Storm Thorgerson and George Hardie, has become a globally recognized icon. With over 50 million copies sold, this remaster offers a renewed sonic experience for fans and collectors, preserving the original essence with enhanced audio quality that pays homage to Pink Floyd's timeless masterpiece.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e","brand":"Pink Floyd Records","offers":[{"title":"LP 33 rpm","offer_id":51358281171291,"sku":"PF19658720271","price":34.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dark.webp?v=1758030052"},{"product_id":"ac-dc-highway-to-hell-50-anniversary","title":"AC\/DC - AUTOPISTA AL INFIERNO | 50° Aniversario","description":"\u003ch2\u003e\n\n \u003cstrong\u003eHIGHWAY TO HELL - 50th Anniversary\u003c\/strong\u003e (Gold Color LP)\u003c\/h2\u003e\n\n\u003ch2\u003e \u003cstrong\u003eAC\/DC\u003c\/strong\u003e\n\u003c\/h2\u003e\n\n\u003ch2\u003e LP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e \u003cspan class=\"label-bold\"\u003eSupport:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e12\" LONGPLAY DISCS\u003c\/span\u003e \u003cspan class=\"label-bold\"\u003ePieces:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e1\u003c\/span\u003e\u003cbr\u003e \u003cspan class=\"label-bold\"\u003eRelease date:\u003c\/span\u003e \u003cspan\u003eMarch 15, 2024\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e Tracklist\u003c\/h3\u003e\n\n\u003ctable\u003e\n\n\u003ctbody\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side A\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Highway to Hell\u003c\/td\u003e\n\n\u003ctd\u003e (3:26)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Girls Got Rhythm\u003c\/td\u003e\n\n\u003ctd\u003e (3:23)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e Walk All Over You\u003c\/td\u003e\n\n\u003ctd\u003e (5:08)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 4)\u003c\/td\u003e\n\n\u003ctd\u003e Touch Too Much\u003c\/td\u003e\n\n\u003ctd\u003e (4:24)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 5)\u003c\/td\u003e\n\n\u003ctd\u003e Beating Around the Bush\u003c\/td\u003e\n\n\u003ctd\u003e (3:55)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd colspan=\"4\"\u003e Side B\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 1)\u003c\/td\u003e\n\n\u003ctd\u003e Shot Down in Flames\u003c\/td\u003e\n\n\u003ctd\u003e (3:21)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2)\u003c\/td\u003e\n\n\u003ctd\u003e Get It Hot\u003c\/td\u003e\n\n\u003ctd\u003e (2:24)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3)\u003c\/td\u003e\n\n\u003ctd\u003e If You Want Blood (You've Got It)\u003c\/td\u003e\n\n\u003ctd\u003e (4:32)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 4)\u003c\/td\u003e\n\n\u003ctd\u003e Love Hungry Man\u003c\/td\u003e\n\n\u003ctd\u003e (4:14)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 5)\u003c\/td\u003e\n\n\u003ctd\u003e Night Prowler\u003c\/td\u003e\n\n\u003ctd\u003e (6:27)\u003c\/td\u003e\n\n\u003ctd\u003e AC\/DC \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\n\u003ch3 class=\"card__title heading h3\"\u003e Description\u003c\/h3\u003e\n\n\u003cdiv class=\"card__section\"\u003e\n\n\u003cdiv class=\"rte text--pull\"\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eHIGHWAY TO HELL, originally released in 1980, was AC\/DC's first major hit in the United States, establishing the band as a global rock icon. To celebrate the legendary band's 50th anniversary, Reference Music Store is offering a limited edition gold vinyl release of this historic album. Each LP comes with an exclusive 12\"x12\" print featuring the new AC\/DC 50 artwork, designed to fit in a frame and enhance your collection. This special edition combines audio quality with a refined aesthetic, ideal for true fans and collectors.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c!----\u003e","brand":"Sony Music","offers":[{"title":"LP 33 rpm","offer_id":51358519558491,"sku":"ACDC19658834551","price":34.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/0196588345517_0_0_536_0_75.jpg?v=1758031460"},{"product_id":"atmosfere-marco-ferraguto-salvatore-fortunato","title":"Atmosfere - Marco Ferraguto | Salvatore Fortunato","description":"\u003ch1\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eAtmospheres - Marco Ferraguto | Salvatore Fortunato\u003c\/span\u003e\u003c\/span\u003e \u003c\/h1\u003e\n\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-1\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp data-hook=\"product-title\"\u003e Available in: \u003cstrong\u003eLP 33 rpm 180 gr. Crystal Vinyl \u0026amp; DSD128\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp data-hook=\"product-title\"\u003eHi-End Limited Edition: \u003cstrong\u003e300 numbered copies\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-hook=\"product-title\"\u003e Original Recording Format: \u003cstrong\u003eDSD128\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp data-hook=\"product-title\"\u003e \u003cstrong\u003eFerraguto Fortunato Duo\u003c\/strong\u003e\u003cbr\u003e Marco Ferraguto, Flute\u003cbr\u003e Salvatore Fortunato, Guitar\u003c\/p\u003e\n\n\u003cdiv class=\"mb-32 mb-md-24 mb-sm-16\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e SIDE A\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 1. Morricone Medley: Cinema Paradiso – Gabriel's Oboe – The Legend of 1900 | 9:40 AM\u003c\/li\u003e\n\n\u003cli\u003e 2. Bordel 1900 | 04:22\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e SIDE B\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 3. Café 1930 | 08:05\u003c\/li\u003e\n\n\u003cli\u003e 4. Nightclub 1960 | 06:31\u003c\/li\u003e\n\n\u003cli\u003e 5. Concert d'aujourd'hui | 03:16\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cstrong\u003eTotal time\u003c\/strong\u003e : 00:31:54\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003ePure DSD128 – Analog Mixed\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eAtmospheres\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eis the debut album of the\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eDirect Sound Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e, a label dedicated to presenting acoustic music with purity, dimensionality and emotional impact.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan dir=\"auto\"\u003ePerformed by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eFerraguto Fortunato Duo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e—\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eMarco Ferraguto\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e(flute) and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eSalvatore Fortunato\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003e(guitar) — the album explores the lyrical worlds of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eAstor Piazzolla\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003eEnnio Morricone\u003c\/span\u003e\u003c\/strong\u003e \u003cspan dir=\"auto\"\u003e. The program includes a medley of Morricone's most evocative themes (Cinema Paradiso, Gabriel's Oboe, The Legend of 1900)\u003c\/span\u003e \u003cstrong\u003e\u003cspan dir=\"auto\"\u003ealongside Histoire\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan class=\"extra-content\"\u003edu Tango and Concert d'aujourd'hui\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eby Piazzolla.\u003c\/span\u003e\u003cspan class=\"extra-content\"\u003e\u003cspan dir=\"auto\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan dir=\"auto\"\u003eRecorded in March 2024 at the Cappella Universitaria S. Tommaso d'Aquino in Rome, the piece was recorded in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan dir=\"auto\"\u003ePure DSD128\u003c\/span\u003e\u003c\/strong\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003eto preserve the intimacy and nuance of the performance. The natural acoustic environment offers a breathing soundstage, inviting listeners into a space of presence and lyrical narration.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e\u003cspan dir=\"auto\"\u003eAtmospheres\u003c\/span\u003e\u003c\/em\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003emarks the beginning of a catalog shaped by clarity, musical sensitivity and the search for the unfiltered beauty of sound.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan dir=\"auto\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Atmosfere_Booklet.pdf?v=1771526772\" title=\"Atmospheres Booklet\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eDownload booklet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3 class=\"mb-32 mb-md-24 mb-sm-16\"\u003e Additional information \u003c\/h3\u003e\n\n\u003ctable class=\"woocommerce-product-attributes shop_attributes\" aria-label=\"Product Details\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_label\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\"\u003e\n\n\u003cp style=\"text-align: left;\"\u003e \u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e \u003cspan style=\"color: rgb(0, 0, 0);\"\u003eDirect Sound Records\u003c\/span\u003e \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_channel\"\u003e\n\n \u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003eChannels\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e 2ch Stereo \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_artist\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Artists\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e Marco Ferraguto,\u003cspan\u003e \u003c\/span\u003eSalvatore Fortunato \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_composer\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Composers\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e Morricone,\u003cspan\u003e \u003c\/span\u003ePiazzolla \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_genre\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Genres\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e Classical,\u003cspan\u003e \u003c\/span\u003eWorld, \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_original-recording-format\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Original Recording Format\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e DSD 128 \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_recording-engineer\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Recording Engineer\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e Michelangelo Canonico \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_recording-location\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Recording Location\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e University Chapel of St. Thomas Aquinas, Rome \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_a-d-converter\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Analog to Digital Converter\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e TASCAM DA3000 \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_pa_instruments\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Instruments\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e Flute,\u003cspan\u003e \u003c\/span\u003eGuitar \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--attribute_gear\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Gear\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e\n\n\u003cp\u003e Microphones: AEA R88 mkII stereo ribbon microphone Schoeps MK41 (matched pair, hypercardioid)\u003c\/p\u003e\n\n\u003cp\u003e Preamps: Custom-modified AEA TRP3, Manley Force\u003c\/p\u003e\n\n\u003cp\u003e Cabling: Cardas Audio interconnects \u003c\/p\u003e\n\n\n\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr class=\"woocommerce-product-attributes-item woocommerce-product-attributes-item--release_date\"\u003e\n\n\u003cth class=\"woocommerce-product-attributes-item__label\" scope=\"row\" style=\"text-align: left;\"\u003e Release Date\u003c\/th\u003e\n\n\u003ctd class=\"woocommerce-product-attributes-item__value\"\u003e July 11, 2025 \u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\n\u003c\/div\u003e","brand":"Direct Sound Records","offers":[{"title":"LP 33 rpm","offer_id":51765899624795,"sku":"DSRATM01LP","price":49.0,"currency_code":"EUR","in_stock":true},{"title":"ARCHIVO DSD128","offer_id":51845720015195,"sku":"DSRATM01DSD","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/DSRATM01-scaled.jpg?v=1763554477"},{"product_id":"livia-mazzanti-scarlatti-alla-scarlatti","title":"Livia Mazzanti | Scarlatti alla Scarlatti","description":"\u003ch1\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003eLivia Mazzanti - Scarlatti at Scarlatti's\u003c\/span\u003e\u003c\/span\u003e \u003c\/h1\u003e\n\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" class=\"\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\n\u003cdiv id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" class=\"\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cp data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003e Available in:\u003cstrong\u003e \u003c\/strong\u003eLP 33rpm GATEFOLD 180 gr. AAA Pure Analog\u003c\/p\u003e\n\n\u003cp data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e \u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e A1. E major, K. 380\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e A2. B minor, K. 377\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e A3. B minor, K 27\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e A4. D major, K33\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e B1. C major (\"Pastoral\"), K 513\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e B2. F minor, K 481\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e B3. C major (\"The Hunt\"), K 159\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e B4. F minor, K. 466\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\u003c\/ul\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eIMPORTANT NOTICE: The estimated shipping date has been rescheduled.\u003c\/span\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eDue to reasons beyond our control and related to the delicate vinyl production process, scheduled shipments will be delayed until further notice.\u003c\/span\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eThe care and craftsmanship of the process require patience: the wait for authentic analog sound will be rewarded with the highest quality.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: rgb(255, 42, 0); text-decoration: underline;\"\u003eNew estimated shipping date: February 16th.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e The Definitive Analog Edition\u003c\/div\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Format: 180g Vinyl, 33 rpm, Gatefold.\u003c\/li\u003e\n\n\u003cli\u003e Audio Processing: AAA (Fully Analog Process) – Recording on original master tape in studio quality.\u003c\/li\u003e\n\n\u003cli\u003e Booklet: Includes a 16-page booklet.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n \u003cp\u003e\u003ca href=\"https:\/\/www.birdboxrecords.com\/mazzanti-music-scarlatti-alla-scarlatti\" target=\"_blank\"\u003eListen to the preview now\u003c\/a\u003e\u003c\/p\u003e\n\n \u003cp\u003eOur goal was to convey with the utmost clarity the colorful and complex interpretation that makes this music its interpreter, as well as to convey the authentic sonic impact of the Tamburini organ in the Sala Scarlatti in Naples, with its more than 4,000 pipes. We hope this intent reaches your ears, transporting you to that authentic moment. \u003cspan\u003eThis album is a bold journey into the heart of Domenico Scarlatti's music, reinterpreted in a modern key.\u003c\/span\u003e \u003cspan\u003eThe multifaceted organist Livia Mazzanti departs from a purely philological approach to \"transmute\" the Sonatas, intended for the harpsichord, through the powerful and versatile voice of the instrument designed in the 1980s by Jean Guillou for the Naples Conservatory.\u003c\/span\u003e \u003cspan\u003eIn an act of profound admiration and interpretative freedom, Mazzanti explores Scarlatti's most intimate and most grandiose nuances, creating a dialogue between two keyboard virtuosos, equally stateless and experimental.\u003c\/span\u003e \u003cspan\u003eThe imperfections of the instrument, now awaiting restoration, give the sound a poetic and fascinating character, making the recording a unique testimony to this extraordinary equidistance between past and future, between Neapolitan soul and French genius.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e\u003cstrong\u003eCredits\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e Produced by: Lorenzo Vella | BIRD BOX RECORDS\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e Recording Engineer: Matteo Spinazzè Savaris, Lorenzo Vella\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e Mastering Engineer: Lorenzo Vella\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e Musical Supervisor: Peter Dimpflmeier\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e Artwork \u0026amp; Design: Lorenzo Vella - Nightingale Studios\u003c\/li\u003e\n\n\u003cli data-hook=\"info-section-title\" aria-hidden=\"false\"\u003e Graphic Designer: Alessandro Bruno\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cstrong\u003eCharacteristics\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e This recording was masterfully mixed in real time on an EMT A400 console and tied directly to an Ampex ATR-102 ½-inch tape recorder.\u003c\/p\u003e\n\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e Album recorded on October 26, 2024, in the Scarlatti Hall of the San Pietro a Majella Conservatory of Music in Naples. Mastering took place in May 2025 at Nightingale Studios in Palombara Sabina (Rome).\u003c\/p\u003e\n\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cstrong\u003eGear used\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e ANALOG CONSOLE \u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cdiv aria-hidden=\"false\" class=\"rah-static rah-static--height-auto\"\u003e\n\n\u003cdiv class=\"ulKuLk QfrfFD cell\"\u003e\n\n\u003cdiv data-hook=\"info-section-description\" class=\"zp8uy2\"\u003e\n\n\u003cp\u003e \u003cspan\u003eEMT-FRANZ MM40 A400 Multioutput Mixsystem 16ch. (recording)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eMCI JH636 (mastering)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eMICROPHONES\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eDecca Tree: Line Audio Design Omni1\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eBinaural mode: Neumann KU100\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eClose-proximity mics: Neumann U47fet\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eSpot mic: Line Audio design CM4\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eReel to Reel Tape Machine\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eAmpex ATR-102 2-track ½-inch (recording-mastering)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eStuder A80 2-track ¼-inch (master tape duplication)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eTelefunken M15 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eStuder A807 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSony MCI JH-110 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSony APR-5003V 2-track ¼-inch (master tape check)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eMASTERING OUTBOARDS\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eAmpex 350 (1955) - Two Matched Units\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eMONITORS\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eTannoy SRM 15X Super Red Monitor\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eB\u0026amp;W 802 III series\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eB\u0026amp;W CDM1 Special Edition\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eNeumann KH 120 A\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eMONITOR POWER AMPS\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eBGW 750 E (4x)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eBGW 250 D\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eHEADPHONES\/AMPLIFIERS\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eAudeze LCD-2C\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eHifiman Sundara\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSennheiser HD600\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eAudio-gd NFB-1AMP Class A\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan\u003eCABLES\/FINE TUNING\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cspan\u003eAudio Mass - E-Spikes\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eVYDA Laboratories - signal cable - speaker cable\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eEurocables - Star Quad microphone cable\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eMogami cables Platinum Studio microphone cable\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eVan Den Hul - D-102 mk III signal cable\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eSchumann Resonator Audio 2C by Claudio Checchi\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cstrong\u003eOrgan specifications\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eSpecification of the Tamburini Organ\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eBuilder: Tamburini (on a project by Jean Guillou)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eYear: 1983\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eRestorations\/Modifications: Restoration by Zanin, 2000s\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eStops: 49\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003ePipes: approximately 4,000\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eAction: mixed (mechanical for manuals and pedals, electric for stops)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eConsole: attached, in the front wall of the case\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003eKeyboards: 4 manuals, 61 notes (C1-C6)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003ePedalboard: concave-radial, 32 notes (C1-G3)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003ePlacement: a single, floor-standing unit against the rear wall\u003c\/span\u003e\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e \u003cspan\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eGatefold Vinyl. Limited to 300 Numbered Copies. 180g Audiophile Pressing. AAA Fully Analog Process, embellished with an elegant large format 16 page booklet.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Experience an unprecedented sonic journey with this recording, meticulously sourced from the \u003cstrong\u003e½-inch Ampex ATR102\u003c\/strong\u003e \u003cstrong\u003emaster\u003c\/strong\u003e .\u003c\/p\u003e\n\n\u003cp\u003e Reading from a Telefunken M21, Audio Research VT60 tube crossover amplifier, driven by a Neumann SAL74B preamplifier and RIAA encoder. The final power stage for crossover is an Audio Research VT60 tube power amplifier.\u003cbr\u003e Lacquering on: lathe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNeumann VMS70\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eequipped with \u003cstrong\u003eOrtofon DSS821\u003c\/strong\u003e cutting heads.\u003cbr\u003e\u003cbr\u003e Purely analog audio processing, for an authentically analog vinyl release. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"BirdBox Records","offers":[{"title":"LP 33 rpm (preventa)","offer_id":51766510453083,"sku":"BBR2025LMZ01VYN","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/scarlatti.png?v=1773068442"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/supporto-lp.png?v=1772132444","url":"https:\/\/www.referencemusicstore.com\/es\/collections\/supporto-lp.oembed?page=3","provider":"Reference Music Store","version":"1.0","type":"link"}