{"title":"Marco Fornaciari","description":null,"products":[{"product_id":"icone-in-musica-fone-ensable-fornaciari-colonna-merlini","title":"ICONOS EN MÚSICA, FONE ENSAMBLE | Fornaciari, Colonna, Merlini","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eICONS IN MUSIC\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFonè ensemble\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, CD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eHeinrich Ignaz Franz von Biber\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 1 The Annunciation in D minor - D minor 6'42\"\u003cbr\u003eSonata No. 10 The Crucifixion in G minor - G minor 6'41\"\u003cbr\u003eSonata No. 12 The Ascension in C major - C major 4'27\"\u003cbr\u003eSonata No. 13 Pentecost in D minor - D minor 6'01\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 14 The Assumption in D major - D major 9'23\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eJohann Sebastian Bach\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 3 in C major - C major BWV 1005 - Pentecost Sonata\"\u003cbr\u003eAdagio 5'33\"\u003cbr\u003eFuga 11'32\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eAntonio Vivaldi\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eConcerto in D major - D major\u003cbr\u003eFor the Most Holy Assumption of the Virgin Mary\u003cbr\u003eAllegro 5'04\"\u003cbr\u003eAdagio 2'45\"\u003cbr\u003ePresto 5'13\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eTotal Time 1h 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/8012871000425?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cp\u003e\u003cspan\u003eLeonardo Colonna double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eErnesto Merlini, organ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Fornaciari, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\" id=\"content-wrapper\"\u003e\n\u003csection itemtype=\"https:\/\/schema.org\/Product\" itemscope=\"\" id=\"main\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv class=\"tabs\" id=\"product-tab\"\u003e\n\u003cdiv id=\"tab-content\" class=\"tab-content\"\u003e\n\u003cdiv role=\"tabpanel\" id=\"description\" class=\"tab-pane fade in active\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cspan\u003eConceived, recorded, and produced by Giulio Cesare Ricci \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at the Propositura of San Verano, Peccioli (Pisa)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording date November 19, 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeumann U 47, U 48, M 49 tube microphones \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSignoricci microphone preamplifiers \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSignoricci signal, microphone, and power cables \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The themes to which the icons refer can be ordered into two general categories: portrait icons (for example, portraits of saints, Mother of God of the Sign, Christ Pantocrator) and narrative icons. Some of these subjects have also inspired masterpieces by great musicians. H. Biber (18th century), a Bohemian, lived between Salzburg and Vienna. Considered one of the greatest violinists and composers, he gained great fame for his expertise. \u003cbr\u003eOne of his masses for 36 voices was attributed to Bach until the mid-last century. \u003cbr\u003eSome of the \"Rosary Sonatas\" will be performed, in which Biber describes the mysteries one by one, prescribing a different tuning for the violin in each sonata to better differentiate their spiritual moods. \u003cbr\u003eNumerous icons with similar subjects have been painted over the centuries for those presented tonight. \u003cbr\u003eJ.S. Bach needs no introduction. However, the identification that the six sonatas and partitas for solo violin were completed, and the famous Chaconne written virtually impromptu, at a moment of the deepest drama, constitutes a source of new studies (Helga Thone: Chaconne, dance or funerary monument? Leipzig 1994). Returning from a journey, Bach found that his young wife had suddenly died, leaving him with four small children. At this moment, that absolute masterpiece, the six sonatas and partitas for solo violin, took its definitive form in practically a few days. In the sonata in C major, whose fugue constitutes the most complex example of polyphonic mastery entrusted to a monodic instrument, numerous self-citations (musical themes) are present, taken from various chorales previously composed by Bach, all \u003cbr\u003eon the subject of Pentecost, just as in the first sonata the citations refer to the Nativity and in the second to the Passion. \u003cbr\u003eVivaldi's Concerto dedicated to the Assumption of Our Lady the Virgin Mary is one of two that the author dedicated to this feast (August 15), which was very dear in his Venice. \u003cbr\u003eIn contrast to the meditative and profound depth of the previous compositions, extroverted and joyful in character, the evening will conclude with a glimmer of serene Mediterranean brightness.\"\u003cbr\u003e\u003cem\u003eMarco Fornaciari\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52830905598299,"sku":"DSD004","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52830905631067,"sku":"HD004","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/FONESRCD004-cover_art.jpg?v=1776446860"},{"product_id":"marco-fornaciari-violino","title":"FORNACIARI (Violín) | Fornaciari","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eFORNACIARI\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eViolin\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eGIUSEPPE TARTINI (1692-1770)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 13 in B minor\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAndante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAllegro assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiga: allegro affettuoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. ZANIBON); 7‘20“\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eFRANZ SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSix Ländlers D374 for solo violin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cspan\u003e\u003c\/span\u003e(Ed. HENLE); 2’40”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-us\"\u003eKAROL JOSEF LIPINSKY (1790-1861)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eCapriccio Op. 29 No. 3\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cspan\u003e\u003c\/span\u003e(Ed. POLSKIE WYDAWNICTWO MUZYCZNE); 2’50”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eFRITZ KREISLER (1875-1962)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRecitative and Scherzo-Caprice Op. 6\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. SCHOTT); 4’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eBRUNO BETTINELLI (1913, living)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMonologue for solo violin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. CURCI); 6’50”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eBÈLA BARTÒK (1881-1945)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata for solo violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTempo di ciaccona\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFuga\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMelodia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresto\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cspan lang=\"en-us\"\u003e(Ed. BOOSEY and HAWKES); 24’30”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/ardu2z87rcyvc?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSTEREO\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eINSTRUMENT:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVettori Violin 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRECORDING PLACE:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLivorno, San Ranieri Chapel, October 10\/14, ‘83\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRECORDING:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eStudio R.G.C. Livorno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePRODUCTION DIRECTOR:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSOUND ENGINEER:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eMARCO FORNACIARI violin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA few words to justify the program presented in this edition will not be superfluous. At first glance, especially to the European public, it might appear eclectic, if not incoherent, or in any case chosen with outdated concert criteria. Now, without forgetting that editions of this kind are frequent, especially in the USA and USSR, which is certainly not insignificant, it must be said that when it comes to highlighting the qualities and characteristics of a modern instrument like the violin made by Carlo Vettori in 1981, it is natural to lean towards representative music, both in chronological terms and in terms of compositional school. This is how Marco Fornaciari chose to attempt a repertoire that ranges from the early 18th century to the present day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGIUSEPPE TARTINI (1692-1770), from Istria, violinist, sound theorist, and harmony scholar, reveals in his \"Sonata No. 13 in B minor\" (taken from a group of 24, of which the autograph is preserved in Padua) the stylistically simple breadth, projected towards a barely hinted virtuosity, of the pure and elegant 18th-century expressive lines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Six Ländlers for solo violin D 374 by FRANZ SCHUBERT (1797-1828), composed in February 1816, are a small, almost unknown gem by the Viennese master, and present the tones and cadences of the Waltz (which derives from the ländler, a popular rural dance) purified, however, of the symphonic refinements to which the Strausses, among others, have accustomed us.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScarcely known, KAROL JOZEF LIPINSKI (1790-1861), a Polish violinist, eclectic composer, and orchestra conductor. A rival of Paganini, with whom he did not fare badly in a concert competition, he composed no less than 4 collections of Capriccios, in the Italian style. From Op. 29, \"Capriccio\" No. 3 is performed, a dazzling cascade of notes in the purest virtuosic style of the early last century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe \"Recitative and Scherzo-Capriccio\" Op. 6 by FRITZ KREISLER (1875-1962), on the other hand, is a brilliant example of how the late-Viennese melodic tradition continues in our\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ecentury; the great celebrity of this work makes it superfluous to dwell on it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOf significant interest is the \"Monologue for solo violin\" by BRUNO BETTINELLI (1913, living), a master who taught more than one generation of musicians from the composition chair of the \"G. Verdi\" Conservatory in Milan. Not tied to schemes or schools, not influenced by fads, Bettinelli demonstrates how it is possible to compose, today, music enjoyable even by the wider public, provided that the ties with Italian cantabile are not broken.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWith the \"Sonata for solo violin\" dedicated to Y. Menuhin, composed in the classical four-movement structure of the sonata da chiesa, one of the most difficult pieces in all violin literature, both in terms of musical writing and technique, BÉLA BARTOK (1881-1945) contributed decisively to pushing the limits of human possibilities in concert performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMARCO FORNACIARI (1953), who graduated from the \"L. Cherubini\" in Florence, obtained his Konzertdiplom in Geneva, under the guidance of Maestro Corrado Romano, receiving the \"premier prix avec distinction\". He has performed concerts all over the world, both as a soloist and as first violin of the \"Solisti Veneti\". The instrument used for the performance was built in 1981 by CARLO VETTORI, a Florentine luthier who, in his now thirty years of activity (he began working at a very young age in the workshop of his father Dario, also an esteemed luthier), has achieved numerous successes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52831152177499,"sku":"DSD8301","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52831152210267,"sku":"HD8301","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8301sleeve_9f34ab20-5971-412e-9547-1fdc510341fe.jpg?v=1776447750"},{"product_id":"marco-fornaciari-daniele-roi-violino-pianoforte","title":"MARCO FORNACIARI, DANIELE ROI - violino, pianoforte","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMARCO FORNACIARI, DANIELE ROI\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003e\u003cem\u003eviolino, pianoforte\u003c\/em\u003e\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eANTONIO BAZZINI (1818-1897) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eTre pezzi in forma di sonata op. 44 per violino e pianoforte\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eAllegro\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eRomanza \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eFinale \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eGIUSEPPE MARTUCCI (1856-1909) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eSonata op. 22 per violino e pianoforte \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eAllegro passionato\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eAndante con moto\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eAllegro molto \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eOTTORINO RESPIGHI (1897-1936) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eSonata in si minore per violino e pianoforte \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eModerato \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eAndante espressivo \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003ePassacaglia: allegro moderato ma energico \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eDurata: 53\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e'48''\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/xmtetb92ocz0a?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eLA MAGIA DEI LUOGHI\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eMusica al Teatro Goldoni\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eQuesto progetto è stato realizzato a Livorno presso il Teatro Goldoni nel maggio del 1988. Le registrazioni sono state effettuate da \u003ci\u003eGiulio Cesare Ricci\u003c\/i\u003e; in tutte le sessioni di registrazione è stata utilizzata una coppia di \u003ci\u003emicrofoni Neumann M 49 \u003c\/i\u003ea valvole (1947), usata in configurazione bimicrofonica ad effetto di campo. Il segnale senza manipolazioni passa contemporaneamente su un \u003ci\u003emaster tape Studer\u003c\/i\u003e, due tracce modello C.37 a valvole e su un \u003ci\u003ePCM digitai 1630,\u003c\/i\u003e due tracce. Sono stati usati cavi microfonici e di segnale linea \u003ci\u003eVan Den Hul\u003c\/i\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eMARCO FORNACIARI\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eHa studiato presso l’Istituto “P. Mascagni” a Livorno col M° C. Chiti diplomandosi con distinzione nella classe di “Virtuosità” del M° Corrado Romano presso il Conservatorio di Ginevra. Vincitore del concorso biennale di Vittorio Veneto. Svolge attività solistica in Italia e all’ estero. Attivo anche nel campo della musica da camera, ha collaborato con alcuni complessi italiani fra i più importanti, suonando come solista nelle principali sale e teatri, e registrando per numerose Radiotelevisioni europee ed extraeuropee. Attualmente, è il 1 ° violino solista del Complesso “I Solisti Veneti”. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eDANIELE ROI \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eDaniele Roi ha studiato con Micaela Mingardo Angeleri e successivamente anche con Paul Badura-Skoda, Franco Gulli ed Enrica Cavallo, Huguette Dreyfus. Attivo in Italia ed all’estero, ha registrato per vari enti radio-televisivi collaborando tra l’altro con Riccardo Chailly, Uto Ughi, Bruno Giuranna, Peter Lukas Graf, Kenneth Gilbert e stabilmente con Alain Marion e Jean Pierre Rampai. Svolge anche attività di clavicembalista con diverse orchestre da camera tenendo concerti in Europa, sud America, Australia, ed effettuando incisioni discografiche comprendenti musiche strumentali ed operistiche. Di \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003erilievo, inoltre,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e la partecipazione all’opera di Vivaldi “Orlando Furioso” al Theatre du Chatelet di Parigi nel 1981 con Marilyn Horne. Daniele Roi è nato a Padova dove è titolare della cattedra di pianoforte principale.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eAntonio Bazzini \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eAntonio Bazzini nacque a Brescia nel 1818 e morì \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003ea Milano\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e nel 1897. Fu violinista ammirato anche da Paganini, Schumann e Mendelssohn e visse lungamente all’estero, soprattutto in Germania e a Parigi. Rientrato in Italia si dedicò alla composizione e si adoperò anche alla rinascita della musica strumentale. Insegnò al Conservatorio di Milano divenendone anche direttore nel 1882 e dove ebbe tra gli allievi Catalani e Puccini. Compose l’opera Turanda, musica sinfonica e sinfonico-corale, cameristica (fra cui 6 quartetti e 1 quintetto), per violino (4 concerti fra cui il Concerto militare, e molti pezzi virtuosistici, fra i quali la famosa “Ridda dei folletti”), liriche e romanze. I tre pezzi in forma di sonata op. 44 per violino e pianoforte che qui vengono presentati, si inseriscono nello scarso panorama delle sonate italiane per violino e pianoforte dell’800 come una delle più interessanti, nonostante sia pressoché ignorata dagli interpreti forse a causa del notevole impegno richiesto al violinista, in contrasto con la tranquilla partecipazione del pianoforte, lasciato dal compositore; già insigne violinista, ad un ruolo non certo paritetico col partner, quasi un sostegno armonico o ritmico. Se nell’ambito della composizione echeggiano momenti che possono avvicinare la memoria ad altri autori, sia operisti italiani che sinfonisti di area mitteleuropea, non si può negare una notevole efficacia ed abilità nel porgere le proprie idee, che ben al di là del \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003emero compito\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e del compositore di maniera, ottiene risultati di grande raffinatezza artistica, vedi il 2° tema del 1° tempo, e la dolcissima Romanza, grazie ad una notevole ricchezza armonica che mantiene il discorso ad un costante interesse d’ascolto, in contrasto con le notevoli impennate virtuosistiche, in virtù delle quali, il 3° tempo soprattutto ci riporta con la fantasia ad un tempo perduto in cui il violinista che, come si è visto, era compositore oltre che virtuoso ed impegnato didatta, non disdegnava di accedere con gusto e successo alla categoria dello spirito in cui è sovrano il senso del fantastico e del bizzarro, in cui la fantasia sembra non avere limiti. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eGiuseppe Martucci \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eGiuseppe Martucci nacque a Capua nel 1856 e morì a Napoli nel 1909. Studiò a Napoli e fu insegnante e direttore del Conservatorio. Fu direttore d’orchestra e pianista apprezzato, fra gli altri, da Liszt e Rubinstein e si adoperò per la diffusione in Italia della conoscenza dei sinfonisti tedeschi e di Wagner, tanto che a Bologna diresse per la prima volta Tristano e Isotta. Del resto in tutta la sua opera è evidente l’influsso dei romantici tedeschi e di Wagner in particolare. Tra le sue composizioni meritano di essere ricordate l’oratorio Samuel per soli coro e orchestra (1881), il poemetto romantico per voce e orchestra “La canzone dei ricordi” (1886-87), le due sinfonie in re minore (1895) e in fa maggiore (1904), il concerto in si bemolle minore per pianoforte e orchestra (1885), molte pagine pianistiche tra le quali il Notturno dell’opera 76 e la Novelletta dell’op. 82,  nonché la famosa Trantella dell’op.44, varie composizioni da camera, tra le quali il Quintetto in do per archi e pianoforte. La sua sonata per violino e pianoforte op.22 che qui si ascolta registrata, vede predominante la scrittura pianistica sia per complessità di materiale tematico e ricchezza di scrittura, che per la minuziosa elaborazione che l’autore, che fu, come si è già detto, grande pianista, ha riservato al proprio strumento, lasciando relativamente in secondo piano l’elaborazione della parte violinistica. In questo va ricercato il motivo dell’oblio totale al quale la sonata è stata destinata, non essendo gradito a molti violinisti essere non più prim’attore, ma “solo” un intelligente valorizzatore musicale. Ed è questo un vero peccato perché, ricercando un equilibrio sonoro della partitura, curando gli aspetti esecutivi più materiali per quanto riguarda la sonorità, il fraseggio e lo slancio tematico, sono molti i momenti di autentica ispirazione, prodighi di larghe soddisfazioni per il musicista raffinato.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cb\u003e\u003cspan\u003eOttorino Respighi\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eIl compositore Ottorino Respighi nacque a Bologna nel 1879 e morì a Roma molte pagine pianistiche tra le quali il nel 1936. Già appartenente ad una famiglia di musicisti fu allievo a Bologna di Torchi e Martucc1 e da quest'ultimo gli derivò l’interesse per le forme sinfoniche elaborate dai tedeschi che sino ad allora erano state così poco praticate in Italia.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eStudiò in Germania ed in Russia ed ebbe contatti a Pietroburgo con Rimskiy Korsakov. Più tardi iniziò il suo insegnamento al Conservatorio di Santa Cecilia in Roma e si dedicò alla composizione dei poemi sinfonici che più di tutti gli procurarono la fama: Le fontane di Roma, (1916), I pini di Roma (1924), Vetrate di chiesa (1926), Trittico botticelliano (1927), Feste Romane (1928).Oltre a queste composizioni ve ne sono altre importanti degne di nota in \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003ecui Respighi\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e profuse la sua grande esperienza di studioso di musiche antiche tradotte però in uno stile di tradizione più chiaramente italiana: Concerto gregoriano per violino e orchestra (1921), Concerto in modo misolidio per pianoforte e orchestra (1924), la suite “Gli uccelli” per piccola orchestra (1927), Antiche arie e danze per liuto, tre suites per orchestra d’archi (1917-31). Nel periodo successivo, cioè dal 1922 al 1934, Respighi ritornò al teatro musicale e compose Belfagor (1922). \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eLa campana\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e sommersa (1927), Maria Egiziaca (1932), La fiamma (1934) e L’incompiuta Lucrezia. Poi ancora ricordiamo 7 balletti fra\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003ecui la Boutique fantasque su musiche di Rossini (1919), Belkis, regina di Saba (1932), Gli uccelli (1933), Passacaglia su musica di Bach (1948), e varie altre liriche e musiche vocali, Impressioni brasiliane (1927), una sonata per violino e pianoforte (1917) presentata in questo disco, 2 quartetti ed altre composizioni. A proposito della sua Sonata in si minore, non si sa se Respighi abbia avuto modo di sentirla classificare tra i grandi capolavori del repertorio sonatistico del ‘900, ma gli illustrissimi \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003eprecedenti discografici\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MsoHyperlink\"\u003e\u003cspan\u003e fanno presumere un eccezionale interesse sin dall’apparizione del pezzo. La sovrabbondanza di idee, colori e risorse musicali e strumentali permetterebbero una strumentazione per grande orchestra, tale è la ricchezza della partitura. In questo grande impegno richiesto ai due interpreti è da ricercare la scarsa frequenza con la quale viene inserita nei programmi da concerto.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":53476035756379,"sku":"DSD8802","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":53476035789147,"sku":"HD8802","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8802sleeveokBelieve.jpg?v=1782851984"},{"product_id":"la-fonosofia-del-signoricci","title":"LA FONOSOFIA DEL SIGNORICCI","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eLA FONOSOFIA DEL SIGNORICCI\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Concerto in la min. op.3 n.9 per violino e archi allegro A.Vivaldi 2’47”\u003cbr\u003eM.Fornaciari maestro concertatore e violino solista, fonè ensemble\u003c\/p\u003e\n\u003cp\u003e2 Just you, just me J.Greer, R.Klages 5’13”\u003cbr\u003eK.Mc Garry vocals, P.Kreibich drums, K.Hammack piano, E.von Essen bass\u003c\/p\u003e\n\u003cp\u003e3 Cantabile N.Paganini 4’33”\u003cbr\u003eS.Accardo violino e direttore, Orchestra da Camera Italiana\u003c\/p\u003e\n\u003cp\u003e4 Brilliant Corners T.Monk 5’19”\u003cbr\u003eT.Cochran piano e voce\u003c\/p\u003e\n\u003cp\u003e5 Gran Duo Concertant su temi di Robert le Diable F.Chopin 12’39”\u003cbr\u003eR.Filippini cello, M.Campanella piano\u003c\/p\u003e\n\u003cp\u003e6 Joshua V.S.Feldman 7’42”\u003cbr\u003eJ.Leary bass, E.Harris vocal \u0026amp; tenor saxophone, B.Childs piano, R.Penland drums\u003c\/p\u003e\n\u003cp\u003e7 Sonata n°12 L’Ascensione in do magg. H.I.F. von Biber 4’31”\u003cbr\u003eL.Colonna contrabbasso, E.Merlini organo, M.Fornaciari violino\u003c\/p\u003e\n\u003cp\u003e8 The shadow of your smile J.Mandel, P.F.Webster 5’36”\u003cbr\u003eS.Hamilton sax, P.Birro piano, A.Zunino bass, A.Kramer drums\u003c\/p\u003e\n\u003cp\u003e9 Concerto in do min. BWV 981, op. 1 n. 3 Grave J.S.Bach 2’54”\u003cbr\u003eE.M.Bellotti organo\u003c\/p\u003e\n\u003cp\u003e10 Drums, Drums, Drums R.Rayford, M.Jackson 4’19”\u003cbr\u003eM.Jackson percussion, F.Awe percussion, L.Castro percussion, M.Dosso percussion,\u003cbr\u003eA.Figueroa percussion, B.Summers percussion, R.Rayford percussion \u0026amp; voice,\u003cbr\u003eT.Cochran piano, O.Ruiz piano, M.O’Neil guitar, S.Bunch bass, P.Eustacio flute,\u003cbr\u003eR.Greenidge steel pans, R.Griffin Drums\/Cymbals\u003c\/p\u003e\n\u003cp\u003e11 Partita I per violino solo in si min. BWV 1002 corrente J.S.Bach 3’52”\u003cbr\u003eS.Accardo violino\u003c\/p\u003e\n\u003cp\u003e12 Milonga del angel A.Piazzolla 7’04”\u003cbr\u003eS.Accardo violino e direttore, Orchestra da Camera Italiana\u003c\/p\u003e\n\u003cp\u003e13 L’Italiana in Algeri, sinfonia G.Rossini 8’27”\u003cbr\u003eM. - W.Chung direttore, Orchestra dell’Accademia Nazionale di Santa Cecilia\u003c\/p\u003e\n\u003cp\u003e14 dal Gloria Rv 589 - Gloria in excelsis Deo A.Vivaldi 2’25\u003cbr\u003eM.Fornaciari maestro concertatore e violino solista, fonè ensemble\u003cbr\u003eCorale Valdera, S.Valeri\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/l3b3emejsgpeb?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRecording engineer: Giulio Cesare Ricci\u003cbr\u003eRecording assistant: Paola Liberato\u003cbr\u003ePhotos by Maurizio Po\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLa masterizzazione per il SuperAudioCD è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare.\u003cbr\u003eIl Master DSD è stato realizzato utilizzando un convertitore dCS A\/D.\u003cbr\u003e\u003cbr\u003eLa selezione dei brani contenuti in questo disco accompagna come una sorta di colonna sonora il volume dallo stesso titolo, “La fonosofia del Signoricci”, edito dalla casa editrice Bordeaux.\u003cbr\u003eIl libro condensa la storia della mia vita, 35 anni e più di appassionata dedizione alla ricerca del suono e alla produzione discografica di altissima qualità. Tutto ciò che ho realizzato in questi anni è raccontato nel libro,\u003cbr\u003ema è anche presente nella selezione che troverete in questa playlist, come se scrittura biografica ed esecuzioni musicali si tenessero per mano, e volessero offrire al lettore\/ascoltatore un viaggio nel tempo e nello spazio.\u003cbr\u003eAscoltare e leggere: le due chiavi per riscoprire la bellezza del mondo, sia pure mediata attraverso la storia di una vita..... la mia!\u003cbr\u003e\u003cem\u003eGiulio Cesare Ricci\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":53742789099867,"sku":"DSD199","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":53742789132635,"sku":"HD199","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8012871019953-FONOSOFIA-coverart.jpg?v=1786272375"},{"product_id":"maurice-ravel-gabriel-faure-fornaciari-duo-hayashi","title":"MAURICE RAVEL \u0026 GABRIEL FAURE | Fornaciari, Duo Hayashi","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMAURICE RAVEL \u0026amp; GABRIEL FAURE\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMarco Fornaciari, Duo Hayashi\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMaurice Ravel (1875- 1937) - Trio en la mineur pour violon, violoncelle et piano\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eModéré 10’ 34’’\u003c\/p\u003e\n\u003cp\u003eAssez vif (Pantoum) 4’48’’\u003c\/p\u003e\n\u003cp\u003eTrès large (Passacaille) 8’28’’\u003c\/p\u003e\n\u003cp\u003eAnimé (Final) 5’ 11’’\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGabriel Fauré (1845- 1924) - Trio op. 120 pour violon, violoncelle et piano\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAllegro ma non troppo 6’ 40’’\u003c\/p\u003e\n\u003cp\u003eAndantino 9’12’’\u003c\/p\u003e\n\u003cp\u003eAllegro vivo 4’ 47’’\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/ijtb90ihksv2b?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMARCO FORNACIARI, violino\u003c\/p\u003e\n\u003cp\u003eDUO HAYASHI, violoncello e pianoforte\u003c\/p\u003e\n\u003cp\u003eMAURICE RAVEL, Trio en la minor pour violon, violoncelle et piano.\u003c\/p\u003e\n\u003cp\u003eGABRIEL FAURE’, Trio op. 120 pour violon, violoncelle et piano.\u003c\/p\u003e\n\u003cp\u003eRecording engineer: Giulio Cesare Ricci\u003c\/p\u003e\n\u003cp\u003eDirettore di produzione: Giulio Cesare Ricci\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMarco Fornaciari ha studiato presso l’istituto “P. Mascagni” di Livorno col M° Chiti, diplomandosi con distinzione nella classe di “Virtuosità” del M° Corrado Romano presso il Conservatorio di Ginevra. Vincitore del concorso biennale di Vittorio Veneto. Svolge attività solistica in Italia e all’estero. Attivo anche nel campo della musica da camera, ha collaborato con alcuni complessi italiani fra i più importanti, suonando come solista nelle principali sale e teatri, e registrando per numerose Radiotelevisioni europee ed extraeuropee. Attualmente è il 1° violino del Complesso “I Solisti Veneti”. \u003c\/p\u003e\n\u003cp\u003eIl Duo Hayashi è stato fondato nel 1973. Negli anni successivi è stato premiato in vari concorsi internazionali, fra cui il Primo Premio al Concorso Internazionale di Trapani (vincitore assoluto) ed il Primo Premio al Concorso Internazionale “Vittorio Gui” di Firenze. Dal 1974 il Duo Hayashi ha dato numerosi concerti ad ha suonato per i più sentiti enti radiotelevisivi europei ed extra-europei, registrando recentemente alcuni concerti di musica da camera per la RAI, prima e seconda rete televisiva. \u003c\/p\u003e\n\u003cp\u003eToshiaki Hayashi (violoncellista) è nato a Tokyo in Giappone e si è diplomato presso “Toho Musik Academy” di Tokyo nel 1970 ricevendo il premio musicale. Successivamente ha studiato alla “Boston University” negli USA con Georg Neikrug. In seguito, ha completato la sua educazione musicale con Pierre Fournier a Ginevra, W. Pleeth a Londra, André Navarra a Siena e Antonio Janigro a Salisburgo, ed in musica da camera con Riccardo Brengola a Roma. Nel 1980 si è diplomato con il massimo dei voti e la lode nel corso di perfezionamento di musica d’insieme dell’Accademia Nazionale di S. Cecilia. Fa numerosi concerti in Italia, Giappone, ed all’estero e svolge un’intesa attività come solista con le più importanti orchestre giapponesi e le Radio TV nazionali giapponese ed italiana. In Italia ha partecipato a concerti di musica da camera con Severino Gazzeloni, Salvatore Accardo, Bruno Giurana, Angelo Stefanato, Dino Asciolla, Riccardo Brengola, Franco Petracchi e Felix Ajo. Negli anni ’83 e ’84 è stato assistente del corso di perfezionamento di musica da camera del M° Asciolla a Città di Castello.\u003c\/p\u003e\n\u003cp\u003eYukako Hayashi (pianista) è nata a Tokyo in Giappone. Ha compiuto gli studi alla “Toho Musik Academy” di Tokyo diplomandosi nel 1974. Successivamente si è perfezionata in Europa con G. Agosti a Siena e a Roma, G. Johnson a Londra, ed in musica da camera con P. Fournier a Ginevra, W. Pleeth a Londra, A. Janigro a Salisburgo e R. Brengola a Roma. 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