{"title":"Franz Liszt","description":null,"products":[{"product_id":"beethoven-liszt-glenn-gould","title":"Beethoven-Liszt - Glenn Gould","description":"\u003ch2 class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eBeethoven: Sinfonías Nos. 5 \u0026amp; 6 (CBH196)\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eTranscripciones para piano de Liszt\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eSinfonía No. 5 en Do menor Op. 67\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e1.  Allegro con brio \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(05’59)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e2.  Andante con moto \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(14’33)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e3.  Allegro \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(07’00)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e4.  Allegro\u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(11’41)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eSinfonía No. 6 en Fa menor Op. 6 \"Pastoral\"\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e5.  Allegro ma non troppo \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(12’27)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e6.  Andante molto mosso \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(20’55)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e7.  Allegro \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(07’32)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e8.  Allegro \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(03’48)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e9.  Allegretto \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(10’44)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cstrong\u003eGlenn Gould\u003c\/strong\u003e, piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003eGrabación: EE. UU. y Canadá, 1967-1968 \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003eIngeniero de sonido: Fred Plaut - Personal de CBC\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003eScherzo, sátira, ironía, significado profundo: la contraportada de la fascinante grabación de Gould contenía cuatro reseñas imaginarias de un crítico inglés (Sir Humphrey Price-Davies), un musicólogo de Múnich (Dr. Karlheinz Heinkel), un psiquiatra americano (Prof. S. F. Lemming) y el corresponsal americano del Journal of the All-Union Musical Workers de Budapest. \u003c\/em\u003e\u003cem\u003eTodos fueron escritos por el propio Gould ...\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538060226907,"sku":"cs-196-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538060259675,"sku":"cs-196-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538060292443,"sku":"cs-196-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538060325211,"sku":"cs-196-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538060357979,"sku":"cs-196-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/196cover.png?v=1718893545"},{"product_id":"offenbach-tchaikovsky-liszt-arthur-fiedler-boston-pops","title":"Offenbach-Tchaikovsky-Liszt - Arthur Fiedler Boston Pops","description":"\u003ch2\u003e\n\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOffenbach-Tchaikovsky-Liszt\u003c\/b\u003e\u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e (CBH195)\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1.  Tchaikovsky: Obertura 1812 Op. 49***+ \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(03’24)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2.  Tchaikovsky: Capriccio italiano Op. 45** \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(03’09)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3.  Liszt: Les Préludes, Poema Sinfónico** \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(03’14)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4.  Offenbach (arr. Rosenthal): Gaité Parisienne* \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(02’43)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrquesta Boston Pops\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003eDirector: \u003cstrong\u003eArthur Fiedler\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan size=\"2\" style=\"font-size: medium;\"\u003e\u003ci\u003eGrabación: Boston, 1958*, 1960**, 1974***\u003c\/i\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003ci style=\"font-size: medium;\"\u003eIngeniero de sonido: Personal de RCA - Gernot Westhäuser+\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003ci style=\"font-size: medium;\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003ci style=\"font-size: medium;\"\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e¡Siente el sonido épico de Offenbach, Tchaikovsky y Liszt revivir gracias a la Boston Pops, dirigida por el talentoso Arthur Fiedler! Con la célebre \"Obertura 1812\" de la Op. 49, este álbum ofrece una experiencia impresionante y envolvente que hará vibrar tus sentidos. ¡Disfruta de la magia de una histórica actuación de alto nivel!\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538060816731,"sku":"cs-195-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538060849499,"sku":"cs-195-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538060882267,"sku":"cs-195-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538060915035,"sku":"cs-195-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538060947803,"sku":"cs-195-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/195cover.png?v=1718893552"},{"product_id":"liszt-brahms-herbert-von-karajan-berliner-philharmoniker","title":"Liszt y Brahms - Herbert von Karajan Berliner Philharmoniker","description":"\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eLiszt \u0026amp; Brahms - Herbert von Karajan (CBH 178)\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eFranz Liszt\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e1. Mazeppa, Poema Sinfónico No. 6 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(15’17)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e2. Rapsodia Húngara No. 5 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(12’39)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e3. Rapsodia Húngara No. 4\u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(13’53)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"western\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003e\u003cspan\u003eJohannes Brahms\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e4. Danza Húngara N . 5 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(02’33)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e5. Danza Húngara N . 6 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(03’40)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e6. Danza Húngara N . 17 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(03’19)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e7. Danza Húngara N . 3 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(02’13)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e8. Danza Húngara N . 1 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(02’51)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e9. Danza Húngara N . 20 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(02’29)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e10. Danza Húngara N . 19 \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(02’09)\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003cspan color=\"#0000ff\" style=\"color: #0000ff;\"\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003eBerlinesa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e Filarmónica\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e Director: \u003c\/span\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eHerbert von Karajan\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\nGrabación:  \u003cspan color=\"#0000ff\" style=\"color: #0000ff;\"\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan\u003eBerlí­n, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e1961\/1962.\u003cbr\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003eProductor: Deutsche Grammophon \u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan face=\"Calibri, serif\" style=\"font-family: Calibri, serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cspan\u003eIngeniero de sonido: Günter Hermanns\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -9px; top: -20px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538095616347,"sku":"CS178-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538095649115,"sku":"CS178-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"192kHz · 24bit","offer_id":48538095681883,"sku":"CS178-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 64","offer_id":48538095714651,"sku":"CS178-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 128","offer_id":48538095747419,"sku":"CS178-128","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"DSD · 256","offer_id":53776768401755,"sku":"CS178-256","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"DXD · 352","offer_id":53776768434523,"sku":"CS178-352","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/178cover_4854246b-c40b-4ebe-9c5a-3d826b2a0a1f.png?v=1784549239"},{"product_id":"stokowski-edition-vol-3","title":"Stokowski: Liszt, Enescu, Smetana, Vaughan Williams y Saint-Saëns — Obras orquestales","description":"\u003cp\u003eLeopold Stokowski dirige obras de Liszt, Enescu, Smetana, Vaughan Williams y Saint-Saëns con su Symphony Orchestra, la Philharmonia Orchestra y la Philadelphia Orchestra.\u003c\/p\u003e\u003ch2\u003eEdición digital Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eDisponible como \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCréditos\u003c\/h2\u003e\u003cp\u003eLeopold Stokowski; Franz Liszt; George Enescu; Bedřich Smetana; Ralph Vaughan Williams; Camille Saint-Saëns\u003cbr\u003e\u003cstrong\u003eEdición:\u003c\/strong\u003e Capsa Symphōnĭa — CS545\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/es\/collections\/capsa-symphonia\"\u003eDescubre la colección Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003e¿Qué son DSD y DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e es un sistema digital de 1 bit basado en modulación por densidad de pulsos. DSD64 funciona aproximadamente a \u003cstrong\u003e2,8 MHz\u003c\/strong\u003e, DSD128 a \u003cstrong\u003e5,6 MHz\u003c\/strong\u003e y DSD256 a \u003cstrong\u003e11,2 MHz\u003c\/strong\u003e. La reproducción requiere un DAC o reproductor compatible.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e es un formato PCM de muy alta resolución; aquí funciona a \u003cstrong\u003e352,8kHz\u003c\/strong\u003e y requiere un DAC o reproductor compatible.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"ARCHIVO CD 44.1kHz • 16bit","offer_id":51055547416923,"sku":"CS545-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_5cde64d7-c257-4808-b162-d8abb5d53a90.png?v=1753645657"},{"product_id":"great-recordings-6","title":"Doráti: Respighi, Enescu \u0026 Liszt — Los pájaros, Impresiones brasileñas y Rapsodias","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e y la \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e en Respighi, Enescu y Liszt. Las obras de Respighi se grabaron en \u003cstrong\u003eWatford Town Hall\u003c\/strong\u003e en julio de 1957; Enescu y Liszt pertenecen a sesiones de junio de 1960 en \u003cstrong\u003eWembley Town Hall\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eSello original y cintas\u003c\/h2\u003e\u003cp\u003eLas grabaciones de Respighi nacieron para \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e. Desde 1955 Mercury utilizó \u003cstrong\u003etres micrófonos omnidireccionales\u003c\/strong\u003e sobre \u003cstrong\u003ecinta analógica de media pulgada y tres pistas\u003c\/strong\u003e, con máquinas Ampex 300-3 a 15 ips. La mezcla 3→2 se realizaba durante el mastering. Las sesiones de 1957 pertenecen a la etapa de cinta de tres pistas anterior al 35 mm magnético.\u003c\/p\u003e\u003ch2\u003eEdición digital Capsa Symphōnĭa\u003c\/h2\u003e\u003cp\u003eDisponible como \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCréditos\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDirector:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrquesta:\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eCódigo:\u003c\/strong\u003e CS626\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/es\/collections\/capsa-symphonia\"\u003eDescubre la colección Capsa Symphōnĭa\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003e¿Qué son DSD y DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e es un sistema de codificación digital de 1 bit basado en modulación por densidad de pulsos. DSD64 funciona aproximadamente a \u003cstrong\u003e2,8 MHz\u003c\/strong\u003e, DSD128 a \u003cstrong\u003e5,6 MHz\u003c\/strong\u003e y DSD256 a \u003cstrong\u003e11,2 MHz\u003c\/strong\u003e. Para la reproducción se necesita un DAC o reproductor compatible con la frecuencia DSD seleccionada.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e es un formato PCM de muy alta resolución; en la versión propuesta funciona a \u003cstrong\u003e352,8kHz\u003c\/strong\u003e. Nació también como entorno profesional de edición y posproducción para trabajos de muy alta resolución y requiere un DAC o reproductor compatible.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"ARCHIVO CD 44.1kHz • 16bit","offer_id":51195739079003,"sku":"CS626","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-respighi-enescu-liszt-london-symphony-orchestra-capsa-symphonia-CS626-cover.png?v=1788252309"},{"product_id":"i-bis-di-nikita-magaloff-magaloff","title":"LOS BIS DE NIKITA MAGALOFF | Magaloff","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eNIKITA MAGALOFF'S ENCORES\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1.     \u003c\/span\u003e\u003cspan\u003eCanzonetta del Salvator Rosa (No. 3 from “Années de pèlerinage; deuxième année: Italie”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e2.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"de\"\u003eGnomenreigen (Dance of the Gnomes) No. 2 from “Zwei Konzertetuden”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e3.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"de\"\u003eConsolation No. 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"fr\"\u003e4.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eLa chasse (No. 5 from “Six Grandes Etudes de Paganini“)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eA. ALABIEFF (1787-1851), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan lang=\"fr\"\u003e5.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eLe Rossignol (No. 1 from “Deux Mélodies russes”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eF. SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e6.     \u003c\/span\u003e\u003cspan\u003eImpromptu in E-flat major Op. 90 No. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e7.     \u003c\/span\u003e\u003cspan\u003eNocturne in C-sharp minor (Op. posth.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e8.     \u003c\/span\u003e\u003cspan\u003eEtude in G-flat major Op. 10 No. 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"de\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"de\"\u003eJ.S. BACH (1685-1750)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e9.     \u003c\/span\u003e\u003cspan\u003eSiciliana in G minor from Sonata No. 2 for flute and harpsichord)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cspan\u003eHungarian Dances: No. 5 in F-sharp minor, No. 7 in F major, No. 9 in E minor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eS. RACHMANINOFF (1873-1943)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan lang=\"fr\"\u003e11.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003ePolichinelle Op. 3 No. 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"fr\"\u003e12.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSérénade Op. 3 No. 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e13. \u003c\/span\u003e\u003cspan\u003eAndante spianato et Grande Polonaise brillante Op. 22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan lang=\"fr\"\u003e14.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eIntermezzo Op. 117 No. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/wjsxnvgp3h6jz?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBi-microphone configuration with field effect (Fonè Studio).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRecording engineer: Giulio Cesare Ricci. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eProduction director: Giulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci is proud to dedicate this album of \"encores,\" recorded during his recent Italian tour, to Maestro Nikita Magaloff on the occasion of his 75th birthday. The recordings were made at the Teatro Donizetti in Bergamo, the Teatro Grande in Brescia, the Teatro Goldoni in Livorno, the Teatro Manzoni in Pistoia, and the Teatro Comunale in Imola.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cstrong\u003eNikita Magaloff\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a student of Liszt and cousin and professor of Rachmaninoff. He later moved to Paris, where he studied with Isidor Philipp, graduating at the age of 17 with a Premier Grand Prix. On this occasion, Maurice Ravel said of him: \"A great musician, truly extraordinary, has been born.\" He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. His career saw countless significant events, including the first performance of Prokofiev's \"Seventh Sonata,\" the performance of Stravinsky's \"Capriccio\" under the composer's direction, tours in Europe, the USA, Japan, and Israel, and frequent and regular participation in the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), always attentive to the emergence of new talents among the younger generations. He has recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados, and most recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is among the unsurpassed interpreters, a body of work he also presented in cycles of five recitals in all the most important European cities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52849151770971,"sku":"DSD8706","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52849151803739,"sku":"HD8706","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8706sleeve_342f6d6e-05f3-4e76-b9e2-3c92431b514f.jpg?v=1776805004"},{"product_id":"nikita-magaloff-pianoforte-magaloff","title":"NIKITA MAGALOFF: PIANO | Magaloff","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eNIKITA MAGALOFF\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eAnnées de pèlerinage, deuxième année: Italie\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e1.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 47 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e2.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 104 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e3.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 123 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e4.    \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eSix Chants polonais (from Op. 74)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eMädchens Wunsch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eFrühling\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eDas Ringlein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eBacchanal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eMeine Freuden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"de\"\u003eDie Heimkehr\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSonata in F minor, Op. 5\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.    \u003c\/span\u003e\u003cspan\u003eAllegro maestoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.    \u003c\/span\u003e\u003cspan\u003eAndante espressivo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.    \u003c\/span\u003e\u003cspan\u003eScherzo: Allegro energico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8.    \u003c\/span\u003e\u003cspan\u003eIntermezzo “Rückblick”: Andante molto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.    \u003c\/span\u003e\u003cspan\u003eFinale: Allegro moderato ma rubato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/gq0m8gaxdisy6?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eon May 21, 1986, at Teatro Grande, Brescia; bi-microphone field effect configuration (Studio Fonè).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecording engineer\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eProduction director\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eNIKITA MAGALOFF\u003c\/span\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a student of Liszt and cousin and professor of Rachmaninoff. He later moved to Paris, studying with Isidor Philipp and graduating at the age of 17 with a First Grand Prix. It was on this occasion that Maurice Ravel said of him: \"A great musician, truly extraordinary, has been born.\" He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. His career saw countless significant events, including the first performance of Prokofiev's \"Seventh Sonata,\" the performance of Stravinsky's \"Capriccio\" under the composer's direction, \"tours\" in Europe, the USA, Japan, and Israel, and frequent and regular presence on the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), attentive as he was to the emergence of new talents among the younger generations. He recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados and, more recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is one of the unsurpassed interpreters, a work he also presented in cycles of five recitals in all the major European cities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eFrédéric Chopin (1810.1849) \/ Franz Liszt (1811-1886)\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"fr\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eSix Chants Polonais (from Op. \u003c\/span\u003e\u003cspan\u003e74) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe second \"Year of Pilgrimage\" dedicated to Italy is considered the most important of the three as a whole. The entire Year was published in 1858, preceded by two drafts dating back to '37 and '49 respectively. This recording features the three \u003ci\u003ePetrarch Sonnets\u003c\/i\u003e, whose entry into Liszt's oeuvre dates back to around 1838 as \u003ci\u003eLieder\u003c\/i\u003e for voice and piano, and which were then excellently transcribed for solo piano. \u003c\/span\u003e\u003cspan\u003eOn this occasion too, Liszt reveals exceptional mastery in the art of transcription, understood as an authentic recreation of a new writing and language, in relation to the new expressive medium. Exemplary is the adherence to the poetic texts that sing of the first encounter with the beloved woman (Sonnet 47), the unhappy love and intimate conflicts of the poet's soul (Sonnet 104), and the appearance of the angelic woman as a symbol of ideal beauty (Sonnet 123). 16 Polish songs from Chopin's Op. 74 (S. 480), composed in 1847, were revised and published in '60. They are dedicated to Princess Maria von Hohenlohe, daughter of Princess Carolyne Sayn-Wittgenstein. These are six of the 17 songs that make up Chopin's original work composed between 1829 and '47 and published ten years later. As with Schubert's \u003ci\u003eLieder\u003c\/i\u003e, Liszt's choice falls on texts of greater emotional impact and melodic beauty, which, as always, Liszt knows how to connect with discreet tonal links and subtle transitions of atmosphere. \u003c\/span\u003e\u003cspan\u003eIn the order chosen by Liszt, the Songs are: 1. \u003ci\u003eMaiden's Wish\u003c\/i\u003e, which also opens Chopin's collection; 2. \u003ci\u003eSpring\u003c\/i\u003e (Op. 74 No. 2); 3. \u003ci\u003eThe Ringlet \u003c\/i\u003e(Op. 74 No. 14); 4. \u003ci\u003eToast\u003c\/i\u003e (Op. 74 No. 4); 5. \u003ci\u003eMy Joys\u003c\/i\u003e (Op. 74 No. 12); 6. \u003ci\u003eThe Bridegroom\u003c\/i\u003e (Op. 74 No. 15). Once again, Liszt is appreciated as a transcriber, respecting Chopin's intimacy and maintaining a light hand in the piano writing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eJohannes Brahms (1833-1897) \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSonata in F minor, Op. 5\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn October 1853, Schumann enthusiastically hailed the rising star of young Brahms, then twenty years old, in the pages of the \"Neue Zeitschrift für Musik\". It was precisely during that period that the Hamburg composer completed, by composing the first, third, and fifth movements (the second and fourth had already been composed before the fateful arrival at Schumann's house), his Sonata in F minor, destined to remain his last, as well as the most important of his three for solo piano. The signature \"Kreisler iunior\" at the bottom of the manuscript says much about his moral commitment to continue in the furrow traced by the author of \u003ci\u003eKreisleriana...\u003c\/i\u003e The \u003ci\u003eSonata\u003c\/i\u003e is dedicated to Countess von Hohenthal. The unusual five movements seem to hark back to the archaic tradition of \"\u003ci\u003eDivertimenti\u003c\/i\u003e\". The sequence of movements alternates fast and slow tempi, the latter linked by the identity of the thematic material. And even within the same movement, particularly the first, entirely based on the continuous flowing sound of the passionately vibrant main theme, we discover Brahms already laying the foundations of that particular compositional technique - called continuous development - which would become characteristic of his \u003ci\u003eSymphonies\u003c\/i\u003e. Also evident here, as in the rest of the \u003ci\u003eSonata\u003c\/i\u003e, is the search for an almost orchestral sonic depth. The nocturnal, contemplative romantic atmosphere of the celebrated \u003ci\u003eAndante\u003c\/i\u003e connects to the equally suggestive \u003ci\u003eAdagios\u003c\/i\u003e of the \u003ci\u003eSonatas Op. 1 and 2\u003c\/i\u003e and redeems, with its intense but pure and restrained pathos, the sentimental tone of Sternau's verses preceding it: \u003ci\u003eDer Abend dämmert, das Mondlicht scheint, Da sind zwei Herzen in Liebe vereint Und halten sich selig umfangen.\u003c\/i\u003e (Evening falls, the moonlight shines: here are two hearts united in love, and they remain happily embraced). Verses that reflect the solitary existential moment Brahms was experiencing at the time. The rhythmically distinct \u003ci\u003eScherzo\u003c\/i\u003e is a typical Brahmsian creation, while in the \u003ci\u003eTrio\u003c\/i\u003e, a nostalgic cantabile prevails. Unlike classical tradition, Brahms inserts an \u003ci\u003eIntermezzo\u003c\/i\u003e at this point, as the fourth movement, which he titles \"\u003ci\u003eRückblick\u003c\/i\u003e\" (\"Retrospect, Remembrance\"), echoing, in the darker key of B-flat minor, the theme of the \u003ci\u003eAndante\u003c\/i\u003e. The \u003ci\u003efinale\u003c\/i\u003e, structured as a \u003ci\u003eRondo\u003c\/i\u003e, has a rhythmically sharp main theme alongside which, with a singular effect, are two secondary, lyrically cantabile motives. The second of these motives (in D-flat) will lead to extensive polyphonic and contrapuntal elaboration (even then, these procedures proved congenial to Brahms's severity). Finally, a brilliant coda where the main theme also reappears, concludes this monumental work in a climate of triumphant euphoria. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan lang=\"en-gb\"\u003eAnna Bergonzelli\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52895726797147,"sku":"DSD8707","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52895726829915,"sku":"HD8707","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8707sleeve.jpg?v=1777489656"}],"url":"https:\/\/www.referencemusicstore.com\/es\/collections\/franz-liszt.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}