{"title":"Fonè Records","description":"\u003cp\u003e\u003cspan\u003eIn the Classical and Jazz recording market, \u003c\/span\u003e\u003cstrong\u003eFonè\u003c\/strong\u003e\u003cspan\u003e has been offering recordings for over 40 years, characterized by \u003c\/span\u003e\u003cstrong\u003etechnological sophistication\u003c\/strong\u003e\u003cspan\u003e and aiming to recapture the original musical atmospheres.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"vinni-la-primavera-al-qantarah-tricomi","title":"Vinni la primavera | Al Qantarah - Tricomi","description":"\u003ch1 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eVinni la primavera\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 lang=\"en-US\"\u003eMusic in Sicily at the time of Dante\u003c\/h1\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEcho la primavera \/ Vinni la primavera\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’59”\u003cbr\u003e2.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNota di lavandaie della Chianta\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’12”\u003cbr\u003e3.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAssolo di marranzanu\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1’23”\u003cbr\u003e4.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFurnarisca\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2’40”\u003cbr\u003e5.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDolce lo mio drudo\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’18”\u003cbr\u003e6.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCanto di carrettiere\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’24”\u003cbr\u003e7.\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eE Vanténde\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e4’29”\u003cbr\u003e8.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eReis glorios\/Spara lu forti ‘i l’Andria \/ Ballettu\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e4’30”\u003cbr\u003e9.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEstampida ghaetta\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e6’06”\u003cbr\u003e10.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTan m'abellis\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1’35”\u003cbr\u003e11.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTarantellina\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2’12”\u003cbr\u003e12.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSurfarara\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’06”\u003cbr\u003e13.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMeravigliosamente\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e4’05”\u003cbr\u003e14.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRex glorius\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’31”\u003cbr\u003e15.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCantu a capuana\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2’21”\u003cbr\u003e16.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBen volgra\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2’38”\u003cbr\u003e17.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eA la mazzarisa\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3’24”\u003cbr\u003e18.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBarcillunisa\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2’29”\u003cbr\u003e19.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e‘U pisari\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2’51”\u003cbr\u003e20.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStrenci li labri\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e6’27”\u003c\/p\u003e\n\u003cp\u003eTotal Time 67’40”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"300\" width=\"100%\" src=\"https:\/\/widget.qobuz.com\/album\/g2ssbiroovp9b?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eRecorded at the Piaggio Museum Auditorium\u003cbr\u003ePontedera on 4 - 5 July 2021\u003cbr\u003eValve microphones Neumann U47, U48,M49\u003cbr\u003eMike pre-amplifiers, cables (line, digital, microphone, supply) Signoricci\u003cbr\u003eRecorded in stereo DSD on Pyramix Recorder using dCS A\/D and D\/A converters.\u003c\/p\u003e\n\u003cp\u003eThe mastering for the SACD was carried out by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube-based.\u003c\/p\u003e\n\u003cp\u003eDante never visited Sicily, despite loving it and thinking of it as a mythical place, a melting pot of ancient Mediterranean cultures. There are therefore some interesting connections between him and the island. In this musical journey through Sicily between the 13th and 14th centuries, Al Qantarah seeks sonic and poetic suggestions that can be traced back to the influence of the supreme poet, and back to his own formation, strongly shaped by the cultural heritage that found fertile ground precisely in Sicily. The spirit of the Ensemble tries not to create a contrast between the use of learned and oral tradition sources, mixing them, as in the Sicilian tradition we find poetic themes, forms of polyphony and musical instruments found in surviving manuscripts and in medieval iconography. The intention is always to draw on written documents from the past and give them life through the style preserved by the people of Sicily, and vice versa to select and clean from the inevitable stratifications the current traditional repertoires, in an imaginary performance at the time of Dante.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52659730940251,"sku":"SACD226","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52659730973019,"sku":"DSD226","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52659506479451,"sku":"HD226","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SACD226-1-640x640.jpg?v=1774457527"},{"product_id":"davide-toradze-piano-concerto-orchestra-sinfonica-nazionale-della-rai-noseda-toradze","title":"Davide Toradze - Concierto para Piano | Orquesta Sinfónica Nacional de la RAI, Noseda, Toradze","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eDavide Toradze\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003ePiano Concerto\u003c\/h1\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1. \u003cstrong\u003ePiano Concerto: I. parte 1 \u003c\/strong\u003e\u003cspan\u003e20’21”\u003c\/span\u003e\u003cbr\u003e2. \u003cstrong\u003ePiano Concerto: II. parte 2 \u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e1\u003c\/strong\u003e1’40”\u003c\/span\u003e\u003cbr\u003e3. \u003cstrong\u003eAlexander Toradze Remembers His Father\u003c\/strong\u003e \u003cspan\u003e7’34”\u003c\/span\u003e\u003cbr\u003e4. \u003cstrong\u003eAlexander Toradze on Interpreting Prokofiev's Seventh Piano Sonata\u003c\/strong\u003e \u003cspan\u003e7’39”\u003c\/span\u003e\u003cbr\u003e5. \u003cstrong\u003eAlexander Toradze on Interpreting the Piano Sonata op. 109 by L. van Beethoven\u003c\/strong\u003e \u003cspan\u003e5’56”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTotal Time 53’10” \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/c01ys1h6akm7b?zone=IT-it\u0026amp;display=compact\" width=\"378\" height=\"104\"\u003e \u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrchestra Sinfonica Nazionale della RAI\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGianandrea Noseda \u003c\/span\u003e\u003cem\u003eConductor\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eAlexander Toradze \u003c\/span\u003e\u003cem\u003ePiano\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConceived, mastered and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eThe master for the SACD was created by transferring the analog master recorded with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2-track 1\/2\" 30 ips modified by David Manley to Pyramix using dCS A\/D and D\/A converters. The mastering for SACD was done by Giulio Cesare Ricci using the entirely analog and tube Signoricci system.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52789288960347,"sku":"SACD271","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52789288993115,"sku":"DSD271","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52789289025883,"sku":"HD271","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SLEEVE_sacd_271.jpg?v=1775852065"},{"product_id":"equilibrismi-magoni-finaz","title":"EQUILIBRISMI| Magoni, Finaz","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eBALANCING ACTS\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003ePetra Magoni \u0026amp; Finaz\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable on: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCicatrici\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eFinaz-Magoni\u003c\/strong\u003e) 3’29”\u003cbr\u003e2.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCosa sono le nuvole\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eP.P.Pasolini-D.Modugno\u003c\/strong\u003e) 3’47”\u003cbr\u003e3.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNaturale\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eFinaz-Magoni-Campanile\u003c\/strong\u003e) 7’18”\u003cbr\u003e4.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCorsa in automobile\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eFinaz-Magoni-Marinetti\u003c\/strong\u003e) 4’36”\u003cbr\u003e5.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRime Petrose\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eFinaz-Magoni-Alighieri\u003c\/strong\u003e) 3’44”\u003c\/p\u003e\n\u003cp\u003eTotal Time 22'54''\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRoxanne\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eSting\u003c\/strong\u003e) 5’05”\u003cbr\u003e7.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHotel Chimera\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eFinaz-Magoni-Cocian\u003c\/strong\u003e) 3’29”\u003cbr\u003e8.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLucy in the sky with diamonds\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eLennon-McCartney\u003c\/strong\u003e) 6’02”\u003cbr\u003e9.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDestini\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eFinaz-Magoni-Palazzeschi\u003c\/strong\u003e) 4’51”\u003c\/p\u003e\n\u003cp\u003eTotal Time 19’27”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/yjkhk2j1gxjoc?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePetra Magoni - vocals\u003cbr\u003eFinaz - guitar\u003c\/p\u003e\n\u003cp\u003eTube Processed Analog Master \/ natural sound recording \/ HIFI Referenc\u003c\/p\u003e\n\u003cp\u003eConceived, mastered and produced by Giulio Cesare Ricci\u003cbr\u003eThe master for the Vinyl was implemented with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2-track 1\/2\" 30 ips modified by David Manley.\u003cbr\u003eThe mastering for the Vinyl was carried out by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube-based.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePETRA MAGONI\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFINAZ\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBALANCING ACTS\u003c\/strong\u003e: tightrope walks through the avant-gardes of the 20th century for Voice and Augmented Guitar. Two Virtuosos of their instruments (voice and guitar) always seeking the perfect balance between creativity, technique, and emotion. Petra and Finaz are like two tightrope walkers on the edge of a precipice, venturing on a taut rope through the artistic avant-gardes of the last century. Literature, poetry, and music are revisited and interwoven in the creative impromptu reinterpretations of the two Tuscan artists, bound by years of deep friendship, who finally decide to confront each other on stage in this new, exciting project. Palazzeschi, Cage, Marinetti, Lennon-McCartney, re-experienced in the free artistic interplay of the perfect balance between Voice and Augmented Guitar, between written text and improvisation. The incredible and surprising voice of Petra Magoni and Finaz's guitar-orchestra will lead you hand-in-hand on an unpredictable journey between heaven and earth, always holding your breath.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52789373862235,"sku":"LP188","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":52988273721691,"sku":"SACD274","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52789355544923,"sku":"DSD274","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52789355577691,"sku":"HD274","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Sleeve_sacd_274.jpg?v=1775853331"},{"product_id":"chitarre-vagabonde-mesolella-ascolese","title":"CHITARRE VAGABONDE | Mesolella, Ascolese","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eWANDERING GUITARS\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMesolella \u0026amp; Ascolese\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1. SAMBA DE UMA NOTA SO A.C. Jobim 4’33’’\u003cbr\u003e2. ESTATE B. Martino 6’53’’\u003cbr\u003e3. HISTORIA DE UN AMOR C.E. Almaran 4’17’’\u003cbr\u003e4. LA CUMPARSITA G.M. Rodriguez 5’22’’\u003cbr\u003e5. BESAME MUCHO C. Velasquez 5’36’’\u003cbr\u003e6. CIMBRA R. Ferrao 3’20’’\u003cbr\u003e7. ARIA DI TE F. Mesolella Avion Travel 10’44’’\u003cbr\u003e8. DUJE N’ PARAVISE E.A. Mario 6’53’’\u003cbr\u003e9. O SOLE MIO E. Di Capua 2’10’’\u003cbr\u003e10. A DISTANCIA R. Carlos 4’58’’\u003cbr\u003e11. GAROTA DE IPANEMA A.C. Jobim 5’40’’\u003cbr\u003e12. SENTIMENTO 4’41’’\u003cbr\u003eF. Mesolella G. Servillo M. Tronco P. D’Argenzio\u003cbr\u003e13. TIGRI 2’53”\u003cbr\u003eF. Mesolella G. Servillo M. Tronco P. D’Argenzio ’\u003cbr\u003e14. JOHNNY GUITAR V. Young 4’37’’\u003cbr\u003e15. DUJE n’ PARAVISE fragment 0’59’’\u003cbr\u003eE.A. Mario\u003c\/p\u003e\n\u003cp\u003eTotal Time 73’36”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/htqphrv2nyylc?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eF. Mesolella - guitar \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM. Ascolese - guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConceived, mastered and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eThe master for the SACD was created by transferring the analog master, recorded with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2-track 1\/2\" 30 ips modified by David Manley, to Pyramix using dCS A\/D and D\/A converters.\u003cbr\u003eThe mastering for SACD was carried out by Giulio Cesare Ricci using the Signoricci system, entirely analog and tube-based.\u003c\/p\u003e\n\u003cp\u003eThis album, recorded live during a concert held on October 8, 2004, at the Auditorium of the Leo Amici Center in Caserta, features Fausto Mesolella and another great guitarist, Michele Ascolese.\u003cbr\u003eTwo great artists, but above all, two great friends. Here is a thought from Michele Ascolese:\u003c\/p\u003e\n\u003cp\u003e“Hello Fausto, it's a great pleasure to meet you again and hear our conversations, because that's what they are, translated into music during this CHITARRE VAGABONDE concert! I believe that this adventure shared with you during that period can truly be defined, as Vinicius De Moraes said, as the Art of Encounter! No predefined form, just space for imagination, curiosity, and unpredictability in playing. A heritage that I will always hold dear in memory of a unique guitarist like you who made music like a painter paints a canvas. Happy to have met you! A hug Michele”\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52789379334491,"sku":"LP186","price":50.0,"currency_code":"EUR","in_stock":false},{"title":"SACD","offer_id":52789379367259,"sku":"SACD275","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52789379400027,"sku":"DSD275","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52789379432795,"sku":"HD275","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_275.jpg?v=1775854341"},{"product_id":"psallite-sapienter","title":"PSALLITE SAPIENTER","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eWANDERING GUITARS\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMesolella \u0026amp; Ascolese\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003ch3\u003eMESSA\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTHE MASS\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e  1. Campane della Basilica Cattedrale di Montecassino 1.02\u003cbr\u003e\u003cem\u003eThe bells of Cathedral Basilica of Montecassino\u003c\/em\u003e\u003cbr\u003e  2. Introito\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIntroit\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eGaudeamus 2.48\u003cbr\u003e  3. Graduale\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGradual\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eDomine praevenisti 3.53\u003cbr\u003e  4. Tratto\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTract\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eBeatus vir qui timet 3.15\u003cbr\u003e  5. Sequenza\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSequence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eLaeta quies 2.19\u003cbr\u003e  6. Offertorio\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOffertory\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eIustus ut palma 1.26\u003cbr\u003e  7. Comunione\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCommunion\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eGustate et videte 1.54\u003c\/p\u003e\n\u003ch3\u003eUFFICIO\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTHE OFFICE\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eVespri Vespers\u003c\/strong\u003e\u003cbr\u003e  8. Inno\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymn\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSurge quid cessas 3.14\u003cbr\u003e  9. Antifona\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAntiphon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eFuit vir 2.28\u003cbr\u003e10. Antifona\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAntiphon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eBeatus vir 1.58\u003cbr\u003e11. Antifona\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAntiphon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eGloriosus 2.14\u003cbr\u003e12. Antifona\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAntiphon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eErat vir 2.50\u003cbr\u003e13. Antifona\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAntiphon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eVir Dei Benedictus 1.59\u003cbr\u003e14. Responsorio Breve\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBrief\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eresponse\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSancte Pater Benedicte 1.31\u003cbr\u003e15. Antifona al Magnificat (Primi Vespri) Exsultet omnium 2.47\u003cbr\u003e\u003cem\u003eMagnificat Antiphon (First Vespers)\u003c\/em\u003e\u003cbr\u003e16. Antifona al Magnificat (Secondi Vespri) Hodie sanctus Benedictus 2.34\u003cbr\u003e\u003cem\u003eMagnificat Antiphon (Second Vespers)\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eLodi\u003c\/h3\u003e\n\u003cp\u003e17. Antifona al Benedictus\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBenedictus Antiphon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSanctissime 1.58\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eCompieta\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eComplime\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e18. Inno (tono Cassinese)\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymn\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eTe lucis ante terminum 1.51\u003cbr\u003e19. Inno di ringraziamento\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHymn of Thanksgiving\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eTe Deum 5.40\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eListening to this album means reliving the emotion, mysticism, songs, and sounds of the Liturgy for the Solemnity of Saint Benedict held annually on March 21st at the Abbey of Montecassino. This album was recorded in the Cathedral of Montecassino Abbey, Cassino (FR) on October 7-12, 1998. The listener will begin this sonic journey by first hearing the festive bells of the Abbey and the extraordinary interpretation of the Monks chanting Gregorian chants. For the recording, Giulio Cesare Ricci used the legendary Neumann U47 and M49 tube microphones. The original analog masters were transferred directly from Nagra 4s to DSD. A unique album not to be missed!\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52789493072219,"sku":"SACD276","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52789493104987,"sku":"DSD276","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52789493137755,"sku":"HD276","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVERsacd276.jpg?v=1775856424"},{"product_id":"i-5-elementi-alessandro-quarta","title":"I 5 ELEMENTI | Quarta","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eThe 5 Elements\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eAlessandro Quarta\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 1 - SIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLA CREAZIONE 5'12\"  \u003c\/strong\u003e\u003cbr\u003e2.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTERRA 12'20\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTOTAL TIME 17'32''\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 1 - SIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eACQUA 11'06\"\u003c\/strong\u003e\u003cbr\u003e4.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eARIA 11'01\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTOTAL TIME 22'07''\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 2 - SIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFUOCO 10'26\"\u003c\/strong\u003e\u003cbr\u003e6.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eETERE 8'21\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTOTAL TIME 18'47''\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 2 - SIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eRADICI 19' 32''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTOTAL TIME 19'32''\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/ul8gd8z3082yb?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlessandro Quarta - Solo Violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuseppe Magagnino - Piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSolisti Filarmonici Italiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConceived,mastered and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eThe Master for VinvI has been implemented with AMPEX AT102 (Electronic Tube Ampex Model 351-1965) 2 tracks 1\/2 inch 30 ips modified by David Manley. The Mastering for Vinyl was made by Giulio Cesare Ricci using the analog and valve Signoriccis svstem.\u003c\/p\u003e\n\u003cp\u003e“THE FIVE ELEMENTS” by Alessandro Quarta is a new musical work composed and performed by the violinist, inspired by the five elements of ancient tradition: Earth, Water, Air, Fire, and Ether, preceded by the introductory track The Creation. Quarta describes the work as a deep personal experience, a kind of \"musical cry\" that encompasses joy, pain, strength, and fragility. Each element has its own musical identity, with a precise tonality and emotional narrative. Earth: represented as an old woman, recounted with melancholy and calm (C minor). Water: inspired by Otranto and the Mediterranean, it originates from a drop in the desert and becomes a stormy sea (E-flat major). Air: is breath, movement, and lightness, invisible but vital (E minor, G major, B major). Fire: starts from Eros (A minor), but evolves into destructive and demonic fire (D minor). Ether: the spiritual and universal element, begins sweetly (D-flat major), but transforms into an intense storm (A minor, Dies Irae), only to conclude with the Light of Forgiveness (D major), a symbol of hope and rebirth. The work is an intense musical journey, between light and darkness, life and destruction, beauty and danger. Quarta invites the listener to a deep reflection on human responsibility towards nature and its elements, emphasizing how essential yet potentially destructive they are. With his music, the artist breaks every barrier, moving and shaking the soul, leaving a profound and personal mark on the listener.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52789496316251,"sku":"LP187","price":80.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":52789496349019,"sku":"SACD277","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52789496381787,"sku":"DSD277","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52789496414555,"sku":"HD277","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_277.jpg?v=1775857126"},{"product_id":"we-concentrate-on-you-the-music-of-cole-porter-mirabassi-sigurta-pietropaoli-di-leonardo","title":"NOS CONCENTRAMOS EN TI (LA MÚSICA DE COLE PORTER) | Mirabassi, Sigurtà, Pietropaoli, Di Leonardo","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eWE CONCENTRATE ON YOU\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eTHE MUSIC OF COLE PORTER\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eEVERYTHING I LOVE * 4’26’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eI CONCENTRATE ON YOU * 4’26’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eYOU’D BE SO NICE TO COME HOME TO * 4’03’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eI LOVE PARIS * 6’23’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eEASY TO LOVE * 5’28’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eWHAT IS THIS THING CALLED LOVE * 3’22''\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSO IN LOVE * 8’08’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eIT’S DE-LOVELY * 4’31’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eLINE FOR LYONS J. Mulligan 5’07’’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eINNO D’ITALIA G. Mameli – M. Novaro 2’38’'\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eTotal Time 48'40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/utnktfarfcekb?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGabriele Mirabassi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eclarinet\u003cbr\u003e\u003cstrong\u003eFulvio Sigurtà\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etrumpet\u003cbr\u003e\u003cstrong\u003eEnzo Pietropaoli\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edouble bass\u003cbr\u003e\u003cstrong\u003eMarcello Di Leonardo\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edrums\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/  natural sound recording \/  HiFi Reference\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cstrong\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eRecorded at the Auditorium Museo Piaggio\u003cbr\u003ePontedera September 17th, 2022\u003cbr\u003eValve microphones: Neumann U47, U48, M49\u003cbr\u003eMike pre-amplifiers, cables (line, digital, microphone, supply): Signoricci\u003cbr\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D and D\/A converters\u003cbr\u003ePhotos by Stefano \"Steve\" Girolami\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis album was recorded at the Auditorium of the Piaggio Museum during the fonè Music Festival. The songs on WE CONCENTRATE ON YOU are by Cole Porter with the exception of tracks 9 (J. Mulligan) and 10 (G. Mameli - M. Novaro). The absolute protagonist of the album is the LEADERLESS QUARTET: Gabriele Mirabassi on clarinet, Fulvio Sigurtà on trumpet, Enzo Pietropaoli on double bass, and Marcello Di Leonardo on drums. Among the tracks are I Concentrate on you, I love Paris, Easy to love, Inno d'Italia and Line for lyons... The master for the SACD was produced by Giulio Cesare Ricci using the all-analog and tube Signoricci system. An album not to be missed!\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52825390481755,"sku":"SACD242","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825390514523,"sku":"DSD242","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825390547291,"sku":"HD242","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_242.jpg?v=1776370765"},{"product_id":"cinerama-music-from-the-movies-hamilton-birro-zunino-kramer","title":"CINERAMA (Música de las películas) | Hamilton, Birro, Zunino, Kramer","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eCINERAMA\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eMusic from the movies\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1.Three Coins In The Fountain Styne - Cahn  6’45”\u003c\/p\u003e\n\u003cp\u003e2. I Will Wait For You  Micheal Legrand  8’55”\u003c\/p\u003e\n\u003cp\u003e3. Love Theme From “Point Blank\" Johnny Mandel  5’34”\u003c\/p\u003e\n\u003cp\u003e4. Wives And Lovers Burt Bacharach  6’43”\u003c\/p\u003e\n\u003cp\u003e5. On Green Dolphin Street Kaper - Washington  7’38”\u003c\/p\u003e\n\u003cp\u003e6. Two For The Road Henry Mancini  7’02”\u003c\/p\u003e\n\u003cp\u003e7. Close Enough For Love Johnny Mandel  8’49”\u003c\/p\u003e\n\u003cp\u003e8. I Love You, Samantha Cole Porter  5’25”\u003c\/p\u003e\n\u003cp\u003e9. Manha De Carnaval Luiz Bonfà  7’19”\u003c\/p\u003e\n\u003cp\u003eTotal Time 64’10”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/fgdar9mxquq4a?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScott Hamilton\u003c\/strong\u003e saxophone\u003cbr\u003e\u003cstrong\u003ePaolo Birro\u003c\/strong\u003e piano\u003cbr\u003e\u003cstrong\u003eAldo Zunino\u003c\/strong\u003e bass\u003cbr\u003e\u003cstrong\u003eAlfred Kramer\u003c\/strong\u003e drums\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/ natural sound recording \/ HiFi Reference\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-us\"\u003eConceived, recorded and produced by Giulio Cesare Ricci. No editing. All the tracks on this record are heard as they were performed.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eRecorded at the Auditorium Museo Piaggio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003ePontedera October 1st - 2nd, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eValve microphones: Neumann U47, U48, M49\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eMike pre-amplifiers, cables (line, digital, microphone, supply): Signoricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D and D\/A converters\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003ePhotos by Stefano “Steve” Girolami\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eThe Mastering for SuperAudioCD was made by Giulio Cesare Ricci using the Signoricci’s analog and tube system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis album is part of the recordings Giulio Cesare made during the concerts of the fonè Music Festival Piaggio 2022 edition, organized by himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe chosen location is the Piaggio Auditorium, located inside the famous Museum of Pontedera, the place where Piaggio was founded and where it still produces today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn CINERAMA, the protagonists are 4 extraordinary musicians: Scott Hamilton on saxophone, Paolo Birro on piano, Aldo Zunino on double bass, and Alfred Kramer on drums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScott Hamilton, who for many years has graced the best stages in the world as the leader of his quartet or alongside other jazz legends, is an interpreter of extraordinarily elegant music, based on impeccable phrasing and a fascinating sound. Already in the seventies, when the widespread trend was to explore particularly aggressive sound alternatives, he stood out for the sweetness of his saxophone and his creative imagination. The album contains 9 tracks from famous films, including: Three Coins In The Fountain (1954), On Green Dolphin Street (1947), Close Enough For Love (1979) etc…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe album continues the extraordinary discographic project that Scott Hamilton wished to begin with Giulio Cesare Ricci \/ fonè records starting in 2012.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFor this recording, Giulio Cesare Ricci brought all his equipment, both analog (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracks, ½”, 30ips modified by David Manley) and digital (Pyramix Recorder, dCS A\/D and D\/A converters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRegarding microphones, he used his original collection of Neumann U47, U48, M49, as well as the Signoricci microphone preamplifier and cables. Pairs of 1947 and 1949 Neumann tube microphones (U47, U48 and M49) with a very natural timbre were used, employing bi-microphone field effect techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThese microphones have an important history: they are the original microphones used to record, among others, the Beatles' performances at Abbey Road Studio and by RCA for their \"Living Stereo\" recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe sound that Giulio Cesare Ricci manages to capture with these legendary microphones is perfectly in line with his sonic taste.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNo other microphone has such a true timbre and the ability to record all the nuances of sound and all the richness of harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe uniqueness of these microphones is linked to their ability to create a perfect \"sound photograph\" and to perfectly place the music in the sound space chosen for the recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis is because for each recording Giulio Cesare Ricci creates two Masters: an analog master for vinyl and a DSD digital master for SuperAudioCD as in this case. For this SACD he used the DSD format, on Pyramix using dCS A\/D and D\/A DSD converters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrom 1998 to today, he has recorded in DSD 64 x 44.1 bit with Signoricci ex Philips workstations equipped with Pyramix programs, dCS 904 analog-to-digital converters, and dCS 954 digital-to-analog converters, all to best produce the fonè SACD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe mastering of the SACD was carried out using the entirely analog and tube Signoricci system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA \"state-of-the-art\" system without sound manipulation, equalization, reverberation, compression, and expansion... but natural sound and true timbre to best enhance the acoustics of the Piaggio Museum Auditorium.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAll this to create recordings characterized by technological refinement and aimed at recovering the original musical atmospheres. For this recording, Ricci also used the \"field effect\" recording technique... all to allow the listener, in their home hi-fi system, to relive the live effect as if they had been present at the performance.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52825451135323,"sku":"SAC243","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825451168091,"sku":"DSD243","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825451200859,"sku":"HD243","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd-243.jpg?v=1776371714"},{"product_id":"four-stories-roberto-gatto-quartet","title":"CUATRO HISTORIAS | Roberto Gatto Quartet","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eFOUR STORIES\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eRoberto Gatto Quartet\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cstrong\u003eKool\u003c\/strong\u003e\u003cspan\u003e Mary Lou Williams 6’11”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cstrong\u003eThe Music Next Door\u003c\/strong\u003e\u003cspan\u003e Roberto Gatto 4’46”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cstrong\u003eIl valzer della fonderia\u003c\/strong\u003e\u003cspan\u003e Alessandro Presti 4’50”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cstrong\u003eSalon Malaga\u003c\/strong\u003e\u003cspan\u003e Matteo Bortone 5’45”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cstrong\u003eFour Stories\u003c\/strong\u003e\u003cspan\u003e Roberto Gatto 6’24”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cstrong\u003eCherry Song\u003c\/strong\u003e\u003cspan\u003e Alessandro Presti 5’41”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cstrong\u003eWaver\u003c\/strong\u003e\u003cspan\u003e Alessandro Lanzoni 5’25”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cstrong\u003eMonaco-Palermo\u003c\/strong\u003e\u003cspan\u003e Alessandro Presti 5’36”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. \u003c\/span\u003e\u003cstrong\u003eVictoria Regia\u003c\/strong\u003e\u003cspan\u003e Matteo Bortone 4’09”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cstrong\u003eGardenia\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eGary Peacock 3’23”       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/ychzsas2lz9cb?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoberto Gatto Quartet\u003c\/strong\u003e\u003cbr\u003eAlessandro Presti trumpet\u003cbr\u003eMatteo Bortone double bass\u003cbr\u003eAlessandro Lanzoni piano\u003cbr\u003eRoberto Gatto drums\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eNo editing. All the tracks on this record are heard as they were performed.\u003c\/p\u003e\n\u003cp\u003eThis album is part of the recordings Giulio Cesare made during the concerts of the fonè Music Festival Piaggio 2023 edition, which he himself organized. The chosen location is the Piaggio Auditorium inside the famous Museum of Pontedera, the place where Piaggio was born and where it still produces today. The protagonists of FOUR STORIES are 4 great musicians with an extraordinary leader, Roberto Gatto, the greatest Italian jazz drummer, accompanied by Alessandro Presti on trumpet, Matteo Bortone on double bass, and Alessandro Lanzoni on piano. Roberto Gatto has played throughout Europe and the rest of the world with his groups and with international artists. The groups bearing his name are characterized, in addition to an interesting timbral research and impeccable performing technique, by a great warmth typical of Mediterranean culture. This certainly makes Roberto Gatto one of the most interesting drummers and composers in Europe and worldwide. Among the pieces played, many were composed by the artists themselves: The Music next door by R. Gatto, Il valzer della fonderia by A. Presti, Waver by A. Lanzoni, and Victoria Regia by M. Bortone. The album is completed by two very special pieces by Mary Lou Williams and Gary Peacock. For this recording, Giulio Cesare Ricci brought all his equipment, both analog (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracks, ½”, 30ips modified by David Manley) and digital (Pyramix Recorder, dCS A\/D and D\/A converters). Regarding microphones, he used his original collection of Neumann U47, U48, M49, as well as the Signoricci microphone preamplifier and cables. Pairs of Neumann tube microphones from 1947 and 1949 (U47, U48, and M49) with a very natural timbre were used, employing bi-microphone field effect techniques. These microphones have an important history: they are, in fact, the original microphones used to record, among others, the Beatles' performances at Abbey Road Studio and by RCA for \"Living Stereo\" recordings. The sound that Giulio Cesare Ricci manages to capture with these legendary microphones is perfectly in line with his sonic taste. No other microphone has such a true timbre and the ability to record all the nuances of sound and all the richness of harmonics. The uniqueness of these microphones is linked to their ability to perform a perfect \"sonic photograph\" and to perfectly place the music in the sound space chosen for the recording. This is because for each recording, Giulio Cesare Ricci creates two Masters: an analog master for vinyl and a DSD digital master for SuperAudioCD, as in this case. For this SACD, he used the DSD format, on Pyramix using dCS A\/D and D\/A DSD converters. From 1998 to today, he has recorded in DSD 64 x 44.1 bit with Signoricci ex Philips workstations equipped with Pyramix programs, dCS 904 analog-to-digital converters, and dCS 954 digital-to-analog converters, all to best realize the fonè SACD. The SACD mastering was done using the entirely analog and tube Signoricci system. A \"state-of-the-art\" system without sound manipulation, equalization, reverberation, compression, and expansion... but natural sound and true timbre to best enhance the acoustics of the Piaggio Museum Auditorium. All this to create recordings characterized by technological sophistication and aimed at recovering the original musical atmospheres. For this recording, Ricci also used the \"field effect\" recording technique... all this to allow the listener, in their home hi-fi system, to relive the live effect as if they had been present at the performance.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52825503105371,"sku":"SACD245","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825503138139,"sku":"DSD245","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825503170907,"sku":"HD245","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_245.jpg?v=1776372331"},{"product_id":"gratia-pietropaoli-mirabassi-rabbia-sonus-vocum-ensemble","title":"GRATIA | Pietropaoli, Mirabassi, Rabbia, Sonus Vocum Ensemble","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eGRATIA\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eEnzo Pietropaoli\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e1. Ave Regina Caelorum 5’27”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2. Ave Regina Caelorum 7’52”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous - Enzo Pietropaoli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e3. Ave Maria 5’05”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e4. Ave Maria 8’11”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous - Enzo Pietropaoli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e5. Salve Regina 7’12”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e6. Alma Redemptoris Mater 5’43”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e7. Alma Redemptoris Mater 4’57”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous - Enzo Pietropaoli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e8. Regina Coeli 4’58”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAnonymous - Enzo Pietropaoli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e9. Anti-Phone 2’13”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eEnzo Pietropaoli\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTotal Time 51’38”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/ulwi8k62myddb?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eEnzo Pietropaoli\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003edouble bass, arrangements and musical direction\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eGabriele Mirabassi\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eclarinet\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eMichele Rabbia\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003epercussion and live electronics\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cstrong\u003eSonus Vocum Ensemble\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBaltazar Zúñiga Fabio Furnari Roberto Rilievi\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTube Processed Analog Master \/  natural sound recording \/  HiFi Reference\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-us\"\u003eConceived, mastered and produced by Giulio Cesare Ricci\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eThe Master for the SACD was created by transferring the original analog master\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003emade with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 - 1965)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e2 tracks 1⁄2” 30ips modified by David Manley.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eThe mastering for the SACD was done by Giulio Cesare Ricci \u003c\/span\u003e\u003cspan lang=\"en-us\"\u003eusing the entirely analog and tube-powered Signoricci system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\"I approached this work fascinated by the simplicity of the \u003c\/span\u003e\u003cspan\u003eAntiphons, by that minimalism that leaves all avenues \u003c\/span\u003e\u003cspan\u003eof imagination open, an extremely precious contrast, \u003c\/span\u003e\u003cspan\u003eancient and very modern. \u003c\/span\u003e\u003cspan\u003e\"Gratia\" aims to demonstrate, or rather to confirm, that even the \u003c\/span\u003emost diverse and distant languages can meet under the sign of a boundless mysticism, of a love that can go beyond individual cults.\"\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eEnzo Pietropaoli\u003c\/em\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52825554321755,"sku":"SACD255","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825554354523,"sku":"DSD255","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"WAV 96kHz · 24bit","offer_id":52825554387291,"sku":"HD255","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_255.jpg?v=1776373128"},{"product_id":"musica-nuda-magoni-spinetti","title":"MÚSICA NUDA | Magoni, Spinetti","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMUSICA NUDA\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003ePetra Magoni, Ferruccio Spinetti\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1. ELEANOR RIGBY 2’32\u003c\/p\u003e\n\u003cp\u003e2. ROXANNE 3’16\u003c\/p\u003e\n\u003cp\u003e3. PRENDILA COSI 4’21\u003c\/p\u003e\n\u003cp\u003e4. RUN WITH ME 3’55\u003c\/p\u003e\n\u003cp\u003e5. I WILL SURVIVE 3’51\u003c\/p\u003e\n\u003cp\u003e6. GUARDA CHE LUNA 2’29\u003c\/p\u003e\n\u003cp\u003e7. MALEDETTO SIA L’ASPETTO 0’57\u003c\/p\u003e\n\u003cp\u003e8. BLACKBIRD 1’56\u003c\/p\u003e\n\u003cp\u003e9. SACRIFICE 3’37\u003c\/p\u003e\n\u003cp\u003e10. HOW INTRO\/HOW INSENSITIVE 2’36\u003c\/p\u003e\n\u003cp\u003e11. VOGLIO DI VITA USCIR 1’50\u003c\/p\u003e\n\u003cp\u003e12. RAINDROPS KEEP FALLING ON MY HEAD 3’00\u003c\/p\u003e\n\u003cp\u003e13. NESSUNO 1’39\u003c\/p\u003e\n\u003cp\u003e14. NATURE BOY 6’06\u003c\/p\u003e\n\u003cp\u003e15. IMAGINE 4’21\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePetra Magoni\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evocals\u003cbr\u003e\u003cstrong\u003eFerruccio Spinetti\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edouble bass\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/ natural sound recording \/ HiFi Reference\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv id=\"product-tab\" class=\"tabs\"\u003e\n\u003cdiv class=\"tab-content\" id=\"tab-content\"\u003e\n\u003cdiv class=\"tab-pane fade in active\" id=\"description\" role=\"tabpanel\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eThis album was recorded in Migliarino (PI) on March 14, 2003, and is the first album recorded by Musica Nuda. Petra Magoni and Ferruccio Spinetti masterfully interpret unforgettable songs such as Lennon's Imagine, Lennon\/McCartney's Eleanor Rigby and Blackbird, and Sting's Roxanne. The Master was created by transferring the original analog master, made with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2-track 1\/2 inch 30ips modified by David Manley, to Pyramix using dCS A\/D and D\/A converters. The mastering for the SACD was carried out by Giulio Cesare Ricci using the entirely analog and tube-based Signoricci system. An album not to be missed!\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52825650200923,"sku":"LP171","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":52825630245211,"sku":"SACD256","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825630277979,"sku":"DSD256","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825630310747,"sku":"HD256","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover_sacd-256.jpg?v=1776374623"},{"product_id":"little-wonder-magoni-spinetti","title":"MÚSICA NUDA, PEQUEÑA MARAVILLA | Magoni, Spinetti","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMUSICA NUDA, LITTLE WONDER\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003ePetra Magoni, Ferruccio Spinetti\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1. IS THIS LOVE B. Marley\u003c\/p\u003e\n\u003cp\u003e2. AIN'T NO SUNSHINE B.Withers\u003c\/p\u003e\n\u003cp\u003e3. PRACTICAL ARRANGEMENT M.R.Ballou - Sumner Gordon M.\u003c\/p\u003e\n\u003cp\u003e4. QUAND IL EST MORT LE POETE G.Becaud\u003c\/p\u003e\n\u003cp\u003e5. TOUT S'ARRANGE QUAND ON S'AIME' Mogol - Piero Soffici - French lyrics: André Salvet-Claude Carrère\u003c\/p\u003e\n\u003cp\u003e6. AL FREDDO AL FREDDO Kholoda - Vladimir Vysotskij Semenovich - Sergio Secondiano Sacchi\u003c\/p\u003e\n\u003cp\u003e7. UN VECCHIO ERRORE P.Conte\u003c\/p\u003e\n\u003cp\u003e8. IO SONO META' P.Magoni - F.Spinetti - L.De Crescenzo\u003c\/p\u003e\n\u003cp\u003e9. SEI FORTE PAPA' S.Jugens - B.Zambrini\u003c\/p\u003e\n\u003cp\u003e10. FAR NIENTE C.Buarque - Bardotti\u003c\/p\u003e\n\u003cp\u003e11. LA VIE EN ROSE E.Piaf - L.Guglielmi\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/0825646122141?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePetra Magoni\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evocals\u003cbr\u003e\u003cstrong\u003eFerruccio Spinetti\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edouble bass\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/ natural sound recording \/ HiFi Reference\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv id=\"product-tab\" class=\"tabs\"\u003e\n\u003cdiv class=\"tab-content\" id=\"tab-content\"\u003e\n\u003cdiv class=\"tab-pane fade in active\" id=\"description\" role=\"tabpanel\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eThis album features the duo Magoni - Spinetti with famous songs such as Is This Love (Bob Marley), Un vecchio errore (Paolo Conte), La vie en rose (Edith Piaf, Louis Guglielmi) etc.\u003c\/p\u003e\n\u003cp\u003eThe Master was created by transferring the original analog master, made with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2-track 1\/2 inch 30ips modified by David Manley on Pyramix using dCS A\/D and D\/A converters.\u003c\/p\u003e\n\u003cp\u003eMastering for the SACD was carried out by Giulio Cesare Ricci using the entirely analog and tube Signoricci system.\u003c\/p\u003e\n\u003cp\u003eAn album not to be missed!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52825673007451,"sku":"LP172","price":60.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":52825673040219,"sku":"SACD257","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825673072987,"sku":"DSD257","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825673105755,"sku":"HD257","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd-257.jpg?v=1776375345"},{"product_id":"musica-nuda-leggera-magoni-spinetti","title":"MÚSICA NUDA, LIGERA | Magoni, Spinetti","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eMUSICA NUDA, LITTLE WONDER\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003ePetra Magoni, Ferruccio Spinetti\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1) COME SI CANTA UNA DOMANDA\u003c\/p\u003e\n\u003cp\u003e2) CONDIZIONE IMPRESCINDIBILE\u003c\/p\u003e\n\u003cp\u003e3) DIMANE\u003c\/p\u003e\n\u003cp\u003e4) LEGGERA feat. Tony Canto\u003c\/p\u003e\n\u003cp\u003e5) LUNEDÌ\u003c\/p\u003e\n\u003cp\u003e6) FELTRINELLI feat. Fausto Mesolella\u003c\/p\u003e\n\u003cp\u003e7) CANZONE SENZA PRETESE feat. Frida Bollani Magoni\u003c\/p\u003e\n\u003cp\u003e8) TI DARÒ feat. Luigi Salerno\u003c\/p\u003e\n\u003cp\u003e9) ZITTO ZITTO\u003c\/p\u003e\n\u003cp\u003e10) LUCE\u003c\/p\u003e\n\u003cp\u003e11) TU SEI TUTTO PER ME feat. Fausto Mesolella\u003c\/p\u003e\n\u003cp\u003e12) TI RUBERÒ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/0190295853723?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePetra Magoni\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evocals\u003cbr\u003e\u003cstrong\u003eFerruccio Spinetti\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edouble bass\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/ natural sound recording \/ HiFi Reference\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\" id=\"content-wrapper\"\u003e\n\u003csection itemtype=\"https:\/\/schema.org\/Product\" itemscope=\"\" id=\"main\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv class=\"tabs\" id=\"product-tab\"\u003e\n\u003cdiv id=\"tab-content\" class=\"tab-content\"\u003e\n\u003cdiv role=\"tabpanel\" id=\"description\" class=\"tab-pane fade in active\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eLEGGERA is another important album by Musica Nuda, Petra Magoni and Ferruccio Spinetti.\u003c\/p\u003e\n\u003cp\u003eAmong the performed tracks: COME SI CANTA UNA DOMANDA (Spinetti - Servillo), LEGGERA which gives the album its title (Kaballà - Canto) feat. Tony Canto, FELTRINELLI (Cusumano) feat. Fausto Mesolella, CANZONE SENZA PRETESE (Luttazzi - Zeppieri) feat. Frida Bollani Magoni, LUCE (Spinetti - Salerno), TI RUBERO' (Lauzi) -- The master was created by transferring the original analog master, made with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2-track 1\/2 inch 30ips, modified by David Manley to Pyramix using dCS A\/D and D\/A converters. The mastering for the SACD was carried out by Giulio Cesare Ricci using the entirely analog and tube Signoricci system. An album not to be missed!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52825721176411,"sku":"LP258","price":60.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":52825721209179,"sku":"SACD258","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825721241947,"sku":"DSD258","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825721274715,"sku":"HD258","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd-258.jpg?v=1776375997"},{"product_id":"musica-nuda-verso-sud-magoni-spinetti","title":"MÚSICA NUDA, HACIA EL SUR | Magoni, Spinetti","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eMUSICA NUDA, VERSO SUD\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003ePetra Magoni, Ferruccio Spinetti\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1 I GIORNI DI FESTA\u003cbr\u003e2 L'AMORE ARANCIONE\u003cbr\u003e3 DISAMISTADE\u003cbr\u003e4 SAMBA E AMORE\u003cbr\u003e5 AMAZING GRACE\u003cbr\u003e6 INTRO AMARA TERRA\u003cbr\u003e7 AMARA TERRA MIA\u003cbr\u003e8 PASSIONE\u003cbr\u003e9 VERSO SUD\u003cbr\u003e10 CARUSO\u003cbr\u003e11 FRONNE\u003cbr\u003e12 IO SO\u003cbr\u003e13 IO SO CHE TI AMERO'\u003cbr\u003e14 ANIMA E CORE\u003cbr\u003e15 ABBASSO IL CONTRABBASSO\u003cbr\u003e16 VUELVO AL SUR\u003cbr\u003e17 TE VOGLIO BENE ASSAJE\u003cbr\u003e18 O SOLE MIO\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/vluae74oe5lmb?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cstrong\u003ePetra Magoni\u003c\/strong\u003e vocals\u003cbr\u003e\u003cstrong\u003eFerruccio Spinetti\u003c\/strong\u003e double bass\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/ natural sound recording \/ HiFi Reference\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv id=\"product-tab\" class=\"tabs\"\u003e\n\u003cdiv class=\"tab-content\" id=\"tab-content\"\u003e\n\u003cdiv class=\"tab-pane fade in active\" id=\"description\" role=\"tabpanel\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eThis album features Petra Magoni \u0026 Ferruccio Spinetti, a duo consolidated for years. Among the performed tracks: Disamistade (De André - Fossati), Amazing Grace a traditional piece, Verso sud (Spinetti) which gives the album its title, Caruso (Dalla), Anema E Core (D’Acquisto, Manlio), Abbasso Il Contrabbasso (Carosone - Fiorentini) …… and a bonus track O Sole Mio feat. Fausto Mesolella…… The Master was created by transferring the original analog master made with the AMPEX ATR 102 (Electronic Tube Ampex Model 351 -1965) 2 tracks 1\/2 inch 30ips modified by David Manley on Pyramix using dCS A\/D and D\/A converters. The mastering for the SACD was carried out by Giulio Cesare Ricci using the entirely analog and tube Signoricci system. An album not to be missed!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52830494589275,"sku":"LP162","price":60.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":52830494622043,"sku":"SACD259","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52830494654811,"sku":"DSD259","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52830494687579,"sku":"HD259","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd-259.jpg?v=1776444947"},{"product_id":"gran-gala-2026-fone-records","title":"GRAN GALÀ 2026 | Artisti Vari","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eGRAN GALÀ 2026\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDONNA\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e4’03”\u003cbr\u003eS. Giovannini - P. Garinei - G. Kramer\u003cbr\u003efrom SACD 270 DONNA A.M. Castelli voice\u003cbr\u003eG. Coscia accordion R. Sellani piano\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e2.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCHLOE\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e8’24” Charles N. Daniels - Gus Kahn\u003cbr\u003efrom SACD 238 POINCIANA S. Hamilton sax P. Birro piano\u003cbr\u003eA. Zunino double bass A. Kramer drums\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGAROTA DE IPANEMA\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e5’41’’ Antonio Carlos Jobim\u003cbr\u003efrom SACD 275 CHITARRE VAGABONDE\u003cbr\u003eF. Mesolella guitar M. Ascolese guitar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e4.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSENTIMENTO\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e4’41”\u003cbr\u003eF. Mesolella - G. Servillo - M. Tronco - P. D’Argenzio\u003cbr\u003efrom SACD 275 CHITARRE VAGABONDE\u003cbr\u003eF. Mesolella guitar M. Ascolese guitar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e5.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eROXANNE\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e5’04”\u003cbr\u003eSting\u003cbr\u003efrom SACD 274 EQUILIBRISMI\u003cbr\u003eP. Magoni voice Finaz guitar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e6.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLUCY IN THE SKY WITH DIAMONDS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e6’00”\u003cbr\u003eJohn Lennon - Paul McCartney\u003cbr\u003efrom SACD 274 EQUILIBRISMI\u003cbr\u003eP. Magoni voice Finaz guitar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e7.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFUOCO\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e10’26”\u003cbr\u003eAlessandro Quarta\u003cbr\u003efrom SACD 277 ALESSANDRO QUARTA I 5 ELEMENTI\u003cbr\u003eA. Quarta violin G. Magagnino piano\u003cbr\u003eSolisti Filarmonici Italiani\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e8.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEINE KLEINE NACHTMUSIK KV 525\u003cbr\u003e\u003cem\u003eAllegro\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e8’30\"\u003cbr\u003eWolfgang Amadeus Mozart\u003cbr\u003efrom SACD 235 EINE KLEINE NACHTMUSIK\u003cbr\u003eKV 525 FOR STRINGS\u003cbr\u003eS. Accardo violin M. Batjer violin\u003cbr\u003eT. Hoffman viola R. Filippini cello\u003cbr\u003eF. Petracchi double bass\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e9.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePIANO CONCERTO\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSecond Part\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e11’40”\u003cbr\u003eDavid Toradze\u003cbr\u003efrom SACD 271 DAVID TORADZE Piano Concerto\u003cbr\u003eOrchestra Sinfonica Nazionale della RAI\u003cbr\u003eGianandrea Noseda conductor Alexander Toradze piano\u003c\/p\u003e\n\u003cp\u003eTotal Time 64’29”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA collection featuring the best of the Fonè catalogue: jazz, classical, and singer-songwriter music come together in fourteen tracks with a warm and enveloping sound. From Salvatore Accardo to Fausto Mesolella, from Petra Magoni to Alessandro Quarta, all mastered with the analog tube processing that has always distinguished the label's productions. An album designed for those seeking emotion and detail.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52830621958491,"sku":"SACD278","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"DSD 64","offer_id":52830621991259,"sku":"DSD278","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52830622024027,"sku":"HD278","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_278.jpg?v=1776445517"},{"product_id":"icone-in-musica-fone-ensable-fornaciari-colonna-merlini","title":"ICONOS EN MÚSICA, FONE ENSAMBLE | Fornaciari, Colonna, Merlini","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eICONS IN MUSIC\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFonè ensemble\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: LP, CD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eHeinrich Ignaz Franz von Biber\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 1 The Annunciation in D minor - D minor 6'42\"\u003cbr\u003eSonata No. 10 The Crucifixion in G minor - G minor 6'41\"\u003cbr\u003eSonata No. 12 The Ascension in C major - C major 4'27\"\u003cbr\u003eSonata No. 13 Pentecost in D minor - D minor 6'01\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 14 The Assumption in D major - D major 9'23\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eJohann Sebastian Bach\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 3 in C major - C major BWV 1005 - Pentecost Sonata\"\u003cbr\u003eAdagio 5'33\"\u003cbr\u003eFuga 11'32\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eAntonio Vivaldi\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eConcerto in D major - D major\u003cbr\u003eFor the Most Holy Assumption of the Virgin Mary\u003cbr\u003eAllegro 5'04\"\u003cbr\u003eAdagio 2'45\"\u003cbr\u003ePresto 5'13\"\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eTotal Time 1h 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/8012871000425?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cp\u003e\u003cspan\u003eLeonardo Colonna double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eErnesto Merlini, organ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Fornaciari, violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\" id=\"content-wrapper\"\u003e\n\u003csection itemtype=\"https:\/\/schema.org\/Product\" itemscope=\"\" id=\"main\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv class=\"tabs\" id=\"product-tab\"\u003e\n\u003cdiv id=\"tab-content\" class=\"tab-content\"\u003e\n\u003cdiv role=\"tabpanel\" id=\"description\" class=\"tab-pane fade in active\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cspan\u003eConceived, recorded, and produced by Giulio Cesare Ricci \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at the Propositura of San Verano, Peccioli (Pisa)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording date November 19, 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeumann U 47, U 48, M 49 tube microphones \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSignoricci microphone preamplifiers \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSignoricci signal, microphone, and power cables \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The themes to which the icons refer can be ordered into two general categories: portrait icons (for example, portraits of saints, Mother of God of the Sign, Christ Pantocrator) and narrative icons. Some of these subjects have also inspired masterpieces by great musicians. H. Biber (18th century), a Bohemian, lived between Salzburg and Vienna. Considered one of the greatest violinists and composers, he gained great fame for his expertise. \u003cbr\u003eOne of his masses for 36 voices was attributed to Bach until the mid-last century. \u003cbr\u003eSome of the \"Rosary Sonatas\" will be performed, in which Biber describes the mysteries one by one, prescribing a different tuning for the violin in each sonata to better differentiate their spiritual moods. \u003cbr\u003eNumerous icons with similar subjects have been painted over the centuries for those presented tonight. \u003cbr\u003eJ.S. Bach needs no introduction. However, the identification that the six sonatas and partitas for solo violin were completed, and the famous Chaconne written virtually impromptu, at a moment of the deepest drama, constitutes a source of new studies (Helga Thone: Chaconne, dance or funerary monument? Leipzig 1994). Returning from a journey, Bach found that his young wife had suddenly died, leaving him with four small children. At this moment, that absolute masterpiece, the six sonatas and partitas for solo violin, took its definitive form in practically a few days. In the sonata in C major, whose fugue constitutes the most complex example of polyphonic mastery entrusted to a monodic instrument, numerous self-citations (musical themes) are present, taken from various chorales previously composed by Bach, all \u003cbr\u003eon the subject of Pentecost, just as in the first sonata the citations refer to the Nativity and in the second to the Passion. \u003cbr\u003eVivaldi's Concerto dedicated to the Assumption of Our Lady the Virgin Mary is one of two that the author dedicated to this feast (August 15), which was very dear in his Venice. \u003cbr\u003eIn contrast to the meditative and profound depth of the previous compositions, extroverted and joyful in character, the evening will conclude with a glimmer of serene Mediterranean brightness.\"\u003cbr\u003e\u003cem\u003eMarco Fornaciari\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":52830905532763,"sku":"LP018J","price":60.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":52830905565531,"sku":"CD004","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"DSD 64","offer_id":52830905598299,"sku":"DSD004","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52830905631067,"sku":"HD004","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/FONESRCD004-cover_art.jpg?v=1776446860"},{"product_id":"marco-fornaciari-violino","title":"FORNACIARI (Violín) | Fornaciari","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eFORNACIARI\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eViolin\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eGIUSEPPE TARTINI (1692-1770)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSonata No. 13 in B minor\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAndante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAllegro assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiga: allegro affettuoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. ZANIBON); 7‘20“\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eFRANZ SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eSix Ländlers D374 for solo violin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cspan\u003e\u003c\/span\u003e(Ed. HENLE); 2’40”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-us\"\u003eKAROL JOSEF LIPINSKY (1790-1861)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eCapriccio Op. 29 No. 3\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003e\u003cspan\u003e\u003c\/span\u003e(Ed. POLSKIE WYDAWNICTWO MUZYCZNE); 2’50”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eFRITZ KREISLER (1875-1962)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eRecitative and Scherzo-Caprice Op. 6\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. SCHOTT); 4’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eBRUNO BETTINELLI (1913, living)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan\u003eMonologue for solo violin\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e(Ed. CURCI); 6’50”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eBÈLA BARTÒK (1881-1945)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSonata for solo violin\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTempo di ciaccona\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFuga\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMelodia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresto\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cspan lang=\"en-us\"\u003e(Ed. BOOSEY and HAWKES); 24’30”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/ardu2z87rcyvc?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSTEREO\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eINSTRUMENT:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eVettori Violin 1981\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRECORDING PLACE:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLivorno, San Ranieri Chapel, October 10\/14, ‘83\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRECORDING:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eStudio R.G.C. Livorno\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePRODUCTION DIRECTOR:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSOUND ENGINEER:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eMARCO FORNACIARI violin\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA few words to justify the program presented in this edition will not be superfluous. At first glance, especially to the European public, it might appear eclectic, if not incoherent, or in any case chosen with outdated concert criteria. Now, without forgetting that editions of this kind are frequent, especially in the USA and USSR, which is certainly not insignificant, it must be said that when it comes to highlighting the qualities and characteristics of a modern instrument like the violin made by Carlo Vettori in 1981, it is natural to lean towards representative music, both in chronological terms and in terms of compositional school. This is how Marco Fornaciari chose to attempt a repertoire that ranges from the early 18th century to the present day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGIUSEPPE TARTINI (1692-1770), from Istria, violinist, sound theorist, and harmony scholar, reveals in his \"Sonata No. 13 in B minor\" (taken from a group of 24, of which the autograph is preserved in Padua) the stylistically simple breadth, projected towards a barely hinted virtuosity, of the pure and elegant 18th-century expressive lines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Six Ländlers for solo violin D 374 by FRANZ SCHUBERT (1797-1828), composed in February 1816, are a small, almost unknown gem by the Viennese master, and present the tones and cadences of the Waltz (which derives from the ländler, a popular rural dance) purified, however, of the symphonic refinements to which the Strausses, among others, have accustomed us.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScarcely known, KAROL JOZEF LIPINSKI (1790-1861), a Polish violinist, eclectic composer, and orchestra conductor. A rival of Paganini, with whom he did not fare badly in a concert competition, he composed no less than 4 collections of Capriccios, in the Italian style. From Op. 29, \"Capriccio\" No. 3 is performed, a dazzling cascade of notes in the purest virtuosic style of the early last century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe \"Recitative and Scherzo-Capriccio\" Op. 6 by FRITZ KREISLER (1875-1962), on the other hand, is a brilliant example of how the late-Viennese melodic tradition continues in our\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ecentury; the great celebrity of this work makes it superfluous to dwell on it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOf significant interest is the \"Monologue for solo violin\" by BRUNO BETTINELLI (1913, living), a master who taught more than one generation of musicians from the composition chair of the \"G. Verdi\" Conservatory in Milan. Not tied to schemes or schools, not influenced by fads, Bettinelli demonstrates how it is possible to compose, today, music enjoyable even by the wider public, provided that the ties with Italian cantabile are not broken.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWith the \"Sonata for solo violin\" dedicated to Y. Menuhin, composed in the classical four-movement structure of the sonata da chiesa, one of the most difficult pieces in all violin literature, both in terms of musical writing and technique, BÉLA BARTOK (1881-1945) contributed decisively to pushing the limits of human possibilities in concert performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMARCO FORNACIARI (1953), who graduated from the \"L. Cherubini\" in Florence, obtained his Konzertdiplom in Geneva, under the guidance of Maestro Corrado Romano, receiving the \"premier prix avec distinction\". He has performed concerts all over the world, both as a soloist and as first violin of the \"Solisti Veneti\". The instrument used for the performance was built in 1981 by CARLO VETTORI, a Florentine luthier who, in his now thirty years of activity (he began working at a very young age in the workshop of his father Dario, also an esteemed luthier), has achieved numerous successes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52831152177499,"sku":"DSD8301","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52831152210267,"sku":"HD8301","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8301sleeve_9f34ab20-5971-412e-9547-1fdc510341fe.jpg?v=1776447750"},{"product_id":"i-bis-di-nikita-magaloff-magaloff","title":"LOS BIS DE NIKITA MAGALOFF | Magaloff","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eNIKITA MAGALOFF'S ENCORES\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1.     \u003c\/span\u003e\u003cspan\u003eCanzonetta del Salvator Rosa (No. 3 from “Années de pèlerinage; deuxième année: Italie”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e2.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"de\"\u003eGnomenreigen (Dance of the Gnomes) No. 2 from “Zwei Konzertetuden”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e3.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"de\"\u003eConsolation No. 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"fr\"\u003e4.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eLa chasse (No. 5 from “Six Grandes Etudes de Paganini“)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eA. ALABIEFF (1787-1851), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan lang=\"fr\"\u003e5.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eLe Rossignol (No. 1 from “Deux Mélodies russes”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eF. SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e6.     \u003c\/span\u003e\u003cspan\u003eImpromptu in E-flat major Op. 90 No. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e7.     \u003c\/span\u003e\u003cspan\u003eNocturne in C-sharp minor (Op. posth.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e8.     \u003c\/span\u003e\u003cspan\u003eEtude in G-flat major Op. 10 No. 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"de\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"de\"\u003eJ.S. BACH (1685-1750)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e9.     \u003c\/span\u003e\u003cspan\u003eSiciliana in G minor from Sonata No. 2 for flute and harpsichord)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cspan\u003eHungarian Dances: No. 5 in F-sharp minor, No. 7 in F major, No. 9 in E minor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eS. RACHMANINOFF (1873-1943)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan lang=\"fr\"\u003e11.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003ePolichinelle Op. 3 No. 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"fr\"\u003e12.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSérénade Op. 3 No. 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e13. \u003c\/span\u003e\u003cspan\u003eAndante spianato et Grande Polonaise brillante Op. 22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan lang=\"fr\"\u003e14.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eIntermezzo Op. 117 No. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/wjsxnvgp3h6jz?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBi-microphone configuration with field effect (Fonè Studio).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRecording engineer: Giulio Cesare Ricci. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eProduction director: Giulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci is proud to dedicate this album of \"encores,\" recorded during his recent Italian tour, to Maestro Nikita Magaloff on the occasion of his 75th birthday. The recordings were made at the Teatro Donizetti in Bergamo, the Teatro Grande in Brescia, the Teatro Goldoni in Livorno, the Teatro Manzoni in Pistoia, and the Teatro Comunale in Imola.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cstrong\u003eNikita Magaloff\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a student of Liszt and cousin and professor of Rachmaninoff. He later moved to Paris, where he studied with Isidor Philipp, graduating at the age of 17 with a Premier Grand Prix. On this occasion, Maurice Ravel said of him: \"A great musician, truly extraordinary, has been born.\" He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. His career saw countless significant events, including the first performance of Prokofiev's \"Seventh Sonata,\" the performance of Stravinsky's \"Capriccio\" under the composer's direction, tours in Europe, the USA, Japan, and Israel, and frequent and regular participation in the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), always attentive to the emergence of new talents among the younger generations. He has recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados, and most recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is among the unsurpassed interpreters, a body of work he also presented in cycles of five recitals in all the most important European cities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52849151770971,"sku":"DSD8706","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52849151803739,"sku":"HD8706","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8706sleeve_342f6d6e-05f3-4e76-b9e2-3c92431b514f.jpg?v=1776805004"},{"product_id":"nikita-magaloff-pianoforte-magaloff","title":"NIKITA MAGALOFF: PIANO | Magaloff","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eNIKITA MAGALOFF\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eAnnées de pèlerinage, deuxième année: Italie\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e1.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 47 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e2.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 104 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e3.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 123 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e4.    \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eSix Chants polonais (from Op. 74)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eMädchens Wunsch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eFrühling\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eDas Ringlein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eBacchanal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eMeine Freuden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"de\"\u003eDie Heimkehr\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSonata in F minor, Op. 5\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.    \u003c\/span\u003e\u003cspan\u003eAllegro maestoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.    \u003c\/span\u003e\u003cspan\u003eAndante espressivo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.    \u003c\/span\u003e\u003cspan\u003eScherzo: Allegro energico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8.    \u003c\/span\u003e\u003cspan\u003eIntermezzo “Rückblick”: Andante molto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.    \u003c\/span\u003e\u003cspan\u003eFinale: Allegro moderato ma rubato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/gq0m8gaxdisy6?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eon May 21, 1986, at Teatro Grande, Brescia; bi-microphone field effect configuration (Studio Fonè).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecording engineer\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eProduction director\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eNIKITA MAGALOFF\u003c\/span\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a student of Liszt and cousin and professor of Rachmaninoff. He later moved to Paris, studying with Isidor Philipp and graduating at the age of 17 with a First Grand Prix. It was on this occasion that Maurice Ravel said of him: \"A great musician, truly extraordinary, has been born.\" He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. His career saw countless significant events, including the first performance of Prokofiev's \"Seventh Sonata,\" the performance of Stravinsky's \"Capriccio\" under the composer's direction, \"tours\" in Europe, the USA, Japan, and Israel, and frequent and regular presence on the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), attentive as he was to the emergence of new talents among the younger generations. He recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados and, more recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is one of the unsurpassed interpreters, a work he also presented in cycles of five recitals in all the major European cities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eFrédéric Chopin (1810.1849) \/ Franz Liszt (1811-1886)\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"fr\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eSix Chants Polonais (from Op. \u003c\/span\u003e\u003cspan\u003e74) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe second \"Year of Pilgrimage\" dedicated to Italy is considered the most important of the three as a whole. The entire Year was published in 1858, preceded by two drafts dating back to '37 and '49 respectively. This recording features the three \u003ci\u003ePetrarch Sonnets\u003c\/i\u003e, whose entry into Liszt's oeuvre dates back to around 1838 as \u003ci\u003eLieder\u003c\/i\u003e for voice and piano, and which were then excellently transcribed for solo piano. \u003c\/span\u003e\u003cspan\u003eOn this occasion too, Liszt reveals exceptional mastery in the art of transcription, understood as an authentic recreation of a new writing and language, in relation to the new expressive medium. Exemplary is the adherence to the poetic texts that sing of the first encounter with the beloved woman (Sonnet 47), the unhappy love and intimate conflicts of the poet's soul (Sonnet 104), and the appearance of the angelic woman as a symbol of ideal beauty (Sonnet 123). 16 Polish songs from Chopin's Op. 74 (S. 480), composed in 1847, were revised and published in '60. They are dedicated to Princess Maria von Hohenlohe, daughter of Princess Carolyne Sayn-Wittgenstein. These are six of the 17 songs that make up Chopin's original work composed between 1829 and '47 and published ten years later. As with Schubert's \u003ci\u003eLieder\u003c\/i\u003e, Liszt's choice falls on texts of greater emotional impact and melodic beauty, which, as always, Liszt knows how to connect with discreet tonal links and subtle transitions of atmosphere. \u003c\/span\u003e\u003cspan\u003eIn the order chosen by Liszt, the Songs are: 1. \u003ci\u003eMaiden's Wish\u003c\/i\u003e, which also opens Chopin's collection; 2. \u003ci\u003eSpring\u003c\/i\u003e (Op. 74 No. 2); 3. \u003ci\u003eThe Ringlet \u003c\/i\u003e(Op. 74 No. 14); 4. \u003ci\u003eToast\u003c\/i\u003e (Op. 74 No. 4); 5. \u003ci\u003eMy Joys\u003c\/i\u003e (Op. 74 No. 12); 6. \u003ci\u003eThe Bridegroom\u003c\/i\u003e (Op. 74 No. 15). Once again, Liszt is appreciated as a transcriber, respecting Chopin's intimacy and maintaining a light hand in the piano writing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eJohannes Brahms (1833-1897) \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSonata in F minor, Op. 5\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn October 1853, Schumann enthusiastically hailed the rising star of young Brahms, then twenty years old, in the pages of the \"Neue Zeitschrift für Musik\". It was precisely during that period that the Hamburg composer completed, by composing the first, third, and fifth movements (the second and fourth had already been composed before the fateful arrival at Schumann's house), his Sonata in F minor, destined to remain his last, as well as the most important of his three for solo piano. The signature \"Kreisler iunior\" at the bottom of the manuscript says much about his moral commitment to continue in the furrow traced by the author of \u003ci\u003eKreisleriana...\u003c\/i\u003e The \u003ci\u003eSonata\u003c\/i\u003e is dedicated to Countess von Hohenthal. The unusual five movements seem to hark back to the archaic tradition of \"\u003ci\u003eDivertimenti\u003c\/i\u003e\". The sequence of movements alternates fast and slow tempi, the latter linked by the identity of the thematic material. And even within the same movement, particularly the first, entirely based on the continuous flowing sound of the passionately vibrant main theme, we discover Brahms already laying the foundations of that particular compositional technique - called continuous development - which would become characteristic of his \u003ci\u003eSymphonies\u003c\/i\u003e. Also evident here, as in the rest of the \u003ci\u003eSonata\u003c\/i\u003e, is the search for an almost orchestral sonic depth. The nocturnal, contemplative romantic atmosphere of the celebrated \u003ci\u003eAndante\u003c\/i\u003e connects to the equally suggestive \u003ci\u003eAdagios\u003c\/i\u003e of the \u003ci\u003eSonatas Op. 1 and 2\u003c\/i\u003e and redeems, with its intense but pure and restrained pathos, the sentimental tone of Sternau's verses preceding it: \u003ci\u003eDer Abend dämmert, das Mondlicht scheint, Da sind zwei Herzen in Liebe vereint Und halten sich selig umfangen.\u003c\/i\u003e (Evening falls, the moonlight shines: here are two hearts united in love, and they remain happily embraced). Verses that reflect the solitary existential moment Brahms was experiencing at the time. The rhythmically distinct \u003ci\u003eScherzo\u003c\/i\u003e is a typical Brahmsian creation, while in the \u003ci\u003eTrio\u003c\/i\u003e, a nostalgic cantabile prevails. Unlike classical tradition, Brahms inserts an \u003ci\u003eIntermezzo\u003c\/i\u003e at this point, as the fourth movement, which he titles \"\u003ci\u003eRückblick\u003c\/i\u003e\" (\"Retrospect, Remembrance\"), echoing, in the darker key of B-flat minor, the theme of the \u003ci\u003eAndante\u003c\/i\u003e. The \u003ci\u003efinale\u003c\/i\u003e, structured as a \u003ci\u003eRondo\u003c\/i\u003e, has a rhythmically sharp main theme alongside which, with a singular effect, are two secondary, lyrically cantabile motives. The second of these motives (in D-flat) will lead to extensive polyphonic and contrapuntal elaboration (even then, these procedures proved congenial to Brahms's severity). Finally, a brilliant coda where the main theme also reappears, concludes this monumental work in a climate of triumphant euphoria. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan lang=\"en-gb\"\u003eAnna Bergonzelli\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52895726797147,"sku":"DSD8707","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52895726829915,"sku":"HD8707","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8707sleeve.jpg?v=1777489656"},{"product_id":"nikita-magaloff-pianoforte-schubert-magaloff","title":"NIKITA MAGALOFF: PIANO SCHUBERT | Magaloff","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eNIKITA MAGALOFF\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eSchubert Piano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eFRANZ SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSonata in B-flat major D. 960\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.    \u003c\/span\u003e\u003cspan\u003eMolto moderato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.    \u003c\/span\u003e\u003cspan\u003eAndante sostenuto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.    \u003c\/span\u003e\u003cspan\u003eScherzo. Allegro vivace con delicatezza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.    \u003c\/span\u003e\u003cspan\u003eAllegro, ma non troppo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eFRANZ SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.    \u003c\/span\u003e\u003cspan\u003eImpromptu in E-flat major op. 90 no. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/lqzyjroyafko4?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eon May 23, 1986, at Teatro Donizetti, Bergamo; two-microphone setup with field effect (Studio Fonè).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecording engineer\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eProduction director\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eNIKITA MAGALOFF piano\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a pupil of Liszt and cousin and teacher of Rachmaninoff. He later moved to Paris, studied with Isidor Philipp, graduating at the age of 17 with a Premier Grand Prix. On this occasion, Maurice Ravel said of him: «\u003ci\u003eA great, truly extraordinary musician has been born\u003c\/i\u003e». He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. Numerous significant events marked his career, including the first performance of Prokofiev's «\u003ci\u003eSeventh Sonata\u003c\/i\u003e», the performance of Stravinsky's «\u003ci\u003eCapriccio\u003c\/i\u003e» under the composer's direction, tours in Europe, the USA, Japan, and Israel, frequent and regular presence on the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), attentive as he was to the emergence of new talents among the younger generations. He has recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados, and, most recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is among the unsurpassed interpreters, a work he also presented, in cycles of five recitals, in all the most important European cities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eFranz Schubert (1797-1828) - \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSonata in B-flat major D. 960. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe Sonata in B-flat D. 960 is the last and undoubtedly the most important of Schubert's sonatas. From the surviving manuscript, we can precisely determine the date the sonata was completed: September 26, 1828. Less than two months later, on September 19, Schubert would conclude his brief earthly existence. He intended to dedicate these last creations to the celebrated virtuoso J.N. Hummel, but by the time the Sonatas finally saw the light ten years later, Hummel too had passed away. Thus, Diabelli, on his own initiative, dedicated them to Schumann, who had the merit of always believing in Schubert's genius and following the fate of his works (it was he, in fact, who rediscovered the manuscript of the Symphony in C major). This Sonata combines the beauty of its thematic material with a truly surprising formal fluidity. The first movement, with its solemn opening, is one of the broadest and most serene written by Schubert and appears devoid of those strong contrasts that usually characterize the initial movement. It should be noted in this regard that Schubert, even in his best moments, uses a less varied style of writing than Beethoven; his attention to the sonata form is also animated by less \"intellectual curiosity\". Yet, Schubert still manages to be original. In this first movement, for example, he achieves fascinating effects by presenting the theme against a harmonic background that changes each time, with tonal and expressive highlights of great effectiveness. This procedure does not greatly benefit the compactness of the work, but it must be acknowledged that it is precisely a typically romantic symptom to focus attention on a beautiful detail, rather than globally on the formal organization. After this broad and discursive Molto moderato movement, punctuated by pauses and trills in the bass part, recalling distant drum rolls, Schubert in the subsequent Andante sostenuto unfolds his intense lyricism, offering an amplified and solemn version of the Lied \"Ständchen\" (Serenade) written a few months earlier. Of note is the affinity of the motif appearing in the central section with the initial theme of the Sonata (Radcliffe) and, in the first and third sections, the use of the resonance pedal and the crossing of hands that allow different registers and timbres to resonate simultaneously: a technical solution rich in consequences that would extend to the impressionists (Rattalino). Another derivation from the thematic material of the first movement is found in the Allegro vivace con delicatezza (third movement), which is structured as a Scherzo with a rapid and delicate dance-like gait and a more compact Trio that has the appearance of a delightful \"exercise\" with a syncopated rhythm. The finale is a brilliant Rondò in which the vigorous flow of the discourse is periodically interrupted by a single note, a sustained G, which imposes a kind of brake on the main theme. Contrasting insertions are achieved with lyrical interludes and more dynamic and strong passages in the high register of the instrument. The conclusion with a spirited Presto closes this highly original last Schubertian creation which, despite the musical quality of the material with which it is shaped, has sometimes aroused reservations and misunderstandings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan lang=\"en-gb\"\u003eAnna Bergonzelli\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52895738397019,"sku":"DSD8708","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52895738429787,"sku":"HD8708","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8708sleeve_9c196cd0-dc1c-45ae-82e3-5ebae1018647.jpg?v=1777490260"},{"product_id":"nikita-magaloff-fryderyk-chopin-magaloff","title":"NIKITA MAGALOFF: FRYDERYK CHOPIN | Magaloff","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eNIKITA MAGALOFF\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFryderyk Chopin\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSonata no. 1 in C minor, Op. 4 \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1 Allegro Maestoso [6'04\"] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e2 Minuet [4'40\"] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e3 Larghetto [3'09\"] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e4 Finale [6'19”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e12 Etudes, Op. 10 \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1 in C major (Allegro) [1'55”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e2 in A minor (Allegro) [1'18”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e3 in E major (Lento ma non troppo) [4'00”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e4 in C sharp minor (Presto) [1'57”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e5 in G flat major (Vivace) [1'32”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e6 in E flat minor (Andante) [3'31”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e7 in C major (Vivace) [1'25”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e8 in F major (Allegro) [2'18”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e9 in F minor (Allegro, molto agitato) [1'58”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e10 in A flat major (Vivace assai) [2'02”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e11 in E flat major (Allegretto) [2'00”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e12 in C minor (Allegro con fuoco) [2'24”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eTotal time: 46’32” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"en-us\"\u003eFRYDERYK CHOPIN (1810 - 1849) \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e3 New Etudes for the Method of I. Moscheles and F.J. Fétis\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1 in F minor (Andantino) [2’10”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e2 in D flat major (Allegretto) [1’41”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e3 in A flat major (Allegretto) [1’32”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e12 Etudes, Op. 25 \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1 in A flat major (Allegro sostenuto) [2’04”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e2 in F minor (Presto) [1’27”]  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e3 in F major (Allegro) [1’44”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e4 in A minor (Agitato) [1’34”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e5 in E minor (Vivace) [2’43”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e6 in G sharp minor (Allegro) [1’56”]\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"en-us\"\u003e7 in C sharp minor (Lento) [4’37”]\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e8 in D flat major (Vivace) [1’02”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e9 in G flat major (Allegro assai) [54”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e10 in B minor (Allegro con fuoco) [3’26”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e11 in A minor (Lento - Allegro con brio) [3’18”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e12 in C minor (Molto allegro con fuoco) [2’27”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"de\"\u003eWaltz in C sharp minor, Op. 64 No. 2 [3‘03“]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"de\"\u003ePolonaise in A flat major, Op. 53 [6’00”]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"de\"\u003eNocturne in C sharp minor, Op. posth. [3’42”] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTotal time: 45’20” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/kfy0ck6yuaxoa?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cdiv class=\"WordSection2\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-gb\"\u003eRecorded at Teatro Grande, Brescia\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-gb\"\u003eRecording date June 1967\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-gb\"\u003eRemastering Original mono recording rechanneled for stereo effect by Fonè\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGeneral Producer \u0026amp; Recording supervisor Giulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eExecutive producer Alessandro Orizio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMusic consultant Giacomo Fornari\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eDesign Martino Gerevini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-gb\"\u003eEnglish translation ElisonLeaney\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-gb\"\u003eFrench translation Edwige Saulnier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGerman translation Emma Mitterrutzner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePhoto Giornale di Brescia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLelli \u0026amp; Masotti\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52895750160731,"sku":"DSD9106","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52895750193499,"sku":"HD9106","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR9106sleeveokBelieve.jpg?v=1777490957"},{"product_id":"musical-landscapes-and-avant-garde-visions-busoni-mariotti","title":"PAISAJES MUSICALES Y VISIONES DE VANGUARDIA | Busoni, Mariotti","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eMUSICAL LANDSCAPES AND AVANT-GARDE VISIONS\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFerruccio Busoni\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuite Campestre Op. 18\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 81 (1878)\u003c\/p\u003e\n\u003cp\u003e1 Canzone Villereccia del Mattino\u003cbr\u003e2 La Caccia\u003cbr\u003e3 L‘Orgia\u003cbr\u003e4 II ritorno\u003cbr\u003e5 Preghiera della sera\u003c\/p\u003e\n\u003cp\u003e6\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFantasia nach Johann Sebastian Bach\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 253 (1909)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndianisches Tagebuch\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 267 (1915)\u003cbr\u003e7 Allegretto affettuoso, un poco agitato\u003cbr\u003e8 Vivace\u003cbr\u003e9 Andante\u003cbr\u003e10 Maestoso ma andando\u003c\/p\u003e\n\u003cp\u003e11\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonatina seconda\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 259 (1912)\u003c\/p\u003e\n\u003cp\u003e12\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVierte Ballet-Szene Op. 33a\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 238 (1892)\u003c\/p\u003e\n\u003cp\u003e13\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonatina in diem nativitatis Christi MCMXVII\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 274 (1917)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrei Albumblätter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 289 (1917 - 1921)\u003cbr\u003e14 (Zürich) Andantino sostenuto\u003cbr\u003e15 (Roma) Andante\u003cbr\u003e16 (Berlin) In der Art eines Choralvorspiels. Sostenuto religioso\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ciframe style=\"font-size: 0.875rem;\" src=\"https:\/\/widget.qobuz.com\/album\/td948kq8eftja?zone=IT-it\" width=\"378\" height=\"104\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cdiv class=\"WordSection2\"\u003e\n\u003cp\u003eFerruccio Busoni's Leonardesque figure stands imposingly in the musical landscape at the turn of the two centuries. A frantic activity as a man and musician was the characteristic that accompanied him throughout his life, and his universal genius allowed him to reach absolute artistic peaks, even if often unrecognized. His virtuosity, impressive for speed and power but never showy or an end in itself, and his avant-garde and highly original musical imagination were legendary. From his youth, he was adored by the public, often leaving critics bewildered. His compositions, especially the later ones, are among the most significant and ingenious of his time: not only his piano works but also, and above all, those for orchestra and the operatic stage had a considerable influence on an entire generation of musicians. He genuinely endeavored to disseminate, through performances, revisions, and critical articles, the works of his contemporary composers (such as those of Arnold Schoenberg, who succeeded him in the composition chair at the Berlin Musikakademie). His literary background and subtle, acute mind allowed him to prepare librettos for his own operas and to maintain epistolary relationships with the greatest personalities of his time, in addition to publishing several fundamental writings. The most significant of these, the \"Sketch of a New Aesthetic of Music\" from 1907, contains ingenious insights into the dodecaphonic system, microtonality, new notation systems, and even hints of electronic music. He was also an inspirer of new instruments, such as the Viennese Bösendorfer Imperial model piano used for this recording, and originally built for him. The characteristic pieces of the Suite Campestre, composed at the age of twelve, clearly take Schumann's Album for the Young as a model. They reflect the late romantic idealization of rural life. In Preghiera della sera, certain mystical atmospheres emerge and a polyphonic writing of clear Bachian ancestry, elements so beloved by the mature Busoni. The Fantasia nach (after) Johann Sebastian Bach was composed in memory of his father Ferdinando. Although based on three organ compositions by Bach, about half of the piece consists of original material. The continuous alternation of minor and major sections well expresses both the emotional and tonal progression of the entire piece. The melancholy of the beginning turns into pacification at the end: the score significantly bears the inscription PAX EI! on the last page. The New World, visited several times during tours, held great fascination for Busoni. The songs and melodies of Native Americans left an indelible impression on him, leading him to compose a fantasy for piano and orchestra from which he drew the suite Indianisches Tagebuch (Indian Diary). The themes are almost literal transcriptions of Native American motifs, treated according to the schemes of Western music, yet with penta- and hexatonic inflections typical of those populations. The term Sonatina refers to the dimensions and form, not to their difficulty. The return to simple and clear compositional schemes (codified by Busoni in his idea of \"new classicism\") and the often intimate character of the Sonatinas are in clear contrast with previous compositions. The Sonatina seconda, almost an exception, represents his atonal experiment, following Schoenberg's example. New elements appear, such as the lack of bar indications for long stretches or a new way of understanding accidentals. The unstable, chaotic, brutal character reflects that of Umberto Boccioni's painting \"The City Rises,\" owned by Busoni and from which he was inspired. The Sonatina in diem nativitatis Christi, with its calm, serene simplicity, perfectly represents the model of \"new classicism.\" Christmas bells, Chorales, the mystical atmosphere, and also the pipers are inserted into a fine polyphonic texture, archaic and suggestive. The Vierte Ballett-Szene (Fourth Ballet Scene) of 1892 is almost a tribute to Johann Strauss and his Waltzes, in the sign of brilliant and salon virtuosity then in vogue. The last compositions are closely related to Busoni's unfinished opera, Doktor Faust, in which themes were often developed and matured in his piano works. The Drei Albumblätter (Three Album Leaves), thoughtful and melancholic, reflect the composer's state of mind after the horrors of the First World War. The first, algid and crystalline, displays refined harmonic solutions and a subtle, intimate rhythmic charge. The second, a fugato, is an extremely abstract and mysterious page, while the third returns to Bachian reminiscences with the chorale \"Christ lag in Todesbanden\" (Christ lay in death's bonds).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Mariotti\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52898084225371,"sku":"DSD9511","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52898084258139,"sku":"HD9511","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR9511sleeve.jpg?v=1777539544"},{"product_id":"transformation-and-transfigurations-busoni-mariotti","title":"TRANSFORMACIÓN Y TRANSFIGURACIONES | Busoni, Mariotti","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eTRANSFORMATION AND TRANSFIGURATIONS\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFerruccio Busoni\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonatina Brevis. In signo Johannis Sebastiani Magni\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 280 (1918)\u003c\/p\u003e\n\u003cp\u003e4\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElegien\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 249 (1907)\u003cbr\u003e2 Nr. 2 All’Italia. In modo napolitano (Andante barcarolo)\u003cbr\u003e3 Nr. 1 Nach der Wendung. Recueillement (Sostenuto, quasi Adagio)\u003cbr\u003e4 Nr. 4 Turandots Frauengemach. Intermezzo (Andantino sereno - Più vivo e distaccato e ritmato)\u003cbr\u003e5 Nr. 7 Berceuse (Andantino calmo)\u003c\/p\u003e\n\u003cp\u003e6\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonatina super “Carmen”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 284 (1920) Kammer-Fantasie über Bizets Carmen\u003c\/p\u003e\n\u003cp\u003e7\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChoral Vorspiel über ein Bachsches Fragment\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 256a (1912)\u003c\/p\u003e\n\u003cp\u003e8\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNuit de Noel. Esquisse pur le piano\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 251 (1908)\u003c\/p\u003e\n\u003cp\u003e9\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eToccata. Preludio - Fantasia - Ciaccona\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 287 (1920)\u003cbr\u003eQuasi Presto, arditamente - Sostenuto, quasi Adagio - Allegro risoluto\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/fgcdemdoskzvb?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cdiv class=\"WordSection2\"\u003e\n\u003cp\u003eThe Leonardesque figure of Ferruccio Busoni stands imposingly in the musical landscape straddling the two centuries. A frantic activity as a man and a musician characterized his entire life, and his universal genius allowed him to reach absolute artistic heights, even if often unrecognized. His virtuosity, impressive in speed and power but never ostentatious or an end in itself, and his avant-garde and highly original musical imagination were legendary. From a young age, he was adored by the public, often baffling critics. His compositions, especially the later ones, are among the most significant and brilliant of his time: not only his piano works but also, and above all, those for orchestra and the operatic stage had a considerable influence on an entire generation of musicians. He sincerely strove to disseminate the works of his contemporary composers (such as Arnold Schoenberg, who succeeded him in the composition chair at the Musikakademie in Berlin) through performances, revisions, and critical articles. His literary background and subtle, acute mind enabled him to prepare librettos for his own operas and maintain epistolary relationships with the leading figures of his time, in addition to publishing several fundamental writings. The most significant of these, the Sketch of a New Esthetic of Music from 1907, contains brilliant insights into the dodecaphonic system, microtonality, new notation systems, and even hints of electronic music. He was also an inspiration for new instruments, such as the Viennese Bösendorfer Imperial model piano used for this recording, and originally built for him. The years from 1895 to 1907 mark a period of reflection in Busoni's piano output. His considerable commitments as a concert pianist almost overshadowed his composing, yet they fostered a new language, expressed for the first time in the Elegien. With these, the most fruitful and stimulating artistic period began, which Busoni himself called his \"third style,\" and whose works are no longer marked by an opus number. The new expressive means of the Elegien stem from late-Romantic Brahmsian and Lisztian sonorities, refined, however, by new, brilliant insights of an Impressionistic and Expressionistic character. The sonic experiments, simple tonal chords juxtaposed with jarring dissonances, pure tonality alongside bitonality, constitute the major revelation of the Elegien. All'Italia, a tribute to his native country rich in popular song citations, shows the expressive use of dissonances, superimposed tonalities, and the juxtaposition of shifting, almost Debussyian pianistic colors (for this recording, the unpublished version of the finale prepared for Egon Petri in 1917 was used). The Intermezzo Turandots Frauengemach (Turandot's Harem) is one of Busoni's most famous pieces. The celebrated melody of \"Greensleeves,\" with its ambiguous tonal character, is well suited to the new musical conceptions. Nach der Wendung (After the Transformation), similarly, expresses its enigmatic nocturnal character through the tension released by the alternation of the very distant keys of C and F-sharp throughout the piece. The Berceuse offers a further glimpse into Busoni's aesthetic universe: the concept of eternity, of the so-called \"Omnipresence of Time.\" Close to the Elegien is Nuit de Noël, with its Impressionistic colors, imitations of bells, and Christmas carols. In 1910, Busoni's largest and most important piano composition, the Fantasia Contrappuntistica, was published, based on J. S. Bach's Art of Fugue. The Choral Vorspiel über ein Bachsches Fragment (Chorale Prelude on a Bach Fragment) from two years later represents a kind of smaller version of the Fantasia Contrappuntistica, based roughly on the same themes but of minimal dimensions. By the composer's own admission, the piece was conceived more for didactic purposes than for public performance. The term Sonatina refers to their size and form, not their difficulty. The return to simple and clear compositional schemes (codified by Busoni in his idea of \"new classicism\") and the often intimate character of the Sonatinas are in stark contrast to his earlier compositions. The Sonatina Brevis. In signo Johannis Sebastiani Magni is in fact a free arrangement of the Fantasy and Fugue in D minor BWV 905, almost a homage to the great Johann Sebastian on the margins of Busoni's gigantic work of revising Bach's clavier works for Breitkopf in those years. The most famous of the Sonatinas, the Sonatina super \"Carmen\" has nothing in common with Lisztian paraphrases on opera arias. Bizet's famous melodies are not debased or vulgarized, but rather treated as autonomous themes within the free sonata form. A subtle irony and sense of bitterness permeate the brilliant musical texture: the tragic and ironic ending is singular. The last compositions are closely related to Busoni's unfinished opera, Doktor Faust, in which themes were often developed and matured in his piano works. The Toccata is his last important work for piano. The piece is imbued with the themes and strong, dark hues of Doktor Faust; the tripartite structure consists of monolithic, well-defined sections, in which it is not difficult to recognize Faustian (Prelude) and Mephistophelean (Ciaccona) aspects juxtaposed with lyrical ones. The severity and nervous tension, combined with incredible technical difficulty, make the Toccata one of the absolute pinnacles of Ferruccio Busoni's output. The Frescobaldian motto inscribed next to the title is a warning to performers, whose truth was well known to Busoni: \"It is not without difficulty that one reaches the end.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Mariotti\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52898213593435,"sku":"DSD9512","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52898213626203,"sku":"HD9512","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR9512sleeve.jpg?v=1777540217"},{"product_id":"supreme-art-of-counterpoint-and-bold-innovation-busoni-mariotti","title":"ARTE SUPREMO DEL CONTRAPUNTO Y BOLD INNOVATION | Busoni, Mariotti","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eSUPREME ART OF COUNTERPOINT AND BOLD INNOVATION\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFerruccio Busoni\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003eSupreme Art of Counterpoint and bold Innovation\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eMacchiette Medioevali\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOp. 33 Kind. 194 (1895)\u003c\/p\u003e\n\u003cp\u003e1 Lady\u003cbr\u003e2 Knight\u003cbr\u003e3 Page\u003cbr\u003e4 Warrior\u003cbr\u003e5 Astrologer\u003cbr\u003e6 Troubadour\u003c\/p\u003e\n\u003cp\u003e7\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFantasia contrappuntistica\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 256 (1910)\u003c\/p\u003e\n\u003cp\u003e8\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eZehn Variationen über ein Präludium von Chopin Op. 22\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(2. Version) Kind. 213a (1922) \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ciframe style=\"font-size: 0.875rem;\" src=\"https:\/\/widget.qobuz.com\/album\/a7bf9jrxtxq5b?zone=IT-it\" width=\"378\" height=\"104\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cdiv class=\"WordSection2\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content-wrapper\" class=\"col-xs-12\"\u003e\n\u003csection id=\"main\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Product\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv id=\"product-tab\" class=\"tabs\"\u003e\n\u003cdiv class=\"tab-content\" id=\"tab-content\"\u003e\n\u003cdiv class=\"tab-pane fade in active\" id=\"description\" role=\"tabpanel\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eThe multifaceted figure of Ferruccio Busoni stands imposingly in the musical landscape at the turn of the two centuries. A frenetic activity as a man and as a musician was the characteristic that accompanied him throughout his life, and his universal genius allowed him to reach absolute artistic heights, even if often unrecognized. His virtuosity, impressive for its speed and power but never showy or an end in itself, and his avant-garde and highly original musical imagination were legendary. From his youth, he was adored by the public, often leaving critics bewildered. His compositions, especially the later ones, are among the most significant and ingenious of his time: not only his piano works but also, and above all, those for orchestra and the operatic stage had a considerable influence on an entire generation of musicians. He sincerely strove to disseminate, through performances, revisions, and critical articles, the works of his contemporary composers (such as those of Arnold Schoenberg, who succeeded him in the composition chair at the Musikakademie in Berlin). His literary education and his subtle and acute mind allowed him to prepare the librettos for his own operas and to maintain epistolary relationships with the greatest personalities of his time, in addition to publishing some fundamental writings. The most significant of these, the \"Sketch of a New Aesthetic of Music\" from 1907, contains brilliant insights into the dodecaphonic system, microtonality, new notation systems, and even hints of electronic music. He was also an inspirer of new instruments, such as the Viennese Bösendorfer Imperial model piano used for this recording, and originally built for him. The characteristic pieces of the \"Macchiette Medioevali\" clearly take Schumann's \"Album for the Young\" as a model. They reflect the late Romantic idealization of courtly life in the Middle Ages. In \"The Astrologer,\" certain mystical atmospheres and a polyphonic writing of clear Bachian ancestry emerge, elements so beloved by the mature Busoni. In 1910, Busoni's largest and most important piano composition saw the light: the \"Fantasia contrappuntistica,\" which is based on J. S. Bach's \"Art of Fugue.\" Busoni's Variations on the Chorale \"Allein Gott in der Höh sei Ehr\" (\"All Glory to God in the Highest\") precede the three fugues of Contrapunctus XIX, unfinished by Bach and slightly modified by Busoni. This is completed with an extended fugue, followed by a mystical and visionary intermezzo, then three variations in which the main themes reappear. A cadenza with large arpeggios prepares the fourth fugue, in which all themes are simultaneously combined in a massive six-part polyphony. Over an ostinato bass, the opening chorale reappears transfigured, then a stretta leads to the finale, of extraordinary grandeur and power. Busoni's intention is not to create a transcription, a form for which, to his regret, he was more famous than as a composer, but rather to present the original work rethought and mediated by his great musical personality. Intended for the concert hall, however, are the \"Zehn Variationen über ein Präludium von Chopin\" (Ten Variations on a Chopin Prelude). The model is clearly Brahmsian. The second version, presented here, corrects certain youthful excesses and gains in expressive depth, without neglecting the concert performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfooter class=\"page-footer\"\u003e\u003c\/footer\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Mariotti\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52898277720411,"sku":"DSD9513","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52898277753179,"sku":"HD9513","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR9513sleeve.jpg?v=1777540760"},{"product_id":"tra-mistero-e-occulto-busoni-mariotti","title":"TRA MISTICO E OCCULTO | Busoni, Mariotti","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eBETWEEN MYSTICAL AND OCCULT\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eFerruccio Busoni\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonatina seconda\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 259 (1912)\u003c\/p\u003e\n\u003cp\u003e2\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSonatina in diem nativitatis Christi MCMXVII\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 274 (1917)\u003c\/p\u003e\n\u003cp\u003e3\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eToccata. Preludio - Fantasia - Ciaccona\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 287 (1920) Quasi Presto, arditamente - Sostenuto, quasi Adagio - Allegro risoluto\u003c\/p\u003e\n\u003cp\u003e4\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBerceuse\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Andantino calmo) Kind. 252 (1909)\u003c\/p\u003e\n\u003cp\u003e5\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFantasia contrappuntistica\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eKind. 256 (1910)\u003c\/p\u003e\n\u003ch5\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/k75fnylllzrrc?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cdiv class=\"WordSection2\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\" id=\"content-wrapper\"\u003e\n\u003csection itemtype=\"https:\/\/schema.org\/Product\" itemscope=\"\" id=\"main\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003cdiv class=\"tabs\" id=\"product-tab\"\u003e\n\u003cdiv id=\"tab-content\" class=\"tab-content\"\u003e\n\u003cdiv role=\"tabpanel\" id=\"description\" class=\"tab-pane fade in active\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003eBusoni's revolutionary 1906 essay, “Entwurf einer neuen Ästhetik der Tonkunst” (Sketch of a New Aesthetic of Music), which caused such a stir in the European musical world of those years, bears in its dedication the name of the poet Rainer Maria Rilke, \"musician of words,\" from whose works the composer had drawn the title and character of the Elegies. Romanticism had already signaled a return to ancient mystical ideas, and with the turn of the century, a period rife with decadent expressions and tragic premonitions, mysticism found enthusiastic proponents like M. Maeterlinck, P. Claudel, and, in the German-speaking world, R. M. Rilke. Sartre wrote: \"...the West was suffocating... Since it had no visible enemies, the bourgeoisie began to feed on the fear of its own shadow... there was talk of spiritualism and ectoplasms, the Beyond seemed so near...\". The arcane disciplines began to exert a considerable influence on Busoni during those years. He attended seances and became interested in occultism, spiritualism, and clairvoyance. He formulated theories about the faculty of seeing ghosts: man would possess the ability to see - for very brief instants - into the future or the past. \"...It would be nothing more than a momentary and uncertain glance cast - into the present or the past. Everything proceeds in the form of a circle, and so it must be for clairvoyance. It is a phenomenon analogous to what occurs in a radiotelegraphic station, which transmits to the same distance in all directions...\". In a similar way, he explained his convictions regarding extrasensory perceptions: we can therefore reasonably deduce that Busoni believed in the existence of entities and forces not rationally or empirically explicable, which, however, it would be possible to know and perhaps master, in his case also through musical experience. During his American tours, Busoni came into contact with the theosophical doctrines developed in the United States at the end of the century. These advocated a path of ethical and spiritual evolution which, through the progressive purification of motives and works, leads to the realization of an ideal of mystical perfection rich in all the attributes of wisdom, serenity, beauty, and power: one can easily trace the aesthetic foundations of the \"New Classicism\" (Junge Klassizität), in other words, the return to simple, clear, and beautiful compositional schemes that find full expression in the Sonatina in diem nativitatis Christi MCMXVII. In May 1912, Busoni purchased Umberto Boccioni's large futurist painting \"The City Rises\" in Berlin. The composition of the Sonatina seconda, his most avant-garde piece which contains a quantity of mystical and occult elements, dates back to May-July of the same year. As stated in his Berlin diary, \"at night, Boccioni in the music room, illuminated by the magical light penetrating from the square below, takes on a strange, magical appearance.\" It is not difficult to imagine the composer sitting in the dimly lit room, surrounded by Buddha statues, rare books, and \"The City Rises\" projecting its multicolored reflections. Just as the occult transcends spatial and temporal distinctions, through which the individual orientates himself in the real world, so Busoni often cancels bar lines, accidentals, and, especially, tonality: this realizes the manifestation in musical terms of what unfolds in the dark zones of his personality. This sensitivity to occultism and mysticism enormously enriched Busoni's language through the creation of new concepts and means of expression, and it was an essential ferment of his last creative phase, whose ultimate culmination is reached, in his piano production, by the Fantasia Contrappuntistica. Here are enclosed all the characterizing elements of Busoni's aesthetic thought. The ingenious union of modern musical language with the counterpoint of J. S. Bach's Art of Fugue generates a kind of mystical \"experience\" through which the inner movements of the soul gain predominance over rational thought, will, and consciousness. In a complex of daring harmonies and pure polyphony, the journey proceeds, elevating itself between moments of exaltation and mystery, visionary impulses or pensive episodes, deep meditations, and vague reflections. When music resonates, the human being is capable of acquiring a transcendental capacity that leads him to a new plane of consciousness, where the temporal world is submerged by the resonant universe. The musical work of art exists before and after it has finished resonating; it is simultaneously within and outside of time. It is this \"Omnipresence of Time,\" also present in the Berceuse, that synthesizes the ideal of mystical ecstasy idealized by Busoni: \"...we humans conceive of time as a line that starts from a point behind us and proceeds forward, while it must expand in all directions, like everything in the cosmic system...\". Only with the quietness of spirit, however, can we penetrate the deepest mysteries and aspire to a higher and fuller life, which is proper to human consciousness. \"Only he who looks forward has a joyful gaze,\" says Faust. The esoteric meaning of these principles was precisely expressed for the last time in the unfinished opera Dr. Faust, whose themes and strong colors impregnate the Toccata. The composer's high and lived spirituality made him well aware of embarking on a new path, full of consequences for 20th-century music. \"Still unexhausted are the symbols \/ that the omnipotent genius comprehends within himself; \/ the work will produce a school \/ that for decades will mature fruitfully. \/ May everyone draw their own teaching from it \/ so that Spirit is added to other Spirit: \/ this is the meaning of continuous ascent \/ the dance will then close its circle.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Mariotti\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52898383954267,"sku":"DSD9607","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52898383987035,"sku":"HD9607","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR9607sleeve.jpg?v=1777541323"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/download_2f122782-ba38-41b7-8787-6201a2e14dd7.jpg?v=1778770542","url":"https:\/\/www.referencemusicstore.com\/es\/collections\/fone.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}