{"title":"Tinere Harpa","description":null,"products":[{"product_id":"in-fabula-tinere-harpa","title":"Tinere Harpa • In Fabula","description":"\u003ch2\u003eIn Fabula – Tinere Harpa | Audiophile Vinyl \u0026amp; Hi-Res\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eIn Fabula\u003c\/strong\u003e is the album by \u003cstrong\u003eTinere Harpa\u003c\/strong\u003e, an ensemble devoted to the meeting of \u003cstrong\u003eharp and voice\u003c\/strong\u003e, presented here in an original repertoire recorded live in the studio and released by \u003cstrong\u003eVelut Luna\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThe album is available as a \u003cstrong\u003e33 RPM LP on 180g Crystal Vinyl\u003c\/strong\u003e, produced with \u003cstrong\u003eDirect Metal Mastering (DMM)\u003c\/strong\u003e and a \u003cstrong\u003eOne-Step\u003c\/strong\u003e process, or as an \u003cstrong\u003eFile Hi-Res 88.2kHz • 24bit\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThe LP also includes the high-resolution digital file at no additional cost.\u003c\/p\u003e\u003ch3\u003eAvailable formats\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e33 RPM LP – Pre-order\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e180g Crystal Vinyl\u003c\/li\u003e\u003cli\u003eDirect Metal Mastering – DMM\u003c\/li\u003e\u003cli\u003eOne-Step\u003c\/li\u003e\u003cli\u003eComplimentary Hi-Res file\u003c\/li\u003e\u003cli\u003eShipping starts: September 7, 2026\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFile Hi-Res 88.2kHz • 24bit\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003ch3\u003eSIDE A\u003c\/h3\u003e\u003col\u003e\u003cli\u003e\u003cstrong\u003eEvocazione\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAl di Là\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eI tuoi Adorabili Fantasmi\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eIntrecci di Anime Danzanti\u003c\/strong\u003e — Virginia Grab, Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePer un Cielo Azzurro Ruggine\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003c\/ol\u003e\u003ch3\u003eSIDE B\u003c\/h3\u003e\u003col\u003e\u003cli\u003e\u003cstrong\u003eCuori Grigio Cenere\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eI Cicli del Tempo\u003c\/strong\u003e — Giulia Ricci, Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eBallo Reale\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLa Chiave\u003c\/strong\u003e — Davide Negretti\u003c\/li\u003e\u003c\/ol\u003e\u003ch2\u003eTinere Harpa\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDavide Negretti\u003c\/strong\u003e — harp\u003cbr\u003e\u003cstrong\u003eVirginia Grab\u003c\/strong\u003e — harp and voice\u003cbr\u003e\u003cstrong\u003eGiulia Ricci\u003c\/strong\u003e — harp and voice\u003cbr\u003e\u003cstrong\u003eIrene Dorsa\u003c\/strong\u003e — harp and voice\u003c\/p\u003e\u003ch2\u003eRecording, Mix \u0026amp; Mastering\u003c\/h2\u003e\u003cp\u003eThe original recording was made \u003cstrong\u003elive in the studio at Magister Recording Area, Preganziol, Italy\u003c\/strong\u003e, on May 13, 14 and 15, 2026.\u003c\/p\u003e\u003cp\u003eMixing and mastering were completed on May 22, 2026 at \u003cstrong\u003eVLS Studio, Náquera, Spain\u003c\/strong\u003e, using an analog chain based on Rupert Neve Designs, Maselec MEA2, MPL2, MLA2 and Studer A810 equipment.\u003c\/p\u003e\u003ch2\u003eProduction\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eProduction:\u003c\/strong\u003e Marco Lincetto for Velut Luna\u003cbr\u003e\u003cstrong\u003eExecutive Producer:\u003c\/strong\u003e Andrea Valfrè\u003cbr\u003e\u003cstrong\u003eMusical Producer:\u003c\/strong\u003e Tinere Harpa\u003cbr\u003e\u003cstrong\u003eRecording Engineer:\u003c\/strong\u003e Andrea Valfrè\u003cbr\u003e\u003cstrong\u003eMix \u0026amp; Mastering Engineer:\u003c\/strong\u003e Marco Lincetto\u003cbr\u003e\u003cstrong\u003eDesign and Layout:\u003c\/strong\u003e Valeria Rizzi\u003c\/p\u003e\u003ch2\u003eDirect Metal Mastering and PET Technology\u003c\/h2\u003e\u003ch3\u003eDirect Metal Mastering – DMM\u003c\/h3\u003e\u003cp\u003eIn the \u003cstrong\u003eDirect Metal Mastering\u003c\/strong\u003e process, the signal is cut directly into a copper metal surface. 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