{"title":"Silvio Omizzolo","description":"\u003cp\u003eBrowse albums and recordings associated with Silvio Omizzolo in the Reference Music Store catalogue. Available editions and details on each product page.\u003c\/p\u003e","products":[{"product_id":"dieci-studi-sul-trillo-silvio-omizzolo","title":"Omizzolo: Dieci Studi sul Trillo | Giovanni Tirindelli","description":"\u003cp\u003e\u003cstrong\u003eDieci Studi sul Trillo\u003c\/strong\u003e. Giovanni Tirindelli performs Silvio Omizzolo’s Dieci Studi sul Trillo in the 2024 remastered edition.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eGOLD CD — CVLD380GOLDCD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD380\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eGiovanni Tirindelli\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal 48 kHz · 20-bit digital recording at Auditorium Pollini, Padua, in October 1997. Analogue remastering and 88.2 kHz · 24-bit AD digital master at MLStudio, Náquera, Spain, on 25 May 2024.\u003c\/p\u003e\u003cp\u003eProduction: Marco Lincetto for Velut Luna Recording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eMusical producer: Giovanni Tirindelli\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003eFascicolo I \u003cbr\u003e01 - Mazurka: Moderatamente animato 2:44 \u003cbr\u003e02 - Marcia Funebre: Molto lento 4:50\u003cbr\u003e03 - Scherzo: Presto. Più tranquillo. Presto 8:09\u003c\/p\u003e\u003cp\u003eFascicolo II\u003cbr\u003e04 - Canzone senza parole: Non troppo lento 4:21\u003cbr\u003e05 - Habanera: Lentamente 4:19\u003cbr\u003e06 - Polacca: Moderato maestoso 5:43\u003c\/p\u003e\u003cp\u003eFascicolo III\u003cbr\u003e07 - Barcarola: Un poco sostenuto 6:24\u003cbr\u003e08 - Minuetto: Moderato, Musetta: Più mosso. Moderato 5:06\u003cbr\u003e09 - Marcetta: Allegro 3:02\u003cbr\u003e10 - Toccata: Vivo (sonoro, con molto pedale, quasi campane) 6:01\u003c\/p\u003e\u003cp\u003eTotal Time: 50:46\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eTen Studies on the Trill\u003c\/strong\u003e\u003cbr\u003eSilvio Omizzolo was born in Padua in 1905. A student of Renzo Lorenzoni from 1923, he graduated from the Milan Conservatory in 1927. In the meantime, he obtained his classical high school diploma, then graduated in Law from the University of Ferrara.\u003cbr\u003eFor composition he was practically self-taught, although he treasured the encouragement and precious advice of Almerigo Girotto. His first works for piano belong to 1928, followed by numerous works both for the same instrument and for various vocal and instrumental ensembles. In 1943 he won the first prize at the Musicians' Union Competition, followed by numerous important awards, including a third prize at the international \"Queen Elisabeth\" competition in Brussels (in 1969), with his Concerto for piano and orchestra, the only Italian work selected from among 200 competitors. Many of his compositions have been performed in public and broadcast by RAI.\u003cbr\u003eAlongside his activity as a composer, he had a rich concert career both as a soloist and in chamber ensembles.\u003cbr\u003eFrom 1933 to 1974 he held a professorship in principal piano at the Pollini Conservatory in Padua, then a state-recognized music institute: he was director of the same institute from 1966 to 1971, contributing decisively to its transformation into a State Conservatory. He died in 1991, at the age of 85.\u003cbr\u003eOf his \"10 Studies on the trill\", from which the selection for this collection is taken, Silvio Omizzolo wrote: \"I wrote the Studies because there was no such work, but, as usual, I didn't want to give them too much importance. The title is weak, sloppy. I could have called them Concert Studies, as they really are.\"\u003cbr\u003e\u003cbr\u003eThe analysis and recollection by Wolfango Dalla Vecchia\u003cbr\u003eAfter his first compositions for piano (Elegia, Sogno, Fantasmi, Preludio e Fuga) which appeared between '28 and '29, Silvio Omizzolo's personality is fully evident in the highly ambitious and prestigious Ten Studies on the Trill, composed in 1936, published by Ricordi in 1939 and performed for the first time by Carlo Vidusso in Milan in 1940.\u003cbr\u003eIn their eclectic pianism, these ten studies compose a singular work that stands out clearly from a whole host of similar piano works, for the solid architecture of the whole, which does not indulge in any inspirational randomness, but rigorously concludes a precise design, in which the didactic purpose provides the pretext for the creation of a suite of traditional piano forms, in which the trill, in all its variations, assumes contextual importance not as a decorative or secondary detail, but as a fundamental semantic element, provoking various lyrical states. The themes follow one another rich in verve and always varied; but the deus-ex-machina of every emotion is always this changing and raging trill without interruption, from its subdued and measured appearance in the initial Mazurka, to the dark rolls of the Marcia funebre, to the delicate murmurs of the Canzone senza parole, to the witty exploits of the Marcetta, to the brilliant trills of the Polacca, to the complex ones of the Barcarola and the Minuetto, to the multiple, arduous and astonishing ones of the final Toccata.\u003cbr\u003e\u003cbr\u003eA historical and technical note by Marco Lincetto\u003cbr\u003eThis album was recorded by me in the distant month of October 1997 and immediately released in December of the same year with my VELUT LUNA label, which was then just a couple of years old (the first edition of '97 had catalog number CVLD009, while today's has CVLD380...). It is undoubtedly one of the most important albums I have ever recorded and produced, first of all because Giovanni Tirindelli and I represent the final links of that princely artistic lineage that starts from Silvio Omizzolo, of whom Giovanni was one of the last pupils, continues with my father Adriano Lincetto, also a pupil of Omizzolo and curiously born in 1936, the year these Ten Studies were composed, of which he would become one of only three great interpreters, along with Carlo Vidusso and Franco Angeleri, up to Giovanni's performance. Throughout my childhood and youth, I lived with my father's long hours of studying this score, in preparation for his many concerts in which he performed it and which, he then decided to play as the last pieces (Mazurka, Funeral March and Toccata) of his last public concert, in October 1979, with Silvio Omizzolo sitting in the front row. These are moments of life in music and for music that I, Giovanni and a few others have touched firsthand, and from which we have drunk and which we can now pass on to posterity. Therefore, this absolute first recording of Omizzolo's studies, in my opinion, puts a kind of tombstone on any other interpretation or recording that may be proposed of this hypnotic, unique and fundamental composition of piano literature of all time. From a technical point of view, it is a very carefully crafted work already at the time, a pure recording made with only two omnidirectional microphones in the wonderful hall of the Auditorium Pollini, conceived and desired by Adriano Lincetto and Wolfango Dalla Vecchia, who in various capacities succeeded each other in the management of the Conservatory that hosts it. And once again, therefore, the intertwining of life is not accidental and has meaning. Thanks to the technology matured over the last 27 years, today I am re-proposing a \"remastered\" version, as they say, which in reality leaves the original quality unchanged, adding an even better presence, better spatiality and a new great general freshness to the sound. All this is corroborated and best conveyed also by the precious support of the CD made of gold foil.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Dieci-Studi-sul-Trillo\" width=\"100%\" frameborder=\"0\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"GOLD CD","offer_id":49969573822811,"sku":"CVLD380GOLDCD","price":21.9,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":48885608186203,"sku":"CVLD380","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD380-cover.jpg?v=1724233410"},{"product_id":"i-sogni-di-giano-concerto-orchestra-di-padova-e-del-veneto","title":"I Sogni di Gianò | Lincetto, Omizzolo","description":"\u003cp\u003eThe Orchestra di Padova e del Veneto, conducted by Fabio Framba, performs music by Adriano Lincetto and Silvio Omizzolo in I Sogni di Gianò, with soloists, orchestra and voice.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD205CD\u003c\/li\u003e\u003cli\u003eFile Hi-Res WAV 88.2kHz · 24bit — CVLD205\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eOrchestra di Padova e del Veneto; Fabio Framba — conductor; Mario Folena — flute; Paolo Brunello — oboe; Andrea Bressan — bassoon; Simone Lonardi, Roberto Caterini — trumpet; Silvia Regazzo — voice; Damiano Scharp — cello; Pierluigi Piran — piano.\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal digital recording: 88.2 kHz · 24 bit; Auditorium Pollini, Padova; 2009-09.\u003c\/p\u003e\u003cp\u003eRecorded live in the studio.\u003c\/p\u003e\u003cstrong\u003eOriginal 24bit\/88.2 digital recording made at the Pollini Auditorium, Padua, in September 2009\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVelut Luna production\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusic producer and editing engineer Fabio Framba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalance and mixing engineer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover (Grand Prismatic Spring, Yellowstone National Park, Wyoming) Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto, Nicola Righetti, Elide Cataldo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout L'image\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSILVIO OMIZZOLO (1905 – 1991)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eConcerto per violoncello, archi e pianoforte (1958)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 – Allegro marcato,  9:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 – Andante,  6:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 – Rondò (Presto),  9:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eADRIANO LINCETTO (1936 – 1996)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eI Sogni di Gianò (1985)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSuite orchestrale per flauto, oboe, fagotto, due trombe, archi e voce\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 – Canzone d’Amore,  13:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Sono stato soldato,  12:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – La fisarmonica e il bambino,  7:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTempo totale: 59:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003ch4\u003eEdition notes\u003c\/h4\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto and Silvio Omizzolo were two Italian composers who lived through the musical history of the 20th century, both passing away at the end of the century.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnited by the fact that the former was a student of the latter, they later shared many common musical experiences, including the important role of directing the Cesare Pollini Conservatory of Music in Padua, at different times, and an intense concert activity as distinguished and esteemed pianists.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSilvio Omizzolo's Concerto for cello, strings and piano belongs to the great tradition of Central European music of the mid-20th century, finding illustrious references in authors such as Bartok and Stravinsky. Clearly structured in the concerto form, it offers the cello important virtuoso opportunities.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Suite \"I Sogni di Gianò\" by Adriano Lincetto was derived by the composer himself from his original incidental music written in 1969 as the soundtrack to the one-act pantomime of the same name by Cornelia Mora Taboga. It is strongly descriptive and evocative music, which bases its strength on an uninterrupted series of poignant melodies, permeated by the deepest and most cultured Italian tradition, but rich in \"French\" echoes, in homage to the Parisian setting of the story of the tramp Gianò, which takes place in a forgotten, timeless Paris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in the usual live-in-studio format at the Cesare Pollini Auditorium in Padua, this album features the heartfelt interpretation of the Orchestra di Padova e del Veneto conducted by Fabio Framba, with Damiano Scarpa as cello soloist, Pierluigi Piran on piano and Silvia Regazzo, who performs an important vocal solo cameo within the Suite I Sogni di Gianò.\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-AND-Silvio-Omizzolo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015359566171,"sku":"CVLD205CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49820735504731,"sku":"CVLD205","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/205-cover.jpg?v=1736002068"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/silvio-omizzolo.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}