{"title":"Sergei Prokofiev","description":null,"products":[{"product_id":"rachmaninov-prokofiev-vladimir-ashkenazy-piano-concerto-live","title":"Rachmaninov \u0026amp; Prokofiev - Vladimir Ashkenazy Piano Concert Live","description":"\u003cp\u003e \u003cstrong\u003eRachmaninov \u0026amp; Prokofiev - Vladimir Ashkenazy Piano Concert Live (CBH214)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cb data-mce-fragment=\"1\"\u003eSergei Rachmaninov:\u003cspan\u003e \u003c\/span\u003ePiano Concerto No. 3 in D Minor Op. 30 *\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Allegro ma non troppo\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(16'50)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Intermezzo: Adagio\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(10'02)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Final: Short\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(14'10)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSergei Prokofiev: Piano Concerto No. 2 in G minor, Op. 16**\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Andantino\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(16'50)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \n\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Scherzo. Vivace\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(10'02)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Intermezzo. Allegro moderato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(14'10)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. Finale. Allegro tempestoso\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003e(16'50)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e Total time: 01:12:36\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003ePiano: \u003cstrong\u003eVladimir Ashkenazy\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eLos Angeles Philharmonic Orchestra*\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eUSSR State Symphony Orchestra**\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor: William Steinberg \u003cstrong\u003e*\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eGennady Rozsdestvensky**\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eRecording: Los Angeles, July 1968*\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eRecording: Moscow, 1961**\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cspan\u003eAshkenazy's long and complex discography, published entirely by Decca, includes several piano concertos that are either missing or difficult to find.\u003c\/span\u003e \u003cspan\u003eThis album brings together some rare and valuable recordings made during concerts in which the pianist performed.\u003c\/span\u003e \u003cspan\u003eAs for Rachmaninoff's Third Piano Concerto, the edition presented here is the extremely rare one performed in Los Angeles at the Hollywood Bowl, under the baton of William Steinberg.\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538039812443,"sku":"cs-214-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538039845211,"sku":"cs-214-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"192kHz · 24bit","offer_id":48538039877979,"sku":"cs-214-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 64","offer_id":48538039910747,"sku":"cs-214-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 128","offer_id":48538039943515,"sku":"cs-214-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/214cover.jpg?v=1718893412"},{"product_id":"prokofiev-alexander-nevsky-op-78-fritz-reiner-chicago-symphony-orchestra","title":"Prokofiev Alexander Nevsky Op. 78 - Fritz Reiner, Chicago Symphony Orchestra","description":"\u003ch2\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003eSergei Prokofiev : Alexander Nevsky Op. 78\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"vertical-align: inherit;\"\u003e\u003cspan style=\"vertical-align: inherit;\"\u003e(CBH210)\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003c\/h2\u003e\n\n\u003cp\u003e 1. Russian under the Mongolian yoke (03'19)\u003cbr\u003e 2. Song about Alexander Nevsky (03'51)\u003cbr\u003e 3. The crusader in Pskov (08'03)\u003cbr\u003e 4. Arise, ye Russian people (02'29)\u003cbr\u003e 5. The battle on the ice (13'37)\u003cbr\u003e 6. Field on the Dead (05'39)\u003cbr\u003e 7. Alexander entry a tke Pskov (04'44)\u003c\/p\u003e\n\n\u003cp\u003e Chicago Symphony Orchestra\u003cbr\u003e Fritz Reiner, conductor \u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 361px; top: 29.2604px;\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538043023707,"sku":"cs-210-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538043056475,"sku":"cs-210-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"192kHz · 24bit","offer_id":48538043089243,"sku":"cs-210-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 64","offer_id":48538043154779,"sku":"cs-210-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 128","offer_id":48538043187547,"sku":"cs-210-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/210.FRONTE.jpg?v=1718893432"},{"product_id":"mahler-tchaikovsky-others-orchestral-works","title":"Kondrashin, Richter \u0026 Janis — Mahler, Sibelius, Tchaikovsky, Prokofiev","description":"\u003cp\u003e\u003cstrong\u003eMahler, Sibelius, Tchaikovsky \u0026 Prokofiev — Kirill Kondrashin, Sviatoslav Richter, Byron Janis (CS510)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA two-part collection centred on Kirill Kondrashin and major interpreters of Russian and twentieth-century repertoire. The programme includes Gustav Mahler’s Symphony No. 4 with Galina Pisarenko and the Moscow Philharmonic Orchestra; Jean Sibelius’s \u003cem\u003eEn Saga\u003c\/em\u003e; Pyotr Ilyich Tchaikovsky’s Piano Concerto No. 1 with Sviatoslav Richter; and Sergei Prokofiev’s Piano Concerto No. 3 with Byron Janis, the Moscow Philharmonic Orchestra and Kondrashin.\u003c\/p\u003e\u003cp\u003eFor Prokofiev’s Third Concerto with Janis, discographic documentation dates the recording to June 1962 at the Tchaikovsky Conservatory in Moscow. Mercury production credits include Wilma Cozart Fine, C. Robert Fine, Robert Eberenz and Harold Lawrence. For the other recordings in the collection, only verifiable performers and works are retained, without assigning dates or master provenance that cannot be documented securely.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGustav Mahler — Symphony No. 4 in G major\u003c\/strong\u003e\u003cbr\u003eI. Bedächtig, nicht eilen\u003cbr\u003eII. In gemächlicher Bewegung, ohne Hast\u003cbr\u003eIII. Ruhevoll, poco adagio\u003cbr\u003eIV. Sehr behaglich\u003cbr\u003eGalina Pisarenko — soprano\u003cbr\u003eMoscow Philharmonic Orchestra\u003cbr\u003eKirill Kondrashin — conductor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJean Sibelius — En Saga, Op. 9\u003c\/strong\u003e\u003cbr\u003eKirill Kondrashin — conductor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky — Piano Concerto No. 1 in B-flat minor, Op. 23\u003c\/strong\u003e\u003cbr\u003eI. Allegro non troppo e molto maestoso\u003cbr\u003eII. Andantino semplice\u003cbr\u003eIII. Allegro con fuoco\u003cbr\u003eSviatoslav Richter — piano\u003cbr\u003eMoscow Philharmonic Orchestra\u003cbr\u003eKirill Kondrashin — conductor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSergei Prokofiev — Piano Concerto No. 3 in C major, Op. 26\u003c\/strong\u003e\u003cbr\u003eI. Andante – Allegro\u003cbr\u003eII. Theme and variations\u003cbr\u003eIII. Allegro ma non troppo\u003cbr\u003eByron Janis — piano\u003cbr\u003eMoscow Philharmonic Orchestra\u003cbr\u003eKirill Kondrashin — conductor\u003cbr\u003eRecording: June 1962, Tchaikovsky Conservatory, Moscow.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable format\u003c\/strong\u003e\u003cbr\u003eFile PCM 44.1kHz • 16bit — CD Resolution — Disc 1\u003cbr\u003eFile PCM 44.1kHz • 16bit — CD Resolution — Disc 2\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat are DSD and DXD?\u003c\/strong\u003e\u003cbr\u003eDSD (Direct Stream Digital) is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about 2.8 MHz, DSD128 at about 5.6 MHz and DSD256 at about 11.2 MHz. Playback requires a DAC or player compatible with the selected DSD rate. DXD (Digital eXtreme Definition) is a very high-resolution PCM format; in the Capsa standard it operates at 352.8kHz. It was also developed as a professional editing and post-production environment and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51001721946459,"sku":"CS510-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51002215137627,"sku":"CS510-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/copertinacbh_26c30fad-b6a8-48a3-81b2-343576cbe4b2.png?v=1752848406"},{"product_id":"prokofiev-peter-and-the-wolf-op-67-symphony-no-7-op-131","title":"Prokofiev: Peter and the Wolf, Op. 67 \u0026amp; Symphony No. 7, Op. 131","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eProkofiev: Peter and the Wolf, Op. 67 \u0026amp; Symphony No. 7, Op. 131 ( \u003cspan\u003eCBH521\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Sergei Prokofiev\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Mario Rossi\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Wiener Philharmoniker * - Milan Rai Orchestra **\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Peter and the Wolf. Op. 67, Peter and the Wolf * \u003cem\u003e(Boris Karloff, narrator)\u003c\/em\u003e\u003cbr\u003e 02 - Symphony No. 7, Op. 131, I. Moderato **\u003cbr\u003e 03 - Symphony No. 7, Op. 131, II. Allegretto **\u003cbr\u003e 04 - Symphony No. 7, Op. 131, III. Andante espressivo **\u003cbr\u003e 05 - Symphony No. 7, Op. 131, IV. Lively **\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; line-height: normal;\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Prokofiev-and-the-Wolf-Op-67-Symphony-No-7-Op-131\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cdiv dir=\"ltr\" id=\"model-response-message-contentr_0fb41b2cc824992a\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\"\u003e\n\n\u003cdiv class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" id=\"model-response-message-contentr_270beffcdcdec0a2\" dir=\"ltr\"\u003e\n\n\u003cp\u003e Immerse yourself in Sergei Prokofiev's sonic universe, conducted by the masterful Mario Rossi. The Vienna Philharmonic and the Milan Rai Orchestra offer a brilliant performance, in which each instrument emerges with strength and clarity. In the musical fairytale \"Peter and the Wolf,\" Boris Karloff's captivating voice guides the listener through unforgettable characters, while Part Two reveals the Seventh Symphony in all its dramatic and lyrical nobility.\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51015614923099,"sku":"CS521-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/COVERCBH_bc8d68df-f821-4d2f-aee1-aeb264d4649f.png?v=1753096123"},{"product_id":"martinon-conducts-prokofiev-varese-live-remastered-2022","title":"Martinon: Prokofiev \u0026 Varèse — Symphony No. 7 \u0026 Arcana","description":"\u003cp\u003e\u003cstrong\u003eJean Martinon\u003c\/strong\u003e brings together two twentieth-century works: Sergei Prokofiev’s \u003cstrong\u003eSymphony No. 7 in C-sharp minor, Op. 131\u003c\/strong\u003e with the Orchestre National de l’ORTF and Edgard Varèse’s \u003cstrong\u003eArcana\u003c\/strong\u003e with the Chicago Symphony Orchestra.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eProkofiev’s Symphony No. 7 is presented in the digital edition of the programme as a live performance. For \u003cem\u003eArcana\u003c\/em\u003e, however, the Chicago Symphony Orchestra archive documents a \u003cstrong\u003erecording session on 12 March 1966\u003c\/strong\u003e at Orchestra Hall; this work is therefore not identified as live.\u003c\/p\u003e\u003ch2\u003eMartinon, Prokofiev and Varèse\u003c\/h2\u003e\u003cp\u003eThe programme contrasts the formal clarity and elegiac character of Prokofiev’s Seventh with the dense timbral and rhythmic writing of \u003cem\u003eArcana\u003c\/em\u003e, repertoire closely associated with Martinon’s years with the Chicago Symphony Orchestra.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eProkofiev — Symphony No. 7 in C-sharp Minor, Op. 131\u003c\/strong\u003e\u003cbr\u003e1. I. Moderato\u003cbr\u003e2. II. Allegretto\u003cbr\u003e3. III. Andante espressivo\u003cbr\u003e4. IV. Vivace\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVarèse — Arcana\u003c\/strong\u003e\u003cbr\u003e5. Arcana\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Sergei Prokofiev; Edgard Varèse\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jean Martinon\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Orchestre National de l’ORTF; Chicago Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS612\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It was also developed as a professional editing and post-production environment for very high-resolution workflows and requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51192655708507,"sku":"CS612-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/jean-martinon-prokofiev-7-varese-arcana-capsa-CS612-cover.png?v=1788311045"},{"product_id":"sergej-prokofiev-accardo-bellocchio","title":"SERGEJ PROKOFIEV | Accardo, Bellocchio, Gorna","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eSERGEJ PROKOFIEV\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eSalvatore Accardo, Laura Gorna, Maria Grazia Bellocchio\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio, SACD\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSalvatore Accardo Violin\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMaria Grazia Bellocchio Piano\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonata No.1 in F minor for Violin and Piano Op. 80\u003c\/strong\u003e\u003cbr\u003e1. 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Allegro con brio - Poco meno mosso Tempo I - Poco meno mosso - Allegro con brio 7’49”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time 56’56”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSalvatore Accardo Violin (a-b-c)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLaura Gorna Violin (c), Maria Grazia Bellocchio Piano (a)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5 Melodies for Violin and Piano Op. 35bis (a)\u003c\/strong\u003e\u003cbr\u003e1. I. Andante 2’18”\u003cbr\u003e2. II. Lento, ma non troppo 3’00”\u003cbr\u003e3. III. Animato, ma non allegro 4’04”\u003cbr\u003e4. IV. Andantino, un poco scherzando 1’29”\u003cbr\u003e5. V. Andante non troppo 3’17”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonata in D major for solo Violin Op. 115 (b)\u003c\/strong\u003e\u003cbr\u003e6. I. Moderato 5’34”\u003cbr\u003e7. II. Andante dolce. 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Op.115 per Violino Solo alle 5 Melodies per Violino e Piano etc... .\u003c\/p\u003e\n\u003cp\u003eHo registrato questo album nella Sala dell'Ermellino - Casa della Musica a Milano nel febbraio 2020. Per questa prestigiosa incisione ho utilizzato i leggendari microfoni a valvole originali Neumann U47, U48. Si utilizzano coppie di microfoni a valvole Neumann degli anni 1947 e 1949 (U47, U48 e M49) dalla timbrica naturalissima usando tecniche bimicrofoniche ad effetto di campo.\u003c\/p\u003e\n\u003cp\u003eQuesti microfoni hanno una storia importante: sono infatti i microfoni originali utilizzati per registrare tra gli altri, le esecuzioni dei Beatles nello Studio di Abbey Road e dalla RCA per le registrazioni “Living Stereo”. Il suono che riesco a catturare con questi leggendari microfoni è perfettamente in linea con il mio gusto sonoro. Nessun altro microfono ha una timbrica così vera e la capicità di incidere tutte le nuances di suono e tutta la ricchezza degli armonici.\u003c\/p\u003e\n\u003cp\u003eL'unicità di questi microfoni è legata alla loro capacità di effettuare una perfetta \"fotografia sonora\" e di mettere la musica perfettamente collocata nello spazio sonoro scelto per la registrazione. Per il SACD ho utilizzato il formato DSD, su Pyramix utilizzando i convertitori dCS A\/D e D\/A DSD. Dal 1998 ad oggi incido in DSD 64 x 44.1  bit con workstations Signoricci ex Philips che montano programmi Pyramix, convertitori dCS analogico\/digitale 904 e convertitori dCS digitale\/analogico 954, tutto questo per realizzare al meglio i SACD fonè.\u003c\/p\u003e\n\u003cp\u003eUn sistema allo stato dell'arte senza alcuna manipolazione del suono, né equalizzazione, né riverbero, né compressione ed espansione... ma suono naturale con timbrica vera per esaltare al meglio l'acustica della Sala dell'Ermellino. fonè propone da quasi 40 anni delle incisioni realizzate all’insegna della ricercatezza tecnologica e miranti al recupero delle atmosfere musicali originali. La masterizzazione del sacd è stata da me realizzata utilizzando il sistema Signoricci, interamente analogico e valvolare.\u003c\/p\u003e\n\u003cp\u003eIl risultato di questa registrazione è fantastico. Con questa registrazione ho voluto far vivere all'ascoltatore un'esperienza unica. È come se l'ascoltatore fosse seduto su una poltrona posizionata nel punto ideale della Sala dell'Ermellino. In questa posizione il suono ha un effetto di campo e la sua profondità, larghezza e altezza sono molto apprezzabili.\u003c\/p\u003e\n\u003cp\u003eGrande dinamica e  grande precisione.\u003c\/p\u003e\n\u003cp\u003eUn album da non perdere!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiulio Cesare Ricci\u003c\/em\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"2 SACD","offer_id":53640022360411,"sku":"SACD220","price":30.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":53334106276187,"sku":"DSD220","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz · 24bit","offer_id":53334106308955,"sku":"HD220","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover_sacd_220OK.jpg?v=1780828031"},{"product_id":"sergej-prokofiev-sonate-for-violin-and-piano-op-56-80-accardo-bellocchio-gorna","title":"SERGEJ PROKOFIEV, SONATE FOR VIOLIN AND PIANO: OP. 56, 80 | Accardo, Bellocchio, Gorna","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eSERGEJ PROKOFIEV\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eSonate for Violin and piano Op. 56 and Op. 80\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSalvatore Accardo\u003c\/strong\u003e\u003cspan\u003e Violin\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLaura Gorna\u003c\/strong\u003e\u003cspan\u003e Violin  *\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaria Grazia Bellocchio\u003c\/strong\u003e\u003cspan\u003e Piano  **\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cp\u003eSonata in do magg. for 2 Violins Op. 56 *\u003cbr\u003eAndante cantabile                     3'16\"\u003cbr\u003eAllegro                                       3'20\"\u003cbr\u003eCommodo (quasi Allegretto)     4'09\"\u003cbr\u003eAllegro con brio                         6'05\"\u003c\/p\u003e\n\u003cp\u003eSonata n. 1 in fa min. for Violin and Piano Op. 80 **\u003cbr\u003eAndante assai                           7'30\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 24'20\"\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003eSonata n. 1 in fa min. for Violin and Piano Op. 80 **\u003cbr\u003eAllegro brusco                                              7'37\"\u003cbr\u003eAndante                                                        8'07\"\u003cbr\u003eAllegrissimo - Andante assai, come prima   8'08\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 23'52\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003cbr\u003eRecorded in “Sala dell’Ermellino” Casa della Musica, Milano\u003cbr\u003eRecording date February 14th - 15th - 16th, 2020\u003cbr\u003eRecording assistant: Paola Liberato\u003cbr\u003eValve microphones: Neumann U47, U48\u003cbr\u003eMike pre-amplifiers, cables (line, microphone, supply): Signoricci\u003cbr\u003ePhotos by Paola Liberato\u003c\/p\u003e\n\u003cp\u003eIl Master è stato realizzato con l'Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracce, 1\/2\" 30ips modificato da David Manley. La Masterizzazione per il Vinile è stato realizzata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare.\u003c\/p\u003e\n\u003cp\u003eGrazie a Micheli Associati per aver concesso la \"Sala dell'Ermellino\" Casa della Musica, Milano per la registrazione di questo album.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContinua la collaborazione discografica con il grande violinista Salvatore Accardo iniziata 29 anni fa. In questo progetto il Maestro Accardo suona con la violinista Laura Gorna e la pianista Maria Grazia Bellocchio. Questo album contiene musica da camera di Sergej Prokofiev dove il violino è protagonista: la Sonata in do magg. per 2 Violini Op. 56  e la Sonata n. 1 in fa min. per Violino e Piano Op. 80. Ho registrato questo album nella Sala dell'Ermellino - Casa della Musica a Milano nel febbraio 2020. Per questa prestigiosa incisione ho utilizzato i leggendari microfoni a valvole originali Neumann U47, U48.\u003c\/p\u003e\n\u003cp\u003eSi utilizzano coppie di microfoni a valvole Neumann degli anni 1947 e 1949 dalla timbrica naturalissima usando tecniche bimicrofoniche ad effetto di campo. Questi microfoni hanno una storia importante: sono infatti i microfoni originali utilizzati per registrare tra gli altri, le esecuzioni dei Beatles nello Studio di Abbey Road e dalla RCA per le registrazioni “Living Stereo”. Il suono che riesco a catturare con questi leggendari microfoni è perfettamente in linea con il mio gusto sonoro. Nessun altro microfono ha una timbrica così vera e la capicità di incidere tutte le nuances di suono e tutta la ricchezza degli armonici.\u003c\/p\u003e\n\u003cp\u003eL'unicità di questi microfoni è legata alla loro capacità di effettuare una perfetta \"fotografia sonora\" e di mettere la musica perfettamente collocata nello spazio sonoro scelto per la registrazione. Ho realizzato la masterizzazione per il Vinile utilizzando il sistema Signoricci, interamente analogico e valvolare. Un sistema allo stato dell'arte senza alcuna manipolazione del suono, né equalizzazione, né riverbero, né compressione ed espansione... ma suono naturale con timbrica vera per esaltare al meglio l'acustica della Sala dell'Ermellino. fonè propone da quasi 40 anni delle incisioni realizzate all’insegna della ricercatezza tecnologica e miranti al recupero delle atmosfere musicali originali.\u003c\/p\u003e\n\u003cp\u003eIl risultato di questa registrazione è fantastico. Con questa registrazione ho voluto far vivere all'ascoltatore un'esperienza unica. È come se l'ascoltatore fosse seduto su una poltrona posizionata nel punto ideale della Sala dell'Ermellino. In questa posizione il suono ha un effetto di campo e la sua profondità, larghezza e altezza sono molto apprezzabili. Grande dinamica e  grande precisione.\u003c\/p\u003e\n\u003cp\u003eUn album da non perdere!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003egiulio cesare ricci\u003c\/em\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":53646695989595,"sku":"LP155","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sergej-prokofiev-sonata-in-do-magg-for-2-violins-sonata-n1-in-fa-min-for-violin-and-piano-accardo-gorna-bellocchio-vinile.jpg?v=1784827074"},{"product_id":"sergej-prokofiev-5-melodies-for-violin-and-piano-sonata-n-2-accardo-bellocchio","title":"SERGEJ PROKOFIEV, 5 MELODIES FOR VIOLIN AND PIANO: SONATA N. 2 | Accardo, Bellocchio","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eSERGEJ PROKOFIEV\u003c\/h1\u003e\n\u003ch2\u003e5 Melodies for Violin and Piano Op. 35 bis\u003cbr\u003eSonata n. 2 in re magg. for Violin and Piano Op. 94 bis\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSalvatore Accardo\u003c\/strong\u003e\u003cspan\u003e violin\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaria Grazia Bellocchio\u003c\/strong\u003e\u003cspan\u003e piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cp\u003e5 Melodies for Violin and Piano Op. 35 bis\u003cbr\u003eAndante                                                  2'18\"\u003c\/p\u003e\n\u003cp\u003eSonata n. 2 in re magg. for Violin and Piano Op. 94 bis\u003cbr\u003eModerato                                                          8'28\"\u003cbr\u003eScherzo: Presto - Poco più mosso - Tempo I   5'01\" \u003cbr\u003eAndante                                                            4'16\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 20'03\"\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003eSonata n. 2 in re magg. for Violin and Piano Op. 94 bis\u003cbr\u003eAllegro con brio - Poco meno mosso\u003cbr\u003eTempo I - Poco meno mosso - Allegro con brio         7'49\"\u003c\/p\u003e\n\u003cp\u003e5 Melodies for Violin and Piano Op. 35 bis\u003cbr\u003eLento, ma non troppo                                                 3'00\"                                      \u003cbr\u003eAnimato, ma non allegro                                            4'04\"\u003cbr\u003eAndantino, un poco scherzando                                1'29\"\u003cbr\u003eAndante non troppo                                                   3'17\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 19'39\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003cbr\u003eRegistrato presso la “Sala dell’Ermellino” Casa della Musica, Milano\u003cbr\u003eData di registrazione: 14-15-16 Febbraio 2020\u003cbr\u003eAssistente alla registrazione: Paola Liberato\u003cbr\u003eValve microphones: Neumann U47, U48\u003cbr\u003eMike pre-amplifiers, cables (line, microphone, supply): Signoricci\u003cbr\u003eFoto a cura di Paola Liberato\u003c\/p\u003e\n\u003cp\u003eIl Master è stato realizzato con l'Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracce, 1\/2 inch 30ips modificato da David Manley.\u003cbr\u003eLa Masterizzazione per Vinile è stato realizzata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare.\u003c\/p\u003e\n\u003cp\u003eSi ringrazia Micheli Associati per aver concesso la Casa della Musica \"Sala dell'Ermellino\" di Milano per la registrazione di questo album.\u003c\/p\u003e\n\u003cp\u003eContinua la collaborazione discografica con il grande violinista Salvatore Accardo, iniziata 30 anni fa. In questo progetto il Maestro Accardo suona con la pianista Maria Grazia Bellocchio. Questo album contiene musiche da camera di Sergej Prokofiev dove il violino è protagonista: 5 Melodies for Violin and Piano Op. 35bis \/ Sonata n. 2 in re magg. for Violin and Piano Op. 94bis.\u003c\/p\u003e\n\u003cp\u003eQuesto album è stato registrato da Giulio Cesare Ricci nella Sala dell'Ermellino - Casa della Musica di Milano nel febbraio 2020 Per questa prestigiosa registrazione ha utilizzato i leggendari microfoni a valvole originali Neumann U47, U48. Giulio Cesare Ricci ha realizzato il Master con l'Ampex ATR 102 (Electronic Tube Ampex Model 351-1965), 2 tracce, 1\/2 inch, 30ips. modificato da David Manley. Ha realizzato il mastering per il vinile utilizzando il sistema analogico e valvolare Signoricci. Un impianto all'avanguardia senza manipolazione del suono, nessuna equalizzazione, nessun riverbero, nessuna compressione ed espansione... ma un suono naturale e timbrica vero per esaltare al meglio l'acustica della Sala dell'Ermellino. Il risultato di questa registrazione è fantastico. Con questa registrazione Giulio Cesare Ricci ha voluto far rivivere all'ascoltatore un'esperienza unica. È come se l'ascoltatore fosse seduto su una poltrona posizionata nel punto ideale della Sala dell'Ermellino. In questa posizione il suono ha un effetto di campo e la sua profondità, larghezza e altezza sono molto apprezzabili. Grande dinamica e grande precisione.\u003c\/p\u003e\n\u003cp\u003eUn album da non perdere!\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":53646711357787,"sku":"LP156","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sergej-prokofiev-5-melodies-for-violin-and-piano-sonata-n-2-accardo-bellocchio-vinile.jpg?v=1784827521"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/sergei-prokofiev.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}