{"title":"Roberto Gatto","description":null,"products":[{"product_id":"four-stories-roberto-gatto-quartet","title":"FOUR STORIES | Roberto Gatto Quartet","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eFOUR STORIES\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eRoberto Gatto Quartet\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cstrong\u003eKool\u003c\/strong\u003e\u003cspan\u003e Mary Lou Williams 6’11”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cstrong\u003eThe Music Next Door\u003c\/strong\u003e\u003cspan\u003e Roberto Gatto 4’46”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cstrong\u003eIl valzer della fonderia\u003c\/strong\u003e\u003cspan\u003e Alessandro Presti 4’50”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cstrong\u003eSalon Malaga\u003c\/strong\u003e\u003cspan\u003e Matteo Bortone 5’45”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cstrong\u003eFour Stories\u003c\/strong\u003e\u003cspan\u003e Roberto Gatto 6’24”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cstrong\u003eCherry Song\u003c\/strong\u003e\u003cspan\u003e Alessandro Presti 5’41”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cstrong\u003eWaver\u003c\/strong\u003e\u003cspan\u003e Alessandro Lanzoni 5’25”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cstrong\u003eMonaco-Palermo\u003c\/strong\u003e\u003cspan\u003e Alessandro Presti 5’36”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. \u003c\/span\u003e\u003cstrong\u003eVictoria Regia\u003c\/strong\u003e\u003cspan\u003e Matteo Bortone 4’09”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cstrong\u003eGardenia\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eGary Peacock 3’23”       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/ychzsas2lz9cb?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoberto Gatto Quartet\u003c\/strong\u003e\u003cbr\u003eAlessandro Presti trumpet\u003cbr\u003eMatteo Bortone double bass\u003cbr\u003eAlessandro Lanzoni piano\u003cbr\u003eRoberto Gatto drums\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003c\/strong\u003e\u003cbr\u003eNo editing. All the tracks on this record are heard as they were performed.\u003c\/p\u003e\n\u003cp\u003eThis album is part of the recordings Giulio Cesare made during the concerts of the fonè Music Festival Piaggio 2023 edition, which he himself organized. The chosen location is the Piaggio Auditorium inside the famous Museum of Pontedera, the place where Piaggio was born and where it still produces today. The protagonists of FOUR STORIES are 4 great musicians with an extraordinary leader, Roberto Gatto, the greatest Italian jazz drummer, accompanied by Alessandro Presti on trumpet, Matteo Bortone on double bass, and Alessandro Lanzoni on piano. Roberto Gatto has played throughout Europe and the rest of the world with his groups and with international artists. The groups bearing his name are characterized, in addition to an interesting timbral research and impeccable performing technique, by a great warmth typical of Mediterranean culture. This certainly makes Roberto Gatto one of the most interesting drummers and composers in Europe and worldwide. Among the pieces played, many were composed by the artists themselves: The Music next door by R. Gatto, Il valzer della fonderia by A. Presti, Waver by A. Lanzoni, and Victoria Regia by M. Bortone. The album is completed by two very special pieces by Mary Lou Williams and Gary Peacock. For this recording, Giulio Cesare Ricci brought all his equipment, both analog (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracks, ½”, 30ips modified by David Manley) and digital (Pyramix Recorder, dCS A\/D and D\/A converters). Regarding microphones, he used his original collection of Neumann U47, U48, M49, as well as the Signoricci microphone preamplifier and cables. Pairs of Neumann tube microphones from 1947 and 1949 (U47, U48, and M49) with a very natural timbre were used, employing bi-microphone field effect techniques. These microphones have an important history: they are, in fact, the original microphones used to record, among others, the Beatles' performances at Abbey Road Studio and by RCA for \"Living Stereo\" recordings. The sound that Giulio Cesare Ricci manages to capture with these legendary microphones is perfectly in line with his sonic taste. No other microphone has such a true timbre and the ability to record all the nuances of sound and all the richness of harmonics. The uniqueness of these microphones is linked to their ability to perform a perfect \"sonic photograph\" and to perfectly place the music in the sound space chosen for the recording. This is because for each recording, Giulio Cesare Ricci creates two Masters: an analog master for vinyl and a DSD digital master for SuperAudioCD, as in this case. For this SACD, he used the DSD format, on Pyramix using dCS A\/D and D\/A DSD converters. From 1998 to today, he has recorded in DSD 64 x 44.1 bit with Signoricci ex Philips workstations equipped with Pyramix programs, dCS 904 analog-to-digital converters, and dCS 954 digital-to-analog converters, all to best realize the fonè SACD. The SACD mastering was done using the entirely analog and tube Signoricci system. A \"state-of-the-art\" system without sound manipulation, equalization, reverberation, compression, and expansion... but natural sound and true timbre to best enhance the acoustics of the Piaggio Museum Auditorium. All this to create recordings characterized by technological sophistication and aimed at recovering the original musical atmospheres. For this recording, Ricci also used the \"field effect\" recording technique... all this to allow the listener, in their home hi-fi system, to relive the live effect as if they had been present at the performance.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52825503138139,"sku":"DSD245","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825503170907,"sku":"HD245","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_245.jpg?v=1776372331"},{"product_id":"shades-of-chet-rava-fresu-bollani-pietropaoli-gatto","title":"SHADES OF CHET | Rava, Fresu, Bollani, Pietropaoli, Gatto","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eSHADES OF CHET\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eRava, Fresu, Bollani, Pietropaoli, Gatto\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio, SACD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1 DOODLIN’ (Horace Silver) 5.25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 MY FUNNY VALENTINE (Rodgers - Hart) 9.50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 ANTHROPOLOGY (Charlie Parker) 5.15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 RETRATO EM BRANCO E PRETO (Antonios Carlos Jobim) 7.23\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 DOXY (Sonny Rollins) 7.00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 YOU CAN’T GO HOME AGAIN (Don Sebesky) 7.30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 LINE FOR LYONS (Gerry Mulligan) 7.10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 STRIKE UP THE BAND (George Gershwin) 3.25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 DONNA (Kramer - Garinei - Giovannini) 5.12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/8013358200239?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eENRICO RAVA tromba e flicorno (canale sinistro)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePAOLO FRESU tromba e fl icorno (canale destro)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSTEFANO BOLLANI piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eENZO PIETROPAOLI contrabbasso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eROBERTO GATTO batteria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eQuesto disco è un omaggio a Chet come artista che si è raccontato e messo a nudo con il\u003cbr\u003esuono della sua tromba e con la sua voce. Con Enrico non abbiamo necessariamente voluto\u003cbr\u003esuonare esclusivamente materiale del suo vastissimo repertorio d’interprete ma abbiamo scelto quello che al momento ci piaceva di più: Chet mi ha insegnato che non è importante “cosa” si suona ma “come” ciò si suona.\u003cbr\u003ePaolo Fresu\u003c\/p\u003e\n\u003cp\u003eE' un album di riferimento assoluto per il jazz italiano.\u003cbr\u003eVede protagonisti i 5 jazzisti italiani più famosi al mondo: Enrico Rava tromba e flicorno, Paolo Fresu tromba e flicorno, Stefano Bollani piano, Enzo Pietropaoli contrabbasso e Roberto Gatto batteria.\u003cbr\u003eQuesto album prodotto dalla Via Veneto Jazz è stato ri-masterizzato da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare.\u003cbr\u003eIl Master per il SACD è stato realizzato riversando il master analogico registrato con l'Ampex ATR 102, 2 tracks, 1\/2 inch, 30ips  su Pyramix utilizzando i convertitori dCS A\/D e D\/A\u003cbr\u003eIl suono è naturale con timbrica vera.\u003cbr\u003eE' un \"must\",  da avere assolutamente!\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":53740287099227,"sku":"DSD194","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz · 24bit","offer_id":53740287131995,"sku":"HD194","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":53740287197531,"sku":"SACD194","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Sleeve-194.jpg?v=1786221065"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/roberto-gatto.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}