{"title":"RIAS Symphonie-Orchester Berlin","description":null,"products":[{"product_id":"rossini-stabat-mater-ferenc-fricsay-rias-symphony-orchestra","title":"Rossini Stabat Mater - Ferenc Fricsay RIAS Symphony Orchestra","description":"\u003cdiv\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eGioachino Rossini: Stabat Mater (CBH217)\u003c\/b\u003e\u003c\/span\u003e \u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ctable class=\"a-bordered a-spacing-none\"\u003e\n\n\u003ctbody\u003e\n\n\u003ctr\u003e\n\n \u003ctd\u003e1\u003c\/td\u003e\n\n\u003ctd\u003e Stabat Mater Dolorosa\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 2\u003c\/td\u003e\n\n\u003ctd\u003e Cujus Animam - Ernst Haeflifer\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 3\u003c\/td\u003e\n\n\u003ctd\u003e Quis Est Homo\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 4\u003c\/td\u003e\n\n\u003ctd\u003e Pro Peccatis - Kim Borg\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 5\u003c\/td\u003e\n\n\u003ctd\u003e Eja, Mater\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 6\u003c\/td\u003e\n\n\u003ctd\u003e Holy Mother\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 7\u003c\/td\u003e\n\n\u003ctd\u003e Fac Ut Portem - Marianna Radev\/RIAS Symphonie-Orchester\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 8\u003c\/td\u003e\n\n\u003ctd\u003e Inflamatus\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 9\u003c\/td\u003e\n\n\u003ctd\u003e When Corpus Morietur\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\u003ctr\u003e\n\n\u003ctd\u003e 10\u003c\/td\u003e\n\n\u003ctd\u003e In Sempiterna Saecula. Amen\u003c\/td\u003e\n\n\n\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\n\n\n\u003c\/table\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMaria Stader\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e, soprano\u003c\/span\u003e\u003cbr\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMarianna Radev\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e, tall\u003c\/span\u003e\u003cbr\u003e \u003cstrong data-mce-fragment=\"1\"\u003eEnrst Haegfliger\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e, tenor\u003c\/span\u003e\u003cbr\u003e \u003cstrong data-mce-fragment=\"1\"\u003eKim Borg\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e, bass\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e Choir – \u003cstrong data-mce-fragment=\"1\"\u003eBerlin St. Hedwig's Cathedral Of Choir - RIAS-Kammerchor\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e Orchestra \u003cspan data-mce-fragment=\"1\"\u003e–\u003c\/span\u003e \u003cstrong\u003eRIAS Symphonie-Orchester Berlin\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003eChorus Master – \u003cstrong data-mce-fragment=\"1\"\u003eKarl Forster\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor: \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eRecorded (mono) live September 22, 1954 in Konzertsaal Der Hochschule Für Musik, Berlin\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: -76px; top: -18.4062px;\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"44.1kHz · 16bit","offer_id":48538037059931,"sku":"cs-217-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"96kHz · 24bit","offer_id":48538037092699,"sku":"cs-217-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"192kHz · 24bit","offer_id":48538037125467,"sku":"cs-217-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 64","offer_id":48538037158235,"sku":"cs-217-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"DSD · 128","offer_id":48538037191003,"sku":"cs-217-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/217cover.jpg?v=1718893390"},{"product_id":"the-symphonies-iv","title":"Fricsay: Bartók — Music for Strings, Percussion \u0026 Celesta \u0026 Concerto for Orchestra","description":"\u003cp\u003eTwo orchestral masterpieces by \u003cstrong\u003eBéla Bartók\u003c\/strong\u003e in the discography of \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e: \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e, Sz. 106, and the \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e, Sz. 116.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin from 17 to 20 June 1953\u003c\/strong\u003e with the RIAS-Symphonie-Orchester Berlin. The \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e followed on \u003cstrong\u003e9–10 April 1957\u003c\/strong\u003e at the same venue, by then with the ensemble under the name Radio-Symphonie-Orchester Berlin.\u003c\/p\u003e\u003ch2\u003eFricsay and Bartók\u003c\/h2\u003e\u003cp\u003eBartók was one of the defining composers in Fricsay’s repertoire. These performances highlight both rhythmic architecture and orchestral colour.\u003c\/p\u003e\u003ch2\u003eOriginal label and production\u003c\/h2\u003e\u003cp\u003eBoth performances belong to Ferenc Fricsay’s historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e discography. For the 1957 \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e, \u003cstrong\u003eElsa Schiller\u003c\/strong\u003e, \u003cstrong\u003eGünter Hermanns\u003c\/strong\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e and \u003cstrong\u003eAlfred Steinke\u003c\/strong\u003e are documented. For the 1953 \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e, \u003cstrong\u003eHelmut Elbl\u003c\/strong\u003e, \u003cstrong\u003eFred Hamel\u003c\/strong\u003e, Wolfgang Lohse, Alfred Steinke and \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e are documented.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBartók — Music for Strings, Percussion and Celesta, Sz. 106\u003c\/strong\u003e\u003cbr\u003e1. I. Andante tranquillo\u003cbr\u003e2. II. Allegro\u003cbr\u003e3. III. Adagio\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBartók — Concerto for Orchestra, Sz. 116\u003c\/strong\u003e\u003cbr\u003e5. I. Introduzione. Andante non troppo – Allegro vivace\u003cbr\u003e6. II. Presentando le coppie. Allegro scherzando\u003cbr\u003e7. III. Elegia. Andante non troppo\u003cbr\u003e8. IV. Intermezzo interrotto. Allegretto\u003cbr\u003e9. V. Finale. Presto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Béla Bartók\u003cbr\u003e\u003cstrong\u003eOriginal label:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eVenue:\u003c\/strong\u003e Jesus-Christus-Kirche, Berlin\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS618\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195445444955,"sku":"CS618-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-bartok-musica-archi-percussione-celesta-concerto-orchestra-capsa-CS618-cover.png?v=1788257154"},{"product_id":"the-symphonies-v","title":"Fricsay \u0026 Haas: Stravinsky — The Rite of Spring \u0026 Capriccio","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e brings together two contrasting works by \u003cstrong\u003eIgor Stravinsky\u003c\/strong\u003e: \u003cem\u003eThe Rite of Spring\u003c\/em\u003e and the \u003cem\u003eCapriccio for Piano and Orchestra\u003c\/em\u003e, the latter with \u003cstrong\u003eMonique Haas\u003c\/strong\u003e at the piano. Both recordings were made in Berlin with the \u003cstrong\u003eRIAS-Symphonie-Orchester\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eThe \u003cem\u003eCapriccio\u003c\/em\u003e with Monique Haas was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin on 27 September 1950\u003c\/strong\u003e; \u003cem\u003eThe Rite of Spring\u003c\/em\u003e was recorded at the same venue from \u003cstrong\u003e11 to 13 March 1954\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFricsay, Haas and Stravinsky\u003c\/h2\u003e\u003cp\u003eFricsay combines rhythmic precision with transparent orchestral textures; in the \u003cem\u003eCapriccio\u003c\/em\u003e, Monique Haas brings clarity and incisiveness to Stravinsky’s piano writing.\u003c\/p\u003e\u003ch2\u003eOriginal label and production\u003c\/h2\u003e\u003cp\u003eBoth interpretations belong to the historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e catalogue. For \u003cem\u003eThe Rite of Spring\u003c\/em\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e is documented as producer and \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e as balance engineer.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — The Rite of Spring\u003c\/strong\u003e\u003cbr\u003e1. I. Adoration of the Earth\u003cbr\u003e2. II. The Sacrifice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — Capriccio for Piano \u0026amp; Orchestra\u003c\/strong\u003e\u003cbr\u003e3. I. Presto\u003cbr\u003e4. II. Andante rapsodico\u003cbr\u003e5. III. Allegro capriccioso ma tempo giusto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Monique Haas\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Igor Stravinsky\u003cbr\u003e\u003cstrong\u003eOriginal label:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS619\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195468382555,"sku":"CS619-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-monique-haas-stravinsky-sagra-capriccio-rias-capsa-CS619-cover.png?v=1788257154"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/rias-symphonie-orchester-berlin.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}