{"title":"Pyotr Ilyich Tchaikovsky","description":"","products":[{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolai Karlovich Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tchaikovsky \u0026amp; Mikhail Vasilievich Pletnev\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trepak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \"... deep vision of the text, combined with great musical maturity. Very young, but already master of a very high level piano technique and a vast and important repertoire... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianist (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"..strong musical personality and talent clearly emerge from his artistic abilities...he never flaunts virtuosity for its own sake...he always subordinates it to a higher intellectual vision, which reflects a clear awareness of musical architecture.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianist (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eWinner of numerous international competitions in Albania, Italy, Croatia, Great Britain, Macedonia, Kosovo, Switzerland-France, Slovenia, the Albanian pianist Kostandin Tashko has performed in important concert halls and festivals. His debut CD, on the KNS label, includes works by Liszt, Scriabin and Ravel. A student of the \"J.Misja\" High School in Tirana with Valbona Kasaj, he graduated with honours from the \"Giuseppe Tartini\" Conservatory of Music in Trieste under the guidance of Teresa Trevisan. Masterclasses with B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! Piano writing between composition, transcription and restitution. The path proposed by Kostandin Tashko in the name of the Russian musical tradition unfolds along a path that, although traced within the twentieth-century context, tends to look back nostalgically at a past with vaguely defined contours, between Medtner's dreamlike late romanticism, Tchaikovsky's fairy-tale and Stravinsky's ancestral. The undisputed protagonist is the piano, an instrument historically linked to compositional activity both as a starting point for the drafting of piano pieces entrusted to the performance of the composer himself, and as the recipient of transcriptions taken from orchestral pieces by the author or later performers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"dsd-hi-res-audio-sampler-vol-2","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.2","description":"\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.2\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e1. \u003cstrong\u003eFinal\u003c\/strong\u003e (09'32) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH190 - Béla Bartók: Concerto For Orchestra)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e2. \u003cstrong\u003eKräftig, bewegt, doch nicht zu schnell\u003c\/strong\u003e (07'55) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH191 - Gustav Mahler: Symphony no. 1 in D major)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e3. \u003cstrong\u003eConfutatis\u003c\/strong\u003e (03'03) DSD64\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH193 - Wolfgang Amadeus Mozart: Requiem KV 626)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e4. \u003cstrong\u003eSummer - Presto\u003c\/strong\u003e (2'49) WAV96\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH200 - Antonio Vivaldi: The Four Seasons Op. 8)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e5. \u003cstrong\u003eVivaldi: Concertoin A Minir.,RV 523\u003c\/strong\u003e (12'40) WAV192\/24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH201 - Baroque Festival)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e6. \u003cstrong\u003eFortuna, Imperatrix Mundi\u003c\/strong\u003e (03'54) DSD128\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH202 - Carl Orff - Carmine Burana)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e7. \u003cstrong\u003eStürmisch Bewegt. Mit größter Vehemenz\u003c\/strong\u003e (13'04) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH211 - Gustav Mahler: Symphony no. 5 in C Sharp Minor)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e8. \u003cstrong\u003eThe Year 1812, Op. 49\u003c\/strong\u003e (15'30) WAV44.1\/16\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e(CBH226 - Pyotr Ilijc Tchaikovsky: Capriccio italien, Marche slave, Romeo and Juliet, The Year 1812)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003eTotal Time: 01:08:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-family: Assistant, sans-serif;\"\u003e\u003cspan style=\"font-size: large;\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538023362907,"sku":"CS-SAMPLER24","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dsdsampler2.png?v=1772820861"},{"product_id":"tchaikovsky-ballet-suites-piano-concerto-herbert-von-karajan-philharmonia-orchestra-wiener-symphoniker","title":"Karajan: Tchaikovsky — Ballet Suites \u0026 Piano Concerto No. 1","description":"\u003cp\u003e\u003cstrong\u003eKarajan: Tchaikovsky — Ballet Suites \u0026amp; Piano Concerto No. 1 (CS229)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e conducts music by \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e: suites from \u003cem\u003eSwan Lake\u003c\/em\u003e and \u003cem\u003eThe Sleeping Beauty\u003c\/em\u003e with the \u003cstrong\u003ePhilharmonia Orchestra\u003c\/strong\u003e, and the \u003cstrong\u003ePiano Concerto No. 1 in B-flat minor, Op. 23\u003c\/strong\u003e with \u003cstrong\u003eSviatoslav Richter\u003c\/strong\u003e and the \u003cstrong\u003eWiener Symphoniker\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBallet suites:\u003c\/strong\u003e London, January 1959.\u003cbr\u003e\u003cstrong\u003ePiano Concerto No. 1:\u003c\/strong\u003e Musikverein, Vienna, 24–26 September 1962.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. Swan Lake, Op. 20 — Suite\u003cbr\u003e2. The Sleeping Beauty, Op. 66 — Suite\u003cbr\u003e3. Piano Concerto No. 1 in B-flat minor, Op. 23\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Sviatoslav Richter\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Philharmonia Orchestra; Wiener Symphoniker\u003cbr\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e London, January 1959; Vienna, 24–26 September 1962\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS229\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about 2.8 MHz, DSD128 at 5.6 MHz and DSD256 at 11.2 MHz. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD\u003c\/strong\u003e is a very high-resolution PCM format at 352.8kHz and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538023887195,"sku":"CS229-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538023919963,"sku":"CS229-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538023952731,"sku":"CS229-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538023985499,"sku":"CS229-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538024018267,"sku":"CS229-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs229-tchaikovsky-ballet-suites-piano-concerto-no-1-karajan-richter-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"tchaikovsky-symphony-no-6-1812-herbert-von-karajan-philharmonia-orchestra","title":"Karajan: Tchaikovsky — Symphony No. 6 “Pathétique” \u0026 1812 Overture","description":"\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e conducts the \u003cstrong\u003ePhilharmonia Orchestra\u003c\/strong\u003e in Pyotr Ilyich Tchaikovsky’s \u003cstrong\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e and \u003cstrong\u003e1812 Overture, Op. 49\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eSymphony No. 6 was recorded in London between May 1955 and July 1956; the 1812 Overture in London between January and February 1958.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e\u003cbr\u003e01 — I. Adagio – Allegro non troppo — 19’13\u003cbr\u003e02 — II. Allegro con grazia — 08’25\u003cbr\u003e03 — III. Allegro molto vivace — 09’12\u003cbr\u003e04 — IV. Finale. Adagio lamentoso – Andante — 09’33\u003cbr\u003e05 — 1812 Overture, Op. 49 — 17’25\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Philharmonia Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS228\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format operating here at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It also originated as a professional editing and post-production environment and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538024804699,"sku":"CS228-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs228-tchaikovsky-symphony-no-6-pathetique-1812-karajan-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"tchaikovsky-symphony-no-4-5-herbert-von-karajan-philharmonia-orchestra","title":"Karajan: Tchaikovsky — Symphonies Nos. 4 \u0026 5","description":"\u003cp\u003e\u003cstrong\u003eKarajan: Tchaikovsky — Symphonies Nos. 4 \u0026amp; 5 (CS227)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e conducts the \u003cstrong\u003ePhilharmonia Orchestra\u003c\/strong\u003e in Pyotr Ilyich Tchaikovsky’s Symphony No. 4 in F minor, Op. 36 and Symphony No. 5 in E minor, Op. 64.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 4:\u003c\/strong\u003e London, February–March 1960.\u003cbr\u003e\u003cstrong\u003eSymphony No. 5:\u003c\/strong\u003e London, May–July 1952 and June 1953.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 4 in F minor, Op. 36\u003c\/strong\u003e\u003cbr\u003e1. Andante sostenuto — Moderato con anima — Allegro vivo — \u003cstrong\u003e19’15\u003c\/strong\u003e\u003cbr\u003e2. Andantino in modo di canzona — \u003cstrong\u003e09’05\u003c\/strong\u003e\u003cbr\u003e3. Scherzo. Pizzicato ostinato. Allegro — \u003cstrong\u003e05’40\u003c\/strong\u003e\u003cbr\u003e4. Finale. Allegro con fuoco — \u003cstrong\u003e08’59\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSymphony No. 5 in E minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e5. Andante — Allegro con anima — \u003cstrong\u003e15’53\u003c\/strong\u003e\u003cbr\u003e6. Andante cantabile, con alcuna licenza — \u003cstrong\u003e14’07\u003c\/strong\u003e\u003cbr\u003e7. Valse. Allegro moderato — \u003cstrong\u003e06’51\u003c\/strong\u003e\u003cbr\u003e8. Finale. Allegro maestoso — Allegro vivace — \u003cstrong\u003e13’02\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Philharmonia Orchestra\u003cbr\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e London, February–March 1960 (Symphony No. 4); May–July 1952 and June 1953 (Symphony No. 5)\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS227\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It also originated as a professional editing and post-production environment and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538025623899,"sku":"CS227-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs227-tchaikovsky-symphonies-no-4-no-5-herbert-von-karajan-philharmonia-capsa-symphonia-cover.png?v=1789137105"},{"product_id":"tchaikovsky-capriccio-italien-marche-slave-the-year-1812-romeo-and-juliet-leonard-bernstein-new-york-philharmonic-orchestra","title":"Bernstein: Tchaikovsky — Capriccio italien, Marche slave, Romeo and Juliet \u0026 1812","description":"\u003cp\u003e\u003cstrong\u003eLeonard Bernstein\u003c\/strong\u003e conducts the \u003cstrong\u003eNew York Philharmonic Orchestra\u003c\/strong\u003e in four orchestral works by \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e: \u003cem\u003eCapriccio italien\u003c\/em\u003e, \u003cem\u003eMarche slave\u003c\/em\u003e, \u003cem\u003eRomeo and Juliet\u003c\/em\u003e and the \u003cem\u003e1812 Overture\u003c\/em\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recordings were made between 1957 and 1963: \u003cem\u003eRomeo and Juliet\u003c\/em\u003e in 1957, \u003cem\u003eCapriccio italien\u003c\/em\u003e in 1960, the \u003cem\u003e1812 Overture\u003c\/em\u003e in 1962 and \u003cem\u003eMarche slave\u003c\/em\u003e in 1963.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e, \u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e, \u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e, \u003cstrong\u003eFile DSD64\u003c\/strong\u003e and \u003cstrong\u003eFile DSD128\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Capriccio italien, Op. 45 — 16’03\u003cbr\u003e02 — Marche slave, Op. 31 — 09’32\u003cbr\u003e03 — Romeo and Juliet — Fantasy-Overture — 19’21\u003cbr\u003e04 — 1812 Overture, Op. 49 — 15’30\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Leonard Bernstein\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e New York Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS226\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format operating here at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538026541403,"sku":"CS226-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538026574171,"sku":"CS226-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538026606939,"sku":"CS226-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538026639707,"sku":"CS226-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538026672475,"sku":"CS226-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs226-tchaikovsky-capriccio-italien-marche-slave-romeo-juliet-1812-bernstein-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"dsd-hi-res-audio-sampler-vol-1","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.1","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. \u003cstrong\u003eAllegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck\u003c\/strong\u003e\u003cbr\u003e (CBH170 Mahler Symphony no. 2) DSD128\u003cbr\u003e 2. \u003cstrong\u003eThe Adoration of the Earth\u003c\/strong\u003e\u003cbr\u003e (CBH171Stravinsky The Rite of Spring) WAV96\/24\u003cbr\u003e 3. \u003cstrong\u003eAllegro con grazia\u003c\/strong\u003e\u003cbr\u003e (CBH174 Tchaikovsky Symphony No. 6) DSD64\u003cbr\u003e 4. \u003cstrong\u003eAllegretto grazioso\u003c\/strong\u003e\u003cbr\u003e (CBH184 Dvorak Symphony No. 8) DSD128\u003cbr\u003e 5. \u003cstrong\u003eFinal. Feierlich, nicht schnell\u003c\/strong\u003e\u003cbr\u003e (CBH185 Bruckner Symphony No. 8) WAV192\/24\u003cbr\u003e 6. \u003cstrong\u003eInterlude interrupted\u003c\/strong\u003e\u003cbr\u003e (CBH190 Bartók Concerto For Orchestra) WAV96\/24\u003cbr\u003e 7. \u003cstrong\u003eUranus, the Magician\u003c\/strong\u003e\u003cbr\u003e (CBH197 Holst: The Planets) WAV192\/24\u003cbr\u003e\u003cbr\u003e Total Time: 01:22:14\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e*VARIOUS SAMPLING FREQUENCIES\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eEnter the world of classical music's greatest performers with DSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1. Explore the beauty of Mahler's Symphony No. 2 in C minor, \"Resurrection,\" Stravinsky's \"Sacre du printemps-L'oiseau de feu,\" Tchaikovsky's Symphony No. 6 in B minor, Op. 74 \"Pathétique,\" Dvořák's Symphony No. 8, Bruckner's Symphony No. 8, Bartók's Concerto for Orchestra, and Holst's Planets. Experience the full range of music from your favorite composers, recorded with impeccable clarity. Journey with the sheer beauty of classical music, providing you with unprecedented wonder. Once you begin to appreciate the accuracy of high definition, you'll never want to go back.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538050330971,"sku":"cs-sampler23","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/samplerdsd1.png?v=1772819579"},{"product_id":"offenbach-tchaikovsky-liszt-arthur-fiedler-boston-pops","title":"Fiedler: Offenbach, Tchaikovsky \u0026 Liszt — Orchestral Showpieces","description":"\u003cp\u003eArthur Fiedler conducts the Boston Pops Orchestra in a programme of orchestral showpieces by Jacques Offenbach, Pyotr Ilyich Tchaikovsky and Franz Liszt.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eArthur Fiedler — Boston Pops Orchestra.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Tchaikovsky: 1812 Overture, Op. 49\u003cbr\u003e02 — Tchaikovsky: Capriccio italien, Op. 45\u003cbr\u003e03 — Liszt: Les Préludes\u003cbr\u003e04 — Offenbach\/Rosenthal: Gaîté Parisienne\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Arthur Fiedler\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Boston Pops Orchestra\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Jacques Offenbach; Pyotr Ilyich Tchaikovsky; Franz Liszt\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003eFile Hi-Res 96kHz • 24bit\u003cbr\u003eFile Hi-Res 192kHz • 24bit\u003cbr\u003eFile DSD64\u003cbr\u003eFile DSD128\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538060816731,"sku":"CS195-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538060849499,"sku":"CS195-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538060882267,"sku":"CS195-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD64","offer_id":48538060915035,"sku":"CS195-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD128","offer_id":48538060947803,"sku":"CS195-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs195-offenbach-tchaikovsky-liszt-fiedler-capsa-symphonia-cover.png?v=1789151019"},{"product_id":"tchaikovsky-symphony-no-5-in-e-minor-op-64-gennadij-rozdestvenskij-moscow-radio-symphony-orchestra","title":"Rozhdestvensky: Tchaikovsky — Symphony No. 5 in E minor, Op. 64","description":"\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 5 in E minor, Op. 64 (CS189)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eGennady Rozhdestvensky conducts the Moscow Radio Symphony Orchestra in Pyotr Ilyich Tchaikovsky’s Symphony No. 5 in E minor, Op. 64, in a recording made in Moscow in 1972.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording was made in \u003cstrong\u003eMoscow in 1972\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. Andante — Allegro con anima — \u003cstrong\u003e14’28\u003c\/strong\u003e\u003cbr\u003e2. Andante cantabile, con alcuna licenza — \u003cstrong\u003e13’27\u003c\/strong\u003e\u003cbr\u003e3. Valse. Allegro moderato — \u003cstrong\u003e05’42\u003c\/strong\u003e\u003cbr\u003e4. Finale. Andante maestoso — Allegro vivace — \u003cstrong\u003e11’55\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Moscow Radio Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Gennady Rozhdestvensky\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Moscow, 1972\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538071925083,"sku":"CS189-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538071990619,"sku":"CS189-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538072088923,"sku":"CS189-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD64","offer_id":48538072219995,"sku":"CS189-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD128","offer_id":48538072351067,"sku":"CS189-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs189-tchaikovsky-symphony-no-5-rozhdestvensky-capsa-symphonia-cover.png?v=1789164324"},{"product_id":"piano-concertos-tchaikovsky-no-1-rachmaninov-no-2-sviatoslav-richter-piano-evgenji-marvinsky-kurt-sanderling-leningrad-philharmonic-orchestra","title":"Richter: Tchaikovsky — Piano Concerto No. 1 \u0026 Rachmaninov — Piano Concerto No. 2","description":"\u003cp\u003e\u003cstrong\u003eRichter: Tchaikovsky — Piano Concerto No. 1 \u0026amp; Rachmaninov — Piano Concerto No. 2 (CS188)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSviatoslav Richter performs Pyotr Ilyich Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, Op. 23 with the Leningrad Philharmonic Orchestra conducted by Evgeny Mravinsky, and Sergei Rachmaninoff’s Piano Concerto No. 2 in C minor, Op. 18 with the same orchestra conducted by Kurt Sanderling.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky:\u003c\/strong\u003e Leningrad, 1959 — Sviatoslav Richter, Leningrad Philharmonic Orchestra, Evgeny Mravinsky.\u003cbr\u003e\u003cstrong\u003eRachmaninov:\u003c\/strong\u003e Leningrad, 18 February 1959 — Sviatoslav Richter, Leningrad Philharmonic Orchestra, Kurt Sanderling.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Piano Concerto No. 1 in B-flat minor, Op. 23\u003c\/strong\u003e\u003cbr\u003e1. Allegro non troppo e molto maestoso — \u003cstrong\u003e20’32\u003c\/strong\u003e\u003cbr\u003e2. Andantino semplice — \u003cstrong\u003e06’18\u003c\/strong\u003e\u003cbr\u003e3. Allegro con fuoco — \u003cstrong\u003e06’56\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRachmaninov — Piano Concerto No. 2 in C minor, Op. 18\u003c\/strong\u003e\u003cbr\u003e4. Moderato — \u003cstrong\u003e11’18\u003c\/strong\u003e\u003cbr\u003e5. Adagio sostenuto — \u003cstrong\u003e11’43\u003c\/strong\u003e\u003cbr\u003e6. Allegro scherzando — \u003cstrong\u003e11’37\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Sviatoslav Richter\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Leningrad Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eConductor (Tchaikovsky):\u003c\/strong\u003e Evgeny Mravinsky\u003cbr\u003e\u003cstrong\u003eConductor (Rachmaninov):\u003c\/strong\u003e Kurt Sanderling\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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Compatible playback equipment is required.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz · 16bit","offer_id":48538073923931,"sku":"CS188-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":48538074055003,"sku":"CS188-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 192kHz · 24bit","offer_id":48538074153307,"sku":"CS188-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD FILES · 64","offer_id":48538074251611,"sku":"CS188-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD FILES · 128","offer_id":48538074349915,"sku":"CS188-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs188-tchaikovsky-piano-concerto-no-1-rachmaninoff-piano-concerto-no-2-richter-capsa-symphonia-cover.png?v=1789164324"},{"product_id":"tchaikovsky-symphony-no-4-in-f-minor-op-36-evgenij-mravinskij-leningrad-philharmonic-orchestra","title":"Mravinsky: Tchaikovsky — Symphony No. 4 in F minor, Op. 36","description":"\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 4 in F minor, Op. 36 (CS183)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEvgeny Mravinsky conducts the Leningrad Philharmonic Orchestra in Pyotr Ilyich Tchaikovsky’s Symphony No. 4 in F minor, Op. 36.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eWembley Town Hall, London, 14–15 September 1960.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. Andante sostenuto — Moderato con anima — \u003cstrong\u003e10’04\u003c\/strong\u003e\u003cbr\u003e2. Andantino in modo di canzona — \u003cstrong\u003e09’16\u003c\/strong\u003e\u003cbr\u003e3. Scherzo. Pizzicato ostinato — Allegro — \u003cstrong\u003e05’48\u003c\/strong\u003e\u003cbr\u003e4. Finale. Allegro con fuoco — \u003cstrong\u003e07’51\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Leningrad Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Evgeny Mravinsky\u003cbr\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e Karl-Heinz Schneider\u003cbr\u003e\u003cstrong\u003eSound engineer:\u003c\/strong\u003e Harald Baudis\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Wembley Town Hall, London — 14–15 September 1960\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD256\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DXD 352.8kHz\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution work, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538087915867,"sku":"CS183-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538087948635,"sku":"CS183-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538087981403,"sku":"CS183-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD64","offer_id":48538088046939,"sku":"CS183-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD128","offer_id":48538088079707,"sku":"CS183-128","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD256","offer_id":48538088112475,"sku":"CS183-256","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"File DXD 352.8kHz","offer_id":48538088014171,"sku":"CS183-352","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs183-tchaikovsky-symphony-no-4-mravinsky-capsa-symphonia-cover.png?v=1789164265"},{"product_id":"tchaikovsky-symphony-no-6-in-b-minor-op-74-pathetique-igor-markevitch-london-symphony-orchestra","title":"Markevitch: Tchaikovsky — Symphony No. 6 in B minor, Op. 74 “Pathétique”","description":"\u003cp\u003e\u003cstrong\u003eIgor Markevitch\u003c\/strong\u003e conducts the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e in Pyotr Ilyich Tchaikovsky’s \u003cstrong\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording was made at \u003cstrong\u003eWembley Town Hall, London, in April 1962\u003c\/strong\u003e. The original production was Philips.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Adagio – Allegro non troppo \u003cstrong\u003e(18’35)\u003c\/strong\u003e\u003cbr\u003e02 — II. Allegro con grazia \u003cstrong\u003e(07’35)\u003c\/strong\u003e\u003cbr\u003e03 — III. Allegro molto vivace \u003cstrong\u003e(09’26)\u003c\/strong\u003e\u003cbr\u003e04 — IV. Finale: Adagio lamentoso \u003cstrong\u003e(09’42)\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Igor Markevitch\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Wembley Town Hall, London — April 1962\u003cbr\u003e\u003cstrong\u003eOriginal production:\u003c\/strong\u003e Philips\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS174\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD256\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DXD 352.8kHz\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. 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The programme brings together the symphonic poem \u003cem\u003eFrancesca da Rimini\u003c\/em\u003e, the \u003cem\u003eMarche slave\u003c\/em\u003e, two dances from \u003cem\u003eEugene Onegin\u003c\/em\u003e, the overture-fantasy \u003cem\u003eRomeo and Juliet\u003c\/em\u003e and the \u003cem\u003e1812 Overture\u003c\/em\u003e.\u003c\/p\u003e\u003ch2\u003eTchaikovsky with Antal Doráti\u003c\/h2\u003e\u003cp\u003eThe programme places symphonic, theatrical and ceremonial works side by side, offering a broad view of Tchaikovsky’s orchestral writing through two orchestras central to Doráti’s recording activity.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — \u003cem\u003eFrancesca da Rimini\u003c\/em\u003e, Op. 32, TH 46\u003cbr\u003e02 — \u003cem\u003eMarche slave\u003c\/em\u003e, Op. 31, TH 45\u003cbr\u003e03 — \u003cem\u003eEugene Onegin\u003c\/em\u003e, Op. 24, TH 5: Waltz\u003cbr\u003e04 — \u003cem\u003eEugene Onegin\u003c\/em\u003e, Op. 24, TH 5: Polonaise\u003cbr\u003e05 — \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, TH 42: Overture\u003cbr\u003e06 — \u003cem\u003e1812 Overture\u003c\/em\u003e, Op. 49, TH 49\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Minneapolis Symphony Orchestra; London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS509\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the Capsa standard it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51001492373851,"sku":"CS509-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs509-tchaikovsky-antal-dorati-capsa-symphonia-cover.png?v=1789157104"},{"product_id":"mahler-tchaikovsky-others-orchestral-works","title":"Kondrashin, Richter \u0026 Janis — Mahler, Sibelius, Tchaikovsky, Prokofiev","description":"\u003cp\u003e\u003cstrong\u003eKirill Kondrashin\u003c\/strong\u003e is at the centre of this collection devoted to \u003cstrong\u003eMahler, Sibelius, Tchaikovsky and Prokofiev\u003c\/strong\u003e, with \u003cstrong\u003eGalina Pisarenko\u003c\/strong\u003e, \u003cstrong\u003eSviatoslav Richter\u003c\/strong\u003e, \u003cstrong\u003eByron Janis\u003c\/strong\u003e and the \u003cstrong\u003eMoscow Philharmonic Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eProkofiev’s Piano Concerto No. 3 with Byron Janis was recorded in June 1962 at the Tchaikovsky Conservatory in Moscow.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGustav Mahler — Symphony No. 4 in G major\u003c\/strong\u003e\u003cbr\u003eI. Bedächtig, nicht eilen\u003cbr\u003eII. In gemächlicher Bewegung, ohne Hast\u003cbr\u003eIII. Ruhevoll, poco adagio\u003cbr\u003eIV. Sehr behaglich\u003cbr\u003eGalina Pisarenko — soprano\u003cbr\u003eMoscow Philharmonic Orchestra\u003cbr\u003eKirill Kondrashin — conductor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJean Sibelius — En Saga, Op. 9\u003c\/strong\u003e\u003cbr\u003eKirill Kondrashin — conductor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky — Piano Concerto No. 1 in B-flat minor, Op. 23\u003c\/strong\u003e\u003cbr\u003eI. Allegro non troppo e molto maestoso\u003cbr\u003eII. Andantino semplice\u003cbr\u003eIII. Allegro con fuoco\u003cbr\u003eSviatoslav Richter — piano\u003cbr\u003eMoscow Philharmonic Orchestra\u003cbr\u003eKirill Kondrashin — conductor\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSergei Prokofiev — Piano Concerto No. 3 in C major, Op. 26\u003c\/strong\u003e\u003cbr\u003eI. Andante – Allegro\u003cbr\u003eII. Theme and variations\u003cbr\u003eIII. Allegro ma non troppo\u003cbr\u003eByron Janis — piano\u003cbr\u003eMoscow Philharmonic Orchestra\u003cbr\u003eKirill Kondrashin — conductor\u003cbr\u003eRecording: June 1962, Tchaikovsky Conservatory, Moscow.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Gustav Mahler; Jean Sibelius; Pyotr Ilyich Tchaikovsky; Sergei Prokofiev\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Kirill Kondrashin\u003cbr\u003e\u003cstrong\u003eSoloists:\u003c\/strong\u003e Galina Pisarenko; Sviatoslav Richter; Byron Janis\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Moscow Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS510\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution — Disc 1\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution — Disc 2\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51001721946459,"sku":"CS510-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51002215137627,"sku":"CS510-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs510-mahler-sibelius-tchaikovsky-prokofiev-kondrashin-richter-janis-capsa-symphonia-cover.png?v=1789157104"},{"product_id":"tchaikovsky-orchestral-works-live","title":"Solti \u0026 Curzon: Tchaikovsky — Symphonies Nos. 5 \u0026 6, Serenade \u0026 Concerto No. 1 (Live)","description":"\u003cp\u003e\u003cstrong\u003eGeorg Solti\u003c\/strong\u003e tackles four major works by \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e: Symphonies No. 5 and No. 6 with the Chicago Symphony Orchestra, the Serenade for Strings with the Israel Philharmonic Orchestra, and Piano Concerto No. 1 with \u003cstrong\u003eClifford Curzon\u003c\/strong\u003e and the Wiener Philharmoniker.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLive recordings\u003c\/strong\u003e, made between 1958 and 1976.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePart 1\u003c\/strong\u003e\u003cbr\u003eSymphony No. 5 in E minor, Op. 64\u003cbr\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePart 2\u003c\/strong\u003e\u003cbr\u003eSerenade for Strings in C major, Op. 48\u003cbr\u003ePiano Concerto No. 1 in B-flat minor, Op. 23\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Georg Solti\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Clifford Curzon\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Chicago Symphony Orchestra; Israel Philharmonic Orchestra; Wiener Philharmoniker\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS540\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eThe programme is divided into two parts, both available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51047526924635,"sku":"CS540-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51047594492251,"sku":"CS540-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs540-tchaikovsky-solti-curzon-capsa-symphonia-cover.png?v=1789153746"},{"product_id":"stokowski-edition-vol-1","title":"Stokowski: Tchaikovsky — Symphony No. 5 \u0026 Romeo and Juliet","description":"\u003cp\u003e\u003cstrong\u003eLeopold Stokowski\u003c\/strong\u003e conducts Tchaikovsky’s \u003cstrong\u003eSymphony No. 5 in E minor, Op. 64\u003c\/strong\u003e with the NBC Symphony Orchestra and \u003cstrong\u003eRomeo and Juliet\u003c\/strong\u003e with Leopold Stokowski's Symphony Orchestra.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme brings together Symphony No. 5 and \u003cem\u003eRomeo and Juliet\u003c\/em\u003e by Pyotr Ilyich Tchaikovsky under Leopold Stokowski.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 5: I. Allegro con anima\u003cbr\u003e02 — II. Andante cantabile\u003cbr\u003e03 — III. Valse. Allegro moderato\u003cbr\u003e04 — IV. Finale. Andante maestoso\u003cbr\u003e05 — Romeo and Juliet. Fantasy-Overture\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Leopold Stokowski\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e NBC Symphony Orchestra; Leopold Stokowski's Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS543\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51051671257435,"sku":"CS543-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs543-tchaikovsky-leopold-stokowski-capsa-symphonia-cover.png?v=1789153746"},{"product_id":"walter-conducts-tchaikovsky","title":"Walter: Tchaikovsky — Symphony No. 5 \u0026 Romeo and Juliet","description":"\u003cp\u003e\u003cstrong\u003eBruno Walter\u003c\/strong\u003e conducts two works by \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e: \u003cstrong\u003eSymphony No. 5 in E minor, Op. 64\u003c\/strong\u003e with the NBC Symphony Orchestra and the \u003cstrong\u003eRomeo and Juliet Fantasy Overture\u003c\/strong\u003e with the Los Angeles Philharmonic Orchestra.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme pairs the broad cyclic form of the Fifth Symphony with the dramatic concentration of the fantasy-overture inspired by Shakespeare.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 5, Op. 64: I. Andante – Allegro con anima\u003cbr\u003e02 — II. Andante cantabile, con alcuna licenza\u003cbr\u003e03 — III. Valse. Allegro moderato\u003cbr\u003e04 — IV. Finale. Andante maestoso – Allegro vivace\u003cbr\u003e05 — Romeo and Juliet. Fantasy Overture\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Bruno Walter\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e NBC Symphony Orchestra; Los Angeles Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS558\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51086197490011,"sku":"CS558-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/tchaikovsky-sinfonia-5-romeo-giulietta-walter-capsa-cs558.png?v=1789088485"},{"product_id":"tchaikovsky-piano-concerto-no-1-in-b-flat-minor-op-23-th-55-violin-concerto-in-d-major-op-35-th-59-live","title":"Kondrashin, Richter \u0026 Oistrakh: Tchaikovsky — Piano \u0026 Violin Concertos (Live)","description":"\u003cp\u003e\u003cstrong\u003eKirill Kondrashin\u003c\/strong\u003e conducts the \u003cstrong\u003eMoscow Philharmonic Orchestra\u003c\/strong\u003e in Tchaikovsky’s two major concertos: \u003cstrong\u003ePiano Concerto No. 1 in B-flat minor, Op. 23\u003c\/strong\u003e with \u003cstrong\u003eSviatoslav Richter\u003c\/strong\u003e and the \u003cstrong\u003eViolin Concerto in D major, Op. 35\u003c\/strong\u003e with \u003cstrong\u003eDavid Oistrakh\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLive recording.\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePiano Concerto No. 1, Op. 23\u003c\/strong\u003e\u003cbr\u003e01 — I. Allegro non troppo e molto maestoso\u003cbr\u003e02 — II. Andantino semplice\u003cbr\u003e03 — III. Allegro con fuoco\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eViolin Concerto, Op. 35\u003c\/strong\u003e\u003cbr\u003e04 — I. Allegro moderato\u003cbr\u003e05 — II. Canzonetta. Andante\u003cbr\u003e06 — III. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51104037306715,"sku":"CS565-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs565-tchaikovsky-piano-violin-concertos-kondrashin-richter-oistrakh-capsa-symphonia-cover.png?v=1789153611"},{"product_id":"tchaikovsky-serenade-for-strings-in-c-major-op-48-th-48-suite-no-3-in-g-major-op-55-th-33-live","title":"Kondrashin: Tchaikovsky — Serenade for Strings \u0026 Suite No. 3","description":"\u003cp\u003e\u003cstrong\u003eKirill Kondrashin\u003c\/strong\u003e conducts the \u003cstrong\u003eMoscow Philharmonic Orchestra\u003c\/strong\u003e in Pyotr Ilyich Tchaikovsky’s \u003cstrong\u003eSerenade for Strings in C major, Op. 48\u003c\/strong\u003e and \u003cstrong\u003eSuite for Orchestra No. 3 in G major, Op. 55\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe Serenade was recorded in the studio in Moscow in 1959.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Serenade for Strings: I. Pezzo in forma di sonatina\u003cbr\u003e02 — II. Valse\u003cbr\u003e03 — III. Elegia\u003cbr\u003e04 — IV. Finale (Tema russo)\u003cbr\u003e05 — Suite No. 3: I. Élégie\u003cbr\u003e06 — II. Valse mélancolique\u003cbr\u003e07 — III. Scherzo\u003cbr\u003e08 — IV. Tema con variazioni\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Kirill Kondrashin\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Moscow Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS566\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51136124715355,"sku":"CS566-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs566-tchaikovsky-serenade-suite-no-3-kirill-kondrashin-capsa-symphonia-cover.png?v=1789153611"},{"product_id":"a-portrait-vol-5-jascha-horenstein-remastered-2022","title":"Horenstein: Tchaikovsky — Symphonies Nos. 5 \u0026 6 “Pathétique”","description":"\u003cp\u003e\u003cstrong\u003eJascha Horenstein\u003c\/strong\u003e conducts two major symphonies by \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e: \u003cstrong\u003eSymphony No. 5 in E minor, Op. 64\u003c\/strong\u003e with the Philharmonia Orchestra and \u003cstrong\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e with the London Symphony Orchestra.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme pairs the cyclic course and affirmative close of the Fifth with the radically different structure of the “Pathétique”, which ends with the Adagio lamentoso. Horenstein emphasizes clarity of transition and continuity of the symphonic arc.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 5 in E minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e01 — I. Andante – Allegro con anima\u003cbr\u003e02 — II. Andante cantabile con alcuna licenza\u003cbr\u003e03 — III. Valse. Allegro moderato\u003cbr\u003e04 — IV. Finale. Andante maestoso – Allegro vivace\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e\u003cbr\u003e05 — I. Adagio – Allegro non troppo\u003cbr\u003e06 — II. Allegro con grazia\u003cbr\u003e07 — III. Allegro molto vivace\u003cbr\u003e08 — IV. Adagio lamentoso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jascha Horenstein\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Philharmonia Orchestra (Symphony No. 5); London Symphony Orchestra (Symphony No. 6)\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS585\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51155853279579,"sku":"CS585-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs585-tchaikovsky-symphonies-no-5-no-6-jascha-horenstein-capsa-symphonia-cover.png?v=1789153663"},{"product_id":"fricsay-conducts-tchaikovsky","title":"Fricsay: Tchaikovsky — Symphonies Nos. 4, 5 \u0026 6 “Pathétique”","description":"\u003cp\u003eThe final three symphonies of \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e through three different documents of \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e’s conducting. 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I. Andante sostenuto – Moderato con anima\u003cbr\u003e2. II. Andantino in modo di canzona\u003cbr\u003e3. III. Scherzo. Pizzicato ostinato\u003cbr\u003e4. IV. Finale. Allegro con fuoco\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 5 in E Minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e5. I. Andante – Allegro con anima\u003cbr\u003e6. II. Andante cantabile, con alcuna licenza\u003c\/p\u003e\u003ch2\u003eTracklist — CD 2\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 5 in E Minor, Op. 64\u003c\/strong\u003e\u003cbr\u003e1. III. Valse. Allegro moderato\u003cbr\u003e2. IV. Finale. Andante maestoso\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTchaikovsky — Symphony No. 6 in B Minor, Op. 74 “Pathétique”\u003c\/strong\u003e\u003cbr\u003e3. I. Adagio – Allegro non troppo\u003cbr\u003e4. II. Allegro con grazia\u003cbr\u003e5. III. Allegro molto vivace\u003cbr\u003e6. IV. Finale. Adagio lamentoso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin (No. 4); Stockholm Philharmonic Orchestra (No. 5); Berliner Philharmoniker (No. 6)\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS615\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 — File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192721146203,"sku":"CS615-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 — File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192741429595,"sku":"CS615-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-tchaikovsky-sinfonie-4-5-6-pathetique-capsa-CS615-cover.png?v=1788257154"},{"product_id":"great-recordings-2","title":"Doráti: Schumann \u0026 Tchaikovsky — Symphony No. 4 \u0026 Symphony No. 6 “Pathétique”","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e and the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e pair \u003cstrong\u003eRobert Schumann’s Symphony No. 4 in D minor, Op. 120\u003c\/strong\u003e with \u003cstrong\u003ePyotr Ilyich Tchaikovsky’s Symphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eTchaikovsky’s Sixth belongs to the Mercury sessions at \u003cstrong\u003eWembley Town Hall in June 1960\u003c\/strong\u003e and is dated \u003cstrong\u003e18 June 1960\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eOriginal label and releases\u003c\/h2\u003e\u003cp\u003eBoth performances belong to Doráti’s \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e discography. 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Langsam — Lebhaft\u003cbr\u003e05 — Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 “Pathétique”: I. Adagio — Allegro non troppo\u003cbr\u003e06 — II. Allegro con grazia\u003cbr\u003e07 — III. Allegro molto vivace\u003cbr\u003e08 — IV. Finale. Adagio lamentoso — Andante\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Robert Schumann; Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eSymphony No. 6 recording:\u003c\/strong\u003e Wembley Town Hall, June 1960; dated 18 June 1960\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS622\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195572355419,"sku":"CS622-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-schumann-tchaikovsky-sinfonie-4-6-capsa-symphonia-CS622-cover.png?v=1788252309"},{"product_id":"great-recordings-4","title":"Doráti: Tchaikovsky — Symphony No. 1 “Winter Daydreams” \u0026 Capriccio Italien","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts \u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e in two recordings with different ensembles: \u003cstrong\u003eSymphony No. 1 in G minor, Op. 13 “Winter Daydreams”\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eCapriccio italien, Op. 45\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eSymphony No. 1 is documented at \u003cstrong\u003eWatford Town Hall on 27 July 1965\u003c\/strong\u003e. Doráti highlights the strongly individual structure already present in Tchaikovsky’s first symphonic essay.\u003c\/p\u003e\u003ch2\u003eOriginal label and first release\u003c\/h2\u003e\u003cp\u003eSymphony No. 1 belongs to the historical \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue. The sessions for Tchaikovsky’s first three symphonies were produced by \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e and engineered by \u003cstrong\u003eRobert Eberenz\u003c\/strong\u003e at Watford in July 1965; the cycle appeared in the United States in September of the same year in the stereo set \u003cstrong\u003eMercury SR2-9015\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 1 in G Minor, Op. 13 “Winter Daydreams”: I. Dreams of a Winter Journey. Allegro tranquillo\u003cbr\u003e02 — II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto\u003cbr\u003e03 — III. Scherzo. Allegro scherzando giocoso\u003cbr\u003e04 — IV. Finale. Andante lugubre — Allegro maestoso\u003cbr\u003e05 — Capriccio italien, Op. 45\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Symphony No. 1):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Watford Town Hall, 27 July 1965\u003cbr\u003e\u003cstrong\u003eOrchestra (Capriccio italien):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS624\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195662664027,"sku":"CS624-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-tchaikovsky-sinfonia-1-capriccio-italien-capsa-symphonia-CS624-cover.png?v=1788252309"},{"product_id":"stereormandy-vol-7","title":"Ormandy: Tchaikovsky — Symphony No. 6 “Pathétique” \u0026 1812 Overture","description":"\u003cp\u003e\u003cstrong\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique”\u003c\/strong\u003e and the \u003cstrong\u003e1812 Festival Overture, Op. 49\u003c\/strong\u003e by Pyotr Ilyich Tchaikovsky are presented in this edition with Eugene Ormandy and The Philadelphia Orchestra.\u003c\/p\u003e\u003ch2\u003eRegistrations\u003c\/h2\u003e\u003cp\u003eThe program combines Tchaikovsky’s final symphony, ending with the Adagio lamentoso, with the celebratory construction of the 1812 Overture.\u003c\/p\u003e\u003ch2\u003eEugene Ormandy and The Philadelphia Orchestra\u003c\/h2\u003e\u003cp\u003eOrmandy guides the orchestra through the strong dynamic and timbral contrasts of the two scores, from the tension of the “Pathétique” to the ceremonial scale of the 1812 Overture.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 6, Op. 74 “Pathétique”: I. Adagio — Allegro non troppo\u003cbr\u003e02 — II. Allegro con grazia\u003cbr\u003e03 — III. Allegro molto vivace\u003cbr\u003e04 — IV. Adagio lamentoso — Andante\u003cbr\u003e05 — Ouverture solennelle 1812, Op. 49\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Pyotr Ilyich Tchaikovsky\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Eugene Ormandy\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e The Philadelphia Orchestra\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is an ultra-high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for ultra-high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51215949988187,"sku":"CS652-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs652-tchaikovsky-symphony-no-6-pathetique-1812-overture-ormandy-philadelphia-capsa-symphonia-cover.png?v=1789061944"},{"product_id":"all-ombra-dei-giganti-la-direzione-d-orchestra-in-germania-e-in-austria-1900-1950","title":"All’ombra dei giganti — Conducting in Germany and Austria (1900–1950)","description":"\u003cp\u003e\u003cstrong\u003eAll’ombra dei giganti\u003c\/strong\u003e is a Capsa Symphōnĭa audio anthology devoted to the great German and Austrian conducting tradition, conceived in dialogue with Andrea Bedetti’s book of the same title and the listening guide in \u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e. The title reflects the historical scope of the book; the recorded selection also includes later material for some of the conductors represented.\u003c\/p\u003e\u003ch2\u003eTen interpreters, ten documents of orchestral conducting\u003c\/h2\u003e\u003cp\u003eThe collection brings together Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard and Hermann Scherchen in music by Beethoven, Bruckner, Mozart, Wagner, Brahms, Tchaikovsky and Bach. The recordings span different schools, periods and recording practices, from studio and 78 rpm sessions to radio and live recordings.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBeethoven’s Fifth conducted by Weingartner with the London Philharmonic Orchestra was recorded between 31 January and 2 February 1933 at Abbey Road Studio 1; Furtwängler’s Bruckner Ninth with the Berliner Philharmoniker was made for radio in Berlin’s Beethovensaal in autumn 1944 rather than as a public concert; Mozart’s \u003cem\u003eJupiter\u003c\/em\u003e under Bruno Walter with the Wiener Philharmoniker dates from January 1938; Klemperer’s \u003cem\u003eEroica\u003c\/em\u003e with the Philharmonia Orchestra was recorded at Kingsway Hall in 1955; Knappertsbusch’s 1962 \u003cem\u003eParsifal\u003c\/em\u003e from the Bayreuth Festival was captured live.\u003c\/p\u003e\u003cp\u003eOswald Kabasta’s Bruckner Fourth with the Münchner Philharmoniker is a radio recording from 30 June 1943 preserved from RRG tapes. Hermann Abendroth’s Brahms Fourth with the Leipzig radio orchestra dates from 15 April 1956; Carl Schuricht’s Beethoven Ninth with the Orchestre de la Société des Concerts du Conservatoire was recorded at Salle Wagram in Paris in 1958.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eThis digital edition, code \u003cstrong\u003eCS001\u003c\/strong\u003e, is available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e. The file is PCM 44.1kHz • 16bit and is not a Hi-Res format.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003col\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 5 in C minor, Op. 67: Allegro con brio [08:09] — Felix Weingartner, London Philharmonic Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 9 in D minor: Scherzo. Bewegt, lebhaft – Trio. Schnell [09:31] — Wilhelm Furtwängler, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e — Symphony No. 41 in C major, K. 551 “Jupiter”: Molto allegro [06:35] — Bruno Walter, Wiener Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 3 in E-flat major, Op. 55 “Eroica”: Marcia funebre [14:43] — Otto Klemperer, Philharmonia Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eRichard Wagner\u003c\/strong\u003e — \u003cem\u003eParsifal\u003c\/em\u003e, WWV 111: Vorspiel, Act I [12:00] — Hans Knappertsbusch, Bayreuther Festspielorchester.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 4 in E-flat major, WAB 104 “Romantische”: Bewegt, nicht zu schnell [16:02] — Oswald Kabasta, Münchner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e — Symphony No. 4 in E minor, Op. 98: Allegro energico e passionato [10:20] — Hermann Abendroth, Rundfunk-Sinfonieorchester Leipzig.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 9 in D minor, Op. 125 “Choral”: Molto vivace [11:18] — Carl Schuricht, Orchestre de la Société des Concerts du Conservatoire.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e — \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, Overture-Fantasia [22:30] — Leo Borchard, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e — Brandenburg Concerto No. 3 in G major, BWV 1048 [15:08] — Hermann Scherchen, Orchester der Wiener Staatsoper.\u003c\/li\u003e\u003c\/ol\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductors:\u003c\/strong\u003e Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard, Hermann Scherchen.\u003cbr\u003e\u003cstrong\u003eDigital edition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS001\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003elistening guide\u003c\/strong\u003e connected with this anthology is available in \u003ca href=\"\/collections\/groove-back-magazine\"\u003e\u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e\u003c\/a\u003e. Andrea Bedetti’s book \u003cem\u003eAll’ombra dei giganti. La direzione d’orchestra in Germania e in Austria (1900–1950)\u003c\/em\u003e, the first volume in the GRooVE back Parallel series, is also available on the website.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":53589920153947,"sku":"CS001-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs001-all-ombra-dei-giganti-grandi-direttori-capsa-symphonia-cover.png?v=1789047386"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/pyotr-ilyich-tchaikovsky.oembed?page=2","provider":"Reference Music Store","version":"1.0","type":"link"}