{"title":"Orchestra di Padova e del Veneto","description":"\u003cp\u003eBrowse albums and recordings associated with Orchestra di Padova e del Veneto in the Reference Music Store catalogue. Available editions and details on each product page.\u003c\/p\u003e","products":[{"product_id":"felix-mendelssohn-bartholdy-andretta-nordio","title":"Felix Mendelssohn Bartholdy - Orchestra di Padova e del Veneto, Giancarlo Andretta, Domenico Nordio","description":"\u003cp\u003e\u003cstrong\u003eFelix Mendelssohn Bartholdy\u003c\/strong\u003e. Mendelssohn’s Violin Concerto op. 64 and Symphony no. 4 op. 90, with Domenico Nordio and Orchestra di Padova e del Veneto conducted by Giancarlo Andretta.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD045\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eOrchestra di Padova e del Veneto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGiancarlo Andretta\u003c\/strong\u003e (conductor)\u003cbr\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e (violin)\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eRecorded at Auditorium Pollini, Padua, on 21 and 22 August 2000, using Prism Sound Dream AD2 converter at 96 kHz · 24 bit. Marco Lincetto: Schoeps microphones and Dromos cables. Fabio Framba: Sonic Solutions USP digital workstation.\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003eConcerto in E minor op. 64 for violin and orchestra\u003c\/p\u003e\u003cp\u003e1 Allegro con fuoco 12’46”\u003cbr\u003e2 Andante 8’46”\u003cbr\u003e3 Allegro molto vivace 6’34”\u003cbr\u003eSymphony n. 4 in A major op.90 “Italiana”\u003c\/p\u003e\u003cp\u003e4 Allegro vivace 11’20”\u003cbr\u003e5 Andante con moto 6’11”\u003cbr\u003e6 Con moto moderato 6’59”\u003cbr\u003e7 Saltarello, Presto 5’30”\u003cbr\u003eTotal time 57’59”\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eIntroductory thoughts by Radu Lidjienko\u003c\/strong\u003e\u003cbr\u003eOur mind is the most inaccessible place in the Universe. It seems to be a black box, into which a little bit of everything enters, haphazardly, often without any order, and from which completely different things emerge. The fascination that some special product of the human mind exerts on us is partly due to the aura of mystery that surrounds the human mind itself. How can it be that someone came up with the idea of producing something so perfect, so complex? How is it that a rare human being produces perfection, complexity, and beauty, given that the norm of human beings spends their entire lives in the most absolute creative constipation, rarely, and laboriously, giving birth to things that convey nothing to us? Our understanding of these phenomena is flawed by the fundamental error that consists of separating human beings from everything else, which we simply imagine as the backdrop for our deeds as superior beings. Is an equatorial forest, with its scents, its colors, and all the organisms that together contribute to keeping it alive, perfect and complex as it is, a work of art in its own way? Conversely, is it not entirely \"natural\" that some special men produce music like that you will hear on this CD? By restoring us all to nature, to the whole that contains us, and by abandoning the fascinating idea of the black box, which only works for brilliant beings, we would lose nothing, and instead, we could observe the perfection of the design on a butterfly's wings with the same spirit with which we observe a painting, above all with the same respect, and also spending much less, as long as there are butterflies flying freely in the meadows. Nature, at this point in its purposeless history, has produced everything that exists today, including the genius of those who conceived this music. That genius worked so that his fellow men were swept by the same mysterious wave that had originated these sounds in him. Nature has also produced the CD you hold in your hand. It has produced the extraordinary and inexplicable talent of the soloist, the conductor, and the orchestra itself. Complexity and perfection are in the mind of those who conceive the music, as well as in the reality of the infinite facts that contribute to building the path that has brought this CD to you. The musicians who play here have dedicated a significant part of their lives to allowing themselves to be traversed by the musical ideas of a genius composer. We are faced with an equally demanding task: to enjoy, to understand, and to enjoy understanding. I believe this is the greatest benefit offered to those who have the opportunity to belong to the human species.\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Mendelssohn-Violin-Concerto-No-2-Op-64-Symphony-No-4-Op-90-Italiana\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49733172035931,"sku":"CVLD045","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/045-cover.jpg?v=1734692354"},{"product_id":"the-early-years-chopin-mozart-armellini","title":"The Early Years: Chopin, Mozart | Leonora Armellini","description":"\u003cp\u003eLeonora Armellini performs music by Chopin and Mozart in The Early Years. The programme also includes works with the Orchestra di Padova e del Veneto and the “Alpe Adria” Youth Philharmonic Orchestra.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD156CD\u003c\/li\u003e\u003cli\u003eFile Hi-Res WAV 88.2kHz · 24bit — CVLD156\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eLeonora Armellini — piano; Orchestra di Padova e del Veneto — Anton Nanut, conductor; “Alpe Adria” Youth Philharmonic Orchestra — Luigi Pistore, conductor.\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal digital recording: 88.2 kHz · 24 bit. Chopin: Auditorium Pollini, Padova, January 2007; Mozart: Auditorium della Cultura Friulana, Gorizia, December 2008.\u003c\/p\u003e\u003cp\u003eLive recordings. Sound engineer, remix and remastering: Marco Lincetto. Remixed and remastered from the original Hi-Res multitracks, Velut Studios, 28 August 2016.\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eFRYDERYK CHOPIN\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConcerto n. 2 in Fa minore, per pianoforte e orchestra, op.21\u003c\/em\u003e\u003cbr\u003e01 - Maestoso, 13:44\u003cbr\u003e02 - Larghetto, 8:46\u003cbr\u003e03 - Allegro vivace, 9:35\u003c\/p\u003e\u003cp\u003e\u003cem\u003eGrande Polonaise brillante, précédée d’un Andante spianato, op.22\u003c\/em\u003e\u003cbr\u003e04 - Tranquillo, Semplice, Allegro molto, Meno mosso, 14:49\u003cbr\u003e\u003cem\u003eOrchestra di Padova e del Veneto, Anton Nanut, conductor\u003c\/em\u003e\u003cbr\u003eLive recording: Auditorium Pollini, Padova, January 2007.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWOLFGANG AMADEUS MOZART\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConcerto n.27 in Si bemolle maggiore, per pianoforte e orchestra, KV595\u003c\/em\u003e\u003cbr\u003e05 - Allegro, 13:28\u003cbr\u003e06 - Larghetto, 8:05\u003cbr\u003e07 - Rondò, Allegro, 8:59\u003c\/p\u003e\u003cp\u003e\u003cem\u003e“Alpe Adria” Youth Philarmonic Orchestra, Luigi Pistore, conductor\u003c\/em\u003e\u003cbr\u003eLive recording: Auditorium della Cultura Friulana, Gorizia, December 2008.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTotal Time: 77:28\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/LeonoraArmellini\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993716760923,"sku":"CVLD156CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49801116189019,"sku":"CVLD156","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/156-cover.jpg?v=1735738123"},{"product_id":"i-sogni-di-giano-concerto-orchestra-di-padova-e-del-veneto","title":"I Sogni di Gianò | Lincetto, Omizzolo","description":"\u003cp\u003eThe Orchestra di Padova e del Veneto, conducted by Fabio Framba, performs music by Adriano Lincetto and Silvio Omizzolo in I Sogni di Gianò, with soloists, orchestra and voice.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD205CD\u003c\/li\u003e\u003cli\u003eFile Hi-Res WAV 88.2kHz · 24bit — CVLD205\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eOrchestra di Padova e del Veneto; Fabio Framba — conductor; Mario Folena — flute; Paolo Brunello — oboe; Andrea Bressan — bassoon; Simone Lonardi, Roberto Caterini — trumpet; Silvia Regazzo — voice; Damiano Scharp — cello; Pierluigi Piran — piano.\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal digital recording: 88.2 kHz · 24 bit; Auditorium Pollini, Padova; 2009-09.\u003c\/p\u003e\u003cp\u003eRecorded live in the studio.\u003c\/p\u003e\u003cstrong\u003eOriginal 24bit\/88.2 digital recording made at the Pollini Auditorium, Padua, in September 2009\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVelut Luna production\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusic producer and editing engineer Fabio Framba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalance and mixing engineer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover (Grand Prismatic Spring, Yellowstone National Park, Wyoming) Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto, Nicola Righetti, Elide Cataldo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout L'image\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSILVIO OMIZZOLO (1905 – 1991)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eConcerto per violoncello, archi e pianoforte (1958)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 – Allegro marcato,  9:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 – Andante,  6:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 – Rondò (Presto),  9:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eADRIANO LINCETTO (1936 – 1996)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eI Sogni di Gianò (1985)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSuite orchestrale per flauto, oboe, fagotto, due trombe, archi e voce\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 – Canzone d’Amore,  13:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Sono stato soldato,  12:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – La fisarmonica e il bambino,  7:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTempo totale: 59:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003ch4\u003eEdition notes\u003c\/h4\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto and Silvio Omizzolo were two Italian composers who lived through the musical history of the 20th century, both passing away at the end of the century.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnited by the fact that the former was a student of the latter, they later shared many common musical experiences, including the important role of directing the Cesare Pollini Conservatory of Music in Padua, at different times, and an intense concert activity as distinguished and esteemed pianists.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSilvio Omizzolo's Concerto for cello, strings and piano belongs to the great tradition of Central European music of the mid-20th century, finding illustrious references in authors such as Bartok and Stravinsky. Clearly structured in the concerto form, it offers the cello important virtuoso opportunities.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Suite \"I Sogni di Gianò\" by Adriano Lincetto was derived by the composer himself from his original incidental music written in 1969 as the soundtrack to the one-act pantomime of the same name by Cornelia Mora Taboga. It is strongly descriptive and evocative music, which bases its strength on an uninterrupted series of poignant melodies, permeated by the deepest and most cultured Italian tradition, but rich in \"French\" echoes, in homage to the Parisian setting of the story of the tramp Gianò, which takes place in a forgotten, timeless Paris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in the usual live-in-studio format at the Cesare Pollini Auditorium in Padua, this album features the heartfelt interpretation of the Orchestra di Padova e del Veneto conducted by Fabio Framba, with Damiano Scarpa as cello soloist, Pierluigi Piran on piano and Silvia Regazzo, who performs an important vocal solo cameo within the Suite I Sogni di Gianò.\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-AND-Silvio-Omizzolo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015359566171,"sku":"CVLD205CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49820735504731,"sku":"CVLD205","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/205-cover.jpg?v=1736002068"},{"product_id":"w-a-mozart-wind-concerts-lucchetta-folena-voltan","title":"Mozart: Wind Concerts | Lucchetta, Folena, Voltan","description":"\u003cp\u003eMozart: Concertos K 622, K 314 and K 191 with Luca Lucchetta, Mario Folena and Aligi Voltan. Live recordings from 2006 and 2004.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD292CD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD292\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eLuca Lucchetta — clarinet; Mario Folena — flute; Aligi Voltan — bassoon; Orchestra di Padova e del Veneto, Zsolt Hamar — conductor (K 622, K 314); I Solisti dell’Olimpico, Giovanni Battista Rigon — conductor (K 191).\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eLive recordings: K 622, K 314 — Teatro Verdi, Padova, 2006-10-04; K 191 — Teatro Olimpico, Vicenza, 2004-06-12.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eProduction: Velut Luna\u003c\/li\u003e\n\u003cli\u003eExecutive producer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eRecording, mix and mastering: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003ePhotos: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eDesign and layout: L’Image\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003ch4\u003eConcerto in A Major K 622 for Clarinet and Orchestra\u003c\/h4\u003e\u003col\u003e\u003cli\u003eAllegro — 11:42\u003c\/li\u003e\u003cli\u003eAdagio — 6:48\u003c\/li\u003e\u003cli\u003eRondo (Allegro) — 8:39\u003c\/li\u003e\u003c\/ol\u003e\u003ch4\u003eConcerto No. 2 in D Major K 314 for Flute and Orchestra\u003c\/h4\u003e\u003col start=\"4\"\u003e\u003cli\u003eAllegro aperto — 7:04\u003c\/li\u003e\u003cli\u003eAndante ma non troppo — 6:22\u003c\/li\u003e\u003cli\u003eAllegro — 5:45\u003c\/li\u003e\u003c\/ol\u003e\u003ch4\u003eConcerto in B-Flat Major K 191 for Bassoon and Orchestra\u003c\/h4\u003e\u003col start=\"7\"\u003e\u003cli\u003eAllegro — 6:37\u003c\/li\u003e\u003cli\u003eAndante ma adagio — 6:00\u003c\/li\u003e\u003cli\u003eRondo (Tempo di minuetto) — 4:47\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e63:48\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003eThree wind concertos by Wolfgang Amadeus Mozart, performed by three Italian soloists with two chamber orchestras. Recorded in stereo with two microphones, directly to a digital Hi-Res master during the concerts.\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Wolfgang-Amadeus-Mozart-Wind-Concerts\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000724918619,"sku":"CVLD292CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49918087463259,"sku":"CVLD292","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_2824f6f3-c50c-49fd-b8b2-60462f297541.jpg?v=1737235463"},{"product_id":"audiophile-musical-journey","title":"Audiophile Musical Journey","description":"\u003cp\u003e17 tracks spanning classical music, jazz and song in the Velut Luna sampler. CD and 88.2 kHz · 24bit file; programme and performers.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cp\u003eCD and Hi-Res WAV file, 88.2 kHz · 24bit. Velut Luna CVLD306.\u003c\/p\u003e\u003ch3\u003eProgramme\u003c\/h3\u003e\u003cp\u003eBenjamin Britten \u003cbr\u003eSimple Symphony op.4\u003cbr\u003e01 - Boisterous Bouree, 3:10\u003cbr\u003e02 - Playful Pizzicato, 3:11\u003cbr\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon, conductor\u003cbr\u003eLive recording: Teatro Olimpico, Vicenza, June 7th, 2003\u003cbr\u003eVelut Luna CVLD090 - ITW310409002  -03\u003c\/p\u003e\u003cp\u003eFelix Mendelssohn-Bartholdy\u003cbr\u003e03 - A Midsummer Night’s Dream, Op.21, Overture, finale, 3:15\u003cbr\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording: Auditorium Pollini, Padova, April 19th, 2007\u003cbr\u003eITW311799901\u003c\/p\u003e\u003cp\u003eWolfgang Amadeus Mozart\u003cbr\u003eConcert in A Major K622 for Clarinet and Orchestra\u003cbr\u003e04 - Allegro [fragment], 4:08\u003cbr\u003eLuca Lucchetta, clarinet, Orchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording: Teatro Verdi, Padova, October 4th, 2004\u003cbr\u003eVelut Luna CVLD292 - ITW311729201  \u003c\/p\u003e\u003cp\u003e05 - Era de' Maggio (M.Costa - S.Di Giacomo) 5:30\u003cbr\u003eRosella Caporale, voice\u003cbr\u003eOrchestra C.Pollini del Conservatorio di Padova, Giuliano Medeossi, conductor\u003cbr\u003eStudio recording: Auditorium Pollini, Padova, May, 2015\u003cbr\u003eVelut Luna CVLD265 - ITW311526508\u003c\/p\u003e\u003cp\u003eFranz Schubert\u003cbr\u003e06 - Sonata in A major D959: Andantino, 8:05\u003cbr\u003eChiara Bertoglio, grand piano\u003cbr\u003eLive-in-studio recording: Spazio d'Arte, San Giacomo, November 29th, 2014\u003cbr\u003eITW311526407\u003c\/p\u003e\u003cp\u003e07 - Albori (S.Tasca) 5:44\u003cbr\u003eSaverio Tasca \u0026amp; AlterArco\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, July, 2015\u003cbr\u003eVelut Luna CVLD269 - ITW311526901\u003c\/p\u003e\u003cp\u003e08 - At The Jazz Band Ball (L.Shields) 3:38\u003cbr\u003eStoryville Jazz Band\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, July, 26th, 2006\u003cbr\u003eVelut Luna CVLD145 - ITW310614501\u003c\/p\u003e\u003cp\u003e09 - Vertigo (M.Salvagnini) 4:34\u003cbr\u003eMassimo Salvagnini Quartet\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, November, 11th, 2006\u003cbr\u003eVelut Luna CVLD153 - ITW310715305\u003c\/p\u003e\u003cp\u003e10 - Birdland (J.Zawinul) 5:19\u003cbr\u003eArt Percussion Ensemble, Massimo Pastore conductor\u003cbr\u003eStudio recording: Auditorium Pollini, Padova, October 2010\u003cbr\u003eVelut Luna CVLD196 - ITW311119604\u003c\/p\u003e\u003cp\u003e11 - Toni Nokia (D.B.Soto Chero) 6:31\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003eITW311323908\u003c\/p\u003e\u003cp\u003e12 - Tears (M.Strano - P.Casula) 5:17\u003cbr\u003ePaola Casula\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, March, 16th, 2006\u003cbr\u003eVelut Luna CVLD139 - ITW310613910\u003c\/p\u003e\u003cp\u003e13 - So in love (C.Porter) 4:06\u003cbr\u003eLucia Minetti, Pietro Ballestrero \u0026amp; Stefano Profeta\u003cbr\u003eLive-in-studio recording: MagisterArea Studios, Preganziol, September, 23rd, 2017\u003cbr\u003eVelut Luna CVLD294 - ITW311729404\u003c\/p\u003e\u003cp\u003e14 - Contigo en la distancia (Cesar Portillo de la Luz) 3:57\u003cbr\u003eAlejandro Martinez y Nina y Villa el Salvador\u003cbr\u003eStudio recording: Studio A, Padova, June 2015\u003cbr\u003eVelut Luna CVLD266 - ITW311526601\u003c\/p\u003e\u003cp\u003e15 - Vedrai, Vedrai (L.Tenco) 4:36\u003cbr\u003eNinni Arini\u003cbr\u003eStudio recording: Cantina Martinez, Marsala, January 27th, 2017\u003cbr\u003eVelut Luna CVLD286 - ITW311728604\u003c\/p\u003e\u003cp\u003e16 - Nia, nia, nia \/ Rodrigo Martines (Anonymous XVI sec.) 4:34\u003cbr\u003eEnsemble Terra d'Otranto\u003cbr\u003eStudio recording: Masseria Torcito, Lecce, october, 3rd, 2003\u003cbr\u003eITW311799902\u003c\/p\u003e\u003cp\u003e17 - Reso (D.B.Soto Chero) 3:08\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003eITW311323913\u003cbr\u003eTotal time: 78:55\u003c\/p\u003e\u003ch3\u003eListening notes\u003c\/h3\u003e\u003cp\u003eThe sampler compares genres, ensembles and recording spaces. The edition’s listening guide describes the reference used in production: differences heard at home do not by themselves amount to a negative judgement on a system. These observations offer a comparison that remains subject to the listener’s own preferences.\u003c\/p\u003e\u003ch3\u003eReference system\u003c\/h3\u003e\u003cp\u003eNORTH STAR DESIGN Meccanica 192 + DAC SUPREMO; NORMA SC-2; GENELEC 1037C (L\/R) + GENELEC 7070; WHITE GOLD I2S (Meccanica → DAC); VELUT LUNA WIRE (DAC → pre → speakers), balanced cables built to Velut Luna specifications.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eExplore the Velut Luna catalogue\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49923124658523,"sku":"CVLD306","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49995392450907,"sku":"CVLD306CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d664fb59-e487-4c9d-a58c-c42d66b4203d.jpg?v=1737330742"},{"product_id":"adriano-lincetto-legacy","title":"Adriano Lincetto: Legacy | opere in sei volumi","description":"\u003cp\u003eRecordings of Adriano Lincetto’s works in six volumes: Gianò, solo piano, chamber music, orchestra, songs and villotte.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cp\u003eComplete collection on USB drive or as Hi-Res WAV files; individual volumes as Hi-Res WAV files. Digital variants specify 88.2 kHz · 24bit for the full collection and volumes 1–4 and 6, and 192 kHz · 24bit for volume 5. Velut Luna CVLD371.\u003c\/p\u003e\u003cp\u003eThe collection organises recordings of Adriano Lincetto’s works gathered for this edition into six volumes. Marco Lincetto made the recordings, except for the home version of Gianò recorded by the composer in 1969 and remastered for this release.\u003c\/p\u003e\n\n\n\u003ch3\u003eVOLUME 1 - GIANO' 64:42\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eI Sogni di Gianò\u003c\/b\u003e \u003ci\u003e(studio version for electronic organ, mezzo-soprano and flute),\u003c\/i\u003e 24:54\u003c\/p\u003e\n\u003cp\u003e1 - 8: Movimenti I - VII e Finale\u003c\/p\u003e\n\u003cp\u003eAdriano Lincetto, \u003ci\u003eorgan\u003c\/i\u003e, Lucia Valentini Terrani, \u003ci\u003emezzosoprano\u003c\/i\u003e, Antonio Carraro,\u003ci\u003e flute\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eHome recording made by the composer at his Padua studio in 1969 with a Geloso recorder and Sennheiser MD 440 microphone\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eI Sogni di Gianò\u003c\/b\u003e \u003ci\u003e(transcription for solo organ by the composer)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e9: Finale, 2:38\u003c\/p\u003e\n\u003cp\u003eAdriano Lincetto,\u003ci\u003e organ\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in February 1996 at the parish church of Bassanello, Padua: the composer’s last public performance, two months before his death. Recorded by Marco Lincetto.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eI Sogni di Gianò, Suite Orchestrale\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e10: Canzone d'amore, 13:03\u003c\/p\u003e\n\u003cp\u003e11: Sono stato soldato, 12:06\u003c\/p\u003e\n\u003cp\u003e12: La fisarmonica e il bambino, 3:36\u003c\/p\u003e\n\u003cp\u003e13: Finale, 4:16\u003c\/p\u003e\n\u003cp\u003eOrchestra di Padova e del Veneto, conductor Fabio Framba, Silvia Regazzo, mezzosoprano\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, September 2009\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 2 - PIANO SOLO 22:19\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eQuattro Schizzi, per pianoforte solo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1: Preludio, Lento espressivo, 2:16\u003c\/p\u003e\n\u003cp\u003e2: Notturno, Andante sereno, 2:27\u003c\/p\u003e\n\u003cp\u003e3: Lento espressivo, 3:49\u003c\/p\u003e\n\u003cp\u003e4: Allegramente scanzonato, 1:03\u003c\/p\u003e\n\u003cp\u003eAuditorium di Taio, Trento, July 1997\u003c\/p\u003e\n\u003cp\u003e5: \u003cb\u003eda Quattro Improvvisi: Presto\u003c\/b\u003e, 2:56\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, June 2001\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCinque Momenti Musicali, per pianoforte solo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e06: Andante molto calmo, 2:31\u003c\/p\u003e\n\u003cp\u003e07: Agitato, 1:22\u003c\/p\u003e\n\u003cp\u003e08: Calmo e sereno, 1:43\u003c\/p\u003e\n\u003cp\u003e09: Mosso con spirito, 2:13\u003c\/p\u003e\n\u003cp\u003e10: Andante, 1:53\u003c\/p\u003e\n\u003cp\u003eStudio Zanta, Camponogara, May 2017\u003c\/p\u003e\n\u003cp\u003eAlberto Boischio, piano\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 3 - CAMERA I 76:40\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eQuintetto per fiati\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Moderatamente mosso e ironico, 3:23\u003c\/p\u003e\n\u003cp\u003e02: Adagio ma non troppo, 3:37\u003c\/p\u003e\n\u003cp\u003e03: Allegro moderato, 2:42\u003c\/p\u003e\n\u003cp\u003eAlban Quintet:\u003c\/p\u003e\n\u003cp\u003eErmanno Giacomel, flute, Giuseppe Nalin, oboe, Mirta Ormen, clarinet, Franco Poloni, horn, Paolo Tognon, bassoon\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, August 1993\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrio per flauto, viola e violoncello\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e04: Moderato, Allegro molto, 4:08\u003c\/p\u003e\n\u003cp\u003e05: Molto lento, Statico, 3:25\u003c\/p\u003e\n\u003cp\u003e06: Allegro ironico con spirito, 2:30\u003c\/p\u003e\n\u003cp\u003eAntonio Carraro, flute, Sergio Agius, viola, Andrea Musto, cello\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, August 1993\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCinque piccoli pezzi per flauti dolci e fagotto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e05: Allegro scanzonato, 1:14\u003c\/p\u003e\n\u003cp\u003e06: Andante, 2:10\u003c\/p\u003e\n\u003cp\u003e07: Allegro deciso, 1:10\u003c\/p\u003e\n\u003cp\u003e08: Adagio molto cantabile e malinconico, 3:29\u003c\/p\u003e\n\u003cp\u003e09: Allegro molto con ironia, 1:41\u003c\/p\u003e\n\u003cp\u003eMaria Giovanna Fiorentino e Francesca Fiorentino, recorders, Paolo Tognon, bassoon\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, August 1993\u003c\/p\u003e\n\u003cp\u003e10: \u003cb\u003eFantasia per viola, clarinetto e pianoforte\u003c\/b\u003e, 7:57\u003c\/p\u003e\n\u003cp\u003eDomenico Nordio, viola, Alessandro Carbonare, clarinet, Alberto Boischio, piano\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, June 2001\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eQuintetto per fiati\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e11: Moderatamente mosso e ironico, 3:14\u003c\/p\u003e\n\u003cp\u003e12: Adagio ma non troppo, 3:22\u003c\/p\u003e\n\u003cp\u003e13: Allegro moderato, 2:49\u003c\/p\u003e\n\u003cp\u003eQuintetto Pedrollo di Vicenza\u003c\/p\u003e\n\u003cp\u003eAuditorium del Conservatorio, Vicenza, September 2022\u003c\/p\u003e\n\u003cp\u003e14: \u003cb\u003eTurodo Nacto per arpa,\u003c\/b\u003e 5:25\u003c\/p\u003e\n\u003cp\u003eCaterina Bergo\u003c\/p\u003e\n\u003cp\u003eMagister Recording Area Studio, Preganziol, November 2005\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSonata per due arpe\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e15: Allegro con spirito, 3:57\u003c\/p\u003e\n\u003cp\u003e16: Adagio espressivo, 4:09\u003c\/p\u003e\n\u003cp\u003e17: Allegro scorrevole, 3:55\u003c\/p\u003e\n\u003cp\u003eCaterina Bergo e Paola Donato, harps\u003c\/p\u003e\n\u003cp\u003eMagister Recording Area Studio, Preganziol, November 2005\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eScene Minime per quartetto d'archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e18: Ninna nanna, 1:48\u003c\/p\u003e\n\u003cp\u003e19: L'ubriaco, 1:25\u003c\/p\u003e\n\u003cp\u003e20: Funerale della bambola, 1:41\u003c\/p\u003e\n\u003cp\u003e21: Lo sberleffo, 0:54\u003c\/p\u003e\n\u003cp\u003e22: Il chiodo, 5:27\u003c\/p\u003e\n\u003cp\u003e23: Per la strada, 0:53\u003c\/p\u003e\n\u003cp\u003eKairos String Quartet: Sara Michieletto e Francesco Scattolin, violins, Michele Sguotti, viola, Laura Moretti, cello\u003c\/p\u003e\n\u003cp\u003eChiesa di San Francesco, Schio, February 1996\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 4 - CAMERA II 74:15\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eDivertimento a due per chitarra e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Introduzione, 2:54\u003c\/p\u003e\n\u003cp\u003e02: Danza, 2:53\u003c\/p\u003e\n\u003cp\u003e03: Finale, 3:38\u003c\/p\u003e\n\u003cp\u003ePaolo Muggia, guitar, Lorella Ruffin, piano\u003c\/p\u003e\n\u003cp\u003eSala degli Specchi del Hotel Ritz, Abano Terme, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdagio e Allegro per mandolino e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e04: Adagio, 2:05\u003c\/p\u003e\n\u003cp\u003e05: Allegro, 3:46\u003c\/p\u003e\n\u003cp\u003eUgo Orlandi, mandolin, Maura Mazzonetto, piano\u003c\/p\u003e\n\u003cp\u003eSala degli Specchi del Hotel Ritz, Abano Terme, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eQuartetto per quattro flauti in do\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e06: Allegro deciso e molto marcato, 4:42\u003c\/p\u003e\n\u003cp\u003e07: Andante cantabile e sognante, 3:51\u003c\/p\u003e\n\u003cp\u003e08: Vivacissimo, 3:42\u003c\/p\u003e\n\u003cp\u003eTommaso Benciolini, Gloria Ammendola, Marco Aurelio Di Giorgio, Niccolò Valerio, flutes\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSonatina per flauto e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e09: Allegro spigliato, 4:00\u003c\/p\u003e\n\u003cp\u003e10: Andante elegiaco, 3:10\u003c\/p\u003e\n\u003cp\u003e11: Allegro ironico e grottesco, 2:31\u003c\/p\u003e\n\u003cp\u003eElia Guglielmo, flute, Maria Bisi, piano\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGiochi d'infanzia per tre flauti\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e12: Allegro spiritoso, 1:05\u003c\/p\u003e\n\u003cp\u003e13: Adagio ma non troppo, 2:13\u003c\/p\u003e\n\u003cp\u003e14: Scorrevole, 1:20\u003c\/p\u003e\n\u003cp\u003eLudovico Degli Innocenti, Alice Sabbadin, Roberta Nobile, flutes\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e15: \u003cb\u003eAdagio e Allegro per orchestra di Flauti,\u003c\/b\u003e 5:57\u003c\/p\u003e\n\u003cp\u003eOrchestra di flutes Cesare Pollini\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e16: \u003cb\u003eSequenza cromatica per flauto solo,\u003c\/b\u003e 3:06\u003c\/p\u003e\n\u003cp\u003eAlice Sabbadin, flute\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e17: \u003cb\u003eSequenza cromatica per flauto solo, eseguita col violino,\u003c\/b\u003e 3:25\u003c\/p\u003e\n\u003cp\u003eDomenico Nordio, violin\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, June 2001\u003c\/p\u003e\n\u003cp\u003e18: \u003cb\u003eElegia per tromba e organo,\u003c\/b\u003e 3:45\u003c\/p\u003e\n\u003cp\u003eFabiano Maniero, tromba, Silvio Celeghin, organ\u003c\/p\u003e\n\u003cp\u003eChiesa di Noale, January 1997\u003c\/p\u003e\n\u003cp\u003e19: \u003cb\u003eda La Messa degli Artisti: Et Incarnatus est,\u003c\/b\u003e 3:09\u003c\/p\u003e\n\u003cp\u003eLuisa Giannini, soprano, Silvio Celeghin, organ\u003c\/p\u003e\n\u003cp\u003eChiesa di Noale, January 1997\u003c\/p\u003e\n\u003cp\u003e20: \u003cb\u003eda La Messa degli Artisti: Domine non sum dignus,\u003c\/b\u003e 3:16\u003c\/p\u003e\n\u003cp\u003eLuisa Giannini, soprano, Silvio Celeghin, organ\u003c\/p\u003e\n\u003cp\u003eChiesa di Noale, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivertimento a due per chitarra e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e21: Introduzione, 2:59\u003c\/p\u003e\n\u003cp\u003e22: Danza, 3:01\u003c\/p\u003e\n\u003cp\u003e23: Finale, 3:33\u003c\/p\u003e\n\u003cp\u003eLapo Vannucci, guitar, Luca Torrigiani, piano\u003c\/p\u003e\n\u003cp\u003eMagister Area Recording Studio, Preganziol, September 2015\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 5 - ORCHESTRA 87:28\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSuite per Paer, per orchestra d'archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Allegro con Spirito, 1:28\u003c\/p\u003e\n\u003cp\u003e02: Adagio, 2:29\u003c\/p\u003e\n\u003cp\u003e03: Tempo di valzer, 2:28\u003c\/p\u003e\n\u003cp\u003e04: Allegro molto, 2:13\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eConcerto per flauto e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e05: Largo espressivo cantabile, Allegro moderato, 5:12\u003c\/p\u003e\n\u003cp\u003e06: Lento, cantando con molta espressione, 4:35\u003c\/p\u003e\n\u003cp\u003e07: Allegro vivacissimo, 4:36\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Enzo Caroli, flute\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eElegia per corno delle Alpi e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e08: Adagio, ma non troppo lento. Allegro molto. Poco meno cantando. Tempo I, 13:02\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Alessio Benedettelli, alphorn\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivertimento per fagotto e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e09: Notturno, 3:17\u003c\/p\u003e\n\u003cp\u003e10: Danza, 3:32\u003c\/p\u003e\n\u003cp\u003e11: Elegia, 6:51\u003c\/p\u003e\n\u003cp\u003e12: Finale, 3:00\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Andrea Bressan, bassoon\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivertimento a due per chitarra \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(version for strings by Adriano Lincetto)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e13: Preludio, 4:18\u003c\/p\u003e\n\u003cp\u003e14: Danza, 3:13\u003c\/p\u003e\n\u003cp\u003e15: Finale, 4:07\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Alessandro Bono, guitar\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdagio e Allegro per mandolino e pianoforte \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(version for strings by Claudio Mandonico)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e16: Adagio, 2:09\u003c\/p\u003e\n\u003cp\u003e17: Allegro, 3:51\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Ugo Orlandi, mandolin\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eConcerto per flauto e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e18: Largo espressivo cantabile, Allegro moderato, 4:38\u003c\/p\u003e\n\u003cp\u003e19: Lento, cantando con molta espressione, 4:48\u003c\/p\u003e\n\u003cp\u003e20: Allegro vivacissimo, 4:12\u003c\/p\u003e\n\u003cp\u003eOrchestra di Padova e del Veneto, Federico Guglielmo, lead violin, Mario Folena, flute\u003c\/p\u003e\n\u003cp\u003eChiesa dei Cappuccini, Padova, May 2011\u003c\/p\u003e\n\u003cp\u003e21: \u003cb\u003eIl Chiodo \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(version for voice and orchestra by Simone Tonin, lyrics by Rosella Caporale),\u003c\/b\u003e\u003c\/i\u003e 3:17\u003c\/p\u003e\n\u003cp\u003eOrchestra Sinfonica del Conservatorio Pollini, Giuliano Medeossi, conductor, Rosella Caporale, voice\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, May 2015\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 6 - MELODIE E VILLOTTE 62:41\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eVentiquattro Melodie, per voce e pianoforte (bassoon version by Adriano Lincetto)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Allegro, tempo di valzer \/ Agitato \/ Moderato cantabile \/ Mosso \/ Andante cantabile \/ Andante \/ Allegro scherzando \/ Scorrevole, ma non molto \/ Maestoso \/ Mosso, ma cantabile \/ Lento espressivo \/ Moderatamente mosso \/ mosso, ma cantabile \/ Molto calmo, espressivo \/ Valzer brillante \/ Drammatico \/ Calmo espressivo \/ Andante cantabile \/ Con allegria, scherzando \/ Alla marcia \/ Scorrevole, molto espressivo \/ Cantabile \/ Andante sereno \/ Andante mosso \/ Tempo I, Allegro, tempo di valzer, 22:51\u003c\/p\u003e\n\u003cp\u003eLeopoldo Armellini, bassoon, Lorella Ruffin, piano\u003c\/p\u003e\n\u003cp\u003eSala degli Specchi del Hotel Ritz, Abano Terme, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNove Villotte Pavane \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(texts by Giorgio Erminio Fantelli)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e02: Co te go visto \/ El me sposo \/ Se te passi de là \/ Lu diseva e mi diseva \/ Se podesse inciodarte \/ Go dito al prete \/ te voio ben de luni \/ Se tuti i basi \/ Sento sonare la campana a morto, 10:16\u003c\/p\u003e\n\u003cp\u003eSol Ensemble\u003c\/p\u003e\n\u003cp\u003eMagister recording Area Studio, Preganziol, July 2017\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVentiquattro Melodie, per voce e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Allegro, tempo di valzer \/ Agitato \/ Moderato cantabile \/ Mosso \/ Andante cantabile \/ Andante \/ Allegro scherzando \/ Scorrevole, ma non molto \/ Maestoso \/ Mosso, ma cantabile \/ Lento espressivo \/ Moderatamente mosso \/ mosso, ma cantabile \/ Molto calmo, espressivo \/ Valzer brillante \/ Drammatico \/ Calmo espressivo \/ Andante cantabile \/ Con allegria, scherzando \/ Alla marcia \/ Scorrevole, molto espressivo \/ Cantabile \/ Andante sereno \/ Andante mosso \/ Tempo I, Allegro, tempo di valzer, 29:31\u003c\/p\u003e\n\u003cp\u003eTatiana Meira Aguiar, soprano, Alberto Boischio, piano\u003c\/p\u003e\n\u003cp\u003eCasa Boischio, Padova, July 2017\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eExplore the Velut Luna catalogue\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"USB - PENDRIVE COMPLETE WORK","offer_id":49971489145179,"sku":"CVLD371USB","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"COMPLETE WORK - 88.2kHz · 24bit","offer_id":49952760398171,"sku":"CVLD371","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 1 - GIANO' - 88.2kHz · 24bit","offer_id":49945460605275,"sku":"CVLD371\/1","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 2 - PIANO SOLO - 88.2kHz · 24bit","offer_id":49952704201051,"sku":"CVLD371\/2","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 3 - CAMERA I - 88.2kHz · 24bit","offer_id":49952704233819,"sku":"CVLD371\/3","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 4 - CAMERA II - 88.2kHz · 24bit","offer_id":49952704266587,"sku":"CVLD371\/4","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 5 - ORCHESTRA - 192kHz · 24bit","offer_id":49952704299355,"sku":"CVLD371\/5","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 6 - MELODIES AND VILLOTTE - 88.2kHz · 24bit","offer_id":49952704332123,"sku":"CVLD371\/6","price":16.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD371-cover.jpg?v=1737676388"},{"product_id":"antologia-del-centenario-pollini","title":"Cesare Pollini: Antologia del centenario","description":"\u003cp\u003eOrchestral, chamber and piano music by Cesare Pollini, with Oreste Ravanello’s Elegia. The centenary anthology on CD.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cp\u003eCD. Velut Luna CVLD247.\u003c\/p\u003e\u003ch3\u003eProgramme\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003e1 - Scherzo in fa maggiore (1880), per orchestra\u003cbr\u003e2 - Notturno in re maggiore (1882), per orchestra\u003cbr\u003e\u003cbr\u003eOreste Ravanello (1871-1938)\u003cbr\u003e3 - Elegia “in morte di Cesare Pollini” (Andante) per archi\u003cbr\u003e\u003cbr\u003e4 : 8 - Suite op. 3 in mi maggiore per violino, violoncello e pianoforte\u003cbr\u003eAllegro non troppo \/ Largo espressivo \/ Tempo di Minuetto \/ Mesto (A modo di Romanza) \/ Presto\u003cbr\u003e\u003cbr\u003e9 : 11 - Tre fogli d’album (1903)\u003cbr\u003eAttesa (Presto) \/ Melanconia (Andante sostenuto quasi adagio) \/ Prima neve (Andante con moto)\u003cbr\u003e\u003cbr\u003e12 - Notturno (Mesto), Nr. 2 da Sei fogli d’album (1878)\u003cbr\u003e13 - Presto scherzoso Nr. 5 da Sei fogli d’album (1878)\u003cbr\u003e14 - Marcia Funebre (Adagio Maestoso) in si bemolle minore (1874)\u003cbr\u003e15 - Romanza (Quasi adagio)\u003cbr\u003e\u003cbr\u003e16 : 19 - Sonata in fa minore(1874\/1899)\u003cbr\u003eAllegro appassionato \/ Sostenuto \/ Intermezzo \/ Finale (Energico\/Assai agitato)\u003c\/p\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003eOrchestra del Conservatorio “Cesare Pollini” (tracks 1\/2)\u003cbr\u003eGiuliano Medeossi conductor (tracks 1\/2)\u003cbr\u003eOrchestra di Padova e del Veneto (tracks 3)\u003cbr\u003ePietro Billi conductor (tracks 3)\u003cbr\u003eAndrea Vio violin (tracks 4-8)\u003cbr\u003eAngelo Zanin cello (tracks 4-8)\u003cbr\u003eAldo Orvieto piano (tracks 4-8)\u003cbr\u003eMaura Mazzonetto piano (tracks 9-14)\u003cbr\u003eGiovanni Tirindelli piano (tracks 15-19)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eCesare Pollini\u003c\/h3\u003e\u003cp\u003eBorn in Padua in 1858, Cesare Pollini began studying with his mother Luigia de’ Cassis-Faraone and trained with Antonio Bazzini in Milan. In 1882 he became director of Padua’s musical institute, founded in 1879 and renamed after him following his death in 1912. A pianist, composer and musicologist, he promoted European repertoire through the musical mornings at Palazzo Selvatico Estense. His musical circle included Bazzini, Strauss, Martucci, Sgambati and Chilesotti. In 1894 Fratelli Bocca published his Terminologia musicale tedesco-italiana. His commemorative concerts honoured Wagner (1890), Rossini and Tartini (1892), Rubinstein (1895), Bazzini (1897), Brahms (1898), Verdi (1901) and Grieg (1908).\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eExplore the Velut Luna catalogue\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50010292650331,"sku":"CVLD247CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97356e39ee1f505565e67.jpg?v=1738681047"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/orchestra-di-padova-e-del-veneto.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}