{"title":"Orchester der Wiener Staatsoper","description":null,"products":[{"product_id":"all-ombra-dei-giganti-la-direzione-d-orchestra-in-germania-e-in-austria-1900-1950","title":"All’ombra dei giganti — Conducting in Germany and Austria (1900–1950)","description":"\u003cp\u003e\u003cstrong\u003eAll’ombra dei giganti\u003c\/strong\u003e is a Capsa Symphōnĭa audio anthology devoted to the great German and Austrian conducting tradition, conceived in dialogue with Andrea Bedetti’s book of the same title and the listening guide published in \u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e. The title reflects the historical scope of the book; the recorded selection also includes later documents for some of the conductors represented.\u003c\/p\u003e\u003ch2\u003eTen interpreters, ten documents of orchestral conducting\u003c\/h2\u003e\u003cp\u003eThe collection brings together Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard and Hermann Scherchen in music by Beethoven, Bruckner, Mozart, Wagner, Brahms, Tchaikovsky and Bach. These recordings document different schools, periods and recording practices, from studio and 78 rpm sessions to radio recordings and confirmed live performances.\u003c\/p\u003e\u003ch2\u003eDiscographic context\u003c\/h2\u003e\u003cp\u003eAmong the most precisely identified documents are Beethoven’s Fifth conducted by Weingartner with the London Philharmonic Orchestra, recorded between 31 January and 2 February 1933 at Abbey Road Studio 1; Furtwängler’s Bruckner Ninth with the Berliner Philharmoniker, made for radio in Berlin’s Beethovensaal in autumn 1944 and not as a public concert; Mozart’s \u003cem\u003eJupiter\u003c\/em\u003e under Bruno Walter with the Wiener Philharmoniker, recorded in January 1938; Klemperer’s \u003cem\u003eEroica\u003c\/em\u003e with the Philharmonia Orchestra, recorded at Kingsway Hall in 1955; and Knappertsbusch’s celebrated 1962 \u003cem\u003eParsifal\u003c\/em\u003e from the Bayreuth Festival, documented live.\u003c\/p\u003e\u003cp\u003eOswald Kabasta’s Bruckner Fourth with the Münchner Philharmoniker is documented as a 30 June 1943 radio recording preserved from RRG tapes. Hermann Abendroth’s Brahms Fourth with the Leipzig radio orchestra corresponds to the recording of 15 April 1956; Carl Schuricht’s Beethoven Ninth with the Orchestre de la Société des Concerts du Conservatoire was recorded at Salle Wagram in Paris in 1958. For the Borchard and Scherchen selections, performer and repertoire attributions are given; the chronological details are not established with sufficient certainty.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eThis digital edition, code \u003cstrong\u003eCS001\u003c\/strong\u003e, is available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e. The file is PCM 44.1kHz • 16bit and is not a Hi-Res format.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003col\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 5 in C minor, Op. 67: Allegro con brio [08:09] — Felix Weingartner, London Philharmonic Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 9 in D minor: Scherzo. Bewegt, lebhaft – Trio. Schnell [09:31] — Wilhelm Furtwängler, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e — Symphony No. 41 in C major, K. 551 “Jupiter”: Molto allegro [06:35] — Bruno Walter, Wiener Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 3 in E-flat major, Op. 55 “Eroica”: Marcia funebre [14:43] — Otto Klemperer, Philharmonia Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eRichard Wagner\u003c\/strong\u003e — \u003cem\u003eParsifal\u003c\/em\u003e, WWV 111: Vorspiel, Act I [12:00] — Hans Knappertsbusch, Bayreuther Festspielorchester.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 4 in E-flat major, WAB 104 “Romantische”: Bewegt, nicht zu schnell [16:02] — Oswald Kabasta, Münchner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e — Symphony No. 4 in E minor, Op. 98: Allegro energico e passionato [10:20] — Hermann Abendroth, Rundfunk-Sinfonieorchester Leipzig.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 9 in D minor, Op. 125 “Choral”: Molto vivace [11:18] — Carl Schuricht, Orchestre de la Société des Concerts du Conservatoire.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e — \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, Overture-Fantasia [22:30] — Leo Borchard, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e — Brandenburg Concerto No. 3 in G major, BWV 1048 [15:08] — Hermann Scherchen, Orchestra of the Vienna State Opera.\u003c\/li\u003e\u003c\/ol\u003e\u003ch2\u003eCredits and further reading\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductors:\u003c\/strong\u003e Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard, Hermann Scherchen.\u003cbr\u003e\u003cstrong\u003eDigital edition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS001\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003elistening guide\u003c\/strong\u003e connected with this anthology is published in \u003ca href=\"\/collections\/groove-back-magazine\"\u003e\u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e\u003c\/a\u003e. Andrea Bedetti’s book \u003cem\u003eAll’ombra dei giganti. La direzione d’orchestra in Germania e in Austria (1900–1950)\u003c\/em\u003e, the first volume in the GRooVE back Parallel series, is also available on the website.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":53589920153947,"sku":"CS001","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/all-ombra-dei-giganti-grandi-direttori-capsa-symphonia-CS001-cover.png?v=1788138214"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/orchester-der-wiener-staatsoper.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}