{"title":"Classical","description":"","products":[{"product_id":"die-kunst-der-fugue-bwv1080-nicola-lamon","title":"The Art of Fugue BWV1080 - Nicola Lamon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eJ.S.Bach\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e(1685-1750)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eDie Kunst der Fugue BWV 1080 \u003c\/b\u003e(CVLD352)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eNicola Lamon,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e harpsichord\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 1,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:34\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 2,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:42\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 3,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:19\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 4,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:38\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e05 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 5,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:54\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e06 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 6 a 4 in Stylo Francese,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:33\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e07 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 7 a 4 per Augmentationem et Diminutionem, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:41\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e08 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 8 a 3,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e6:31\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e09 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 9 a 4 alla Duodecima,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:52\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e10 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 10 a 4 alla Decima,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e5:05\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e11 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 11 a 4,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e7:10\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e12 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus 12 a 4 Forma inversa,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e13 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 4 Forma recta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:33\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e14 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 3 Forma recta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e2:45\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e15 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 3 Forma inversa,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e2:50\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e16 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon per Augmentationem in Contrario Motu,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:55\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e17 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Ottava,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:52\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e18 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Decima in Contrapunto alla Terza,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e5:22\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e19 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Duodecima in Contrapunto alla Quinta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:25\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e20 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eFuga a 3 Soggetti,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e8:57\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003eTot. Time: 91:17\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Die-Kunst-der-Fugue-Nicola-Lamon\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cb\u003ePCM 88.2kHz\/24bit\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003e---\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\u003cu\u003e\u003cb\u003eRecording\u003c\/b\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003e was made at Magister Area Recording, Preganziol, Italy, on August 2022\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\u003cu\u003e\u003cb\u003eMix and Mastering\u003c\/b\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003e were made at Velut Luna Studio, Naquera (Valencia), Spain on January 2023\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cu\u003e\u003cb\u003eRecording set up:\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMikes:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eAUSTRIAN OC818 - two stereo pair\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMic preamplifiers:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMillennia Media HV-3B\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMulti-ch 88.2\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003ekHz \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\/ 24\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003ebit\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e ADC\/DAC:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eLynx Aurora \"n\"\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eAnalog mixer:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eRupert Neve Design 5059 Satellite 16 x 2 + 2\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMastering ADC:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003ePrism Sound AD-2 Dream, PCM 88.2kHz\/24bit\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eProduction: \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eMarco Lincetto for VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eBalance recording engineer: \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eRecording engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMattia Zanatta\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eMusical producer and editing engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMattia Zanatta\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eMix and mastering engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eDesign and layout: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eThis extraordinary new record production by Marco Lincetto (the first made in Velut Luna's new headquarters in Spain) of one of Johann Sebastian Bach's absolute masterpieces was created by Nicola Lamon using a harpsichord copy of the instrument used in Bach's time in Germany.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eThe recording, made with audiophile standard technique and care, allows to appreciate every hidden nuance of the sound of the monumental instrument used and thus to penetrate all the secrets of Bach's music, wonderfully interpreted by Nicola Lamon.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eNicola Lamon\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e studied at the \"B. Marcello\" conservatory in Venice, graduating in 2001 with top marks and honors in both Organ and organ composition with Elsa Bolzonello Zoja and Harpsichord with Sergio Vartolo and Marco Vincenzi. He also obtained a diploma in Gregorian Chant with full marks with Lanfranco Menga. In the academic year 2005-2006, at the \"B. Marcello\" Conservatory in Venice, he obtained a second level academic diploma in organ with a score of 110 cum laude. He participated in numerous master classes at various international academies: in organ and improvisation with H. Davidson and W. Porter in Smarano (TN), with J.L. Gonzalez Uriol in Daroca (Spain), at the Accademia Chigiana in Siena, for harpsichord, with Cristophe Rousset, obtaining a diploma of merit. He has received several awards in various national and international competitions: in organ, third prize in Borca di Cadore in 2001 and 2005, first prize in Viterbo in 2003 and third prize in Fano Adriano (TE) in 2006; in harpsichord, first prize in Fusignano (RA) in 2003 and first prize in Pesaro in 2005. He holds the position of second organist at the prestigious Basilica of San Marco in Venice, collaborating with the Cappella Marciana in concert and recording performances. He follows and studies with particular interest historical partimento and improvisation aimed at the research and execution of the basso continuo. With his colleague David Brutti on cornetto, he founded the duo \"Seicento Stravagante\" engaged in promoting Renaissance and Baroque keyboard instruments, participating in recordings and concerts. He also works as an organist and harpsichord continuo player in various ensembles, collaborating as such in masterclasses and advanced courses. He was a contract lecturer at the \"C. Pollini di Padova\" conservatory for keyboard practice and vocal repertoire reading and, currently, works as a harpsichord accompanist at the Arrigo Pedrollo and Agostino Steffani conservatories in Vicenza and Castelfranco Veneto (TV) respectively. He is also engaged in the monumental complete performance of the two books of Bach's Well-Tempered Clavier and The Art of Fugue.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"128\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Die-Kunst-der-Fugue-Nicola-Lamon\/widget?view=clickthrough\" data-lnk-widget=\"\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":41077476786228,"sku":"CVLD352","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/VELUTLUNACVLD352-cover.jpg?v=1681233292"},{"product_id":"petite-messe-solennelle-original-version-for-12-soloists-passy-1863","title":"PETITE MESSE SOLENNELLE - Original Version for 12 Soloists (Passy,1863)","description":"\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003ePETITE MESSE SOLENNELLE  \u003c\/b\u003e(CVLD297)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eOriginal Version for 12 Soloists (Passy,1863)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGLORIA\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e30:59\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e#2 Gloria in excelsis Deo  0.47\u003c\/p\u003e\n\u003cp\u003e#3 Et in terra pax hominibus (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  1:47\u003c\/p\u003e\n\u003cp\u003e#4 Gratias agimus tibi (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLi, Rossetto, Wang\u003c\/strong\u003e)  4:13\u003c\/p\u003e\n\u003cp\u003e#5 Domine Deus (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBiscontin\u003c\/strong\u003e)  5:14\u003c\/p\u003e\n\u003cp\u003e#6 Qui tollis (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Li\u003c\/strong\u003e)  6:02\u003c\/p\u003e\n\u003cp\u003e#7 Quoniam (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIngrasciotta\u003c\/strong\u003e)  7:16\u003c\/p\u003e\n\u003cp\u003e#8 Cum Sancto Spiritu  5:40\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCREDO\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e16:54\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e#9 Credo in unum Deum (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:14\u003c\/p\u003e\n\u003cp\u003e10 Crucifixus (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCorò\u003c\/strong\u003e)  3:15\u003c\/p\u003e\n\u003cp\u003e11 Et resurrexit  (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:42\u003c\/p\u003e\n\u003cp\u003e12 Et vitam venturi  4:13\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOFFERTORIUM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Prélude religieux  7:43\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSANCTUS\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e9:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14 Sanctus (\u003cstrong\u003esolos: Tang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:04\u003c\/p\u003e\n\u003cp\u003e15 O salutaris hostia (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCimolin\u003c\/strong\u003e)  5:27\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAGNUS DEI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16 Agnus Dei (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGirardello\u003c\/strong\u003e)  8:10\u003c\/p\u003e\n\u003cp\u003e    \u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTotal Time: 79:20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Rossini-Petite-messe-solennelle\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArianna Cimolin, Valentina Corò, Miao Tang\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esopranos \/\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eValeria Girardello, Huijao Li, Ludovica Marcuzzi\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ealtos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAndrea Biscontin, Diego Rossetto, Nikolaj Statsyuk\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003etenors \/\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ePaolo Ingrasciotta, Francesco Toso, Chenlong Wang\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ebasses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlberto Boischio\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epianoforte I\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\/ Manuel Ghidini\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epianoforte II \/\u003c\/strong\u003eCarlo Emilio Tortarolo\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eharmonium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGiovanni Battista Rigon, conductor\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusical Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichele Sartor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; mastering:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditing:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto \/ Etienne Carjat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInside Photos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLuigi De Frenza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLayout \u0026amp; Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Twelve singers of three sexes, men, women and castrati, will be sufficient for its execution. (...) A total of twelve cherubs.\"\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eThis is what the seventy-one-year-old Rossini prescribes in the score of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePetite messe solennelle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecomposed in Paris in 1863, more than thirty years after his enigmatic retirement from the operatic scene. The ensemble is completed by the accompaniment of two pianos and a harmonium: Rossini in fact envisioned a performance among a small number of close acquaintances, in the private chapel of the Pillet-Will family, to whom the mass was dedicated.\u003c\/p\u003e\n\u003cp\u003eIt is precisely the \"chamber\" dimension of this masterpiece that we have tried to recover in this performance, recorded live at the Teatro Olimpico in Vicenza with an ensemble of young singers from the Benedetto Marcello Conservatory in Venice, true talents, some of whom are already featured in the programming of important theatres. This is in all probability the first Italian performance of the original version, certainly the very first in which all members of the ensemble take turns in the solo roles.\u003c\/p\u003e\n\u003cp\u003eThe Latin text of the Catholic mass is sometimes intoned by the entire ensemble (in the initial\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKyrie\u003c\/em\u003e, or in the two great fugues of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCum Sancto Spiritu\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEt vitam\u003c\/em\u003e), sometimes with antiphonal interventions by a quartet of soloists (\u003cem\u003eGloria\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSanctus\u003c\/em\u003e), or entrusted to highly effective solo moments (the tenor's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDomine Deus\u003c\/em\u003e, the bass's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eQuoniam\u003c\/em\u003e, the soprano's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrucifixus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSalutaris hostia\u003c\/em\u003e), or expressed in two- or three-part concerted numbers (\u003cem\u003eQui tollis\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGratias agimus tibi\u003c\/em\u003e). There is also a purely instrumental interlude at the Offertory (\u003cem\u003ePrélude religieux\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eon the first piano), but perhaps the most moving moment of the entire mass Rossini reserves for the beloved voice of the alto, who intones in antiphon with the choir the poignant concluding\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgnus Dei\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIn 1867, a few years after the date of composition, Rossini took care to orchestrate the accompaniment of his small mass (perhaps fearing that others might do so), and it is often performed in this version, just as the choral parts are often entrusted to large ensembles where Rossini's \"cherubs\" change from twelve to several tens. The music certainly gains in monumentality, but it loses the freshness, grace, transparency, and all the self-deprecating\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eunderstatement\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethat also transpires in the autograph comments accompanying the score:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Twelve are also the apostles in Leonardo's famous fresco called The Last Supper, and – who would believe it – among your disciples there are some who sing false notes! Lord, rest assured, I promise that there will be no Judases at my supper and that mine will sing your praises correctly and with love, and this small composition which is, alas, the last sin of my old age.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000613015899,"sku":"CVLD297CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083091288116,"sku":"CVLD297","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_9351fe5e-6337-4f11-8f52-d1f9473a1177.jpg?v=1681739447"},{"product_id":"carlo-graziani-walter-al-mondo-musicale","title":"Carlo Graziani-Walter, \"TO THE MUSICAL WORLD\"","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCarlo Graziani-Walter\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Brussels, 1851 – Florence, 1927)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\"TO THE MUSICAL WORLD\" \u003c\/b\u003e(CVLD350)\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eCompositions For Mandolins, Piano And Voices\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA Musical Project By Maura Mazzonetto And Pier Corrado Danieli\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eAvailable in: CD, HD File\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003eDante e Beatrice, op.134\u003c\/strong\u003e\u003cspan\u003e  “Meditazione” for plectrum orchestra, harp and organ, 6:38\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo Letizia Marcucci “my beloved wife”\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Ensemble conducted by \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cspan\u003e                          \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - \u003c\/span\u003e\u003cstrong\u003eCanzone d’Amore op.281\u003c\/strong\u003e\u003cspan\u003e   Andante espressivo for mandolin and piano, 2:51\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e“To mademoiselle Jenny Simon”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eGiulio Sensolo\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandolin\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - \u003c\/span\u003e\u003cstrong\u003eInno op.261\u003c\/strong\u003e\u003cspan\u003e for 2 voices with piano accompaniment, 3:27\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the Holy Virgin of the Rosary of Pompeii\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 - \u003c\/span\u003e\u003cstrong\u003eAve Maria\u003c\/strong\u003e\u003cspan\u003e  for voice and piano, 2nd voice ad libitum, 3:58\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKamilla Menlibekova\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003esoprano,\u003c\/em\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cstrong\u003eCristiano Didone’\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003etenor\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - \u003c\/span\u003e\u003cstrong\u003eSur la plage\u003c\/strong\u003e\u003cspan\u003e “Barcarolle” for piano, 2:24\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - \u003c\/span\u003e\u003cstrong\u003eSous le tilleul\u003c\/strong\u003e\u003cspan\u003e “Courante” for piano, 1:35\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the charming girl Emmina Curzio\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e07 - \u003c\/span\u003e\u003cstrong\u003eEn gondole op.131\u003c\/strong\u003e\u003cspan\u003e “Caprice barcarolle” for piano, 2:07\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - \u003c\/span\u003e\u003cstrong\u003eGemito Appassionato\u003c\/strong\u003e\u003cspan\u003e  ”Elegia” for two mandolins, mandola and piano, 7:27\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the Esteemed Mandolinist Prof. Costantino Bertucci”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGreat success of the Mandolinists Society Margherita\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMaria Cleofe Miotti, Massimo Sanapo\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandolins,\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eKioko Kato\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandola\u003c\/em\u003e\u003cspan\u003e,  \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - \u003c\/span\u003e\u003cstrong\u003eDans le pays des songes\u003c\/strong\u003e\u003cspan\u003e  “Aubade” for piano, 3:43\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the charming girl Rita Curzio\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eChiara Gislon\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003ePatinage\u003c\/strong\u003e\u003cspan\u003e “Caprice caracteristique” for piano, 3:16\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePaolo Cornale\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eInfanzia\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eon 5 notes for piano four hands,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e6:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNo.1 Doll laughs (Gavotte) No.2 Doll cries (Melody) No.3 Doll plays (Waltz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNo.4 Capricious doll (March) No. 5 Doll sleeps (Lullaby)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEduardo and Sara Castellano\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eVogata Notturna op.233\u003c\/strong\u003e\u003cspan\u003e “Barcarola” for Plectrum Orchestra, 3:54\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Ensemble conducted by \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - \u003c\/span\u003e\u003cstrong\u003ePleine lune\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Contemplation for piano, 3:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - \u003c\/span\u003e\u003cstrong\u003eDante e Beatrice\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e “Meditazione” (author's piano version), 6:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - \u003c\/span\u003e\u003cstrong\u003eMirto e Cipresso op.180\u003c\/strong\u003e\u003cspan\u003e  “Elegia” for plectrum orchestra, 4:57\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eIn memory of my mother\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Ensemble conducted by \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 62:32\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Al-mondo-musicale\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eCarlo Graziani-Walter (Brussels, 1851 - Florence, 1927)\u003c\/em\u003e was a pianist, mandolinist, and composer, distinguished by a wide musical production dedicated to the mandolin and, in general, to the world of plectrums, and of course, to the piano.\u003cbr\u003eIt mainly consists of chamber music and music for small orchestras, a noble highlight of the best late European Romanticism.\u003cbr\u003eThanks to his close relationships with the upper bourgeoisie and the Central European and Italian nobility, Graziani-Walter often, if not almost always, drew inspiration from acquaintance and friendship for his works, which almost always boast a specific dedication to this or that person.\u003cbr\u003eThe repertoire proposed in this album is the result of careful research carried out by Maura Mazzonetto, a lecturer at the C. Pollini Conservatory in Padua, focused on the rediscovery of original and unpublished manuscripts.\u003cbr\u003eAll recordings are WORLD PREMIERES\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cstrong\u003e* Breganze Plectrum Orchestra \/ Ensemble \"Mandolins and Guitars of the Venetias\"\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\/ \"Pollini\" Mandolin and Guitar Ensemble\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConductor\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cbr\u003e\u003cu\u003ePerformers:\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eMandolin:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAnna Bozzetto, Carlo Calzavara, Emanuele Cappellotto,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePier Corrado Danieli, Giannarnaldo Ferrara, Edoardo Lazzarin,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStefano Maciga,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAndrea Miotti, Maria Cleofe Miotti, Davide Petrin,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMassimo Sanapo, Emiliano Scettri, Giacomo Simioni\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMandola:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAlessandro Antonello, Giuliano Menara, Kyoko Kato, Giulio Sensolo\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eGuitar:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAnna Favaro, Filippo Favaro, Marco Fragalà, Alessandro Marchiori, Nicola Mazzon, Ilaria Settimo\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMandocello:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAndrea Bazzoni, Paolo Gatto\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eHarp:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eGiorgia Bragante, Chiara Isepato\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eCello:\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eEnrica Frasca\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eDouble Bass:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eFederico Salotto\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eOrgan:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003ePietro Revoltella.\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e24bit \/ 96 kHz original recording made at Auditorium Pollini, Padova, Italy,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eduring different sessions on 2018 and 2019\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTracks 13 and 14 were recorded and mixed by Marco Lincetto, at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca, Italy, on February, 2022, using piano Steinway \u0026amp; Sons Mod.O, made in New York on 1909\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eArtistic direction: \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003c\/span\u003e\u003cstrong\u003eGiacomo Brocca\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMastering Engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993465921883,"sku":"CVLD350CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083257520180,"sku":"CVLD350","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_ee4ca168-3903-45f9-b116-8e0fdc46f10e.jpg?v=1681753875"},{"product_id":"miroirs-de-la-musique-luca-chiandotto","title":"Mirrors of Music - Luca Chiandotto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eMiroirs de la musique \u003c\/b\u003e(CVLD344)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eLuca Chiandotto\u003c\/strong\u003e, \u003cem\u003epiano\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eAlexander Nikolaevich Scriabin\u003c\/strong\u003e\u003cspan\u003e (1872 – 1915)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003ePoème op. 72 Vers la flamme\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1914)   \u003c\/span\u003e\u003cstrong\u003e5:36\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaurice Ravel\u003c\/strong\u003e\u003cspan\u003e (1875 – 1937)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMiroirs\u003c\/strong\u003e\u003cspan\u003e (1905)   \u003c\/span\u003e\u003cstrong\u003e30:04\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e02 - Noctuelles  5:23\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Oiseaux tristes   4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Une barque sur l’océan   7:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Alborada del gracioso   6:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - La vallée des cloches   6:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSamuel Barber\u003c\/strong\u003e\u003cspan\u003e (1910 – 1981)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSonata in E flat minor op. 26\u003c\/strong\u003e\u003cspan\u003e (1949)  \u003c\/span\u003e\u003cstrong\u003e21:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro energico   7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Allegro vivace e leggero   2:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Adagio mesto   5:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Fuga: Allegro con spirito   5:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eTotal Time: 56:56\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Miroirs-de-la-musique\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cem\u003e24 bit \/ 88.2 kHz original recording, made at Magister Recording Area, Preganziol (Italy), on October 8, 9, 10, 2021\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLuca plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: \u003c\/span\u003e\u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003ePhotoservice Latisana\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eMysterium\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an ambitious work, carrying the revolutionary idea of the synesthetic union of the five senses. Its realization - to be set at the foot of the Himalayas - requires a large orchestra, a mixed choir, dancers, incense, and light effects. The ultimate goal is the spiritual evolution of the users of this immense work, in line with late-Romantic aesthetics. Scriabin worked for years on this unprecedented project - albeit indebted to Wagner's \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eGesamtkunstwerk\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e- leaving it unfinished upon his death. It is in this context that \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVers la flamme\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e finds its light, a \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003epoème\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e in which the voice of fire is the protagonist, from the beginning where it burns under the embers, subterranean and magmatic, to the increasingly intense and eager crackle, until the end where it expands uncontrollably, burning everything around it. The ecstatic conclusion is in Scriabin's style, recalling the sense of liberation that the composer yearned for with the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMysterium\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe French face and title of the present production, focused on early twentieth-century piano music, is Ravel's Suite Miroirs. It is composed of five episodes, each depicting a different subject, observed through a mirror. The musician was in fact inspired by a line from Shakespeare's Julius Caesar: \"The eye sees not itself, but by reflection, by some other things.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarber's Sonata can be defined as a \"War Sonata\", written only four years after the end of the Second World War, and characterized by explicit violence, especially in the opening and closing movements. The \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eallegro energico\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is outlined in an overbearing and willful, almost oppressive, action of the first theme, which opposes the passive lament of the second. It can be seen from the first movement how the Sonata adheres to classical formal models, in this case, to the sonata form. The \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eallegro vivace e leggero\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, with its grotesque atmosphere, contains fragments of dance, probably a waltz, which give it a falsely carefree and heedless character. The expressive heart of the sonata lies in the third movement, the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eadagio mesto\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which develops an extremely tormented and agonizing song; in the second page of the score, we can witness a perfect imitation of an anguished cry, which evolves into a climax tremendously overwhelmed by reason. Among the minor ninth and major seventh dissonances, the final quietude is reached, an unexpected B minor chord, a provisional peace before the fourth movement. The final four-voice fugue is famous in concert halls, combining the drama of the previous movements with very characteristic syncopated rhythms and jazz-derived harmonies. Surprising is the carefree nature of the diversions in the central section, and even more so the return to anguish in the final stretto, where the powerful basses are infernal drums that sanction the tragedy that had been evident from the first notes of the sonata.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993492234587,"sku":"CVLD344CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083271479348,"sku":"CVLD344","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_d84a5807-1895-4da6-916e-1be6116c2aae.jpg?v=1681755405"},{"product_id":"liszt-piano-transcriptions-eliana-grasso","title":"Liszt Piano Transcriptions - Eliana Grasso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLiszt Piano Transcriptions\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(CVLD339)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eEliana Grasso\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eL. van Beethoven - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - Allegretto from Symphony No. 7 in A major Op. 92 (S. 464), 10:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Schubert - F. Lis\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003ezt \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e2 - Gretchen am Spinnrade (S. 558), 4:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Serenade (S. 560), 6:15\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eG. Verdi\/F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e4 - Sacred Dance and final duet from Aida (S. 436), 11:13\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Chopin - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e5 - Mädchens Wunsch, from “Six chants polonais”( S. 480), 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Frühling, from “Six chants polonais” (S. 480), 2:40\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eR. Schumann - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e7 - Widmung (S 566), 4:33\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e8 - Mephisto Waltz No. 1, piano version by the composer (S. 514), 12:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 56:31\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/LisztPianoTranscriptions\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Laboratorio Zanta, Camponogara, Italy, on November and December 2021\u003cbr\u003eEliana Grasso plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003cbr\u003e \u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEliana Grasso\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eEditing: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eCritical Notes\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eGiven the vast catalogue of compositions written by Franz Liszt intended to enrich the 19th-century piano repertoire, one finds a greater number of works based on the creations of other composers compared to genuinely original pieces. The various arrangements, written throughout the composer's career, fall into two categories according to Liszt's own precise wishes, who made the initial terminological distinction: on the one hand, transcriptions, which are piano adaptations where the original score remains largely unaltered; on the other hand, paraphrases, true exercises in style where the composer takes the liberty of varying the source text, bending it to his own creative whim. Although they have often been subjected to harsh criticism by some exponents of early 20th-century musicology (see Humphrey Searle's comment, responsible for the systematic cataloguing of Liszt's works: «he may have wasted much time on some of these transcriptions, but at least they provided an outlet for his overflowing energy,» The Music of Liszt, London 1954), the arrangements produced by the Hungarian composer contributed to the dissemination and promotion of the music of numerous authors.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cu\u003e\u003cstrong\u003eELIANA GRASSO\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003e\u003cspan\u003eEliana Grasso, pianist, performs in concerts throughout Europe and the United States in renowned venues such as Carnegie Hall in New York, Wigmore Hall in London, Sala Verdi in Milan, the Royal Academy of Music in London, the Hermitage in St. Petersburg, Theatre La Filature in Mulhouse, Sala Maffeiana of the Teatro Filarmonico in Verona, Teatro Sociale in Bellinzona, Cappella Paolina of the Quirinale in Rome, Bloomsbury Theatre in London, Salon Chopin (Société Historique Polonaise) in Paris, Palazzo Ducale in Mantua, Teatro Piccolo Regio in Turin, and many others.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe debuted in 1994 performing Haydn's Concerto in D major, conducted by Luca Pfaff with the Mulhouse Symphony Orchestra, receiving great public and critical acclaim (\"Eliana Grasso: still young and already so great\", l'Alsace, March 1994) with numerous orchestras such as the Orchestra Magister Harmoniae, the Orchestra Piccolo Auditorium Paradisi, the Orchestra of the Teatro Filarmonico of Verona, conducted among others by Piero Bellugi. She regularly performs as a soloist and in chamber ensembles for the most important Italian music seasons such as: MITO Settembremusica (Turin), Società dei Concerti (Milan), Società del Quartetto (Milan), Unione Musicale (Turin), Trame Sonore (Mantua), I Concerti del Quirinale (Rome), Polincontri (Turin), Rivolimusica, I Concerti dell’Università della Tuscia (Viterbo), Milano Classica, I Concerti del Pomeriggio del Teatro Alfieri (Turin), Fondazione William Walton (Naples), Settembre Musicale Orta (Novara), Ravello Concert Society (Naples), Concerti a Palazzo Labia (Venice), Teatro Torti (Bevagna). She has also performed in Norway, Russia, the United States, France, Switzerland, Spain, England, and Romania.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe regularly collaborates in a duo with flutist Romano Pucci (first flute, Teatro alla Scala in Milan), in four hands and two pianos with pianist Irene Veneziano, and explores the lieder repertoire with soprano Susanna Rigacci. She has won numerous competitions: at 13, she placed third overall in the International Competition of St. Petersburg, and since then has won first prize in countless Italian competitions: Stresa, Premio J.S. Bach, Premio Kawai, Premio Clementi, and many others. More recently, in 2014, she was the overall winner of the International Bellagio Festival Competition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHer concerts have been broadcast live by radio stations such as Rai Radiotre; she was recently a guest on the program \"Il Pianista\" on Radio Classica. For the Velut Luna label, she has already recorded \"Sortilèges\" with music by Ravel and Saint-Saëns in a duo with I. Veneziano (\"the two musicians become a single organism and express all the charm of this music\" Suonare, 2015).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe graduated with highest honors from the \"G. Verdi\" Conservatory in Turin, and was awarded the \"Lascito Piacenza\" scholarship for the best final examination. She continued her studies at the \"Incontri con il Maestro di Imola\" Academy, where she studied with F. Scala, R. Risaliti, P. Masi. She also specialized with K. Bogino, E. Arciuli, P. Badura-Skoda, M. Damerini, A. Lucchesini, S. Gadžijev, J. Swann, P. De Maria, L. Pogorelich. Alongside her concert activity, she worked as a teacher and stable collaborative pianist at the Accademia del Teatro alla Scala in Milan from 2010 to January 2021. She currently teaches Piano Practice and Reading and Piano at the \"Franco Vittadini\" Conservatory in Pavia.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988793467227,"sku":"CVLD339CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41086770020404,"sku":"CVLD339","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_17e6db64-301b-45e9-91a4-864da879c547.jpg?v=1682009439"},{"product_id":"johann-sebastian-bach-nicola-lamon-maria-giovanna-fiorentino","title":"JOHANN SEBASTIAN BACH - Nicola Lamon Maria Giovantoin","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJOHANN SEBASTIAN BACH \u003c\/b\u003e(CVLD328)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaria Giovanna Fiorentino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eflute and recorder\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Nicola Lamon,\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e harpsichord\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in F major BWV 1035 for flute and basso continuo\u003cbr\u003e01 - Adagio ma non tanto, 2:16\u003cbr\u003e02 - Allegro, 3:13\u003cbr\u003e03 - Siciliano, 3:47\u003cbr\u003e04 - Allegro assai, 3:13\u003cbr\u003ePartita in A minor BWV 1013 for solo flute\u003cbr\u003e05 - Allemanda, 4:32\u003cbr\u003e06 - Corrente, 2:47\u003cbr\u003e07 - Sarabande, 3:38\u003cbr\u003e08 - Bourèe anglaise, 2:00\u003cbr\u003eConcerto in G minor BWV 985 for solo harpsichord\u003cbr\u003e09 - (Allegro), 2:46\u003cbr\u003e10 - Adagio, 2:15\u003cbr\u003e11 - Allegro, 2:24\u003cbr\u003eSonata in B minor BWV 1030 for flute and obbligato harpsichord\u003cbr\u003e12 - Andante, 7:40\u003cbr\u003e13 - Largo e dolce, 3:11\u003cbr\u003e14 - Presto, 6:23\u003c\/p\u003e\n\u003cp\u003etot. time: 50:14\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johann-Sebastian-Bach-Flute-and-Harpsichord-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e24bit \/ 88.2kHz original recording made at Studio Rosso, of Zanotto Strumenti, \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ein Silvelle di Trebaseleghe, Italy, on July, 4, 5, 6, 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix \u0026amp; Mastering: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhoto: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: L'Image\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eJohann Sebastian Bach\u003c\/em\u003e\u003c\/strong\u003e (1685 Eisenach, 1750 Leipzig) was a German composer and musician, Thomaskantor in Leipzig from 1723 until his death. Considered among the greatest geniuses in music history, his works are notable for their intellectual depth, mastery of technical and expressive means, and artistic beauty. He achieved a remarkable synthesis between the German style of Pachelbel and Buxtehude and the works of Italian composers (especially Vivaldi, whose numerous pieces he transcribed, assimilating above all his concertante style). His work constituted the culmination and development of the various stylistic-compositional trends of his era. The degree of structural complexity, technical difficulty, and the exclusion of the melodramatic genre, however, made his work the preserve of only the most gifted musicians and at the time limited its diffusion among the general public, compared to the popularity achieved by other contemporary musicians such as Handel or Telemann. In 1829, the performance of the St. Matthew Passion, conducted in Berlin by Felix Mendelssohn, brought to the knowledge of a wide audience the extremely high quality of Bach's compositional work, which has since been considered the compendium of Baroque counterpoint. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Kantor of Leipzig, where he composed so many cantatas and sacred works, remains a miracle of the Baroque and of music in general, certainly. I decided to include in the CD the Sonata BWV 1030 for flute and obbligato harpsichord, the partita for solo flute BWV 1013, the harpsichord works transcribed by Telemann and the sonata for flute and continuo 1035 for the love of the composer and the pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eNicola Lamon\u003c\/em\u003e\u003c\/strong\u003e studied at the \"B. Marcello\" conservatory in Venice, graduating in 2001 with honors in both Organ and Organ Composition with Elsa Bolzonello Zoja and Harpsichord with Sergio Vartolo and Marco Vincenzi. He also obtained a full marks diploma in Gregorian Chant with Lanfranco Menga. In the academic year 2005-2006, at the \"B. Marcello\" Conservatory in Venice, he obtained a second-level specialist academic diploma in organ with a score of 110 cum laude. He participated in numerous masterclasses at various international academies: in organ and improvisation with H. Davidson and W. Porter in Smarano (TN), with J.L. Gonzalez Uriol in Daroca (Spain), at the Accademia Chigiana in Siena, for harpsichord, with Christophe Rousset, obtaining a diploma of merit. He has received several awards in various national and international competitions: in organ, the third prize in Borca di Cadore in 2001 and 2005, the first prize in Viterbo in 2003, and the third prize in Fano Adriano (TE) in 2006; in harpsichord, the first prize in Fusignano (RA) in 2003 and the first prize in Pesaro in 2005. He holds the position of second organist at the prestigious Basilica of San Marco in Venice, collaborating with the Cappella Marciana in concert and recording performances. He follows and studies with particular interest historical partimento and improvisation aimed at researching and performing basso continuo. With his colleague David Brutti on cornetto, he founded the duo \"Seicento Stravagante\" engaged in promoting Renaissance and Baroque keyboard instruments, participating in recordings and concerts. He also works as an organist and continuo harpsichordist in various ensembles, collaborating also in masterclasses and advanced training courses. He was an adjunct professor at the \"C. Pollini\" Conservatory of Padua for keyboard practice and vocal repertoire reading, and currently works as a harpsichord accompanist at the Arrigo Pedrollo Conservatories in Vicenza and Agostino Steffani in Castelfranco Veneto (TV). He is also involved in the monumental complete performance of the two books of Bach's Well-Tempered Clavier and The Art of Fugue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eMaria Giovanna Fiorentino\u003c\/em\u003e\u003c\/strong\u003e born in Padua in 1961, she studied recorder in Padua with S. Balestracci (1976-1982) and obtained a diploma in recorder at the Tartini Conservatory in Trieste. Graduated in Literature with honors from the University of Padua with a thesis in Music History, she collaborates with articles, conferences and lecture-concerts in musicological research. She has given 163 concerts in Italy and abroad and several recordings in ensembles such as the C.M.A. of Padua, the Chamber Orchestra of Padua, Accademia Bach, the Compagnia dei Febi Armonici, Interensemble and Serenissima Chamber Orchestra at the XXIII Festival of Early Music in Urbino. She has recorded D. Bigaglia's sonatas for flute and b.c., Corelli's Op. V, Sammartini's Trio Sonatas and Bellinzani's and Barsanti's Sonatas for Tactus. She continued with Vivaldi's Concertos a 4 in 2014 and with Boismortier's Op. XXXVII for Urania Records, as well as F. Couperin's Concerts Royaux, to be released in September-October 2017. She has taught recorder at the \"G. Tartini\" Conservatory in Trieste and at the Musician School in Reggio Emilia and recorder and Music History at the Morello Foundation in Castelfranco Veneto 1997-2003. From 2008 to 2011 she was president of ERTAItalia, the association of recorder teachers and students in Italy, twinned with its European counterparts, and is now vice-president. She specialized for four years with Pedro Memelsdorff, passing the repertoire exam at the Civica Scuola di Musica di Milano in 1988, and with Frans Brüggen, Marijke Miessen, Kees Boeke, Walter van Hauwe and Matthias Weilenmann. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 223px; top: 73.7917px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993789374811,"sku":"CVLD328CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46685364420955,"sku":"CVLD328","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_d4087b6f-8d39-46d4-a3a1-76f58663e244.jpg?v=1682334354"},{"product_id":"the-planets-alberto-nose-valentina-fornari","title":"The Planets - Alberto Nosè, Valentina Fornari","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Planets \u003c\/b\u003e(CVLD337)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eGustav Holst\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003earranged for two pianos by the composer\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Mars, the Bringer of War  6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Venus, the Bringer of Peace  7:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Mercury, the Winged Messenger  3:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Jupiter, the Bringer of Jollity  7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Saturn, the Bringer of Old Age  8:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Uranus, the Magician  5:38\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Neptune, the Mystic  8:01\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal Time: 48:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Gustav-Holst-The-Planets\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eAlberto Nosè\u003c\/strong\u003e, piano 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eValentina Fornari\u003c\/strong\u003e, piano 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eA critic once defined THE PLANETS, probably not by chance, as \"The British Rite Of Spring.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn reality, it is very descriptive music, yet not without considerable complexity of writing, which, however, never appears as such to the listener's ears. Within the seven small rhapsodies, which correspond to the name and presumed \"mood\" of the seven planets honored, themes and harmonies that are extremely effective and impressive chase each other, destined to be immediately fixed in the memory even of a distracted listener.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSo many are these happy moments that this work would inspire more than one great film composer of our time, often directly quoting entire musical phrases, such as the very famous theme from the Star Trek saga in the finale of Jupiter. But John Williams, Bernard Hermann, Alan Silvestri, and James Horner also owe a great debt to Holst for some of their most celebrated themes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn the last part of his life, \"after\" The Planets, Holst would create other valuable works, but none on the level of his masterpiece, which, consciously or not, all of Humanity has learned to love, directly or indirectly.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe version we propose today is a transcription of THE PLANETS for two pianos, made by Holst himself, shortly after the original for orchestra. It is an extremely rare work to find on record and also performed live. In fact, from a technical point of view, this version presents absolutely transcendental difficulties for interpreters who decide to try their hand: and this precisely because of the need to reduce the extreme complexity of the sound textures of a large symphony orchestra to only 4 hands and two keyboards of this reduced ensemble.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOnly very great and well-rehearsed performers can rightly tackle this high mountain to climb, as is the case with our Alberto Nosè and Valentina Fornari, also partners in life, interpreters of great talent and long experience.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFinally, in my opinion, this album offers a last but not least reason for interest in the sound we managed to achieve, starting from the pianos and the recording location, which are two wonderful FAZIOLI F278 grand pianos recorded in the equally splendid acoustics of the FAZIOLI HALL in Sacile, home of the prestigious FAZIOLI company, universally known for building some of the best pianos on the Planet. The native high-resolution digital recording, the use of highly selected and absolute reference microphones and microphone preamplifiers (AUSTRIAN OC818, SCHOEPS MK2s and SENNHEISER MKH8020; and also MILLENNIA MEDIA HV3-B) complete the work.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e88.2 kHz \/ 24 bit original recording made at FAZIOLI HALL, Sacile (Italy) on September, 14, 15, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto and Valentina play on two wonderful FAZIOLI F278 Gran Coda da Concerto, tuned and prepared by Fazioli Staff.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto choose a proprietary microphones set up, based upon SCHOEPS MK2s linear (stereo pair), SENNHEISER MKH8020 8stereo pair) and AUSTRIAN OC818 (stereo pair), all preamplified by three MILLENNIA MEDIA HV-3B.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eADC: LYNX AURORA \"n\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover photo: Edoardo Brotto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout: L'Image\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993611215195,"sku":"CVLD337CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46729582903643,"sku":"CVLD337","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_bfe418c0-d46b-4891-8709-82fa95333598.jpg?v=1683724614"},{"product_id":"pizzichi-e-sospiri-adriano-lincetto","title":"PINCHES AND SIGHS - Adriano Lincetto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAdriano Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Padua, 1936 – 1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePINCHES AND SIGHES \u003c\/b\u003e(CVLD104)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, SACD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eSuite for Paer, for String Orchestra (1980)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Allegro con spirito, 1:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Adagio, 2:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Tempo di Valzer, 2:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Allegro molto, 2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eConcerto for Flute and Strings (1979)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Largo espressivo cantabile. Allegro moderato 5:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Lento, cantando con molta espressione 4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro vivacissimo 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eElegy for Alphorn and Strings (1996)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e08 - Adagio, ma non troppo lento. Allegro molto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePoco meno cantando. Tempo I  12:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento for Bassoon and Strings (1995)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - nocturne  3:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Dance  3:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Elegy  6:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Finale  2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due for Guitar and Piano (1981)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(transcription for guitar and strings by the Author)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Prelude  4:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Dance  3:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - Finale  4:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdagio and Allegro for Mandolin and Piano (1978)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(transcription for mandolin and strings by Claudio Mandonico)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e16 - Adagio  2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Allegro  3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTOTAL DURATION: 70:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n  \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-Pizzichi-e-Sospiri\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eString Orchestra: I Solisti Filarmonici Italiani, conducted by Giovanni Guglielmo\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEnzo Caroli, flute\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessio Benedettelli, alphorn\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Bressan, bassoon\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessandro Bono, guitar\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUgo Orlandi, mandolin\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNative multi-channel recording in DSD format, made in March 2003 in the Library Hall of the Carceri d'Este Abbey, Italy.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSchoeps microphones, Millennia Media HV-3B microphone preamplifiers and a SADiE DSD8 recording system were used.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMixing and mastering were monitored using a DROMOS EGHEON multi-channel analogue preamplifier, AUDIA FLIGHT 100 x3 amplification and SPENDOR S-100 x5 loudspeakers\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer and sound engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto for Velut Luna\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music of Adriano Lincetto never aligned with the dictates of the dominant \"musical currents\" of the 20th century. \u003c\/span\u003e\u003cspan\u003eLincetto always composed following his own idea of beauty, melody and harmony. His music is tonal, and at times it does not fail to pay homage to those composers who, even unconsciously, were a source of inspiration, from Debussy and Ravel to Bartok and Stravinsky. \u003c\/span\u003e\u003cspan\u003eIt is absolute and timeless music, often created to satisfy the requests for \"new music\" from musician friends who then became its first interpreters, as in the case of this album Enzo Caroli and Alessio Benedettelli and the lifelong friend Giovanni Guglielmo. \u003c\/span\u003e\u003cspan\u003eMusic to be savored for its inherent beauty and without seeking any pseudo-cultural aftertaste, typical of power cliques linked more to political power than to Music understood in an absolute sense.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50034401345883,"sku":"CVLD104SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46739548504411,"sku":"CVLD104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/104-cover.jpg?v=1684148174"},{"product_id":"kurt-valentina-fin-ensemble","title":"KURT! - Valentina Fin Ensemble","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eKURT!  \u003c\/b\u003e(CVLD336)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 - My Ship  (Kurt Weill \/ Ira Gershwin), 3:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 - Lost In The Stars (Kurt Weill \/ Maxwell Anderson), 3:36\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 - Lonely house (Kurt Weill \/ Langston Hughes), 4:17\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 - It never was you (Kurt Weill \/ Maxwell Anderson), 4:22\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 - Song of Ruth (Kurt Weill \/ Franz Werfel), 4:13\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 - Lawrence (Federico Zaltron \/ Valentina Fin), 3:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 - Dice Bertolt (Valentina Fin), 6:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/KURT\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eValentina Fin,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e vocals Mauro Spanò\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003epiano\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFederico Zaltron\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolin\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eSofia di Mambro\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolin\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancesca Pretto, viola Tommaso Valerio\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ecello\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit \/ 88.2kHz original recording, made at Magister Area Recording, Preganziol, Italy,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon July, 19, 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusical Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto, Andrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBalance Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMix and Mastering Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLayout: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInside Photos: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eKURT! is a project led by singer Valentina Fin who, together with pianist Mauro Spanò, has developed research dedicated to the figure of Kurt Weill, a German composer and musician from the early twentieth century. The chamber ensemble combines the classic string quartet with the piano and voice duo. The sextet, based on the original scores, has developed new and contemporary arrangements, then re-proposing the same atmospheres between jazz and contemporary classical music, in some original pieces written specifically for the ensemble and inspired by some poems by Weill's longtime friend and collaborator, Bertolt Brecht.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993754444123,"sku":"CVLD336CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46741690909019,"sku":"CVLD336","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_f0aa4b27-767a-4f80-936b-f74c768a4d44.jpg?v=1684169219"},{"product_id":"franz-schubert-piano-sonatas-alessandro-cesaro","title":"FRANZ SCHUBERT PIANO SONATAS - Alessandro Cesaro","description":"\u003ch3 class=\"western\" lang=\"en-US\"\u003e\n\u003cb\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT, PIANO SONATAS - Vol.1 \u003c\/em\u003e\u003c\/strong\u003e\u003c\/b\u003e(CVLD340-1)\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eAVAILABLE IN 5-CD BOX SET and HD FILE\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cu\u003eVolume 1\u003c\/u\u003e\u003c\/strong\u003e \u003cstrong\u003e- 74:42\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 537 Op. post. 164 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 7 \u003c\/span\u003e\u003cstrong\u003eSonata D 568 Op. post. 122 in E flat major\u003c\/strong\u003e\u003cspan\u003e, 29:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - 11 \u003c\/span\u003e\u003cstrong\u003eSonata D 575 Op. post. 147 in B major\u003c\/strong\u003e\u003cspan\u003e, 23:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 72:21\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 664 Op. post. 120 in A major\u003c\/strong\u003e\u003cspan\u003e, 23:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 6 \u003c\/span\u003e\u003cstrong\u003eSonata D 784 Op. post. 143 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 840 in C major “Reliquie”,\u003c\/strong\u003e\u003cspan\u003e 26:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 3\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 76:11\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 845 Op. 42 in A minor\u003c\/strong\u003e\u003cspan\u003e, 35:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 894 Op. 78 in G major\u003c\/strong\u003e\u003cspan\u003e, 40:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 4\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 79:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 850 Op. 53 in D major\u003c\/strong\u003e\u003cspan\u003e, 39:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 959 in A major\u003c\/strong\u003e\u003cspan\u003e, 39:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 5\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 77:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 958 in C minor\u003c\/strong\u003e\u003cspan\u003e, 32:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 960 in B flat major\u003c\/strong\u003e\u003cspan\u003e, 44:31\u003c\/span\u003e\n \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/FranzSchubert-PianoSonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e \n  \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e24bit \/ 176.4 kHz\u003c\/strong\u003e original recording made at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca (Italy) \u003c\/span\u003e\u003cspan\u003eon March, 30 - April, 13 - May, 18 - July, 9, 10, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003echoose a \"one point recording\" own exclusive technique, based upon Sennheiser MKH 8020 and Schoeps Mk 4 microphone and Millennia Media HV-3B microphone preamplifiers\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e plays on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSteinway \u0026amp; Sons Mod. O, New York, 1909,\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e tuned and prepared by Maestro Franco Angeleri. This piano belonged to Maestro Adriano Lincetto, and now it is one of the antique pianos' collection of the \"Museo di Pianoforti Antichi\" of \"Fondazione Musicale Centanin e Masiero\", which restored and gave a new life to this wonderful piano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: \u003c\/span\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, editing \u0026amp; mastering: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover photo: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003ePerformed by the composer himself in private settings for the Viennese bourgeoisie and circle of acquaintances, known as Schubertiads, Franz Schubert's Piano Sonatas remained largely unexplored territory for a long time. The first public performance of a \"complete\" cycle of Schubert's sonatas dates back to 1868, thanks to Charles Halle's interpretation at St. James Hall in London. The program included the performance of the seven Sonatas that had been assigned an opus number and the last three sonatas composed in 1828. In November 1938, Webster Aitkin presented twelve of the sonatas in a series of four public concerts. For the occasion, the Daily Telegraph published an article by Richard Capell titled \"Revaluation of a Neglected Heritage,\" in which the author urged contemporary pianists and future generations to rediscover Schubert's Sonatas, ushering in a true \"Schubert Renaissance\" dedicated to the valorization of a forgotten heritage.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMyriam Guglielmo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cspan\u003e showed a strong grasp of musical language and a deep interest in composition since he was a child. He studied piano with Franco Angeleri at the Conservatory of Padua and graduated with highest honors at 16 years of age; he continued his studies with Paul Badura-Skoda and Aldo Ciccolini. Prizes in prestigious competitions such as the “Premio Venezia”, the “Amadeus Giovani” of Palermo, the “Yamaha Prize” in Stresa, and especially the 48th CIEM in Geneva brought him to international attention as an outstanding 18-year-old interpreter. He regularly performs in Italy for such presenters as Serate Musicali di Milano, Amici della Musica of Padua, Vicenza, Verona, Trieste, and Udine, Unione Musicale in Turin, and Alessandro Scarlatti Society in Naples. He has played in Germany (Bochum, Paderborn), Switzerland (Geneva, Bienne, Basilea), Belgium (Bruxelles) and Argentina, where he toured eight times, playing in Buenos Aires, Cordoba, Tucumàn and Salta. In May 2008 he completed a tour of Mexico (Federal Capital and Michoacan), where he played for the National Autonomous University (UNAM) and for the Teatro de la Ciudad, inaugurating a new Steinway piano. Especially well received were his performances of the complete works of Chopin and Schubert and of the 32 Beethoven sonatas on period instruments for the Festival Euganeo. In 2009 he collaborated in the Italian premiere of the recently discovered Cant de les estrelles by Granados. In 2011 he completed a three-year cycle of all the 32 Beethoven’s Sonatas in Adria and Feltre (Italy) and in 2014 he was invited to the 54° Septiembre Musical Tucumano, one of the most important festivals in South America. He performs regularly with such orchestras as I Solisti Veneti, the Orchestra di Padova e del Veneto, the Orchestra of the Suisse Romande, the Collegium Musicum Basel, the Chamber Orchestra of Bienne, the Orchestra of the Theater of Cordoba, the Orchestra of the Province of Tucumàn, and the Sicilian Symphonic Orchestra, collaborating with such musicians as Claudio Scimone, Paul Badura-Skoda, Anton Nanut, Pedro Ignacio Calderòn, and Sergio Balestracci. The Music Critics Association of Argentina awarded him the “Premio Revelaciòn 2015” for a recital organized by ALAPP (Latin American Association of Teaching Pianists) at the Art Museum “Isaac Fernández Blanco”. Last year he presented the program “Chopin at Palma de Mallorca” on a tour in the United States, while this year he has realized in Padua for the first time in the history of the Friends of Music the full performance in consecutive evenings of the ten Sonatas for piano by Alexander Scriabin. A distinct characteristic of his personality is his extraordinary versatility, which allows him to have in his repertory the complete works of major composers for piano, including Mozart, Beethoven, Schubert, and Chopin. He has recorded with Rivo Alto and Azzurra Music (Beethoven) and recently he released an album of Rondos, Variations, and Fantasies by Jan Ladislav Dussek. He is equally active as a composer and his works, published by Swirly Music, are regularly performed.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"BOX 5 CD","offer_id":49993835872603,"sku":"CVLD340CD","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit COMPLETE WORK","offer_id":49993800581467,"sku":"CVLD340","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit VOLUME 1","offer_id":46748045672795,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 2","offer_id":49993800614235,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 3","offer_id":49993800647003,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 4","offer_id":49993800679771,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 5","offer_id":49993800712539,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e6bbd45-2f97-4782-a078-ea474d7ecca6.jpg?v=1684332455"},{"product_id":"italian-music-for-guitar-and-piano-lapo-vannucci-luca-torrigiani","title":"ITALIAN MUSIC FOR GUITAR AND PIANO - Lapo Vannucci | Luca Torrigiani","description":"\u003ch3 lang=\"en-US\" class=\"western\"\u003eITALIAN MUSIC FOR GUITAR AND PIANO (CVLD275)\u003c\/h3\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLapo Vannucci\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e(guitar)\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e-\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Torrigiani \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e(piano)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eMario Castelnuovo -Tedesco\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFantasia op.145 - Tot. Time: 9'14\"\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Italian-Music-for-Guitar-and-Piano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan\u003e01 - Andantino. Un poco mosso e scorrevole. Più mosso, danzante. Sempre mosso e festoso. Tempo I - 5'21\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Vivacissimo - 3'53\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFranco Margola\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e03 - Fantasia - 7'11\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Improvviso - 3'02\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCarlo Mosso\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Fantasia - 6'08\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdriano Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due - Tot. Time: 9'35\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e06 - Preludio - 3'00\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Danza - 3'01\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08- Finale - 3'34\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLuigi Giachino Il silenzio del tempo - Tot. Time: 11'22\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - Incosciente - 2'52\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Ineluttabile - 2'47\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Viaggiando - 2'10\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Congedo - 3'33\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuseppe Crapisi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Winter Time - 5'59\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTot. Time: 52'35\"\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2 kHz original recording made at Magister Area Studio, Italy, on September 14rd-15th, 2015\u003c\/span\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eProduction: Velut Luna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording Engineers: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEditing Engineer: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMix and Mastering Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhoto: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish translation: Lesley Burgon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: L’Image\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eLapo Vannucci plays on Guitar Masaki Sakurai Model Maestro-RF, especially made for Lapo Vannucci.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Torrigiani plays on Steinway \u0026amp; Sons D274 Concert Grandpiano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cstrong\u003eITALIAN MUSIC FOR PIANO AND GUITAR\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe common belief is that the combination of piano and guitar is a complicated enigma for both composers and performers: the sonorities and approaches of the two instruments are too distant, their blend too unbalanced, the volume produced too different, and the way of ‘thinking’ or constructing harmonies divergent. In short, put together, piano and guitar tend to reveal themselves as almost incompatible. Furthermore, if the guitar is not even minimally amplified, the piano will be forced to play almost always ‘on tiptoes’. Despite this, and despite the common belief, several composers, especially in the twentieth century, have managed to achieve splendid results through skillful work on the ‘fulls’ and ‘empties’ of the respective instruments, a particular attention to unconventional dialogue, filigreed writing, and, of course, a good dose of instinct, which never hurts. This album is a testament to these outcomes and features a collection of original works for guitar and piano composed between 1950 and today by well-known and lesser-known Italian authors.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe journey begins in 1950 with one of the composers who, whether he liked it or not, has most associated his name with the guitar, namely the Florentine Mario Castelnuovo-Tedesco (1895-1968), who wrote the Fantasia op. 145 in two short, flavorful movements, dedicating it to Andrés Segovia and his pianist wife Francesca ‘Paquita’ Madriguera Rodon. A miracle of balance that is influenced by inescapable French elements but also shows an extroverted and personal lyrical inspiration, always hovering between Spanish atmospheres and an entirely Italian, or rather, Tuscan, cantability.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother ‘conjugal’ piece that bears the title of Fantasia is the single-movement work that the Brescia-born composer Franco Margola (1908-1992) wrote in October 1979 and dedicated to the duo formed by guitarist Guido Margaria and his wife Emilia. It is a quiet work with neo-baroque movements in which the writing, however, shows a happy hand in making the two instruments converse, shrewdly seeking a constant alternation rather than actual superposition.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother piece dedicated to the Margaria duo is the short Improvviso, composed between November 1979 and spring 1980, which differs little from the atmospheres of the previous one.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Fantasia – and another piece dedicated to the Margaria duo – is the composition that the Piedmontese composer of Transalpine origins Carlo Mosso (1931-1995) wrote in 1980. A meditative and restless, wooden piece, full of archaisms and at the same time bearing a resigned modernity, deliberately stark, built around a few melodic cells developed through a modal path that in some points recalls both the language of the Swiss Frank Martin and the beloved Gian Francesco Malipiero.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Divertimento a due by the Paduan Adriano Lincetto (1936-1996), composed in 1981 and divided into three movements (Molto lento. Poco mosso – Allegro molto – Finale. Molto moderato e cantabile. Allegro vivo), is undoubtedly a less enigmatic work, far from any modern or postmodern complication, woven with a modal language in which numerous seventh chords are counted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis rich anthology concludes with two pieces written expressly for Lapo Vannucci and Luca Torrigiani and dedicated to them. Il silenzio del tempo by Turin-born Luigi Giachino (1962) dates back to 2015 and is a four-movement suite tinged with jazz veins and almost impressionistic flavors.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuite different is Winter Time by the Sicilian Giuseppe Crapisi (1967), which in an incisive six-minute piece blends repetitive and stubborn gestures typical of minimalism with a more elegiac vein. In this case, the two instruments rarely alternate, often weaving their now delicate, now rhythmic textures mostly simultaneously.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnnio Speranza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLapo Vannucci and Luca Torrigiani:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince 2010, Lapo Vannucci and Luca Torrigiani have formed a duo born out of a deep friendship, with the aim of exploring new realms of music for guitar and piano.\u003cbr\u003eBoth graduated with honors from the \"Luigi Cherubini\" Conservatory in Florence, they continued their studies at prestigious musical institutions such as the \"Incontri col Maestro\" Academy in Imola, the Fiesole School of Music, and the École Normale de Musique de Paris \"Alfred Cortot\".\u003cbr\u003eIn parallel with their intense solo activities, they regularly perform as a duo in Italy and abroad, receiving unanimous acclaim everywhere. Critics praise their great communication skills and constant attention to the beauty of sound. Particularly active in contemporary music, they have premiered pieces dedicated to them by composers Luigi Giachino and Giuseppe Crapisi. With the \"Ion Dumitrescu\" Philharmonic of Râmnicu Vâlcea and the \"Mihail Jora\" Philharmonic of Bacău, they performed \"Tre Paesaggi\": a concerto for guitar, piano, and string orchestra written for the duo by composer Francesco Di Fiore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034430640475,"sku":"CVLD275CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46753254605147,"sku":"CVLD275","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/275-cover.jpg?v=1684508813"},{"product_id":"the-well-tempered-clavier-book-1-nicola-lamon","title":"THE WELL-TEMPERED CLAVIER, BOOK 1 - Nicola Lamon","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003eTHE WELL TEMPERED-CLAVIER, BOOK 1 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e|\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003e2 CD\u003c\/strong\u003e (CVLD334)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDas wohltemperirte Klavier    \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNicola Lamon\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eharpsichord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD1\u003c\/strong\u003e\u003cbr\u003e01 - No. 01: Prelude and Fugue in C major, BWV 846  - 4'23\"\u003cbr\u003e02 - No. 02: Prelude and Fugue in C minor, BWV 847  - 5'06\" \u003cbr\u003e03 - No. 03: Prelude and Fugue in C sharp major, BWV 848  - 5'43\"\u003cbr\u003e04 - No. 04: Prelude and Fugue in C sharp minor, BWV 849  - 7'15\"\u003cbr\u003e05 - No. 05: Prelude and Fugue in D major, BWV 850  - 4'11\"\u003cbr\u003e06 - No. 06: Prelude and Fugue in D minor, BWV 851  - 4'44\"\u003cbr\u003e07 - No. 07: Prelude and Fugue in E flat major, BWV 852  - 7'08\"\u003cbr\u003e08 - No. 08: Prelude in E flat minor and Fugue in D sharp minor, BWV 853  - 9'04\"\u003cbr\u003e09 - No. 09: Prelude and Fugue in E major, BWV 854  - 3'18\"\u003cbr\u003e10 - No. 10: Prelude and Fugue in E minor, BWV 855  - 4'18\"\u003cbr\u003e11 - No. 11: Prelude and Fugue in F major, BWV 856  - 2'59\"\u003cbr\u003e12 - No. 12: Prelude and Fugue in F minor, BWV 857  - 6'56\"\u003c\/p\u003e\n\u003cp\u003eTot. Time: 66'13\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/JohannSebastianBach-TheWellTempered-Clavier\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003cbr\u003e01 - No. 13: Prelude and Fugue in F sharp major, BWV 858  - 3'53\"\u003cbr\u003e02 - No. 14: Prelude and Fugue in F sharp minor, BWV 859  - 4'38\"\u003cbr\u003e03 - No. 15: Prelude and Fugue in G major, BWV 860  - 4'40\"\u003cbr\u003e04 - No. 16: Prelude and Fugue in G minor, BWV 861  - 4'26\"\u003cbr\u003e05 - No. 17: Prelude and Fugue in A flat major, BWV 862  - 4'25\"\u003cbr\u003e06 - No. 18: Prelude and Fugue in G sharp minor, BWV 863  - 4'54\"\u003cbr\u003e07 - No. 19: Prelude and Fugue in A major, BWV 864  - 4'53\"\u003cbr\u003e08 - No. 20: Prelude and Fugue in A minor, BWV 865  - 7'49\"\u003cbr\u003e09 - No. 21: Prelude and Fugue in B flat major, BWV 866  - 3'40\"\u003cbr\u003e10 - No. 22: Prelude and Fugue in B flat minor, BWV 867  - 5'23\"\u003cbr\u003e11 - No. 23: Prelude and Fugue in B major, BWV 868  - 3'59\"\u003cbr\u003e12 - No. 24: Prelude and Fugue in B minor, BWV 869  - 12'12\"\u003c\/p\u003e\n\u003cp\u003eTot. Time: 64'58\"\u003c\/p\u003e\n\u003cp\u003eNicola Lamon at the Silbermann harpsichord built by Romain Legros (Verona) Italy\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on February, 12, 13, 14, 2021\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and Layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003eCritical text: \u003cstrong\u003eMyriam Gugliemo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the composition of the 24 Preludes and Fugues (BWV 846-869), Bach participates in the vexata quaestio surrounding \"temperament\" and engages in a dialogue that, starting from the Renaissance, reaches, with no less intense echoes, 20th-century variations regarding the rational division of sounds. Having established the elements that constitute the compositional model, the prelude and the fugue, the composer experiments with the harmonic-contrapuntal potential of the system based on major and minor keys, capturing all the impulses arising from the growing interest in chromatic ordering. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEven in The Well-Tempered Clavier, as in much of Bach's output, the influence of Italian musical style emerges. In this specific case, one of the main references is certainly Girolamo Frescobaldi, the only Italian composer cited by Philipp Emanuel Bach among the authors appreciated and studied by his father since his artistic youth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicola Lamon studied at the \"B. Marcello\" Conservatory in Venice, graduating in 2001 with top marks and honors in both Organ and Organ Composition with Elsa Bolzonello Zoja and Harpsichord with Sergio Vartolo and Marco Vincenzi. He also obtained a diploma in Gregorian Chant with full marks with Lanfranco Menga. In the academic year 2005-2006, at the \"B. Marcello\" Conservatory in Venice, he obtained a second-level academic diploma in organ with a score of 110 cum laude. He participated in numerous masterclasses at various international academies: in organ and improvisation with H. Davidson and W. Porter in Smarano (TN), with J.L. Gonzalez Uriol in Daroca (Spain), at the Accademia Chigiana in Siena, for harpsichord, with Cristophe Rousset, obtaining a diploma of merit. He has received several awards in various national and international competitions: in organ, third prize in Borca di Cadore in 2001 and 2005, first prize in Viterbo in 2003, and third prize in Fano Adriano (TE) in 2006; in harpsichord, first prize in Fusignano (RA) in 2003, and first prize in Pesaro in 2005. He serves as the second organist at the prestigious Basilica di San Marco in Venice, collaborating with the Cappella Marciana in concert and recording performances. He follows and studies with particular interest historical partimento and improvisation aimed at the research and performance of basso continuo. With his colleague David Brutti on cornetto, he founded the duo \"Seicento Stravagante\" engaged in promoting Renaissance and Baroque keyboard instruments, participating in recordings and concerts. He also works as an organist and harpsichord continuo player in various ensembles, collaborating in masterclasses and advanced courses. He was a contract lecturer at the \"C. Pollini Conservatory of Padua\" for keyboard practice and vocal repertoire reading and, currently, works as a harpsichord accompanist at the Arrigo Pedrollo Conservatories in Vicenza and Agostino Steffani in Castelfranco Veneto (TV). He is also involved in the monumental integral performance of the two books of J.S. Bach's Well-Tempered Clavier and The Art of Fugue.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993775939931,"sku":"CVLD334","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770107253083,"sku":"CVLD334","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a196cd8a-d372-4fbd-b863-b6f88db73a94.jpg?v=1685020576"},{"product_id":"johann-sebastian-bach-cello-suites-for-harpsichord-dario-carpanese","title":"Johann Sebastian Bach: Cello Suites For Harpsichord - Dario Carpanese","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eJohann Sebastian Bach - Cello Suites For Harpsichord\u003c\/strong\u003e (CVLD333)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohann Sebastian Bach\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCELLO SUITES FOR HARPSICHORD\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDario Carpanese, \u003c\/strong\u003eharpsichord and trascription\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cem\u003eAvailable on: HD File, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello Suite No. 1 in G Major BWV 1007 (19:11)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Prélude, 3:15  \/  02 - Allemande,   5:35  \/  03 - Courante, 2:27  \/  04 - Sarabande, 2:32 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Menuet I \u0026amp; II, 3:52  \/  06 - Gigue, 1:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCello Suite No. 2 in D minor BWV 1008 (21:05)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - Prélude, 4:08  \/  08 - Allemande, 4:30  \/  09 - Courante, 2:14  \/  10 - Sarabande, 3:59 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Menuet I \u0026amp; II, 3:19  \/  12 - Gigue, 2:55\u003c\/span\u003e\u003cspan\u003e                                                                                                                                                                                  \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCello Suite No. 3 in C Major BWV 1009 (22:54)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Prélude, 4:28  \/  14 - Allemande, 5:07  \/  15 - Courante, 3:04  \/  16 - Sarabande, 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Bourrée I \u0026amp; II, 3:39  \/  18 - Gigue, 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTot. Time: 63:15\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Johann-Sebastian-Bach\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e176.4kHz \/ 24 bit original recording, made at Studio Rosso, Trebaseleghe, Italy on March 26, 27, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive and Musical  Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, mastering and editing engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover Illustration:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eGiulia Pierobon\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eNina Marranconi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLayout and Design: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranscription is a compositional practice that has accompanied the history of music for several centuries. While the 16th century saw the flourishing of the first lute tablatures of vocal pieces, by the 18th century, it had established itself as a true genre, increasingly in vogue and demand. The master and model of this art is undoubtedly Johann Sebastian Bach (1685-1750), who dedicated his entire musical output to transcription. In his youthful years in Weimar, to meet the demands of a court particularly fascinated by Italian taste, he transcribed numerous Concertos, giving rise to new and very interesting keyboard solo pages. In Leipzig, several Violin Concertos were arranged for harpsichord, probably to enrich the repertoire of the Collegium Musicum, of which Bach held artistic direction. Entire Cantatas changed text and purpose in an exercise of the highest musical craftsmanship, dictated by contingent needs, but conducted with such art and skill as to make these reworkings appear as entirely new works. The Six Cello Suites, the protagonists of this recording, never found editorial light in the form of a transcription by the author himself, while the Six Sonatas and Partitas for Solo Violin, which can be considered their sisters, were extensively reworked by Bach himself and transformed into various versions. Furthermore, thanks to the testimony of two of Bach's contemporary musicians, we know that the composer himself performed these pieces on the harpsichord and clavichord: while the organist Jacob Adlung (1699-1762), in describing the Sonatas and Partitas, emphasizes the fact that \"they can also be performed on the harpsichord,\" Johann Friedrich Agricola (1720-1774) assures us that \"the composer himself often played them on the clavichord and added the harmony he deemed necessary.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe practice of transcription reveals itself as an excellent and unparalleled key to understanding the compositional thought of the author of the transcribed work: more than a mere exercise in style, it is to be considered a true art that allows access to the essence of musical discourse, freeing oneself from the automatic gestures derived from the technique of one's instrument. One of the images that best describes this type of experience is that of entering a craftsman's workshop, observing and absorbing the technical secrets of the trade, and then working together on the same project. Transcription therefore offers us the possibility to actively dialogue with the great masters of the past and to refine our sensibility and our thoughts around the aesthetics of a specific historical period.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInitially, reworking one of the most performed and appreciated masterpieces of Bach's entire output presented me with numerous questions, which were gradually resolved following an adequate analytical study of Bach's own harpsichord transcriptions of his own compositions and those of others. Contrary to what was initially expected on this journey, the greatest difficulty was not being able to concretely produce something from the original material, but finding the strength to choose a definitive version by selecting from the numerous interpretive possibilities offered by the Suites themselves. Occasionally, when compiling this transcription, I found myself faced with dozens of alternatives for the same musical passage and had to choose, from time to time, whether to prioritize coherence with J. S. Bach's keyboard output, absolute fidelity to the original material, adherence to the sonic rendering of the cello version, hand comfort, stylistic uniformity of writing for each individual dance, and other needs that spontaneously arise from confronting this particular type of compositional practice. In conclusion, it can be stated that the choices made during the transcription process were always dictated by the need to obtain a result as close as possible to the German composer's harpsichord output and rejected any attempt to modernize the transcribed work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003eDario Carpanese\u003c\/em\u003e\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993727869275,"sku":"CVLD333CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit","offer_id":46770224202075,"sku":"CVLD333","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d039eecf-0f88-4d5d-8849-9ca0bd5b9d69.jpg?v=1685022443"},{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolai Karlovich Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tchaikovsky \u0026amp; Mikhail Vasilievich Pletnev\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trepak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \"... deep vision of the text, combined with great musical maturity. Very young, but already master of a very high level piano technique and a vast and important repertoire... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianist (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"..strong musical personality and talent clearly emerge from his artistic abilities...he never flaunts virtuosity for its own sake...he always subordinates it to a higher intellectual vision, which reflects a clear awareness of musical architecture.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianist (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eWinner of numerous international competitions in Albania, Italy, Croatia, Great Britain, Macedonia, Kosovo, Switzerland-France, Slovenia, the Albanian pianist Kostandin Tashko has performed in important concert halls and festivals. His debut CD, on the KNS label, includes works by Liszt, Scriabin and Ravel. A student of the \"J.Misja\" High School in Tirana with Valbona Kasaj, he graduated with honours from the \"Giuseppe Tartini\" Conservatory of Music in Trieste under the guidance of Teresa Trevisan. Masterclasses with B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! Piano writing between composition, transcription and restitution. The path proposed by Kostandin Tashko in the name of the Russian musical tradition unfolds along a path that, although traced within the twentieth-century context, tends to look back nostalgically at a past with vaguely defined contours, between Medtner's dreamlike late romanticism, Tchaikovsky's fairy-tale and Stravinsky's ancestral. The undisputed protagonist is the piano, an instrument historically linked to compositional activity both as a starting point for the drafting of piano pieces entrusted to the performance of the composer himself, and as the recipient of transcriptions taken from orchestral pieces by the author or later performers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"within-without-homage-to-rakhmaninov","title":"WITHIN \u0026 WITHOUT - Homage to Rachmaninoff","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eWITHIN \u0026amp; WITHOUT - Homage to Rakhmaninov \u003c\/b\u003e(CVLD330)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Farewell my Dreams Op.9,  6:42\u003cbr\u003e02 - Siberian Blizzard Op.10, 11:31\u003cbr\u003e03 - Waltz of the Fairies Op.11,  7:54\u003cbr\u003e04 - Dusk Spirits Op.12,  11:53\u003cbr\u003e05 - Gloomy Sparks Op.16,  11:47\u003cbr\u003e06 - The Devil in Love Op.14,  15:33\u003c\/p\u003e\n\u003cp\u003etotal time: 65:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Within-and-Without-Homage-to-Rachmaninov\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll compositions by Edoardo Brotto\u003c\/p\u003e\n\u003cp\u003e88kHz \/ 24bit digital recording made at Magister Area Recording, Preganziol, Italy, on September 15, 16, 2020. Analog mix \u0026amp; mastering made at Velut Luna Studio, Padova, Italy, on October 17, 2020\u003c\/p\u003e\n\u003cp\u003eEdoardo Brotto plays on STEINWAY \u0026amp; SONS D274 CONCERT GRANDPIANO, serial number: 592126 granted,  tuned and prepared by Silvano Zanta\u003cbr\u003eMarco Lincetto choose RIBERA R12 tube microphones, Millennia Media HV 3C mic preaplifier, and Rupert Neve Design 5059 summing mix\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e\u003cbr\u003eRecording, mix \u0026amp; mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eClaudio Dalla Costa\u003c\/strong\u003e\u003cbr\u003eDesign: \u003cstrong\u003eFrancesca Brotto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis album is my homage to a composer and pianist I deeply love, Sergei Rachmaninoff. Beauty in the broadest sense of the term – of nature, of a face, of the scent of the winter wind – has been the inspiration for all the pieces presented here. The assiduous search for this beauty, for the ideal harmony at the ideal moment, for the form and logic of each piece's structure, for contrasts, melodies, and lively dancing notes, led me to a careful and lengthy work on the most meticulous details, often entirely revolutionizing what was, in favor of the uncertainty of the new. Each puzzle piece was meticulously crafted and adapted to the image as a whole. None of these works are written on paper but, as is my custom, were composed and \"written\" in my mind. This process allows me, literally, to observe the small pieces and the large pieces from a privileged vantage point, where I can play with the various pieces, recombining them as I please, creating a vast number of possible solutions. It is this same vantage point, similar to what one experiences from the top of a mountain peak, or a skyscraper, that allows me to choose the set of elements that, in my opinion, achieve the most beautiful form.\u003cbr\u003eEdoardo Brotto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995065590107,"sku":"CVLD330CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770644418907,"sku":"CVLD330","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_97c86d06-3a94-461e-af7c-c45f9a8e1728.jpg?v=1685032453"},{"product_id":"cello-sonatas-luca-giovannini-leonora-armellini","title":"CELLO SONATAS - Luca Giovannini Leonora Armellini","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCELLO SONATAS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD327)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Giovanninitino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ecello\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLeonora Armellini,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e piano\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.1 in E Minor Op. 38\u003cbr\u003e1 - Allegro non troppo  14:34\u003cbr\u003e2 - Allegretto quasi minuetto  5:50\u003cbr\u003e3 - Allegro  6:39\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.2 in F Major, Op. 99\u003cbr\u003e4 - Allegro Vivace  9:06\u003cbr\u003e5 - Adagio affettuoso  6:37\u003cbr\u003e6 - Allegro appassionato  7:43\u003cbr\u003e7 - Allegro molto  4:50\u003c\/p\u003e\n\u003cp\u003etotal time:  55:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johannes-Brahms-Cello-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLuca Giovannini, cello\u003cbr\u003eLeonora Armellini, piano\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Magister Recording Area, Preganziol, Italy, on July 12, 2020 - Leonora plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: Michele Sartor\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohannes Brahms\u003c\/strong\u003e and the cellists of Sonatas Op. 38 and Op. 99: a photographic retrospective.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eAmong the complex array of chamber music pieces in Brahms's catalogue, the two Sonatas for piano and cello (a designation that, by the composer's wish, emphasizes the equal nature of the instruments involved) are traditionally considered cornerstones of the repertoire dedicated to this formation. Their notoriety, due to successful reception and continuous performance that we still witness today, should not prevent the listener and interpreter from having an overview of the two Sonatas, which is often neglected in favor of a mere chronological and compositional comparison. Although twenty-four years elapsed between the writing of the first two movements of the Sonata in E minor Op. 38 and the publication of the Sonata in F major Op. 99, the interest in cello writing, fueled by the presence of key figures in the composer's circle, can be considered common to both periods.\u003cbr data-mce-fragment=\"1\"\u003eIn a photograph dated May 7, 1894, we find Brahms, on his sixty-first birthday, surrounded by friends and colleagues at the home of the von Miller zu Aichholz family (Gesellschaft der Musikfreunde archive, Vienna). Among the guests, besides Ignaz Brüll, Anton Door, Julius Epstein, Eusebius Mandyczewski, Gustav Walter, Eduard Hanslick, and Richard Mühlfeld, are the dedicatees of the two Sonatas for piano and cello: Josef Gänsbacher and Robert Hausmann. - \u003c\/span\u003e\u003cspan\u003eMyriam Guglielmo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLuca Giovannini,\u003c\/em\u003e\u003c\/strong\u003e born in Rovigo in 2000, attended the \"Francesco Venezze\" Conservatory in Rovigo with M° L. Simoncini and graduated at 17 with honors and a special mention. He enriched his studies by attending the \"R. Romanini\" Academy in Brescia, where he studied with G. Sollima and later with G. Capuçon at the \"Classe d'excellence\" of the Louis Vuitton Foundation. From a very young age, Luca distinguished himself in numerous competitions, among the most prestigious being the first prize in 2018 at the J. Brahms competition in Pörtschach, Austria, becoming the first Italian to win it, in 2016 the third prize at the \"Schönefeld\" competition in China, and the National Arts Award 2020.\u003cbr data-mce-fragment=\"1\"\u003eHe has had the opportunity to play for the most illustrious names in the music world, such as G. Kremer, A. Schiff, N. Gutman, E. Dindo, M. Brunello, B. Canino, D. Rossi, and many others, gaining different perspectives and highly stimulating insights.\u003cbr data-mce-fragment=\"1\"\u003eHe has performed in numerous countries and important theaters such as the Suntory Hall in Tokyo, Carnegie Hall in NY, Musikverein in Vienna, the Berliner Philharmoniker, Sale Apollinee della Fenice, and the Sala Maffeiana in Verona. Luca is currently studying with F. Helmerson at the Kronberg Academy, Frankfurt. He plays an Ansaldo Poggi kindly granted by M° M. Brunello.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLeonora Armellini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003ewas a very young winner of the “Janina Nawrocka Prize” for “extraordinary musicality and beauty of sound” at the “F. Chopin” International Piano Competition in Warsaw (2010). This success was brilliantly confirmed in the 2021 edition, with a Fifth Prize making her the first Italian woman to reach the top of a competition considered the pinnacle of world pianism. Leonora Armellini (1992), daughter of artists, began studying piano at the age of four with Laura Palmieri and graduated at twelve with full marks, honors, and a special mention. In 2005, she unanimously won the XXII Premio Venezia, reserved for the best graduates of Italian Conservatories, and continued her training with Sergio Perticaroli at the Accademia di S. Cecilia in Rome, graduating at seventeen with honors, becoming the youngest graduate of the prestigious institution. She further perfected her skills with Lilya Zilberstein and Marian Mika, and graduated from the “Incontri col Maestro” Piano Academy in Imola with Boris Petrushansky (2018). Among the numerous awards and recognitions for her artistic and human qualities, Leonora received in 2013 from Zubin Mehta the “Galileo 2000 Pentagramma d’oro” award for her “great courage and musical talent.” in May 2013, the National Association of Music Critics decided to award the “XXXII Premio Abbiati,” “Premio Piero Farulli,” to the Trio formed by Leonora, Laura Marzadori, and Ludovico Armellini (Piano, Violin, and Cello). She regularly performs as a soloist and chamber musician for festivals and concert seasons in Italy and abroad (Carnegie Hall in New York, Mariinsky Theatre in Saint Petersburg, Salle Cortot in Paris, Warsaw Philharmonic, Teatro La Fenice in Venice, Martha Argerich Project in Lugano, and throughout Europe, China, South Korea, Japan, …), and has performed with numerous orchestras including the Warsaw Philharmonic, the Orchestra di Padova e del Veneto, I Solisti Veneti, the Orchestra Filarmonica di Torino, the Orchestra del Teatro La Fenice, the Orchestra dell’Arena di Verona, the Ukrainian National Orchestra, the Sinfonia Varsovia, the Symphony Orchestra of the Lodz Philharmonic (Poland)… Leonora is the protagonist of numerous recording projects; her most recent releases include the DVD “Piano Recital” published by ContempoArs containing, among others, Chopin’s Etudes op. 25, and a CD published by Brilliant Classics containing Poulenc’s Concerto for two pianos and orchestra, Britten’s Scottish Ballad, and Debussy’s Première Suite for piano four-hands in the formation of the Duo Pianistico di Padova (with pianist Mattia Ometto), Orchestra di Padova e del Veneto, and conductor Luigi Piovano. In the same formation, she also recorded the complete works for two pianos by Brahms for Da Vinci Classics. She has been invited by Italian and foreign radio and television for interviews and concerts, including the “Concerti del Quirinale” and an appearance as a guest at the Sanremo Festival 2013. Alongside Matteo Rampin, she co-wrote and published the popular music book “Mozart era un figo, Bach ancora di più” (Mozart was cool, Bach even cooler), published by SALANI (2014), now in its seventh edition and translated into Spanish. She is currently a Principal Piano teacher at the “A. Buzzolla” Conservatory in Adria (RO)\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993798779227,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807346020699,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e489968-4b8c-4ec0-8d3f-b8c84e5e2c26.jpg?v=1686058633"},{"product_id":"bach-alternative-harpsichord-concertos","title":"BACH - ALTERNATIVE HARPSICHORD CONCERTOS","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eBACH - ALTERNATIVE HARPSICHORD CONCERTOS\u003c\/strong\u003e (CVLD322) \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConcert For Harpsichord and Orchestra in D Minor BWV 1052a\u003cbr\u003eRoberto Loreggian, harpsichord\u003cbr\u003e1 - Allegro, 7:43\u003cbr\u003e2 - Adagio, 7:59\u003cbr\u003e3 - Allegro, 8:32\u003cbr\u003eConcert For Harpsichord and Orchestra in G Minor BWV 1056a\u003cbr\u003eRoberto Loreggian, harpsichord\u003cbr\u003e4 - Allegro, 3:42\u003cbr\u003e5 – Adagio, 2:38\u003cbr\u003e6 - Presto, 4:27\u003cbr\u003eConcert For Flute, Violin, Harpsichord and Orchestra in D Major BWV 1050a\u003cbr\u003eFrancesco Padovani, flute, Federico Guglielmo, violin, Roberto Loreggian, harpsichord\u003cbr\u003e7 – Allegro, 8:28\u003cbr\u003e8 – Adagio, 6:14\u003cbr\u003e9 - Allegro, 5:26\u003c\/p\u003e\n\u003cp\u003etot. time: 55:16\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/J-S-Bach-Alternative-Harpsichord-Concertos\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoberto Loreggian, harpsichord\u003c\/p\u003e\n\u003cp\u003eL’Arte dell’Arco\u003cbr\u003eFederico Guglielmo, Gianpiero Zanocco, violins\u003cbr\u003eMario Paladin, viola\u003cbr\u003eFrancesco Galligioni, cello\u003cbr\u003eAlessandro Pivelli, double bass\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Abbazia di Santa Maria delle Carceri, Main Hall, Carceri (Italy), \u003cbr\u003eon November 11, 12, 2019\u003c\/p\u003e\n\u003cp\u003eThe recording was made by Marco Lincetto, using the very special and custom VLR Sound Recording System, including pure analog devices such as Rupert Neve Design Mic Preamplifiers 5024 and Analog  Summing Mixer SATELLITE 5059, Ribera R12 Vacuum Tube Microphones and the ADC Prism Sound AD2 Dream\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eMusical producer: Mattia Zanatta\u003cbr\u003eEditing engineer: Michele Sartor\u003cbr\u003eCritical text: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eCover design concept and layout: L'Image\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995098325339,"sku":"CVLD322CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807761420635,"sku":"CVLD322","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1974e471-4034-441f-bf86-f22f71e0fd52.jpg?v=1686065326"},{"product_id":"se-fossi-una-rondinella-barbara-bertoldi","title":"IF I WERE A SWALLOW - Barbara Bertoldi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eIF I WERE A SWALLOW\u003c\/strong\u003e (CVLD321)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - La Dosolina - Eddy Serafini,  2:44\u003cbr\u003e02 - Gran Dio del Cielo - Armando Franceschini,  3:09\u003cbr\u003e03 - ‘Ndormenzete popin - Erika Eccli,  2:42\u003cbr\u003e04 - E col cifolo del vapore - Nikos Betti,  3:22\u003cbr\u003e05 - La sposa morta - Marco Uvietta,  2:20\u003cbr\u003e06 - Il Maritino - Armando Franceschini,  2:04\u003cbr\u003e07 - La Madonnina - Camillo Moser e Italo Varner,  2:10\u003cbr\u003e08 - La casa del mio bèn - Armando Franceschini,  1:38\u003cbr\u003e09 - Ninna Nanna - Eddy Serafini,  1:59\u003cbr\u003e10 - L’è tre ore che son chi sotto - Erika Eccli,  1:23\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/SeFossiUnaRondinella\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e88.2kHz \/ 24bit original digital recording made at Areamagister Studios, Preganziol (Italy) on December, 28, 29, 2019\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eMusical Producer: Marco Lincetto \u0026amp; Barbara Bertoldi\u003cbr\u003eRecording, Mix \u0026amp; Mastering Enegineer: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eDesign \u0026amp; Layout: L'Image\u003c\/p\u003e\n\u003cp\u003eIn 1888, Costantino Nigra published \"Canti popolari del Piemonte\" (Folk Songs of Piedmont), employing for the first time an ethnological, comparative, and dialectological approach to Italian popular poetry. It was a long, passionate research into \"truly popular songs, that is, without a known author, those songs heard in the fields, in the stables, the creations of peasant poets,\" as Nigra's father-in-law, Giovenale Vegezzi Ruscalla, wrote in a letter to a Sardinian scholar.\u003cbr\u003eWith Nigra, a new research methodology was born, which had previously been the domain of literary scholars and philologists, mainly Tuscan.\u003cbr\u003eThese studies reveal that while folk songs may have anonymous authors in terms of writing, their area of diffusion is well identifiable. The historical trace that the text leaves through the modifications it undergoes over the years, if not centuries, is also clearly visible.\u003cbr\u003eThe themes addressed encompass all aspects of human life, narrating work, leisure, love, sorrows, and wars. These texts, like those presented in this CD, are strongly dialectal, typical of northern Italy, with diffusion also in France, Provence, Catalonia, and Portugal.\u003cbr\u003eThen, as is typical of popular narrative, it is varied and adapted to different situations and times, without changing the narrative structure, so that one can always, or almost always, trace back to the original text.\u003cbr\u003eThe songs on this CD, chosen by the performing musician and re-harmonized for cello and voice by composer friends and colleagues, bring the narrative back to its truest representation, when the performer was not a choir, but one or at most two voices, accompanied by an instrument, whether guitar or violin, very often played by ear.\u003cbr\u003eThe cello accompaniment provides a refined and unprecedented presentation in the vast field of folk song performances.\u003cbr\u003eThe re-harmonizations proposed by the various composers make the narrative varied and diverse, according to different sensibilities, while respecting the primitive harmonization.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995161207131,"sku":"CVLD321","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807814144347,"sku":"CVLD321","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_fc6d4638-503c-44b5-968d-207a2e61d903.jpg?v=1686066716"},{"product_id":"organ-wars-raimondo-mazzon","title":"ORGAN WARS - Raimondo Mazzon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eORGAN WARS\u003c\/strong\u003e (CVLD319) \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAvailable in HD 2ch Stereo File, \u003c\/b\u003e\u003cb\u003e5.1ch Multichannel or SACD Hybrid (SACD 2.0, 5.1 and CD)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Music Of John Williams\u003c\/p\u003e\n\u003cp\u003e1 - Jaws - main theme 2:29\u003cbr\u003e2 - Close Encounters Of The Third Kind 4:31\u003cbr\u003e3 - The Empire Strikes Back - Suite 10:05\u003cbr\u003e4 - Can You Read My Mind? - from Superman 3:18\u003cbr\u003e5 - Schindler's List - Suite 9:29 \u003cbr\u003e6 - Memories Of A Geisha, Sayuri's Theme 2:39\u003cbr\u003e7 - Empire Of The Sun - Suite 8:24\u003cbr\u003e8 - Princess Leia's Theme 4:31\u003cbr\u003e9 - The Throne Room \u0026amp; End Title 6:46\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Organ-Wars\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll arrangements by Fabrizio Castania\u003cbr\u003eRaimondo Mazzon, organ\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Auditorium Pollini, Padova, Italy, on September 27, 28, 2019\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical Producer: Fabrizio Castania, Marco Lincetto\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003e5.1 mix: Marco Lincetto, Matteo Costa\u003cbr\u003eSACD authoring: Matteo Costa\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eLayout and Design: L'Image\u003c\/p\u003e\n\u003cp\u003eJohn Williams, among the greatest film score composers, is undoubtedly also among the most refined contemporary orchestrators. Hence the challenge of transferring famous film scores like Jaws, Close Encounters of the Third Kind, Memoirs of a Geisha, passing through Schindler's List and arriving at true cinematic \"cults\": Star Wars and The Empire Strikes Back, to an instrument like the organ.\u003cbr\u003eAnd not just any organ, but the grand organ of the \"Cesare Pollini\" Auditorium, home of the Padua Conservatory of Music.\u003cbr\u003eA unique repertoire of its kind, which allows all the registers of this instrument to be highlighted, from pianissimo to the symphonic \"tutti\", considering that the choice was made to give space to John Williams' various musical languages, from the most celebratory and epic to the most intimate and meditative, to satisfy the tastes of those who know the more blockbuster Williams, but also those who know or want to delve deeper into a less known but equally brilliant Williams. \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"SACD Hybrid","offer_id":49995182342491,"sku":"CVLD319SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46814748213595,"sku":"CVLD319","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD 5.1ch Multichannel (88.2\/24) FILE","offer_id":46814774559067,"sku":"CVLD319","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_55d0d1bf-4583-4a42-a56d-dfd2f9f7f46c.jpg?v=1686239235"},{"product_id":"piazzolla-solo-piano-loredana-piluso","title":"PIAZZOLLA SOLO PIANO - Loredana Piluso","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003ePIAZZOLLA SOLO PIANO\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD310)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eLoredana Piluso\u003c\/strong\u003e, piano\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e01. Adios Nonino, Tango Rhapsody 10’47’’ arr. by A.Piazzolla\u003cbr\u003e02. Ausencias 3’27’’ arr. by Hywel Davies \/ Loredana Piluso\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHistoire du tango - arr. by Kyoko Yamamoto\u003cbr\u003e03. Bordel 1900 4’36’’\u003cbr\u003e04. Cafè 1930 6’53’’\u003cbr\u003e05. Night Club 1960 6’00’’\u003cbr\u003e06. Concert d’Aujourd’hui 3’27’’\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e07. Mumuki 6’09’’ arr. by Hywel Davies \/ Loredana Piluso\u003cbr\u003e08. Libertango 4’17’’ arr. by Kyoko Yamamoto\u003cbr\u003e09. Oblivion 3’51’’ arr. by Juan Carlos Zunini \/ Saùl Cosentino\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEstaciones portenas - arr. by Mehmet Okonsar \/ Loredana Piluso\u003cbr\u003e10. Primavera portena 6’07’’\u003cbr\u003e11. Verano porteno 4’34’’\u003cbr\u003e12. Otono porteno 4’46’’\u003cbr\u003e13. Invierno porteno 4’32’’\u003c\/p\u003e\n\u003cp\u003eTotal Time: 69’33”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Piazzolla-SoloPiano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e88.2kHz \/ 24bit original recording made at Chiesa di S.Apollinare, Monticello di Lonigo, Italy, on September, 3 - 5, 2018\u003cbr\u003eusing Ribera R12 Tube Microphone\u003cbr\u003eLoredana Piluso plays the BORGATO GRAND PRIX 333 Concert Grandpiano, designed, prepared and tuned by Luigi Borgato himself.\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eMusical Producer: Mattia Zanatta\u003cbr\u003eRecording, Mix \u0026amp; Mastering Engineer: Marco Lincetto\u003cbr\u003eEditing Engineer: Mattia Zanatta\u003cbr\u003ePhoto: Marco Zorzanello\u003cbr\u003eLayout and Design: L'Image \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOREDANA PILUSO\u003c\/strong\u003e is a Sicilian pianist who has lived and worked in Veneto for years.\u003cbr\u003eShe began studying piano at a very young age, graduating at 20 with top honors. She perfected her skills with international Maestros, embarking on a brilliant concert career that led her to perform in Italy and abroad.\u003cbr\u003eShe currently performs both as a soloist and in chamber music ensembles; she works alongside actors and choreographers, curating the music for international unreleased productions. This recording project was born in collaboration with the piano builder Maestro Luigi Borgato, who, for the occasion, gave her the opportunity to record on his latest creation, the BORGATO GRAND PRIX 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBORGATO GRAND PRIX 333\u003c\/strong\u003e\u003cbr\u003eIt is called GRAND PRIX 333 and it is the largest piano in the world, with its actual length of three meters and thirty-three centimeters: about fifty centimeters more than traditional grand pianos, which can average two meters and seventy or two meters and eighty. The instrument is entirely handcrafted, using precious wood essences: rosewood for the internal lining; maple for the bridges; beech for the action's cushion; hornbeam for the levers and ebony for the black keys. Up to the soundboard spruce, the magical wood that makes the instrument \"sing\". In particular, the spruce wood used for the Grand Prix 333 is personally selected by Luigi Borgato and sourced from the Passau forest in Germany, and is characterized by an extraordinary peculiarity, which is to guarantee a sound velocity of six thousand meters per second, compared to three thousand for normal spruce trees. \u003cbr\u003eThis piano consists of over 15,000 parts and weighs over 700kg, and its construction requires more than 135 working days. The \u003cstrong\u003eGRAND PIX 333\u003c\/strong\u003e is now considered the new absolute reference in the world, an instrument that opens new horizons for the expressive possibilities of piano sound. Velut Luna is the first record label in the world to release a recording of the \u003cstrong\u003eBORGATO GRAND PRIX 333.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46865284202843,"sku":"CVLD310","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_5b9f8094-b9b0-40f8-89f8-cdfbabd103ed.jpg?v=1687447547"},{"product_id":"fragmenta-ensemble-juveniliter","title":"FRAGMENTS - ENSEMBLE JUVENILITER","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eFRAGMENTA remaster\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD011)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eENSEMBLE JUVENILITER\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eConductor: \u003cstrong\u003eFederico Zandonà\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01. Sumer is icumen in\u003cbr\u003e02. On parole, A Paris, Brèse nouvelle\u003cbr\u003e03. Scaramella\u003cbr\u003e04. Lirum bililirum\u003cbr\u003e05. Je ne l'ose dire\u003cbr\u003e06. Pavane avec le mesures et battement de tambour\u003cbr\u003e07. Quand je bois\u003cbr\u003e08. Il bianco e dolce cigno\u003cbr\u003e09. Madonna mia pietà\u003cbr\u003e10.Saccio 'na cosa\u003cbr\u003e11. Mon coer\u003cbr\u003e12. Quand mon May\u003cbr\u003e13. L'innamorato\u003cbr\u003e14. Il ballerino\u003cbr\u003e15. Amor vittorioso\u003cbr\u003e16. Fine knacks for ladies\u003cbr\u003e17. Woeful heart\u003cbr\u003e18. Said I that Amarillis\u003cbr\u003e19. Now is the month of maying\u003cbr\u003e20.Fair Phyllis I saw\u003cbr\u003e21. Adieu, sweet Amarullis\u003cbr\u003e22. The silver swan\u003cbr\u003e23.Pavane avec le mesures et battement de tambour, in movimento\u003cbr\u003e24. The three ravens\u003cbr\u003e25. A round of three country dances in one\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTotal time: 56:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Fragmenta\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShort songs from the Italian Renaissance, French 16th century, English Renaissance Ensemble Juveniliter: six solo voices, Federico Zandonà conductor 20 bit Digital Recording. Live in studio at the Chapel of S.Martino, Campiglia dei Berici (Vicenza). October 1997\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShort and very pleasant songs taken from the late medieval and Renaissance polyphonic repertoire of England, France, and Italy, performed by a vocal ensemble composed of six soloists, three women and three men, capable of offering such a variety of timbres and colors that one does not regret the absence of commonly understood instruments. Some very well-known pieces have become part of the historical heritage of European music.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46902601548123,"sku":"CVLD011","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover.jpg?v=1688569923"},{"product_id":"w-a-mozart-b-britten-i-solisti-dellolimpico","title":"W.A. MOZART B. BRITTEN - The Soloists of the Olimpico","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eI Solisti dell'Olimpico - Mozart, Britten\u003c\/strong\u003e (CVLD090)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart: Adagio and Fugue, K. 546\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1- Adagio and Fugue in C Minor, K. 546\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBritten: Simple Symphony, Op. 4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2- \u003c\/span\u003eI. Boisterous Bourrée. Allegro ritmico\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e3- II. Playful Pizzicato. Presto possibile\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e4- \u003cspan data-mce-fragment=\"1\"\u003eIII. Sentimental Sarabande. Poco lento e pesante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e5- \u003cspan data-mce-fragment=\"1\"\u003eIV. Frolicsome Finale. Prestissimo con fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Concerto No. 12, K. 414\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6-\u003cstrong\u003e \u003c\/strong\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003eI. Allegro\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"track__item track__item--name  text-overflow\"\u003e7- \u003c\/span\u003eII. Andante\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e8- III. Rondeau. Allegretto\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e(Live Recording) - tot. time: 55:16\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/I-Solisti-dell-Olimpico-Mozart-Britten\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eG.B. Rigon, conductor and GrandPiano, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTommaso Luison, first violin, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiampiero Zanocco, violin - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFloriano Bolzonella, viola - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiancarlo Trimboli, cello - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNicola Malagugini, double bass - first part\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24Bit \/ 96 kHz Digital Recording. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLive at Teatro Olimpico, Vicenza (Italy) June, 2003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034411340123,"sku":"CVLD090CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46950686490971,"sku":"CVLD090","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_3d7afff3-20b1-4922-b8c9-2985ae3834dc.jpg?v=1689780117"},{"product_id":"unus-inter-pares-stravinsky-bartok-lincetto","title":"UNUS INTER PARES - STRAVINSKY | BARTOK | LINCETTO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cb\u003eUNUS INTER PARES \u003c\/b\u003e(CVLD057)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Carbonare\u003c\/strong\u003e\u003c\/em\u003e, clarinet\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e\u003c\/em\u003e, violin and viola\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlberto Boischio\u003c\/strong\u003e\u003c\/em\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1. Histoire du soldat, Suite 1919 for Violin, Clarinet and Piano (Igor Stravinsky)\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 14'38\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e2. Three Pieces for solo clarinet (Igor Stravinsky) - Alessandro Carbonare 3'40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e3. Contrasts for Violin, Clarinet and Piano, Sz. 111 (Béla Bartók) - Domenico Nordio 17'25\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e4. Sequenza cromatica per flauto (Adriano Lincetto) - \u003c\/span\u003e\u003cspan\u003e(Arranged for Violin) \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e5. Sequenza cromatica per violino solo dall’originale per flauto solo di Adriano Lincetto (Giovanni Bonato) - Domenico Nordio 4'20\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e6. Fantasia per viola, clarinetto e pianoforte (Adriano Lincetto) - Domenico Nordio 7'50\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e7. Quattro improvvisi per pianoforte (Adriano Lincetto), \u003c\/span\u003e\u003cspan\u003ePresto - \u003c\/span\u003e\u003cspan\u003eAlberto Boischio 2'55\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTotal Time: 54:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Unus-Inter-Pares\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e24Bit \/ 96 kHz Digital Recording.\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eLive in studio at Pollini Auditorium (Padova, Italy) April, 2001\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eWith this CD, Velut Luna wishes to commemorate the Paduan composer Adriano Lincetto within his historical context. Thus, trio pieces alternate with those for solo instrument: Histoire du Soldat, Stravinsky's own trio version and the Three Pieces for solo clarinet, Bartok's Contrasts for trio, followed by Lincetto's Chromatic Sequence for solo flute. Finally, Lincetto's Fantasy for viola, clarinet and piano, and the virtuosic Presto for piano by the same composer.\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastering Enegineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034938085723,"sku":"CVLD057CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46977395851611,"sku":"CVLD057","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/057-cover.jpg?v=1690556310"},{"product_id":"flute-concertos-enzo-caroli-lucia-visentin","title":"FLUTE CONCERTOS - Enzo Caroli Lucia Visentin","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eFLUTE CONCERTOS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD293)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnzo Caroli, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eFlute\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003cstrong\u003eLucia Visentin\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFirst violin and conductor\u003c\/span\u003e - \u003cstrong\u003eOrchestra GAV\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSaverio Mercadante (1795 - 1870) 19:58 Concerto in E minor for flute and string orchestra (revised by Agostino Girard)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisponibile in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 Allegro maestoso 9:26 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e02 Largo 3:53 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e03 Rondò russo (Allegro vivace scherzando) 6:39 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohann Joachim Quantz (1697 - 1773) 17:71 Flute Concerto in G Major \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e04 Allegro 6:30 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e05 Arioso (Mesto) 6:41 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e06 Presto 5:00 Carl Stamiz (1745 - 1801) 19:00 Konzert fur Flote in G-Dur Opus 29 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e07 Allegro 9:03 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e08 Andante non troppo moderato 4:28 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e09 Rondo (Allegro) 5:29 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGiovanni Battista Pergolesi (1710- 1736) 12:40 Concerto in G major for flute, strings and basso continuo \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10 Spiritoso 4:24 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11 Adagio 4:49 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12 Allegro spiritoso 3:27 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eT\u003c\/span\u003e\u003cspan\u003eot. Time: 69:54 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute_Concertos\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/88.2kHz original recording made at Magister Area Studios, Preganziol, Italy, on August 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: \u003cspan data-mce-fragment=\"1\"\u003eMattia Zanatta\u003c\/span\u003e\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: \u003cspan data-mce-fragment=\"1\"\u003eAnna Tonini\u003c\/span\u003e\u003cbr\u003ePhoto: \u003cspan data-mce-fragment=\"1\"\u003eMirella La Rosa\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe flute concertos presented in this recording offer a central section of the flute repertoire, dedicated to the classical form, composed between the second half of the 18th century and the first half of the 19th century, in galant style. They all share the singular characteristic of being in G major, except for Mercadante's concerto, which is nevertheless composed within the soundscape of the relative minor, E minor. Divided into three movements, they follow the usual scheme of a faster, denser first movement, a more lyrical and cantabile second movement, and a lively and technically brilliant third movement. A theme entrusted to the orchestra opens the curtain to the protagonist, the flute, after a few bars, reiterating the tonality and beginning to \"play,\" highlighting the skill and generosity of the performer.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000641524059,"sku":"CVLD293CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47001510969691,"sku":"CVLD293","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_37cf3fce-233f-426a-bbef-6d5e1e183fc9.jpg?v=1691426871"},{"product_id":"amor-y-pasion-oscar-del-barba","title":"LOVE AND PASSION - Oscar Del Barba","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAMOR Y PASION \u003c\/b\u003e(CVLD215)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Oscar Del Barba. Franca Masu voice\/lirics by Alan Zamboni.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eO. Del Barba, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Beccalossi, accordion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG. Alberti, saxophone\/clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS. Maiore, double bass and cello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM. Vicentini, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Masu, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - EL NINO\u003cbr\u003e02 - PAIS\u003cbr\u003e03 - ORA\u003cbr\u003e04 - ARGENTO VIVO\u003cbr\u003e05 - LETTERA CANZONE\u003cbr\u003e06 - GATO BORRACHO\u003cbr\u003e07 - IL CUORE MUTO\u003cbr\u003e08 - PLAZA DE MAJO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Amor-y-Pasion\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/48hKz recording made at MagisterAreaStudios, Preganziol on October 11 \u0026amp; 12, 2009\/ March 31, 2011. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is always difficult to talk about a new recording project by Oscar Del Barba in a few lines.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBecause Oscar Del Barba is an incredibly rich author, who, like very few others today, manages to synthesize a large number of cultured references to the entire history of music over at least the last 300 years.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCulture and academic preparation (diploma in piano and then in composition), extensive experience in the world of jazz, a strong love for the music of the \"south of the world,\" particularly South America: this and much more is Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf we absolutely had to give this album a \"genre\" definition, we could undoubtedly speak of \"tango and surroundings\"... It is also worth remembering that Oscar, in the album booklet, thanks, among others: Astor (Piazzolla), Igor (Stravinsky), Bela (Bartok), Claude (Debussy), Johann Sebastian (Bach)...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccompanied by a chamber group of musicians of absolute value, all endowed with the characteristic of \"interpretive versatility\" – Salvatore Maiore, double bass and cello, Maria Vicentini, violin, Fausto Beccalossi, accordion, Gianni Alberti, sax and clarinet and the extraordinary voice of Franca Masu – Del Barba delivers to history 8 musical portraits, where the descriptive power becomes, from time to time, evocative of situations and emotions, moving nonchalantly between Buenos Aires and Madrid, also wandering a bit through Central Europe...\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLast but not least, the beautiful original lyrics written specifically by Alan Zamboni are worth highlighting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is an album that takes you by the hand at track 1 and doesn't let go until the last note.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded live, as usual, in the splendid natural acoustics of the MagisterArea studios in Preganziol by Marco Lincetto, it also offers an engaging, enveloping, and absolutely natural sound on the recording front. As it could not be otherwise with the music of Oscar Del Barba.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009272320347,"sku":"CVLD215CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 48kHz · 24bit","offer_id":47028396065115,"sku":"CVLD215","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a39e00c4-206e-463c-8e5c-6999c55f9f97.jpg?v=1692350834"},{"product_id":"crossing-caterina-bergo-paola-donato","title":"CROSSING - Caterina Bergo Paola Donato","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eCROSSING  \u003c\/b\u003e(CVLD129)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01. Turodo Nacto\u003cbr data-mce-fragment=\"1\"\u003e02. Sonata for two harps Allegro con spirito\u003cbr data-mce-fragment=\"1\"\u003e03. Sonata for two harps Adagio espressivo\u003cbr data-mce-fragment=\"1\"\u003e04. Sonata for two harps Allegro scorrevole\u003cbr data-mce-fragment=\"1\"\u003e05. Project for a starry night\u003cbr data-mce-fragment=\"1\"\u003e06. Aries\u003cbr data-mce-fragment=\"1\"\u003e07. Pisces\u003cbr data-mce-fragment=\"1\"\u003e08. Nia m'è restà, Blues\u003cbr data-mce-fragment=\"1\"\u003e09. Birdy\u003cbr data-mce-fragment=\"1\"\u003e10. New Age Clouds\u003cbr data-mce-fragment=\"1\"\u003e11. Gavotte in rondo for two harps\u003cbr data-mce-fragment=\"1\"\u003e12. Impromptu\u003cbr data-mce-fragment=\"1\"\u003e13. Here, There and Everywhere\u003c\/p\u003e\n\u003cp\u003eTotal time: 1:02:05\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Crossing\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArtistic Producer:\u003cspan\u003e \u003cstrong\u003eCaterina Bergo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; mastering:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto \u0026amp; Matteo Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditing:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMatteo Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLayout \u0026amp; Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL Caterina Bergo, harp, Paola Donato harp. High Definition digital recording 24bit \/ 96KHz. at Magister Studio, Preganziol, Italy, in November 2005.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe harp is undoubtedly one of the most fascinating and magical classical instruments, capable of evoking truly special atmospheres and situations full of strong and unforgettable emotions. Caterina Bergo perfectly embodies the icon of a great interpreter of this instrument: very young, but already with great musical experience, beautiful and elegant, she manages during her concerts to communicate the emotion of Music like few other performers. And for her debut album, Velut Luna wanted to organize a kind of unique musical event, which today very few other record labels in the world have the strength and credibility to be able to achieve. In essence, Marco Lincetto contacted some of the most representative Italian composers of the moment and asked them to write some musical pieces specifically for Caterina and her debut album! Here then are personalities such as Nicola Campogrande, Emilio Galante, Oscar Del Barba, Sergio Cossu, Fabrizio Castania, and also Adriano Lincetto, Ferrero and Tutino with pieces not specifically written for this album, but in world premiere recording. This is new music that can hardly be labeled under a precise genre: in fact, it stands as a perfect synthesis of the classical tradition (Campogrande and Castania), but also of the more modern spirit of rock and blues (Galante), without disdaining the stylistic features of jazz and more refined pop (Del Barba and Cossu). Finally, it is very important to emphasize how in any case we are dealing with an enjoyable, sprightly musical program that immediately appeals to anyone lucky enough to listen to it. And what about the recording? Made within the magical walls of the great Magister Studio, it is perhaps able to present for the first time a truly complete, rich, even symphonic harp sound: mastered with VLHD technique by Marco Lincetto and Matteo Costa.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030112440667,"sku":"CVLD129CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 48kHz · 24bit","offer_id":47042610364763,"sku":"CVLD129","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/129-cover.jpg?v=1692788247"},{"product_id":"the-cinema-show-stravinskij-chamber-orchestra","title":"THE CINEMA SHOW! - Stravinsky Chamber Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTHE CINEMA SHOW! \u003c\/b\u003e(CVLD235)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eAvailable in: HD File, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eSTRAVINSKIJ CHAMBER ORCHESTRA:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eViolin I:\u003cbr\u003eDaniele Ruzza (solo),\u003cbr\u003eCiaki Kanda, Massimiliano Simonetto,\u003cbr\u003eFrancesca Bonomo\u003cbr\u003eViolin II:\u003cbr\u003eAlessandro Gasparini (solo),\u003cbr\u003eFederica Bertevello, Carlo Giordani\u003cbr\u003eViola:\u003cbr\u003eGiancarlo Bussola (solo), Caterina Camozzi\u003cbr\u003eCello:\u003cbr\u003eAndrea Bellato (solo), Giordano Pegoraro\u003cbr\u003eDouble Bass:\u003cbr\u003eDaniele Roccato (solo), Francesco Piovan\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eFEATURING SPECIAL GUESTS:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eDomenico Nordio, solo violin on Schindler's List\u003cbr data-mce-fragment=\"1\"\u003eMara Comellato, flute\u003cbr data-mce-fragment=\"1\"\u003eAntonio Graziani, clarinet\u003cbr data-mce-fragment=\"1\"\u003eMirko Bellucco, trumpet\u003cbr data-mce-fragment=\"1\"\u003eBenedetta Botter, voice\u003cbr data-mce-fragment=\"1\"\u003eGraziano Zuin, guitars\u003cbr data-mce-fragment=\"1\"\u003eGino Schipillitti, guitars\u003cbr data-mce-fragment=\"1\"\u003ePaolo Vidaich, percussions\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Piovan, drums\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 - Alladin, Suite 4:01\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 - Schindlers' List 5:08\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 - Forrest Gump 3:26\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 - Moon River 3:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 - Amapola 4:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06 - Nuovo cinema paradiso (Suite) 9:12\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07 - Anul tu lev 3:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 - Oblivion 3:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 - Per un pugno di dollari (Suite) 2:02\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 - C'era una volta in America (Suite) 15:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 - The Beauty and the Beast (Suite) 6:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eTotal Time: 60:20\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/TheCinemaShow\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e24\/96 digital recording made at the Public Auditorium, Chiuppano, Italy, on July 7 - 9, 2001 - Analog Remastering made at Velut Luna Studios, Preganziol, Italy, on June 1, 2012\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eMirko Schipilliti\u003c\/strong\u003e\u003cbr\u003ePhoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe generations of composers who grew up for and with cinema, and who ended up almost completely identifying with it or even with certain directors, affirmed the importance of a solid basic compositional schooling to indelibly engrave the image in sound, in a melody, in a timbre or chord, immediately penetrating the filmic situation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWriting for cinema also became a possible way to break or reduce the 20th-century gap created between contemporary composers and the general public, tackling the problem of simplification in communication between artist and user, with the awareness of composing music that in a very short time could reach a vast audience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis CD is a clear example of this: the music written by the greatest authors of all time, such as Ennio Morricone, Henry Mancini, John Williams, Alan Menken, Alan Silvestri, Astor Piazzolla, transports us through a magical world made of memorable stories and images.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002854510939,"sku":"CVLD235CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47048011579739,"sku":"CVLD235","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/235-cover.jpg?v=1692980861"},{"product_id":"sergej-rachmaninov-etudes-tableaux-edoardo-brotto","title":"Sergej Rachmaninov: Études Tableaux - Edoardo Brotto","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eSergej Rachmaninov - Études Tableaux \u003c\/b\u003e(CVLD364)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 – Op.39 No.1 in C minor, Allegro agitato 3’09”\u003cbr\u003e02 – Op.33 No.3 in C minor, Grave 4’46”\u003cbr\u003e03 – Op.33 No.1 in F minor, Allegro ma non troppo 2’54”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 – Op.33 No.2 in C major, Allegro 2’31”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Op. 39 No.5 in E\u003cspan style=\"font-family: 'Segoe UI Symbol', serif;\" face=\"Segoe UI Symbol, serif\"\u003e♭\u003c\/span\u003e minor, Appassionato 5’14”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – Op.33 No.5 in E\u003cspan style=\"font-family: 'Segoe UI Symbol', serif;\" face=\"Segoe UI Symbol, serif\"\u003e♭\u003c\/span\u003e minor, Non Allegro – Presto 1’35”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 – Op.33 No.7 in G minor, Moderato 3’ 41”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 – Op.33 No.4 in D minor, Moderato 2’54”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 – Op.39 No.8 in D minor, Allegro Moderato 3’17”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 – Op.39 No.2 in A minor, Lento Assai 6’45”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 – Op.39 No.3 in F# minor, Allegro Molto 2’48”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 – Op.39 No.6 in A minor, Allegro 2’26”\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003etotal time: 42’00”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Rachmaninov-Etudes-Tableaux\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e88kHz \/ 24bit original digital recording made at M° Edoardo Brotto’s studio, Italy, on the 1\u003c\/b\u003e\u003c\/span\u003e\u003csup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003est\u003c\/b\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eand 20\u003c\/b\u003e\u003c\/span\u003e\u003csup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eth\u003c\/b\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eof May 2023.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eAnalog mix \u0026amp; mastering made at Velut Luna Studio, Valencia, Spain, on the 26\u003c\/b\u003e\u003c\/span\u003e\u003csup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eth\u003c\/b\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eof August 2023.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eM° Edoardo Brotto plays his BECHSTEIN D282 CONCERT GRANDPIANO “ALBUS”, tuned and prepared by Edoardo Brotto.\u003c\/p\u003e\n\u003cp\u003eM° Edoardo Brotto chose Sennheiser MKH 8020, Schoeps CMC6 Mk21, Millennia Media HV 3C and Rupert Neve 5211 Portico Designs mic preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe original master was monitored and personally approved by M° Edoardo Brotto.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eINTRODUCTION BY EDOARDO BROTTO\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eThe Études Tableaux, masterpiece miniatures of extraordinary harmonic beauty, form, writing, synthesis, images they evoke, and… of extraordinary musical and technical difficulty. I don't want to add anything else; the music is wonderfully descriptive, and it is right for the listener to create their own worlds and perceive the paintings each piece depicts.\u003cbr\u003eAlthough the repertoire is well-known to enthusiasts, this is a special album, and contrary to the standard, I will tell you about it in the first person.\u003c\/p\u003e\n\u003cp\u003eI didn't have the courage to play the Études even when I was a full-time pianist, despite having Rachmaninoff's major works under my hands, including his formidable Third Concerto. Instead, I thought about studying and recording them when life became much more complex; engineer by day, pianist by night. I won't lie by saying that reconciling the two is easy; it's not. Playing at a recording level is already a huge challenge, adding a complex everyday job makes it exceptionally demanding. These lines serve as context for the fundamental concept I want to convey to those who read these words: it is possible to set and achieve seemingly impossible goals in an already more than full life. And I say this because it's worth it, whatever you choose. Challenges, won or lost, give us invaluable lessons, first and foremost about ourselves, about our limits which will consistently prove to be wrong, and then they give us a magnificent wave of new, broad-spectrum knowledge. What it takes is a good dose of unwavering will, a predisposition to withstand fatigue, sometimes suffering, and never to be distracted from the primary goal. And one more thing I write: never settle for learning, studying, challenging yourself, improving. Because satisfaction is the death of desire.\u003c\/p\u003e\n\u003cp\u003eNow, regarding the particularities of this album, let's start with the fact that the piano used for the recording is my own: a wonderful Bechstein D282 that I call\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlbus\u003c\/i\u003e. A lifelong dream, lasting more than twenty years, has come true.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlbus\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas delivered directly from Berlin this April (2023), and its inauguration was the recording of this album. I personally oversaw the preparation and tuning of the piano for the recording.\u003cbr\u003eAnother peculiar fact is that I recorded this album myself. By this, I mean that I personally carried out the work of sound and balance engineer (microphone placement, balancing, acoustic treatment, and recording). I had in mind a recording that would be as faithful as possible to the sound of the instrument, extremely detailed and precise, with particular attention paid to obtaining a perfect sound image. The choice inevitably fell on electronics of absolute excellence, characterized by a linear frequency response and neutral timbre: Sennheiser and Schoeps microphones, omnidirectional and sub-cardioid for great presence and crystalline clarity, Millennia and Rupert Neve preamplifiers that guaranteed the least possible alteration of the native signal, and signal cables worthy of the mentioned components.\u003cbr\u003eThis too is the result of years of study, experience, and mistakes; a dutiful thank you goes to the valuable teachings of my producer Marco Lincetto, to whom I then left the finished tracks. Into Marco's expert hands, I entrusted the delicate phase of mixing and mastering, strictly in an analog chain, as I prefer. The result is a recording with a natural and impactful sound that, with a well-constructed system, brings the piano into your home, in all its glory.\u003c\/p\u003e\n\u003cp\u003eRegarding the choice of pieces and their order, for a long time I intuitively imagined this exact sequence. It is a journey of sounds and images that developed in my mind exactly this way, which I particularly love and therefore, would not require further illustration. Nevertheless, I add that as a person who naturally perceives and imagines abstract worlds, beyond the images these picture-pieces evoke, their sequence, to explain it in understandable words, reminds me of a beautiful iteration of sinusoidal functions in three spatial dimensions and one temporal, translatable into a sheet of pure space that moves sinuously, sometimes enveloping you, interspersed with moments of great impetus and others of deep reflection, sometimes dismayed, but in any case intimate. In light of the complete recording, having extracted these twelve pieces in this exact order has only confirmed that intuition I had long ago. I recommend listening straight through to best understand what is written above.\u003c\/p\u003e\n\u003cp\u003eRachmaninoff and I.\u003cbr\u003eThe entire booklet could be dedicated solely to this topic. Simply put, to conclude, his music is my musical soulmate. I have dedicated the last fifteen years to studying and playing his works. His language is so much a part of me that I recorded an entire album (\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/within-without-homage-to-rakhmaninov\" target=\"_blank\"\u003eWithin \u0026amp; Without – Homage to Rakhmaninov\u003c\/a\u003e) which collects a series of my original compositions dedicated to the great master. With this one, however, I want to pay tribute to him again by playing his music, to celebrate the 150th anniversary of his birth.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988494917979,"sku":"CVLD364CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47238348505435,"sku":"CVLD364","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_08d677a6-1df1-4871-baaf-dded2b2b85af.jpg?v=1698076741"},{"product_id":"edoardo-brotto-digital-special-box","title":"EDOARDO BROTTO DIGITAL SPECIAL BOX","description":"\u003cp\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEDOARDO BROTTO DIGITAL SPECIAL BOX\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e (Digital version in HD File)\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith the release of\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eEdoardo Brotto\u003c\/span\u003e 's brand new CD \u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eSergej Rachmaninov - ETUDES-TABLEAUX\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e, together with the other two CDs already previously published (\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eWITHIN \u0026amp; WITHOUT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eand\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eLANDSCAPES\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e),\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003ewants to offer you the unique opportunity to listen to sublime music performed by an exceptional pianist, all at a truly special price.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Sergei Rachmaninov - Études Tableaux\u003c\/li\u003e\n\n\u003cli\u003e WITHIN \u0026amp; WITHOUT - Homage to Rakhmaninov\u003c\/li\u003e\n\n\u003cli\u003e LANDSCAPES - Classic Piano Solo\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Velut Luna","offers":[{"title":"Default Title","offer_id":47297158742363,"sku":"PROMO1023-88","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/EDOARDOBROTTOSPECIALBOX.png?v=1699606765"},{"product_id":"landscapes-classic-piano-solo-edoardo-brotto","title":"LANDSCAPES Classic Piano Solo - Edoardo Brotto","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eLANDSCAPES Classic Piano Solo \u003c\/b\u003e(CVLD298)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e01 Devil's Dance (May, 2017) 10:40 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e02 The Magical Wood, in the style of Ravel (October, 2017) 6:38 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e03 Fantasia Quasi Sonata, in the style of Rachmaninov and Chopin (December, 2017) 17:19 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e04 Prelude in C (September, 2017) 3:39 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e05 Valse Scherzo, in the style of Chopin (July, 2017) 11:47 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e06 Summer Rain, in the style of Ravel (January, 2018) 6:35 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e07 Game Of Thrones Variations (December, 2017) 13:06 \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eTotal Time: 69:45 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Landscapes\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll compositions by Edoardo Brotto Edoardo Brotto plays Steinway \u0026amp; Sons D274 Concert Grand, granted by Zin Padova and tuned by Adriano Zin and Edoardo Brotto.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e 88.2kHz\/24bit original recording made at AreaMagister Studios, Preganziol, Italy, on January, 16 and 17, 2018, using Ribera R12 and Sennheiser MKH8020 microphones During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was preserved \"flat\" and not passed through any processing device at any step during production. The original master was monitored and personally approved by M. Edoardo Brotto, due to the perfect match with the original natural sound of the Steinway \u0026amp; Sons Grandpiano played by himself during recording sessions. Mastering Monitor Systems Professional System: dac: North Star Design Supremo pre amplifier: Norma SC-2 Reference triamplified professional speakers: Genelec 1037c + 7070 Top Hi-End System: dac: Wadia Digital 1000 pre amplifier: Jeff Rowland Coherence One power amplifier: Spectral DMA 90 speakers: Sonus Faber Extrema by Franco Serblin \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: VELUT LUNA \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: Edoardo Brotto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, Mix \u0026amp; Mastering Engineer: Marco Lincetto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover Photo: Edoardo Brotto \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: Francesca Brotto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cspan\u003eComposer, pianist and photographer: three forms of artistic expression, listed in strictly alphabetical order, which come together in one person, at the highest quality levels. And these are three Arts that in Edoardo Brotto are inevitably interconnected: the musical compositions are directly linked to the images of nature that he first \"perceives\" and then captures with his photographic lens. They are a source of inspiration and his music describes their colors and forms. And finally, the pianist translates these images, articulating them into \"sound\". The Vicenza-based pianist creates his compositions by improvising directly at the keyboard in real-time, sometimes in the style of some great composers in music history (and this in itself is a significant virtue that in any case presupposes a deep knowledge of the subject) and much more often with an original and unique creative flair. The fact is that the compositions born from these \"improvisations\" are pages of the highest technical virtuosity, as well as musical depth, no more and no less than the music of past composers who sometimes inspired them in some way. Speaking of the music specifically, I can simply state with serenity that each piece is characterized by transcendental musical and technical difficulties. This is beautiful music where the difficulties are not ends in themselves or mere virtuosity, but exclusively functional to the pure musical structure of the contents and the actual images, \"photographed and developed\" by his creativity. Finally, it is tonal music, meaning it is understandable to everyone, but by no means trivial: it is music that draws from the great classics, metabolizes them, and derives a new light from them, of continuity, but directed towards the future. Neither manneristic, nor disrespectful, nor pompous or trivial.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000624025947,"sku":"CVLD298CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47299320709467,"sku":"CVLD298","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_166c338b-c591-4f86-a36c-58eaa31c7722.jpg?v=1699637359"},{"product_id":"le-otto-stagioni-vivaldi-piazzolla-stravinsky-chamber-orchestra","title":"THE EIGHT SEASONS | VIVALDI \u0026 PIAZZOLLA - Stravinsky Chamber Orchestra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTHE EIGHT SEASONS | VIVALDI \u0026amp; PIAZZOLLA \u003c\/b\u003e(CVLD027)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"western\" lang=\"en-US\"\u003eStravinsky Chamber Orchestra\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eSpring opVIII n1 - Allegro (Antonio Vivaldi)\u003c\/li\u003e\n\u003cli\u003eSpring opVIII n1 - Largo\u003c\/li\u003e\n\u003cli\u003eSpring opVIII n1 - Pastoral Dance, Allegro\u003c\/li\u003e\n\u003cli\u003eSummer opVIII n2 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eSummer opVIII n2 - Adagio\u003c\/li\u003e\n\u003cli\u003eSummer opVIII n2 - Presto\u003c\/li\u003e\n\u003cli\u003eAutumn opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eAutumn opVIII n3 - Adagio molto\u003c\/li\u003e\n\u003cli\u003eAutumn opVIII n3 - Allegro\u003c\/li\u003e\n\u003cli\u003eWinter opVIII n4 - Allegro non molto\u003c\/li\u003e\n\u003cli\u003eWinter opVIII n4 - Largo\u003c\/li\u003e\n\u003cli\u003eWinter opVIII n4 - Allegro\u003c\/li\u003e\n\u003cli\u003ePrimavera Portena (Astor Piazzolla)\u003c\/li\u003e\n\u003cli\u003eVerano Porteno\u003c\/li\u003e\n\u003cli\u003eOtono Porteno\u003c\/li\u003e\n\u003cli\u003eInvierno Porteno\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStravinsky Chamber Orchestra, Marco Tezza, conductor \u0026amp; Piano solo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Le-Otto-Stagioni\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 96kHz · 24bit","offer_id":47381605155163,"sku":"CVLD027","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/027-cover.jpg?v=1701285064"},{"product_id":"l-uccellaja-mario-folena-roberto-loreggian-francesco-galligioni","title":"L'UCCELLAJA - Mario FOLENA Roberto LOREGGIAN Francesco GALLIGIONI","description":"\u003ch1 lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003eL’UCCELLAJA\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eMusic inspired by the birds singing between the 17th and 18th centuries (CVLD361)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eMario \u003cstrong\u003eFOLENA\u003c\/strong\u003e, traverso, flauto d’amore\u003cbr\u003eRoberto \u003cstrong\u003eLOREGGIAN\u003c\/strong\u003e, harpsichord\u003cbr\u003eFrancesco \u003cstrong\u003eGALLIGIONI\u003c\/strong\u003e, cello, viola da gamba\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e1. Georg Philipp Telemann (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria “Flieg hin flieg hin” and Minuet for harpsichord and cello - 01:39\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2. Louis-Claude Daquin (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Le Coucou” for traverso1 and harpsichord - 02:13\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3. Michel Corrette (1707 - 1795)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Le Coucou” for flauto d’amore in A and basso continuo (cello and harpsichord) 02:06\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e4. Anonymous Italian (17th century)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Capriccio fatto sopra il Cucchù” for harpsichord - 04:17\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e5. Antoine Dornel (1691 - 1765)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 03:14\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e6. Louis-Claude Daquin (1694 - 1772)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” for harpsichord - 03:16\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e7. Françoise Philidor (1689 - 1717)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“L’hirondelle” for traverso2 and basso continuo (viola da gamba and harpsichord) - 01:07\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e8. Baldassare Galuppi (1706 - 1785)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom the opera “Sirbace“ “Qual colomba afflitta” for traverso1 and basso continuo - 03:33\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e9. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom Cantata RV 659 “Indarno cerca la Tortorella” for flauto d’amore in A flat and basso continuo (cello and harpsichord) - 03:41\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e10. Georg Friedrich Händel (1685 - 1759)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom the opera Acis and Galateac“As when the dove laments” for traverso1 and basso continuo (cello and harpsichord) - 03:43\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e11. Johann Heinrich Schmelzer (1623 ca. - 1680)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“La gallina” for traverso2 and basso continuo (cello and harpsichord) - 02:47\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e12. Alessandro Poglietti (? - 1683)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Il gallo e la gallina” for harpsichord - 05:06\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e13. Anonymous 18th century\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom “The Delightful Pocket Companion for the Flute” London: Robert Bremnen, undated “Polonese” for flauto d’amore in A - 03:14\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e14. Jean-Baptiste de Bousset - Jacques Hotteterre (1662 - 1725) (1680 ca - 1761 ca)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria: “Pourquoy, doux rossignol” for traverso2 and basso continuo (viola da gamba and harpsichord) - 02:49\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e15. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eFrom Cantata RV 796 “Usignoletto bello” for traverso1 and basso continuo (cello and harpsichord) - 03:04\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e16. Francesco Bartolomeo Conti (1681 - 1732)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eAria: “L’augellin trà verdi fronde” for traverso1 and basso continuo (cello and harpsichord) - 02:54\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e17. Alessandro Speranza (1728 - 1797)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Divertimento per cembalo in cui si esprime una Uccellaja” for harpsichord - 04:13\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e18. Joseph Bodin de Boismortier (1689 - 1755)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Ramage” for flauto d’amore in A - 04:03\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e19. Jacques-Christophe Naudot (1690 ca. - 1762)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e“Chant d’oiseaux” for traverso1, cello and basso continuo - 03:34\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e20. Antonio Vivaldi (1678 - 1741)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eCantabile from Concerto op. X no. 6 “Il Gardellino” for traverso1 and basso continuo (cello and harpsichord) - 03:11\u003c\/div\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTotal Time - 63:55\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe style=\"border-radius: 20px\" border=\"0\" height=\"370px\" src=\"https:\/\/velutluna.lnk.to\/L-uccellaja\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraverso 1 - Martin Wenner, copy of Carlo Palanca\u003c\/li\u003e\n\u003cli\u003eTraverso 2 - Federico Xiccato, copy of Chevalier\u003c\/li\u003e\n\u003cli\u003eFlauto d’amore in A - Federico Xiccato, copy of Dejardin\u003c\/li\u003e\n\u003cli\u003eFlauto d’amore in A flat - Giovanni Tardino, copy of Giuseppe Panormo\u003c\/li\u003e\n\u003cli\u003eCello - Cremona, late 17th century\u003c\/li\u003e\n\u003cli\u003eViola da gamba - Paolo Biordi, Ortimino, 2018 (from Michel Colichon, Paris, 1691)\u003c\/li\u003e\n\u003cli\u003eHarpsichord - Florindo Gazzola, copy of Anonymous Italian 17th century\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eDigital \/ Analog recording made strictly live-in-studio at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on May 8, 9, 2023 - Analog Mix and mastering made at VL Studio, Naquera, Spain, on May 11, 12, 2023, using Rupert Neve Design Summing Mixing Console, Maselec MLA-2 \/ MEA-2 \/ MPL-2 and Studer A810\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eProduction: Marco Lincetto and Massimo Corvino Consulting\u003c\/li\u003e\n\u003cli\u003eExecutive producer: Marco Lincettoo\u003c\/li\u003e\n\u003cli\u003eMusical producer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eEditing: Matteo Costa\u003c\/li\u003e\n\u003cli\u003ePhoto: Musicians’Archive\u003c\/li\u003e\n\u003cli\u003eCover Graphics and layout: L’Imag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo celebrate the beauty and inspiration of bird song: this is the aim of this anthology of 17th and 18th-century compositions dedicated to the voices of winged creatures. The CD takes its title from Alessandro Speranza's Divertimento per cembalo in cui si esprime una Uccellaja and includes 20 carefully selected baroque and rococo pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first piece, a previously unreleased page by G. Ph. Telemann, opens with two notes (D - B) that repeat, enunciating the cuckoo's call. This incisive musical motif, capable of being etched into our auditory memory, introduces the following tracks, dedicated in order to: cuckoo, swallow, turtledoves and doves, roosters and hens, nightingale, various songbirds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand goldfinch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBetween the 17th and 18th centuries, it was common in French instrumental suites (but also in German ones) to find movements with a title having a specific programmatic intent. From these suites (composed by Daquin, Corrette, Philidor, Schmelzer, Boismortier and Naudot) come the pieces dedicated to bird song. And many Italian musicians, such as Poglietti and Speranza, were also inspired by bird song: three pages of great expressive power for solo harpsichord by these composers and an Anonymous one are presented.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGaluppi's aria Qual colomba afflitta has come down to us only in instrumental form. It is part of a weighty collection of opera arias, published in London in the mid-18th century by John Walsh, selected and transcribed for traverso and basso continuo by Carlo Maria Broschi (1705-1782), the famous castrato known as \"il Farinelli\". At the time, it was still common practice to perform vocal compositions - such as opera arias or those from cantatas, French brunettes or boat songs - in simple instrumental form, as was done in the Renaissance era: a deep-rooted traditional practice with which it was also decided to perform Vivaldi's arias Usignoletto bello and Conti's L’augellin trà verdi fronde. Handel's piece As when the dove laments, on the other hand, belongs to a collection of transcriptions for traverso and harpsichord, also published by J. Walsh in London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin this free performing style also falls the aria Porquoy doux rossignol by the composer Jean-Baptiste de Bousset (1662 - 1725), a very popular piece at the court of the Sun King. It is a magnificent aria that Jacques Hotteterre transcribed for traverso and basso continuo, contributing to its fame and dissemination.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Delightful Pocket Companion for the Flute, from which the Polonese by an unknown author performed here on the flauto d’amore is taken, is a pocket vademecum in several volumes published in London - undated - by Robert Bremnen. It contains hundreds of original and transcribed pieces for the numerous amateur flutists, who were increasingly eager for repertoire for their instrument. The theme of this Polonese, a Polish dance movement in three-quarter time, is the clucking of a hen, so much so that with a play on words it could be renamed Pollonese.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe CD concludes with the famous Cantabile from Concerto Op. X no. 6 \"Il Gardellino\" by Antonio Vivaldi, whose pure and linear melody is embellished in this CD, during the ritornelli, in the same capricious spirit as Alessandro Speranza's piece: and so, in addition to the typical arpeggiated call of the goldfinch, one can hear the imitation of a myriad of chirping birds, a tribute to the greatness of Nature, with a triumph of notes and sounds that aims to transport us into a world of emotions and beauty.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMario Folena\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988463690075,"sku":"CVLD361CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47464153743707,"sku":"CVLD361","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD361-cover.jpg?v=1702924525"},{"product_id":"mozart-quartetti-con-il-flauto-e-loboe-mozart","title":"MOZART QUARTETS WITH FLUTE AND OBOE - Mozart","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMOZART QUARTETS WITH FLUTE AND OBOE \u003c\/strong\u003e(CVLD143)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003cspan id=\"autore\"\u003eW.A. MOZART\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003cspan id=\"esecutore\"\u003eE. CAROLI, L. CAROLI, G. GUGLIELMO, M. SGUOTTI, G. PEGORARO\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Flute Quartet in D Major, K. 285: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Flute Quartet in D Major, K. 285: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Flute Quartet in D Major, K. 285: III. Rondeau\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Flute Quartet in G Major, K. 285a: I. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Flute Quartet in G Major, K. 285a: II. Tempo di minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Flute Quartet in C Major, K. 285b: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Flute Quartet in C Major, K. 285b: II. Tema con variazioni. Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Flute Quartet in A Major, K. 298: I. Tema con variazioni. Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Flute Quartet in A Major, K. 298: II. Minuetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Flute Quartet in A Major, K. 298: III. Rondeau. Allegretto grazioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Oboe Quartet in F Major, K. 370: I. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Oboe Quartet in F Major, K. 370: II. Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Oboe Quartet in F Major, K. 370: III. Rondeau\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Mozart-Quartetti-con-flauto-e-oboe\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eOriginal compositions by W. A. Mozart. 24\/88.2 kHz digital recording made live in studio at Chiesa dei SS. Filippo e Giacomo, Vicenza (Italy) on May 2006 Enzo Caroli, flute; Livio Caroli,oboe; Giovanni Guglielmo,violin; Michele Sguotti, viola; Giordano Pegoraro, cello.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTwo internationally acclaimed soloists, the brothers Enzo and Livio Caroli, on flute and oboe respectively, pay tribute to Mozart by presenting the complete quartets for flute and oboe with string trio. They are joined in the work by the great violinist Gianni Guglielmo and the talented Michele Sguotti on viola and Giordano Pegoraro on cello. The performance is distinguished by its great brilliance and authority, proposing itself as a new discographic reference for this repertoire. The recording, of particular merit, was made by Marco Lincetto in an ancient church in the historic center of Vicenza, characterized by a soft and warm acoustic, particularly suitable for the repertoire.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50027919606107,"sku":"CVLD143CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 44.1kHz · 16bit","offer_id":47497153380699,"sku":"CVLD143","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a1c8a7a1-d7c1-49f4-bccb-efe9c7a32d0e.jpg?v=1703928978"},{"product_id":"schubert-beethoven-orchestra-darchi-italiana","title":"SCHUBERT - BEETHOVEN - ITALIAN STRING ORCHESTRA","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA  \u003c\/b\u003e(CVLD050)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eBeethoven: Quartet \"Serioso\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eShubert: Quartet \"Der Tod und das Madchen\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eTracks\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e01 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Allegro\u003cbr\u003e02 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Andante con moto\u003cbr\u003e03 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen, Scherzo-Allegro molto\u003cbr\u003e04 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Presto\u003cbr\u003e05 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro con brio\u003cbr\u003e06 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegretto, ma non troppo\u003cbr\u003e07 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro assai vivace, ma serioso\u003cbr\u003e08 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Larghetto espressivo, Allegretto agitato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Beethoven-Quartet-Serioso-Schubert-Quartet-Der-Tod-und-das-Madchen\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Franz Schubert, Ludwig van Beethoven Orchestra d'Archi Italiana \/ Franco Rossi, conductor 24Bit \/ 96 kHz Digital Recording. Live recording at Milan Auditorium December, 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording at the Milan Auditorium of the astounding young talents of the Orchestra d'Archi Italiana by Mario Brunello, conducted on this special occasion by Franco Rossi, in the classic repertoire of the orchestral transcriptions of the two well-known quartets by Schubert and Beethoven. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"96kHz · 24bit","offer_id":47497166717275,"sku":"CVLD050","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1772f02b-a6cd-485f-aa5f-868d3a58813e.jpg?v=1703929343"},{"product_id":"roberto-jonata-digital-special-box","title":"ROBERTO JONATA DIGITAL SPECIAL BOX","description":"\u003cp\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eROBERTO JONATA DIGITAL SPECIAL BOX\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e (Digital version in HD File)\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eShape\u003c\/strong\u003e\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e,\" a concept album inspired by Andrea Palladio, the great architect. The pianist takes us on an emotional journey into the world of Andrea Palladio and his works, through the evocative sound of the piano.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e“\u003c\/span\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eInfinity\u003c\/em\u003e\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003e” Twelve unreleased songs for solo piano, born from an introspective journey by the artist who dedicates the entire album to music, as a universal concept and perennial message.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eColors\u003c\/strong\u003e\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e” contains songs composed by the artist himself who draws on the sounds of “new classic”, influenced by the romantic minimalism that distinguishes him.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cdiv style=\"position: absolute; left: 3px; top: 193.531px;\" id=\"gtx-trans\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"Default Title","offer_id":47648478331227,"sku":"PROMO0124-88","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/robertojonataSPECIALBOX.png?v=1707145820"},{"product_id":"pavona-fremens-unda-furibonda","title":"PEACOCK: THE FURIOUS WAVE TREMBLES","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003ePAVONA: FREMENS UNDA FURIBONDA \u003c\/strong\u003e(LDV14105)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrgan and Sacred Music\u003c\/p\u003e\n\u003cp\u003ePIETRO ALESSANDRO PAVONA (1728-1786)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cem\u003eSonata in Re Maggiore (D Major)*\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSonata in Sol Maggiore (G Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSonata in Do Maggiore (C Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eQuando venit e torrente, mottetto\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003ePastorale in Re Maggiore (D Major)*\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSonata in Do Maggiore (C Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSonata in Fa Maggiore (F Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSonata in Sib Maggiore (B-flat Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSonata in Fa Maggiore (F Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eSinfonia in Do Maggiore (C Major)\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Pavona-Organ-Sacred-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eBonus track \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eRENATO MIANI (1965)\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eToccata (in honorem B. Mariae Virginis)\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAvailable in \u003cstrong\u003eCD \u003c\/strong\u003eformat with \u003cstrong\u003eMP3\u003c\/strong\u003e file immediately downloadable\u003c\/p\u003e\n\u003cp\u003eAlberto Gaspardo, organ\u003cbr\u003eCristina Mosca, soprano\u003cbr\u003eClaudio Rado | Mauro Spinazzè, violin\u003cbr\u003eMauro Zavagno, violone\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRemaining in manuscript form for centuries, the Sonatas offered in this recording are an authentic representation of the multifaceted musical universe known to Pavona, a world whose sonata taste oscillated between the ‘old’ Scarlatti sonata, monothematic and bipartite, dear to Venetian masters, and the ‘new’ two-themed sonata form, already very much in vogue, especially in the Austrian area.\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47667254952283,"sku":"LDV14105-CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14105-cover-sito.jpg?v=1707508496"},{"product_id":"martini-pro-defunctis-psalms-and-mass","title":"MARTINI: FOR THE DEAD Psalms and Mass","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMARTINI: PRO DEFUNCTIS Psalms and Mass \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14109\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGIOVANNI BATTISTA MARTINI (1706 – 1784)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDe Profundis*\u003c\/li\u003e\n\u003cli\u003eDilexi, quoniam\u003c\/li\u003e\n\u003cli\u003eLevani oculos meos\u003c\/li\u003e\n\u003cli\u003eAd Dominum\u003c\/li\u003e\n\u003cli\u003eDomine, ne in furore tuo\u003c\/li\u003e\n\u003cli\u003eMissa Pro Defunctis\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Martini-Prodefunctis-Psalms-Mass\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBologna vocal and instrumental ensemble “San Pietro”\u003c\/p\u003e\n\u003cp\u003eAlice Fraccari, soprano – Angela Troilo, alto\u003cbr\u003ePaolo Davolio, tenor\u003cbr\u003eGiacomo Contro | Mauro Borgioni*, baritones\u003cbr\u003eRiccardo Manuel Vartolo | Matteo Anderlini, violins\u003cbr\u003eLaura Cacciatori, viola – Anna Camporini, cello\u003cbr\u003eFrancesco Maria Cataldo, violone\u003c\/p\u003e\n\u003cp\u003eMarcello Rossi Corradini, organ and conductor\u003c\/p\u003e\n\u003cp\u003eWorld première recording\u003c\/p\u003e\n\u003cp\u003eThe catalog of Father Martini's sacred vocal compositions is enormous. From the library of the International Museum of Music in Bologna and the Archdiocesan Archive of the Cathedral of San Pietro in Bologna, the \"San Pietro\" ensemble has reconstructed one of the most heartfelt liturgies for the Catholic liturgical year: the rite of the dead, which is proposed here in a careful selection. To crown this work, an extraneous psalm (but not far) from the Office of the Dead: the De Profundis for solo Baritone, ripieno for 4 voices and strings, which represents the pinnacle of Martini's compositional ability and complexity, both in instrumental, choral and solo music.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47710871617883,"sku":"LDV14109","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14109-cover-sito.jpg?v=1708533468"},{"product_id":"siprutini-cello-sonatas-op-vi-vii","title":"SIPRUTINI: CELLO SONATAS OP. VI \u0026 VII","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eSIPRUTINI: CELLO SONATAS OP. VI \u0026amp; VII \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14108\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEMANUEL SIPRUTINI (Netherlands c. 1730 – London c. 1790)\u003c\/p\u003e\n\u003cp\u003eSIX SOLOS FOR A VIOLONCELLO WITH BASS Op. 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VII (London, about 1774\/75)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonata I in D Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata II in F Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata III in A Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata IV in G Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata V in C Major\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSonata VI in B-flat Major\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWorld première recording as Duo\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Siprutini-Cello-Sonatas-Opp6-7\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eClaudio Ronco – Emanuela Vozza\u003cbr\u003eOn original instruments\u003c\/p\u003e\n\u003cp\u003e2 CD\u003c\/p\u003e\n\u003cp\u003eTogether with the previous recording of works III and V, this publication completes Emanuel Siprutini's cello sonata output. Born into a Jewish family, possibly in the Netherlands, and arriving in England after the \"Jewish Naturalization Act\" established in 1753 by King George II of England, he settled in London as a wine merchant, concert performer, and cello teacher. Among his students was John Crosdill, the most famous English cellist of the eighteenth century. Leopold Mozart met Siprutini in 1764, during his stay in England with his prodigious young son. Struck by his talent as a cellist, he tried to convince him to convert to Catholicism, but Emanuel calmly remained Jewish. Between 1756 and 1775, he published four books of sonatas for the cello which the Mozarts certainly owned, as traces and fragments of ideas can be found in Wolfgang's most beautiful works.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47718284099931,"sku":"LDV14108","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14108-cover-sito.jpg?v=1708625243"},{"product_id":"antonio-caldara-gloria","title":"ANTONIO CALDARA: GLORY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eANTONIO CALDARA: GLORIA \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14107\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAntonio Caldara (1670-1736)\u003c\/p\u003e\n\u003cp\u003eGLORIA for 8 voices for soloists, choir and orchestra\u003c\/p\u003e\n\u003cp\u003eCristina Fanelli, soprano\u003cbr\u003eLeo Zappitelli, tenor\u003cbr\u003eAlessandro Ravasio, bass\u003c\/p\u003e\n\u003cp\u003eOttorino Respighi (1879-1936)\u003c\/p\u003e\n\u003cp\u003eLAUDA FOR THE NATIVITY OF THE LORD*\u003cbr\u003eSacred pastoral cantata for soloists, choir, 2 flutes, oboe, English horn, 2 bassoons, triangle and piano four hands\u003c\/p\u003e\n\u003cp\u003eMaria Eleonora Caminada (Angel)\u003cbr\u003eBlagoj Nacoski (Shepherd)\u003cbr\u003eIlaria Molinari (Mary)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/BERNARDO-PASQUINI-HARPSICHORD-MUSIC\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eINTENDE VOCI ENSEMBLE\u003c\/p\u003e\n\u003cp\u003eEddi De Nadai | Marta Ceretta, piano four hands\u003c\/p\u003e\n\u003cp\u003eCANOVA CHAMBER ORCHESTRA\u003c\/p\u003e\n\u003cp\u003eMirko Guadagnini, conductor\u003c\/p\u003e\n\u003cp\u003e1 CD\u003c\/p\u003e\n\u003cp\u003eA tribute to Italian Baroque, to Antonio Caldara and his 8-voice Gloria transcribed, performed, and recorded as a WORLD PREMIERE, a masterpiece of pompous Venetian sacredness, which we wanted to juxtapose with Ottorino Respighi's wonderful Lauda. Two centuries later, the Bolognese composer provides a perfect example of a reinterpretation of medieval, Renaissance, and Baroque music combined. A way to reiterate the strong link between Baroque and the twentieth century, always a great source of inspiration.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47724269633883,"sku":"LDV14107","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14107-cover-sito.jpg?v=1708709870"},{"product_id":"tchaikovsky-violin-concerto-op-35-meditation-op-42-giovanni-angeleri-orchestra-delle-venezie","title":"Tchaikovsky: Violin Concerto, Op. 35, Méditation, Op. 42 - GIOVANNI ANGELERI ORCHESTRA DELLE VENEZIE","description":"\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan\u003ePyotr Ilyich Tchaikovsky \u003c\/span\u003e\u003c\/b\u003e(CVLD241)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eAvailable in: HD Files, SACD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eViolin Concerto, Op. 35\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e Méditation, Op. 42\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1. Violin Concerto, op35 Allegro moderato\u003c\/li\u003e\n\u003cli\u003e2. Violin Concerto, op35 Canzonetta\u003c\/li\u003e\n\u003cli\u003e3. Violin Concerto, op35 Finale Allegro vivacissimo\u003c\/li\u003e\n\u003cli\u003e4. Meditation, op42 n1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Tchaikovsky-Violi-Concerto-Meditation\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTchaikovsky's Concerto for Violin and Orchestra Op. 35 is undoubtedly one of the most celebrated concertos for violin and orchestra ever composed in the history of music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis Velut Luna edition features Giovanni Angeleri, a highly renowned virtuoso who has won, among other awards, the prestigious Paganini Competition in Genoa.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn this case, Angeleri also conducts, leading the distinguished Orchestra delle Venezie, which he has shaped into a surprising interpretation that manages to bring out new nuances of this fascinating and absolutely immortal score.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe project is completed by the interesting Méditation for violin and orchestra, which directly derives from the first draft of the Andante of the Concerto, in the version for violin and piano, later replaced by the second draft - the Canzonetta.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn this recording, Giovanni Angeleri presents his own revision, which faithfully adheres to Tchaikovsky's original piano text.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePCM 24\/88.2 digital recording\u003cbr\u003ePadova, Italy on July, 5th, 6th, 7th, 2011.\u003cbr\u003eProduction: Fondazione Musicale Masiero Centanini\u003cbr\u003eExecutive producer: Marco Lincetto for Velut Luna\u003cbr\u003eMusical production: Fondazione Musicale Masiero Centanini\u003cbr\u003eRecording engineer: Marco Lincetto\u003cbr\u003eMix \u0026amp;amp; mastering engineers: Marco Lincetto\u003cbr\u003eCover photo: Ilenco Tracmot\u003cbr\u003eLayout: L’Image\u003cbr\u003eMarketing \u0026amp;amp; Sales Manager: Patrizia Pagiaro\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50009852477787,"sku":"CVLD241CD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47734705553755,"sku":"CVLD241","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/241-cover.jpg?v=1708953732"},{"product_id":"bernardo-pasquini-harpsichord-music","title":"BERNARDO PASQUINI: HARPSICHORD MUSIC","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eBERNARDO PASQUINI: HARPSICHORD MUSIC \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14106\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBERNARDO PASQUINI (1637 – 1710)\u003c\/p\u003e\n\u003cp\u003eHARPSICHORD MUSIC\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eToccata Ottava\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePartite diverse di Follia\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRicercare in D. sol re\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eVariazioni. 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Keyboard range: C\/E-f’’’, 50 keys. Registers: 2 x 8’. Temperament used: Meantone temperament ¼ of a comma. Diapason 394 Hz.\u003c\/p\u003e\n\u003cp\u003e« Whoever had the fortune to practice or study under the school of the most famous Mr. Bernardo Pasquini in Rome, or whoever at least heard or saw him play, would have been able to recognize the truest, most beautiful, and noble manner of playing and accompanying; and with this full method, they would have heard a marvelous perfection of harmony from his harpsichord ».\u003c\/p\u003e\n\u003cp\u003e(Francesco Gasparini, L’armonico pratico al cimbalo, Venezia,1708)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/lnk.to\/Pasquini\" height=\"245\" border=\"0\" scrolling=\"no\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47874072052059,"sku":"LDV14106","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14106-cover-sito.jpg?v=1711043922"},{"product_id":"sinfonie-milanesi-after-the-french-revolution","title":"MILANESE SYMPHONIES AFTER THE FRENCH REVOLUTION","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMILANESE SYMPHONIES AFTER THE FRENCH REVOLUTION \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14104\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBONIFAZIO ASIOLI (1769-1832)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in F minor\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSymphony “Azione teatrale campestre” in G Major\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGIUSEPPE GAZZANIGA (1743-1818)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in D Major\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eALESSANDRO ROLLA (1757-1841)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in D Major, BI 533\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSymphony in E minor, BI 537\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGIUSEPPE NICOLINI (1762-1842)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSymphony in B-flat Major\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSTEFANO PAVESI (1779-1850)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eSymphony in B-flat Major\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/SINFONIE-MILANESI-AFTER-THE-FRENCH-REVOLUTION\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAtalanta Fugiens Orchestra\u003c\/p\u003e\n\u003cp\u003eVanni Moretto, conductor\u003c\/p\u003e\n\u003cp\u003eIn compiling this CD, we aimed to select the most representative works of the diverse stylistic trends that animated Lombard symphonic music during the years of French occupation. This intends to be a grand tableau that, without any claim to exhaustiveness, helps the listener to form an idea of the music that was heard in the theatres, churches, educational institutions, and celebrations of Milan in the early 19th century\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47874149810523,"sku":"LDV14104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14104-cover-sito.jpg?v=1711045078"},{"product_id":"duo-trumpet-piano-in-the-20th-century","title":"DUO: TRUMPET \u0026 PIANO IN THE 20th CENTURY","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eDUO: TRUMPET \u0026amp; PIANO IN THE 20th CENTURY \u003c\/strong\u003e(\u003cspan data-mce-fragment=\"1\"\u003eLDV14102\u003c\/span\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDUO: TRUMPET \u0026amp; PIANO IN THE 20th CENTURY\u003c\/p\u003e\n\u003cp\u003eGEORGE ENESCU:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLégende\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1906)\u003c\/p\u003e\n\u003cp\u003ePAUL HINDEMITH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1939)\u003c\/p\u003e\n\u003cp\u003eJEAN FRANCAIX:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonatine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1950)\u003c\/p\u003e\n\u003cp\u003eARTHUR HONEGGER:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIntrada\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1947)\u003c\/p\u003e\n\u003cp\u003eHENRI TOMASI:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTriptyque\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1957)\u003c\/p\u003e\n\u003cp\u003eEUGÈNE BOZZA:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCaprice, Op. 47\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1943)\u003c\/p\u003e\n\u003cp\u003eLEONARD BERNSTEIN:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRondo for Lifey\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1948)\u003c\/p\u003e\n\u003cp\u003eSAMMY NESTICO:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePortrait of a Trumpet\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1965)\u003c\/p\u003e\n\u003cp\u003eHOAGY CHARMICHAEL:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Nearness of You\u003c\/em\u003e (1938) Arr. 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With this publication, we will try to identify the reasons and discover some of the most evocative pieces dedicated to it.\u003c\/p\u003e\n\u003cp\u003eANDREA LUCCHI, trumpet\u003cbr\u003eSOFIA ADINOLFI, piano\u003c\/p\u003e\n\u003cp\u003e1 CD\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe width=\"100%\" src=\"https:\/\/lnk.to\/DuoTrumpetandpiano\" height=\"245\" border=\"0\" scrolling=\"no\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe title=\"YouTube video player\" height=\"315\" width=\"560\" src=\"https:\/\/cdn.shopify.com\/videos\/c\/o\/v\/1b82df205c8242abab46be194947c12d.mp4\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Urania 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Op. 1\u003c\/em\u003e\u003cbr\u003e “Winter dreams”** rec.: Moscow, 1947\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSymphony No. 6 in B minor, Op. 74 “Pathétique\u003c\/em\u003e ”* rec.: Moscow, 1947\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eSlavic Marches, Op. 31\u003c\/em\u003e\u003cbr\u003e rec.: Moscow, 1944\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003e1812 “Ouverture solennelle” Op. 49\u003c\/em\u003e\u003cbr\u003e rec.: Moscow, 1948\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003ePiano Concerto No. 1\u003c\/em\u003e\u003cbr\u003e in B flat major, Op. 23\u003cbr\u003e rec.: Moscow, 1946\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/TCHAIKOVSKY-ORCHESTRAL-WORKS-GOLOVANOV\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Emil Gilels, piano\u003cbr\u003e Moscow Radio Symphony Orchestra\u003cbr\u003e Nikolai Golovanov, conductor\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e MONO ADD\u003c\/p\u003e\n\n\u003cp\u003e 2 CD\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47875527606619,"sku":"WS 121.415","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/415-cover-sito.jpg?v=1711072011"},{"product_id":"leinsdorf-conducts-mahler-wagner","title":"LEINSDORF CONDUCTS MAHLER \u0026amp; WAGNER","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eLEINSDORF CONDUCTS MAHLER 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Act One\u003c\/p\u003e\n\n\u003cp\u003e NDR Symphony Orchestra (III 1963)\u003cbr\u003e \u003cem\u003eDie Walküre\u003c\/em\u003e , The ride of the Walkyries\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (V 1953)\u003cbr\u003e Wotan's farewell and Magic fire music\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (George London) (VI 1958)\u003cbr\u003e Götterdämmerung, Siegfried's Rhine Journey\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (VI 1956)\u003cbr\u003e Siegfried funeral procession\u003c\/p\u003e\n\n\u003cp\u003e Wiener Philharmoniker (VI 1956)\u003cbr\u003e Closing scene\u003c\/p\u003e\n\n\u003cp\u003e NDR Symphony Orchestra (Christa Ludwig) (III 1963) \u003cbr\u003eParsifal, Prelude to Act One\u003c\/p\u003e\n\n\u003cp\u003e Munich Philharmonic Orchestra (XI 1962)\u003cbr\u003e Closing Scene\u003c\/p\u003e\n\n\u003cp\u003e Bayreuth Orchestra (Wolfgang Windgassen) (VIII 1951)\u003cbr\u003e Hans Knappertsbusch, conductor\u003c\/p\u003e\n\n\u003cp\u003e 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