{"title":"Minneapolis Symphony Orchestra","description":null,"products":[{"product_id":"dorati-conducts-tchaikovsky-orchestral-works","title":"Dorati Conducts Tchaikovsky: Orchestral Works","description":"\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eDorati Conducts Tchaikovsky: Orchestral Works ( \u003cspan\u003eCBH509\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eConductor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e \u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eAntal Dorati\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/span\u003e Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Minneapolis Symphony Orchestra 1959* - London Symphony Orchestra 1959**\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eTraces\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: 1.4em; color: #000000;\" color=\"#000000\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e01 - Francesca da Rimini, Op. 32, TH 46 (10.51pm)*\u003cbr\u003e 02 - Slavic Marches, Op. 31, TH 45 (10.30)**\u003cbr\u003e 03 - Eugene Onegin, Op. 24, TH 5: Waltz (5:47)**\u003cbr\u003e 04 - Eugene Onegin, Op. 24, TH 5: Polonaise (4:38)**\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e05 - Romeo and Juliet, TH 42: Overture (18:42)**\u003cbr\u003e 06 - 1812 Overture, Op. 49, TH 49 (2.44pm)*\u003c\/p\u003e\n\n\u003col\u003e\u003c\/ol\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/Dorati-Conducts-Tchaikovsky-Orchestral-Works\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eNotes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"3\" style=\"font-size: medium;\"\u003eImmerse yourself in Tchaikovsky's musical universe with this exceptional collection, conducted by the legendary Antal Doráti. The album features some of his most beloved orchestral works, including the dramatic \"Francesca da Rimini,\" the vibrant \"Marche Slava,\" and the iconic \"1812 Overture.\" Featuring masterful performances by the Minneapolis Symphony Orchestra and the London Symphony Orchestra, this disc is a must-have for classical music lovers and anyone who wishes to discover the power and passion of the great Russian composer.\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cdiv style=\"position: absolute; left: 118px; top: 31.5938px;\" id=\"gtx-trans\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51001492373851,"sku":"cs-509-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/copertinacbh_58c1e94c-1e89-4967-a03b-362dfa53513d.png?v=1752848339"},{"product_id":"great-recordings-1","title":"Doráti: Brahms — The Four Symphonies","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts the \u003cstrong\u003efour symphonies of Johannes Brahms\u003c\/strong\u003e in a historic cycle bringing together the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eBrahms’s symphonic cycle\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 1\u003c\/strong\u003e with the London Symphony Orchestra is documented at \u003cstrong\u003eWatford Town Hall on 18 June 1959\u003c\/strong\u003e; \u003cstrong\u003eSymphony No. 2\u003c\/strong\u003e with the Minneapolis Symphony Orchestra at \u003cstrong\u003eNorthrop Auditorium on 12 December 1957\u003c\/strong\u003e. Symphonies No. 3 and No. 4 were recorded again at Watford during Mercury’s July 1963 sessions: \u003cstrong\u003e13–16 July\u003c\/strong\u003e for the Third and \u003cstrong\u003e11–13 July\u003c\/strong\u003e for the Fourth.\u003c\/p\u003e\u003cp\u003eThe cycle follows Doráti across Brahms’s complete symphonic arc, from the monumental tension of the First to the formal and contrapuntal synthesis of the Fourth.\u003c\/p\u003e\u003ch2\u003eOriginal label and first releases\u003c\/h2\u003e\u003cp\u003eThe cycle originated in the \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue. For Symphony No. 1, the London Symphony discography documents \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e as producer and \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e as engineer; the recording was released in the United States in \u003cstrong\u003eDecember 1960\u003c\/strong\u003e as \u003cstrong\u003eMercury SR 90268\u003c\/strong\u003e. Symphonies Nos. 3 and 4, recorded at Watford in 1963 with the same producer and engineer, reached Mercury LP in \u003cstrong\u003eNovember 1968\u003c\/strong\u003e as \u003cstrong\u003eSR 90502\u003c\/strong\u003e and \u003cstrong\u003eSR 90503\u003c\/strong\u003e. The Second belongs to the earlier American phase, recorded in 1957.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eThe edition is divided into two downloads: \u003cstrong\u003eCD 1\u003c\/strong\u003e contains Symphonies No. 1 and No. 3; \u003cstrong\u003eCD 2\u003c\/strong\u003e contains Symphonies No. 2 and No. 4. Both are available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracks\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto — Allegro\u003cbr\u003e02 — II. Andante sostenuto\u003cbr\u003e03 — III. Un poco allegretto e grazioso\u003cbr\u003e04 — IV. Adagio — Allegro non troppo, ma con brio\u003cbr\u003e05 — Symphony No. 3 in F Major, Op. 90: I. Allegro con brio\u003cbr\u003e06 — II. Andante\u003cbr\u003e07 — III. Poco allegretto\u003cbr\u003e08 — IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo\u003cbr\u003e02 — II. Adagio non troppo\u003cbr\u003e03 — III. Allegretto grazioso (quasi Andantino)\u003cbr\u003e04 — IV. Allegro con spirito\u003cbr\u003e05 — Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo\u003cbr\u003e06 — II. Andante moderato\u003cbr\u003e07 — III. Allegro giocoso\u003cbr\u003e08 — IV. Allegro energico e passionato\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Johannes Brahms\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra — Symphonies No. 1, No. 3 and No. 4\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Minneapolis Symphony Orchestra — Symphony No. 2\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS621\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51195544600923,"sku":"CS621-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51195554431323,"sku":"CS621-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-brahms-quattro-sinfonie-capsa-symphonia-CS621-cover.png?v=1788252309"},{"product_id":"great-recordings-3","title":"Doráti: Beethoven — Symphony No. 3 “Eroica”, Wellington’s Victory \u0026 Egmont","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts three Beethoven works with three ensembles: \u003cstrong\u003eSymphony No. 3 “Eroica”\u003c\/strong\u003e with the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e, \u003cstrong\u003eWellington’s Victory\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e, and the \u003cstrong\u003eEgmont Overture\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS623\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195599323483,"sku":"CS623-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-beethoven-eroica-wellington-egmont-capsa-symphonia-CS623-cover.png?v=1788252309"},{"product_id":"great-recordings-4","title":"Doráti: Tchaikovsky — Symphony No. 1 “Winter Daydreams” \u0026 Capriccio Italien","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts Tchaikovsky’s \u003cstrong\u003eSymphony No. 1 in G minor, Op. 13 “Winter Daydreams”\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eCapriccio Italien, Op. 45\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecording and original label\u003c\/h2\u003e\u003cp\u003eSymphony No. 1 is documented at \u003cstrong\u003eWatford Town Hall on 27 July 1965\u003c\/strong\u003e. It belongs to the historic \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue; the sessions were produced by \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e and engineered by \u003cstrong\u003eRobert Eberenz\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS624\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195662664027,"sku":"CS624-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-tchaikovsky-sinfonia-1-capriccio-italien-capsa-symphonia-CS624-cover.png?v=1788252309"},{"product_id":"great-recordings-5","title":"Doráti: Rimsky-Korsakov \u0026 Borodin — Scheherazade \u0026 Polovtsian Dances","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts Rimsky-Korsakov’s \u003cstrong\u003eScheherazade, Op. 35\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e and Borodin’s \u003cstrong\u003ePolovtsian Dances\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eLondon Symphony Chorus\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecording context\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eScheherazade\u003c\/em\u003e was recorded at \u003cstrong\u003eNorthrop Auditorium, Minneapolis, on 22 December 1958\u003c\/strong\u003e, with \u003cstrong\u003eRafael Druian\u003c\/strong\u003e as violin soloist. The \u003cem\u003ePolovtsian Dances\u003c\/em\u003e belong to Mercury’s London sessions of \u003cstrong\u003e4 July 1956\u003c\/strong\u003e at \u003cstrong\u003eWalthamstow Town Hall\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eOriginal label and tapes\u003c\/h2\u003e\u003cp\u003eBoth recordings belong to \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e. The stereo \u003cem\u003eScheherazade\u003c\/em\u003e was released in \u003cstrong\u003e1959\u003c\/strong\u003e as \u003cstrong\u003eMercury SR 90195\u003c\/strong\u003e. These sessions belong to Mercury’s three-microphone, three-channel period on \u003cstrong\u003ehalf-inch three-track analogue tape\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS625\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195709030747,"sku":"CS625","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-rimsky-korsakov-borodin-scheherazade-danze-polovtsiane-capsa-symphonia-CS625-cover.png?v=1788252309"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/minneapolis-symphony-orchestra.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}