{"title":"Ludwig van Beethoven","description":"","products":[{"product_id":"schubert-beethoven-orchestra-darchi-italiana","title":"SCHUBERT - BEETHOVEN - ITALIAN STRING ORCHESTRA","description":"\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSCHUBERT - BEETHOVEN - ORCHESTRA D'ARCHI ITALIANA  \u003c\/b\u003e(CVLD050)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eBeethoven: Quartet \"Serioso\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eShubert: Quartet \"Der Tod und das Madchen\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eTracks\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e01 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Allegro\u003cbr\u003e02 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Andante con moto\u003cbr\u003e03 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen, Scherzo-Allegro molto\u003cbr\u003e04 - Franz Schubert - Quartet in D minor D810, Der Tod und das Madchen-Presto\u003cbr\u003e05 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro con brio\u003cbr\u003e06 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegretto, ma non troppo\u003cbr\u003e07 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Allegro assai vivace, ma serioso\u003cbr\u003e08 - Ludwig Van Beethoven - Quartet in F minor op 95, Serioso-Larghetto espressivo, Allegretto agitato\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Beethoven-Quartet-Serioso-Schubert-Quartet-Der-Tod-und-das-Madchen\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Franz Schubert, Ludwig van Beethoven Orchestra d'Archi Italiana \/ Franco Rossi, conductor 24Bit \/ 96 kHz Digital Recording. Live recording at Milan Auditorium December, 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLive recording at the Milan Auditorium of the astounding young talents of the Orchestra d'Archi Italiana by Mario Brunello, conducted on this special occasion by Franco Rossi, in the classic repertoire of the orchestral transcriptions of the two well-known quartets by Schubert and Beethoven. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"96kHz · 24bit","offer_id":47497166717275,"sku":"CVLD050","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1772f02b-a6cd-485f-aa5f-868d3a58813e.jpg?v=1703929343"},{"product_id":"beethoven-symphonies-no-9-rene-leibowitz-royal-philharmonic","title":"René Leibowitz: Beethoven — Symphony No. 9","description":"\u003cp\u003e\u003cstrong\u003eRené Leibowitz: Beethoven — Symphony No. 9 (CS234)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRené Leibowitz\u003c\/strong\u003e conducts the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e in Ludwig van Beethoven’s \u003cstrong\u003eSymphony No. 9 in D minor, Op. 125 ‘Choral’\u003c\/strong\u003e, with \u003cstrong\u003eInge Borkh\u003c\/strong\u003e, \u003cstrong\u003eRuth Siewert\u003c\/strong\u003e, \u003cstrong\u003eRichard Lewis\u003c\/strong\u003e, \u003cstrong\u003eLudwig Weber\u003c\/strong\u003e and the \u003cstrong\u003eBeecham Choral Society\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eRecorded in \u003cstrong\u003e1961\u003c\/strong\u003e at \u003cstrong\u003eWalthamstow Assembly Hall, London\u003c\/strong\u003e. Sound engineer: Kenneth Wilkinson. Producer: Charles Gerhardt.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e1. I. Allegro ma non troppo, un poco maestoso\u003cbr\u003e2. II. Molto vivace\u003cbr\u003e3. III. Adagio molto e cantabile – Andante moderato\u003cbr\u003e4. IV. Finale. Presto – Allegro assai\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e René Leibowitz\u003cbr\u003e\u003cstrong\u003eSoprano:\u003c\/strong\u003e Inge Borkh\u003cbr\u003e\u003cstrong\u003eContralto:\u003c\/strong\u003e Ruth Siewert\u003cbr\u003e\u003cstrong\u003eTenor:\u003c\/strong\u003e Richard Lewis\u003cbr\u003e\u003cstrong\u003eBass:\u003c\/strong\u003e Ludwig Weber\u003cbr\u003e\u003cstrong\u003eChoir:\u003c\/strong\u003e Beecham Choral Society\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Royal Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eSound engineer:\u003c\/strong\u003e Kenneth Wilkinson\u003cbr\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e Charles Gerhardt\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS234\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; the version described here operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48537774883163,"sku":"CS234-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48537774915931,"sku":"CS234-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48537774948699,"sku":"CS234-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48537774981467,"sku":"CS234-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48537775014235,"sku":"CS234-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs234-beethoven-symphony-no-9-rene-leibowitz-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"beethoven-symphonies-nos-6-8-rene-leibowitz-royal-philharmonic","title":"Leibowitz: Beethoven — Symphonies Nos. 6 “Pastoral” \u0026 8","description":"\u003cp\u003e\u003cstrong\u003eLeibowitz: Beethoven — Symphonies Nos. 6 ‘Pastoral’ \u0026amp; 8 (CS233)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRené Leibowitz\u003c\/strong\u003e conducts the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e in Ludwig van Beethoven’s Symphonies No. 6 in F major, Op. 68 ‘Pastoral’ and No. 8 in F major, Op. 93.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBoth symphonies were recorded in \u003cstrong\u003eLondon in 1961\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 6 in F major, Op. 68 ‘Pastoral’\u003c\/strong\u003e\u003cbr\u003e1. Allegro ma non troppo\u003cbr\u003e2. Andante molto mosso\u003cbr\u003e3. Allegro\u003cbr\u003e4. Allegro\u003cbr\u003e5. Allegretto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 8 in F major, Op. 93\u003c\/strong\u003e\u003cbr\u003e6. Allegro vivace e con brio\u003cbr\u003e7. Allegretto scherzando\u003cbr\u003e8. Tempo di menuetto\u003cbr\u003e9. Allegro vivace\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e René Leibowitz\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Royal Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e London, 1961\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS233\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format operating here at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It also originated as a professional editing and post-production environment and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538013958491,"sku":"CS233-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538013991259,"sku":"CS233-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538014024027,"sku":"CS233-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538014056795,"sku":"CS233-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538014089563,"sku":"CS233-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs233-beethoven-symphonies-no-6-pastoral-no-8-rene-leibowitz-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"beethoven-symphonies-nos-4-5-rene-leibowitz-royal-philharmonic","title":"Leibowitz: Beethoven — Symphonies Nos. 4 \u0026 5","description":"\u003cp\u003e\u003cstrong\u003eLeibowitz: Beethoven — Symphonies Nos. 4 \u0026amp; 5 (CS232)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRené Leibowitz\u003c\/strong\u003e conducts the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e in Ludwig van Beethoven’s Symphonies No. 4 in B-flat major, Op. 60 and No. 5 in C minor, Op. 67.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBoth symphonies were recorded in \u003cstrong\u003eLondon in 1961\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 4 in B-flat major, Op. 60\u003c\/strong\u003e\u003cbr\u003e1. Adagio – Allegro vivace\u003cbr\u003e2. Adagio\u003cbr\u003e3. Allegro vivace\u003cbr\u003e4. Allegro ma non troppo\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 5 in C minor, Op. 67\u003c\/strong\u003e\u003cbr\u003e5. Allegro con brio\u003cbr\u003e6. Andante con moto\u003cbr\u003e7. Allegro\u003cbr\u003e8. Allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e René Leibowitz\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Royal Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e London, 1961\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS232\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 96kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile Hi-Res 192kHz • 24bit\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD64\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFile DSD128\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format operating here at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It also originated as a professional editing and post-production environment and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538014482779,"sku":"CS232-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538014515547,"sku":"CS232-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538014548315,"sku":"CS232-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538014581083,"sku":"CS232-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538014613851,"sku":"CS232-128","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs232-beethoven-symphonies-no-4-no-5-rene-leibowitz-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"beethoven-symphonies-nos-2-7-rene-leibowitz-royal-philharmonic","title":"Leibowitz: Beethoven — Symphonies Nos. 2 \u0026 7","description":"\u003cp\u003e\u003cstrong\u003eLeibowitz: Beethoven — Symphonies Nos. 2 \u0026amp; 7 (CS231)\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRené Leibowitz\u003c\/strong\u003e conducts the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e in Beethoven’s Symphony No. 2 in D major, Op. 36 and Symphony No. 7 in A major, Op. 92.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBoth symphonies were recorded in \u003cstrong\u003eLondon in 1961\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 2, Op. 36\u003c\/strong\u003e\u003cbr\u003e1. Adagio molto – Allegro con brio\u003cbr\u003e2. Larghetto\u003cbr\u003e3. Scherzo. Allegro\u003cbr\u003e4. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 7, Op. 92\u003c\/strong\u003e\u003cbr\u003e5. Poco sostenuto – Vivace\u003cbr\u003e6. Allegretto\u003cbr\u003e7. Presto\u003cbr\u003e8. 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Adagio molto – Allegro con brio\u003cbr\u003e2. Andante cantabile con moto\u003cbr\u003e3. Menuetto. Allegro molto e vivace\u003cbr\u003e4. Finale. Adagio – Allegro molto e vivace\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 3 ‘Eroica’, Op. 55\u003c\/strong\u003e\u003cbr\u003e5. Allegro con brio\u003cbr\u003e6. Marcia funebre. Adagio assai\u003cbr\u003e7. Scherzo. Allegro vivace\u003cbr\u003e8. Finale. 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DSD64 operates at about 2.8 MHz, DSD128 at 5.6 MHz and DSD256 at 11.2 MHz. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD\u003c\/strong\u003e is a very high-resolution PCM format at 352.8kHz and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538017825115,"sku":"CS230-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538017857883,"sku":"CS230-96","price":15.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538017890651,"sku":"CS230-192","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD64","offer_id":48538017923419,"sku":"CS230-64","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File DSD128","offer_id":48538017956187,"sku":"CS230-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs230-beethoven-symphonies-no-1-no-3-eroica-rene-leibowitz-capsa-symphonia-cover.jpg?v=1789150898"},{"product_id":"beethoven-piano-concertos-nos-4-5-leon-fleisher-george-szell-the-cleveland-orchestra","title":"Fleisher \u0026 Szell: Beethoven — Piano Concertos Nos. 4 \u0026 5 “Emperor”","description":"\u003cp\u003e\u003cstrong\u003eLeon Fleisher\u003c\/strong\u003e performs Ludwig van Beethoven’s \u003cstrong\u003ePiano Concerto No. 4 in G major, Op. 58\u003c\/strong\u003e and \u003cstrong\u003eNo. 5 in E-flat major, Op. 73 “Emperor”\u003c\/strong\u003e with \u003cstrong\u003eThe Cleveland Orchestra\u003c\/strong\u003e conducted by \u003cstrong\u003eGeorge Szell\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe two performances date from \u003cstrong\u003e1959 and 1961\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePiano Concerto No. 4 in G major, Op. 58\u003c\/strong\u003e\u003cbr\u003e01 — I. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. 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Allegro con brio \u003cstrong\u003e(16’15)\u003c\/strong\u003e\u003cbr\u003e02 — II. Marcia funebre: Adagio assai \u003cstrong\u003e(17’42)\u003c\/strong\u003e\u003cbr\u003e03 — III. Scherzo: Allegro vivace \u003cstrong\u003e(16’21)\u003c\/strong\u003e\u003cbr\u003e04 — IV. 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Beethoven, Pugnani- Kreisler.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestra Filarmonica Giovanile “Alpe Adria” conductor Luigi Pistore, Leonora Armellini piano solo, Davide Alogna violino solo. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe “Alpe Adria” Youth Philharmonic Orchestra, founded in Gorizia by Maestro Luigi Pistore, is composed of young musicians aged between 15 and 25 from all over Europe. Within the orchestra, different schools, musical traditions and interpretations coexist, and the universal language of music \"spoken\" by the young musicians becomes a privileged vehicle for knowledge, unity and friendship among peoples. Since its foundation and during the various musical workshops held in Gorizia, more than 250 orchestral musicians and young soloists, winners of prestigious international competitions, have participated.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis CD was recorded entirely live on December 7, 2008 at the Auditorium of Gorizia, at the end of the 2008 Workshop.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe program opens with a classic Rossini Symphony \"written at Conventello\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe second piece allows us to appreciate for the second time on record the brightest piano talent of at least the last 10 years, Leonora Armellini, in her interpretation of Mozart's Concerto No. 27, KV595 for piano and orchestra.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe album closes with another young and talented violin soloist, Davide Alogna, who presents the famous Romance in F Major by Ludwig van Beethoven and the Prelude and Allegro in the style of Pugnani, written by the great virtuoso Fritz Kreisler.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe recording, personally curated by Marco Lincetto, was made as usual in 24bit\/88.2kHz digital standard.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015542968667,"sku":"CVLD182CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50948711514459,"sku":"CVLD182","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d972ad5fb8e0539c7e6e35.jpg?v=1738750308"},{"product_id":"missa-requiem-karajan","title":"MISSA \u0026amp; REQUIEM – KARAJAN","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eMISSA \u0026amp; REQUIEM – KARAJAN\u003c\/strong\u003e ( \u003cspan\u003eWS 121.420\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e : AMADEUS MOZART WOLFGANG, GIUSEPPE VERDI\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/KARAJAN-MISSA-REQUIEM\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(1770-1827)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eMissa Solemnis in D major, Op. 123\u003c\/em\u003e\u003cbr\u003e Elisabeth Schwarzkopf, Christa Ludwig\u003cbr\u003e Nicolai Gedda, Nicola Zaccaria\u003cbr\u003e Singverein der Gesellschaft der Musikfreunde\u003cbr\u003e The Philharmonia Orchestra\u003c\/p\u003e\n\n\u003cp\u003e Recording: London, 12-16 IX 1958\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e (1756-1791)\u003c\/p\u003e\n\n\u003cp\u003e \u003cem\u003eRequiem in D major, KV 626\u003c\/em\u003e\u003cbr\u003e Wilma Lipp, Hilde Rössl-Majdan\u003cbr\u003e Anton Dermota, Walter Berry \u003cbr\u003eSingverein der Gesellschaft der Musikfreunde\u003cbr\u003e Berlin Philharmonic\u003c\/p\u003e\n\n\u003cp\u003e Recording: Berlin, 5-12 X 1961\u003cbr\u003e Herbert von Karajan\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"CD","offer_id":50070119317851,"sku":"WS 121.420","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/121420-front.jpg?v=1739534115"},{"product_id":"beethoven-symphonies-nos-1-9-other-works","title":"Konwitschny: Beethoven — Symphonies Nos. 1–9 \u0026 Other Works","description":"\u003cp\u003eFranz Konwitschny conducts the Gewandhaus Orchestra Leipzig in an extensive Beethoven cycle comprising all nine symphonies plus selected overtures and concertante works.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eFranz Konwitschny conducts the Gewandhaus Orchestra Leipzig in Beethoven’s nine symphonies and the complementary works included in this edition.\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Franz Konwitschny\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Gewandhaus Orchestra Leipzig\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e01 - Symphony No. 1 in C major, Op. 21, I. Adagio molto - Allegro con brio\u003cbr\u003e02 - II. Andante cantabile con moto\u003cbr\u003e03 - III. Menuetto: Allegro molto e vivace\u003cbr\u003e04 - IV. Finale: Allegro molto e vivace\u003cbr\u003e05 - Symphony No. 4 in B-flat major, Op. 60, I. Adagio - Allegro vivace\u003cbr\u003e06 - II. Adagio\u003cbr\u003e07 - III. Allegro vivace\u003cbr\u003e08 - IV. Allegro ma non troppo\u003cbr\u003e09 - Fidelio, Op. 72b, Overture\u003cbr\u003e10 - Coriolan, Op. 62, Concert Overture\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 2\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e01 - Symphony No. 2 in D major, Op. 36, I. Adagio molto - Allegro con brio\u003cbr\u003e02 - II. Adagio\u003cbr\u003e03 - III. Allegro vivace - Un poco meno Allegro\u003cbr\u003e04 - IV. Allegro ma non troppo\u003cbr\u003e05 - Symphony No. 8 in F major, Op. 93, I. Allegro vivace e con brio\u003cbr\u003e06 - II. Allegretto scherzando\u003cbr\u003e07 - III. Tempo di Menuetto\u003cbr\u003e08 - IV. Allegro vivace\u003cbr\u003e09 - Leonore III, Op. 72b, Concert Overture\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 3\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e01 - Symphony No. 3 in E-flat major, Op. 55 “Eroica”, I. Allegro con brio\u003cbr\u003e02 - II. Marcia funebre. Adagio assai\u003cbr\u003e03 - III. Scherzo. Allegro vivace\u003cbr\u003e04 - IV. Finale: Allegro molto\u003cbr\u003e05 - Symphony No. 5 in C minor, Op. 67, I. Allegro con brio\u003cbr\u003e06 - II. Andante con moto\u003cbr\u003e07 - III. Allegro\u003cbr\u003e08 - IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 4\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e01 - Symphony No. 6 in F major, Op. 68 “Pastoral”, I. Allegro ma non troppo\u003cbr\u003e02 - II. Andante molto mosso\u003cbr\u003e03 - III. Allegro\u003cbr\u003e04 - IV. Allegro\u003cbr\u003e05 - V. Allegretto\u003cbr\u003e06 - Symphony No. 7 in A major, Op. 92, I. Poco sostenuto. Vivace\u003cbr\u003e07 - II. Allegretto\u003cbr\u003e08 - III. Presto\u003cbr\u003e09 - IV. Allegro con brio\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCD 5\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e01 - Symphony No. 9 in D minor, Op. 125, I. Allegro ma non troppo\u003cbr\u003e02 - II. Molto vivace - Presto\u003cbr\u003e03 - III. Adagio molto e cantabile\u003cbr\u003e04 - IV. Presto - Allegro assai\u003cbr\u003e05 - Choral Fantasy for Piano \u0026amp; Orchestra, Op. 80\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eCapsa Symphōnĭa digital edition in five \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e files.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately 2.8 MHz, DSD128 at 5.6 MHz and DSD256 at 11.2 MHz. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very-high-resolution PCM format operating at 352.8kHz and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51002289488219,"sku":"CS511-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51002289520987,"sku":"CS511-44-2","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 3 - CD FILE 44.1kHz • 16bit","offer_id":51002327630171,"sku":"CS511-44-3","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 4 - CD FILE 44.1kHz • 16bit","offer_id":51002327662939,"sku":"CS511-44-4","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 5 - CD FILE 44.1kHz • 16bit","offer_id":51002327695707,"sku":"CS511-44-5","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs511-beethoven-symphonies-franz-konwitschny-capsa-symphonia-cover.png?v=1789157104"},{"product_id":"beethoven-symphony-no-7-op-92-triple-concerto-op-56-live","title":"Beethoven: Symphony No. 7 \u0026 Triple Concerto, Op. 56 (Live)","description":"\u003cp\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e is at the centre of this live programme conducted by \u003cstrong\u003eMario Rossi\u003c\/strong\u003e with the \u003cstrong\u003eRAI Symphony Orchestra, Turin\u003c\/strong\u003e, pairing \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e with the \u003cstrong\u003eTriple Concerto in C major, Op. 56\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eSymphony No. 7 and Triple Concerto\u003c\/h2\u003e\u003cp\u003eThe programme brings together the rhythmic drive of the Seventh Symphony and the concertante writing of the Triple Concerto, with \u003cstrong\u003eSalvatore Accardo\u003c\/strong\u003e, \u003cstrong\u003eItalo Lana\u003c\/strong\u003e and \u003cstrong\u003eLudovico Lessona\u003c\/strong\u003e as soloists.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 7 in A major, Op. 92 — I. Poco sostenuto – Vivace\u003cbr\u003e02 — II. Allegretto\u003cbr\u003e03 — III. Presto\u003cbr\u003e04 — IV. Allegro con brio\u003cbr\u003e05 — Triple Concerto in C major, Op. 56 — I. Allegro\u003cbr\u003e06 — II. Largo\u003cbr\u003e07 — III. Rondo alla polacca – Allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Mario Rossi\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e RAI Symphony Orchestra, Turin\u003cbr\u003e\u003cstrong\u003eSoloists:\u003c\/strong\u003e Salvatore Accardo; Italo Lana; Ludovico Lessona\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS516\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the Capsa standard it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51014343524699,"sku":"CS516-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs516-beethoven-symphony-no-7-triple-concerto-mario-rossi-capsa-symphonia-cover.png?v=1789157104"},{"product_id":"beethoven-christ-on-the-mount-of-olives-op-85-mass-in-c-major-op-86","title":"Wangenheim \u0026 Richter: Beethoven — Christ on the Mount of Olives \u0026 Mass in C major","description":"\u003cp\u003eThis Capsa Symphōnĭa edition pairs two major sacred works by \u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e: \u003cstrong\u003eChristus am Ölberge, Op. 85\u003c\/strong\u003e, with Christina Deutekom, Nicolai Gedda, Hans Sotin, the Orchester der Beethovenhalle Bonn and Volker Wangenheim, and the \u003cstrong\u003eMass in C major, Op. 86\u003c\/strong\u003e, with Gundula Janowitz, Julia Hamari, Horst R. Laubenthal, Ernst Gerold Schramm, Münchener Bach-Orchester and Karl Richter.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eChristus am Ölberge\u003c\/em\u003e was recorded in Bonn between November 1969 and March\/April 1970.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDisc 1 — Christus am Ölberge, Op. 85\u003c\/strong\u003e\u003cbr\u003e01 — Introduction\u003cbr\u003e02 — Recitative, Aria\u003cbr\u003e03 — Recitative, Aria, Chorus\u003cbr\u003e04 — Recitative, Duet\u003cbr\u003e05 — Recitative, Choruses\u003cbr\u003e06 — Recitative, Trio, Choruses\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDisc 2 — Mass in C major, Op. 86\u003c\/strong\u003e\u003cbr\u003e01 — Kyrie\u003cbr\u003e02 — Gloria\u003cbr\u003e03 — Credo\u003cbr\u003e04 — Sanctus\u003cbr\u003e05 — Agnus Dei\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eSoloists — Christus am Ölberge:\u003c\/strong\u003e Christina Deutekom; Nicolai Gedda; Hans Sotin\u003cbr\u003e\u003cstrong\u003eConductor — Christus am Ölberge:\u003c\/strong\u003e Volker Wangenheim\u003cbr\u003e\u003cstrong\u003eOrchestra — Christus am Ölberge:\u003c\/strong\u003e Orchester der Beethovenhalle Bonn\u003cbr\u003e\u003cstrong\u003eSoloists — Mass in C major:\u003c\/strong\u003e Gundula Janowitz; Julia Hamari; Horst R. 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Allegro ma non troppo\u003cbr\u003e02 — II. Scherzo. Molto vivace – Presto\u003cbr\u003e03 — III. Adagio molto e cantabile\u003cbr\u003e04 — IV. Presto – Allegro assai\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003eSoloists:\u003c\/strong\u003e Gundula Janowitz; Sieglinde Wagner; Luigi Alva; Otto Wiener\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Berliner Philharmoniker\u003cbr\u003e\u003cstrong\u003eChoirs:\u003c\/strong\u003e Chor der St. Hedwigs-Kathedrale Berlin; RIAS Kammerchor\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS534\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51033486852443,"sku":"CS534-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs534-beethoven-symphony-no-9-herbert-von-karajan-capsa-symphonia-cover.png?v=1789153718"},{"product_id":"karajan-conducts-mozart-beethoven-schubert-symphonies","title":"Karajan: Mozart, Schubert \u0026 Beethoven — Symphonies","description":"\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e moves through Mozart, Schubert and Beethoven in a programme bringing together Mozart’s Symphonies No. 35 “Haffner” and No. 39, Schubert’s Symphony No. 8 “Unfinished” and Beethoven’s Symphonies No. 5 and No. 7, with the Los Angeles Philharmonic Orchestra, Wiener Philharmoniker and Berliner Philharmoniker.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme places three different symphonic worlds in sequence, from Mozart’s formal clarity to the suspended lyricism of the “Unfinished”, and finally the rhythmic and structural tension of Beethoven’s two symphonies.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePart 1\u003c\/strong\u003e\u003cbr\u003e01 — Wolfgang Amadeus Mozart: Symphony No. 35 in D Major, K. 385 “Haffner”\u003cbr\u003e02 — Wolfgang Amadeus Mozart: Symphony No. 39 in E-Flat Major, K. 543\u003cbr\u003e03 — Franz Schubert: Symphony No. 8 in B Minor, D. 759 “Unfinished”\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePart 2\u003c\/strong\u003e\u003cbr\u003e04 — Ludwig van Beethoven: Symphony No. 5 in C Minor, Op. 67\u003cbr\u003e05 — Ludwig van Beethoven: Symphony No. 7 in A Major, Op. 92\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Wolfgang Amadeus Mozart; Franz Schubert; Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Herbert von Karajan\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Los Angeles Philharmonic Orchestra; Wiener Philharmoniker; Berliner Philharmoniker\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS536\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003ePart 1 — File PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePart 2 — File PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51034096566619,"sku":"CS536-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51034096599387,"sku":"CS536-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs536-mozart-schubert-beethoven-herbert-von-karajan-capsa-symphonia-cover.png?v=1789153718"},{"product_id":"beethoven-orchestral-works-live","title":"Solti \u0026 Backhaus: Beethoven — Symphonies Nos. 3, 5, 7 \u0026 “Emperor” Concerto (Live)","description":"\u003cp\u003e\u003cstrong\u003eGeorg Solti\u003c\/strong\u003e conducts a broad Beethoven programme: Symphonies No. 5 and No. 7, Symphony No. 3 “Eroica” and \u003cstrong\u003ePiano Concerto No. 5 “Emperor”\u003c\/strong\u003e with \u003cstrong\u003eWilhelm Backhaus\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLive recordings.\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 5\u003cbr\u003e02 — Symphony No. 7\u003cbr\u003e03 — Symphony No. 3 “Eroica”\u003cbr\u003e04 — Piano Concerto No. 5 “Emperor”\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Georg Solti\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Wilhelm Backhaus\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Wiener Philharmoniker; Kölner Rundfunk-Sinfonie-Orchester\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS538\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eThe programme is divided into two parts, both available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51044986028379,"sku":"CS538-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51044986061147,"sku":"CS538-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs538-beethoven-solti-backhaus-capsa-symphonia-cover.png?v=1789153746"},{"product_id":"stokowski-edition-vol-7","title":"Stokowski: Beethoven — Symphony No. 9 “Choral”","description":"\u003cp\u003e\u003cstrong\u003eLeopold Stokowski\u003c\/strong\u003e conducts the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eLondon Symphony Chorus\u003c\/strong\u003e in Beethoven’s \u003cstrong\u003eSymphony No. 9 in D minor, Op. 125 “Choral”\u003c\/strong\u003e, with Heather Harper, Helen Watts, Alexander Young and Donald McIntyre.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe finale brings orchestra, chorus and vocal quartet together in the “Ode to Joy”, completing the monumental arc of the Ninth.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro ma non troppo, un poco maestoso\u003cbr\u003e02 — II. Molto vivace\u003cbr\u003e03 — III. Adagio molto e cantabile\u003cbr\u003e04 — IV. Presto – Allegro assai\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Leopold Stokowski\u003cbr\u003e\u003cstrong\u003eSoloists:\u003c\/strong\u003e Heather Harper; Helen Watts; Alexander Young; Donald McIntyre\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eChorus:\u003c\/strong\u003e London Symphony Chorus\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS549\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51055733145947,"sku":"CS549-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs549-beethoven-symphony-no-9-leopold-stokowski-capsa-symphonia-cover.png?v=1789153768"},{"product_id":"bohm-conducts-beethoven-vol-1","title":"Böhm: Beethoven — Symphony No. 3 “Eroica” \u0026 Leonore III","description":"\u003cp\u003e\u003cstrong\u003eKarl Böhm\u003c\/strong\u003e conducts Beethoven’s \u003cstrong\u003eSymphony No. 3 in E-flat major, Op. 55 “Eroica”\u003c\/strong\u003e with the Berliner Philharmoniker and the \u003cstrong\u003eLeonore III Overture, Op. 72b\u003c\/strong\u003e with the Wiener Philharmoniker.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme pairs one of the major turning points in Beethoven’s symphonic form with one of the most accomplished overtures from the \u003cem\u003eFidelio\u003c\/em\u003e cycle.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 3: I. Allegro con brio\u003cbr\u003e02 — II. Marcia funebre. Adagio assai\u003cbr\u003e03 — III. Scherzo. Allegro vivace\u003cbr\u003e04 — IV. Finale. Allegro molto\u003cbr\u003e05 — Leonore III, Op. 72b — Overture\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Karl Böhm\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Berliner Philharmoniker; Wiener Philharmoniker\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS552\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51070537531739,"sku":"CS552-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/beethoven-sinfonia-3-eroica-leonore-3-bohm-capsa-cs552.png?v=1789088485"},{"product_id":"bohm-conducts-beethoven-vol-2-live","title":"Böhm: Beethoven — Symphony No. 9 “Choral” (Live)","description":"\u003cp\u003e\u003cstrong\u003eKarl Böhm\u003c\/strong\u003e conducts Beethoven’s \u003cstrong\u003eSymphony No. 9 in D minor, Op. 125 “Choral”\u003c\/strong\u003e live with the Orchester der Deutschen Oper Berlin, Chor der Deutschen Oper Berlin and \u003cstrong\u003eElisabeth Grümmer, Christa Ludwig, James King and Walter Berry\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLive recording\u003c\/strong\u003e, connected with the Deutsche Oper Berlin tour in Tokyo in 1963.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro ma non troppo, un poco maestoso\u003cbr\u003e02 — II. Molto vivace\u003cbr\u003e03 — III. Adagio molto e cantabile\u003cbr\u003e04 — IV. Finale. Presto – Allegro assai\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Karl Böhm\u003cbr\u003e\u003cstrong\u003eSoloists:\u003c\/strong\u003e Elisabeth Grümmer; Christa Ludwig; James King; Walter Berry\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Orchester der Deutschen Oper Berlin\u003cbr\u003e\u003cstrong\u003eChoir:\u003c\/strong\u003e Chor der Deutschen Oper Berlin\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS553\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51071186927963,"sku":"CS553-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/beethoven-sinfonia-9-corale-bohm-capsa-cs553.png?v=1789088485"},{"product_id":"bohm-conducts-beethoven-vol-3","title":"Böhm: Beethoven — Symphonies Nos. 5 \u0026 6 “Pastoral”","description":"\u003cp\u003e\u003cstrong\u003eKarl Böhm\u003c\/strong\u003e conducts the \u003cstrong\u003eWiener Philharmoniker\u003c\/strong\u003e in Beethoven’s \u003cstrong\u003eSymphony No. 5 in C minor, Op. 67\u003c\/strong\u003e and \u003cstrong\u003eSymphony No. 6 in F major, Op. 68 “Pastoral”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme contrasts the dramatic concentration of the Fifth with the descriptive and pastoral design of the Sixth.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 5, Op. 67\u003c\/strong\u003e\u003cbr\u003e01 — I. Allegro con brio\u003cbr\u003e02 — II. Andante con moto\u003cbr\u003e03 — III. Allegro\u003cbr\u003e04 — IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 6, Op. 68 “Pastoral”\u003c\/strong\u003e\u003cbr\u003e05 — I. Allegro ma non troppo\u003cbr\u003e06 — II. Andante molto mosso\u003cbr\u003e07 — III. Allegro\u003cbr\u003e08 — IV. Allegro\u003cbr\u003e09 — V. Allegretto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Karl Böhm\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Wiener Philharmoniker\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS554\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51071284576603,"sku":"CS554-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/beethoven-sinfonie-5-6-bohm-capsa-cs554.png?v=1789088485"},{"product_id":"bohm-conducts-beethoven-vol-4","title":"Böhm: Beethoven — Symphony No. 7 \u0026 Egmont Overture","description":"\u003cp\u003e\u003cstrong\u003eKarl Böhm\u003c\/strong\u003e conducts Beethoven’s \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e with the Wiener Philharmoniker and two performances of the \u003cstrong\u003eEgmont Overture, Op. 84\u003c\/strong\u003e, with the Wiener Philharmoniker and Sächsische Staatskapelle Dresden.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe Seventh places rhythmic drive and formal continuity at the centre; the two performances of \u003cem\u003eEgmont\u003c\/em\u003e allow a comparison between different orchestral forces under the same conductor.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 7: I. Poco sostenuto – Vivace\u003cbr\u003e02 — II. Allegretto\u003cbr\u003e03 — III. Presto\u003cbr\u003e04 — IV. Allegro con brio\u003cbr\u003e05 — Egmont, Op. 84 — Overture (Wiener Philharmoniker)\u003cbr\u003e06 — Egmont, Op. 84 — Overture (Sächsische Staatskapelle Dresden)\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Karl Böhm\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Wiener Philharmoniker; Sächsische Staatskapelle Dresden\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS555\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51072672825691,"sku":"CS555-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/beethoven-sinfonia-7-egmont-bohm-capsa-cs555.png?v=1789088485"},{"product_id":"karl-bohm-beethoven-sinfonia-n-6-pastorale-overture-egmont","title":"KARL BOHM - BEETHOVEN: Symphony N.6 'Pastoral' - Overture Egmont","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eKARL BOHM - BEETHOVEN: Symphony No.6 'Pastorale' - Egmont Overture\u003c\/strong\u003e ( \u003cspan\u003ePJLP1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n \u003ch2 lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eWiener Philharmoniker \u0026amp; Karl Böhm\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\n\u003ch2 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eA Pro-Ject Records Exclusive-Release!\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\n\u003ch3 lang=\"en-US\"\u003e \u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eSetting the Standard in Analogue Purity\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\n\u003cp\u003e \u003cstrong\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eRemastered with care and love from the original master tape by Georg Burdicek\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eThis album was produced in collaboration with Pro-Ject Audio Systems to reproduce the original music and audio experience of this famous concert in the Golden Hall of the Vienna Musikverein. Pressed with the utmost precision on high-quality 180g vinyl by Pallas Germany.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIn 1803, Beethoven noted in his notebook: \"Bubbling brooks, andante molt[o], the wider the brook, the deeper the tone\" and sketched the first sketches for the dance rhythm of the third movement. Five years later, he labeled the first three movements as scenes: \"Scene: Arrival in the Countryside [and] Effect on the Mood,\" \"Scene by the Brook,\" and \"Scene: Festive Gathering,\" to which he added, \"Even without descriptions, the whole will be perceived more as an expression than as a painting of sound.\" Finally, he prefaced the symphony with the words, \"More expression of feeling than painting.\" Although the symphony was inspired by impressions of nature (Beethoven called it \"Pastoral Symphony, or Recollections of Country Life\"), this F major composition is not intended to depict natural events. Rather, the idea of ​​nature itself was poured into the symphony's form, giving it five movements instead of the usual four. Thematically, the work is fundamentally constructed on triads. The opening of the first movement already anticipates the formative material of the following Allegro, which owes its characteristic color not least to the sustained pitches reminiscent of bagpipes and hurdy-gurdy. The \"Scene by the Brook,\" with its onomatopoeic allusions to birdsong, is conceived as an expanded rondo. Whether or not the cuckoo's song struck a chord with Gustav Mahler, a similar song can be found in the opening of his First Symphony.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eThe third movement, which replaces a scherzo, draws its character from the German dance known as the Deutscher. It is a gruff and assertive Allegro that leads directly to the symphony's dramatic climax: a musical thunderstorm. Here, thunder is represented by sixteenth-note quintets in the cellos and double basses, and raindrops by a sparkling four-note figure in the violins. The finale follows without interruption, returning once again to the tranquil atmosphere of the first movement. Beethoven's return to the rondo concept of this movement in his late String Quartet, Op. 132, is due to the similarity of the subjects: in the \"Pastoral\" finale, the shepherds express their gratitude for the end of the storm, while in the string quartet, a man previously afflicted by a serious illness gives thanks to God for his recovery.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eKarl Böhm, born in Graz in 1894 and died in Salzburg in 1981, holds a special place in the history of the Vienna Philharmonic. In 1967, this doctor of law became the first person to be awarded the title of \"honorary conductor\" by the orchestra, an honor that has since been bestowed only once in the orchestra's history, to Herbert von Karajan in 1980. Böhm's warmth for the orchestra is evident in the words he spoke during his final appearance with the Philharmonic. It was the final recording session for the film version of Richard Strauss's Electra, which counted Böhm among its favorite conductors: \"I have loved the orchestra as a human being ever since I first heard it, at the back of the stalls of the Musikverein, and ever since I first conducted Tristan at the State Opera.\"\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003eIt was the success of this performance of Tristan und Isolde at the Vienna State Opera (where Böhm conducted from 1943–45 and again from 1954–56) that led to his debut concert with the Vienna Philharmonic in April 1933. His last concert was in Japan in 1980. If we add to this his 667 appearances at the Vienna State Opera, Karl Böhm, \"General Music Director of Austria,\" conducted the Vienna Philharmonic 1,430 times. This figure does not even include the sessions for the numerous recordings he made with the orchestra during their 48-year association. These included his highly acclaimed complete recording of Beethoven's symphonies from the early 1870s, along with several overtures, including \"Egmont,\" composed in 1810 for a Viennese performance of Goethe's tragedy of the same name. All these pieces are an eloquent testimony to a musical ideal characterized by precision and naturalness of expression and provide documentary evidence of Böhm's impeccable sense of timing.\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLudwig Van Beethoven\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eLP 1 - \u003cspan\u003eSymphony No. 6 in F-Major, Op. 68 “Pastoral”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e1. Erwachen heiterer Empfindungen bei Ankunft auf dem Lande \/ Allegro ma non tanto\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003e2. 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Music to Goethe's Tragedy\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Original label: Deutsche Grammophon\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Pro-Ject Audio Systems LPs","offers":[{"title":"LP 33 rpm (double)","offer_id":51132579316059,"sku":"PJLP1","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/Beethoven-Symphonie6_Ouverture-1.webp?v=1754500584"},{"product_id":"beethoven-missa-solemnis-in-d-major-op-123-live","title":"Szell: Beethoven — Missa solemnis, Op. 123 (Live)","description":"\u003cp\u003e\u003cstrong\u003eGeorge Szell\u003c\/strong\u003e conducts \u003cstrong\u003eLudwig van Beethoven’s Missa solemnis in D major, Op. 123\u003c\/strong\u003e live with The Cleveland Orchestra, Cleveland Orchestra Chorus, Saramae Endich, Florence Kopleff, Ernst Haefliger and Ezio Flagello.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLive recording.\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Kyrie\u003cbr\u003e02 — Gloria\u003cbr\u003e03 — Credo\u003cbr\u003e04 — Sanctus\u003cbr\u003e05 — Agnus Dei\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e George Szell\u003cbr\u003e\u003cstrong\u003eSoloists:\u003c\/strong\u003e Saramae Endich; Florence Kopleff; Ernst Haefliger; Ezio Flagello\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e The Cleveland Orchestra\u003cbr\u003e\u003cstrong\u003eChoir:\u003c\/strong\u003e Cleveland Orchestra Chorus\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS570\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51136575799643,"sku":"CS570-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs570-beethoven-missa-solemnis-george-szell-capsa-symphonia-cover.png?v=1789153637"},{"product_id":"a-portrait-vol-1-jascha-horenstein-remastered-2022-live","title":"Horenstein: Beethoven — Symphony No. 9 “Choral” (Live)","description":"\u003cp\u003e\u003cstrong\u003eJascha Horenstein\u003c\/strong\u003e conducts Beethoven’s \u003cstrong\u003eSymphony No. 9 in D minor, Op. 125 “Choral”\u003c\/strong\u003e live with the French National Radio Orchestra and the French National Radio Chorus.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eLive recording.\u003c\/strong\u003e The finale features \u003cstrong\u003ePilar Lorengar\u003c\/strong\u003e (soprano), \u003cstrong\u003eMarga Höffgen\u003c\/strong\u003e (mezzo-soprano), \u003cstrong\u003eJosef Traxel\u003c\/strong\u003e (tenor) and \u003cstrong\u003eOtto Wiener\u003c\/strong\u003e (baritone).\u003c\/p\u003e\u003cp\u003eThe interpretation builds from the first three movements to the large choral finale, where orchestra, chorus and vocal quartet converge on the text of the “Ode to Joy”.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro ma non troppo, un poco maestoso\u003cbr\u003e02 — II. Molto vivace\u003cbr\u003e03 — III. Adagio molto e cantabile\u003cbr\u003e04 — IV. Finale. Presto – Allegro assai\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Jascha Horenstein\u003cbr\u003e\u003cstrong\u003eSoprano:\u003c\/strong\u003e Pilar Lorengar\u003cbr\u003e\u003cstrong\u003eMezzo-soprano:\u003c\/strong\u003e Marga Höffgen\u003cbr\u003e\u003cstrong\u003eTenor:\u003c\/strong\u003e Josef Traxel\u003cbr\u003e\u003cstrong\u003eBaritone:\u003c\/strong\u003e Otto Wiener\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e French National Radio Orchestra\u003cbr\u003e\u003cstrong\u003eChorus:\u003c\/strong\u003e French National Radio Chorus\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS581\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51149241123163,"sku":"CS581-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs581-beethoven-symphony-no-9-jascha-horenstein-capsa-symphonia-cover.png?v=1789153663"},{"product_id":"historical-beethoven-feat-michelangeli","title":"Michelangeli \u0026 Smetáček: Beethoven — Piano Concerto No. 5 “Emperor”","description":"\u003cp\u003e\u003cstrong\u003eArturo Benedetti Michelangeli\u003c\/strong\u003e performs Ludwig van Beethoven’s \u003cstrong\u003ePiano Concerto No. 5 in E-flat major, Op. 73 “Emperor”\u003c\/strong\u003e with the \u003cstrong\u003ePrague Symphony Orchestra\u003c\/strong\u003e conducted by \u003cstrong\u003eVáclav Smetáček\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eSmetana Hall, Prague — \u003cstrong\u003e29 May 1957\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro\u003cbr\u003e02 — II. Adagio un poco mosso\u003cbr\u003e03 — III. Rondo. Allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Arturo Benedetti Michelangeli\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Václav Smetáček\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Prague Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Smetana Hall, Prague — 29 May 1957\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS644\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51163271823707,"sku":"CS644-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs644-beethoven-piano-concerto-no-5-emperor-michelangeli-smetacek-capsa-symphonia-cover.png?v=1789113842"},{"product_id":"mitropoulos-conducts-beethoven-and-mendelssohn","title":"Mitropoulos: Beethoven \u0026 Mendelssohn — Symphonies No. 5","description":"\u003cp\u003e\u003cstrong\u003eDimitri Mitropoulos\u003c\/strong\u003e conducts two contrasting Fifth Symphonies: Beethoven’s in C minor, Op. 67 with the \u003cstrong\u003eNew York Philharmonic Orchestra\u003c\/strong\u003e, and Mendelssohn’s in D major, Op. 107 “Reformation” with the \u003cstrong\u003eWDR Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme contrasts Beethoven’s dramatic tension and motivic construction with Mendelssohn’s different balance of symphonic drive, solemnity and orchestral transparency.\u003c\/p\u003e\u003cp\u003eThe two works reveal two sides of Mitropoulos’s symphonic repertoire.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBeethoven — Symphony No. 5 in C Minor, Op. 67\u003c\/strong\u003e\u003cbr\u003e01 — I. Allegro con brio\u003cbr\u003e02 — II. Andante con moto\u003cbr\u003e03 — III. Allegro\u003cbr\u003e04 — IV. Allegro\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMendelssohn — Symphony No. 5 in D Major, Op. 107 “Reformation”\u003c\/strong\u003e\u003cbr\u003e05 — I. Andante – Allegro con fuoco\u003cbr\u003e06 — II. Allegro vivace\u003cbr\u003e07 — III. Andante\u003cbr\u003e08 — IV. Andante con moto – Allegro vivace\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Dimitri Mitropoulos\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e New York Philharmonic Orchestra (Beethoven); WDR Symphony Orchestra (Mendelssohn)\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Felix Mendelssohn\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS599\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePureMaster CD (+ File PCM 44.1kHz • 16bit)\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51186386370907,"sku":"CS599-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"PureMaster CD (+ File PCM 44.1kHz • 16bit)","offer_id":52867296100699,"sku":"CS599CD","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs599-beethoven-mendelssohn-symphonies-dimitri-mitropoulos-capsa-symphonia-cover.png?v=1789153799"},{"product_id":"the-great-concerts-vol-3-mitropoulos-conducts-beethoven-brahms-live","title":"Mitropoulos \u0026 Francescatti: Beethoven \u0026 Brahms — Symphony No. 2 \u0026 Violin Concerto","description":"\u003cp\u003e\u003cstrong\u003eDimitri Mitropoulos\u003c\/strong\u003e conducts the \u003cstrong\u003eVienna Philharmonic\u003c\/strong\u003e in Beethoven’s Symphony No. 2 and Brahms’s Violin Concerto, with \u003cstrong\u003eZino Francescatti\u003c\/strong\u003e as soloist.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eAll seven tracks are \u003cstrong\u003elive\u003c\/strong\u003e. The Vienna Philharmonic is conducted by Mitropoulos; Zino Francescatti is the soloist in Brahms’s Violin Concerto.\u003c\/p\u003e\u003cp\u003eThe brilliance of Beethoven’s Second precedes the broader lyrical and concertante arc of Brahms.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBeethoven — Symphony No. 2 in D Major, Op. 36\u003c\/strong\u003e\u003cbr\u003e1. I. Adagio molto – Allegro con brio\u003cbr\u003e2. II. Larghetto\u003cbr\u003e3. III. Scherzo. Allegro\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms — Violin Concerto in D Major, Op. 77\u003c\/strong\u003e\u003cbr\u003e5. I. Allegro ma non troppo\u003cbr\u003e6. II. Adagio\u003cbr\u003e7. III. Allegro giocoso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Dimitri Mitropoulos\u003cbr\u003e\u003cstrong\u003eViolin:\u003c\/strong\u003e Zino Francescatti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Vienna Philharmonic\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Johannes Brahms\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS601\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51189033337179,"sku":"CS601-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dimitri-mitropoulos-beethoven-2-brahms-violin-francescatti-capsa-CS601-cover.png?v=1788311046"},{"product_id":"mitropoulos-conducts-beethoven-brahms-and-verdi","title":"Mitropoulos: Beethoven, Brahms \u0026 Verdi — Eroica, Haydn Variations \u0026 La forza del destino","description":"\u003cp\u003e\u003cstrong\u003eDimitri Mitropoulos\u003c\/strong\u003e and the \u003cstrong\u003eNew York Philharmonic\u003c\/strong\u003e in a programme bringing together Beethoven, Brahms and Verdi.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe New York Philharmonic is featured throughout: Beethoven’s Symphony No. 3 “Eroica”, Brahms’s Variations on a Theme by Haydn and the Overture from Verdi’s \u003cem\u003eLa forza del destino\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eThe programme highlights Mitropoulos’s ability to move from Beethovenian symphonic architecture to Brahmsian variation and Verdi’s theatrical tension.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBeethoven — Symphony No. 3 “Eroica”\u003c\/strong\u003e\u003cbr\u003e1. I. Allegro con brio\u003cbr\u003e2. II. Marcia funebre. Adagio assai\u003cbr\u003e3. III. Scherzo. Allegro vivace\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms — Variations on a Theme by Haydn, Op. 56a\u003c\/strong\u003e\u003cbr\u003e5. Variations\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVerdi — La forza del destino\u003c\/strong\u003e\u003cbr\u003e6. Overture\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Dimitri Mitropoulos\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e New York Philharmonic\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Johannes Brahms; Giuseppe Verdi\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS604\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51189571780955,"sku":"CS604-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dimitri-mitropoulos-beethoven-3-brahms-haydn-verdi-capsa-CS604-cover.png?v=1788311045"},{"product_id":"the-symphonies-iii","title":"Fricsay: Beethoven \u0026 Schubert — Symphony No. 7 \u0026 Symphony No. 8 “Unfinished”","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e pairs two landmarks of the Viennese symphonic repertoire: Beethoven’s \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e and Schubert’s \u003cstrong\u003eSymphony No. 8 in B minor, D. 759 “Unfinished”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBeethoven’s Seventh was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin from 3 to 5 October 1960\u003c\/strong\u003e with the Berliner Philharmoniker. 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Andante con moto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Berliner Philharmoniker; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Franz Schubert\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS617\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192818860379,"sku":"CS617-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-beethoven-7-schubert-8-incompiuta-capsa-CS617-cover.png?v=1788257154"},{"product_id":"great-recordings-3","title":"Doráti: Beethoven — Symphony No. 3 “Eroica”, Wellington’s Victory \u0026 Egmont","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts three works by \u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e with three different ensembles: \u003cstrong\u003eSymphony No. 3 in E-flat major, Op. 55 “Eroica”\u003c\/strong\u003e with the \u003cstrong\u003eRoyal Philharmonic Orchestra\u003c\/strong\u003e, \u003cstrong\u003eWellington’s Victory, Op. 91\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e, and the \u003cstrong\u003eEgmont Overture, Op. 84\u003c\/strong\u003e with the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme brings together three performances conducted by Antal Doráti: the Royal Philharmonic Orchestra in Symphony No. 3 “Eroica”, the London Symphony Orchestra in \u003cem\u003eWellington’s Victory\u003c\/em\u003e, and the Minneapolis Symphony Orchestra in the \u003cem\u003eEgmont\u003c\/em\u003e Overture.\u003c\/p\u003e\u003ch2\u003eThree Beethoven perspectives\u003c\/h2\u003e\u003cp\u003eThe programme contrasts three very different aspects of Beethoven’s writing: the formal breadth of the \u003cem\u003eEroica\u003c\/em\u003e, the descriptive character of \u003cem\u003eWellington’s Victory\u003c\/em\u003e, and the dramatic concentration of the \u003cem\u003eEgmont\u003c\/em\u003e Overture.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 3 in E-flat Major, Op. 55 “Eroica”: I. Allegro con brio\u003cbr\u003e02 — II. Marcia funebre. Adagio assai\u003cbr\u003e03 — III. Scherzo. Allegro vivace\u003cbr\u003e04 — IV. Finale. Allegro molto\u003cbr\u003e05 — Wellington’s Victory, Op. 91\u003cbr\u003e06 — Egmont, Op. 84: Overture\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Antal Doráti\u003cbr\u003e\u003cstrong\u003eOrchestra (Symphony No. 3):\u003c\/strong\u003e Royal Philharmonic Orchestra\u003cbr\u003e\u003cstrong\u003eOrchestra (Wellington’s Victory):\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eOrchestra (Egmont):\u003c\/strong\u003e Minneapolis Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS623\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195599323483,"sku":"CS623-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-beethoven-eroica-wellington-egmont-capsa-symphonia-CS623-cover.png?v=1788252309"},{"product_id":"historical-beethoven-symphony-no-3-in-e-flat-major-op-55-eroica","title":"Boulez: Beethoven — Symphony No. 3 in E-flat major, Op. 55 “Eroica”","description":"\u003cp\u003eLudwig van Beethoven’s \u003cstrong\u003eSymphony No. 3 in E-flat major, Op. 55 “Eroica”\u003c\/strong\u003e is presented with \u003cstrong\u003ePierre Boulez\u003c\/strong\u003e and the \u003cstrong\u003eSüdwestfunkorchester Baden-Baden\u003c\/strong\u003e. The performance dates from \u003cstrong\u003e1962\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eBoulez and the Südwestfunkorchester Baden-Baden\u003c\/h2\u003e\u003cp\u003eThe “Eroica” marks a decisive turning point in Beethoven’s symphonic language. Boulez highlights articulation, sectional balance and structural transparency.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe performance with Pierre Boulez and the Südwestfunkorchester Baden-Baden dates from \u003cstrong\u003e1962\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro con brio\u003cbr\u003e02 — II. Marcia funebre. Adagio assai\u003cbr\u003e03 — III. Scherzo. Allegro vivace\u003cbr\u003e04 — IV. Finale. Allegro molto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Pierre Boulez\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Südwestfunkorchester Baden-Baden\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS636\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206201377115,"sku":"CS636-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs636-beethoven-symphony-no-3-eroica-pierre-boulez-sudwestfunkorchester-baden-baden-capsa-symphonia-cover.png?v=1789233904"},{"product_id":"historical-beethoven-symphony-no-5-in-c-minor-op-67","title":"Klemperer: Beethoven — Symphony No. 5 in C minor, Op. 67","description":"\u003cp\u003eLudwig van Beethoven’s \u003cstrong\u003eSymphony No. 5 in C minor, Op. 67\u003c\/strong\u003e is presented in the interpretation of \u003cstrong\u003eOtto Klemperer\u003c\/strong\u003e with the \u003cstrong\u003eWiener Philharmoniker\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eKlemperer and the Wiener Philharmoniker\u003c\/h2\u003e\u003cp\u003eFrom its famous opening rhythmic cell to the C-major finale, the Fifth builds an arc of extraordinary cohesion. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206214254939,"sku":"CS637-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs637-beethoven-symphony-no-5-otto-klemperer-wiener-philharmoniker-capsa-symphonia-cover.png?v=1789232861"},{"product_id":"historical-beethoven","title":"Reiner: Beethoven — Symphony No. 6 in F major, Op. 68 “Pastoral”","description":"\u003cp\u003eBeethoven’s \u003cstrong\u003eSymphony No. 6 in F major, Op. 68 “Pastoral”\u003c\/strong\u003e with \u003cstrong\u003eFritz Reiner\u003c\/strong\u003e and the \u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording was made at \u003cstrong\u003eOrchestra Hall, Chicago\u003c\/strong\u003e, on \u003cstrong\u003e8 and 10 April 1961\u003c\/strong\u003e. \u003cstrong\u003eRichard Mohr\u003c\/strong\u003e was producer and \u003cstrong\u003eLewis Layton\u003c\/strong\u003e recording engineer.\u003c\/p\u003e\u003ch2\u003eReiner and the Chicago Symphony Orchestra\u003c\/h2\u003e\u003cp\u003eThe “Pastoral” unfolds across five movements, linking symphonic form, evocation of nature and narrative continuity.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Allegro ma non troppo\u003cbr\u003e02 — II. Andante molto mosso\u003cbr\u003e03 — III. Allegro\u003cbr\u003e04 — IV. Allegro\u003cbr\u003e05 — V. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206249578843,"sku":"CS638-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs638-beethoven-symphony-no-6-pastoral-fritz-reiner-chicago-symphony-orchestra-capsa-symphonia-cover.png?v=1789230327"},{"product_id":"historical-beethoven-symphony-no-7-in-a-major-op-92","title":"Mravinsky: Beethoven — Symphony No. 7 in A major, Op. 92","description":"\u003cp\u003eBeethoven’s \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e with \u003cstrong\u003eEvgeny Mravinsky\u003c\/strong\u003e and the \u003cstrong\u003eLeningrad Philharmonic Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eMravinsky and Beethoven’s Seventh\u003c\/h2\u003e\u003cp\u003eA reading focused on precision, orchestral compactness and rhythmic continuity.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording presents Evgeny Mravinsky conducting the Leningrad Philharmonic Orchestra in Beethoven’s Symphony No. 7 in A major, Op. 92.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 7 in A Major, Op. 92: I. 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Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206281822555,"sku":"CS639-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs639-beethoven-symphony-no-7-evgeny-mravinsky-leningrad-philharmonic-capsa-symphonia-cover.png?v=1789228927"},{"product_id":"historical-beethoven-symphony-no-9-in-d-minor-op-125-choral","title":"Cluytens: Beethoven — Symphony No. 9 in D minor, Op. 125 “Choral”","description":"\u003cp\u003eLudwig van Beethoven’s \u003cstrong\u003eSymphony No. 9 in D minor, Op. 125 “Choral”\u003c\/strong\u003e is presented with \u003cstrong\u003eAndré Cluytens\u003c\/strong\u003e, the \u003cstrong\u003eBerliner Philharmoniker\u003c\/strong\u003e, the \u003cstrong\u003eChor der St. Hedwigs-Kathedrale Berlin\u003c\/strong\u003e and soloists \u003cstrong\u003eGré Brouwenstijn\u003c\/strong\u003e, \u003cstrong\u003eKerstin Meyer\u003c\/strong\u003e, \u003cstrong\u003eNicolai Gedda\u003c\/strong\u003e and \u003cstrong\u003eFrederick Guthrie\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eAndré Cluytens and the Berliner Philharmoniker\u003c\/h2\u003e\u003cp\u003eThe Ninth moves from the symphonic tension of the first three movements to the entrance of the voices in the finale on Friedrich Schiller’s text.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording was made in Berlin in \u003cstrong\u003eDecember 1957\u003c\/strong\u003e at the \u003cstrong\u003eGrunewaldkirche\u003c\/strong\u003e, with the same vocal quartet and the choir of St. Hedwig’s Cathedral.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso\u003cbr\u003e02 — II. Molto vivace\u003cbr\u003e03 — III. Adagio molto e cantabile\u003cbr\u003e04 — IV. Presto — Allegro assai\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e André Cluytens\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Berliner Philharmoniker\u003cbr\u003e\u003cstrong\u003eSoprano:\u003c\/strong\u003e Gré Brouwenstijn\u003cbr\u003e\u003cstrong\u003eMezzo-soprano:\u003c\/strong\u003e Kerstin Meyer\u003cbr\u003e\u003cstrong\u003eTenor:\u003c\/strong\u003e Nicolai Gedda\u003cbr\u003e\u003cstrong\u003eBass:\u003c\/strong\u003e Frederick Guthrie\u003cbr\u003e\u003cstrong\u003eChoir:\u003c\/strong\u003e Chor der St. Hedwigs-Kathedrale Berlin\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Berlin, Grunewaldkirche, December 1957\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS640\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206364889435,"sku":"CS640-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs640-beethoven-symphony-no-9-choral-andre-cluytens-berliner-philharmoniker-capsa-symphonia-cover.png?v=1789128460"},{"product_id":"historical-beethoven-charles-munch","title":"Munch: Beethoven — Leonore I–III, Fidelio \u0026 Coriolan Overtures","description":"\u003cp\u003e\u003cstrong\u003eCharles Munch\u003c\/strong\u003e conducts the \u003cstrong\u003eBoston Symphony Orchestra\u003c\/strong\u003e in Beethoven’s Leonore Nos. 1–3, Fidelio and Coriolan overtures.\u003c\/p\u003e\u003ch2\u003eCharles Munch and the Boston Symphony Orchestra\u003c\/h2\u003e\u003cp\u003eThe cycle follows different Beethovenian solutions to the overture form.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recordings were made at \u003cstrong\u003eBoston Symphony Hall\u003c\/strong\u003e on \u003cstrong\u003e26 and 27 February 1956\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Leonore No. 1, Overture, Op. 138\u003cbr\u003e02 — Leonore No. 2, Overture, Op. 72a\u003cbr\u003e03 — Leonore No. 3, Overture, Op. 72b\u003cbr\u003e04 — Fidelio, Overture, Op. 72\u003cbr\u003e05 — Coriolan, Concert Overture, Op. 62\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Charles Munch\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Boston Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Boston, Symphony Hall, 26–27 February 1956\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS641\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206420070747,"sku":"CS641-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs641-beethoven-leonore-fidelio-coriolan-overtures-charles-munch-boston-symphony-capsa-symphonia-cover.png?v=1789121028"},{"product_id":"historical-beethoven-feat-claudio-arrau","title":"Arrau: Beethoven — Sonatas No. 23 “Appassionata”, No. 26 “Les Adieux” \u0026 No. 32","description":"\u003cp\u003e\u003cstrong\u003eClaudio Arrau\u003c\/strong\u003e performs Beethoven’s \u003cstrong\u003eSonata No. 23 in F minor, Op. 57 “Appassionata”\u003c\/strong\u003e, \u003cstrong\u003eSonata No. 26 in E-flat major, Op. 81a “Les Adieux”\u003c\/strong\u003e and \u003cstrong\u003eSonata No. 32 in C minor, Op. 111\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eClaudio Arrau and Beethoven\u003c\/h2\u003e\u003cp\u003eThe programme spans three different perspectives of Beethoven’s piano writing, from the dramatic tension of the “Appassionata” to the concentration of Op. 111.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eHistoric recordings by Claudio Arrau devoted to Beethoven’s Sonatas Nos. 23, 26 and 32.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: I. Allegro assai\u003cbr\u003e02 — II. Andante con moto\u003cbr\u003e03 — III. Allegro ma non troppo\u003cbr\u003e04 — Piano Sonata No. 26 in E-Flat Major, Op. 81a “Les Adieux”: I. Das Lebewohl. Adagio — Allegro\u003cbr\u003e05 — II. Die Abwesenheit. Andante espressivo\u003cbr\u003e06 — III. Das Wiedersehn. Vivacissimamente\u003cbr\u003e07 — Piano Sonata No. 32 in C Minor, Op. 111: I. Allegro con brio ed appassionato\u003cbr\u003e08 — II. Arietta. Adagio molto semplice e cantabile\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Claudio Arrau\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS642\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206474170715,"sku":"CS642-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs642-beethoven-piano-sonatas-appassionata-les-adieux-no-32-claudio-arrau-capsa-symphonia-cover.png?v=1789115166"},{"product_id":"historical-beethoven-piano-concerto-no-4-in-g-major-op-58","title":"Backhaus \u0026 Böhm: Beethoven — Piano Concerto No. 4 in G major, Op. 58","description":"\u003cp\u003eBeethoven’s \u003cstrong\u003ePiano Concerto No. 4 in G major, Op. 58\u003c\/strong\u003e is presented with \u003cstrong\u003eWilhelm Backhaus\u003c\/strong\u003e at the piano, the \u003cstrong\u003eWiener Philharmoniker\u003c\/strong\u003e and \u003cstrong\u003eKarl Böhm\u003c\/strong\u003e on the podium.\u003c\/p\u003e\u003ch2\u003eBackhaus, Böhm and the Wiener Philharmoniker\u003c\/h2\u003e\u003cp\u003eThe Fourth Concerto occupies a central place in Beethoven’s concertante output, with a dialogue between piano and orchestra built on balance, lyricism and formal tension.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording presents Wilhelm Backhaus at the piano with the Wiener Philharmoniker conducted by Karl Böhm in Beethoven’s Piano Concerto No. 4 in G major, Op. 58.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato\u003cbr\u003e02 — II. Andante con moto\u003cbr\u003e03 — III. Rondò. Vivace\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Wilhelm Backhaus\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Karl Böhm\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Wiener Philharmoniker\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS643\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206785827163,"sku":"CS643-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs643-beethoven-piano-concerto-no-4-backhaus-bohm-wiener-philharmoniker-capsa-symphonia-cover.png?v=1789114577"},{"product_id":"historical-beethoven-violin-concerto-in-d-major-op-61-live","title":"Colin Davis \u0026 Menuhin: Beethoven — Violin Concerto in D major, Op. 61","description":"\u003cp\u003eBeethoven’s \u003cstrong\u003eViolin Concerto in D major, Op. 61\u003c\/strong\u003e is presented in a live performance with \u003cstrong\u003eYehudi Menuhin\u003c\/strong\u003e on violin, the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and \u003cstrong\u003eColin Davis\u003c\/strong\u003e conducting.\u003c\/p\u003e\u003ch2\u003eRegistrations\u003c\/h2\u003e\u003cp\u003eThe recording was made \u003cstrong\u003elive in London in 1962\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eMenuhin, Colin Davis and the London Symphony Orchestra\u003c\/h2\u003e\u003cp\u003eThe concerto balances symphonic breadth with lyrical solo writing. Menuhin approaches the violin part with a focused expressive line, while Davis supports the dialogue with the orchestra, maintaining formal clarity and continuity of discourse.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo\u003cbr\u003e02 — II. Larghetto\u003cbr\u003e03 — III. Rondo. Allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Ludwig van Beethoven\u003cbr\u003e\u003cstrong\u003eViolin:\u003c\/strong\u003e Yehudi Menuhin\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Colin Davis\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e London Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Live, London, 1962\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS645\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is an ultra-high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for ultra-high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51206849724763,"sku":"CS645-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs645-beethoven-violin-concerto-menuhin-colin-davis-london-symphony-capsa-symphonia-cover.png?v=1789112084"},{"product_id":"beethoven-symphony-no-4-in-b-flat-major-op-60-symphony-no-7-in-a-major-op-92-live","title":"Kertész: Beethoven — Symphonies No. 4 \u0026 No. 7","description":"\u003cp\u003e\u003cstrong\u003eIstván Kertész\u003c\/strong\u003e conducts two symphonies by Ludwig van Beethoven in live recordings: \u003cstrong\u003eSymphony No. 4 in B-flat major, Op. 60\u003c\/strong\u003e with the \u003cstrong\u003eRAI Symphony Orchestra, Turin\u003c\/strong\u003e and \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e with the \u003cstrong\u003eJapan Philharmonic Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe Fourth Symphony highlights the flexible and luminous character of Beethoven’s writing, while the Seventh develops a more driving rhythmic tension. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51216050422107,"sku":"CS654-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs654-beethoven-symphonies-no-4-no-7-istvan-kertesz-capsa-symphonia-cover.png?v=1789153687"},{"product_id":"dvorak-symphony-no-6-op-60-b-112-beethoven-egmont-overture-op-84-live","title":"Kertész: Dvořák \u0026 Beethoven — Symphony No. 6 \u0026 Egmont Overture","description":"\u003cp\u003eTwo cornerstone works of the nineteenth-century orchestral repertoire come together in this live programme conducted by \u003cstrong\u003eIstván Kertész\u003c\/strong\u003e with the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e: \u003cstrong\u003eAntonín Dvořák’s Symphony No. 6 in D Major, Op. 60, B. 112\u003c\/strong\u003e and \u003cstrong\u003eLudwig van Beethoven’s Egmont Overture, Op. 84\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eDvořák’s Sixth combines symphonic momentum, lyrical breadth and a strong Bohemian rhythmic character. Kertész shapes the score with a natural sense of flow. Beethoven’s \u003cem\u003eEgmont\u003c\/em\u003e closes the programme with a concentrated theatrical profile.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe orchestra responds vividly to Kertész’s rhythmic conception and clarity of orchestral design.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as a digital download in \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Dvořák: Symphony No. 6 in D Major, Op. 60, B. 112: I. Allegro non tanto\u003cbr\u003e02 — II. Adagio\u003cbr\u003e03 — III. Scherzo. Presto\u003cbr\u003e04 — IV. Finale. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51216347136347,"sku":"CS657-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs657-beethoven-piano-concerto-no-3-schubert-symphony-no-8-kertesz-conrad-hansen-capsa-symphonia-cover.png?v=1789039931"},{"product_id":"groove-back-magazine-n-007-26","title":"GRooVE back Magazine No. 007\/26","description":"\u003cp\u003e\u003cstrong\u003eGRooVE back Magazine No. 007\/26\u003c\/strong\u003e tells the stories of Syd Barrett and Pink Floyd, Franco Battiato with Giusto Pio, Wilhelm Furtwängler interpreting Brahms, Sam Rivers, Beethoven and Miles Davis with \u003cem\u003eBitches Brew\u003c\/em\u003e, across music, audiophilia and Hi-Fi.\u003c\/p\u003e\u003ch2\u003eIn this issue\u003c\/h2\u003e\u003cp\u003eA journey from the visionary rock of Syd Barrett and Pink Floyd to the Battiato–Giusto Pio collaboration, from Furtwängler’s interpretive tradition to the jazz of Sam Rivers and Miles Davis, with a critical Beethoven discography and features on vinyl and Hi-Fi systems.\u003c\/p\u003e\u003ch2\u003eDownload album included\u003c\/h2\u003e\u003cp\u003eThis issue includes the \u003ca href=\"https:\/\/www.referencemusicstore.com\/it\/products\/sampler-2026-direct-sound-records\"\u003eDirect Sound Records Sampler 2026\u003c\/a\u003e as a download.\u003c\/p\u003e\u003ch2\u003eAvailable editions\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eprint magazine + digital edition + 1 album download\u003c\/strong\u003e, \u003cstrong\u003edigital magazine + 1 album download\u003c\/strong\u003e and a \u003cstrong\u003efree PDF preview\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eContents\u003c\/h2\u003e\u003cp\u003e5 — Editorial\u003cbr\u003e8 — Our CD: Direct Sound Records\u003cbr\u003e12 — Syd Barrett: rock’s “pure madman”\u003cbr\u003e20 — Syd Barrett and Pink Floyd\u003cbr\u003e26 — Franco Battiato \u0026 Giusto Pio: a magical collaboration\u003cbr\u003e34 — Smoked music, when tobacco becomes sound\u003cbr\u003e40 — Direct Sound Records, in the name of audiophilia\u003cbr\u003e44 — Wilhelm Furtwängler, the “guardian” of Brahms\u003cbr\u003e62 — The sonic multiverse of Sam Rivers\u003cbr\u003e70 — Ludwig van Beethoven: a critical discography\u003cbr\u003e76 — Around classical music\u003cbr\u003e82 — In the realm of jazz\u003cbr\u003e90 — Rock and beyond\u003cbr\u003e94 — Listening to Bitches Brew on vinyl, CD, tape and digital audio\u003cbr\u003e102 — Four autumn notes in a Venetian villa\u003cbr\u003e106 — Records \u0026 turntables (part three)\u003cbr\u003e114 — Stones Speakers loudspeakers\u003cbr\u003e118 — Luigi Bocca between Hi-Fi and professional music\u003cbr\u003e128 — A guide to Arturo Benedetti Michelangeli\u003c\/p\u003e\u003cp\u003e\u003cem\u003e«Get your groove back»\u003c\/em\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"PAPER MAGAZINE + DIGITAL + CD download","offer_id":52289513816411,"sku":"GBM-C00726","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"DIGITAL MAGAZINE + CD d\/load","offer_id":52289513849179,"sku":"GBM-D00726","price":3.5,"currency_code":"EUR","in_stock":true},{"title":"FREE PREVIEW (pdf)","offer_id":52289513881947,"sku":"GBM-D00726A","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/GrooveBackMagazine007digitalesingoleGRANDE_Pagina_001.png?v=1776180561"},{"product_id":"ludwig-van-beethoven-sonate-per-violino-e-pianoforte-n-2-3-4-accardo","title":"LUDWIG VAN BEETHOVEN: Sonate per violino e pianoforte n. 2, 3, 4 | Accardo","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eLUDWIG VAN BEETHOVEN\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eSonate per violino e pianoforte n. 2, 3, 4\u003c\/h1\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio, LP (+ File HD in omaggio), SACD\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSonata No. 2 for Violin and Piano in A major Op. 12\/2 *\u003cbr\u003e1. Allegro vivace 7’34”\u003cbr\u003e2. Andante più tosto Allegretto 6’09”\u003cbr\u003e3. Allegro piacevole 5’50”\u003c\/p\u003e\n\u003cp\u003eSonata No. 3 for Violin and Piano in E-flat major Op. 12\/3 **\u003cbr\u003e4. Allegro con spirito 9’14”\u003cbr\u003e5. Adagio con molt’espressione 7’19”\u003cbr\u003e6. Rondo. Allegro molto 4’40”\u003c\/p\u003e\n\u003cp\u003eSonata No. 4 for Violin and Piano in A minor Op. 23 *** \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e(NON NELLA VERSIONE LP!)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e7. Presto 8’12”\u003cbr\u003e8. Andante scherzoso, più Allegretto 9’03”\u003cbr\u003e9. Allegro molto 5’53”\u003c\/p\u003e\n\u003cp\u003eTotal Time 1h03’56”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/i9dsag9vnysna?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSalvatore Accardo Violin\u003cbr\u003eStefania Redaelli Piano*\u003cbr\u003eMaria Grazia Bellocchio Piano**\u003cbr\u003eLaura Manzini Piano***\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/  natural sound recording \/  HiFi Reference\u003c\/p\u003e\n\u003cp\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003cbr\u003eRecorded in “Sala dell’Ermellino” Casa della Musica, Milano\u003cbr\u003eRecording date November 10th, 2019 *\u003cbr\u003eRecording date November 23th - 24th, 2019 ***\u003cbr\u003eRecording date February 10th, 2020 **\u003cbr\u003eRecording assistant: Paola Liberato\u003cbr\u003eValve microphones: Neumann U47, U48\u003cbr\u003eMike pre-amplifiers, cables (line, digital, microphone, supply): Signoricci\u003cbr\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D and D\/A converters\u003cbr\u003ePhotos by Andrea Micheli\u003c\/p\u003e\n\u003cp\u003eThe Mastering for SuperAudioCD was made by Giulio Cesare Ricci using Signoricci’s analog and valve system.\u003c\/p\u003e\n\u003cp\u003eThanks to Micheli Associati for having granted the “Sala dell’Ermellino” Casa della Musica, Milan for the recording of this album.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eContinua la collaborazione discografica con il grande violinista Salvatore Accardo iniziata 30 anni fa. In questo progetto il Maestro Accardo interpreta magistralmente le Sonate per Violino e Piano n. 2, 3, 4 di Ludwig Van Beethoven con tre pianiste diverse: la Sonata n. 2 con Stefania Redaelli, la Sonata n. 3 con Maria Grazia Bellocchio e la Sonata n. 4 con Laura Manzini. Ho registrato questo album nella Sala dell'Ermellino - Casa della Musica a Milano in tre diversi momenti: il 10 novembre 2019 la Sonata n. 2, il  23 e 24 novembre 2019 la Sonata n. 4 e il 10 febbraio 2020 la Sonata n. 3\u003c\/p\u003e\n\u003cp\u003ePer questa prestigiosa incisione ho utilizzato i leggendari microfoni a valvole, originali Neumann U47, U48 degli anni 1947 e 1949 dalla timbrica naturalissima usando tecniche bimicrofoniche ad effetto di campo. Questi microfoni hanno una storia importante: sono infatti i microfoni originali utilizzati per registrare tra gli altri, le esecuzioni dei Beatles nello Studio di Abbey Road e dalla RCA per le registrazioni “Living Stereo”. Il suono che riesco a catturare con questi leggendari microfoni è perfettamente in linea con il mio gusto sonoro. Nessun altro microfono ha una timbrica così vera e la capicità di incidere tutte le nuances di suono e tutta la ricchezza degli armonici.\u003c\/p\u003e\n\u003cp\u003eL'unicità di questi microfoni è legata alla loro capacità di effettuare una perfetta \"fotografia sonora\" e di mettere la musica perfettamente collocata nello spazio sonoro scelto per la registrazione. Per il SACD ho utilizzato il formato DSD, su Pyramix utilizzando i convertitori dCS A\/D e D\/A DSD. Dal 1998 ad oggi incido in DSD 64 x 44.1  bit con workstations Signoricci ex Philips che montano programmi Pyramix, convertitori dCS analogico\/digitale 904 e convertitori dCS digitale\/analogico 954, tutto questo per realizzare al meglio i SACD fonè.\u003c\/p\u003e\n\u003cp\u003eUn sistema allo stato dell'arte senza alcuna manipolazione del suono, né equalizzazione, né riverbero, né compressione ed espansione... ma suono naturale con timbrica vera per esaltare al meglio l'acustica della Sala dell'Ermellino. fonè propone da quasi 40 anni delle incisioni realizzate all’insegna della ricercatezza tecnologica e miranti al recupero delle atmosfere musicali originali. La masterizzazione del SACD è stata da me realizzata utilizzando il sistema Signoricci, interamente analogico e valvolare. Il risultato di questa registrazione è fantastico.\u003c\/p\u003e\n\u003cp\u003eCon questa registrazione ho voluto far vivere all'ascoltatore un'esperienza unica. È come se l'ascoltatore fosse seduto su una poltrona posizionata nel punto ideale della Sala dell'Ermellino. In questa posizione il suono ha un effetto di campo e la sua profondità, larghezza e altezza sono molto apprezzabili. Grande dinamica e  grande precisione.\u003c\/p\u003e\n\u003cp\u003eÈ un album da non perdere\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003egiulio cesare ricci\u003c\/em\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":53639999193435,"sku":"LP158","price":60.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":53639999226203,"sku":"SACD224","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":53334982623579,"sku":"DSD224","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz · 24bit","offer_id":53334982656347,"sku":"HD224","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cover_sacd_224OK.jpg?v=1780847881"},{"product_id":"all-ombra-dei-giganti-la-direzione-d-orchestra-in-germania-e-in-austria-1900-1950","title":"All’ombra dei giganti — Conducting in Germany and Austria (1900–1950)","description":"\u003cp\u003e\u003cstrong\u003eAll’ombra dei giganti\u003c\/strong\u003e is a Capsa Symphōnĭa audio anthology devoted to the great German and Austrian conducting tradition, conceived in dialogue with Andrea Bedetti’s book of the same title and the listening guide in \u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e. The title reflects the historical scope of the book; the recorded selection also includes later material for some of the conductors represented.\u003c\/p\u003e\u003ch2\u003eTen interpreters, ten documents of orchestral conducting\u003c\/h2\u003e\u003cp\u003eThe collection brings together Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard and Hermann Scherchen in music by Beethoven, Bruckner, Mozart, Wagner, Brahms, Tchaikovsky and Bach. The recordings span different schools, periods and recording practices, from studio and 78 rpm sessions to radio and live recordings.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBeethoven’s Fifth conducted by Weingartner with the London Philharmonic Orchestra was recorded between 31 January and 2 February 1933 at Abbey Road Studio 1; Furtwängler’s Bruckner Ninth with the Berliner Philharmoniker was made for radio in Berlin’s Beethovensaal in autumn 1944 rather than as a public concert; Mozart’s \u003cem\u003eJupiter\u003c\/em\u003e under Bruno Walter with the Wiener Philharmoniker dates from January 1938; Klemperer’s \u003cem\u003eEroica\u003c\/em\u003e with the Philharmonia Orchestra was recorded at Kingsway Hall in 1955; Knappertsbusch’s 1962 \u003cem\u003eParsifal\u003c\/em\u003e from the Bayreuth Festival was captured live.\u003c\/p\u003e\u003cp\u003eOswald Kabasta’s Bruckner Fourth with the Münchner Philharmoniker is a radio recording from 30 June 1943 preserved from RRG tapes. Hermann Abendroth’s Brahms Fourth with the Leipzig radio orchestra dates from 15 April 1956; Carl Schuricht’s Beethoven Ninth with the Orchestre de la Société des Concerts du Conservatoire was recorded at Salle Wagram in Paris in 1958.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eThis digital edition, code \u003cstrong\u003eCS001\u003c\/strong\u003e, is available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e. The file is PCM 44.1kHz • 16bit and is not a Hi-Res format.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003col\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 5 in C minor, Op. 67: Allegro con brio [08:09] — Felix Weingartner, London Philharmonic Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 9 in D minor: Scherzo. Bewegt, lebhaft – Trio. Schnell [09:31] — Wilhelm Furtwängler, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e — Symphony No. 41 in C major, K. 551 “Jupiter”: Molto allegro [06:35] — Bruno Walter, Wiener Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 3 in E-flat major, Op. 55 “Eroica”: Marcia funebre [14:43] — Otto Klemperer, Philharmonia Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eRichard Wagner\u003c\/strong\u003e — \u003cem\u003eParsifal\u003c\/em\u003e, WWV 111: Vorspiel, Act I [12:00] — Hans Knappertsbusch, Bayreuther Festspielorchester.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 4 in E-flat major, WAB 104 “Romantische”: Bewegt, nicht zu schnell [16:02] — Oswald Kabasta, Münchner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e — Symphony No. 4 in E minor, Op. 98: Allegro energico e passionato [10:20] — Hermann Abendroth, Rundfunk-Sinfonieorchester Leipzig.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 9 in D minor, Op. 125 “Choral”: Molto vivace [11:18] — Carl Schuricht, Orchestre de la Société des Concerts du Conservatoire.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e — \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, Overture-Fantasia [22:30] — Leo Borchard, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e — Brandenburg Concerto No. 3 in G major, BWV 1048 [15:08] — Hermann Scherchen, Orchester der Wiener Staatsoper.\u003c\/li\u003e\u003c\/ol\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductors:\u003c\/strong\u003e Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard, Hermann Scherchen.\u003cbr\u003e\u003cstrong\u003eDigital edition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS001\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003elistening guide\u003c\/strong\u003e connected with this anthology is available in \u003ca href=\"\/collections\/groove-back-magazine\"\u003e\u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e\u003c\/a\u003e. Andrea Bedetti’s book \u003cem\u003eAll’ombra dei giganti. La direzione d’orchestra in Germania e in Austria (1900–1950)\u003c\/em\u003e, the first volume in the GRooVE back Parallel series, is also available on the website.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":53589920153947,"sku":"CS001-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs001-all-ombra-dei-giganti-grandi-direttori-capsa-symphonia-cover.png?v=1789047386"},{"product_id":"beethoven-sonatas-for-violin-and-piano-n-4-e-n-8-accardo-manzini","title":"BEETHOVEN, SONATAS FOR VIOLIN AND PIANO N. 4 E N. 8 | Accardo, Manzini","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eLUDWIG VAN BEETHOVEN\u003c\/h1\u003e\n\u003ch2\u003eSonatas for Violin and Piano n. 4  e n. 8\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSalvatore Accardo\u003c\/strong\u003e\u003cspan\u003e violin\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLaura Manzini\u003c\/strong\u003e\u003cspan\u003e piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cp\u003eSonata n. 4 for Violin and Piano in la min. Op. 23\u003cbr\u003ePresto                                                                 8'13\"\u003cbr\u003eAndante scherzoso - più Allegretto                    9'04\"\u003cbr\u003eAllegro molto                                                      5'54\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 23'11\"\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003eSonata n. 8 for Violin and Piano in sol magg. Op. 30\u003cbr\u003eAllegro assai                                                       6'55\"\u003cbr\u003eTempo di Minuetto                                              9'19\"\u003cbr\u003eAllegro vivace                                                     3'49\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 20'03\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003cbr\u003eRegistrato presso la “Sala dell’Ermellino” Casa della Musica, Milano\u003cbr\u003eData di registrazione 23-24 novembre 2019\u003cbr\u003eAssistente alla registrazione: Paola Liberato\u003cbr\u003eValve microphones: Neumann U47, U48\u003cbr\u003eMike pre-amplifiers, cables (line, microphone, supply): Signoricci\u003cbr\u003eFoto a cura di Paola Liberato\u003c\/p\u003e\n\u003cp\u003eIl Master è stato realizzato con l'Ampex ATR 102 (Electronic Tube Ampex Model 351 - 1965) 2 tracce, 1\/2 inch 30ips modificato da David Manley.\u003cbr\u003eLa Masterizzazione per Vinile è stato realizzata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare.\u003c\/p\u003e\n\u003cp\u003eSi ringrazia Micheli Associati per aver concesso la Casa della Musica \"Sala dell'Ermellino\" di Milano per la registrazione di questo album.\u003c\/p\u003e\n\u003cp\u003eContinua la collaborazione discografica con il grande violinista Salvatore Accardo, iniziata 30 anni fa. In questo progetto il Maestro Accardo interpreta magistralmente le Sonate per violino e piano n. 4 e n. 8 di Ludwig Van Beethoven con la pianist Laura Manzini.\u003c\/p\u003e\n\u003cp\u003eGiulio Cesare ricci ha registrato questo album nella Sala dell'Ermellino - Casa della Musica di Milano il 23-23 novembre 2019. Per questa registrazione ha portato tutta la sua attrezzatura sia analogica (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracce, 1\/2 pollice, 30ips modificata da David Manley) che digitale (Pyramix Recorder, dCS A\/D e D\/A convertitori). Per questa prestigiosa registrazione ha utilizzato i leggendari microfoni valvolari originali Neumann U47, U48 degli anni 1947 e 1949 con un tono molto naturale utilizzando tecniche di bi-microfono ad effetto di campo. Questi microfoni hanno una storia importante: sono infatti i microfoni originali utilizzati per registrare, tra le altre, le esibizioni dei Beatles negli Abbey Road Studio e dalla RCA per le registrazioni di “Living Stereo”. Il suono che Giulio Cesare Ricci riesce a catturare con questi leggendari microfoni è perfettamente in linea con i suoi gusti sonori. Nessun altro microfono ha un timbro così vero e la capacità di incidere tutte le sfumature del suono e tutta la ricchezza degli armonici. L'unicità di questi microfoni è legata alla loro capacità di realizzare una perfetta \"fotografia sonora\" e di collocare la musica perfettamente collocata nello spazio sonoro scelto per la registrazione. Un impianto all'avanguardia senza manipolazione del suono, nessuna equalizzazione, nessun riverbero, nessuna compressione ed espansione... ma un suono naturale e timbrico vero per esaltare al meglio l'acustica della Sala dell'Ermellino. fonè propone da 40 anni registrazioni realizzate all'insegna della raffinatezza tecnologica e volte al recupero delle atmosfere musicali originarie. Il risultato di questa registrazione è fantastico. Con questa registrazione ho voluto regalare all'ascoltatore un'esperienza unica. È come se l'ascoltatore fosse seduto su una poltrona posizionata nel punto ideale della Sala dell'Ermellino. In questa posizione il suono ha un effetto di campo e la sua profondità, larghezza e altezza sono molto apprezzabili. Grande dinamica e grande precisione.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":53647572140379,"sku":"LP159","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ludwig-van-beethoven-sonatas-for-violin-and-piano-n-4-e-n-8-salvatore-accardo-laura-manzini-vinile.jpg?v=1784835161"},{"product_id":"i-violini-di-cremona-omaggio-a-kreisler-accardo-manzini","title":"I VIOLINI DI CREMONA, OMAGGIO A KREISLER | Accardo, Manzini","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eI VIOLINI DI CREMONA \u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eOmaggio a Kreisler\u003c\/h1\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio, SACD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Carlo IX\" di A. Amati (1566)\u003c\/p\u003e\n\u003cp\u003e1. Praeludium und Allegro nello stile di \/ in the style of Pugnani 5'10\"\u003cbr\u003e2. Menuett nello stile di \/ in the style of Porpora 4'05\"\u003cbr\u003e3. Tambourin nello stile di \/ in the style of Leclair 2'25\"\u003c\/p\u003e\n\u003cp\u003e\"Hammerle\" di N. Amati (1658)\u003c\/p\u003e\n\u003cp\u003e4. Rondino su un tema di \/ based on a theme by Beethoven 2'33\"\u003cbr\u003e5. Melodie  Gluck arr. Kreisler  3'14\"\u003cbr\u003e6. Allegretto nello stile di \/ in the style of Boccherini  3'21\"\u003c\/p\u003e\n\u003cp\u003e\"Quarestani\" di G. Guarneri (1689)\u003c\/p\u003e\n\u003cp\u003e7. Hindu - Lied Rimskij Korsakov da \/ from \"Sadko\"  3'26\"\u003cbr\u003e8. Mazurka La minore - A minor  Chopin Op.67, n. 4 arr. Kreisler  3'32\"\u003c\/p\u003e\n\u003cp\u003e\"G. Guarneri detto del Gesù\" (1734)\u003c\/p\u003e\n\u003cp\u003e9. La Gitana  3'17\"\u003cbr\u003e10. Impromptu Schubert Op. 90 n. 3 arr. Kreisler 5'29\"\u003cbr\u003e11. Liebesfreud \"Cremonese\" di A. Stradivari (1715) 3'19\"\u003c\/p\u003e\n\u003cp\u003e\"Cremonese\" di A. Stradivari (1715)\u003c\/p\u003e\n\u003cp\u003e12. Tambourin Chinois  3'45\"\u003cbr\u003e13. Cavatina  4'01\"\u003cbr\u003e14. Schon Rosmarin  1'51\"\u003cbr\u003e15. Songs my mother taught me Dvorak Op. 55 n.4 da \/ from \"Gipsy Melodies\" 3'02\"\u003cbr\u003e16. Hungarian Dance Brahms arr. Kreisler 3'48\"\u003cbr\u003e17. Hymne an die Sonne Rimskij Korsakov da \/ from \"Le coq d'or\" 5'08\"     \u003cbr\u003e18. Malaguena Albeniz Op. 165 n. 3 arr. Kreisler 3'55\"\u003cbr\u003e19. Liebesleid  3'33\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 1h08'00\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/8012871000357?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl progetto I VIOLINI DI CREMONA Salvatore Accardo è ascoltabile in due SACD diversi: SACD 003 e SACD 030. Questo album è il SACD 003 ideato, registrato e prodotto da Giulio Cesare Ricci presso la \"Sala Musica - Palazzo Cavalcabò\" di Cremona il 6, 7, 8 novembre 1993. Con questa registrazione Giulio Cesare Ricci inizia la collaborazione con il grande violinista Salvatore Accardo, collaborazione che dura da 30 anni. Ne \"I violini di Cremona\" Salvatore Accardo dà nuova vita e voce a cinque gioielli della liuteria storica cremonese: \"Carlo IX\" di Andrea Amati, \"Hammerle\" di Niccolò Amati,  \"Quarestani\" di Giuseppe Guarneri,  \"Cremonese\" di Antonio Stradivari,  \"Giuseppe Guarneri detto del Gesù\". Musiche di Fritz Kreisler per violino e pianoforte: il Maestro Salvatore Accardo è accompagnato al piano dalla pianista Laura Manzini. La scelta di questa location è stata dettata dalla sua meravigliosa acustica che ha permesso di ottenere un risultato eccezionale. Per questa registrazione Giulio Cesare Ricci ha utilizzato i microfoni valvolari originali Neumann U47 e M49 e tutta la sua attrezzatura: preamplificatori microfonici avanzati Nagra, registratori analogici a nastro Nagra 4s, cavi di linea, microfonici e di alimentazione Signoricci. Il master analogico originale è stato trasferito da Nagra 4s direttamente a DSD. Con questa registrazione, Giulio Cesare Ricci ha voluto che l'ascoltatore vivesse un'esperienza unica. E' come se fosse seduto in una poltrona, nella posizione ideale della \"Sala Musica - Palazzo Cavalcabò\" . In questa posizione si apprezzano profondità, ampiezza e altezza del suono. Un album da non perdere!\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":54045148447067,"sku":"SACD003","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"DSD 64","offer_id":54045088973147,"sku":"DSD003","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz · 24bit","offer_id":54045089005915,"sku":"HD003","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8012871000357.jpg?v=1789310790"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/ludwig-van-beethoven.oembed?page=3","provider":"Reference Music Store","version":"1.0","type":"link"}