{"title":"Luca Lucchetta","description":"\u003cp\u003eBrowse albums and recordings associated with Luca Lucchetta in the Reference Music Store catalogue. Available editions and details on each product page.\u003c\/p\u003e","products":[{"product_id":"nino-rota-lucchetta-martignoni-sfriso","title":"Nino Rota | Luca Lucchetta, Francesco Martignoni, Giovanni Sfriso","description":"\u003cp\u003e\u003cstrong\u003eNino Rota\u003c\/strong\u003e. Nino Rota’s Trio, Allegro danzante, Sonata in D and Lo spiritismo nella vecchia casa, for clarinet, cello and piano.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eGOLD CD — CVLD379GOLDCD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD379\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eLuca Lucchetta — clarinet\u003cbr\u003eFrancesco Martignoni — cello\u003cbr\u003eGiovanni Sfriso — piano\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal 88.2 kHz · 24-bit digital recording at Magister Recording Area, Preganziol, on 27, 28 and 29 May 2024. Analogue mix and mastering at MLStudio, Náquera, Spain, on 5 June 2024.\u003c\/p\u003e\u003cp\u003eProduction: Marco Lincetto \/ Velut Luna\u003cbr\u003eRecording: Andrea Valfrè, Marco Lincetto\u003cbr\u003eMix and mastering: Marco Lincetto\u003cbr\u003eCover and layout: L’Image\u003cbr\u003eAD and distribution: Reference Music Store\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003eTrio per clarinetto, violoncello e pianoforte (1973)\u003cbr\u003e1 - Allegro 5:36\u003cbr\u003e2 - Andante 4:25\u003cbr\u003e3 - Allegrissimo 4:50\u003cbr\u003e4 - Allegro danzante per clarinetto e pianoforte (1977) 3:22\u003cbr\u003eSonata in re per clarinetto e pianoforte (1945)\u003cbr\u003e5 - Allegretto scorrevole 5:04\u003cbr\u003e6 - Andante ( quasi adagio ) 3:59\u003cbr\u003e7 - Allegro scorrevole 4:34\u003cbr\u003eLo spiritismo nella vecchia casa per clarinetto solo ( copia manoscritto ) (1950)\u003cbr\u003e8 - Sei variazioni 7:11\u003cbr\u003e9 - Tre suggestioni 4:17\u003cbr\u003etotal time: 43:26\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cdiv\u003e\n\n \u003cstrong\u003eNINO ROTA 1911 - 1979\u003c\/strong\u003e \u003cbr\u003eAmong the four chamber music compositions brought together on this disc, as if to mark certain moments in the rich compositional journey, the one for solo clarinet dating back to 1950 offers a singular suggestion that leads us, as if through an enigmatic shortcut, to touch upon an aspect of the character: just for that title, “Spiritism in the Old House” – that of a comedy by Ugo Betti for which Rota had written the incidental music – which seems to suggest a particular air behind the more common, casual image, the one that Andrea Zanzotto had summarized as \"a shining making\", a sign of gratitude towards the musician thanks to whom he said he had rediscovered \"like an elf, that timeless, gentle 'deus' that is inherent in the music itself\"; with that soothing familiarity, too, that led the great poet to recognize that \"with Rota's music one often feels like saying: but I've already heard this motif\". \u003cbr\u003eA satisfaction that doesn't dispel that slightly strange feeling one feels every time one listens to it, as if strange ghosts were lurking behind that naturalness; those that had enchanted Fellini while working with the musician: \"Nino becomes an instrument, and one has the somewhat ridiculous illusion of composing the soundtrack, so much so that Nino fits in with total precision, so much so that he becomes the music needed at that moment...\" \u003cbr\u003eAnd it is precisely this naturalness that seems to be shrouded in a certain ambiguity, narrowing the composer's image to a pure, happy instinct, which was certainly Rota's innate and highly distinctive gift, but which actually implied an equally extraordinary awareness and ability to navigate the linguistic Babel of the twentieth century, as evidenced by the breadth of his output, which grew outside of his cinematic experience. He was, moreover, unaffected by genre or hierarchies, as he himself acknowledged: \"I don't believe in class or level differences in music. In my opinion, the definitions of light, semi-light, and serious music are fictitious. Offenbach's scores, now approaching 150 years old, may be as light as you like, but with a lightness that endures over time and has a formidable vitality...\" \u003cbr\u003eLike one liberated by its own unmistakable language, clear, captivating, and yet with a hint of bitterness hidden within the folds of that exemplary clarity of writing. To speak of an unmistakability that is also indefinable for those who need cataloguing certainties, for what they count today, increasingly eroded, denied, confused.\u003cbr\u003e On the twentieth anniversary of Rota's death, at a conference held by the Cini Foundation, which currently holds the composer's entire legacy, one of the themes that emerged was that of \"candor\" as a category within which to place the lyrical vocation of a musician like Rota, apparently so detached from so-called \"modernity\"; a theme which, far from being a tranquil escape to the Elysium, is in fact no less disturbing. \u003cbr\u003eFellini, who like few others closely touched Rota's enigmatic aura, spoke of a \"sensitive\" musician, later denouncing the carelessness that followed his death as \"enchanted.\" Andrea Zanzotto, another keen observer, suggested that the term candor could imply its opposite, even \"the ominous pallor of death,\" which is certainly not the case with Rota. Yet it serves as an element of alternation to create a play of perspective that is both alluring and subtly insidious, precisely because of the tone of his delivery, whose naturalness, the undoubted fruit of an unquestionable musical talent, is imbued with acute interferences, sometimes overt but also more subtle, which cannot fail to resonate problematically against a backdrop like that of the twentieth century and beyond, dominated by the \"negative.\"\u003cbr\u003e Is Rota's voice truly angelic and candid, we might naturally ask?\u003cbr\u003e \u003cstrong\u003eGian Paolo Minardi\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eThe clarinet for which Rota wrote \"Spiritismo della vecchia casa\" was a different instrument from those in use today. It had an elongated lower body and an additional key, which allowed it to extend its range by a semitone toward the low end. It was very popular in Italy at the time. \u003cbr\u003eThe modern edition of the composition was transposed for practical purposes, to allow the piece to be performed on instruments currently in use. However, this lost the depth of sound in the lower notes that Rota undoubtedly drew inspiration from to enhance the evocative quality of his composition. This recording, based on the manuscript preserved in the library of the Giorgio Cini Foundation in Venice (kindly made available for consultation) and featuring the notes actually written by Rota, was made possible thanks to the instrument provided by Buffet \u0026amp; Crampon of Paris, a BCXXI, which is equipped with the mechanism necessary to provide us with this precious testimony.\u003c\/div\u003e\u003cp\u003e \u003cstrong\u003eLuca Lucchetta\u003c\/strong\u003e\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe width=\"480\" src=\"https:\/\/referencemusicstore.disco.ac\/e\/p\/18483089?download=false\u0026amp;s=zcJ7noPrQF2gYxiKNCo6POo7RQU%3AxlE6Vii9\u0026amp;artwork=true\u0026amp;color=%2332B57C\u0026amp;theme=white\" name=\"disco-playlist-18483089\" id=\"disco-playlist-18483089\" height=\"395\" class=\"disco-embed\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"GOLD CD","offer_id":49969598726491,"sku":"CVLD379GOLDCD","price":21.9,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49085038461275,"sku":"CVLD379","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_5c9dc85c-5f4f-4c71-a126-d67c38ddc876.jpg?v=1727261077"},{"product_id":"clarinamente-lucchetta-clarino-ensemble","title":"Clarinamente | Clarino Ensemble, Luca Lucchetta","description":"\u003cp\u003e\u003cstrong\u003eClarinamente\u003c\/strong\u003e. Six works for clarinet orchestra, with Clarino Ensemble conducted by Luca Lucchetta.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eHi-Res WAV file 96kHz · 24bit — CVLD037\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eClarino Ensemble — clarinet orchestra\u003cbr\u003eLuca Lucchetta — conductor\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003e96 kHz · 24-bit digital recording at Collegio Marconi, Portogruaro, between December 1999 and March 2000, in studio sessions.\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e01 - Ottorino Respighi - Gli uccelli\u003cbr\u003e02 - Luigi Bassi - Gran Duetto sopra i motivi de-La Sonnambula\u003cbr\u003e03 - Ruggero Leoncavallo - Fantasia dall' opera-Pagliacci\u003cbr\u003e04 - Amilcare Ponchielli - Il convegno\u003cbr\u003e05 - Mario Pagotto - Ironich March\u003cbr\u003e06 - Donato Lovreglio - Fantasia da concerto su motivi de-La Traviata\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Clarinamente\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"File Hi-Res 96kHz · 24bit WAV","offer_id":49707878089051,"sku":"CVLD037","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/037-cover.jpg?v=1734394263"},{"product_id":"w-a-mozart-wind-concerts-lucchetta-folena-voltan","title":"Mozart: Wind Concerts | Lucchetta, Folena, Voltan","description":"\u003cp\u003eMozart: Concertos K 622, K 314 and K 191 with Luca Lucchetta, Mario Folena and Aligi Voltan. Live recordings from 2006 and 2004.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD292CD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD292\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eLuca Lucchetta — clarinet; Mario Folena — flute; Aligi Voltan — bassoon; Orchestra di Padova e del Veneto, Zsolt Hamar — conductor (K 622, K 314); I Solisti dell’Olimpico, Giovanni Battista Rigon — conductor (K 191).\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eLive recordings: K 622, K 314 — Teatro Verdi, Padova, 2006-10-04; K 191 — Teatro Olimpico, Vicenza, 2004-06-12.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eProduction: Velut Luna\u003c\/li\u003e\n\u003cli\u003eExecutive producer: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eRecording, mix and mastering: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003ePhotos: Marco Lincetto\u003c\/li\u003e\n\u003cli\u003eDesign and layout: L’Image\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003ch4\u003eConcerto in A Major K 622 for Clarinet and Orchestra\u003c\/h4\u003e\u003col\u003e\u003cli\u003eAllegro — 11:42\u003c\/li\u003e\u003cli\u003eAdagio — 6:48\u003c\/li\u003e\u003cli\u003eRondo (Allegro) — 8:39\u003c\/li\u003e\u003c\/ol\u003e\u003ch4\u003eConcerto No. 2 in D Major K 314 for Flute and Orchestra\u003c\/h4\u003e\u003col start=\"4\"\u003e\u003cli\u003eAllegro aperto — 7:04\u003c\/li\u003e\u003cli\u003eAndante ma non troppo — 6:22\u003c\/li\u003e\u003cli\u003eAllegro — 5:45\u003c\/li\u003e\u003c\/ol\u003e\u003ch4\u003eConcerto in B-Flat Major K 191 for Bassoon and Orchestra\u003c\/h4\u003e\u003col start=\"7\"\u003e\u003cli\u003eAllegro — 6:37\u003c\/li\u003e\u003cli\u003eAndante ma adagio — 6:00\u003c\/li\u003e\u003cli\u003eRondo (Tempo di minuetto) — 4:47\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e63:48\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003eThree wind concertos by Wolfgang Amadeus Mozart, performed by three Italian soloists with two chamber orchestras. Recorded in stereo with two microphones, directly to a digital Hi-Res master during the concerts.\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Wolfgang-Amadeus-Mozart-Wind-Concerts\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000724918619,"sku":"CVLD292CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49918087463259,"sku":"CVLD292","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_2824f6f3-c50c-49fd-b8b2-60462f297541.jpg?v=1737235463"},{"product_id":"audiophile-musical-journey","title":"Audiophile Musical Journey","description":"\u003cp\u003e17 tracks spanning classical music, jazz and song in the Velut Luna sampler. CD and 88.2 kHz · 24bit file; programme and performers.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cp\u003eCD and Hi-Res WAV file, 88.2 kHz · 24bit. Velut Luna CVLD306.\u003c\/p\u003e\u003ch3\u003eProgramme\u003c\/h3\u003e\u003cp\u003eBenjamin Britten \u003cbr\u003eSimple Symphony op.4\u003cbr\u003e01 - Boisterous Bouree, 3:10\u003cbr\u003e02 - Playful Pizzicato, 3:11\u003cbr\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon, conductor\u003cbr\u003eLive recording: Teatro Olimpico, Vicenza, June 7th, 2003\u003cbr\u003eVelut Luna CVLD090 - ITW310409002  -03\u003c\/p\u003e\u003cp\u003eFelix Mendelssohn-Bartholdy\u003cbr\u003e03 - A Midsummer Night’s Dream, Op.21, Overture, finale, 3:15\u003cbr\u003eOrchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording: Auditorium Pollini, Padova, April 19th, 2007\u003cbr\u003eITW311799901\u003c\/p\u003e\u003cp\u003eWolfgang Amadeus Mozart\u003cbr\u003eConcert in A Major K622 for Clarinet and Orchestra\u003cbr\u003e04 - Allegro [fragment], 4:08\u003cbr\u003eLuca Lucchetta, clarinet, Orchestra di Padova e del Veneto, Zsolt Hamar, conductor\u003cbr\u003eLive recording: Teatro Verdi, Padova, October 4th, 2004\u003cbr\u003eVelut Luna CVLD292 - ITW311729201  \u003c\/p\u003e\u003cp\u003e05 - Era de' Maggio (M.Costa - S.Di Giacomo) 5:30\u003cbr\u003eRosella Caporale, voice\u003cbr\u003eOrchestra C.Pollini del Conservatorio di Padova, Giuliano Medeossi, conductor\u003cbr\u003eStudio recording: Auditorium Pollini, Padova, May, 2015\u003cbr\u003eVelut Luna CVLD265 - ITW311526508\u003c\/p\u003e\u003cp\u003eFranz Schubert\u003cbr\u003e06 - Sonata in A major D959: Andantino, 8:05\u003cbr\u003eChiara Bertoglio, grand piano\u003cbr\u003eLive-in-studio recording: Spazio d'Arte, San Giacomo, November 29th, 2014\u003cbr\u003eITW311526407\u003c\/p\u003e\u003cp\u003e07 - Albori (S.Tasca) 5:44\u003cbr\u003eSaverio Tasca \u0026amp; AlterArco\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, July, 2015\u003cbr\u003eVelut Luna CVLD269 - ITW311526901\u003c\/p\u003e\u003cp\u003e08 - At The Jazz Band Ball (L.Shields) 3:38\u003cbr\u003eStoryville Jazz Band\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, July, 26th, 2006\u003cbr\u003eVelut Luna CVLD145 - ITW310614501\u003c\/p\u003e\u003cp\u003e09 - Vertigo (M.Salvagnini) 4:34\u003cbr\u003eMassimo Salvagnini Quartet\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, November, 11th, 2006\u003cbr\u003eVelut Luna CVLD153 - ITW310715305\u003c\/p\u003e\u003cp\u003e10 - Birdland (J.Zawinul) 5:19\u003cbr\u003eArt Percussion Ensemble, Massimo Pastore conductor\u003cbr\u003eStudio recording: Auditorium Pollini, Padova, October 2010\u003cbr\u003eVelut Luna CVLD196 - ITW311119604\u003c\/p\u003e\u003cp\u003e11 - Toni Nokia (D.B.Soto Chero) 6:31\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003eITW311323908\u003c\/p\u003e\u003cp\u003e12 - Tears (M.Strano - P.Casula) 5:17\u003cbr\u003ePaola Casula\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, March, 16th, 2006\u003cbr\u003eVelut Luna CVLD139 - ITW310613910\u003c\/p\u003e\u003cp\u003e13 - So in love (C.Porter) 4:06\u003cbr\u003eLucia Minetti, Pietro Ballestrero \u0026amp; Stefano Profeta\u003cbr\u003eLive-in-studio recording: MagisterArea Studios, Preganziol, September, 23rd, 2017\u003cbr\u003eVelut Luna CVLD294 - ITW311729404\u003c\/p\u003e\u003cp\u003e14 - Contigo en la distancia (Cesar Portillo de la Luz) 3:57\u003cbr\u003eAlejandro Martinez y Nina y Villa el Salvador\u003cbr\u003eStudio recording: Studio A, Padova, June 2015\u003cbr\u003eVelut Luna CVLD266 - ITW311526601\u003c\/p\u003e\u003cp\u003e15 - Vedrai, Vedrai (L.Tenco) 4:36\u003cbr\u003eNinni Arini\u003cbr\u003eStudio recording: Cantina Martinez, Marsala, January 27th, 2017\u003cbr\u003eVelut Luna CVLD286 - ITW311728604\u003c\/p\u003e\u003cp\u003e16 - Nia, nia, nia \/ Rodrigo Martines (Anonymous XVI sec.) 4:34\u003cbr\u003eEnsemble Terra d'Otranto\u003cbr\u003eStudio recording: Masseria Torcito, Lecce, october, 3rd, 2003\u003cbr\u003eITW311799902\u003c\/p\u003e\u003cp\u003e17 - Reso (D.B.Soto Chero) 3:08\u003cbr\u003eDavid Beltran Soto Chero Ensemble\u003cbr\u003eStudio recording: MagisterArea Studios, Preganziol, March, 19th, 2013\u003cbr\u003eITW311323913\u003cbr\u003eTotal time: 78:55\u003c\/p\u003e\u003ch3\u003eListening notes\u003c\/h3\u003e\u003cp\u003eThe sampler compares genres, ensembles and recording spaces. The edition’s listening guide describes the reference used in production: differences heard at home do not by themselves amount to a negative judgement on a system. These observations offer a comparison that remains subject to the listener’s own preferences.\u003c\/p\u003e\u003ch3\u003eReference system\u003c\/h3\u003e\u003cp\u003eNORTH STAR DESIGN Meccanica 192 + DAC SUPREMO; NORMA SC-2; GENELEC 1037C (L\/R) + GENELEC 7070; WHITE GOLD I2S (Meccanica → DAC); VELUT LUNA WIRE (DAC → pre → speakers), balanced cables built to Velut Luna specifications.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eExplore the Velut Luna catalogue\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49923124658523,"sku":"CVLD306","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":49995392450907,"sku":"CVLD306CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d664fb59-e487-4c9d-a58c-c42d66b4203d.jpg?v=1737330742"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/luca-lucchetta.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}