{"title":"Johannes Brahms","description":"\u003cp\u003eThe collection dedicated to \u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e brings together selected recordings from the symphonic, concertante, chamber and vocal repertoire available in the RMS catalogue, with conductors and performers from different generations.\u003c\/p\u003e\u003ch3\u003eBrahms at Reference Music Store\u003c\/h3\u003e\u003cp\u003eExplore the available editions and continue through \u003ca href=\"\/collections\/musica-classica\"\u003eClassical Music\u003c\/a\u003e, the \u003ca href=\"\/collections\/compositori\"\u003eComposers\u003c\/a\u003e index and the \u003ca href=\"\/collections\/capsa-symphonia\"\u003eCapsa Symphōnĭa\u003c\/a\u003e catalogue.\u003c\/p\u003e","products":[{"product_id":"cello-sonatas-luca-giovannini-leonora-armellini","title":"Brahms: Cello Sonatas | Giovannini, Armellini","description":"\u003cp\u003e\u003cstrong\u003eCello Sonatas\u003c\/strong\u003e features Luca Giovannini and Leonora Armellini in Johannes Brahms’s two Sonatas for cello and piano: Op. 38 in E minor and Op. 99 in F major.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD327CD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD327\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eLuca Giovannini — cello\u003cbr\u003eLeonora Armellini — piano\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal 88.2 kHz · 24-bit recording at Magister Recording Area, Preganziol, Italy, on 12 July 2020. Leonora Armellini plays a Steinway \u0026amp; Sons D274, tuned and prepared by Silvano Zanta.\u003c\/p\u003e\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical production and editing: Michele Sartor\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L’Image\u003cbr\u003eText: Myriam Guglielmo\u003cbr\u003ePhotography: Marco Lincetto\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003eCello Sonata N.1 in E Minor Op. 38\u003cbr\u003e1 - Allegro non troppo  14:34\u003cbr\u003e2 - Allegretto quasi minuetto  5:50\u003cbr\u003e3 - Allegro  6:39\u003c\/p\u003e\u003cp\u003eCello Sonata N.2 in F Major, Op. 99\u003cbr\u003e4 - Allegro Vivace  9:06\u003cbr\u003e5 - Adagio affettuoso  6:37\u003cbr\u003e6 - Allegro appassionato  7:43\u003cbr\u003e7 - Allegro molto  4:50\u003c\/p\u003e\u003cp\u003etotal time:  55:24\u003c\/p\u003e\u003ch3\u003eCritical notes\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e and the cellists of Sonatas Op. 38 and Op. 99: a photographic retrospective.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAmong the complex array of chamber music pieces in Brahms's catalogue, the two Sonatas for piano and cello (a designation that, by the composer's wish, emphasizes the equal nature of the instruments involved) are traditionally considered cornerstones of the repertoire dedicated to this formation. Their notoriety, due to successful reception and continuous performance that we still witness today, should not prevent the listener and interpreter from having an overview of the two Sonatas, which is often neglected in favor of a mere chronological and compositional comparison. Although twenty-four years elapsed between the writing of the first two movements of the Sonata in E minor Op. 38 and the publication of the Sonata in F major Op. 99, the interest in cello writing, fueled by the presence of key figures in the composer's circle, can be considered common to both periods.\u003cbr\u003eIn a photograph dated May 7, 1894, we find Brahms, on his sixty-first birthday, surrounded by friends and colleagues at the home of the von Miller zu Aichholz family (Gesellschaft der Musikfreunde archive, Vienna). Among the guests, besides Ignaz Brüll, Anton Door, Julius Epstein, Eusebius Mandyczewski, Gustav Walter, Eduard Hanslick, and Richard Mühlfeld, are the dedicatees of the two Sonatas for piano and cello: Josef Gänsbacher and Robert Hausmann. - Myriam Guglielmo\u003c\/p\u003e\u003ch3\u003eBiographies\u003c\/h3\u003e\u003ch4\u003eLuca Giovannini\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLuca Giovannini,\u003c\/em\u003e\u003c\/strong\u003e born in Rovigo in 2000, attended the \"Francesco Venezze\" Conservatory in Rovigo with M° L. Simoncini and graduated at 17 with honors and a special mention. He enriched his studies by attending the \"R. Romanini\" Academy in Brescia, where he studied with G. Sollima and later with G. Capuçon at the \"Classe d'excellence\" of the Louis Vuitton Foundation. From a very young age, Luca distinguished himself in numerous competitions, among the most prestigious being the first prize in 2018 at the J. Brahms competition in Pörtschach, Austria, becoming the first Italian to win it, in 2016 the third prize at the \"Schönefeld\" competition in China, and the National Arts Award 2020.\u003cbr\u003eHe has had the opportunity to play for the most illustrious names in the music world, such as G. Kremer, A. Schiff, N. Gutman, E. Dindo, M. Brunello, B. Canino, D. Rossi, and many others, gaining different perspectives and highly stimulating insights.\u003cbr\u003eHe has performed in numerous countries and important theaters such as the Suntory Hall in Tokyo, Carnegie Hall in NY, Musikverein in Vienna, the Berliner Philharmoniker, Sale Apollinee della Fenice, and the Sala Maffeiana in Verona. Luca studied with F. Helmerson at the Kronberg Academy, Frankfurt. He plays an Ansaldo Poggi kindly granted by M° M. Brunello.\u003c\/p\u003e\u003ch4\u003eLeonora Armellini\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLeonora Armellini \u003c\/em\u003e\u003c\/strong\u003ewas a very young winner of the “Janina Nawrocka Prize” for “extraordinary musicality and beauty of sound” at the “F. Chopin” International Piano Competition in Warsaw (2010). This success was brilliantly confirmed in the 2021 edition, with a Fifth Prize making her the first Italian woman to reach the top of a competition considered the pinnacle of world pianism. Leonora Armellini (1992), daughter of artists, began studying piano at the age of four with Laura Palmieri and graduated at twelve with full marks, honors, and a special mention. In 2005, she unanimously won the XXII Premio Venezia, reserved for the best graduates of Italian Conservatories, and continued her training with Sergio Perticaroli at the Accademia di S. Cecilia in Rome, graduating at seventeen with honors, becoming the youngest graduate of the prestigious institution. She further perfected her skills with Lilya Zilberstein and Marian Mika, and graduated from the “Incontri col Maestro” Piano Academy in Imola with Boris Petrushansky (2018). Among the numerous awards and recognitions for her artistic and human qualities, Leonora received in 2013 from Zubin Mehta the “Galileo 2000 Pentagramma d’oro” award for her “great courage and musical talent.” in May 2013, the National Association of Music Critics decided to award the “XXXII Premio Abbiati,” “Premio Piero Farulli,” to the Trio formed by Leonora, Laura Marzadori, and Ludovico Armellini (Piano, Violin, and Cello). She regularly performs as a soloist and chamber musician for festivals and concert seasons in Italy and abroad (Carnegie Hall in New York, Mariinsky Theatre in Saint Petersburg, Salle Cortot in Paris, Warsaw Philharmonic, Teatro La Fenice in Venice, Martha Argerich Project in Lugano, and throughout Europe, China, South Korea, Japan, …), and has performed with numerous orchestras including the Warsaw Philharmonic, the Orchestra di Padova e del Veneto, I Solisti Veneti, the Orchestra Filarmonica di Torino, the Orchestra del Teatro La Fenice, the Orchestra dell’Arena di Verona, the Ukrainian National Orchestra, the Sinfonia Varsovia, the Symphony Orchestra of the Lodz Philharmonic (Poland)… Leonora is the protagonist of numerous recording projects; her most recent releases include the DVD “Piano Recital” published by ContempoArs containing, among others, Chopin’s Etudes op. 25, and a CD published by Brilliant Classics containing Poulenc’s Concerto for two pianos and orchestra, Britten’s Scottish Ballad, and Debussy’s Première Suite for piano four-hands in the formation of the Duo Pianistico di Padova (with pianist Mattia Ometto), Orchestra di Padova e del Veneto, and conductor Luigi Piovano. In the same formation, she also recorded the complete works for two pianos by Brahms for Da Vinci Classics. She has been invited by Italian and foreign radio and television for interviews and concerts, including the “Concerti del Quirinale” and an appearance as a guest at the Sanremo Festival 2013. Alongside Matteo Rampin, she co-wrote and published the popular music book “Mozart era un figo, Bach ancora di più” (Mozart was cool, Bach even cooler), published by SALANI (2014), now in its seventh edition and translated into Spanish. She has taught piano at the “A. Buzzolla” Conservatory in Adria (RO)\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johannes-Brahms-Cello-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993798779227,"sku":"CVLD327CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":46807346020699,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cello-sonatas-luca-giovannini-leonora-armellini-cover.jpg?v=1793653153"},{"product_id":"anton-bruckner-alessandro-zignani","title":"Il sosia di Dio — Anton Bruckner: una cosmologia in 36 movimenti sinfonici — Alessandro Zignani","description":"\u003cp\u003e\u003cem\u003eIl sosia di Dio. Anton Bruckner: una cosmologia in 36 movimenti sinfonici\u003c\/em\u003e by \u003cstrong\u003eAlessandro Zignani\u003c\/strong\u003e is a critical and narrative portrait of one of the nineteenth century’s most enigmatic composers. The volume traces Bruckner’s life and artistic development, connecting his personal experience, Vienna’s musical world and the creation of his major symphonies.\u003c\/p\u003e\n\u003ch2\u003eThe book\u003c\/h2\u003e\n\u003cp\u003eFrom his work as an organist and teacher in Linz to his move to Vienna, Zignani reconstructs the path that led Bruckner towards a monumental musical language, suspended between tradition, devotion, Wagnerian fascination and a vision of the future. The result is the portrait of a reserved, unwittingly revolutionary composer, often at odds with the taste and institutions of his time.\u003c\/p\u003e\n\u003ch2\u003eA cosmology in 36 symphonic movements\u003c\/h2\u003e\n\u003cp\u003eThe volume is divided into two parts. The first examines the composer’s life and the general features of his work; the second offers an alphabetically arranged lexicon of thirty-six entries that guides the reader through the symphonies, their themes and their main historical and cultural references. The book combines music scholarship, biographical narrative and a guide to listening.\u003c\/p\u003e\n\u003ch2\u003eAlessandro Zignani\u003c\/h2\u003e\n\u003cp\u003eBorn in Rimini in 1961, Alessandro Zignani has published more than forty books, including essays, novels and plays. A Germanist, he has translated Nietzsche, Trakl, Schopenhauer and the \u003cem\u003eNibelungslied\u003c\/em\u003e; he teaches Music History.\u003c\/p\u003e\n\u003ch2\u003eBibliographic details\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eIl sosia di Dio. Anton Bruckner: una cosmologia in 36 movimenti sinfonici\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e Alessandro Zignani\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Manzoni Editore\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2023\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Italian\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 308\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 979-1280635211\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e printed book\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eManzoni Editore\u003c\/h2\u003e\n\u003cp\u003eThe volume is part of the \u003ca href=\"\/collections\/manzoni-editore\"\u003eManzoni Editore music books and non-fiction selection\u003c\/a\u003e available from Reference Music Store.\u003c\/p\u003e","brand":"Manzoni Editore","offers":[{"title":"Default Title","offer_id":47554256896347,"sku":"LME003","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/il-sosia-di-dio-anton-bruckner-alessandro-zignani-manzoni-editore.jpg?v=1788190315"},{"product_id":"brahms-symphony-no-4-wilhelm-furtwangler-berliner-philharmoniker","title":"Furtwängler: Brahms — Symphony No. 4 in E minor, Op. 98 (Live)","description":"\u003cp\u003eWilhelm Furtwängler conducts the Wiener Philharmoniker in Johannes Brahms’s \u003cstrong\u003eSymphony No. 4 in E minor, Op. 98\u003c\/strong\u003e, in a live recording from the Salzburg Festival.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe concert took place in Salzburg on August 15, 1950, with the Wiener Philharmoniker conducted by Wilhelm Furtwängler.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro non troppo\u003cbr\u003e02 — II. Andante moderato\u003cbr\u003e03 — III. Allegro giocoso — Poco meno presto\u003cbr\u003e04 — IV. Allegro energico e passionato — Più allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Johannes Brahms\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Wilhelm Furtwängler\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Wiener Philharmoniker\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Live, Salzburg, August 15, 1950\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS221\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538033291611,"sku":"CS221-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs221-brahms-symphony-no-4-wilhelm-furtwangler-wiener-philharmoniker-capsa-symphonia-cover.png?v=1789137084"},{"product_id":"brahms-symphony-no-3-wilhelm-furtwangler-berliner-philharmoniker","title":"Furtwängler: Brahms — Symphony No. 3 in F major, Op. 90","description":"\u003cp\u003e\u003cstrong\u003eWilhelm Furtwängler\u003c\/strong\u003e conducts the \u003cstrong\u003eBerliner Philharmoniker\u003c\/strong\u003e in Johannes Brahms’s \u003cstrong\u003eSymphony No. 3 in F major, Op. 90\u003c\/strong\u003e, in a live recording made in \u003cstrong\u003eTurin on 14 May 1954\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecording\u003c\/h2\u003e\u003cp\u003eLive recording made in \u003cstrong\u003eTurin on 14 May 1954\u003c\/strong\u003e with the Berliner Philharmoniker conducted by Wilhelm Furtwängler.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — I. Allegro con brio\u003cbr\u003e02 — II. Andante\u003cbr\u003e03 — III. Poco allegretto\u003cbr\u003e04 — IV. 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Allegro non troppo\u003cbr\u003e02 — II. Adagio non troppo\u003cbr\u003e03 — III. Allegretto grazioso quasi andantino\u003cbr\u003e04 — IV. 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Un poco sostenuto — Allegro\u003cbr\u003e02 — II. Andante sostenuto\u003cbr\u003e03 — III. Un poco allegretto e grazioso\u003cbr\u003e04 — IV. Adagio — Più Andante — Allegro non troppo, ma con brio\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Johannes Brahms\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Wilhelm Furtwängler\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Berliner Philharmoniker\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Berlin, 18 May 1953 — live, mono\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS218\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. It also originated as a professional editing and post-production environment and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538035355995,"sku":"CS218-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs218-brahms-symphony-no-1-wilhelm-furtwangler-berliner-philharmoniker-capsa-symphonia-cover.png?v=1789137019"},{"product_id":"brahms-piano-concerto-no-2-in-b-flat-major-op-83-emil-gilels-piano-fritz-reiner-chicago-symphony-orchestra","title":"Reiner \u0026 Gilels: Brahms — Piano Concerto No. 2, Op. 83","description":"\u003cp\u003e\u003cstrong\u003eEmil Gilels\u003c\/strong\u003e at the piano with the \u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e conducted by \u003cstrong\u003eFritz Reiner\u003c\/strong\u003e in Johannes Brahms’s \u003cstrong\u003ePiano Concerto No. 2 in B-flat major, Op. 83\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe recording was made at \u003cstrong\u003eOrchestra Hall, Chicago\u003c\/strong\u003e, on \u003cstrong\u003e8 February 1958\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Allegro non troppo\u003cbr\u003e02 — Allegro appassionato\u003cbr\u003e03 — Andante\u003cbr\u003e04 — Allegretto grazioso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Johannes Brahms\u003cbr\u003e\u003cstrong\u003ePiano:\u003c\/strong\u003e Emil Gilels\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Fritz Reiner\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Chicago Symphony Orchestra\u003cbr\u003e\u003cstrong\u003eProducer:\u003c\/strong\u003e Richard Mohr\u003cbr\u003e\u003cstrong\u003eSound engineer:\u003c\/strong\u003e Lewis Layton\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e Orchestra Hall, Chicago — 8 February 1958\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS198\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003cbr\u003eFile Hi-Res 96kHz • 24bit\u003cbr\u003eFile Hi-Res 192kHz • 24bit\u003cbr\u003eFile DSD64\u003cbr\u003eFile DSD128\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538058162523,"sku":"CS198-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538058195291,"sku":"CS198-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538058228059,"sku":"CS198-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD64","offer_id":48538058260827,"sku":"CS198-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD128","offer_id":48538058293595,"sku":"CS198-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs198-brahms-piano-concerto-no-2-gilels-reiner-capsa-symphonia-cover.png?v=1789151019"},{"product_id":"liszt-brahms-herbert-von-karajan-berliner-philharmoniker","title":"Karajan: Liszt \u0026 Brahms — Orchestral Works","description":"\u003cp\u003e\u003cstrong\u003eHerbert von Karajan\u003c\/strong\u003e and the \u003cstrong\u003eBerliner Philharmoniker\u003c\/strong\u003e perform a programme devoted to \u003cstrong\u003eFranz Liszt\u003c\/strong\u003e and \u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e, bringing together Liszt’s large-scale symphonic works and a selection of Brahms’s Hungarian Dances.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme combines Liszt’s symphonic poem \u003cem\u003eMazeppa\u003c\/em\u003e and two Hungarian Rhapsodies with seven Hungarian Dances by Brahms. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":48538095616347,"sku":"CS178-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz • 24bit","offer_id":48538095649115,"sku":"CS178-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 192kHz • 24bit","offer_id":48538095681883,"sku":"CS178-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD64","offer_id":48538095714651,"sku":"CS178-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD128","offer_id":48538095747419,"sku":"CS178-128","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"File DSD256","offer_id":53776768401755,"sku":"CS178-256","price":25.0,"currency_code":"EUR","in_stock":true},{"title":"File DXD 352.8kHz","offer_id":53776768434523,"sku":"CS178-352","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs178-liszt-brahms-herbert-von-karajan-capsa-symphonia-cover.png?v=1789153448"},{"product_id":"notte-di-natale-trio-armonie-capricciose","title":"Notte di Natale | Trio Armonie Capricciose","description":"\u003cp\u003eTrio Armonie Capricciose brings together voice, mandolin and guitar in a programme of Christmas music, with Laura Manzoni, Maria Cleofe Miotti and Gianni Landroni.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD064CD\u003c\/li\u003e\u003cli\u003eFile Hi-Res WAV 96kHz · 24bit — CVLD064\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eMaria Cleofe Miotti — mandolin; Gianni Landroni — guitar; Laura Manzoni — voice. Trio Armonie Capricciose.\u003c\/p\u003e\u003cp\u003eComposers: Felix Mendelssohn, Henry J. Gauntlett, G. A. Ghignotti, William J. Kirkpatrick, J. Pierpont, Andrea Marena, W. A. Mozart, F. X. Gruber, Johannes Brahms, Gianni Landroni, Irving Berlin.\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal digital recording: 96 kHz · 24 bit; Pieve di Borgo Capanne, Granaglione (Bologna); 2002-07.\u003c\/p\u003e\u003cp\u003eRecorded live in the studio.\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e01 - The first Nowell\u003cbr\u003e02 - Hark! The herald angels sing\u003cbr\u003e03 - O Tannenbaum\u003cbr\u003e04 - Once, in royal David's city\u003cbr\u003e05 - We wish you a merry Christmas\u003cbr\u003e06 - Notte di Natale\u003cbr\u003e07 - Away in a manger\u003cbr\u003e08 - Jingle Bells!\u003cbr\u003e09 - Deck the hall\u003cbr\u003e10 - La Madonna e il Bambin Gesù\u003cbr\u003e11 - La Sacra Famiglia\u003cbr\u003e12 - Natale\u003cbr\u003e13 - Wiegenlied\u003cbr\u003e14 - Stille nacht\u003cbr\u003e15 - Les anges dans nos campagnes\u003cbr\u003e16 - While shepherds watched their flocks\u003cbr\u003e17 - Intorno al fanciullin Gesù\u003cbr\u003e18 - Ninna nanna\u003cbr\u003e19 - Adeste, fideles\u003cbr\u003e20 - Dolcezza\u003cbr\u003e21 - White Christmas\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003eTwenty-one Christmas pieces for mandolin, guitar and voice, performed by Trio Armonie Capricciose.\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Maria-Cleof-Miotti\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034935431515,"sku":"CVLD064CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz · 24bit WAV","offer_id":49748376682843,"sku":"CVLD064","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/064-cover.jpg?v=1734913340"},{"product_id":"brahms-chopin-piano-concertos-live","title":"Arrau: Brahms \u0026 Chopin — Piano Concertos (Live)","description":"\u003cp\u003e\u003cstrong\u003eClaudio Arrau\u003c\/strong\u003e is the soloist in two live performances devoted to \u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e and \u003cstrong\u003eFrédéric Chopin\u003c\/strong\u003e: Brahms’s Piano Concerto No. 1 in Moscow in 1968 with \u003cstrong\u003eGennady Rozhdestvensky\u003c\/strong\u003e and the USSR Television \u0026amp; Radio Grand Symphony Orchestra, and Chopin’s Piano Concerto No. 2 at Carnegie Hall in 1955 with \u003cstrong\u003eGeorge Szell\u003c\/strong\u003e and the New York Philharmonic Orchestra.\u003c\/p\u003e\u003ch2\u003eTwo concertos, two periods of Arrau\u003c\/h2\u003e\u003cp\u003eThe programme contrasts the symphonic scale of Brahms’s First Concerto with the lyrical and virtuosic writing of Chopin’s Second Concerto.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eJohannes Brahms — Piano Concerto No. 1 in D Minor, Op. 15\u003c\/strong\u003e\u003cbr\u003e01 — I. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the Capsa standard it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. 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Allegro non troppo\u003cbr\u003e02 — II. Adagio\u003cbr\u003e03 — III. Allegro giocoso, ma non troppo vivace\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBusoni — Violin Concerto, Op. 35a\u003c\/strong\u003e\u003cbr\u003e04 — I. Allegro moderato\u003cbr\u003e05 — II. Quasi andante\u003cbr\u003e06 — III. Allegro impetuoso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Bruno Walter\u003cbr\u003e\u003cstrong\u003eViolins:\u003c\/strong\u003e Erica Morini; Adolf Busch\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e New York Philharmonic Orchestra; Royal Concertgebouw Orchestra\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Johannes Brahms; Ferruccio Busoni\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS559\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. 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Ziemlich langsam – Lebhaft\u003cbr\u003e02 — II. Romanze\u003cbr\u003e03 — III. Scherzo\u003cbr\u003e04 — IV. Finale\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms — Symphony No. 2, Op. 73\u003c\/strong\u003e\u003cbr\u003e05 — I. Allegro non troppo\u003cbr\u003e06 — II. Adagio non troppo\u003cbr\u003e07 — III. Allegretto grazioso\u003cbr\u003e08 — IV. Allegro con spirito\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Bruno Walter\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e NBC Symphony Orchestra; Berliner Philharmoniker\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Robert Schumann; Johannes Brahms\u003cbr\u003e\u003cstrong\u003eRecording:\u003c\/strong\u003e live\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS562\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51145066545499,"sku":"CS574-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs574-brahms-german-requiem-george-szell-capsa-symphonia-cover.png?v=1789153637"},{"product_id":"van-beinum-conducts-brahms","title":"Van Beinum: Brahms — Symphony No. 1 \u0026 Tragic Overture","description":"\u003cp\u003e\u003cstrong\u003eEduard van Beinum\u003c\/strong\u003e conducts the \u003cstrong\u003eRoyal Concertgebouw Orchestra\u003c\/strong\u003e in \u003cstrong\u003eJohannes Brahms’s Symphony No. 1 in C minor, Op. 68\u003c\/strong\u003e and \u003cstrong\u003eTragic Overture, Op. 81\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe programme pairs the large architecture of the First Symphony with the concentrated drama of the Tragic Overture, two works requiring control of orchestral mass and clarity of transition.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 1, Op. 68: I. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51148959187291,"sku":"CS579-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs579-brahms-symphony-no-1-tragic-overture-eduard-van-beinum-capsa-symphonia-cover.png?v=1789153663"},{"product_id":"the-great-concerts-vol-3-mitropoulos-conducts-beethoven-brahms-live","title":"Mitropoulos \u0026 Francescatti: Beethoven \u0026 Brahms — Symphony No. 2 \u0026 Violin Concerto","description":"\u003cp\u003e\u003cstrong\u003eDimitri Mitropoulos\u003c\/strong\u003e conducts the \u003cstrong\u003eVienna Philharmonic\u003c\/strong\u003e in Beethoven’s Symphony No. 2 and Brahms’s Violin Concerto, with \u003cstrong\u003eZino Francescatti\u003c\/strong\u003e as soloist.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eAll seven tracks are \u003cstrong\u003elive\u003c\/strong\u003e. 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Allegro giocoso\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Dimitri Mitropoulos\u003cbr\u003e\u003cstrong\u003eViolin:\u003c\/strong\u003e Zino Francescatti\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Vienna Philharmonic\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Johannes Brahms\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS601\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51189033337179,"sku":"CS601-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dimitri-mitropoulos-beethoven-2-brahms-violin-francescatti-capsa-CS601-cover.png?v=1788311046"},{"product_id":"the-great-concerts-vol-5-mitropoulos-conducts-strauss-brahms-live","title":"Mitropoulos: Strauss \u0026 Brahms — Also sprach Zarathustra \u0026 Symphony No. 3","description":"\u003cp\u003e\u003cstrong\u003eDimitri Mitropoulos\u003c\/strong\u003e conducts the \u003cstrong\u003eRoyal Concertgebouw Orchestra\u003c\/strong\u003e in Strauss’s \u003cem\u003eAlso sprach Zarathustra\u003c\/em\u003e and Brahms’s \u003cstrong\u003eSymphony No. 3\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBoth performances are \u003cstrong\u003elive\u003c\/strong\u003e and bring together Mitropoulos and the Royal Concertgebouw Orchestra in both works.\u003c\/p\u003e\u003cp\u003eThe contrast between Strauss’s expansive orchestration and Brahms’s formal concentration highlights the conductor’s versatility and the Amsterdam orchestra’s rich sonority.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRichard Strauss — Also sprach Zarathustra, Op. 30\u003c\/strong\u003e\u003cbr\u003e1. Also sprach Zarathustra\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms — Symphony No. 3 in F Major, Op. 90\u003c\/strong\u003e\u003cbr\u003e2. I. Allegro con brio\u003cbr\u003e3. II. Andante\u003cbr\u003e4. III. Poco allegretto\u003cbr\u003e5. IV. Allegro\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Dimitri Mitropoulos\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e Royal Concertgebouw Orchestra\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Richard Strauss; Johannes Brahms\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS603\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51189477638491,"sku":"CS603-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dimitri-mitropoulos-strauss-zarathustra-brahms-3-concertgebouw-capsa-CS603-cover.png?v=1788311046"},{"product_id":"mitropoulos-conducts-beethoven-brahms-and-verdi","title":"Mitropoulos: Beethoven, Brahms \u0026 Verdi — Eroica, Haydn Variations \u0026 La forza del destino","description":"\u003cp\u003e\u003cstrong\u003eDimitri Mitropoulos\u003c\/strong\u003e and the \u003cstrong\u003eNew York Philharmonic\u003c\/strong\u003e in a programme bringing together Beethoven, Brahms and Verdi.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eThe New York Philharmonic is featured throughout: Beethoven’s Symphony No. 3 “Eroica”, Brahms’s Variations on a Theme by Haydn and the Overture from Verdi’s \u003cem\u003eLa forza del destino\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eThe programme highlights Mitropoulos’s ability to move from Beethovenian symphonic architecture to Brahmsian variation and Verdi’s theatrical tension.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBeethoven — Symphony No. 3 “Eroica”\u003c\/strong\u003e\u003cbr\u003e1. I. Allegro con brio\u003cbr\u003e2. II. Marcia funebre. Adagio assai\u003cbr\u003e3. III. Scherzo. Allegro vivace\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrahms — Variations on a Theme by Haydn, Op. 56a\u003c\/strong\u003e\u003cbr\u003e5. Variations\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVerdi — La forza del destino\u003c\/strong\u003e\u003cbr\u003e6. Overture\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Dimitri Mitropoulos\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e New York Philharmonic\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Johannes Brahms; Giuseppe Verdi\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS604\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e and requires compatible equipment.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51189571780955,"sku":"CS604-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dimitri-mitropoulos-beethoven-3-brahms-haydn-verdi-capsa-CS604-cover.png?v=1788311045"},{"product_id":"great-recordings-1","title":"Doráti: Brahms — The Four Symphonies","description":"\u003cp\u003e\u003cstrong\u003eAntal Doráti\u003c\/strong\u003e conducts the \u003cstrong\u003efour symphonies of Johannes Brahms\u003c\/strong\u003e in a historic cycle bringing together the \u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e and the \u003cstrong\u003eMinneapolis Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eSymphony No. 1\u003c\/strong\u003e with the London Symphony Orchestra was recorded at \u003cstrong\u003eWatford Town Hall on 18 June 1959\u003c\/strong\u003e; \u003cstrong\u003eSymphony No. 2\u003c\/strong\u003e with the Minneapolis Symphony Orchestra at \u003cstrong\u003eNorthrop Auditorium on 12 December 1957\u003c\/strong\u003e. Symphonies Nos. 3 and 4 were recorded at Watford during Mercury’s July 1963 sessions: \u003cstrong\u003e13–16 July\u003c\/strong\u003e for the Third and \u003cstrong\u003e11–13 July\u003c\/strong\u003e for the Fourth.\u003c\/p\u003e\u003cp\u003eThe cycle follows Doráti across Brahms’s complete symphonic arc, from the monumental tension of the First to the formal and contrapuntal synthesis of the Fourth.\u003c\/p\u003e\u003ch2\u003eOriginal label and first releases\u003c\/h2\u003e\u003cp\u003eThe cycle originated in the \u003cstrong\u003eMercury Living Presence\u003c\/strong\u003e catalogue. For Symphony No. 1, \u003cstrong\u003eHarold Lawrence\u003c\/strong\u003e was producer and \u003cstrong\u003eC. Robert Fine\u003c\/strong\u003e engineer; the recording was released in the United States in \u003cstrong\u003eDecember 1960\u003c\/strong\u003e as \u003cstrong\u003eMercury SR 90268\u003c\/strong\u003e. Symphonies Nos. 3 and 4, recorded at Watford in 1963 with the same producer and engineer, were released on Mercury LP in \u003cstrong\u003eNovember 1968\u003c\/strong\u003e as \u003cstrong\u003eSR 90502\u003c\/strong\u003e and \u003cstrong\u003eSR 90503\u003c\/strong\u003e. The Second belongs to the earlier American phase of the cycle, recorded in 1957.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eThe edition is divided into two downloads: \u003cstrong\u003eCD 1\u003c\/strong\u003e contains Symphonies Nos. 1 and 3; \u003cstrong\u003eCD 2\u003c\/strong\u003e contains Symphonies Nos. 2 and 4. Both are available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eCD 1\u003c\/strong\u003e\u003cbr\u003e01 — Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto — Allegro\u003cbr\u003e02 — II. Andante sostenuto\u003cbr\u003e03 — III. 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Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD 1 - CD FILE 44.1kHz • 16bit","offer_id":51195544600923,"sku":"CS621-44-1","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"CD 2 - CD FILE 44.1kHz • 16bit","offer_id":51195554431323,"sku":"CS621-44-2","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/dorati-brahms-quattro-sinfonie-capsa-symphonia-CS621-cover.png?v=1788252309"},{"product_id":"sampler-2026-direct-sound-records","title":"SAMPLER 2026 | Direct Sound Records","description":"\u003cp\u003e\u003cstrong\u003eFour tracks from \u003cem\u003eAtmosfere\u003c\/em\u003e and \u003cem\u003eResonances\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable as DSD128, PCM 88.2kHz · 24bit, or as a bundle containing both formats.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eAn introduction to the sound of Direct Sound Records\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eSampler 2026\u003c\/em\u003e brings together four selections from the label’s first two albums. The programme compares two ensembles and two acoustic landscapes: the flute and guitar of the Ferraguto Fortunato Duo in music by Ennio Morricone and Astor Piazzolla, and the piano four hands of Alessandra Felice and Loretta Proietti in Brahms and Rachmaninov.\u003c\/p\u003e\n\u003cp\u003eThe collection provides a concise way to hear how the label approaches performer presence and spatial depth while preserving the distinctive character of each session.\u003c\/p\u003e\n\u003ch3\u003eRecordings and formats\u003c\/h3\u003e\n\u003cp\u003eThe source recordings originated in \u003cstrong\u003estereo DSD128\u003c\/strong\u003e. Tracks from \u003ca href=\"\/products\/atmosfere-marco-ferraguto-salvatore-fortunato\"\u003e\u003cem\u003eAtmosfere\u003c\/em\u003e\u003c\/a\u003e come from a \u003cstrong\u003ePure DSD128 – Analog Mixed\u003c\/strong\u003e production; those from \u003ca href=\"\/products\/resonances-alessandra-felice-loretta-proietti\"\u003e\u003cem\u003eResonances\u003c\/em\u003e\u003c\/a\u003e from a \u003cstrong\u003ePure DSD – Direct Mixed\u003c\/strong\u003e production. 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Ferraguto, Salvatore Fortunato\u003c\/li\u003e\n\u003cli\u003eJohannes Brahms – \u003cem\u003eWaltz No. 2, Op. 39 in E major\u003c\/em\u003e · Alessandra Felice, Loretta Proietti\u003c\/li\u003e\n\u003cli\u003eSergei Rachmaninov – \u003cem\u003eSix Morceaux, Op. 11: Scherzo\u003c\/em\u003e · Alessandra Felice, Loretta Proietti\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTotal time:\u003c\/strong\u003e 39:26\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"DSD128 + PCM 88.2kHz · 24bit FILES","offer_id":52174279016795,"sku":"DSRATM01DSDPCMSAMPLER","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"DSD128 FILE","offer_id":52174236025179,"sku":"DSRATM01DSDSAMPLER","price":5.0,"currency_code":"EUR","in_stock":true},{"title":"PCM FILE 88.2kHz · 24bit","offer_id":52174269579611,"sku":"DSRATM01PCMSAMPLER","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sampler2026DIRECTSOUNDRECORDS.png?v=1770316827"},{"product_id":"groove-back-magazine-n-007-26","title":"GRooVE back Magazine No. 007\/26","description":"\u003cp\u003e\u003cstrong\u003eGRooVE back Magazine No. 007\/26\u003c\/strong\u003e tells the stories of Syd Barrett and Pink Floyd, Franco Battiato with Giusto Pio, Wilhelm Furtwängler interpreting Brahms, Sam Rivers, Beethoven and Miles Davis with \u003cem\u003eBitches Brew\u003c\/em\u003e, across music, audiophilia and Hi-Fi.\u003c\/p\u003e\u003ch2\u003eIn this issue\u003c\/h2\u003e\u003cp\u003eA journey from the visionary rock of Syd Barrett and Pink Floyd to the Battiato–Giusto Pio collaboration, from Furtwängler’s interpretive tradition to the jazz of Sam Rivers and Miles Davis, with a critical Beethoven discography and features on vinyl and Hi-Fi systems.\u003c\/p\u003e\u003ch2\u003eDownload album included\u003c\/h2\u003e\u003cp\u003eThis issue includes the \u003ca href=\"https:\/\/www.referencemusicstore.com\/it\/products\/sampler-2026-direct-sound-records\"\u003eDirect Sound Records Sampler 2026\u003c\/a\u003e as a download.\u003c\/p\u003e\u003ch2\u003eAvailable editions\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eprint magazine + digital edition + 1 album download\u003c\/strong\u003e, \u003cstrong\u003edigital magazine + 1 album download\u003c\/strong\u003e and a \u003cstrong\u003efree PDF preview\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eContents\u003c\/h2\u003e\u003cp\u003e5 — Editorial\u003cbr\u003e8 — Our CD: Direct Sound Records\u003cbr\u003e12 — Syd Barrett: rock’s “pure madman”\u003cbr\u003e20 — Syd Barrett and Pink Floyd\u003cbr\u003e26 — Franco Battiato \u0026 Giusto Pio: a magical collaboration\u003cbr\u003e34 — Smoked music, when tobacco becomes sound\u003cbr\u003e40 — Direct Sound Records, in the name of audiophilia\u003cbr\u003e44 — Wilhelm Furtwängler, the “guardian” of Brahms\u003cbr\u003e62 — The sonic multiverse of Sam Rivers\u003cbr\u003e70 — Ludwig van Beethoven: a critical discography\u003cbr\u003e76 — Around classical music\u003cbr\u003e82 — In the realm of jazz\u003cbr\u003e90 — Rock and beyond\u003cbr\u003e94 — Listening to Bitches Brew on vinyl, CD, tape and digital audio\u003cbr\u003e102 — Four autumn notes in a Venetian villa\u003cbr\u003e106 — Records \u0026 turntables (part three)\u003cbr\u003e114 — Stones Speakers loudspeakers\u003cbr\u003e118 — Luigi Bocca between Hi-Fi and professional music\u003cbr\u003e128 — A guide to Arturo Benedetti Michelangeli\u003c\/p\u003e\u003cp\u003e\u003cem\u003e«Get your groove back»\u003c\/em\u003e\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"PAPER MAGAZINE + DIGITAL + CD download","offer_id":52289513816411,"sku":"GBM-C00726","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"DIGITAL MAGAZINE + CD d\/load","offer_id":52289513849179,"sku":"GBM-D00726","price":3.5,"currency_code":"EUR","in_stock":true},{"title":"FREE PREVIEW (pdf)","offer_id":52289513881947,"sku":"GBM-D00726A","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/GrooveBackMagazine007digitalesingoleGRANDE_Pagina_001.png?v=1776180561"},{"product_id":"i-bis-di-nikita-magaloff-magaloff","title":"NIKITA MAGALOFF'S ENCORES | Magaloff","description":"\u003ch2 itemprop=\"name\" class=\"h1 namne_details\"\u003eNIKITA MAGALOFF'S ENCORES\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1.     \u003c\/span\u003e\u003cspan\u003eCanzonetta del Salvator Rosa (No. 3 from “Années de pèlerinage; deuxième année: Italie”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e2.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"de\"\u003eGnomenreigen (Dance of the Gnomes) No. 2 from “Zwei Konzertetuden”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003e3.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"de\"\u003eConsolation No. 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"fr\"\u003e4.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eLa chasse (No. 5 from “Six Grandes Etudes de Paganini“)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eA. ALABIEFF (1787-1851), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan lang=\"fr\"\u003e5.\u003cspan\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eLe Rossignol (No. 1 from “Deux Mélodies russes”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eF. SCHUBERT (1797-1828)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e6.     \u003c\/span\u003e\u003cspan\u003eImpromptu in E-flat major Op. 90 No. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-gb\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e7.     \u003c\/span\u003e\u003cspan\u003eNocturne in C-sharp minor (Op. posth.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e8.     \u003c\/span\u003e\u003cspan\u003eEtude in G-flat major Op. 10 No. 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"de\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"de\"\u003eJ.S. BACH (1685-1750)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e9.     \u003c\/span\u003e\u003cspan\u003eSiciliana in G minor from Sonata No. 2 for flute and harpsichord)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cspan\u003eHungarian Dances: No. 5 in F-sharp minor, No. 7 in F major, No. 9 in E minor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eS. RACHMANINOFF (1873-1943)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpFirst\"\u003e\u003cspan lang=\"fr\"\u003e11.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003ePolichinelle Op. 3 No. 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"fr\"\u003e12.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSérénade Op. 3 No. 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan\u003e13. \u003c\/span\u003e\u003cspan\u003eAndante spianato et Grande Polonaise brillante Op. 22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraph\"\u003e\u003cspan lang=\"fr\"\u003e14.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eIntermezzo Op. 117 No. 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/wjsxnvgp3h6jz?zone=IT-it\" width=\"378\" height=\"104\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv itemprop=\"description\" class=\"product-description-short\" id=\"product-description-short-760\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBi-microphone configuration with field effect (Fonè Studio).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRecording engineer: Giulio Cesare Ricci. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eProduction director: Giulio Cesare Ricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eGiulio Cesare Ricci is proud to dedicate this album of \"encores,\" recorded during his recent Italian tour, to Maestro Nikita Magaloff on the occasion of his 75th birthday. The recordings were made at the Teatro Donizetti in Bergamo, the Teatro Grande in Brescia, the Teatro Goldoni in Livorno, the Teatro Manzoni in Pistoia, and the Teatro Comunale in Imola.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cstrong\u003eNikita Magaloff\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a student of Liszt and cousin and professor of Rachmaninoff. He later moved to Paris, where he studied with Isidor Philipp, graduating at the age of 17 with a Premier Grand Prix. On this occasion, Maurice Ravel said of him: \"A great musician, truly extraordinary, has been born.\" He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. His career saw countless significant events, including the first performance of Prokofiev's \"Seventh Sonata,\" the performance of Stravinsky's \"Capriccio\" under the composer's direction, tours in Europe, the USA, Japan, and Israel, and frequent and regular participation in the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), always attentive to the emergence of new talents among the younger generations. He has recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados, and most recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is among the unsurpassed interpreters, a body of work he also presented in cycles of five recitals in all the most important European cities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52849151770971,"sku":"DSD8706","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52849151803739,"sku":"HD8706","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8706sleeve_342f6d6e-05f3-4e76-b9e2-3c92431b514f.jpg?v=1776805004"},{"product_id":"nikita-magaloff-pianoforte-magaloff","title":"NIKITA MAGALOFF: PIANO | Magaloff","description":"\u003ch2 class=\"h1 namne_details\" itemprop=\"name\"\u003eNIKITA MAGALOFF\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan\u003ePiano\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eAnnées de pèlerinage, deuxième année: Italie\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e1.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 47 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e2.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 104 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e3.    \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"fr\"\u003eSonetto 123 del Petrarca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. CHOPIN (1810-1849)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eF. LISZT (1811-1886)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003e\u003cspan\u003e4.    \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eSix Chants polonais (from Op. 74)\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eMädchens Wunsch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eFrühling\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eDas Ringlein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eBacchanal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpMiddle\"\u003e\u003cspan lang=\"de\"\u003eMeine Freuden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoListParagraphCxSpLast\"\u003e\u003cspan lang=\"de\"\u003eDie Heimkehr\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eJ. BRAHMS (1833-1897)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eSonata in F minor, Op. 5\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.    \u003c\/span\u003e\u003cspan\u003eAllegro maestoso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.    \u003c\/span\u003e\u003cspan\u003eAndante espressivo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.    \u003c\/span\u003e\u003cspan\u003eScherzo: Allegro energico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8.    \u003c\/span\u003e\u003cspan\u003eIntermezzo “Rückblick”: Andante molto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.    \u003c\/span\u003e\u003cspan\u003eFinale: Allegro moderato ma rubato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/gq0m8gaxdisy6?zone=IT-it\"\u003e\n      \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"product-description-short-760\" class=\"product-description-short\" itemprop=\"description\"\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eon May 21, 1986, at Teatro Grande, Brescia; bi-microphone field effect configuration (Studio Fonè).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eRecording engineer\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eProduction director\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e: Giulio Cesare Ricci.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eNIKITA MAGALOFF\u003c\/span\u003e\u003c\/b\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eBorn in St. Petersburg in 1912, he began his studies in Finland (where he had taken refuge with his family after the 1917 revolution) under the guidance of Alexander Siloti, a student of Liszt and cousin and professor of Rachmaninoff. He later moved to Paris, studying with Isidor Philipp and graduating at the age of 17 with a First Grand Prix. It was on this occasion that Maurice Ravel said of him: \"A great musician, truly extraordinary, has been born.\" He achieved his first international successes with violinist Joseph Szigeti and, after the interruption of the war years, was one of the first artists to play in Paris and then, in 1947, to give concerts in the United States. His career saw countless significant events, including the first performance of Prokofiev's \"Seventh Sonata,\" the performance of Stravinsky's \"Capriccio\" under the composer's direction, \"tours\" in Europe, the USA, Japan, and Israel, and frequent and regular presence on the juries of the most prestigious international competitions (Leeds, Warsaw, Brussels, Lucerne), attentive as he was to the emergence of new talents among the younger generations. He recorded music by Liszt, Tchaikovsky, Weber, Stravinsky, Brahms, Granados and, more recently, for Philips, the complete works of Chopin, an author of whom Nikita Magaloff is one of the unsurpassed interpreters, a work he also presented in cycles of five recitals in all the major European cities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"fr\"\u003eFrédéric Chopin (1810.1849) \/ Franz Liszt (1811-1886)\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"fr\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"fr\"\u003eSix Chants Polonais (from Op. \u003c\/span\u003e\u003cspan\u003e74) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe second \"Year of Pilgrimage\" dedicated to Italy is considered the most important of the three as a whole. The entire Year was published in 1858, preceded by two drafts dating back to '37 and '49 respectively. This recording features the three \u003ci\u003ePetrarch Sonnets\u003c\/i\u003e, whose entry into Liszt's oeuvre dates back to around 1838 as \u003ci\u003eLieder\u003c\/i\u003e for voice and piano, and which were then excellently transcribed for solo piano. \u003c\/span\u003e\u003cspan\u003eOn this occasion too, Liszt reveals exceptional mastery in the art of transcription, understood as an authentic recreation of a new writing and language, in relation to the new expressive medium. Exemplary is the adherence to the poetic texts that sing of the first encounter with the beloved woman (Sonnet 47), the unhappy love and intimate conflicts of the poet's soul (Sonnet 104), and the appearance of the angelic woman as a symbol of ideal beauty (Sonnet 123). 16 Polish songs from Chopin's Op. 74 (S. 480), composed in 1847, were revised and published in '60. They are dedicated to Princess Maria von Hohenlohe, daughter of Princess Carolyne Sayn-Wittgenstein. These are six of the 17 songs that make up Chopin's original work composed between 1829 and '47 and published ten years later. As with Schubert's \u003ci\u003eLieder\u003c\/i\u003e, Liszt's choice falls on texts of greater emotional impact and melodic beauty, which, as always, Liszt knows how to connect with discreet tonal links and subtle transitions of atmosphere. \u003c\/span\u003e\u003cspan\u003eIn the order chosen by Liszt, the Songs are: 1. \u003ci\u003eMaiden's Wish\u003c\/i\u003e, which also opens Chopin's collection; 2. \u003ci\u003eSpring\u003c\/i\u003e (Op. 74 No. 2); 3. \u003ci\u003eThe Ringlet \u003c\/i\u003e(Op. 74 No. 14); 4. \u003ci\u003eToast\u003c\/i\u003e (Op. 74 No. 4); 5. \u003ci\u003eMy Joys\u003c\/i\u003e (Op. 74 No. 12); 6. \u003ci\u003eThe Bridegroom\u003c\/i\u003e (Op. 74 No. 15). Once again, Liszt is appreciated as a transcriber, respecting Chopin's intimacy and maintaining a light hand in the piano writing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eJohannes Brahms (1833-1897) \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSonata in F minor, Op. 5\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn October 1853, Schumann enthusiastically hailed the rising star of young Brahms, then twenty years old, in the pages of the \"Neue Zeitschrift für Musik\". It was precisely during that period that the Hamburg composer completed, by composing the first, third, and fifth movements (the second and fourth had already been composed before the fateful arrival at Schumann's house), his Sonata in F minor, destined to remain his last, as well as the most important of his three for solo piano. The signature \"Kreisler iunior\" at the bottom of the manuscript says much about his moral commitment to continue in the furrow traced by the author of \u003ci\u003eKreisleriana...\u003c\/i\u003e The \u003ci\u003eSonata\u003c\/i\u003e is dedicated to Countess von Hohenthal. The unusual five movements seem to hark back to the archaic tradition of \"\u003ci\u003eDivertimenti\u003c\/i\u003e\". The sequence of movements alternates fast and slow tempi, the latter linked by the identity of the thematic material. And even within the same movement, particularly the first, entirely based on the continuous flowing sound of the passionately vibrant main theme, we discover Brahms already laying the foundations of that particular compositional technique - called continuous development - which would become characteristic of his \u003ci\u003eSymphonies\u003c\/i\u003e. Also evident here, as in the rest of the \u003ci\u003eSonata\u003c\/i\u003e, is the search for an almost orchestral sonic depth. The nocturnal, contemplative romantic atmosphere of the celebrated \u003ci\u003eAndante\u003c\/i\u003e connects to the equally suggestive \u003ci\u003eAdagios\u003c\/i\u003e of the \u003ci\u003eSonatas Op. 1 and 2\u003c\/i\u003e and redeems, with its intense but pure and restrained pathos, the sentimental tone of Sternau's verses preceding it: \u003ci\u003eDer Abend dämmert, das Mondlicht scheint, Da sind zwei Herzen in Liebe vereint Und halten sich selig umfangen.\u003c\/i\u003e (Evening falls, the moonlight shines: here are two hearts united in love, and they remain happily embraced). Verses that reflect the solitary existential moment Brahms was experiencing at the time. The rhythmically distinct \u003ci\u003eScherzo\u003c\/i\u003e is a typical Brahmsian creation, while in the \u003ci\u003eTrio\u003c\/i\u003e, a nostalgic cantabile prevails. Unlike classical tradition, Brahms inserts an \u003ci\u003eIntermezzo\u003c\/i\u003e at this point, as the fourth movement, which he titles \"\u003ci\u003eRückblick\u003c\/i\u003e\" (\"Retrospect, Remembrance\"), echoing, in the darker key of B-flat minor, the theme of the \u003ci\u003eAndante\u003c\/i\u003e. The \u003ci\u003efinale\u003c\/i\u003e, structured as a \u003ci\u003eRondo\u003c\/i\u003e, has a rhythmically sharp main theme alongside which, with a singular effect, are two secondary, lyrically cantabile motives. The second of these motives (in D-flat) will lead to extensive polyphonic and contrapuntal elaboration (even then, these procedures proved congenial to Brahms's severity). Finally, a brilliant coda where the main theme also reappears, concludes this monumental work in a climate of triumphant euphoria. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan lang=\"en-gb\"\u003eAnna Bergonzelli\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":52895726797147,"sku":"DSD8707","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":52895726829915,"sku":"HD8707","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/SR8707sleeve.jpg?v=1777489656"},{"product_id":"all-ombra-dei-giganti-la-direzione-d-orchestra-in-germania-e-in-austria-1900-1950","title":"All’ombra dei giganti — Conducting in Germany and Austria (1900–1950)","description":"\u003cp\u003e\u003cstrong\u003eAll’ombra dei giganti\u003c\/strong\u003e is a Capsa Symphōnĭa audio anthology devoted to the great German and Austrian conducting tradition, conceived in dialogue with Andrea Bedetti’s book of the same title and the listening guide in \u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e. The title reflects the historical scope of the book; the recorded selection also includes later material for some of the conductors represented.\u003c\/p\u003e\u003ch2\u003eTen interpreters, ten documents of orchestral conducting\u003c\/h2\u003e\u003cp\u003eThe collection brings together Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard and Hermann Scherchen in music by Beethoven, Bruckner, Mozart, Wagner, Brahms, Tchaikovsky and Bach. The recordings span different schools, periods and recording practices, from studio and 78 rpm sessions to radio and live recordings.\u003c\/p\u003e\u003ch2\u003eRecordings\u003c\/h2\u003e\u003cp\u003eBeethoven’s Fifth conducted by Weingartner with the London Philharmonic Orchestra was recorded between 31 January and 2 February 1933 at Abbey Road Studio 1; Furtwängler’s Bruckner Ninth with the Berliner Philharmoniker was made for radio in Berlin’s Beethovensaal in autumn 1944 rather than as a public concert; Mozart’s \u003cem\u003eJupiter\u003c\/em\u003e under Bruno Walter with the Wiener Philharmoniker dates from January 1938; Klemperer’s \u003cem\u003eEroica\u003c\/em\u003e with the Philharmonia Orchestra was recorded at Kingsway Hall in 1955; Knappertsbusch’s 1962 \u003cem\u003eParsifal\u003c\/em\u003e from the Bayreuth Festival was captured live.\u003c\/p\u003e\u003cp\u003eOswald Kabasta’s Bruckner Fourth with the Münchner Philharmoniker is a radio recording from \u003cstrong\u003e30 June 1943\u003c\/strong\u003e. For the later \u003cstrong\u003eMusic \u0026 Arts CD-1072\u003c\/strong\u003e edition, produced in cooperation with the \u003cstrong\u003eDeutsches Rundfunkarchiv\u003c\/strong\u003e, the material was taken from the \u003cstrong\u003eoriginal RRG tapes preserved at the DRA\u003c\/strong\u003e and re-engineered by \u003cstrong\u003eMaggi Payne\u003c\/strong\u003e. Hermann Abendroth’s Brahms Fourth with the Leipzig radio orchestra dates from 15 April 1956; Carl Schuricht’s Beethoven Ninth with the Orchestre de la Société des Concerts du Conservatoire was recorded at Salle Wagram in Paris in 1958.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003eThis digital edition, code \u003cstrong\u003eCS001\u003c\/strong\u003e, is available as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e. The file is PCM 44.1kHz • 16bit and is not a Hi-Res format.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003col\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 5 in C minor, Op. 67: Allegro con brio [08:09] — Felix Weingartner, London Philharmonic Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 9 in D minor: Scherzo. Bewegt, lebhaft – Trio. Schnell [09:31] — Wilhelm Furtwängler, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eWolfgang Amadeus Mozart\u003c\/strong\u003e — Symphony No. 41 in C major, K. 551 “Jupiter”: Molto allegro [06:35] — Bruno Walter, Wiener Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 3 in E-flat major, Op. 55 “Eroica”: Marcia funebre [14:43] — Otto Klemperer, Philharmonia Orchestra.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eRichard Wagner\u003c\/strong\u003e — \u003cem\u003eParsifal\u003c\/em\u003e, WWV 111: Vorspiel, Act I [12:00] — Hans Knappertsbusch, Bayreuther Festspielorchester.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAnton Bruckner\u003c\/strong\u003e — Symphony No. 4 in E-flat major, WAB 104 “Romantische”: Bewegt, nicht zu schnell [16:02] — Oswald Kabasta, Münchner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e — Symphony No. 4 in E minor, Op. 98: Allegro energico e passionato [10:20] — Hermann Abendroth, Rundfunk-Sinfonieorchester Leipzig.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLudwig van Beethoven\u003c\/strong\u003e — Symphony No. 9 in D minor, Op. 125 “Choral”: Molto vivace [11:18] — Carl Schuricht, Orchestre de la Société des Concerts du Conservatoire.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky\u003c\/strong\u003e — \u003cem\u003eRomeo and Juliet\u003c\/em\u003e, Overture-Fantasia [22:30] — Leo Borchard, Berliner Philharmoniker.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e — Brandenburg Concerto No. 3 in G major, BWV 1048 [15:08] — Hermann Scherchen, Orchester der Wiener Staatsoper.\u003c\/li\u003e\u003c\/ol\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductors:\u003c\/strong\u003e Felix Weingartner, Wilhelm Furtwängler, Bruno Walter, Otto Klemperer, Hans Knappertsbusch, Oswald Kabasta, Hermann Abendroth, Carl Schuricht, Leo Borchard, Hermann Scherchen.\u003cbr\u003e\u003cstrong\u003eDigital edition:\u003c\/strong\u003e Capsa Symphōnĭa\u003cbr\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CS001\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003elistening guide\u003c\/strong\u003e connected with this anthology is available in \u003ca href=\"\/collections\/groove-back-magazine\"\u003e\u003cstrong\u003eGRooVE back Magazine n. 009\/26\u003c\/strong\u003e\u003c\/a\u003e. Andrea Bedetti’s book \u003cem\u003eAll’ombra dei giganti. La direzione d’orchestra in Germania e in Austria (1900–1950)\u003c\/em\u003e, the first volume in the GRooVE back Parallel series, is also available on the website.\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version presented here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":53589920153947,"sku":"CS001-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs001-all-ombra-dei-giganti-grandi-direttori-capsa-symphonia-cover.png?v=1789047386"},{"product_id":"i-violini-di-cremona-omaggio-a-kreisler-accardo-manzini","title":"I VIOLINI DI CREMONA, OMAGGIO A KREISLER | Accardo, Manzini","description":"\u003ch2 class=\"h1 namne_details\" itemprop=\"name\"\u003eI VIOLINI DI CREMONA \u003c\/h2\u003e\n\u003ch2 class=\"h1 namne_details\" itemprop=\"name\"\u003eOmaggio a Kreisler\u003c\/h2\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio, SACD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Carlo IX\" di A. Amati (1566)\u003c\/p\u003e\n\u003cp\u003e1. Praeludium und Allegro nello stile di \/ in the style of Pugnani 5'10\"\u003cbr\u003e2. Menuett nello stile di \/ in the style of Porpora 4'05\"\u003cbr\u003e3. Tambourin nello stile di \/ in the style of Leclair 2'25\"\u003c\/p\u003e\n\u003cp\u003e\"Hammerle\" di N. Amati (1658)\u003c\/p\u003e\n\u003cp\u003e4. Rondino su un tema di \/ based on a theme by Beethoven 2'33\"\u003cbr\u003e5. Melodie  Gluck arr. Kreisler  3'14\"\u003cbr\u003e6. Allegretto nello stile di \/ in the style of Boccherini  3'21\"\u003c\/p\u003e\n\u003cp\u003e\"Quarestani\" di G. Guarneri (1689)\u003c\/p\u003e\n\u003cp\u003e7. Hindu - Lied Rimskij Korsakov da \/ from \"Sadko\"  3'26\"\u003cbr\u003e8. Mazurka La minore - A minor  Chopin Op.67, n. 4 arr. Kreisler  3'32\"\u003c\/p\u003e\n\u003cp\u003e\"G. Guarneri detto del Gesù\" (1734)\u003c\/p\u003e\n\u003cp\u003e9. La Gitana  3'17\"\u003cbr\u003e10. Impromptu Schubert Op. 90 n. 3 arr. Kreisler 5'29\"\u003cbr\u003e11. Liebesfreud \"Cremonese\" di A. Stradivari (1715) 3'19\"\u003c\/p\u003e\n\u003cp\u003e\"Cremonese\" di A. Stradivari (1715)\u003c\/p\u003e\n\u003cp\u003e12. Tambourin Chinois  3'45\"\u003cbr\u003e13. Cavatina  4'01\"\u003cbr\u003e14. Schon Rosmarin  1'51\"\u003cbr\u003e15. Songs my mother taught me Dvorak Op. 55 n.4 da \/ from \"Gipsy Melodies\" 3'02\"\u003cbr\u003e16. Hungarian Dance Brahms arr. Kreisler 3'48\"\u003cbr\u003e17. Hymne an die Sonne Rimskij Korsakov da \/ from \"Le coq d'or\" 5'08\"     \u003cbr\u003e18. Malaguena Albeniz Op. 165 n. 3 arr. Kreisler 3'55\"\u003cbr\u003e19. Liebesleid  3'33\"\u003c\/p\u003e\n\u003cp\u003eTotal Time 1h08'00\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/8012871000357?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl progetto I VIOLINI DI CREMONA Salvatore Accardo è ascoltabile in due SACD diversi: SACD 003 e SACD 030. Questo album è il SACD 003 ideato, registrato e prodotto da Giulio Cesare Ricci presso la \"Sala Musica - Palazzo Cavalcabò\" di Cremona il 6, 7, 8 novembre 1993. Con questa registrazione Giulio Cesare Ricci inizia la collaborazione con il grande violinista Salvatore Accardo, collaborazione che dura da 30 anni. Ne \"I violini di Cremona\" Salvatore Accardo dà nuova vita e voce a cinque gioielli della liuteria storica cremonese: \"Carlo IX\" di Andrea Amati, \"Hammerle\" di Niccolò Amati,  \"Quarestani\" di Giuseppe Guarneri,  \"Cremonese\" di Antonio Stradivari,  \"Giuseppe Guarneri detto del Gesù\". Musiche di Fritz Kreisler per violino e pianoforte: il Maestro Salvatore Accardo è accompagnato al piano dalla pianista Laura Manzini. La scelta di questa location è stata dettata dalla sua meravigliosa acustica che ha permesso di ottenere un risultato eccezionale. Per questa registrazione Giulio Cesare Ricci ha utilizzato i microfoni valvolari originali Neumann U47 e M49 e tutta la sua attrezzatura: preamplificatori microfonici avanzati Nagra, registratori analogici a nastro Nagra 4s, cavi di linea, microfonici e di alimentazione Signoricci. Il master analogico originale è stato trasferito da Nagra 4s direttamente a DSD. Con questa registrazione, Giulio Cesare Ricci ha voluto che l'ascoltatore vivesse un'esperienza unica. E' come se fosse seduto in una poltrona, nella posizione ideale della \"Sala Musica - Palazzo Cavalcabò\" . In questa posizione si apprezzano profondità, ampiezza e altezza del suono. Un album da non perdere!\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":54045148447067,"sku":"SACD003","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"DSD 64","offer_id":54045088973147,"sku":"DSD003","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz · 24bit","offer_id":54045089005915,"sku":"HD003","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8012871000357.jpg?v=1789310790"},{"product_id":"brahms-sonata-per-violino-accardo-canino","title":"BRAHMS: SONATA PER VIOLINO | Accardo, Canino","description":"\u003ch2 class=\"h1 namne_details\" itemprop=\"name\"\u003eBRAHMS: SONATA PER VIOLINO\u003c\/h2\u003e\n\u003ch2 class=\"h1 namne_details\" itemprop=\"name\"\u003e\n\u003cspan\u003eSalvatore Accardo \u0026amp; Bruno Canino\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSonate für Violine und Klavier Nr. 1 G-dur op. 78\u003cbr\u003e   1 Vivace ma non troppo  11.17 \u003cbr\u003e  2 Adagio  8.02\u003cbr\u003e  3 Allegro molto moderato  8.55\u003c\/p\u003e\n\u003cp\u003eSonate für Violine und Klavier Nr. 2 A-dur op. 100\u003cbr\u003e  4 Allegro amabile  8.32\u003cbr\u003e  5 Andante tranquillo - Vivace  6.03\u003cbr\u003e  6 Allegretto grazioso (quasi Andante)  5.38\u003c\/p\u003e\n\u003cp\u003eSonate für Violine und Klavier Nr. 3 d-moll op. 108\u003cbr\u003e  7 Allegro  8.11 \u003cbr\u003e  8 Adagio  4.22 \u003cbr\u003e  9 Un poco presto con sentimento 2.54\u003cbr\u003e10 Presto agitato  5.27\u003c\/p\u003e\n\u003cp\u003e11 Scherzo c-moll für die «F.A.E. - Sonate»  5.43\u003c\/p\u003e\n\u003cp\u003eTotal Time 1.15.33\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/8012871000852?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSalvatore Accardo: violino, Bruno Canino: piano\u003cbr\u003eJOHANNES BRAHMS 1833 - 1897\u003c\/p\u003e\n\u003cp\u003eIdeato, registrato e prodotto da Giulio Cesare Ricci\u003cbr\u003eAssistente alla registrazione Paola Liberato\u003cbr\u003eRegistrato all'  Auditorium dell'Accademia Nazionale di Santa Cecilia, Roma\u003cbr\u003eData di registrazione 27, 28 dicembre 1997 \u003cbr\u003eAttrezzatura: microfoni a valvole Neumann U 47, M 49\u003cbr\u003epreamplificatori microfonici Nagra\u003cbr\u003eregistratori analogici Nagra 4S\u003cbr\u003ecavi di linea, digitali, microfonici e di alimentazione: Signoricci\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProtagonista assoluto di questo concerto è il Duo Salvatore Accardo (violino) e Bruno Canino (pianoforte), che interpretano magistralmente le Sonate op. 78, op. 100, op. 108 e lo Scherzo in Do minore per la \"Sonata F.A.E.\" del compositore tedesco Johannes Brahms.\u003cbr\u003eLe Sonate op. 78, 100 e 108 sono ricche di lirismo e di una qualità liederistica che cede spesso il passo al virtuosismo (in particolare nelle prime due), pur rivelando chiaramente la maestria di Brahms nel plasmare il materiale tematico, creando al contempo un equilibrio armonioso tra violino e pianoforte. Il compositore si sentiva estremamente sicuro con il pianoforte e lo strumento assume spesso il ruolo guida nella costruzione melodica. Il Duo Accardo - Canino trae ispirazione principalmente dal lied caratteristico delle Sonate, con un'interpretazione \"vocale\" piuttosto che \"strumentale\", sostenendo le melodie di Brahms con fraseggi espressivi, attenzione ai dettagli e persino introducendo a tratti una qualità teatrale.\u003cbr\u003ePer questa registrazione Giulio Cesare Ricci ha utilizzato i microfoni a valvola originali Neumann U47, M49 e tutta la sua strumentazione: preamplificatori microfonici avanzati Nagra, registratori analogici Nagra 4s, cavi di linea, digitali, microfonici e di alimentazione Signoricci.\u003cbr\u003eI master originali sono stati trasferiti dai Nagra 4s direttamente in DSD.\u003cbr\u003eAnche per questa registrazione Giulio Cesare Ricci ha utilizzato una tecnica di registrazione a \"effetto di campo\", suono naturale, senza l'uso di equalizzatori, senza sistemi di espansione e compressione sonora... tutto questo per far vivere all'ascoltatore nel proprio impianto hi-fi domestico l'effetto live come se fosse presente alle esecuzioni.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":54046552981851,"sku":"DSD008","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":54046553014619,"sku":"HD008","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/FONESACD008-cover_art.jpg?v=1789327724"},{"product_id":"fone-records-sampler-2026-classical","title":"Fonè Records - SAMPLER 2026 | CLASSICAL","description":"\u003cp\u003e\u003cstrong\u003eFonè Records – SAMPLER 2026 | CLASSICAL\u003c\/strong\u003e brings together nine tracks of classical repertoire selected from Fonè releases for Reference Music Store. The programme spans Mozart, Brahms, Kreisler, Vivaldi and Rimsky-Korsakov, alongside works by David Toradze, Alessandro Quarta and two anonymous pieces, for a total duration of 62’41”.\u003c\/p\u003e\n\u003cp\u003eThis sampler is included with \u003cstrong\u003eGRooVE back Magazine no. 010\/26\u003c\/strong\u003e and is available in two digital formats: WAV 96 kHz · 24 bit and DSD 64.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe discount code for the free album download, supplied with GRooVE back Magazine no. 010\/26, is valid exclusively for the Sampler in WAV format. Any other formats are not included in the free offer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eAvailable formats\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eFILE HD 96kHz · 24bit\u003c\/strong\u003e — WAV 96 kHz · 24 bit audio file.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFILE DSD · 64\u003c\/strong\u003e — DSD 64 audio file.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFonè Records\u003c\/h2\u003e\n\u003cp\u003eFonè Records, founded in 1983 by Giulio Cesare Ricci, has built a distinctive identity in audiophile recording and the pursuit of natural sound. The collaboration with Reference Music Store brings this classical selection to GRooVE back Magazine no. 010\/26 as a sampler album conceived for reference listening.\u003c\/p\u003e\n\u003ch2\u003eTracklist\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\u003cstrong\u003eW. A. Mozart\u003c\/strong\u003e — Konzert für Violine und Orchester Nr. 1 in B-Dur KV 207, Allegro moderato — 7’44” \u003cem\u003e(from SACD 268, track 1)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e — Hungarian Dance — 3’50” \u003cem\u003e(from SACD 269, track 8)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFritz Kreisler\u003c\/strong\u003e — La Gitana — 3’16” \u003cem\u003e(from SACD 270, track 4)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAntonio Vivaldi\u003c\/strong\u003e — Concerto in Re Mag. per violino, archi e continuo “Grosso Mogul” RV 208 — I. Allegro — 5’19” \u003cem\u003e(from SACD 066, track 8)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNikolaj Rimsky-Korsakov\u003c\/strong\u003e — Shéhérazade, Suite sinfonica op. 35 — Allegro molto · Allegro molto e frenetico · Vivo · Allegro non troppo e maestoso — 12’52” \u003cem\u003e(from SACD 193, track 4)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDavid Toradze\u003c\/strong\u003e — Piano Concerto, parte 2 — 11’40” \u003cem\u003e(from SACD 271, track 2)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAlessandro Quarta\u003c\/strong\u003e — Etere — 8’21” \u003cem\u003e(from SACD 277, track 6)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnonymous\u003c\/strong\u003e — Echo la primavera \/ Vinni la primavera — 3’59” \u003cem\u003e(from SACD 226, track 1)\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAnonymous\u003c\/strong\u003e — Compieta – Inno di ringraziamento Te Deum — 5’40” \u003cem\u003e(from SACD 276, track 19)\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTotal duration:\u003c\/strong\u003e 62’41”.\u003c\/p\u003e","brand":"GRooVE back magazine","offers":[{"title":"FILE HD 96kHz · 24bit","offer_id":54259869483355,"sku":"F2026SWAV","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"FILE DSD · 64","offer_id":54260151845211,"sku":"F2026SDSD","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/fone-records-sampler-2026-classical-cover.png?v=1791308639"},{"product_id":"audiophile-trip-artisti-vari","title":"AUDIOPHILE TRIP | Various Artists","description":"\u003cp\u003e\u003cstrong\u003eAudiophile Trip\u003c\/strong\u003e brings together eighteen recordings personally selected by Giulio Cesare Ricci from the Fonè catalogue. From early vocal and instrumental traditions to sacred music, Baroque, chamber music, opera and jazz, the programme reveals striking contrasts in musical language, performers and acoustic spaces.\u003c\/p\u003e\u003cp\u003eAl Qantarah and Ensemble Weltgesang open the journey; the organ playing of Stefano Concordia and the violin artistry of Salvatore Accardo lead to Vivaldi's \u003cem\u003eWinter\u003c\/em\u003e with Marco Fornaciari, Brahms, Albéniz, the operatic music of Mascagni and Verdi, and closing jazz performances by Fonè Jazz Makers and Gaby Cole.\u003c\/p\u003e\u003ch2\u003eThe musical journey\u003c\/h2\u003e\u003cp\u003eThis anthology embraces the breadth of the Fonè catalogue, moving from early music and sacred traditions through Baroque and Romantic instrumental works to Italian opera and jazz. Featured performers include the Orchestra da Camera di Brescia e Bergamo under Agostino Orizio, the Camerata Strumentale di Santa Cecilia under Leone Magiera, Salvatore Accardo with Bruno Canino and Laura Manzini, and Raina Kabaivanska.\u003c\/p\u003e\u003ch2\u003eFormats and editions\u003c\/h2\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eHi-Res file 88.2 kHz — HD015:\u003c\/strong\u003e high-resolution digital audio file with a sampling rate of 88.2 kHz.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eDSD 64 — DSD015:\u003c\/strong\u003e digital audio file in DSD 64 format.\u003c\/li\u003e\u003c\/ul\u003e\u003ch2\u003eRecording and production\u003c\/h2\u003e\u003cp\u003eThe eighteen recordings were made by \u003cstrong\u003eGiulio Cesare Ricci\u003c\/strong\u003e for different Fonè productions. 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Stefano Concordia O.S.B., organ.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eJohann Gottfried Walther: Concerto del Sig.r Tomaso Albinoni appropriato all'organo – Allegro\u003c\/strong\u003e — 3:14. Stefano Concordia O.S.B., organ.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eHymn of Thanksgiving, Te Deum\u003c\/strong\u003e — 5:35. Monastic Choir of the Abbey of Montecassino; Stefano Concordia O.S.B., organ.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAntonio Vivaldi: Concerto RV 297 «L'inverno» – Allegro non molto\u003c\/strong\u003e — 3:20. Marco Fornaciari; Fonè ensemble.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAntonio Vivaldi: Concerto RV 297 «L'inverno» – Largo\u003c\/strong\u003e — 2:39. Marco Fornaciari; Fonè ensemble.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eAntonio Vivaldi: Concerto RV 297 «L'inverno» – Allegro\u003c\/strong\u003e — 3:03. 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Gaby Cole, vocals; Marco Pezzenati, bells tree and vibraphone.\u003c\/li\u003e\u003c\/ol\u003e\u003cp\u003e\u003cstrong\u003eTotal playing time: 68 minutes 54 seconds.\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003ePrincipal performers and credits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eRecordings:\u003c\/strong\u003e Giulio Cesare Ricci · \u003cstrong\u003eLabel:\u003c\/strong\u003e Fonè · \u003cstrong\u003eProgramme:\u003c\/strong\u003e anthology of 18 selections from Fonè releases.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePerformers:\u003c\/strong\u003e Al Qantarah; Ensemble Weltgesang; Roberta Cristoni; Stefano Concordia O.S.B.; Marco Fornaciari and Fonè ensemble; Orchestra da Camera di Brescia e Bergamo and Agostino Orizio; Salvatore Accardo; Bruno Canino; Laura Manzini; Camerata Strumentale di Santa Cecilia and Leone Magiera; Raina Kabaivanska; Fonè Jazz Makers; Gaby Cole; Marco Pezzenati.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"File Hi-Res 88.2 kHz","offer_id":54486239347035,"sku":"HD015","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":54486239379803,"sku":"DSD015","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/audiophile-trip-fone-sampler-cover.jpg?v=1792836702"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/johannes-brahms.oembed?page=2","provider":"Reference Music Store","version":"1.0","type":"link"}