{"title":"Igor Stravinsky","description":"","products":[{"product_id":"pizzichi-e-sospiri-adriano-lincetto","title":"PINCHES AND SIGHS - Adriano Lincetto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAdriano Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Padua, 1936 – 1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePINCHES AND SIGHES \u003c\/b\u003e(CVLD104)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, SACD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eSuite for Paer, for String Orchestra (1980)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Allegro con spirito, 1:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Adagio, 2:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Tempo di Valzer, 2:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Allegro molto, 2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eConcerto for Flute and Strings (1979)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Largo espressivo cantabile. Allegro moderato 5:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Lento, cantando con molta espressione 4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro vivacissimo 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eElegy for Alphorn and Strings (1996)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e08 - Adagio, ma non troppo lento. Allegro molto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePoco meno cantando. Tempo I  12:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento for Bassoon and Strings (1995)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - nocturne  3:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Dance  3:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Elegy  6:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Finale  2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due for Guitar and Piano (1981)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(transcription for guitar and strings by the Author)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Prelude  4:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Dance  3:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - Finale  4:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdagio and Allegro for Mandolin and Piano (1978)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(transcription for mandolin and strings by Claudio Mandonico)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e16 - Adagio  2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Allegro  3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTOTAL DURATION: 70:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n  \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-Pizzichi-e-Sospiri\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eString Orchestra: I Solisti Filarmonici Italiani, conducted by Giovanni Guglielmo\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEnzo Caroli, flute\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessio Benedettelli, alphorn\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Bressan, bassoon\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessandro Bono, guitar\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUgo Orlandi, mandolin\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNative multi-channel recording in DSD format, made in March 2003 in the Library Hall of the Carceri d'Este Abbey, Italy.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSchoeps microphones, Millennia Media HV-3B microphone preamplifiers and a SADiE DSD8 recording system were used.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMixing and mastering were monitored using a DROMOS EGHEON multi-channel analogue preamplifier, AUDIA FLIGHT 100 x3 amplification and SPENDOR S-100 x5 loudspeakers\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer and sound engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto for Velut Luna\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music of Adriano Lincetto never aligned with the dictates of the dominant \"musical currents\" of the 20th century. \u003c\/span\u003e\u003cspan\u003eLincetto always composed following his own idea of beauty, melody and harmony. His music is tonal, and at times it does not fail to pay homage to those composers who, even unconsciously, were a source of inspiration, from Debussy and Ravel to Bartok and Stravinsky. \u003c\/span\u003e\u003cspan\u003eIt is absolute and timeless music, often created to satisfy the requests for \"new music\" from musician friends who then became its first interpreters, as in the case of this album Enzo Caroli and Alessio Benedettelli and the lifelong friend Giovanni Guglielmo. \u003c\/span\u003e\u003cspan\u003eMusic to be savored for its inherent beauty and without seeking any pseudo-cultural aftertaste, typical of power cliques linked more to political power than to Music understood in an absolute sense.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50034401345883,"sku":"CVLD104SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46739548504411,"sku":"CVLD104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/104-cover.jpg?v=1684148174"},{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolai Karlovich Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tchaikovsky \u0026amp; Mikhail Vasilievich Pletnev\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trepak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \"... deep vision of the text, combined with great musical maturity. Very young, but already master of a very high level piano technique and a vast and important repertoire... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianist (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"..strong musical personality and talent clearly emerge from his artistic abilities...he never flaunts virtuosity for its own sake...he always subordinates it to a higher intellectual vision, which reflects a clear awareness of musical architecture.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianist (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eWinner of numerous international competitions in Albania, Italy, Croatia, Great Britain, Macedonia, Kosovo, Switzerland-France, Slovenia, the Albanian pianist Kostandin Tashko has performed in important concert halls and festivals. His debut CD, on the KNS label, includes works by Liszt, Scriabin and Ravel. A student of the \"J.Misja\" High School in Tirana with Valbona Kasaj, he graduated with honours from the \"Giuseppe Tartini\" Conservatory of Music in Trieste under the guidance of Teresa Trevisan. Masterclasses with B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! Piano writing between composition, transcription and restitution. The path proposed by Kostandin Tashko in the name of the Russian musical tradition unfolds along a path that, although traced within the twentieth-century context, tends to look back nostalgically at a past with vaguely defined contours, between Medtner's dreamlike late romanticism, Tchaikovsky's fairy-tale and Stravinsky's ancestral. The undisputed protagonist is the piano, an instrument historically linked to compositional activity both as a starting point for the drafting of piano pieces entrusted to the performance of the composer himself, and as the recipient of transcriptions taken from orchestral pieces by the author or later performers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"the-velut-luna-reference-vol-1","title":"The Velut Luna's Reference Vol. 1: Masterclone 24K GOLD CD","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Velut Luna's Reference CD Vol.1 \u003c\/b\u003e(VLLP009) (CVLD393)\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/www.referencemusicstore.com\/product\/26406588\/the-velut-luna-s-reference-vinyl-limited-edition-2-lp-140-gr-\" target=\"_blank\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eAvailable in: \u003cstrong\u003eMasterclone 24K GOLD CD\u003c\/strong\u003e and \u003cstrong\u003eHD File\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eindividually made one by one - Only 50 copies available on Gold 24K CD!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eI-86 Going North\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:42 \u003c\/span\u003e(Fabio Ranghiero \/ Lucia Minetti - Lucia Minetti)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLucia Minetti \u0026amp; Fabio Ranghiero, Recorded at Magister Recording Area, Preganziol April 2022\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAmarsi un po'\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(Battisti - Mogol)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò \u0026amp; Enrico Santacatterina, Recorded at Parco Euganeo, Montegrotto Terme, August 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFind Me\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:06 \u003c\/span\u003e(D. Nisi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBaraonna, Recorded by Andy \u0026amp; Claudio Bartolucci at Delta-Top Studio, Roma, August 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eQuesta storia in testa\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:21 \u003c\/span\u003e(P.Fanton - M. Strano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula \u0026amp; Marco Strano, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eWhen You Wish Upon A Star\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:32 \u003c\/span\u003e(Harline - Washington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRosella Caporale, Delio Caporale \u0026amp; Achille Succi, Recorded at Magister Recording Area, Preganziol, June 2006\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlack Dog Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:33 \u003c\/span\u003e(traditional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNik Lee \u0026amp; The Jingle Fellas, Recorded at Magister Recording Area, Preganziol, April 2015\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFunk Checking\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:31 \u003c\/span\u003e(E. Santacatterina)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEnrico Santacatterina, Recorded by Enrico Santacatterina at E.S.P Studio, Mellaredo, October 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAsk The Trash Can\u003c\/b\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan\u003e \u003c\/span\u003e4:18 \u003c\/span\u003e(G. Marzorati)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGuido Marzorati \u0026amp; The Blugos, Recorded by Andrea Valfrè at Magister Recording Area, Preganziol, April 2012\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eJust A Smile\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(E. Santacatterina - C. Pastò)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChiara Pastò, Recorded at Magister Recording Area, Preganziol, June 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Salty Dog\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:45 \u003c\/span\u003e(Procol Harum - Brooker - Reid)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePaola Casula, Recorded at Magister Recording Area, Preganziol, April 2008\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBlues Elegante\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:05 \u003c\/span\u003e(K. Dorham)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLorenzo De Luca, Marcello Abate, Martino De Franceschi \u0026amp; Marco Soldà, Recorded at Magister Recording Area, Preganziol, January 2021\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCaravan\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e7:13 \u003c\/span\u003e(D. Ellington)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRoyal Big Band, Benny Lamonica\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Auditorium Comunale, Chiuppano, April 2003\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBasin Street Blues\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:13 \u003c\/span\u003e(S. Williams)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTiger Dixie Band, Recorded at Auditorium Comunale, Chiuppano, October 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eLibertango\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:33 \u003c\/span\u003e(A. Piazzolla)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSimone Zanchini \u0026amp; Modern Saxophone Quartet, Recorded at Auditorium Comunale, Chiuppano, May 2000\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eDarth Vader Theme from Empire Strikes Back\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:10 \u003c\/span\u003e(J. Williams, arr. F. Castania)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRaimondo Mazzon, Recorded at Auditorium Pollini, Padova, September 2019\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePas de deux from Nutcracker Suite\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:33 \u003c\/span\u003e(P.I. Tchaikovsky)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKostandin Tashko, Recorded at Studio Zanta, Camponogara, December 2020\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEstate, Allegro non molto from \"Le Quattro stagioni\", Op. VIII, n.2\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e5:44 \u003c\/span\u003e(A. Vivaldi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eStravinsky Chamber Orchestra, Marco Tezza\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor\u003c\/i\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e, Daniele Ruzza,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003esolo violin, \u003c\/i\u003e\u003c\/span\u003eRecorded at Chies di S. Francesco, Schio, May 1999\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSinfonia in sol min, KV183, Allegro con brio\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e6:40 \u003c\/span\u003e(W.A. Mozart)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eI Solisti dell'Olimpico, Giovanni Battista Rigon,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003econductor, \u003c\/i\u003e\u003c\/span\u003eRecorded at Teatro Olimpico, Vicenza, June 2004\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 1:20:19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e - - -\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eProducer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMARCO LINCETTO \u003c\/b\u003efor\u003cb\u003e VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eSound engineer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e (unless otherwise stated)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eGraphic designer:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eCover photo:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003ePaolo Vettore\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"1\" style=\"font-size: xx-small;\"\u003e\u003ci\u003e\u003cb\u003e(1963)\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe child in the cover image is me. At the age of two. It was 1963.\u003c\/p\u003e\n\u003cp\u003eAs far as I can remember, I have always loved listening to records. Certainly due to my family history, with my father who was a distinguished classical pianist and refined composer, and my mother an opera singer.\u003c\/p\u003e\n\u003cp\u003eBut certainly in those years of early childhood, the black \"saucepans\" that spun on the old family record player and from which my favorite fairy tales emerged, narrated by the great voices of great actors (I remember, for example, Nando Gazzolo and his \u003ci\u003e\u003cb\u003eLittle Red Riding Hood\u003c\/b\u003e\u003c\/i\u003e, and \u003ci\u003e\u003cb\u003eHansel and Grethel,\u003c\/b\u003e\u003c\/i\u003e and \u003ci\u003e\u003cb\u003eTom Thumb\u003c\/b\u003e\u003c\/i\u003e, whose records I literally wore out...), held a great fascination for me.\u003c\/p\u003e\n\u003cp\u003eAround eight or nine years old, the transition from fairy tales to The Beatles' 45s at the end of their career (Obladì, Obladà), or to the unusual and unknown sound of the Theremin used in Good Vibrations by the Beach Boys, was a completely natural progression.\u003c\/p\u003e\n\u003cp\u003eAnd when, at 13, I gradually began to discover Santana, Pink Floyd, Genesis, etc. etc. etc., combined with reading Suono and Stereoplay, it was equally natural to become infatuated with images of the large reel-to-reel recorders of the time, suitable for the then rare home studios.\u003c\/p\u003e\n\u003cp\u003eMy first love, so dreamed of and never owned, was the Tascam 80-8, an eight-track on half-inch tape. And the dream microphones were Sennheiser, the MD441s and MD421s... But the real dream was to \"build my own studio\"... something that would remain, for a long time, just a dream.\u003c\/p\u003e\n\u003cp\u003eWhen, at 19, I finally discovered the music of Jim Croce and understood that... \u003ci\u003e\u003cb\u003e\"It-Can-Be-Done!\"\u003c\/b\u003e\u003c\/i\u003e (\u003ci\u003ecit.\u003c\/i\u003e), that was the moment it became clear to me that sooner or later, I would do that job, I would \"\u003ci\u003e\u003cb\u003emake records.\u003c\/b\u003e\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003eAnd the rest is history...\u003c\/p\u003e\n\u003cp\u003eMy culture, my tradition, my fundamental experiences, are ANALOGUE.\u003c\/p\u003e\n\u003cp\u003eEven though, right from the start of my professional career in 1992, I was a champion of quality digital, I never abandoned analogue and, above all, I never abandoned the \"analogue mindset.\"\u003c\/p\u003e\n\u003cp\u003eSo, this ninth vinyl I produced can only be, I hope, the first in a series of \"collections\" of the best of the many beautiful pieces of music I have produced over the last 30 years with my Velut Luna. And on the cover, you won't find the little word \"Volume 1,\" just to avoid bad luck. But if this format is successful, others will follow.\u003c\/p\u003e\n\u003cp\u003eIn the meantime, enjoy listening to these authentic, ideal \"children\" of mine.\u003c\/p\u003e\n\u003cp\u003eA heartfelt thank you to all the musicians who have contributed to making Velut Luna great in its first 30 years.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e\u003ci\u003eMarco Lincetto\u003c\/i\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46949907628379,"sku":"CVLD393","price":36.0,"currency_code":"EUR","in_stock":true},{"title":"Masterclone 24K GOLD CD","offer_id":50577453842779,"sku":"CVLD393MC","price":69.0,"currency_code":"EUR","in_stock":false},{"title":"LP 33 rpm (2 LPs)","offer_id":50762588684635,"sku":"VLLP009","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD393-cover.jpg?v=1747240137"},{"product_id":"unus-inter-pares-stravinsky-bartok-lincetto","title":"UNUS INTER PARES - STRAVINSKY | BARTOK | LINCETTO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cb\u003eUNUS INTER PARES \u003c\/b\u003e(CVLD057)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Carbonare\u003c\/strong\u003e\u003c\/em\u003e, clarinet\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e\u003c\/em\u003e, violin and viola\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlberto Boischio\u003c\/strong\u003e\u003c\/em\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e1. Histoire du soldat, Suite 1919 for Violin, Clarinet and Piano (Igor Stravinsky)\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 14'38\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e2. Three Pieces for solo clarinet (Igor Stravinsky) - Alessandro Carbonare 3'40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e3. Contrasts for Violin, Clarinet and Piano, Sz. 111 (Béla Bartók) - Domenico Nordio 17'25\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e4. Sequenza cromatica per flauto (Adriano Lincetto) - \u003c\/span\u003e\u003cspan\u003e(Arranged for Violin) \u003c\/span\u003e\u003cspan\u003eDomenico Nordio 3'21\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e5. Sequenza cromatica per violino solo dall’originale per flauto solo di Adriano Lincetto (Giovanni Bonato) - Domenico Nordio 4'20\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e6. Fantasia per viola, clarinetto e pianoforte (Adriano Lincetto) - Domenico Nordio 7'50\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e7. Quattro improvvisi per pianoforte (Adriano Lincetto), \u003c\/span\u003e\u003cspan\u003ePresto - \u003c\/span\u003e\u003cspan\u003eAlberto Boischio 2'55\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTotal Time: 54:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Unus-Inter-Pares\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e24Bit \/ 96 kHz Digital Recording.\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eLive in studio at Pollini Auditorium (Padova, Italy) April, 2001\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eWith this CD, Velut Luna wishes to commemorate the Paduan composer Adriano Lincetto within his historical context. Thus, trio pieces alternate with those for solo instrument: Histoire du Soldat, Stravinsky's own trio version and the Three Pieces for solo clarinet, Bartok's Contrasts for trio, followed by Lincetto's Chromatic Sequence for solo flute. Finally, Lincetto's Fantasy for viola, clarinet and piano, and the virtuosic Presto for piano by the same composer.\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastering Enegineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034938085723,"sku":"CVLD057CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46977395851611,"sku":"CVLD057","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/057-cover.jpg?v=1690556310"},{"product_id":"amor-y-pasion-oscar-del-barba","title":"LOVE AND PASSION - Oscar Del Barba","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAMOR Y PASION \u003c\/b\u003e(CVLD215)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003eOriginal compositions by Oscar Del Barba. Franca Masu voice\/lirics by Alan Zamboni.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eO. Del Barba, grandpiano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Beccalossi, accordion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eG. Alberti, saxophone\/clarinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS. Maiore, double bass and cello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM. Vicentini, violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF. Masu, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e01 - EL NINO\u003cbr\u003e02 - PAIS\u003cbr\u003e03 - ORA\u003cbr\u003e04 - ARGENTO VIVO\u003cbr\u003e05 - LETTERA CANZONE\u003cbr\u003e06 - GATO BORRACHO\u003cbr\u003e07 - IL CUORE MUTO\u003cbr\u003e08 - PLAZA DE MAJO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Amor-y-Pasion\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24bit\/48hKz recording made at MagisterAreaStudios, Preganziol on October 11 \u0026amp; 12, 2009\/ March 31, 2011. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is always difficult to talk about a new recording project by Oscar Del Barba in a few lines.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBecause Oscar Del Barba is an incredibly rich author, who, like very few others today, manages to synthesize a large number of cultured references to the entire history of music over at least the last 300 years.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCulture and academic preparation (diploma in piano and then in composition), extensive experience in the world of jazz, a strong love for the music of the \"south of the world,\" particularly South America: this and much more is Oscar Del Barba.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf we absolutely had to give this album a \"genre\" definition, we could undoubtedly speak of \"tango and surroundings\"... It is also worth remembering that Oscar, in the album booklet, thanks, among others: Astor (Piazzolla), Igor (Stravinsky), Bela (Bartok), Claude (Debussy), Johann Sebastian (Bach)...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccompanied by a chamber group of musicians of absolute value, all endowed with the characteristic of \"interpretive versatility\" – Salvatore Maiore, double bass and cello, Maria Vicentini, violin, Fausto Beccalossi, accordion, Gianni Alberti, sax and clarinet and the extraordinary voice of Franca Masu – Del Barba delivers to history 8 musical portraits, where the descriptive power becomes, from time to time, evocative of situations and emotions, moving nonchalantly between Buenos Aires and Madrid, also wandering a bit through Central Europe...\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLast but not least, the beautiful original lyrics written specifically by Alan Zamboni are worth highlighting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is an album that takes you by the hand at track 1 and doesn't let go until the last note.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded live, as usual, in the splendid natural acoustics of the MagisterArea studios in Preganziol by Marco Lincetto, it also offers an engaging, enveloping, and absolutely natural sound on the recording front. As it could not be otherwise with the music of Oscar Del Barba.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009272320347,"sku":"CVLD215CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 48kHz · 24bit","offer_id":47028396065115,"sku":"CVLD215","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a39e00c4-206e-463c-8e5c-6999c55f9f97.jpg?v=1692350834"},{"product_id":"the-cinema-show-stravinskij-chamber-orchestra","title":"THE CINEMA SHOW! - Stravinsky Chamber Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTHE CINEMA SHOW! \u003c\/b\u003e(CVLD235)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eAvailable in: HD File, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eSTRAVINSKIJ CHAMBER ORCHESTRA:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eViolin I:\u003cbr\u003eDaniele Ruzza (solo),\u003cbr\u003eCiaki Kanda, Massimiliano Simonetto,\u003cbr\u003eFrancesca Bonomo\u003cbr\u003eViolin II:\u003cbr\u003eAlessandro Gasparini (solo),\u003cbr\u003eFederica Bertevello, Carlo Giordani\u003cbr\u003eViola:\u003cbr\u003eGiancarlo Bussola (solo), Caterina Camozzi\u003cbr\u003eCello:\u003cbr\u003eAndrea Bellato (solo), Giordano Pegoraro\u003cbr\u003eDouble Bass:\u003cbr\u003eDaniele Roccato (solo), Francesco Piovan\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eFEATURING SPECIAL GUESTS:\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003eDomenico Nordio, solo violin on Schindler's List\u003cbr data-mce-fragment=\"1\"\u003eMara Comellato, flute\u003cbr data-mce-fragment=\"1\"\u003eAntonio Graziani, clarinet\u003cbr data-mce-fragment=\"1\"\u003eMirko Bellucco, trumpet\u003cbr data-mce-fragment=\"1\"\u003eBenedetta Botter, voice\u003cbr data-mce-fragment=\"1\"\u003eGraziano Zuin, guitars\u003cbr data-mce-fragment=\"1\"\u003eGino Schipillitti, guitars\u003cbr data-mce-fragment=\"1\"\u003ePaolo Vidaich, percussions\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Piovan, drums\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 - Alladin, Suite 4:01\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 - Schindlers' List 5:08\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 - Forrest Gump 3:26\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 - Moon River 3:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 - Amapola 4:06\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06 - Nuovo cinema paradiso (Suite) 9:12\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07 - Anul tu lev 3:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 - Oblivion 3:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 - Per un pugno di dollari (Suite) 2:02\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 - C'era una volta in America (Suite) 15:42\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 - The Beauty and the Beast (Suite) 6:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eTotal Time: 60:20\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/TheCinemaShow\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e24\/96 digital recording made at the Public Auditorium, Chiuppano, Italy, on July 7 - 9, 2001 - Analog Remastering made at Velut Luna Studios, Preganziol, Italy, on June 1, 2012\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eMirko Schipilliti\u003c\/strong\u003e\u003cbr\u003ePhoto: \u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe generations of composers who grew up for and with cinema, and who ended up almost completely identifying with it or even with certain directors, affirmed the importance of a solid basic compositional schooling to indelibly engrave the image in sound, in a melody, in a timbre or chord, immediately penetrating the filmic situation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWriting for cinema also became a possible way to break or reduce the 20th-century gap created between contemporary composers and the general public, tackling the problem of simplification in communication between artist and user, with the awareness of composing music that in a very short time could reach a vast audience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis CD is a clear example of this: the music written by the greatest authors of all time, such as Ennio Morricone, Henry Mancini, John Williams, Alan Menken, Alan Silvestri, Astor Piazzolla, transports us through a magical world made of memorable stories and images.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002854510939,"sku":"CVLD235CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47048011579739,"sku":"CVLD235","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/235-cover.jpg?v=1692980861"},{"product_id":"le-otto-stagioni-vivaldi-piazzolla-stravinsky-chamber-orchestra","title":"THE EIGHT SEASONS | VIVALDI \u0026 PIAZZOLLA - Stravinsky Chamber Orchestra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTHE EIGHT SEASONS | VIVALDI \u0026amp; 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Shorter 6:37(Roberto Magris)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eBig Band Ritmo Sinfonica Città di Verona, Marco Pasetto, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Teatro Marinelli, Castelnuovo del Garda, September 2008\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNubian Dream 5:57\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(A. Sharara)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNew Project Jazz Orchestra, Renzo Vigagni, conductor\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eRecorded at Teatro Rosmini, Rovereto, December 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA3\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eWinter 7:31 (Oscar Del Barba)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOscar Del Barba Ensemble, feat, Mauro Negri, clarinet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Auditorium Pollini, Padua, April 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSIDE B - 6:02 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eB1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRadames 3:03\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Coslow, Age, Cremona)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Metronomes, feat. Michele Giacomazzi, guitar\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Papillons Studio, Padua, January 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Pink Panther Theme 6:50\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Henry Mancini)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMassimo Salvagnini Quartet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Condulmer Recording Studio, Zerman, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB3\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAmor em paz 5:30\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Antonio Carlos Jobim)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eMassimo Salvagnini Quartet, featuring Patrizia Laquidara\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Magister Recording Area, Preganziol, November 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eB4\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eI'm On My Way 2:33\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Traditional)\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eCheryl Porter, Guido Torelli \u0026amp; Leonardo Di Angilla\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Public Auditorium, Chiuppano, October 2001\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSIDE C - 6:15 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eC1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eSpring Portena 7:49\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Astor Piazzolla)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eStravinsky Chamber Orchestra, Marco Tezza, piano solo \u0026amp; conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at the Church of San Francesco, Schio, April 1999\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eC2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eVals venezolano \/ Contradanza 3:13\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Paquito D'Rivera)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAlessandro Carbonare, clarinet \u0026amp; Andrea Dindo, piano\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at the Church of San Francesco, Schio, August 2002\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eC3\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eLunas de cielo griz 2:42\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Alejandro Martinez)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eAlejandro Martinez \u0026amp; Nina Ves\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Studio A, Padua, June 2015\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eC4\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eEl pueblo unido jamas serà vencido 4:36\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Sergio Ortega, Quilapayún)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eYolanda Diaz \u0026amp; Matteo Nahum\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at MLH, Naquera (Spain), September 2023\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eSIDE D - 7:33 PM\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eD1\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eConcerto in A Major K622\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003efor Clarinet and Orchestra: Allegro 11:42\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Wolfgang Amadeus Mozart)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOrchestra of Padua and Veneto, Zsolt Hamar, conductor, Luca Lucchetta, clarinet\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Teatro Verdi, Padua, October 2006\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eD2\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGianò's Dreams:\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe Accordion and the Child 7:50\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Adriano Lincetto)\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eOrchestra of Padua and Veneto, Fabio Framba, conductor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eRecorded at Auditorium Pollini, September 2009\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eAll recordings made in Italy, except for C4 made in Spain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eA heartfelt thanks to all the musicians who have helped make Velut Luna great in its first 30 years.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e(Marco Lincetto)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSound engineer: Marco Lincetto unless otherwise indicated\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eGraphic design: L'Image \/ Photo taken by: Paolo Vettore (1963)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e- - -\u003c\/strong\u003e\u003c\/p\u003e\n\n \u003cp\u003eThe child in the cover photo is me. At the age of two. It was 1963.\u003cbr\u003e For as long as I can remember, I've always loved listening to records. Certainly because of my family history, with my father being an illustrious classical pianist and refined composer, and my mother an opera singer.\u003cbr\u003e But certainly in those years of early childhood I was greatly fascinated by those big black pans that spun on the old family record player and from which emerged my favorite fairy tales, narrated by the great voices of great actors (I remember, for example, Nando Gazzolo and his Little Red Riding Hood, and Hansel and Grethel, and Tom Thumb, whose records I literally wore out...).\u003cbr\u003e Around the age of eight or nine, the transition from fairy tales to the Beatles' 45s at the end of their career (Obladì, Obladà), or to that unusual and unknown sound of the Theremin used in Good Vibrations by the Beach Boys, was a completely natural occurrence. \u003cbr\u003eAnd when at 13 I gradually began to discover Santana, Pink Floyd, Genesis, etc.etc.etc., combined with reading Suono and Stereoplay, it was equally natural to become infatuated with the images of the large reel-to-reel tape recorders of the time, suitable for the then rare home studios.\u003cbr\u003e My first love, much dreamed of but never owned, was the Tascam 80-8, eight tracks on half-inch tape. And my dream microphones were Sennheisers, MD441s, and MD421s... But the real dream was to \"build my own studio\"... which would remain just a dream for a long time. When I finally, at 19, discovered Jim Croce's music and understood that... \"It-Can-Be-Done!\" (quote), it was the moment when it became clear to me that sooner or later, I would do that job, I would \"make records.\"\u003cbr\u003e And the rest is history...\u003cbr\u003e \u003cbr\u003eMy culture, my tradition, my fundamental experiences are ANALOGUE. Although I was a champion of quality digital right from the start of my professional career in 1992, I have never abandoned analog, and above all, I have never abandoned the \"analog mindset.\"\u003cbr\u003e Here comes this second volume of my most beloved, most significant recordings of over thirty years of production activity with VELUT LUNA. As in volume 1, each side of the four that make up this double vinyl is thematic and dedicated to the great Big Bands, which move between jazz and ethnic crossover (Side A), jazz in club format, from the Italian swing of The Metronomes, to the gospel of Cheryl Porter (Side B), South American and Latin music, very important to me and the cornerstone of my deepest feelings (Side C), and finally the great \u003cbr\u003eclassical music, here translated into the wonderful Clarinet Concerto by Mozart and the final movement from the Symphonic Suite “I Sogni di Gianò” by my father Adriano Lincetto.\u003cbr\u003e\u003cbr\u003e ...And see you at the third and final volume of this “summa” of mine, scheduled for publication in February 2025, on the occasion of the 30th anniversary of the birth of VELUT LUNA.\u003c\/p\u003e\n\n\u003cp\u003e Marco Lincetto\u003c\/p\u003e\n\n\u003cp\u003e \u003ca href=\"https:\/\/www.referencemusicstore.com\/product\/29952519\/the-velut-luna-s-reference-vinyl-vol-2\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-size: large; color: #2b00ff;\"\u003e\u003cspan style=\"color: #2b00ff; font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"4\"\u003eAVAILABLE IN DOUBLE LP 180GR FORMAT\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"640\" src=\"https:\/\/www.youtube.com\/embed\/X_gJ6oZtxZs\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm (2 LPs)","offer_id":49988427153755,"sku":"CVLD370LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":47869912449371,"sku":"CVLD370","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1e4ddf10-58c3-4ea9-93ef-e2768ff885f6.jpg?v=1748505599"},{"product_id":"queen-piano-transcriptions","title":"QUEEN: PIANO TRANSCRIPTIONS","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003cstrong\u003eQUEEN: PIANO TRANSCRIPTIONS\u003c\/strong\u003e (LDV14112)\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e Don't Stop Me Now (1979)\u003cbr data-mce-fragment=\"1\"\u003e Bohemian Rhapsody (1975)\u003cbr data-mce-fragment=\"1\"\u003e Crazy little thing called love (1979)\u003cbr data-mce-fragment=\"1\"\u003e Love of my life (1979)\u003cbr data-mce-fragment=\"1\"\u003e Another one bites the dust (1980)\u003cbr data-mce-fragment=\"1\"\u003e Who wants to live forever (1986)\u003cbr data-mce-fragment=\"1\"\u003e We Will Rock You (1977)\u003cbr data-mce-fragment=\"1\"\u003e Somebody to Love (1976)\u003cbr data-mce-fragment=\"1\"\u003e I Want It All (1989)\u003cbr data-mce-fragment=\"1\"\u003e I Want to Break Free (1984)\u003cbr data-mce-fragment=\"1\"\u003e Living on My Own (1985)\u003cbr data-mce-fragment=\"1\"\u003e Radio Gaga (1984)\u003cbr data-mce-fragment=\"1\"\u003e The show must go on (1991)\u003cbr data-mce-fragment=\"1\"\u003e We are the champions (1977)\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eThe mixing of musical genres is now a widespread practice even among the so-called “classical musicians”; from the jazz influences that seduced Ravel and Stravinsky, to Mussorgsky Pictures reinterpreted in a rock key by Emerson Lake \u0026amp; Palmer, no matter what the musical form of origin and destination; the important thing is to experiment, and in the experimentation, keeping alive the character of the work itself, with a contribution of originality that brings different styles and audiences closer together.\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e 1 CD\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Queen-Piano-Transcriptions\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e ROBERTO FRANCA\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996448244059,"sku":"LDV 14112","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/14112-14112-queen-piano-transcoption-sito-cover.jpg?v=1712327611"},{"product_id":"stokowski-conducts-the-xx-century","title":"STOKOWSKI CONDUCTS THE 20TH CENTURY","description":"\u003cp\u003e \u003cstrong\u003eSTOKOWSKY CONDUCTS THE 20TH CENTURY\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e SHOSTAKOVICH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphony No. 5\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(New York Studium Sympony Orchestra, 1958)\u003c\/p\u003e\n\n\u003cp\u003e SCRIABIN:\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe Poem of Extasis, Op. 54\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Houston Symphony Orchestra, 1960)\u003c\/p\u003e\n\n\u003cp\u003e GLIES:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphony No. 3\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Houston Symphony Orchestra, 1957)\u003c\/p\u003e\n\n \u003cp\u003eSTRAVINSKY:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePetrushka – Suite\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Berliner Philharmoniker, 1957)\u003c\/p\u003e\n\n\u003cp\u003e BLOCH:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSchelomo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(The Symphony of the Air, 1959 – George Neikrug, cello)\u003c\/p\u003e\n\n\u003cp\u003e IBERT:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEscales\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(French Radio National Orchestra, 1958)\u003c\/p\u003e\n\n\u003cp\u003e LEOPOLD STOKOWSKY\u003c\/p\u003e\n\n\u003cp\u003e (2 CDs)\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/uraniarecords.lnk.to\/Stokowski-Plays-the-20th-Century\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"𝐂𝐃","offer_id":47996452831579,"sku":"WS 121.168","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/168-cover-SITO.jpg?v=1712327702"},{"product_id":"dsd-hi-res-audio-sampler-vol-1","title":"DSD \u0026 Hi-Res AUDIO SAMPLER VOL.1","description":"\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eDSD \u0026amp; Hi-Res AUDIO SAMPLER VOL.1\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. \u003cstrong\u003eAllegro maestoso. 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Once you begin to appreciate the accuracy of high definition, you'll never want to go back.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"VARIOUS SAMPLING FREQUENCIES","offer_id":48538050330971,"sku":"cbh-sampler23","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/samplerdsd1.png?v=1772819579"},{"product_id":"stravinsky-the-rite-of-spring-leonard-bernstein-new-york-philharmonic-orchestra","title":"Stravinsky The Rite of Spring - Leonard Bernstein New York Philharmonic Orchestra","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eIgor Stravnsky: Le Sacre du printemps\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cspan color=\"#000000\" style=\"font-size: 1.4em; color: #000000;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e1. 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L'oiseau de feu\u003c\/i\u003e\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"font-size: 1.4em; color: #202122;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e(Suite, 1919 version)\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan color=\"#202122\" style=\"font-size: 1.4em; color: #202122;\"\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003e(21'12)\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003col\u003e\u003c\/ol\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\"\u003eNew York Philharmonic Orchestra\u003c\/span\u003e\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003eConductor:\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eLeonard Bernstein\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e \u003c\/span\u003eRecording: \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan\u003eNew York, Brooklyn, St. George Hotel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e , January 20, 1958 ( \u003ci\u003eSacre\u003c\/i\u003e )\u003c\/p\u003e\n\n\u003cp\u003e Recording: \u003cspan style=\"color: #0000ff;\" color=\"#0000ff\"\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e\u003cspan\u003eNew York, Brooklyn, St. George Hotel\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e , January 28, 1957 ( \u003ci\u003eL'oiseau\u003c\/i\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eProducer: Howard Scott\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003eSound Engineer: Fred Plaut\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Discover Igor Stravinsky, performed by Leonard Bernstein and the New York Philharmonic Orchestra! An unparalleled musical experience filled with triumphs and emotions that will transport you on a 55-minute adventure. \u003c\/p\u003e\n\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 118px; top: 31.5938px;\"\u003e\n\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz · 16bit","offer_id":48538109051227,"sku":"cbh-171-44","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":48538109116763,"sku":"cbh-171-96","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 192kHz · 24bit","offer_id":48538109149531,"sku":"cbh-171-192","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD FILES · 64","offer_id":48538109182299,"sku":"cbh-171-64","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"DSD FILES · 128","offer_id":48538109215067,"sku":"cbh-171-128","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercapsa171.png?v=1773646247"},{"product_id":"americanizada-boischio-rinaldo","title":"AMERICANIZED - BOISCHIO, RINALDO","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eAMERICANIZADA \u003c\/strong\u003e(\u003cspan\u003eCVLD122\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eBARBER, COPLAND, PIAZZOLLA, MILHAUD\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eA. BOISCHIO, D. RINALDO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in:\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eREMASTERED DIGITAL: HD FILE 96kHz · 24bit\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eREMASTERED ANALOG: HD FILE 88.2kHz · 24bit\u003c\/em\u003e\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\"\u003e\u003cem\u003eCD\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Samuel Barber - From Souvenirs op 28-Pas de Deux\u003cbr\u003e02 - Samuel Barber - From Souvenirs op 28-Hesitation Tango\u003cbr\u003e03 - Richard Rodney Bennet - From Pieces Suite-Samba triste\u003cbr\u003e04 - Richard Rodney Bennet - From Pieces Suite-Country Blues\u003cbr\u003e05 - Richard Rodney Bennet - From Pieces Suite-Ragtime Waltz\u003cbr\u003e06 - Richard Rodney Bennet - From Pieces Suite-Finale, Hard Rock\u003cbr\u003e07 - Aaron Copland - Danzon Cubano\u003cbr\u003e08 - Aaron Copland - Danza de Jalisco\u003cbr\u003e09 - Astor Piazzolla - Le Grand Tango\u003cbr\u003e10 - Darius Milhaud - Scaramouche-Vif\u003cbr\u003e11 - Darius Milhaud - Scaramouche-Moderè\u003cbr\u003e12 - Darius Milhaud - Scaramouche-Brazileira\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Americanizada-for-Two-Pianos\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eDiscography:\u003cbr\u003eMendelssohn, Piano, Violin and String Concerto (vl. S. Furini), Azzurra Music 1995\u003cbr\u003eAlbeniz, Recuerdos de Viaje (first recording), Lincetto, Schizzi per pf. , Velut Luna 1998\u003cbr\u003eChopin, anthology (150th anniversary), Sicut Sol 1999\u003cbr\u003eGrieg, piano works vol. I, Velut Luna\u003cbr\u003eGarcia Lorca-Albeniz, Lyrics for voice and piano. , Songs from Spain op. 232 for piano, Velut Luna\u003cbr\u003eBartok, Contrasts, Stravinsky, Histoire du Soldat, Lincetto, Fantasia (violin and viola Domenico Nordio, clarinet Alessandro Carbonare), Velut Luna 2001\u003cbr\u003eFerruccio Busoni, 24 Preludes op. 37 for piano and other rarities, Velut Luna 2003\u003cbr\u003eAmericanizada, music for two pianos, Velut Luna 2005\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere's a truly transversal album: some of the most famous American and international classical composers of the 20th century pay homage to the popular rhythms and dances of the two Americas. Barber, Copland, Piazzolla, and also Bennet and Milhaud tackle Tango, Samba, Blues, Ragtime Waltz, Cuban dances, and Brasileira. The protagonists are two sleek and shiny Steinway \u0026 Sons Grand Concert Pianos, which with their varied and multiple sonorities fill the album as much as and even more than a large orchestra, also aided by a recording characterized by the highest possible quality available today.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030336082267,"sku":"CVLD122CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"REMASTERED DIGITAL: HD FILE 96kHz · 24bit","offer_id":49783797416283,"sku":"CVLD122D","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"REMASTERED ANALOG: HD FILE 88.2kHz · 24bit","offer_id":49783784964443,"sku":"CVLD122A","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/122-cover.jpg?v=1735382218"},{"product_id":"i-sogni-di-giano-concerto-orchestra-di-padova-e-del-veneto","title":"GIANO'S DREAMS CONCERT - ORCHESTRA OF PADUA AND VENETO","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eGIANO'S DREAMS CONCERTO \u003c\/strong\u003e(\u003cspan\u003eCVLD205\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eADRIANO LINCETTO SILVIO OMIZZOLO\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eORCHESTRA DI PADOVA E DEL VENETO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSILVIO OMIZZOLO (1905 – 1991)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eConcerto for cello, strings and piano (1958)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 – Allegro marcato,  9:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 – Andante,  6:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 – Rondò (Presto),  9:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eADRIANO LINCETTO (1936 – 1996)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGianò’s Dreams (1985)\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOrchestral Suite for flute, oboe, bassoon, two trumpets, strings and voice\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 – Canzone d’Amore,  13:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 – Sono stato soldato,  12:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 – La fisarmonica e il bambino,  7:51\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal time: 59:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-AND-Silvio-Omizzolo\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eOriginal 24bit\/88.2 digital recording made at the Pollini Auditorium, Padua, in September 2009\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVelut Luna production\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusic producer and editing engineer Fabio Framba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalance and mixing engineer Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover (Grand Prismatic Spring, Yellowstone National Park, Wyoming) Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto, Nicola Righetti, Elide Cataldo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout L'image\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMario FOLENA flute  Paolo BRUNELLO oboe  Andrea BRESSAN bassoon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSimone LONARDI trumpet  Roberto CATERINI trumpet  Silvia REGAZZO voice \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDamiano SCARPA cello  Pierluigi PIRAN piano   \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eORCHESTRA DI PADOVA E DEL VENETO  FABIO FRAMBA conductor\u003c\/span\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto and Silvio Omizzolo were two Italian composers who lived through the musical history of the 20th century, both passing away at the end of the century.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnited by the fact that the former was a student of the latter, they later shared many common musical experiences, including the important role of directing the Cesare Pollini Conservatory of Music in Padua, at different times, and an intense concert activity as distinguished and esteemed pianists.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSilvio Omizzolo's Concerto for cello, strings and piano belongs to the great tradition of Central European music of the mid-20th century, finding illustrious references in authors such as Bartok and Stravinsky. Clearly structured in the concerto form, it offers the cello important virtuoso opportunities.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Suite \"I Sogni di Gianò\" by Adriano Lincetto was derived by the composer himself from his original incidental music written in 1969 as the soundtrack to the one-act pantomime of the same name by Cornelia Mora Taboga. It is strongly descriptive and evocative music, which bases its strength on an uninterrupted series of poignant melodies, permeated by the deepest and most cultured Italian tradition, but rich in \"French\" echoes, in homage to the Parisian setting of the story of the tramp Gianò, which takes place in a forgotten, timeless Paris.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded in the usual live-in-studio format at the Cesare Pollini Auditorium in Padua, this album features the heartfelt interpretation of the Orchestra di Padova e del Veneto conducted by Fabio Framba, with Damiano Scarpa as cello soloist, Pierluigi Piran on piano and Silvia Regazzo, who performs an important vocal solo cameo within the Suite I Sogni di Gianò.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50015359566171,"sku":"CVLD205CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":49820735504731,"sku":"CVLD205","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/205-cover.jpg?v=1736002068"},{"product_id":"flute-for-dinner-ammendola-benciolini-candiotto-casa-degli-innocenti-di-giorgio-guglielmo-la-malfa-nobile-pavan-sabbadin-valerio-bisi","title":"FLUTE FOR DINNER - Ammendola, Benciolini, Candiotto, House, Of the Innocents, Of Giorgio, Guglielmo, La Malfa, Noble, Pavan, Sabbadin, Valerio, Bisi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eFLUTE FOR DINNER \u003c\/strong\u003e(\u003cspan\u003eCVLD248\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eADRIANO LINCETTO; ARTHUR HONEGGER AND FRANCIS POULENC\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformers\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eGloria Ammendola, Tommaso Benciolini, Simone Candiotto, Giulia Casa, Ludovico Degli Innocenti, Marco Aurelio Di Giorgio, Elia Guglielmo, Veronica La Malfa, Roberta Nobile, Caterina Pavan, Alice Sabbadin, Niccolò Valerio; Maria Bisi ( grandpiano )\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e   Adriano Lincetto\u003cbr\u003eQuartetto per flauti in do (1977) 12:16\u003cbr\u003e01. Allegro deciso e molto marcato\u003cbr\u003e02. Andante cantabile e sognante\u003cbr\u003e03. Vivacissimo\u003cbr\u003eSonatina per flauto e pianoforte (1978) 9:41\u003cbr\u003e04. Allegro spigliato\u003cbr\u003e05. Andante elegiaco\u003cbr\u003e06. Allegro ironico e grottesco\u003cbr\u003e07. Sequenza per flauto solo (1979) 3:03\u003cbr\u003eGiochi d’infanzia per tre flauti in do (1979) 4:39\u003cbr\u003e08. Allegro spiritoso\u003cbr\u003e09. Adagio ma non troppo\u003cbr\u003e10. Scorrevole\u003cbr\u003e   Arthur Honegger (bonus track)\u003cbr\u003e11. Dance de la Chèvre (1921) 3:27\u003cbr\u003eFrancis Poulenc (bonus tracks)\u003cbr\u003eSonata for flute and piano (1956) 11:44\u003cbr\u003e12. Allegro Malinconico\u003cbr\u003e13. Cantilena\u003cbr\u003e14. Presto giocoso\u003cbr\u003eAdriano Lincetto\u003cbr\u003e15.Adagio e Allegro per orchestra di flauti (1982) 5:54\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Flute-for-Dinner\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e88.2 kHz \/ 24bit original recording made at Auditorium Pollini, Padova, Italy on December 11st, 12nd 2014\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eProduction: Velut Luna\u003c\/strong\u003e\u003cbr\u003eMusical producer and artistic direction: Daniele Ruggieri\u003cbr\u003eRecording and mastering engineer: Marco Lincetto\u003cbr\u003eEditing engineer: Matteo Costa\u003cbr\u003eCover and inside photos: Marco Lincetto\u003cbr\u003eDesign: L’Image\u003cbr\u003eMarketing and Sales Manager: Patrizia Pagiaro\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdriano Lincetto dedicated a significant part of his life to musical education and the promotion of young talents, in his role as a piano teacher, holding a professorship starting in 1966. This important training and didactic activity saw him as a protagonist at the \"Cesare Pollini\" Conservatory of Music in Padua for over 30 years: a conservatory that he also led with tenacity and stubbornness in the last 10 years of his life, before his premature death on April 24, 1996.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe flute is a very important and highly regarded instrument within the body of Adriano Lincetto's compositions. And a significant reason, perhaps the most important, leads us to refer to the primary inspirational source of the Paduan Master, which underlies all his compositions: his closeness to the performers.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is well known, as the great Radu Lidijenko also highlights in his critical writings on the Master from Padua, that Lincetto undoubtedly wrote because he \"could not not write\": his was a primary need of his being an artist; but then, equally, writing for him also meant \"giving\" his music to his friends, or to his son Francesco, who, as it happens, was an excellent flutist. In this regard, it cannot be forgotten that a significant part of Adriano Lincetto's concert career as a pianist developed in the formation of the chamber duo with flute, with Enzo Caroli, in the 70s and 80s.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTherefore, most of the compositions on this album are written, conceived, and dedicated to these important... friends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt is always difficult to talk about the compositional style of a distinctly independent author from the second half of the 20th century, free from the dictates of \"schools\" (\"of the regime,\" allow me to add with a deliberate polemical spirit...). It is difficult because a sensitive and deeply cultured person cannot help but be influenced by the layers of a thousand and more years of previous musical literature. And this consciously, but certainly even more unconsciously.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is therefore a daunting task for the \"good critic\" to try to identify and isolate these sources of inspiration. Lincetto was certainly enamored of the radical innovation brought to the world of music by two great revolutionaries such as Debussy and Stravinsky, whose manners and customs Lincetto sometimes quotes. But he was not insensitive either to the synthesizing ability of the great popular music of Eastern Europe achieved by authors like Bartok or Prokofiev.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdriano Lincetto is certainly a child of the 20th century (although a fundamental composition for string orchestra from 1980, significantly titled \"Suite per Paer,\" cannot be forgotten).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDelving further into detail, it is very interesting to note a strong need to communicate his vision of the notes written on the staff to the performer, even using words: the definitions of the individual movements and the agogic indications throughout the score are always illuminating and, I would say, striking. Taking the Sonata for flute and piano as a paradigmatic example, we can and must note the titles of the movements: Allegro spigliato, Andante elegiaco, Allegro ironico e grottesco. There is always an adjective to the classic definitions: very precise adjectives, which make the sensitive performer perceive the author's almost desperate need for his music to be fully understood. No less so are the agogic indications: \"flowing, but marked\" is written at the beginning of the third movement of the Sonata...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere, the true great difficulty in translating Lincetto's compositions into sounds lies, even more than in the strict technical difficulty of correctly executing the notes, in being able to fully understand what the author, with so much imagination and stubbornness, tried to communicate with those notes, not disjoined from the words that further define them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis communicative \"anxiety,\" finally, distinctly separates the author from the frigid dryness of the great masters of the past, such as J.S. Bach, who, as is well known, left almost exclusively to the note written on the staff his entire artistic message (to the somewhat perverse delight of the many imaginative interpreters who over the centuries have engaged with the music of the great German author).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd also in this, Adriano Lincetto is not only a child of the 20th century, but also in some way a precursor of the twenty-first century, the century of great direct communication, the century of the internet and social networks.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI have always wondered how Adriano Lincetto would have experienced this new era and I have always answered myself that he would have had a lot of fun and perhaps would have found his most authentic natural \"artistic habitat.\" Unfortunately, Adriano Lincetto prematurely passed away at the dawn of the new era, and all our curiosity is inexorably destined to remain unanswered.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49894404030811,"sku":"CVLD248","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/248-cover.jpg?v=1736893580"},{"product_id":"original-dixie-songbook-tiger-dixie-band","title":"ORIGINAL DIXIE SONGBOOK - TIGER DIXIE BAND","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eORIGINAL DIXIE SONGBOOK\u003c\/strong\u003e ( \u003cspan\u003eCVLD251\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e : TIGER DIXIE BAND\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003col\u003e\n\n\u003cli\u003e Original Dixieland One-Step (Original Dixieland Jass Band)\u003c\/li\u003e\n\n\u003cli\u003e South (Bennie Moten)\u003c\/li\u003e\n\n\u003cli\u003e China Boy (trad.)\u003c\/li\u003e\n\n\u003cli\u003e Skeleton Jungle (Original Dixieland Jass Band)\u003c\/li\u003e\n\n\u003cli\u003e Down by the Riverside (trad.)\u003c\/li\u003e\n\n\u003cli\u003e Fidgety Feet (Original Dixieland Jass Band)\u003c\/li\u003e\n\n\u003cli\u003e Moten Swing (Bennie Moten)\u003c\/li\u003e\n\n\u003cli\u003e At the Jazz Band Ball (Original Dixieland Jass Band) **\u003c\/li\u003e\n\n\u003cli\u003e Maple Leaf Rag (Scott Joplin)\u003c\/li\u003e\n\n\u003cli\u003e Somebody Stole My Gal (Leo Wood)\u003c\/li\u003e\n\n\u003cli\u003e Alabama Jubilee (George L. Cobb)\u003c\/li\u003e\n\n\u003cli\u003e Davenport Blues (Bix Beiderbecke)\u003c\/li\u003e\n\n\u003cli\u003e Sadie Green, The Vamp of New Orleans (trans.)\u003c\/li\u003e\n\n\u003cli\u003e Tiger Rag (Original Dixieland Jass Band)\u003c\/li\u003e\n\n\u003cli\u003e Bill Bailey (Hughie Cannon)\u003c\/li\u003e\n\n\u003cli\u003e Ice Cream (trans.)\u003c\/li\u003e\n\n\u003cli\u003e Amazing Grace (trad.) ***\u003c\/li\u003e\n\n \u003cli\u003eWhen the Saints Go Marching In (trans.)\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\n\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Original-Dixieland-Songbook\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e Paolo Trettel: trumpet\u003c\/p\u003e\n\n\u003cp\u003e Stefano Menato: clarinet\u003c\/p\u003e\n\n\u003cp\u003e Fiorenzo Zeni: tenor saxophone\u003c\/p\u003e\n\n\u003cp\u003e Luigi Grata: trombone (tuba on track 16)\u003c\/p\u003e\n\n\u003cp\u003e Andrea Boschetti: banjo – guitar\u003c\/p\u003e\n\n\u003cp\u003e Renzo De Rossi: piano (baritone sax on track 17)\u003c\/p\u003e\n\n\u003cp\u003e Giorgio Beberi: bass saxophone\u003c\/p\u003e\n\n\u003cp\u003e Claudio Ischia: drums\u003c\/p\u003e\n\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e What significance do the pieces collected in this collection by the Tiger Dixie Band have today? It's a repertoire from the origins of jazz, now nearly a hundred years old, largely originating in the American South. It represents a music born from the fusion of different European and African cultures.\u003c\/p\u003e\n\n\u003cp\u003e While preserving the essence of that period, jazz has developed its own original physiognomy, which we can truly define as authentically American.\u003c\/p\u003e\n\n \u003cp\u003eIn the 20th century, when it was brought to Europe, particularly Paris, it quickly attracted the interest of artists and musicians such as Stravinsky, Ravel, Picasso, and Matisse. The latter created his splendid graphic album titled Jazz, featuring works of rare beauty, complemented by reflections on art and the creative process, inspired by the new music from overseas. Matisse wrote in the album, drawing inspiration from the observant spontaneity of jazz: \"The artist must bring all his energy, his sincerity, and the greatest modesty to avoid cliché in his work.\"\u003c\/p\u003e\n\n \u003cp\u003eWhy revive those pieces today? Perhaps because they have retained their freshness and communicative tension, despite no longer being able to shake up perceptual habits as forcefully as they did in the early twentieth century. Because, despite their apparent simplicity, they conceal refinement and a great variety of timbral textures, colors, and nuances. Many musicians developing an innovative approach today intelligently draw on those timbral experiences, on spontaneous polyphony, aptly defined as heterophony by some scholars, which transcends the individual soloist to reinvigorate collective improvisation. In general, because of the stimulation this music still has.\u003c\/p\u003e\n\n \u003cp\u003eThe Tiger Dixie Band brings together distinguished soloists from the Triveneto region, a region with a nearly twenty-year history. At times, the band has sought a forward-thinking approach, recording with musicians like Markus Stockhausen and infusing a contemporary sensibility into its performances. At the same time, however, the band has strived to maintain a rigor faithful to the original model. The balance between the two components imbues the offering with a sense of purpose and makes it enjoyable and contemporary. The soloists have metabolized that language through years of practice and immersed it in their own contemporary sensibility, achieving a fluid interpretation, rich in nuance and subtle humor.\u003c\/p\u003e\n\n \u003cp\u003eWith this background, the band approached this early classical repertoire, adhering philologically to those compositions and infusing them with new vitality. The strong interplay between the wind instruments in the front line is prominent: trumpet, clarinet, and trombone, in the New Orleans tradition, joined by tenor saxophone. Throughout many tracks, one hears the perfect distribution of parts, treated in spontaneous counterpoint, from the opening \"Original Dixieland One-Step\" to \"China Boy,\" from \"Davenport Blues\" to \"Bill Bailey,\" which conceals within itself, with delightful humor, \"Stormy Weather\" and \"La Vie en Rose.\" The same attention is evident in the arrangements, which cover famous songs and make improvisation a precious resource.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":49894438764891,"sku":"CVLD251","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/251-cover.jpg?v=1736894684"},{"product_id":"sasha-mashin-happy-run","title":"Sasha Mashin | HAPPY RUN ","description":"\u003cdiv class=\"f985Lm QfrfFD cell\"\u003e\n\u003ch1 data-hook=\"product-title\" class=\"OXQzmM ImgXFz\"\u003eSasha Mashin | HAPPY RUN \u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e(BBR2023SM01\u003cspan style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"QfrfFD cell\"\u003e\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"w0gcbV QfrfFD cell\"\u003e\n\u003cdiv class=\"\" data-hook=\"slot-placeholder-TPAMultiSection_l322hsvn.product-page-details-slot-1\" id=\"TPAMultiSection_l322hsvn.product-page-details-slot-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cBttMq QfrfFD cell\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"OXQzmM ImgXFz\" data-hook=\"product-title\"\u003e\u003cstrong\u003eAvailable in: \u003c\/strong\u003eCD, Tape, FILE HD 96kHz • 24bit\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCountry of Obscurantism (Sasha Mashin) 09:11\u003c\/li\u003e\n\u003cli\u003eYellow Blues (Makar Novikov) 08:29\u003c\/li\u003e\n\u003cli\u003eHey it's Spring (Igor Stravinsky) 06:44\u003c\/li\u003e\n\u003cli\u003eDarn the Dream (Jimmy Van Heusen) 06:06\u003c\/li\u003e\n\u003cli\u003eSuite et Poursuite (Rosario Giuliani) 16:17\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/birdboxrecords.lnk.to\/Happy-Run\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine up\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSasha Mashin  | drums\u003cbr\u003eRosario Giuliani| alto sax\u003cbr\u003eMakar Novikov  | double bass\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCredits\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Sasha Mashin | SMASHIN PRODUCTION\u003cbr\u003eExecutive Producer: Lorenzo Vella | BIRDBOX RECORDS \u003cbr\u003eRecorded at Saint Louis College of Music (Roma)\u003cbr\u003eRecording\/mixing engineer: Sasha Mashin\u003cbr\u003eMastering engineer: Lorenzo Vella\u003cbr\u003eCover photo: Lorenzo Vella | NIGHTINGALE STUDIOS\u003cbr\u003eAdditional photos: Alessio Cesario, Ira Polyarnaya\u003cbr\u003eGraphics: Nerina Fernandez\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDescription\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSasha Mashin - Happy Run\u003cbr\u003eSasha Mashin's new and first Italian album, titled \"Happy Run,\" features two extraordinary artists, saxophonist Rosario Giuliani and double bassist Makar Novikov.\u003cbr\u003e \u003cbr\u003eMashin, a Russian drummer, chose Italy and Rome as his place of residence for the past two years after the outbreak of the conflict involving his country. Sasha Mashin lived in Moscow, where he played a leading role in the city's cultural and musical scene. Two activities in particular occupied much of his time: \"Sasha Mashin Happy Lab,\" which took place once a week at Moscow's main jazz club, and 'Sasha Mashin Happy Run,' where friends would meet to run 10 kilometers and chat once a week. The idea behind the musical workshop was to break down the barrier between the audience and the stage, promoting informal communication, concerts, and the exchange of ideas. In a short time, the lab became a regular event for listening to great music and a meeting place for creatives who shared ideas and started new projects. Similarly, the amateur sports event became popular, with many of the same participants as the \"Happy Lab.\" The rules were simple: as long as you run, you can learn anything you want, not only from the event's creator, Mashin himself, but also from all the musicians or people involved in the 10-kilometer run, who came from various professional backgrounds. The outbreak of the war profoundly changed the dynamics, not only on an international scale but also, and above all, in the lives of individuals. Sasha Mashin continued to \"run,\" not only metaphorically. Arriving in Italy as a political refugee, he found new friends, exceptional musicians who welcomed him both as a person and as an artist. Today, the Russian drummer feels he can call Rome his \"home\" and his new and old friends \"his family.\"\u003c\/p\u003e\n\u003cp\u003e“I feel like I've finally finished my race,\" explains Sasha Mashin in the liner notes of his album, \"for the first time in a long time I feel truly happy. While once the idea of emigrating filled me with existential terror, it doesn't even feel like I've left home. Italians are so open, friendly, and supportive that it feels like I've completed a marathon and reached the finish line. I'm home.” The songs on the \"Happy Run\" album are composed by Sasha Mashin himself. \"Country of Obscurantism\" suggests that it doesn't necessarily have to be beautiful, which helps the artist share it with a lighter heart. \"I promise I will continue my attempts and maybe one day I will write something more beautiful with a more joyful background.\" The album includes Makar Novikov's beautiful composition \"Yellow Blues,\" Rosario Giuliani's magnificent three-part \"Suite et Poursuite,\" Jimmy Van Heusen's ballad \"Darn That Dream,\" and even a track from \"The Rite of Spring\" by the artist's most beloved composer, Igor Stravinsky (\"Introduction, Les Augures printaniers\"), paired with Victor Lewis's composition \"Hey, It's Me You Are Talkin' To\" (music the artist is convinced was inspired by Stravinsky himself). \"One of the most beautiful experiences related to running,\" says Sasha, \"is the ability to think and plan while running. In these moments, the brain's chemistry changes significantly, producing more serotonin and dopamine, and you can think more clearly and precisely. By running regularly, I understood one important thing: you cannot run away from yourself. But you can run away from the darkness, both within and outside of us. Running is an intelligent sport. Run happy!”\u003cbr\u003e\u003cbr\u003e\"Happy Run\" is an album that is not just about music but also tells a story. It is a metaphorical \"run\" that allowed the artist to move away from the darkness of a difficult past and brought him to Italy for a new life, in his new home!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"CsrIwl BnmySN JSlVyv\" data-hook=\"columns-info-item\"\u003e\n\u003cp class=\"suDFwqW ogFb3AX---typography-11-runningText ogFb3AX---priority-7-primary _HOcyB JUtQCP sxbtulv ftb6e2\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-hook=\"info-section-description\" class=\"zp8uy2\"\u003e\n\u003cp\u003eFor these exclusive tape copies, Lorenzo Vella produces the analog master, which is transferred to a STUDER A80 1\/4, from AMPEX ATR102 1\/2. The quarter-inch tape is then shipped along with a precious aluminum reel inside an elegant luxury box. We only use RecordingTheMasters tapes.\u003cbr\u003eQuality control on one of the tape recorders such as: Studer A807, Sony AR5003V, Otari MX55, and Telefunken M15A.\u003cbr\u003eEach handcrafted custom box contains a professional case, a graphic insert, a thank you letter, a warranty certificate, a certificate of authenticity for pure analog work, and each set is hand-numbered.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli class=\"CsrIwl BnmySN JSlVyv\" data-hook=\"columns-info-item\"\u003e\n\u003cp class=\"suDFwqW ogFb3AX---typography-11-runningText ogFb3AX---priority-7-primary _HOcyB JUtQCP sxbtulv ftb6e2\" aria-hidden=\"false\" data-hook=\"info-section-title\"\u003e\u003cstrong\u003eTechnical data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-hook=\"info-section-description\" class=\"zp8uy2\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e : 2 stereo - 1⁄4 inch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Speeds\u003c\/strong\u003e: 38,1 cm\/s\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e:  CCIR (NABon request)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Model:\u003c\/strong\u003e LPR90 Long-Play Studio Tape ¼\" 1100m - RecordingTheMasters (long play version of SM 900)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReference level:\u003c\/strong\u003e 320 nWb\/m\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BirdBox Records","offers":[{"title":"CD","offer_id":49957207540059,"sku":"BBR2023SM01CD","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/6630e3_c4d60c1e6ad04c3ab3946b5f9278ca14_mv2.webp?v=1737926611"},{"product_id":"piano-boischio","title":"Alberto Boischio Plays Grieg","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eALBERTO BOSCHIO PLAYS GRIEG (PIANO)\u003c\/strong\u003e ( \u003cspan\u003eCVLD148\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"autore\"\u003eE. GRIEG\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e :\u003c\/span\u003e \u003cspan id=\"esecutore\"\u003eALBERTO BOISCHIO\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cem\u003eAvailable in: CD, CD File\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp lang=\"en-US\" class=\"western\"\u003e \u003cspan\u003e01 - Holberg Suite, Op. 40: I. Praeludium\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e02 - Holberg Suite, Op. 40: II. Sarabande\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e03 - Holberg Suite, Op. 40: III. Gavotte\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e04 - Holberg Suite, Op. 40: IV. Air\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e05 - Holberg Suite, Op. 40: V. Rigaudon\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e06 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 1, Vuggesang\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e07 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 2, Liden Häkon\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e08 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 3, Jegelskerdig\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e09 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 4, Hun er saa hvid\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e10 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 5, Prinsessen\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e11 - Piano Transcriptions of Songs, Vol. I, Op. 41: No. 6, Jeg giver mit digit til våren\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e12 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 1, Modersorg\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e13 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 2, Det første møte\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e14 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 3, Du fatter ei Bolgernes evige Gang\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e15 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 4, Solveigs sang\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e16 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 5, Kjærlighed\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e17 - Piano Transcriptions of Songs, Vol. II, Op. 52: No. 6, Du gamle Mor\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e18 - Moods, Op. 73: No. 1, Resignation\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e19 - Moods, Op. 73: No. 2, Scherzo-Impromptu\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e20 - Moods, Op. 73: No. 3, Nattligt Rïdt\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e21 - Moods, Op. 73: No. 4, Folketone\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e22 - Moods, Op. 73: No. 5, Studie. Hommage to Chopin\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e23 - Moods, Op. 73: No. 6, Studenternes Serenade\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e24 - Moods, Op. 73: No. 7, Lualât\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Alberto-Boischio-Plays-Grieg\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan\u003eCLASSICAL: Original compositions by E. Grieg. Suite \"From the Time of Holberg\" Op. 40, Transcriptions of his own lieder Op. 41 and Op. 52, Impressions Op. 73.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003ePiano: Alberto Boischio\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003e24bit\/88.2kHz original recording made at Studio Zanta-Camponogara Italy-on November 2005.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eAlberto Boischio is perhaps one of the most representative Italian pianists of his generation. By choice, he has avoided the glare of the major circuits and competitions, pursuing a long and painstaking personal research, dedicating much of his energy to documenting his work on disc. These recordings have always met with widespread popular acclaim. From Albeniz to Stravinsky, from Chopin to Busoni, from Lincetto to Grieg, his remarkable ability to enter the most diverse environments has often been highlighted by highly favorable reviews from Italy's most illustrious critics, from Riccardo Risaliti to Piero Rattalino to Angelo Foletto. With this collection of captivating and distinctly romantic pieces by the great Norwegian composer, Alberto Boischio celebrates his fortieth birthday and the tenth year of his collaboration with Velut Luna. Two important and noteworthy milestones. The recording, as always performed by Marco Lincetto using a Steinway \u0026amp; Sons D274 Concert Grand piano, offers the great sound quality now known to all enthusiasts.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50022979731803,"sku":"CVLD148CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50943843959131,"sku":"CVLD148","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d9725fe39ee12405565e78.jpg?v=1738855229"},{"product_id":"i-solisti-di-pavia-shostakovich-stravinskij-francaix","title":"THE SOLOISTS OF PAVIA: SHOSTAKOVICH, STRAVINSKIJ, FRANCAIX","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cstrong\u003eI SOLISTI DI PAVIA: SHOSTAKOVICH, STRAVINSKY, FRANCAIX \u003c\/strong\u003e(\u003cspan\u003eCVLD126\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"autore\"\u003eSHOSTAKOVICH, STRAVINSKY, FRANCAIX\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePerformer\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan id=\"esecutore\"\u003eI SOLISTI DI PAVIA, ENRICO DINDO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: CD, File CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Chamber Symphony in C Minor, Op. 110a: I. Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Chamber Symphony in C Minor, Op. 110a: II. Allegro molto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Chamber Symphony in C Minor, Op. 110a: III. Allegretto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Chamber Symphony in C Minor, Op. 110a: IV. Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Chamber Symphony in C Minor, Op. 110a: V. Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Concerto for String Orchestra in D Major \"BaseI\": I. Vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Concerto for String Orchestra in D Major \"BaseI\": II. Arioso. Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Concerto for String Orchestra in D Major \"BaseI\": III. Rondò\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Symphonie d'archets: I. Andantino misterioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Symphonie d'archets: II. Andante molto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Symphonie d'archets: III. Scherzo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Symphonie d'archets: IV. Allegretto assai\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/I-Solisti-di-Pavia-Shostakovich-Stravinsky-Francaix\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCLASSICAL - Original compositions by Shostakovich Stravinsky Francaix. 24bit\/96kHz digital recording made at Castello Visconteo, Pavia, Italy, on February 2,3,4-2005.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe musical proposal of I Solisti di Pavia continues with the highly anticipated third volume, focusing on a new and fascinating interpretation of some of the most important pieces of string orchestra literature from the late 19th and early 20th centuries. Thus, today, the painful and intense Kammersinfonie by Shostakovich, the astonishing and innovative Concerto for Strings born from the genius of Igor Stravinsky, and finally the divertissement \"Symphonie d'Archets\" by the always extravagant Jean Francaix flow in an ideal continuum. All in the splendor of high-resolution digital sound guaranteed by the original 24bit \/ 96kHz master.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50030195966299,"sku":"CVLD126CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"CD FILE 44.1kHz • 16bit","offer_id":50888641249627,"sku":"CVLD126","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/60d97224e39ee12b06565e3d.jpg?v=1738940661"},{"product_id":"bernstein-conducts-stravinsky-and-britten","title":"Bernstein conducts Stravinsky and Britten","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eBernstein conducts Stravinsky and Britten ( \u003cspan\u003eCBH531\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Igor Stravinsky, Benjamin Britten\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : New York Philharmonic Orchestra, London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - La sacre du printemps, L'adoration de la terre\u003cbr\u003e 02 - La sacre du printemps, Le Sacrifice\u003c\/p\u003e\n\u003cp data-end=\"211\" data-start=\"97\"\u003e \u003cem\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e – orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e 03 - Spring Symphony, Introduction: Shine Out\u003cbr\u003e 04 - Spring Symphony, Welcome, Maids of Honour\u003cbr\u003e 05 - Spring Symphony, When will my may come?\u003cbr\u003e 06 - Spring Symphony, London, to Thee I do Present\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003e\u003cstrong\u003eJennifer Vyvyan\u003c\/strong\u003e – soprano\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eRegina Sarfaty\u003c\/strong\u003e – contralto\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eRichard Lewis\u003c\/strong\u003e – tenor\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eNew York Philharmonic\u003c\/strong\u003e – orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"http:\/\/cbhmusic.lnk.to\/Bernstein-conducts-Stravinsky-and-Britten\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e \u003cstrong\u003eNotes\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e With \"Bernstein Conducts Stravinsky and Britten,\" the listener is transported to two opposing yet surprisingly compatible sonic universes. Stravinsky's sharp, rhythmic pace finds a precise, pulsating voice in the London Symphony Orchestra, guided by Leonard Bernstein's meticulous energy. Then, the atmosphere shifts radically: Britten's \"Spring Symphony\" blossoms into a poetic celebration of nature and rebirth, made even more poignant by the brilliant combination of voices and orchestral colors. Jennifer Vyvyan, Regina Sarfaty, and Richard Lewis offer refined vocal performances, delicately supported by the New York Philharmonic. A dynamic contrast that illuminates the versatility of twentieth-century repertoire.\u003cbr\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51030482518363,"sku":"CBH531","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_c4bb9761-d9e6-4690-8974-da29e45b766a.png?v=1753274593"},{"product_id":"lalo-sibelius-stravinsky-orchestral-works","title":"Lalo, Sibelius \u0026amp; Stravinsky: Orchestral Works","description":"\u003cp\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003ci\u003e\u003cb\u003eLalo, Sibelius \u0026amp; Stravinsky: Orchestral Works ( \u003cspan\u003eCBH580\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Edoaurd Lalo, Jean Sibelius, Igor Stravinsky\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Eduard van Beinum\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : Royal Concertgebouw Orchestra, London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 01 - Spanish Symphony Op. 21, I. Allegro non troppo\u003cbr\u003e 02 - Spanish Symphony Op. 21, II. Scherzando. Allegro molto\u003cbr\u003e 03 - Spanish Symphony Op. 21, III. Intermezzo. Allegretto non troppo\u003cbr\u003e 04 - Symphonie espgnole Op. 21, IV. Andante.\u003cbr\u003e 05 - Symphonie espgnole Op. 21, V. Rondo. Cheerful\u003cbr\u003e \u003cem\u003eEdoaurd Lalo, Eduard van Beinum, Alfredo Campoli (solo violin), London Philharmonic Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e 06 - In Saga\u003cbr\u003e \u003cem\u003eJean Sibelius, Eduard van Beinum, Royal Concertgebouw Orchestra\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e 07 - The Rite of Spring, I. The Adoration of the Earth\u003cbr\u003e 08 - The Rite of Spring, II. The Sacrifice\u003cbr\u003e \u003cem\u003eIgor Stravinsky, Eduard van Beinum, Royal Concertgebouw Orchestra\u003c\/em\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" border=\"0\" height=\"370\" src=\"https:\/\/cbhmusic.lnk.to\/Lalo-Sibelius-Stravinsky-Orchestral-Works\" width=\"100%\" data-darkreader-inline-border-top=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-left=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cp\u003eOn this album, three distinct sound worlds converge under the refined direction of Eduard van Beinum. 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Finally, Stravinsky's leap into modernism with The Rite of Spring reveals a rhythmic tension and primal energy, sculpted with precision and vigor, concluding a musical journey of astonishing breadth.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51149047038299,"sku":"CBH580","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CBH580.png?v=1754829065"},{"product_id":"the-symphonies-v","title":"The Symphonies V","description":"\u003cp\u003e\u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003ci\u003e\u003cb\u003eThe Symphonies V ( \u003cspan\u003eCBH619\u003c\/span\u003e )\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eComposer\u003c\/strong\u003e : Igor Stravinsky\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eConductor\u003c\/strong\u003e : Ferenc Fricsay\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eOrchestra\u003c\/strong\u003e : RIAS-Symphonie-Orchester Berlin *, Berlin Radio Symphony Orchestra**\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003eTraces\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e 01 - The Rite of Spring, I. L'Adoration de la Terre *\u003cbr\u003e 02 - The Rite of Spring, II. The Sacrifices *\u003cbr\u003e 03 - Capriccio for Piano \u0026amp; Orchestra, I.. Presto ** \u003cem\u003e(Monique Haas - piano solo)\u003c\/em\u003e\u003cbr\u003e 04 - Capriccio for Piano \u0026amp; Orchestra, II. Andante rapsodico ** \u003cem\u003e(Monique Haas - piano solo)\u003c\/em\u003e\u003cbr\u003e 05 - Capriccio for Piano \u0026amp; Orchestra, III. Allegro capriccioso ** \u003cem\u003e(Monique Haas - piano solo)\u003c\/em\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe data-darkreader-inline-border-left=\"\" data-darkreader-inline-border-bottom=\"\" data-darkreader-inline-border-right=\"\" data-darkreader-inline-border-top=\"\" width=\"100%\" src=\"https:\/\/cbhmusic.lnk.to\/The-Symphonies-V\" height=\"370\" border=\"0\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\n\n \u003cstrong\u003eNotes\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cp\u003eThis album offers a vivid portrait of Stravinsky's modernity through two distinct masterpieces. 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The soloist clearly sculpts the virtuosic lines, finding an ideal balance between brilliance and lyricism, while Fricsay precisely guides the orchestra, enhancing the score's colors and rhythmic vivacity.\u003c\/p\u003e\n\n\u003cstrong\u003e\u003c\/strong\u003e\n\n\u003c\/div\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51195468382555,"sku":"CBH619","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/covercbh_6d19f8f4-1832-425b-9f08-e07cddd97e62.png?v=1755507431"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/W1siZiIsIjE5MDQ4MCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg?v=1772893788","url":"https:\/\/www.referencemusicstore.com\/collections\/igor-stravinsky.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}