{"title":"Hi-Res \u0026 DSD Audio Files","description":"\u003cp\u003eDigital music refers to any single or album converted into a digital file at various \u003cspan\u003esampling rates, ranging from PCM 44,100Hz and higher to DSD 2.8224MHz (DSD64) and higher.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"die-kunst-der-fugue-bwv1080-nicola-lamon","title":"The Art of Fugue BWV1080 - Nicola Lamon","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eJ.S.Bach\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e(1685-1750)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eDie Kunst der Fugue BWV 1080 \u003c\/b\u003e(CVLD352)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eNicola Lamon,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e harpsichord\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e01 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 1,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:34\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e02 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 2,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e2:42\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e03 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 3,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e3:19\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e04 -\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eContrapunctus 4,\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e4:38\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e05 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 5,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:54\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e06 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 6 a 4 in Stylo Francese,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:33\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e07 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 7 a 4 per Augmentationem et Diminutionem, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:41\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e08 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 8 a 3,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e6:31\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e09 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 9 a 4 alla Duodecima,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:52\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e10 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 10 a 4 alla Decima,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e5:05\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e11 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus 11 a 4,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e7:10\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e12 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus 12 a 4 Forma inversa,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:29\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e13 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 4 Forma recta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e3:33\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e14 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 3 Forma recta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e2:45\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e15 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eContrapunctus inversus a 3 Forma inversa,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e2:50\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e16 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon per Augmentationem in Contrario Motu,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:55\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e17 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Ottava,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:52\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e18 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Decima in Contrapunto alla Terza,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e5:22\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e19 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eCanon alla Duodecima in Contrapunto alla Quinta,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e4:25\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e20 -\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eFuga a 3 Soggetti,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan lang=\"it-IT\"\u003e8:57\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003eTot. Time: 91:17\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Die-Kunst-der-Fugue-Nicola-Lamon\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cb\u003ePCM 88.2kHz\/24bit\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"western\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003e---\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\u003cu\u003e\u003cb\u003eRecording\u003c\/b\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003e was made at Magister Area Recording, Preganziol, Italy, on August 2022\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\u003cu\u003e\u003cb\u003eMix and Mastering\u003c\/b\u003e\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003e were made at Velut Luna Studio, Naquera (Valencia), Spain on January 2023\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cu\u003e\u003cb\u003eRecording set up:\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMikes:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eAUSTRIAN OC818 - two stereo pair\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMic preamplifiers:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMillennia Media HV-3B\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMulti-ch 88.2\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003ekHz \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e\/ 24\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003ebit\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003e ADC\/DAC:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eLynx Aurora \"n\"\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eAnalog mixer:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eRupert Neve Design 5059 Satellite 16 x 2 + 2\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003ci\u003eMastering ADC:\u003c\/i\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003ePrism Sound AD-2 Dream, PCM 88.2kHz\/24bit\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eProduction: \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eMarco Lincetto for VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eBalance recording engineer: \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eRecording engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMattia Zanatta\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eMusical producer and editing engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMattia Zanatta\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eMix and mastering engineer: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003eDesign and layout: \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e \u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eThis extraordinary new record production by Marco Lincetto (the first made in Velut Luna's new headquarters in Spain) of one of Johann Sebastian Bach's absolute masterpieces was created by Nicola Lamon using a harpsichord copy of the instrument used in Bach's time in Germany.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003eThe recording, made with audiophile standard technique and care, allows to appreciate every hidden nuance of the sound of the monumental instrument used and thus to penetrate all the secrets of Bach's music, wonderfully interpreted by Nicola Lamon.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cb\u003eNicola Lamon\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan lang=\"it-IT\"\u003e studied at the \"B. Marcello\" conservatory in Venice, graduating in 2001 with top marks and honors in both Organ and organ composition with Elsa Bolzonello Zoja and Harpsichord with Sergio Vartolo and Marco Vincenzi. He also obtained a diploma in Gregorian Chant with full marks with Lanfranco Menga. In the academic year 2005-2006, at the \"B. Marcello\" Conservatory in Venice, he obtained a second level academic diploma in organ with a score of 110 cum laude. He participated in numerous master classes at various international academies: in organ and improvisation with H. Davidson and W. Porter in Smarano (TN), with J.L. Gonzalez Uriol in Daroca (Spain), at the Accademia Chigiana in Siena, for harpsichord, with Cristophe Rousset, obtaining a diploma of merit. He has received several awards in various national and international competitions: in organ, third prize in Borca di Cadore in 2001 and 2005, first prize in Viterbo in 2003 and third prize in Fano Adriano (TE) in 2006; in harpsichord, first prize in Fusignano (RA) in 2003 and first prize in Pesaro in 2005. He holds the position of second organist at the prestigious Basilica of San Marco in Venice, collaborating with the Cappella Marciana in concert and recording performances. He follows and studies with particular interest historical partimento and improvisation aimed at the research and execution of the basso continuo. With his colleague David Brutti on cornetto, he founded the duo \"Seicento Stravagante\" engaged in promoting Renaissance and Baroque keyboard instruments, participating in recordings and concerts. He also works as an organist and harpsichord continuo player in various ensembles, collaborating as such in masterclasses and advanced courses. He was a contract lecturer at the \"C. Pollini di Padova\" conservatory for keyboard practice and vocal repertoire reading and, currently, works as a harpsichord accompanist at the Arrigo Pedrollo and Agostino Steffani conservatories in Vicenza and Castelfranco Veneto (TV) respectively. He is also engaged in the monumental complete performance of the two books of Bach's Well-Tempered Clavier and The Art of Fugue.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"128\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Die-Kunst-der-Fugue-Nicola-Lamon\/widget?view=clickthrough\" data-lnk-widget=\"\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":41077476786228,"sku":"CVLD352","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/VELUTLUNACVLD352-cover.jpg?v=1681233292"},{"product_id":"nuvole-di-carta-paola-casula","title":"Paper Clouds - Paola Casula","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eNuvole di Carta \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD356) REMASTERED 88.2kHz · 24bit\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e(CVLD139) ORIGINAL 48kHz · 24bit\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ePaola Casula,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e vocals\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cbr\u003e1 - Nuvole di carta (M. Strano - A. Magliarditi) 4:22\u003cbr\u003e2 - Both sides now (J. Mitchell) 4:11\u003cbr\u003e3 - If you go before me (T. T. D’Arby) 4:19\u003cbr\u003e4 - Another day (F. McComb - B. Marsalis - B. Gable) 4:49\u003cbr\u003e5 - The way we were (M. Hamlish - Bergman) 5:54\u003cbr\u003e6 - Stasera che sera (Stellita - Cassano - Marrale) 4:18\u003cbr\u003e7 - Ordinary people (J. Stephens - W. Adams) 5:13\u003cbr\u003e8 - I can’t make you love me (M. Reid - A. Shamblin) 5:12\u003cbr\u003e9 - My favorite thing (Hammerstein - Rodgers) 4:15\u003cbr\u003e10 - Tears (M. Strano - P. Casula) 5:11\u003cbr\u003e11 - Ticket to ride (J. Lennon - P. McCartney) 4:00\u003cbr\u003e12 - Tra i ricordi e i perchè (M. Strano - A. Magliarditi) 3:15\u003cbr\u003e13 - Caro mio ben (G. Giordani “Giordanello”) 4:45\u003cbr\u003e14 - My funny Valentine (R. Rodgers - L. Hart) 5:21\u003cbr\u003e15 - Non più noi (M. Strano - A. Magliarditi) 4:13\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Nuvole-di-carta\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eAll arrangements by Marco Strano\u003cbr\u003eMusicians\u003cbr\u003eAlessandro Mozzi - grandpiano \u0026amp; Fender Rhodes\u003cbr\u003eMarco Strano - tenor \u0026amp; soprano sax - flute\u003cbr\u003eGastone Scarzanella - electric bass\u003cbr\u003ePaolo Vidaich - percussions \u0026amp; drum machine\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eJAZZ. Alessandro Mozzi, grandpiano Borgato, Fender Rhodes, Marco Strano, tenor sax, soprano sax, flute, Gastone Scarzanella, electric bass, Paolo Vidaich, percussions, drum machine. ANALOG RECORDING. Made at Magister Studio, Preganziol, Treviso Italy, on March, 18,19 - 2006. VLHD HIGH DEFINTION MASTERING\u003cbr\u003e\u003cbr\u003ePaola Casula's extraordinary soul voice is at the service of Marco Strano's new minimal arrangements, a series of 15 tracks divided between famous standards and original compositions (My Funny Valentine, Another Day, Both Sides Now, The way we were, etc. and his Nuvole di Carta, Tears, Non più noi, Tra i ricordi). This makes for a memorable album, in which a warm and rounded voice, accompanied by Alessandro Mozzi's piano, Strano's saxes and flutes, Paolo Vidaich's rich and varied percussion, and the powerful bass of the legendary US Band bassist, Gas The Bass, expresses itself with unprecedented richness and groove, also guaranteed by an entirely analog recording, made live-in-studio direct-to-two-tracks in the large space of Hall A of the Magister Studio in Preganziol.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":41080436260916,"sku":"CVLD356","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 48kHz · 24bit","offer_id":49794396422491,"sku":"CVLD139","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/CVLD356folder.jpg?v=1754289731"},{"product_id":"trios-mauo-negri-simone-guiducci","title":"Trios - Mauro Negri, Simone Guiducci","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTrios \u003c\/b\u003e(CVLD357)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eMauro Negri\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e - \u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSimone Guiducci\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003eAvailable in: HD File (CVLD357) and CD (CVLD018)\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e1 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eGramelot per due\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 2:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e2 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eYul\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 7:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Achille Succi, bass clarinet\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e3 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eFilastrocca per Martina\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 8:35\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Carlo Cantini, violin\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e4 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eGenéve\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 7:34\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Marco Remondini, cello\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e5 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eAl Saltafos \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 8:12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Fausto Beccalossi, accordion\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e6 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eSquirrel\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 1:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Andrea Lease, french horn\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e7 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eCanzone\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(S. Guiducci) 6:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Alan Farrington, voice\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e8 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eMezzocolpo\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(M. Negri) 5:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone, Luigi Sabanelli, bassoon\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e9 -\u003c\/span\u003e \u003cspan style=\"font-size: medium;\" size=\"3\"\u003e\u003cb\u003eNocturne\u003c\/b\u003e\u003c\/span\u003e \u003cspan style=\"font-size: small;\" size=\"2\"\u003e(D. Reinhart) 7:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eMauro and Simone\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003eTotal Time: 54:50\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Trios\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003e48kHz\/20bit Digital and Analog original recording, made at Teatreno, in Mantova (Italy), on May 26, 27, 1998, using ADC Lexicon 20\/20 and Hi-8 Tascam DA78HR and RTR TEAC C2-B \u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eANALOG remastering made at Velut Luna Studio in Naquera (Spain), on February 2023\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eMarco Lincetto uses a perfect analog mastering system, based upon:\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eRupert Neve Design 5059 \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eSumming Mixer\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Maselec MLA-2, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003ecompressor\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Maselec MEA-2, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eeq\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Maselec MPL-2, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003elimiter\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eStuder A-810, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003eopen reel tape recorder\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e \/ Prism Sound AD-2 Dream, \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\" color=\"#0070c0\"\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cb\u003estate-of-the-art ADC for new HD files\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProduction: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eVELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eExecutive producer: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eMix and original mastering: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003ePhoto: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eDesign and layout: \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis music originates from a \"rib\" of jazz and then develops into something remarkably original and very Italian. The central core of the project is obviously formed by the extraordinary Simone Guiducci and Mauro Negri (already accomplices in many other adventures, like the Trapezomantilo). Around them alternately revolve several guests playing instruments not very common in jazz and related genres, such as bassoon, French horn, cello, etc.\u003c\/p\u003e\n\u003cp\u003eThe compositions, all by Negri and Guiducci, are very beautiful and functional to the various timbral combinations resulting from the alternation of musicians. This gives life to a series of vivid and distinct musical portraits, almost a small gallery of very lively, some unforgettable, rich in freshness and inventiveness.\u003c\/p\u003e\n\u003cp align=\"right\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eEnrico Rava\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50483601506651,"sku":"CVLD018CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41081967902772,"sku":"CVLD357","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/VELUTLUNACVLD357-cover.jpg?v=1681635076"},{"product_id":"petite-messe-solennelle-original-version-for-12-soloists-passy-1863","title":"PETITE MESSE SOLENNELLE - Original Version for 12 Soloists (Passy,1863)","description":"\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003ePETITE MESSE SOLENNELLE  \u003c\/b\u003e(CVLD297)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eOriginal Version for 12 Soloists (Passy,1863)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGLORIA\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e30:59\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e#2 Gloria in excelsis Deo  0.47\u003c\/p\u003e\n\u003cp\u003e#3 Et in terra pax hominibus (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  1:47\u003c\/p\u003e\n\u003cp\u003e#4 Gratias agimus tibi (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLi, Rossetto, Wang\u003c\/strong\u003e)  4:13\u003c\/p\u003e\n\u003cp\u003e#5 Domine Deus (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBiscontin\u003c\/strong\u003e)  5:14\u003c\/p\u003e\n\u003cp\u003e#6 Qui tollis (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Li\u003c\/strong\u003e)  6:02\u003c\/p\u003e\n\u003cp\u003e#7 Quoniam (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIngrasciotta\u003c\/strong\u003e)  7:16\u003c\/p\u003e\n\u003cp\u003e#8 Cum Sancto Spiritu  5:40\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCREDO\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e16:54\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e#9 Credo in unum Deum (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:14\u003c\/p\u003e\n\u003cp\u003e10 Crucifixus (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCorò\u003c\/strong\u003e)  3:15\u003c\/p\u003e\n\u003cp\u003e11 Et resurrexit  (solos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:42\u003c\/p\u003e\n\u003cp\u003e12 Et vitam venturi  4:13\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOFFERTORIUM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13 Prélude religieux  7:43\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSANCTUS\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e9:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14 Sanctus (\u003cstrong\u003esolos: Tang, Marcuzzi, Statsyuk, Toso\u003c\/strong\u003e)  4:04\u003c\/p\u003e\n\u003cp\u003e15 O salutaris hostia (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCimolin\u003c\/strong\u003e)  5:27\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAGNUS DEI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16 Agnus Dei (solo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGirardello\u003c\/strong\u003e)  8:10\u003c\/p\u003e\n\u003cp\u003e    \u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTotal Time: 79:20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Rossini-Petite-messe-solennelle\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArianna Cimolin, Valentina Corò, Miao Tang\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esopranos \/\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eValeria Girardello, Huijao Li, Ludovica Marcuzzi\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ealtos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAndrea Biscontin, Diego Rossetto, Nikolaj Statsyuk\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003etenors \/\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ePaolo Ingrasciotta, Francesco Toso, Chenlong Wang\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ebasses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlberto Boischio\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epianoforte I\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\/ Manuel Ghidini\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epianoforte II \/\u003c\/strong\u003eCarlo Emilio Tortarolo\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eharmonium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eGiovanni Battista Rigon, conductor\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusical Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichele Sartor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; mastering:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditing:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover Photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto \/ Etienne Carjat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInside Photos:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLuigi De Frenza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLayout \u0026amp; Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Twelve singers of three sexes, men, women and castrati, will be sufficient for its execution. (...) A total of twelve cherubs.\"\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eThis is what the seventy-one-year-old Rossini prescribes in the score of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePetite messe solennelle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecomposed in Paris in 1863, more than thirty years after his enigmatic retirement from the operatic scene. The ensemble is completed by the accompaniment of two pianos and a harmonium: Rossini in fact envisioned a performance among a small number of close acquaintances, in the private chapel of the Pillet-Will family, to whom the mass was dedicated.\u003c\/p\u003e\n\u003cp\u003eIt is precisely the \"chamber\" dimension of this masterpiece that we have tried to recover in this performance, recorded live at the Teatro Olimpico in Vicenza with an ensemble of young singers from the Benedetto Marcello Conservatory in Venice, true talents, some of whom are already featured in the programming of important theatres. This is in all probability the first Italian performance of the original version, certainly the very first in which all members of the ensemble take turns in the solo roles.\u003c\/p\u003e\n\u003cp\u003eThe Latin text of the Catholic mass is sometimes intoned by the entire ensemble (in the initial\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKyrie\u003c\/em\u003e, or in the two great fugues of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCum Sancto Spiritu\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEt vitam\u003c\/em\u003e), sometimes with antiphonal interventions by a quartet of soloists (\u003cem\u003eGloria\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSanctus\u003c\/em\u003e), or entrusted to highly effective solo moments (the tenor's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDomine Deus\u003c\/em\u003e, the bass's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eQuoniam\u003c\/em\u003e, the soprano's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrucifixus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSalutaris hostia\u003c\/em\u003e), or expressed in two- or three-part concerted numbers (\u003cem\u003eQui tollis\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGratias agimus tibi\u003c\/em\u003e). There is also a purely instrumental interlude at the Offertory (\u003cem\u003ePrélude religieux\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eon the first piano), but perhaps the most moving moment of the entire mass Rossini reserves for the beloved voice of the alto, who intones in antiphon with the choir the poignant concluding\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAgnus Dei\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIn 1867, a few years after the date of composition, Rossini took care to orchestrate the accompaniment of his small mass (perhaps fearing that others might do so), and it is often performed in this version, just as the choral parts are often entrusted to large ensembles where Rossini's \"cherubs\" change from twelve to several tens. The music certainly gains in monumentality, but it loses the freshness, grace, transparency, and all the self-deprecating\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eunderstatement\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethat also transpires in the autograph comments accompanying the score:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\"Twelve are also the apostles in Leonardo's famous fresco called The Last Supper, and – who would believe it – among your disciples there are some who sing false notes! Lord, rest assured, I promise that there will be no Judases at my supper and that mine will sing your praises correctly and with love, and this small composition which is, alas, the last sin of my old age.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000613015899,"sku":"CVLD297CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083091288116,"sku":"CVLD297","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_9351fe5e-6337-4f11-8f52-d1f9473a1177.jpg?v=1681739447"},{"product_id":"w2tf-enrico-santacatterina","title":"W2TF - Enrico Santacatterina","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eW2TF\u003c\/b\u003e (CVLD354)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e(Welcome to the Funkodrome)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 Welcome to the Funkodrome * 03:56\u003cbr\u003e02 I belongs to you ** 04:54\u003cbr\u003e03 No No*** 04:12\u003cbr\u003e04 Well well 04:04\u003cbr\u003e05 No lies 04:04\u003cbr\u003e06 That sound 05:21\u003cbr\u003e07 Down to the ground * 05:30\u003cbr\u003e08 Funk checking ° 03:31\u003cbr\u003e09 You spin me around 03:47\u003cbr\u003e10 Rid of my time *** 04:18\u003cbr\u003e11 Yeah yeah No no *** 03:09\u003cbr\u003e12 Walk alone 03:58\u003cbr\u003e13 Higher and higher 04:04\u003cbr\u003e14 All us believers 03:34\u003cbr\u003e15 Bigger than the two of us * 06:32\u003cbr\u003eTotal Time 65:04\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe style=\"border-radius: 20px\" border=\"0\" height=\"370 px\" src=\"https:\/\/velutluna.lnk.to\/W2TF\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/span\u003eMusic producers: Enrico Santacatterina \u0026amp; Siggi Bemm\u003cbr\u003eRecorded by Enrico Santacatterina at E.S.P. Extended Sounds Productions studio (Mellaredo, Italy)\u003cbr\u003eMixed by Siggi Bemm at Woodhouse Studio (Hagen, Germany)\u003cbr\u003e*and** mixed by Enrico Santacatterina at E.S.P. Studio\u003cbr\u003eMastering at Velut Luna Studio, Naquera, Spain, February 2023 by Marco Lincetto\u003cbr\u003eDesign and layout by L'Image\u003cbr\u003eCover by Tino Brugnotto\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBack to Funky, back to the 70s. Without forgetting the root of it all, the Blues.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is the musical essence of Enrico Santacatterina's new album, in which he is the absolute protagonist, as he is the author of all the songs, the singer, and chose to play every instrument himself, with the exception of a few tracks featuring three different guest drummers and in a couple, his brother Carlo Santacatterina on keyboards.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn intense album without a moment's rest, where the driving groove leaves nothing to be desired compared to the great masters of this musical genre.\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988567105883,"sku":"CVLD354CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 44.1kHz · 24bit","offer_id":41083105509428,"sku":"CVLD354","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_fe471a58-712b-45bd-b947-785816a2e95a.jpg?v=1681740778"},{"product_id":"sonriendo-te-vas-andres-saorin-martinez","title":"Smiling you go - Andrés Saorin Martinez","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSonriendo te vas \u003c\/b\u003e(CVLD353)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eAndrés Saorin Martinez\u003cbr\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e1 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eSonriendo te vas \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e4:59\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e2 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eQuisiera ser\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e3:34\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e3 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eMendigo y Borracho\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e3:41\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e4 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003ellueve de ti\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e3:57\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e5 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eBum Bum\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e3:56\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e6 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eQuesto Gioco\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e3:17\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e7 -\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eL’usignolo e la rosa \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e4:37\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e8\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e-\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cb\u003eRincon fatal\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e4:08\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan face=\"Consolas, serif\" style=\"font-family: Consolas, serif;\"\u003e\u003cspan face=\"Arial Narrow, serif\" style=\"font-family: 'Arial Narrow', serif;\"\u003e\u003cb\u003eTotal time: 32:14\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Sonriendo-Te-Vas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003eLyrics and music by Andrés Saorin Martinez and Alejandro Saorin Martinez\u003cbr\u003e\u003cbr\u003eArrangements by Alejandro Saorin Martinez\u003cbr\u003e\u003cbr\u003eMusicians:\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eAndrés Saorin Martinez\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eSoloist voice and backing vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eRichie Gajate Garcia\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eCongas , Timbales and drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eMarco Catinaccio\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eBongo and Bell by hand\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003ePasquale Cosco\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eElectric Bass and Baby Bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eAndres Andreoli\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eTrombones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eDavide Guidoni\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eTrumpets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eGiovanni Forestan\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eSaxophones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eAlejandro Saorin Martinez\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003ebacking vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cb\u003eMaximo Estupiñan Hurtado\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003echoirs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003eOriginal recording and mixing at 88.2kHz\/24bit by Alejandro Saorin Martinez at ASM Studio, Padova, Italy, using RIBERA R47 tube microphones and IPA analog console.\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ci\u003e\u003cb\u003eAnalog mastering by Marco Lincetto at VELUT LUNA STUDIO, Naquera, Spain, using Rupert Neve Design analog console and Maselec analog outboard gear. Final conversion with PRISM SOUND AD2 DREAM in 88.2\/24\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMARCO LINCETTO, Spain\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eProduction, recording and mixing:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlejandro Saorin Martinez\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eMastered by:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eDesign and layout:\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eL'Image\u003c\/b\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eThis is a record of pure modern Latin music.\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003eAll songs are original and composed and performed by the young Italian-Argentine singer and guitarist Andrés Saorin Martinez, accompanied by a Latin band that features among its protagonists the great Cuban percussionist Richie Gajate Garcia, former percussionist with Tito Puente and many other great Latin jazz musicians.\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988642898267,"sku":"CVLD353CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083114258484,"sku":"CVLD353","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_f422b00a-ebd7-4150-8c39-87cb11211504.jpg?v=1681741788"},{"product_id":"retrato-brasileiro-giuditta-franco-pietro-pasinato","title":"Retrato Brasileiro - Giuditta Franco, Pietro Pasinato","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eRetrato Brasileiro \u003c\/b\u003e(CVLD351)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGiuditta Franco\u003c\/strong\u003e, \u003cem data-mce-fragment=\"1\"\u003evoice\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePietro Pasinato\u003c\/strong\u003e, \u003cem data-mce-fragment=\"1\"\u003eguitar\u003c\/em\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 -\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e Corcovado\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim) 3:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 -  \u003c\/span\u003e\u003cstrong\u003eA Felicidade\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim, Vinícius de Moraes) 3:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 -  \u003c\/span\u003e\u003cstrong\u003eSamba Em Preludio\u003c\/strong\u003e\u003cspan\u003e (Vinicius de Moraes, Baden Powell) 4:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 -  \u003c\/span\u003e\u003cstrong\u003eAgua De Beber\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos Jobim, Vinícius de Moraes) 3:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 -  \u003c\/span\u003e\u003cstrong\u003eSo Por Amor \/ Retrato Brasileiro\u003c\/strong\u003e\u003cspan\u003e (Baden Powell) 7:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 -  \u003c\/span\u003e\u003cstrong\u003eChega De Saudade\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim, Vinícius de Moraes) 3:53\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 -  \u003c\/span\u003e\u003cstrong\u003eInterludio\u003c\/strong\u003e\u003cspan\u003e (Pietro Pasinato) 1:31\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 -  \u003c\/span\u003e\u003cstrong\u003eRetrato Em Branco e Preto\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos  Jobim) 2:48\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 -  \u003c\/span\u003e\u003cstrong\u003eSamba Da volta\u003c\/strong\u003e\u003cspan\u003e (Toquinho, Vinícius de Moraes) 3:43\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 -  \u003c\/span\u003e\u003cstrong\u003eLuz Negra\u003c\/strong\u003e\u003cspan\u003e (Nelson Cavaquinho, Amancio Cardoso) 2:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 -  \u003c\/span\u003e\u003cstrong\u003eHow Insensitive\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos Jobim) 3:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eGarota de Ipanema\u003c\/strong\u003e\u003cspan\u003e (Antonio Carlos Jobim, Vinícius de Moraes) 2:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal  time: 42:15\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/RetratoBrasileiro\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAll arrangements by Pietro Pasinato\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e\u0026amp;\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eGiuditta Franco\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e24bit \/ 88.2 kHz original recording made strictly live-in-studio at Magister Recording Area,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePreganziol, Italy, on August 22, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix \u0026amp; mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eItalian text: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEnglish text: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSpanish Text: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSocial Media Manager: \u003c\/span\u003e\u003cstrong\u003eMassimo Corvino Consulting\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003e41 years between the two of them...\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuditta Franco\u003c\/strong\u003e\u003cspan\u003e is a singer who has just turned 21, born into a family of musicians, who has probably always sung, but who also decided to train her voice by studying at the Conservatory.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe beauty of her velvety timbre, aided by impeccable vocal technique, reminds us of a forgotten, storytelling style, for which some of the greats of the past even created a precise definition for this way of singing: \"crooner.\" And these greats range from Frank Sinatra, to Nat \"King\" Cole, to Tony Bennet, but also, on the female side, from Lena Horne, to Rosemary Clooney, to the very famous Diana Krall and Norah Jones.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuditta sings with a deep, velvety timbre, characterized by persuasive low notes and sparkling, firm, and never aggressive high notes, thus accompanying you into a dimension of true music, harmonically complex, melodically enchanting. All characteristics that find authentic exaltation and full appreciation in the great repertoire of classic bossa nova.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePietro Pasinato\u003c\/strong\u003e\u003cspan\u003e is no less. A 20-year-old, excellent guitarist who, alongside rigorous academic studies at the Conservatory, has always maintained curiosity and dedication to other musical genres, primarily jazz, Brazilian music, and why not, with a nod to rock and blues.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHis technique is unrivaled; it is a \"metabolized\" technique that, despite his young age, allows Pietro to focus on the nuances of the specific style he chooses to tackle each time: a kind of extremely elegant Zelig at the service of great music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuditta and Pietro\u003c\/strong\u003e\u003cspan\u003e represent a mix as perfect as it is exclusive in today's young music scene. Far from being servants of a commercial system that would push them into completely different areas, both in terms of content and media space, they have instead chosen to ride the dangerous tiger of past masterpieces, a repertoire in which all the greats of all time have already expressed themselves.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt's a challenge that I know is already won, and it's no coincidence that I decided to capture it in an album that will make it clear to that more curious and attentive audience, far from the sirens of mass communication.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRetrato Brasileiro\u003c\/strong\u003e\u003cspan\u003e is the title of one of Baden Powell's most famous songs, which also perfectly describes the meaning of this album: a meaning that is even better captured intimately by the very famous song \"Chega de Saudade,\" which means \u003c\/span\u003e\u003cem\u003e\"No More Longing,\"\u003c\/em\u003e\u003cspan\u003e and in the original lyrics is dedicated to a woman. But we want to interpret this text with a transferred meaning, dedicating the statement \"No More Longing\" to Great Music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNo more longing for the Great Brazilian Music of the Bossa Nova era, from all that audience tired of the plastic clichés imposed by the great media circus of contemporaneity: Great Music returns, and it does so not with an old glory on the decline, but with two very young artists who know how to breathe new life into true notes, those that will never die.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnjoy listening!\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988773282139,"sku":"CVLD351CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083159412788,"sku":"CVLD351","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_946af62c-6c80-45b3-a764-859497413747.jpg?v=1681745092"},{"product_id":"viperarp-trio-varina-fortin-lucia-stone-marica-veronese","title":"ViPerArp Trio - Varina Fortin, Lucia Stone, Marica Veronese","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eViPerArp Trio \u003c\/b\u003e(CVLD346)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVarina Fortin,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eviolin\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLucia Stone,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eharp\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarica Veronese,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003epercussion\u003c\/em\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: CD, HD File\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBohemian Rhapsody\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Queen)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e6:32\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        Freddy Mercury\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaint It Black\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(The Rolling Stones)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e3:56\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        Mick Jagger, Keith Richard\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlways Remember Us This Way\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Lady Gaga)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e3:27\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        Lady Gaga\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFirth Of Fifth\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Genesis)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e7:47\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePeter Gabriel\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eSteve Hackett\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eMike Rutherford\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eTony Banks\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003ePhil Collins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e05 -\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eResistance\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Muse)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e6:01\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e        Matthew Bellamy\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e06 -\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCan't Help Falling In Love\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Elvis Presley)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e4:14\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHugo Peretti\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eLuigi Creatore\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eGeorge David Weiss\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e07 -\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStairway To Heaven\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Led Zeppelin)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e7:50\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        Jimmy Page, Robert Plant\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYour Song\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e(Elton John)\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e5:28\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e        Elton John, Bernie Taupin\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTotal time:\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e 45:20\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  - \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/ViperarpTrio\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003cem data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eAll Arrangements by Oscar Del Barba\u003c\/em\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e24bit \/ 88.2kHz original digital recording made at Magister Area Recording, Preganziol, Italy, on July 5, 6, 7, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExecutive producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBalance recording and mix engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusical producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditing engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFinal and fine editing: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastering engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesign and layout: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSocial media manager: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMassimo Corvino Consulting\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"There are two types of music: good music and everything else\"\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEdward Kennedy \"Duke\" Ellington\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis quote from the great Duke is reiterated by many other keen and attentive musicians, albeit with different variations in form but the same substantial essence. For example, Adriano Lincetto, my father, often said that there is no \"Classical Music\" or \"Pop Music\", or \"Jazz Music\"... there is only Beautiful Music and Bad Music. And indeed, he, a great academic pianist, composer, piano teacher, loved equally, for example, Beethoven's Appassionata, as well as Yesterday by The Beatles or Sassi by Gino Paoli.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis concept is also what primarily guided my choice to found, almost thirty years ago, a record label alternative to the rigid choices of majors and all those so-called \"mainstream\" operators.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA project like this \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eViPerArp Trio\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003erepresents the closest and most intimate essence of this reasoning.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is not a \"provocative\" project; on the contrary: it aims precisely to break down the barriers between genres once again, with the objective of magnifying the very essence of Music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI personally chose the eight songs that make up this album, all very famous and of \"popular extraction\", meaning written and made famous and immortal by definitive authors and performers in the popular imagination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI chose these songs and entrusted them to the expert hands of a modern musical genius like Oscar Del Barba, who made them the object of his reflections and attention.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHis work was to filter melodies, harmonies, and musical rhythms, natively fixed and established in a precise genre direction, through his knowledge and personal sensitivity, which seamlessly transitions from Stravinsky to South American rhythms, from Bartok to Charlie Parker, in a florilegium of new, enchanting, absolute colors and emotions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI believe that this work can represent a kind of perfect paradigm translated into sounds of Duke Ellington's initial quote.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnd I hope that it can represent a moment of leisure, but also of cultural growth for anyone who wants to buy it, listen to it, and enjoy it, putting aside all prejudice and structural preconceptions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe performers of this adventure, in turn, were able to shed their \"role clothes\" as very serious \"classical\" musicians with impeccable curricula, spent between Conservatory classrooms and prestigious stages of the most renowned theaters worldwide. That is, they were able to descend from the academic chair that characterizes their main careers, to transform themselves into Muses of a New Music, which, as the great Maestro Ennio Morricone loved to say, we could define as Absolute.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTheir instruments sometimes transform and transfigure into something else, like the violin that sometimes winks at the sound of an electric guitar or a vintage keyboard, or the harp that can go from a pulsating rhythmic engine to a sweet melodious lyre, and finally the infinite percussions that act as a counterpoint and glue to the work of the other two performers, not without carving out a solo role for themselves where you would least expect it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredit then to Oscar Del Barba who had the vision of all this on my perverse inspiration; and credit to the performers who were able to step out of their traditional role and immerse themselves as best as possible in our vision.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988667507035,"sku":"CVLD346CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083173142580,"sku":"CVLD346","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_ea1985a1-7fa2-48ed-8e43-6a7503a1346a.jpg?v=1681746651"},{"product_id":"carlo-graziani-walter-al-mondo-musicale","title":"Carlo Graziani-Walter, \"TO THE MUSICAL WORLD\"","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCarlo Graziani-Walter\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e \u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Brussels, 1851 – Florence, 1927)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\"TO THE MUSICAL WORLD\" \u003c\/b\u003e(CVLD350)\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan\u003eCompositions For Mandolins, Piano And Voices\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA Musical Project By Maura Mazzonetto And Pier Corrado Danieli\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eAvailable in: CD, HD File\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003eDante e Beatrice, op.134\u003c\/strong\u003e\u003cspan\u003e  “Meditazione” for plectrum orchestra, harp and organ, 6:38\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo Letizia Marcucci “my beloved wife”\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Ensemble conducted by \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cspan\u003e                          \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - \u003c\/span\u003e\u003cstrong\u003eCanzone d’Amore op.281\u003c\/strong\u003e\u003cspan\u003e   Andante espressivo for mandolin and piano, 2:51\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e“To mademoiselle Jenny Simon”\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eGiulio Sensolo\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandolin\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - \u003c\/span\u003e\u003cstrong\u003eInno op.261\u003c\/strong\u003e\u003cspan\u003e for 2 voices with piano accompaniment, 3:27\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the Holy Virgin of the Rosary of Pompeii\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e04 - \u003c\/span\u003e\u003cstrong\u003eAve Maria\u003c\/strong\u003e\u003cspan\u003e  for voice and piano, 2nd voice ad libitum, 3:58\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eKamilla Menlibekova\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003esoprano,\u003c\/em\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cstrong\u003eCristiano Didone’\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003etenor\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - \u003c\/span\u003e\u003cstrong\u003eSur la plage\u003c\/strong\u003e\u003cspan\u003e “Barcarolle” for piano, 2:24\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - \u003c\/span\u003e\u003cstrong\u003eSous le tilleul\u003c\/strong\u003e\u003cspan\u003e “Courante” for piano, 1:35\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the charming girl Emmina Curzio\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e07 - \u003c\/span\u003e\u003cstrong\u003eEn gondole op.131\u003c\/strong\u003e\u003cspan\u003e “Caprice barcarolle” for piano, 2:07\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - \u003c\/span\u003e\u003cstrong\u003eGemito Appassionato\u003c\/strong\u003e\u003cspan\u003e  ”Elegia” for two mandolins, mandola and piano, 7:27\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the Esteemed Mandolinist Prof. Costantino Bertucci”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGreat success of the Mandolinists Society Margherita\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMaria Cleofe Miotti, Massimo Sanapo\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandolins,\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eKioko Kato\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003emandola\u003c\/em\u003e\u003cspan\u003e,  \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - \u003c\/span\u003e\u003cstrong\u003eDans le pays des songes\u003c\/strong\u003e\u003cspan\u003e  “Aubade” for piano, 3:43\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eTo the charming girl Rita Curzio\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eChiara Gislon\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003ePatinage\u003c\/strong\u003e\u003cspan\u003e “Caprice caracteristique” for piano, 3:16\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePaolo Cornale\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eInfanzia\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eon 5 notes for piano four hands,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e6:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNo.1 Doll laughs (Gavotte) No.2 Doll cries (Melody) No.3 Doll plays (Waltz)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNo.4 Capricious doll (March) No. 5 Doll sleeps (Lullaby)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEduardo and Sara Castellano\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eVogata Notturna op.233\u003c\/strong\u003e\u003cspan\u003e “Barcarola” for Plectrum Orchestra, 3:54\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Ensemble conducted by \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - \u003c\/span\u003e\u003cstrong\u003ePleine lune\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Contemplation for piano, 3:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - \u003c\/span\u003e\u003cstrong\u003eDante e Beatrice\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e “Meditazione” (author's piano version), 6:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003epiano\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - \u003c\/span\u003e\u003cstrong\u003eMirto e Cipresso op.180\u003c\/strong\u003e\u003cspan\u003e  “Elegia” for plectrum orchestra, 4:57\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eIn memory of my mother\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eOrchestral Ensemble conducted by \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto *\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 62:32\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Al-mondo-musicale\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eCarlo Graziani-Walter (Brussels, 1851 - Florence, 1927)\u003c\/em\u003e was a pianist, mandolinist, and composer, distinguished by a wide musical production dedicated to the mandolin and, in general, to the world of plectrums, and of course, to the piano.\u003cbr\u003eIt mainly consists of chamber music and music for small orchestras, a noble highlight of the best late European Romanticism.\u003cbr\u003eThanks to his close relationships with the upper bourgeoisie and the Central European and Italian nobility, Graziani-Walter often, if not almost always, drew inspiration from acquaintance and friendship for his works, which almost always boast a specific dedication to this or that person.\u003cbr\u003eThe repertoire proposed in this album is the result of careful research carried out by Maura Mazzonetto, a lecturer at the C. Pollini Conservatory in Padua, focused on the rediscovery of original and unpublished manuscripts.\u003cbr\u003eAll recordings are WORLD PREMIERES\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cstrong\u003e* Breganze Plectrum Orchestra \/ Ensemble \"Mandolins and Guitars of the Venetias\"\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\/ \"Pollini\" Mandolin and Guitar Ensemble\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eConductor\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cbr\u003e\u003cu\u003ePerformers:\u003c\/u\u003e\u003cbr\u003e\u003cstrong\u003eMandolin:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAnna Bozzetto, Carlo Calzavara, Emanuele Cappellotto,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePier Corrado Danieli, Giannarnaldo Ferrara, Edoardo Lazzarin,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStefano Maciga,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAndrea Miotti, Maria Cleofe Miotti, Davide Petrin,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMassimo Sanapo, Emiliano Scettri, Giacomo Simioni\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMandola:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAlessandro Antonello, Giuliano Menara, Kyoko Kato, Giulio Sensolo\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eGuitar:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAnna Favaro, Filippo Favaro, Marco Fragalà, Alessandro Marchiori, Nicola Mazzon, Ilaria Settimo\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMandocello:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eAndrea Bazzoni, Paolo Gatto\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eHarp:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eGiorgia Bragante, Chiara Isepato\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eCello:\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eEnrica Frasca\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eDouble Bass:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003eFederico Salotto\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eOrgan:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003ePietro Revoltella.\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e24bit \/ 96 kHz original recording made at Auditorium Pollini, Padova, Italy,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eduring different sessions on 2018 and 2019\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTracks 13 and 14 were recorded and mixed by Marco Lincetto, at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca, Italy, on February, 2022, using piano Steinway \u0026amp; Sons Mod.O, made in New York on 1909\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eArtistic direction: \u003c\/span\u003e\u003cstrong\u003eMaura Mazzonetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and Mix Engineer: \u003c\/span\u003e\u003cstrong\u003eGiacomo Brocca\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMastering Engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993465921883,"sku":"CVLD350CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083257520180,"sku":"CVLD350","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_ee4ca168-3903-45f9-b116-8e0fdc46f10e.jpg?v=1681753875"},{"product_id":"miroirs-de-la-musique-luca-chiandotto","title":"Mirrors of Music - Luca Chiandotto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eMiroirs de la musique \u003c\/b\u003e(CVLD344)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan\u003e\u003cstrong\u003eLuca Chiandotto\u003c\/strong\u003e, \u003cem\u003epiano\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eAlexander Nikolaevich Scriabin\u003c\/strong\u003e\u003cspan\u003e (1872 – 1915)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003ePoème op. 72 Vers la flamme\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1914)   \u003c\/span\u003e\u003cstrong\u003e5:36\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaurice Ravel\u003c\/strong\u003e\u003cspan\u003e (1875 – 1937)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMiroirs\u003c\/strong\u003e\u003cspan\u003e (1905)   \u003c\/span\u003e\u003cstrong\u003e30:04\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e02 - Noctuelles  5:23\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Oiseaux tristes   4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Une barque sur l’océan   7:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Alborada del gracioso   6:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - La vallée des cloches   6:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSamuel Barber\u003c\/strong\u003e\u003cspan\u003e (1910 – 1981)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSonata in E flat minor op. 26\u003c\/strong\u003e\u003cspan\u003e (1949)  \u003c\/span\u003e\u003cstrong\u003e21:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro energico   7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Allegro vivace e leggero   2:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - Adagio mesto   5:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Fuga: Allegro con spirito   5:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eTotal Time: 56:56\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Miroirs-de-la-musique\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cem\u003e24 bit \/ 88.2 kHz original recording, made at Magister Recording Area, Preganziol (Italy), on October 8, 9, 10, 2021\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eLuca plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: \u003c\/span\u003e\u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003ePhotoservice Latisana\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cem data-mce-fragment=\"1\"\u003eMysterium\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an ambitious work, carrying the revolutionary idea of the synesthetic union of the five senses. Its realization - to be set at the foot of the Himalayas - requires a large orchestra, a mixed choir, dancers, incense, and light effects. The ultimate goal is the spiritual evolution of the users of this immense work, in line with late-Romantic aesthetics. Scriabin worked for years on this unprecedented project - albeit indebted to Wagner's \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eGesamtkunstwerk\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e- leaving it unfinished upon his death. It is in this context that \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVers la flamme\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e finds its light, a \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003epoème\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e in which the voice of fire is the protagonist, from the beginning where it burns under the embers, subterranean and magmatic, to the increasingly intense and eager crackle, until the end where it expands uncontrollably, burning everything around it. The ecstatic conclusion is in Scriabin's style, recalling the sense of liberation that the composer yearned for with the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMysterium\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe French face and title of the present production, focused on early twentieth-century piano music, is Ravel's Suite Miroirs. It is composed of five episodes, each depicting a different subject, observed through a mirror. The musician was in fact inspired by a line from Shakespeare's Julius Caesar: \"The eye sees not itself, but by reflection, by some other things.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBarber's Sonata can be defined as a \"War Sonata\", written only four years after the end of the Second World War, and characterized by explicit violence, especially in the opening and closing movements. The \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eallegro energico\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is outlined in an overbearing and willful, almost oppressive, action of the first theme, which opposes the passive lament of the second. It can be seen from the first movement how the Sonata adheres to classical formal models, in this case, to the sonata form. The \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eallegro vivace e leggero\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, with its grotesque atmosphere, contains fragments of dance, probably a waltz, which give it a falsely carefree and heedless character. The expressive heart of the sonata lies in the third movement, the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eadagio mesto\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which develops an extremely tormented and agonizing song; in the second page of the score, we can witness a perfect imitation of an anguished cry, which evolves into a climax tremendously overwhelmed by reason. Among the minor ninth and major seventh dissonances, the final quietude is reached, an unexpected B minor chord, a provisional peace before the fourth movement. The final four-voice fugue is famous in concert halls, combining the drama of the previous movements with very characteristic syncopated rhythms and jazz-derived harmonies. Surprising is the carefree nature of the diversions in the central section, and even more so the return to anguish in the final stretto, where the powerful basses are infernal drums that sanction the tragedy that had been evident from the first notes of the sonata.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993492234587,"sku":"CVLD344CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41083271479348,"sku":"CVLD344","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_d84a5807-1895-4da6-916e-1be6116c2aae.jpg?v=1681755405"},{"product_id":"stick-to-duke-selfie-jungle","title":"Stick To Duke - SELFIE JUNGLE","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eStick To Duke \u003c\/b\u003e(CVLD345)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSELFIE JUNGLE\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003eFederico Zaltron\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003eviolin\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eCaterina Salizzato\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003ecello\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eGlauco Benedetti\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003etuba\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eFederico Pierantoni\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003etrombone\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarcello Abate\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003eguitar\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eAvailable in: HD File, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e01 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMedley,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e4:07\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eNight Time\u003c\/strong\u003e\u003cspan\u003e,  Edward Kennedy Ellington, Doris Julian, Billy Strayhorn\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAzure\u003c\/strong\u003e\u003cspan\u003e, Edward Kennedy Ellington, Irving Mills\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e02 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLa plus belle Africaine,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e6:05\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e03 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMedley,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e4:07\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDancers in Love,\u003c\/strong\u003e\u003cspan\u003e Edward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJump for Joy\u003c\/strong\u003e\u003cspan\u003e, Edward Kennedy Ellington, Sid Kuller, Paul Francis Webster\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e04 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Star Crossed Lovers\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e3:26\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington, Billy Strayhorn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e05 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMedley,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e5:54\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePyramid\u003c\/strong\u003e\u003cspan\u003e, Edward Kennedy Ellington, Irving Gordon, Irving Mills, Juan Tizol\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMoonlight Fiesta\u003c\/strong\u003e\u003cspan\u003e, Irving Mills, Juan Tizol\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e06 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eAwful Sad\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e3:52\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e07 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eFleurette Africaine\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e3:56\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e08 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eEchoes of Harlem\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e2:13\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e09 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ePitter Panther Patter\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e2:59\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eEdward Kennedy Ellington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e10 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDuke Ellington’s Sound of Love\u003c\/strong\u003e\u003cspan\u003e, 4:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCharles Mingus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time, 40:55\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Stick-to-Duke\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24bit \/ 88.2kHz original live-in-studio recording made at San Giacomo Spazio d'Arte\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlbignasego, Italia, on April, 30th, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBalance, mix and mastering engineer:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePro Tools operator:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eCristiano Zatta\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eVideo maker:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMichele Zangrossi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover art:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMichele Bertoldi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign and Layout:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSelfie Jungle\u003c\/strong\u003e\u003cspan\u003e is a quintet that honors and reworks the music of Duke Ellington's orchestra.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded with the live-in-studio technique in the presence of a handful of selected listeners, this album boasts a sound characterized by extraordinary presence and plasticity, with a sound image incredibly faithful to the reality of the performance, of which you can see a comprehensive photographic image above.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTimbre, Image and Dynamics at the highest levels, for an unmissable album for every lover of great music, even extraordinarily recorded.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988789403995,"sku":"CVLD345CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41084276408372,"sku":"CVLD345","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_bea3532c-b7f9-4cef-b202-86a87a9fe5c9.jpg?v=1681824433"},{"product_id":"dreamland-lucia-minetti","title":"DREAMLAND - Lucia Minetti","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eDREAMLAND \u003c\/b\u003e(CVLD347)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003evoice\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eAvailable in: File HD, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e01\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e-\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDreamland\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e5:20\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       \u003c\/em\u003e\u003cem\u003eFabio Ranghiero - Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e02\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e-\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eA Diner One Evening\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e4:38\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti -  Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e03\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e-\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eI-86 Going North  \u003c\/strong\u003e\u003cstrong\u003e5:42\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti - Lucia Minetti\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e04 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eHobo  \u003c\/strong\u003e\u003cstrong\u003e4:29\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti -  Patrizia Villani\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e05 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eIn The Gloaming  \u003c\/strong\u003e\u003cstrong\u003e4:03\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero - Dario Voltolini\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e06 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLet Me Tell You About The Bearman  \u003c\/strong\u003e\u003cstrong\u003e5:27\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       \u003c\/em\u003e\u003cem\u003eFabio Ranghiero \/ Lucia Minetti -  Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e07 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Emerald Moss\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e2:28\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero - Dario Voltolini\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e08 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThe Sky Begins Here  \u003c\/strong\u003e\u003cstrong\u003e4:44\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero\/ Lucia Minetti  - Giuseppe Grattacaso\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e09 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSacred Datura  \u003c\/strong\u003e\u003cstrong\u003e4:11\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti -  David Hayward \/ Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e10 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eThat's Crazy Good  \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e4:48\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero \/ Lucia Minetti - Dario Voltolini\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e11 -\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDreamland  (reprise)  \u003c\/strong\u003e\u003cstrong\u003e1:36\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e       Fabio Ranghiero- Stefano Bortolussi\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 47:34\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Dreamland\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFabio Ranghiero\u003c\/strong\u003e, \u003cem\u003egrandpiano, hammond organ, keyboards\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003eAlberto Toninelli\u003c\/strong\u003e, \u003cem\u003edrums\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003eAugusto Veronese\u003c\/strong\u003e, \u003cem\u003edoublebass\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003eGabriele Dusi\u003c\/strong\u003e, \u003cem\u003eacoustic guitar\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eSpecial guest:\u003cstrong\u003e\u003cbr\u003eElena Borgo\u003c\/strong\u003e, \u003cem\u003ecello on \"The Sky Begins Here\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e88.2kHz \/ 24bit original digital recording made at Magister Area Recording, Preganziol, Italy, on March 19,20,21, 2022\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMix and Mastering made at Velut Luna Studio, Casalserugo, Italy, on March 25,26,27 using analog device such as Rupert Neve Design, Maselec, Grace Design and the excellence in digital device such as AD converter Prism Sound AD2 Dream\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical producers: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto, Andrea Valfrè\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBalance recording engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and editing engineer: \u003c\/span\u003e\u003cstrong\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMix and mastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\"Why title an album of songs inspired by the landscapes, history, and secret corners of America \"Dreamland\"?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe answer lies entirely in the meaning we have given to the word \"dream\". In these poetic-musical visions, America is not the real one we all know. It is a magical, even initiatory place, where everything that America has given us throughout its and our history converges and coexists; all distilled in the yearning of a journey that lives for itself, and that becomes its own destination: a destination we love to sing about, a \"dreamland\" we stubbornly claim to inhabit.\"\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLucia Minetti\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe songs on Dreamland are thus inspired by the great tradition of both great American songwriters, from Tom Waits to Ryan Bingham, from Woody Guthrie to Bob Dylan, and the great \"native\" musical tradition that starts from blues and reaches jazz. An unmissable album, therefore, for those who love great American music, filtered through the great sensitivity of two sublime artists like Lucia Minetti and Fabio Ranghiero.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988479746395,"sku":"CVLD347CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41084286631988,"sku":"CVLD347","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_6e94c40e-4ebd-4213-9e20-938183feae3f.jpg?v=1681826043"},{"product_id":"latin-jazz-band-2022-edition","title":"LATIN JAZZ BAND - 2022 Edition","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLATIN JAZZ BAND\u003c\/b\u003e(CVLD349)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e(2022 Edition) Available in: HD File, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - \u003c\/span\u003e\u003cstrong\u003eSOUL BOSSANOVA\u003c\/strong\u003e\u003cspan\u003e Quincy Jones  \/  arr. Masato Myokoin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Michele Dal Cortivo trumpet - Renzo De Rossi alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - \u003c\/span\u003e\u003cstrong\u003eI CAN’T TURN YOU LOOSE\u003c\/strong\u003e\u003cspan\u003e Otis Redding – S.Cropper  \/  arr. Donald Furlano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - \u003c\/span\u003e\u003cstrong\u003eEL CUMBANCHERO\u003c\/strong\u003e\u003cspan\u003e Rafael Hernandez arr. Naohiro Iwai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Lorenzo Sabadini congas - Daniele Cerantola, Enrico Dalla Bona voci - Gregorio Guglielmi flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - \u003c\/span\u003e\u003cstrong\u003eALWAYS LOOK ON THE BRIGHT SIDE of LIFE\u003c\/strong\u003e\u003cspan\u003e Eric Idle  \/  arr. Manfred Schneider\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - \u003c\/span\u003e\u003cstrong\u003eTEQUILA\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eChuck Rio  \/  arr. Masato Myokoin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Lorenzo Sabadini congas - Renzo De Rossi alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - \u003c\/span\u003e\u003cstrong\u003eSEXBOMB\u003c\/strong\u003e\u003cspan\u003e T.Mousse – E.Rennalls  \/  arr. Donald Furlano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Michele Dal Cortivo trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - \u003c\/span\u003e\u003cstrong\u003eSANTANA , A PORTRAIT\u003c\/strong\u003e\u003cspan\u003e arr. Giancarlo Gazzani\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtents: Flor d’Luna (T. Coster) – Oye como va (T.Puente) – Europa (C.Santana\/T.Coster) - Smooth (I.Shur\/R.Thomas)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Michele Scatena alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - \u003c\/span\u003e\u003cstrong\u003ePINK PANTHER\u003c\/strong\u003e\u003cspan\u003e Henry Mancini\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Dino Magrin trumpet - Renzo De Rossi tenor sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - \u003c\/span\u003e\u003cstrong\u003eTHE GIRLS OF JOBIM\u003c\/strong\u003e\u003cspan\u003e A.C. Jobim  \/ arr. Manfred Schneider\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtents: One Note Samba – Meditation – How In sensitive – The Girl from Ipanema\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Daniele Cerantola trombone - Dino Magrin trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003ePETITE FLEUR\u003c\/strong\u003e\u003cspan\u003e Sidney Bechet   \/  arr.Hardy Schneiders\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003edirige Gregorio Guglielmi - solo Renzo De Rossi soprano sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eWEST SIDE STORY\u003c\/strong\u003e\u003cspan\u003e Leonard Bernstein  \/  arr. Naohiro Iwai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eTEQUILA (alt.take)\u003c\/strong\u003e\u003cspan\u003e Chuck Rio arr. Masato Myokoin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolo Lorenzo Sabadini timbales - Flavio D’Avanzo trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - \u003c\/span\u003e\u003cstrong\u003eYOU CAN LEAVE YOUR HAT ON\u003c\/strong\u003e\u003cspan\u003e Randy Newmann  \/  arr. Daniele Carnevali\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 -  \u003c\/span\u003e\u003cstrong\u003eTHE BEST OF ZUCCHERO\u003c\/strong\u003e\u003cspan\u003e Z.Fornaciari arr.Palmino Pia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtents: Con le mani – Donne – X colpa di chi – Diamante – Diavolo in me – Pippo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 -  \u003c\/span\u003e\u003cstrong\u003eI GOT YOU ( I Feel Good)\u003c\/strong\u003e\u003cspan\u003e James Brown  \/  arr. Andrea Ravizza\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original digital recording was made at Cinema Teatro Pio X, Cartigliano, Italy on May, 22 - 23, 2004, using an analog console Midas Verona and 8 channel DSD Recording system by SADiE DSD8.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe new master PCM 88.2kHz\/24bit was made by Marco Lincetto at Velut Luna Studio on January 2, 2022, using the \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eDigital-to-Analog-to-Digital Mastering Solution\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e by Velut Luna, based upon Rupert Neve Design,  Maselec and Prism Sound technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eMusical production:\u003cstrong\u003e Renzo De Rossi \u0026amp; Marco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMix engineers: \u003cstrong\u003eMarco Lincetto \u0026amp; Matteo Costa\u003c\/strong\u003e\u003cbr\u003eMastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003eIt's about \"drive\"... that's the goal to achieve! \u003cbr\u003eLatin Jazz Band is an orchestral group derived from a band that has been able to modify itself over time, technically improving and thus changing the way of conceiving and interpreting music. Composed of instrumentalists who trained at the music school of Tezze sul Brenta and their teachers, the group, assisted by the careful and passionate guidance of the Maestro - and acclaimed jazz pianist and saxophonist - Renzo De Rossi, has managed to blend typically Latin \u0026amp; jazz sounds and rhythms in this work, presenting a pleasant and captivating repertoire on its first CD.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993475326299,"sku":"CVLD349CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41084295217204,"sku":"CVLD349","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder.jpg?v=1681827644"},{"product_id":"furious-dance-acoustic-project","title":"Furious Dance - ACOUSTIC PROJECT","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eFurious Dance\u003c\/b\u003e(CVLD343)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e(crossover orchestra) Available in: HD Files, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1. Divlji tanac \u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Furios Dance)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  3:01 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDubravko Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e2. Sjećam se Plavog trnaca  \u003cem\u003e(I remember the Blue Orchard)\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e 4:24\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e3. U očima led i sjaj\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Ice and Shine in Eyes)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  3:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e4. Mistični putevi Istre\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Mystical Ways of Istria)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  4:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e5. Tvoji snovi\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Your Dreams)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  5:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e6. Drmeš\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 6:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e7. Za pjesmu volje nemam\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(No  Desire For a\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSong)\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e  5:01\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e8. Stari tanci\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Old Dances)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  5:40\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e9. Izvor\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Springhead)\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/em\u003e\u003cspan\u003e2.50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSrdjan Berdović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e10. Interlude\u003c\/strong\u003e\u003cspan\u003e  0:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStanislav Muškinja\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e11. Četri lita i četri zime\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Four Summers and Four Winters)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  4:09\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS.Berdović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e12. Nokturno  \u003cem\u003e( Nocturno)\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/em\u003e\u003cspan\u003e5:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e13. Kamene zvijezde\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(Stone Stars)\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e  3:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.Palanović\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 54:34\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Furious-Dance\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAll compositions and arrangments by\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDubravko Palanović\u003c\/strong\u003e, except for tracks 9 and 10 by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSrdjan Berdović\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand track 10 by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eStanislav Muškinja\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eACOUSTIC PROJECT\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDani Bošnjak, flute, alto flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBranko Mihanović, oboe, english horn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNikola Fabijanić, alto saxophone, tenor saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMario Čopor, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStanislav Muškinja, drums and percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Graziani ,violin 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVal Bakrač,violin 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAleksandar Jakopanec, viola\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePetar Kovačić, violoncello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDubravko Palanović,  double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e88.2kHz\/24bit original recording made at Magister Recording Area, Preganziol, Italy,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eon August 29, 30, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBalance recording engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording and mix engineer: \u003c\/span\u003e\u003cstrong\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMastering engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and layout:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCritical text: \u003c\/span\u003e\u003cstrong\u003eDavor Merkaš\u003c\/strong\u003e\n\u003cp\u003e\u003cem\u003eThe sound universe of the young Croatian composer Dubravko Palanović (1977*) is characterized not only by the phenomenon of musical crossover, as a kind of generational determinant, but also by his great receptive power, by his ability to absorb and assimilate various musical influences, styles and genres, and above all by mastering the craft of a classically trained composer. All this allows him to transcend the boundaries of a mere \"stylistic blend\" that today we almost \"mechanically\" delineate from a deeper meaning with the already hollowed-out definition of world music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough initially made up of a series of recognizable elements, Palanović's music offers to a large extent a personal, original and pregnant tonal substance. His compositions on this CD, for example, bear the imprint of Croatian micro-regions (geographically very close, yet still quite specific and rich in diversity): the traditional music of Dalmatia or the Dalmatian hinterland (Kamene zvijezde – Stone Stars), of Istria and the harsh sounds of its exotic sopela (Mistični putevi Istre - Mystical Paths of Istria), the beautiful songs of the Zagreb surroundings (Sjećam se “Plavog trnaca” – I remember the blue thorn), or the cheerful souls of Slavonia (Drmeš).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe entire album is characterized by a richness of contrasts: atmospheres of intense movement alternate with meditative states, momentary excitements and bursts of explosive energy with sudden relaxations and escapes into contemplation, tonal images of intimate states in which the musicians present their secrets through extroverted musical expressions, full of good vibes. The album Furious dance is a journey into the unknown rich in emotions and new, still unimaginable, musical landscapes, all to be discovered, a music that moves, inspires, and certainly will not leave anyone indifferent.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDavor Merka\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993486434651,"sku":"CVLD343CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41084326805556,"sku":"CVLD343","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_3bfca61c-7f7b-4b42-b81e-6a5566002f3b.jpg?v=1681834269"},{"product_id":"parma-hidden-and-imaginary-landscapes","title":"PARMA - Hidden and Imaginary Landscapes","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePARMA\u003c\/b\u003e(CVLD342)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eHidden and Imaginary Landscapes\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003eAvailable in: HD File, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e01 Start Driving In The Rain 3:08\u003cbr\u003e02 Lights In Our Valley  3:08\u003cbr\u003e03 Parma  3:29\u003cbr\u003e04 Unloading And Processing  3:20\u003cbr\u003e05 Sounds Of A Mass  3:10\u003cbr\u003e06 A Mysterious Mind  3:11\u003cbr\u003e07 Antonio Bianchi Plays Piano  3:26\u003cbr\u003e08 Glass Working Machinery  3:31\u003cbr\u003e09 Emilia Route  3:11\u003cbr\u003e10 City Nights Trough A Big Glass Window  3:48\u003cbr\u003e11 Walk Under The Arcades  3:04\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Parma-Hidden-and-imaginary-landscape\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eVito Lafiandra, Composer \u0026amp; Performer\u003cbr\u003eMassimo Scaccaglia, Sound  Designer\u003cbr\u003e \u003cbr\u003eRecording and Mix at VLF Studio, Collecchio, Italy, on March 2021\u003cbr\u003e \u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eRecording and Mix: Vito Lafiandra \u0026amp; Max Scaccaglia\u003cbr\u003eMastering: Marco Lincetto at Velut Luna Studio\u003cbr\u003eGraphics and Layout: L'Image\n\u003cp\u003e\u003cspan\u003e\"PARMA - Hidden and Imaginary Landscapes\" stems from the surprise evoked by the soundscapes that re-emerged due to measures to combat and contain the Covid-19 virus. \u003c\/span\u003e\u003cspan\u003eSuddenly, we found sound environments completely transformed by the absence of human traffic. \u003c\/span\u003e\u003cspan\u003eIt's as if the places had started breathing again, reclaiming their original sounds, the life connected to them, putting on the comfortable clothes of their history. \u003c\/span\u003e\u003cspan\u003eAn opportunity that could not be missed: we immediately sought to capture the breath of frequented, beloved, or significant places. \u003c\/span\u003e\u003cspan\u003eMany attempts and elaborations were made, but we believe we have found a synthesis, both in terms of the means used and the expressed intention. \u003c\/span\u003e\u003cspan\u003eWe have tried to elaborate \"something\" that can go beyond sound, engraving memory, allowing for a projection that becomes inherent to the landscapes themselves, which will never be the same again.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993481355611,"sku":"CVLD342CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41084352102452,"sku":"CVLD342","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_0aaf3d60-8a2c-4ced-b234-dc5e819750a9.jpg?v=1681839162"},{"product_id":"mila-mila-dodeka-ensemble-terra-d-otranto","title":"MILA, MILA DODEKA - Ensemble Terra D’Otranto","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eMILA, MILA DODEKA\u003c\/b\u003e(CVLD341)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTarantism is Elsewhere\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e1. Lamento (Lament) Traditional \/ Arr. D. Longo 1:41\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e2. Klafsete, Mane (Weep, Mothers) Anonymous, Grecìa Salentina * 0:38\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e3. S’è ver la tua partita G. Melcarne “Il Montesardo”, from op. XI, Naples 1612 2:44\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e4. Zoì (Life) Traditional \/ Arr. L. Tarantino-R.Conte 2:11\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e5. Aria sopra il Fedele Traditional \/ Improvisations 2:13\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e6. Santu Paulu Traditional from Salento 0:55\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e7. Variations for tambourine Traditional from Salento 1:09\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e8. Pizzica “de core” (“from the heart”, courtship dance) Traditional from Salento 3:47\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e9. La Vergine Maria Traditional from Salento 4:07\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e10. Battle of Tarantellas Improvisations on works by F.Pico and anonymous 17th and 18th centuries 6:40\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e11. Nia nia nia- Traditional from Grecìa Salentina 2:21\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e12. Rodrigo Martines Anonymous Spain 16th century 2:09 “On the Pains of Love”\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e13. Improvisation on a bass by N. Matteis (17th century) 1:42\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e14. Tarantella G. Greco, Naples 17th century 2:01\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e15. Pizzica Traditional from Salento 1:52\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e16. Passacaglia Traditional \/ Improvisations 0:56\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e17. Antidotum Tarantula and Anonymous 16th century, Traditional \/ Improvisations 2:36\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e18. Tarantella tonum phrygium Anonymous 16th century, Traditional 3:21\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e19. Mila, Mila Dodeka (Apples, Apples Twelve) (“moroloja”, funeral lullaby), Traditional from Salento 1:24\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e20. 'Ntartieni, Biumbò Traditional \/ Arr. L. Tarantino, D. Longo, A.C. Villani, M. Durante 5:44\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eTotal time 50:31\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Mila-mila-dodeka\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e* First four stanzas taken from an elegy in terza rima, of about 200 verses, composed in 1556 on the death of a young girl named Katerini (Catherine).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cstrong\u003eENSEMBLE TERRA D’OTRANTO \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eDoriano Longo direction; violin R. Duke, London 1756 viola da braccio Anon. German school, late 18th century\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eAnna Cinzia Villani solo voice, tambourine (track 15)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eNadia Esposito reciting voice, voice, castanets (track 10)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eRosario Conte Spanish guitar P. Busato, Padua 1998 copy Franco-Belgian school, second half 17th century) theorbo (tracks 3, 11, 12): Lourdes Maria Uncilla, El Escorial, Spain, 2001\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eLuca Tarantino Spanish guitar L. Lovadina, Aralde (TV) 1987, “Giustiniani” 1681 model by A. Stradivari chitarra battente G. De Iaco, Dorfgasse, Switzerland, 1998\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003ePierluigi Ostuni theorbo Lourdes Maria Uncilla, El Escorial, Spain, 2001\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eMauro Durante frame drums (tracks 10, 20); castanets (track 12)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eRoberto Chiga frame drums (tracks 7, 11, 12)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003ePippo Ark” d’Ambrosio percussion\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cstrong\u003eGuests:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eFranco Corlianò, reciting voice (Klafsete, Mane)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eGianni de Gennaro, vielle (La Vergine Maria)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eNicola Nesta, oud (La Vergine Maria and ‘Ntartieni)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eMichele Visaggi, harpsichord (Sulle Pene d’Amore)\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e \u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e24 bit 96 kHz original recording at Masseria Torcito – Cannole (Lecce) October 2, 3 2003\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eProduction: \u003cstrong\u003eVelut Luna \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eSound Engineer \u003cstrong\u003eMarco Lincetto \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eRecording director \u003cstrong\u003eGianni de Gennaro \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eEditing and mastering \u003cstrong\u003eMatteo Costa \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eLayout \u003cstrong\u003eL'image \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003ePR \u003cstrong\u003eFrancesco Pesavento \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cstrong\u003eA special thanks to: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eAbele \/ Antonio Cassano director of the provincial museum of Lecce\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eSandro Mele, author of the work on the cover\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eFranco Corlianò and Maria Roca Montinaro custodians of the Griko language\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eFernando de Lumè president of the social cooperative “La Sorgente” of Masseria Torcito\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e“Mila, Mila Dòdeka...” Twelve Apples...” The apple, like the quince and the pomegranate, is a symbol of life and death. It is linked to the cult of Persephone, daughter of Demeter, goddess of fertility, abducted in the prime of her youth by Hades, the god of the underworld. For having eaten a pomegranate seed, Persephone cannot return to the world of the living, except for part of the year. Dividing herself between light and darkness, she gives rise to the continuous cycle of the seasons. A Hellenic religiosity whose myths and rites still live in the Terra d’Otranto of the seventeenth century, as shown by the lullabies collected here. Lullabies sung in Griko, the language of a migrant people, with sounds pregnant with the pain of farewell and the anxieties of the journey. A language that survived in Salento, a land of passage, along with other myths and rites that are collected here according to a succession of moments of life and death. Life and Death go together, in a continuum between what one takes and offers to the other. Thus, one moves from the funeral lament to the lullaby, from frenzied dance to the lament for the tarantula's bite. In the same way, a lullaby for the departure of a child transforms into a nursery rhyme for newborns, rocked on the knees by the grandfathers' bium-bò and accompanied by the reassuring voice of mothers. In the shelter of a fortified farm, with a small chapel on the edge of a track that reverberates like a cathedral, what emerged from scattered plots and momentary intuitions was collected. According to Baroque practice, and popular tradition, each performance has its own story; the notes, when present, are above all signs, directions. For the rest, there is the moment, in this case, that of the recording, where, unlike a concert, one mainly addresses oneself. In this setting of contemplation and continuous discovery, pieces and texts by known and unknown authors from Terra d'Otranto and the cultures still present in Terra d'Otranto in the seventeenth century were brought back to life after four centuries: their legacy is like the twelve apples that the mother gives to her dead son as a viaticum. What we hope is to be able to preserve it for those who will come... Ti tuso kosmo presta trapassei”... Because this world soon passes!\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cstrong\u003eAbele and Doriano Longo\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":41084391817268,"sku":"CVLD341","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_414d5114-4865-4c9b-8c02-5eefb56fd404.jpg?v=1681841257"},{"product_id":"guarda-avanti-sax-four-fun","title":"LOOK FORWARD - Sax Four Fun","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eLOOK AHEAD \u003c\/b\u003e(CVLD031)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eSax Four Fun\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1 - Dolofunky * 2’52” Fiorenzo Zeni\u003cbr data-mce-fragment=\"1\"\u003esolos: Stefano, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e2 - Guarda avanti * 5’03” Fiorenzo Zeni\u003cbr data-mce-fragment=\"1\"\u003esolo: Fiorenzo, Stefano\u003cbr data-mce-fragment=\"1\"\u003e3 - Il senso di Smilla per le note * 4’49” William Tononi\u003cbr data-mce-fragment=\"1\"\u003esolo: Stefano\u003cbr data-mce-fragment=\"1\"\u003e4 - Stort Blues * 4’55” William Tononi\u003cbr data-mce-fragment=\"1\"\u003esolos: Stefano, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e5 - Oasi°© 4’29” Pepito Ros\u003cbr data-mce-fragment=\"1\"\u003esolo: Pepito\u003cbr data-mce-fragment=\"1\"\u003e6 - Sax Four Fun° 3’44” Fiorenzo Zeni\u003cbr data-mce-fragment=\"1\"\u003esolos: Pepito, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e7 - About you°© 5’19” Pepito Ros\u003cbr data-mce-fragment=\"1\"\u003esolo: Pepito\u003cbr data-mce-fragment=\"1\"\u003e8 - Latin Street°°© 4’53” Pepito Ros\u003cbr data-mce-fragment=\"1\"\u003esolo: Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e9 - Reactionary Tango * 4’21” Carla Bley \/ arr.Hans Tutzer\u003cbr data-mce-fragment=\"1\"\u003esolo: Stefano\u003cbr data-mce-fragment=\"1\"\u003e10 - Hard Times * 4’30” Paul F.Mitchell \/ arr.Hans Tutzer\u003cbr data-mce-fragment=\"1\"\u003esolos: Stefano, Fiorenzo, Hans\u003cbr data-mce-fragment=\"1\"\u003e11 - Abbamele°°° 4’52” Paolo Fresu \/ arr. Hans Tutzer\u003cbr data-mce-fragment=\"1\"\u003esolo: Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003e12 - Mo Better Blues * 5’23” Bill Lee \/ arr.Giorgio Beberi\u003cbr data-mce-fragment=\"1\"\u003eintro e solos: Stefano, Fiorenzo\u003cbr data-mce-fragment=\"1\"\u003eTotal time 55’16”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/GuardaAvanti\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStefano Menato, soprano-alto\u003c\/p\u003e\n\u003cp\u003eHanz Tutzer, alto\u003c\/p\u003e\n\u003cp\u003eFiorenzo Zeni, tenor\u003c\/p\u003e\n\u003cp\u003eGiorgio Beberi, baritone\u003c\/p\u003e\n\u003cp\u003ePepito Ros, soprano-alto\u003c\/p\u003e\n\u003cp\u003e* Stefano, Hans, Fiorenzo, Giorgio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e° Pepito, Hans, Fiorenzo, Giorgio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e°° Pepito, Stefano, Fiorenzo, Giorgio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e°°° Stefano, Pepito, Hans, Fiorenzo, Giorgio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis recording was made at Teatro Comunale Polivalente, Abano Terme, Italy, on July 13 - 14, 1999, using the ultimate and the most advanced digital tecnology based upon 24Bit \/ 96Khz Analog to Digital Converter PRISM SOUND DREAM AD2.\u003cbr data-mce-fragment=\"1\"\u003eMarco Lincetto used only a stereo pair omnidirectional mikes (SCHOEPS MK2s).\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecording \u0026amp; mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtistic Direction: \u003cstrong\u003eSax Four Fun \/ Marco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eEditing engineer: \u003cstrong\u003eFabio Framba\u003c\/strong\u003e on SONIC SOLUTION 24\/96 Workstation\u003cbr data-mce-fragment=\"1\"\u003ePhoto: \u003cstrong\u003eIlenco Tracmot\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCritical notes: \u003cstrong\u003eVittorio Albani\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLayout: \u003cstrong\u003eLimage\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSax Four Fun # Guarda avanti\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title of Sax Four Fun's second album is in itself a programmatic declaration. \"Guarda avanti\" (Look Ahead) can, in fact, be easily seen as a response to the detractors of the \"all saxophones\" concept, for whom, after the World Saxophone Quartet and the 29th Street Saxophone Quartet, no further virtuoso innovations seem possible. A second and more intelligent analysis, however, prompts spontaneity and reflection on a project that, in truth, has much to say. And it is precisely by looking ahead, while respecting luminaries such as Murray, Hemphill, Lake, Bluiett, Purcell, Watson, Jackson, Rothenberg, Hartog, and other \"sacred monsters\" of the genre, that the quartet (or quintet when Pepito Ros's soprano or alto joins the choir) chooses modern and \"creatively correct\" phrasing, rich in the originality that is obviously lacking in other celebrated emulators of the aforementioned saxophone Bible. \"Looking ahead\" and, while traversing well-known territories such as the great sea of blues, the ensemble delves into its research across the entire range of the reed family, analytically exploring the polyphony of tradition, even in the absence of \"historical\" rhythm, managing to find useful propositional solutions. A collage in which irony and seriousness successfully combine in effective rivulets of fantasy and which – in the end – forge new kaleidoscopic structures, openly to be enjoyed. The architecture of the twelve tracks contained in this CD is in some ways notably unconventional, ready to play on the desire to create funk when the world seems to be working against it (Dolo Funky), in the improbable \"Stort Blues\" \"stolen\" from Guido Bombardieri's ensemble and splendidly arranged by Brescia guitarist William Tononi, in the 6\/8 of Oasi where Pepito Ros doubles his credentials by scoring a perfect strike with the wonderful ballad About you, in the eponymous Sax Four Fun by Fiorenzo Zeni, which has now become the group's new \"theme\" and which fits well with the many \"walking tunes\" of the aforementioned groups of Murray and Watson, in the \"joke\" of a \"perfect blues\" that only becomes so later (Hard Times), in the reinterpretation of one of Carla Bley's great ironic modern masterpieces (Reactionary Tango) or, finally, in Paolo Fresu's beautiful Abbamele with which – among other things – the group has begun a collaboration that is yet to fully unfold and which finds the Sardinian trumpeter in full harmony with the evolutions of a combo capable of mediating – with innate illumination – the geometries of the score and the urgency of improvisation. The \"live recording,\" well-produced by Marco Lincetto for the courageous Velut Luna, ennobles the concept: the time when jazz was just \"stuff for Americans\" is truly over.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVittorio Albani\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042673496411,"sku":"CVLD031CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":41085772955700,"sku":"CVLD031","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/031-cover.jpg?v=1681927602"},{"product_id":"liszt-piano-transcriptions-eliana-grasso","title":"Liszt Piano Transcriptions - Eliana Grasso","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eLiszt Piano Transcriptions\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(CVLD339)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eEliana Grasso\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eL. van Beethoven - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - Allegretto from Symphony No. 7 in A major Op. 92 (S. 464), 10:10\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Schubert - F. Lis\u003ca name=\"_GoBack\"\u003e\u003c\/a\u003ezt \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e2 - Gretchen am Spinnrade (S. 558), 4:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - Serenade (S. 560), 6:15\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eG. Verdi\/F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e4 - Sacred Dance and final duet from Aida (S. 436), 11:13\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Chopin - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e5 - Mädchens Wunsch, from “Six chants polonais”( S. 480), 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - Frühling, from “Six chants polonais” (S. 480), 2:40\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eR. Schumann - F. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e7 - Widmung (S 566), 4:33\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eF. Liszt\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e8 - Mephisto Waltz No. 1, piano version by the composer (S. 514), 12:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 56:31\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/LisztPianoTranscriptions\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Laboratorio Zanta, Camponogara, Italy, on November and December 2021\u003cbr\u003eEliana Grasso plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003cbr\u003e \u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEliana Grasso\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eEditing: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eCritical Notes\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eGiven the vast catalogue of compositions written by Franz Liszt intended to enrich the 19th-century piano repertoire, one finds a greater number of works based on the creations of other composers compared to genuinely original pieces. The various arrangements, written throughout the composer's career, fall into two categories according to Liszt's own precise wishes, who made the initial terminological distinction: on the one hand, transcriptions, which are piano adaptations where the original score remains largely unaltered; on the other hand, paraphrases, true exercises in style where the composer takes the liberty of varying the source text, bending it to his own creative whim. Although they have often been subjected to harsh criticism by some exponents of early 20th-century musicology (see Humphrey Searle's comment, responsible for the systematic cataloguing of Liszt's works: «he may have wasted much time on some of these transcriptions, but at least they provided an outlet for his overflowing energy,» The Music of Liszt, London 1954), the arrangements produced by the Hungarian composer contributed to the dissemination and promotion of the music of numerous authors.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cu\u003e\u003cstrong\u003eELIANA GRASSO\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003e\u003cspan\u003eEliana Grasso, pianist, performs in concerts throughout Europe and the United States in renowned venues such as Carnegie Hall in New York, Wigmore Hall in London, Sala Verdi in Milan, the Royal Academy of Music in London, the Hermitage in St. Petersburg, Theatre La Filature in Mulhouse, Sala Maffeiana of the Teatro Filarmonico in Verona, Teatro Sociale in Bellinzona, Cappella Paolina of the Quirinale in Rome, Bloomsbury Theatre in London, Salon Chopin (Société Historique Polonaise) in Paris, Palazzo Ducale in Mantua, Teatro Piccolo Regio in Turin, and many others.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe debuted in 1994 performing Haydn's Concerto in D major, conducted by Luca Pfaff with the Mulhouse Symphony Orchestra, receiving great public and critical acclaim (\"Eliana Grasso: still young and already so great\", l'Alsace, March 1994) with numerous orchestras such as the Orchestra Magister Harmoniae, the Orchestra Piccolo Auditorium Paradisi, the Orchestra of the Teatro Filarmonico of Verona, conducted among others by Piero Bellugi. She regularly performs as a soloist and in chamber ensembles for the most important Italian music seasons such as: MITO Settembremusica (Turin), Società dei Concerti (Milan), Società del Quartetto (Milan), Unione Musicale (Turin), Trame Sonore (Mantua), I Concerti del Quirinale (Rome), Polincontri (Turin), Rivolimusica, I Concerti dell’Università della Tuscia (Viterbo), Milano Classica, I Concerti del Pomeriggio del Teatro Alfieri (Turin), Fondazione William Walton (Naples), Settembre Musicale Orta (Novara), Ravello Concert Society (Naples), Concerti a Palazzo Labia (Venice), Teatro Torti (Bevagna). She has also performed in Norway, Russia, the United States, France, Switzerland, Spain, England, and Romania.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe regularly collaborates in a duo with flutist Romano Pucci (first flute, Teatro alla Scala in Milan), in four hands and two pianos with pianist Irene Veneziano, and explores the lieder repertoire with soprano Susanna Rigacci. She has won numerous competitions: at 13, she placed third overall in the International Competition of St. Petersburg, and since then has won first prize in countless Italian competitions: Stresa, Premio J.S. Bach, Premio Kawai, Premio Clementi, and many others. More recently, in 2014, she was the overall winner of the International Bellagio Festival Competition.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHer concerts have been broadcast live by radio stations such as Rai Radiotre; she was recently a guest on the program \"Il Pianista\" on Radio Classica. For the Velut Luna label, she has already recorded \"Sortilèges\" with music by Ravel and Saint-Saëns in a duo with I. Veneziano (\"the two musicians become a single organism and express all the charm of this music\" Suonare, 2015).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eShe graduated with highest honors from the \"G. Verdi\" Conservatory in Turin, and was awarded the \"Lascito Piacenza\" scholarship for the best final examination. She continued her studies at the \"Incontri con il Maestro di Imola\" Academy, where she studied with F. Scala, R. Risaliti, P. Masi. She also specialized with K. Bogino, E. Arciuli, P. Badura-Skoda, M. Damerini, A. Lucchesini, S. Gadžijev, J. Swann, P. De Maria, L. Pogorelich. Alongside her concert activity, she worked as a teacher and stable collaborative pianist at the Accademia del Teatro alla Scala in Milan from 2010 to January 2021. She currently teaches Piano Practice and Reading and Piano at the \"Franco Vittadini\" Conservatory in Pavia.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49988793467227,"sku":"CVLD339CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":41086770020404,"sku":"CVLD339","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_17e6db64-301b-45e9-91a4-864da879c547.jpg?v=1682009439"},{"product_id":"velut-luna-vol-1-hi-res-sampler","title":"Velut Luna Vol.1 Hi-Res Sampler","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eVelut Luna Vol. 1 Hi-Res Sampler \u003c\/b\u003e(SVLH001) \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 Calling You \u003c\/span\u003e\u003c\/strong\u003e(Bob Telson)\u003cspan data-mce-fragment=\"1\"\u003e 5:54 (\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.referencemusicstore.it\/products\/illegal-love-2-chiara-pasto-enrico-santacatterina\" title=\"ILLEGAL LOVE 2 - Chiara Pastò Enrico Santacatterina\"\u003eLINK TO CD\u003c\/a\u003e)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e       from \u003cstrong\u003eILLEGALLOVE 2\u003c\/strong\u003e (CVLD316) (88.2kHz · 24bit) \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e       Chiara Pasto’, Enrico Santacatterina, Massimo Tuzza\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 Blu profondo \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(Roberto Jonata)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 4:40 (\u003ca title=\"INFINITY - Roberto Jonata\" href=\"https:\/\/www.referencemusicstore.it\/products\/infinity-roberto-jonata\"\u003eLINK TO CD\u003c\/a\u003e)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e       from \u003cstrong\u003eInfinity\u003c\/strong\u003e (CVLD253) (88.2kHz · 24bit)\u003cbr data-mce-fragment=\"1\"\u003e       Roberto Jonata\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 Soft Lights And Sweet Music\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e(Irving Berlin)\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e4:35 (\u003ca title=\"THE IRVING BERLIN SONGBOOK - Paolo Birro Alfredo Ferrario\" href=\"https:\/\/www.referencemusicstore.it\/products\/the-irving-berlin-songbook-paolo-birro-alfredo-ferrario\"\u003eLINK TO CD\u003c\/a\u003e)\u003cbr data-mce-fragment=\"1\"\u003e       from \u003cem\u003e\u003cstrong\u003eThe Irving Berlin Songbook\u003c\/strong\u003e\u003c\/em\u003e (CVLD243) (192kHz · 24bit)\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e       \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003ePaolo Birro, Alfredo Ferrario, clarinet\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 Variazioni su un tema popolare vicentino\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Paolo Birro\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e) 1\u003c\/span\u003e2\u003cspan data-mce-fragment=\"1\"\u003e:59 (\u003ca title=\"Sing Without Words - Paolo Birro, Roberto Dani, Kyle Gregory, Salvatore Maiore\" href=\"https:\/\/www.referencemusicstore.it\/products\/sing-without-words-paolo-birro-roberto-dani-kyle-gregory-salvatore-maiore\"\u003eLINK TO CD\u003c\/a\u003e)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e       from \u003cem\u003e\u003cstrong\u003eSing Without Words\u003c\/strong\u003e\u003c\/em\u003e (CVLD047) (96kHz · 24bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e       \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003ePaolo Birro, Roberto Dani, Kyle Gregory, Salvatore Maioreet\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 Firth Of Fifth \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Peter Gabriel, Steve Hackett, Mike Rutherford, Tony Banks, Phil Collins) 7:47 (\u003ca href=\"https:\/\/www.referencemusicstore.it\/products\/viperarp-trio-varina-fortin-lucia-stone-marica-veronese\" title=\"ViPerArp Trio - Varina Fortin, Lucia Stone, Marica Veronese\"\u003eLINK TO CD\u003c\/a\u003e)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e       from \u003cem\u003e\u003cstrong\u003eVIPERARP TRIO\u003c\/strong\u003e\u003c\/em\u003e (CVLD346) (88.2kHz · 24bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e       \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eVarina Fortin, Lucia Stone, Marica Veronese\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv id=\"player\"\u003e\u003caudio controls=\"controls\"\u003e\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/04_Firth_Of_Fifth_-_Peter_Gabriel_Steve_Hackett_Mike_Rutherford_Tony_Banks_Phil_Collins.mp3?v=1686680637\"\u003e\u003c\/audio\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 35:55\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*Contains tracks in various sample rate\u003c\/p\u003e\n\u003cp\u003e℗ 2023 Velut Luna®_Released 2023-04-10\u003c\/p\u003e","brand":"Reference Music Store","offers":[{"title":"HD FILE 192kHz · 24bit *","offer_id":46671177089371,"sku":"SVLH001-192","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/2023Hi-ResSampler.png?v=1682163531"},{"product_id":"johann-sebastian-bach-nicola-lamon-maria-giovanna-fiorentino","title":"JOHANN SEBASTIAN BACH - Nicola Lamon Maria Giovantoin","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJOHANN SEBASTIAN BACH \u003c\/b\u003e(CVLD328)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaria Giovanna Fiorentino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eflute and recorder\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Nicola Lamon,\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e harpsichord\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSonata in F major BWV 1035 for flute and basso continuo\u003cbr\u003e01 - Adagio ma non tanto, 2:16\u003cbr\u003e02 - Allegro, 3:13\u003cbr\u003e03 - Siciliano, 3:47\u003cbr\u003e04 - Allegro assai, 3:13\u003cbr\u003ePartita in A minor BWV 1013 for solo flute\u003cbr\u003e05 - Allemanda, 4:32\u003cbr\u003e06 - Corrente, 2:47\u003cbr\u003e07 - Sarabande, 3:38\u003cbr\u003e08 - Bourèe anglaise, 2:00\u003cbr\u003eConcerto in G minor BWV 985 for solo harpsichord\u003cbr\u003e09 - (Allegro), 2:46\u003cbr\u003e10 - Adagio, 2:15\u003cbr\u003e11 - Allegro, 2:24\u003cbr\u003eSonata in B minor BWV 1030 for flute and obbligato harpsichord\u003cbr\u003e12 - Andante, 7:40\u003cbr\u003e13 - Largo e dolce, 3:11\u003cbr\u003e14 - Presto, 6:23\u003c\/p\u003e\n\u003cp\u003etot. time: 50:14\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johann-Sebastian-Bach-Flute-and-Harpsichord-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e24bit \/ 88.2kHz original recording made at Studio Rosso, of Zanotto Strumenti, \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ein Silvelle di Trebaseleghe, Italy, on July, 4, 5, 6, 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix \u0026amp; Mastering: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhoto: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: L'Image\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eJohann Sebastian Bach\u003c\/em\u003e\u003c\/strong\u003e (1685 Eisenach, 1750 Leipzig) was a German composer and musician, Thomaskantor in Leipzig from 1723 until his death. Considered among the greatest geniuses in music history, his works are notable for their intellectual depth, mastery of technical and expressive means, and artistic beauty. He achieved a remarkable synthesis between the German style of Pachelbel and Buxtehude and the works of Italian composers (especially Vivaldi, whose numerous pieces he transcribed, assimilating above all his concertante style). His work constituted the culmination and development of the various stylistic-compositional trends of his era. The degree of structural complexity, technical difficulty, and the exclusion of the melodramatic genre, however, made his work the preserve of only the most gifted musicians and at the time limited its diffusion among the general public, compared to the popularity achieved by other contemporary musicians such as Handel or Telemann. In 1829, the performance of the St. Matthew Passion, conducted in Berlin by Felix Mendelssohn, brought to the knowledge of a wide audience the extremely high quality of Bach's compositional work, which has since been considered the compendium of Baroque counterpoint. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Kantor of Leipzig, where he composed so many cantatas and sacred works, remains a miracle of the Baroque and of music in general, certainly. I decided to include in the CD the Sonata BWV 1030 for flute and obbligato harpsichord, the partita for solo flute BWV 1013, the harpsichord works transcribed by Telemann and the sonata for flute and continuo 1035 for the love of the composer and the pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eNicola Lamon\u003c\/em\u003e\u003c\/strong\u003e studied at the \"B. Marcello\" conservatory in Venice, graduating in 2001 with honors in both Organ and Organ Composition with Elsa Bolzonello Zoja and Harpsichord with Sergio Vartolo and Marco Vincenzi. He also obtained a full marks diploma in Gregorian Chant with Lanfranco Menga. In the academic year 2005-2006, at the \"B. Marcello\" Conservatory in Venice, he obtained a second-level specialist academic diploma in organ with a score of 110 cum laude. He participated in numerous masterclasses at various international academies: in organ and improvisation with H. Davidson and W. Porter in Smarano (TN), with J.L. Gonzalez Uriol in Daroca (Spain), at the Accademia Chigiana in Siena, for harpsichord, with Christophe Rousset, obtaining a diploma of merit. He has received several awards in various national and international competitions: in organ, the third prize in Borca di Cadore in 2001 and 2005, the first prize in Viterbo in 2003, and the third prize in Fano Adriano (TE) in 2006; in harpsichord, the first prize in Fusignano (RA) in 2003 and the first prize in Pesaro in 2005. He holds the position of second organist at the prestigious Basilica of San Marco in Venice, collaborating with the Cappella Marciana in concert and recording performances. He follows and studies with particular interest historical partimento and improvisation aimed at researching and performing basso continuo. With his colleague David Brutti on cornetto, he founded the duo \"Seicento Stravagante\" engaged in promoting Renaissance and Baroque keyboard instruments, participating in recordings and concerts. He also works as an organist and continuo harpsichordist in various ensembles, collaborating also in masterclasses and advanced training courses. He was an adjunct professor at the \"C. Pollini\" Conservatory of Padua for keyboard practice and vocal repertoire reading, and currently works as a harpsichord accompanist at the Arrigo Pedrollo Conservatories in Vicenza and Agostino Steffani in Castelfranco Veneto (TV). He is also involved in the monumental complete performance of the two books of Bach's Well-Tempered Clavier and The Art of Fugue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eMaria Giovanna Fiorentino\u003c\/em\u003e\u003c\/strong\u003e born in Padua in 1961, she studied recorder in Padua with S. Balestracci (1976-1982) and obtained a diploma in recorder at the Tartini Conservatory in Trieste. Graduated in Literature with honors from the University of Padua with a thesis in Music History, she collaborates with articles, conferences and lecture-concerts in musicological research. She has given 163 concerts in Italy and abroad and several recordings in ensembles such as the C.M.A. of Padua, the Chamber Orchestra of Padua, Accademia Bach, the Compagnia dei Febi Armonici, Interensemble and Serenissima Chamber Orchestra at the XXIII Festival of Early Music in Urbino. She has recorded D. Bigaglia's sonatas for flute and b.c., Corelli's Op. V, Sammartini's Trio Sonatas and Bellinzani's and Barsanti's Sonatas for Tactus. She continued with Vivaldi's Concertos a 4 in 2014 and with Boismortier's Op. XXXVII for Urania Records, as well as F. Couperin's Concerts Royaux, to be released in September-October 2017. She has taught recorder at the \"G. Tartini\" Conservatory in Trieste and at the Musician School in Reggio Emilia and recorder and Music History at the Morello Foundation in Castelfranco Veneto 1997-2003. From 2008 to 2011 she was president of ERTAItalia, the association of recorder teachers and students in Italy, twinned with its European counterparts, and is now vice-president. She specialized for four years with Pedro Memelsdorff, passing the repertoire exam at the Civica Scuola di Musica di Milano in 1988, and with Frans Brüggen, Marijke Miessen, Kees Boeke, Walter van Hauwe and Matthias Weilenmann. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-trans\" style=\"position: absolute; left: 223px; top: 73.7917px;\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993789374811,"sku":"CVLD328CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46685364420955,"sku":"CVLD328","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/folder_d4087b6f-8d39-46d4-a3a1-76f58663e244.jpg?v=1682334354"},{"product_id":"illegal-love-2-chiara-pasto-enrico-santacatterina","title":"ILLEGAL LOVE 2 - Chiara Pastò Enrico Santacatterina","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eILLEGAL LOVE 2 \u003c\/b\u003e(CVLD316)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e01 Calling You (Bob Telson) 5:53\u003cbr data-mce-fragment=\"1\"\u003e02 The Way You Make Me Feel (Michael Jackson) 4:06\u003cbr data-mce-fragment=\"1\"\u003e03 Smooth Operator (Sade Adu, Ray St.John) 4:09\u003cbr data-mce-fragment=\"1\"\u003e04 Street Life (Joe Sample, Randy Crawford) 4:17\u003cbr data-mce-fragment=\"1\"\u003e05 Lover Man (Jimmy Davis, Roger Ramirez, James Sherman) 4:41\u003cbr data-mce-fragment=\"1\"\u003e06 Maha Bratha 2 (Enrico Santacatterina, Massimo Tuzza) 3:00\u003cbr data-mce-fragment=\"1\"\u003e07 Jolene (Dolly Parton) 3:18\u003cbr data-mce-fragment=\"1\"\u003e08 Nothing Compares 2 You (Prince) 5:24\u003cbr data-mce-fragment=\"1\"\u003e09 Wicked Game (Chris Isaak) 4:06\u003cbr data-mce-fragment=\"1\"\u003e10 Drums Take 2 (Massimo Tuzza) 1:15\u003cbr data-mce-fragment=\"1\"\u003e11 Wonder Why (Enrico Santacatterina) 4:37\u003cbr data-mce-fragment=\"1\"\u003e12 Mad About You (Alex Callier) 3:52\u003cbr data-mce-fragment=\"1\"\u003e13 Rolling In The Deep (Adele Adkins, Paul Epworth) 4:26\u003cbr data-mce-fragment=\"1\"\u003e14 Always Remember Us This Way\u003cbr data-mce-fragment=\"1\"\u003e(Lady Gaga, Natalie Hemby, Hilary Lindsay, Lori McKenna) 3:37\u003cbr data-mce-fragment=\"1\"\u003e15 Against All Odds (Phil Collins) 3:27\u003cbr data-mce-fragment=\"1\"\u003eTotal Time: 60:15\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Illegalove2\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eChiara Pastò\u003c\/em\u003e\u003c\/strong\u003e, voice\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eEnrico Santacatterina\u003c\/em\u003e\u003c\/strong\u003e, guitars, acoustic bass and chorus\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMassimo Tuzza\u003c\/em\u003e\u003c\/strong\u003e, drums and percussions\u003c\/p\u003e\n\u003cp\u003eSpecial Guest:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTRUE VOICE GOSPEL CHOIR\u003c\/em\u003e\u003c\/strong\u003e, Anna Tosato, conductor\u003c\/p\u003e\n\u003cp\u003e88.2kHz \/ 24bit digital recordings made at:\u003c\/p\u003e\n\u003cp\u003e- Guitars and Acoustic Bass, Velut Luna Studios, Casalserugo, on April 9 - 10, 2019\u003c\/p\u003e\n\u003cp\u003e- Drums and Percussions, Area Magister Studios, on April 15 - 16, 2019\u003c\/p\u003e\n\u003cp\u003e- Voice, Velut Luna Studios, Casalserugo, on April 17 - 18 - 19 - 20, 2019\u003c\/p\u003e\n\u003cp\u003e- Chorus, Velut Luna Studios, Casalserugo, on April 23 - 24, 2019\u003c\/p\u003e\n\u003cp\u003e- Gospel Choir, Santa Croce Reharsal Hall, on May 7, 2019\u003c\/p\u003e\n\u003cp\u003e88.2kHz \/ 24bit digital mix and analog mastering made at Velut Luna Studios,\u003c\/p\u003e\n\u003cp\u003eCasalserugo, on April 25 - 26 - 27 - 28 - 29 and May 8, 2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusical Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEnrico Santacatterina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording, Mix \u0026amp; Mastering Engineer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhoto:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideomaker:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMichele Sartor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGraphics and Design:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eILLEGALOVE\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis a concept album.\u003c\/p\u003e\n\u003cp\u003eIt's a musical journey to discover Love: the somewhat uncomfortable, sometimes desperate, sometimes cursed kind, recounted by some of the most famous rock and pop songs of the last 40 years.\u003c\/p\u003e\n\u003cp\u003eAs per Velut Luna tradition, Chiara Pastò, Enrico Santacatterina, and Massimo Tuzza do not merely re-perform simple covers. Thanks to the extraordinary arrangements and musical production by Enrico Santacatterina, the Trio offers us a series of absolutely original and completely unprecedented interpretations of songs very well known to the general public.\u003c\/p\u003e\n\u003cp\u003eEnrico's diverse guitars - 12-string, Dobro, XOX, Godin - and the electronic sounds of his synths are clothed in the varied and rich colors of Massimo Tuzza's percussion and sealed by Chiara Pastò's impressive and crystalline voice.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003eCROWDFUNDING PROJECT - VERY SPECIAL THANKS TO OUR SUPPORTERS: Roberto Brignoli, Giorgia Brignoli, Barbara Tengattini, Emanuele Tasinato Fulvio Strain, Paolo Varotto, Andrea Capuzzo, Sergio Capellini, Daniela Marchese, Larissa Capellini, Siebrand Agter, Massimo Villa, Maria Teresa Bozza, Francesco Pesavento, Emanuela Dalla Valle, Alessandro Pasin, Cinzia Testa, Mauro di Giorgio, Alberto Giaccaglia, Rebecca Luciana. \u003c\/blockquote\u003e\n\u003cblockquote\u003eThis album also benefits from the financial contribution of the LPM PROJECT, born from an act of private patronage and aimed at supporting the professional initiation of excellent young people among graduating and newly graduated students from Music Conservatories in Veneto.\u003c\/blockquote\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995242504539,"sku":"CVLD316","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46687579504987,"sku":"CVLD316","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/316-cover_b6657629-02cc-4fcd-b3fd-cf95e3940678.jpg?v=1682352279"},{"product_id":"infinity-roberto-jonata","title":"INFINITY - Roberto Jonata","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eINFINITY\u003c\/b\u003e(CVLD253)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003eRoberto Jonata\u003ci\u003e, \u003c\/i\u003e\u003cem\u003epiano\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cem\u003eAvailable in: HD files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Deep Blue\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Above the Clouds\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Sunlight\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Venus\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Nightfall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. The Secret Garden\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Forever\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Netka\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Memories\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Immortal\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Gaia\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12. Rain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTotal Time: \u003c\/strong\u003e1:13:37\u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Infinity\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cbr\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Infinity” is the title of the new production by pianist Roberto Jonata. Twelve unreleased tracks for solo piano, blossomed from an introspective journey of the artist who dedicates the entire album to music, as a universal concept and perennial message.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"I tell the story of a man who looks at the horizon and observes with closed eyes, imagining infinity beyond the thin line that separates the sky from the earth. Every thought that is returned can be described by music, transforming into an indelible trace that links the past to the present and the present to the future. Music itself thus becomes a clear infinite narrative of a physical and metaphysical universe, of reality and our dreams.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA collection of neoclassical compositions, rich in emotional density in constant balance between passion and romanticism. Piano sounds that are colored by influences derived from \"minimal music\" and that make Roberto Jonata's compositional and executive style recognizable.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002793562459,"sku":"CVLD253CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46687776375131,"sku":"CVLD253","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/products\/253-cover_e1763d94-b562-496f-8ddf-4b803e0d4745.jpg?v=1682353722"},{"product_id":"the-irving-berlin-songbook-paolo-birro-alfredo-ferrario","title":"THE IRVING BERLIN SONGBOOK - Paolo Birro Alfredo Ferrario","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eTHE IRVING BERLIN SONGBOOK \u003c\/b\u003e(CVLD243)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePaolo Birro\u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e,\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e piano\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e\u003cb\u003e\u003cstrong\u003eAlfredo Ferrario\u003c\/strong\u003e\u003c\/b\u003e, clarinet\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eAvailable in: HD Files, CD\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - Soft Lights And Sweet Music - 4:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - What'll I Do - 4:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Alexander's Ragtime Band - 3:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Russian Lullaby - 4:01\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - I've Got My Love To Keep Me Warm - 5:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Always - 4:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Say It Isn't So - 4:21\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - I'm Putting All My Eggs In One Basket - 3:40\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 - The Best Thing For You - 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Isn't This A Lovely Day? - 5:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - God Bless America - 5:46\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Blue Skies - 3:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 - Marie - 2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Remember - 4:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003etot. time:\u003c\/strong\u003e 59:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/The-Irving-Berlin-Songbook\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit \/ 192kHz original recording made strictly Live-in-Studio at Main Hall of Villa Centanin e Masiero, Arquà Petrarca, Italy on September 25th, 2013\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecording, mix \u0026amp; mastering engineer: \u003cstrong\u003eMARCO LINCETTO\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAssistant recording engineer: \u003cstrong\u003eANTONIO LANFRANCA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhoto: \u003cstrong\u003eMARCO LINCETTO\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLayout: \u003cstrong\u003eL’IMAGE\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eI had the idea for this album, starting from the desire to enhance the original sound of this beautiful piano. An instrument that certainly gives us back the original sounds that Irving Berlin himself and his contemporary authors had available to compose their songs, their music. And the place I chose to make the recording also has the acoustic characteristics of the rooms where this music was played in the first half of the 20th century: a generously sized hall of an 19th-century villa, Villa Masiero and Centanin, built on the hills of Veneto, which can certainly be likened to the halls of noble palaces in New York and major American cities, where this music was played.\u003cbr data-mce-fragment=\"1\"\u003eThis album is also my tribute to great American music, to American \"classical\" music, of which Irving Berlin is undoubtedly one of the most brilliant authors. Finally, but not least, this album is an opportunity to once again showcase two of the most interesting and talented Italian jazz musicians, \u003cstrong\u003ePaolo Birro\u003c\/strong\u003e and \u003cstrong\u003eAlfredo Ferrario\u003c\/strong\u003e, who with this work deliver to posterity an intimate and poignant interpretation of immortal songs, to which they give a decidedly new and personal light.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaolo Birro\u003c\/strong\u003e plays on Steinway \u0026amp; Sons Mod. O, New York, 1909.\u003cbr\u003eThis piano belonged to \u003cstrong\u003eMaestro Adriano Lincetto\u003c\/strong\u003e, and is now one of the antique piano collections of the \"Museum of Ancient Pianos\" of the Fondazione Musicale Centanin e Masiero, which restored and gave new life to this wonderful piano.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042487079259,"sku":"CVLD243CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 192kHz · 24bit","offer_id":46693543805275,"sku":"CVLD243","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder.jpg?v=1682507117"},{"product_id":"sing-without-words-paolo-birro-roberto-dani-kyle-gregory-salvatore-maiore","title":"Sing Without Words - Paolo Birro, Roberto Dani, Kyle Gregory, Salvatore Maiore","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSing Without Words \u003c\/b\u003e(CVLD047)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e01 - In su mare - 8:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Variazioni su un tema popolare vicentino - 12:59\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - On The Move - 5:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - The Least Of These - 10:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Pensamentu - 4:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Three Sudden Movements  1 - 3:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Three Sudden Movements  1 - 3:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 - Three Sudden Movements  1 - 4:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003etot. time:\u003c\/strong\u003e 52:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Sing-Without-Words\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaolo Birro, \u003cem\u003e\u003cstrong\u003epiano\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoberto Dani, \u003cem\u003e\u003cstrong\u003edrums\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKyle Gregory, \u003cem\u003e\u003cstrong\u003etrumpet\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSalvatore Maiore, \u003cstrong\u003e\u003cem\u003ebass\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginal composition by P.Birro, S.Maiore, K.Gregory, R.Dani Paolo Birro, grandpiano \/ kyle Gregory, trumpet and flugelhorn \/ Salvatore Maiore, doublebass \/ Roberto Dani, drums 24Bit \/ 96 kHz Digital Recording. Live in studio at Teatro Accademico, Castelfranco Veneto (Treviso, Italy) December, 2000\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaolo Birro, Roberto Dani and Salvatore Maiore joined the extraordinary trumpet of American Kyle Gregory to create this. Recorded with great naturalness and timbral realism in the eighteenth-century setting of the Teatro Accademico in Castelfranco Veneto, the entire project is permeated by the magical blend of the most traditional canons of overseas jazz and the classicist atmospheres suggested by the location and the cultural background of the musicians.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50042607403355,"sku":"CVLD047CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46693872337243,"sku":"CVLD047","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_910d3dbb-8135-46b1-8191-faf6c92f1a90.jpg?v=1682513541"},{"product_id":"in-a-life-vito-lafiandra","title":"In A Life - Vito Lafiandra","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eIn A Life \u003c\/b\u003e(CVLD358)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cstrong\u003eVito Lafiandra\u003c\/strong\u003e\u003ci\u003e, C\u003c\/i\u003e\u003cem\u003eomposer \u0026amp; Performer\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e1 Remembering You, 5:45\u003cbr data-mce-fragment=\"1\"\u003e2 Live Fast, 6:55\u003cbr data-mce-fragment=\"1\"\u003e3 Far In Time, 14:28\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003eTotal time: 27:06\n  \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/In-A-Life\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eProduction: \u003cstrong\u003eMARCO LINCETTO\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eComposer, Performer, Recording And Mix: \u003cstrong\u003eVito Lafiandra in VLF STUDIO Collecchio, Italy, October 2022\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastering: \u003cstrong\u003eMarco Lincetto at Velut Luna Studio, Naquera, Valencia, Spain, March 2023\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eLayout: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVelut Luna's collaboration with composer, pianist, and concept artist Vito Lafiandra continues its journey of exploring new sound worlds, characterized by new, sometimes hypnotic, sounds, starting from Maestro Lafiandra's grand piano, virtually re-elaborated to arrive at something new and hitherto unexplored.\u003cbr data-mce-fragment=\"1\"\u003eToday, with Vito Lafiandra's conceptual ideas, we are experiencing a new phase of ambient music, where the environment acquires a decisive importance in our lives, as seen in the previous work \"Parma\".\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46701530808667,"sku":"CVLD358","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_3a17ac9c-f221-404b-a376-ab046c046646.jpg?v=1682763219"},{"product_id":"mystere-piano-zegna-birro-zambrini-tonolo-delbarba-parente","title":"MYSTERE PIANO - R. ZEGNA, P. BIRRO, A. ZAMBRINI, M. TONOLO, O. DEL BARBA, M. PARENTE","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eMYSTERE PIANO \u003c\/b\u003e(CVLD160)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003eAvailable in: HD Files, CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003eRiccardo Zegna \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(1,2,3)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003ePaolo Birro \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(4,5)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAntonio Zambrini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(6)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarcello Tonolo \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(7,8)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eOscar Del Barba \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(9)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMassimo Parente \u003c\/em\u003e\u003c\/strong\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cem\u003e(10,11)\u003c\/em\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Rosetta (Zegna) 1:55\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Tutto Troppo Presto (Ellington) 3:49\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Sammy White (Zegna) 3:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Spampanà (Birro) 4:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Vegne (Birro) 6:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Gaia (Zambrini) 6:34\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e7. Polvere Di Stelle (Carmichael\/Parrocchia) 2:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e8. Verso Sera (Tonolo) 6:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e9. Improvviso N. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 (Del Barba) 9:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Tema Di Gio (Parente) 5:27\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e11. Al Palazzo Ducale (Parente) 6:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time, 57:09\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Mystere-Piano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJAZZ: original composition by R. Zegna, P. Birro, A. Zambrini, M. Tonolo, O. Del Barba, M. Parente, D. Ellington, H. Carmichel-M. Parish. Piano R. Zegna, P. Birro, A. Zambrini, M. Tonolo, O. Del Barba, M. Parente. Recording was made at Magister Area Studio, Preganziol, Italy. the piano was always the same Steinway \u0026amp; Sons Concert Grandpiano built in new York on 1930.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eA single piano, always the same, always positioned in the exact same spot, always recorded with the exact same microphone setup, always placed in the exact same way and at the same distance.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnd then six of the best Italian jazz pianists and composers (but not only): each asked to perform about ten minutes of music, with absolute creative freedom, without repertoire constraints, solely to express the best of their musical world. All live and with no possibility of post-editing: strictly live, albeit in the studio and without an audience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll with the aim of demonstrating, perhaps for the first time, how many differences (and… Vive la difference!) there are in the sound of each individual performer compared to every other, once the same instrument, recorded always in the same identical way, has been rigorously defined over several months. And how differently the same piano can sound when played by different artists, dispelling the myth that a Steinway always sounds the same. Thus, the personality of each individual pianist stands out, never lost in the molten mass of often imprecise instruments, different technical and environmental conditions, which too often end up homogenizing the sound of each musician with that of many others.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWithout respect for the art and study of each…\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50021183619419,"sku":"CVLD160CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46705473421659,"sku":"CVLD160","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/160-cover.jpg?v=1682933304"},{"product_id":"onde-mediterranee-jazz","title":"MEDITERRANEAN WAVES - NEW PROJECT JAZZ ORCHESTRA, MILENKOVIC","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cstrong\u003eMEDITERRANEAN WAVES\u003c\/strong\u003e(CVLD044)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e1. \u003cstrong\u003eSWALLOWS\u003c\/strong\u003e 9’50”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Lorenzo Frizzera, guitar \/ Pepito Ros, alto sax\u003cbr data-mce-fragment=\"1\"\u003eSpecial Guest: Stefan Milenkovic, violin\u003cbr data-mce-fragment=\"1\"\u003eThese are migratory birds, \"foreigners\", whose numbers have almost halved in the last twenty years. They live between Africa and Europe, crossing borders without needing a passport: why is this not granted to humans? It is a dance in 5\/4.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e2. \u003cstrong\u003eYOU WERE NOT MADE (...to live like brutes, but to pursue virtue and knowledge)\u003c\/strong\u003e 1’10”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolo: Fiorenzo Zeni, tenor sax\u003cbr data-mce-fragment=\"1\"\u003eThis is the first Dante quote and also the main theme. (Inferno - Canto XXVI)\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e3. \u003cstrong\u003eZEBEKIKO\u003c\/strong\u003e 6’17”\u003cbr data-mce-fragment=\"1\"\u003eGreece - T. Bitaah\u003cbr data-mce-fragment=\"1\"\u003eSolos: Luigi Grata, trombone \/ Giorgio Beberi, baritone sax \/ Paolo Trettel, trumpet\u003cbr data-mce-fragment=\"1\"\u003eThe country of origin is Greece, represented by this “noble” folk dance. I drew a large part of the composition from a song sung by Taykeria Bitaah, with lyrics about the despair and disappointment resulting from society.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e4. \u003cstrong\u003eTHE HIGH OPEN SEA\u003c\/strong\u003e 1’39”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R.Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolo: Walter Civettini, flugelhorn\u003cbr data-mce-fragment=\"1\"\u003eSecond quote (note the cyclical nature of the vowels). This marks the beginning of the journey and the abandonment of previous certainties. (Inferno - Canto XXVI)\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e5. \u003cstrong\u003eNUBIAN DREAM\u003c\/strong\u003e 5’58”\u003cbr data-mce-fragment=\"1\"\u003eEgypt - A.Sharara\u003cbr data-mce-fragment=\"1\"\u003eSolo: Fiorenzo Zeni, soprano sax\u003cbr data-mce-fragment=\"1\"\u003eIt is an ancient region south of mysterious Egypt, where the musician engages with a Cairo dance composed by Hattia Sharara. Originally, the dance is performed with local instruments; our version is transformed and re-colored without philological constraints.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e6. \u003cstrong\u003eWAVES\u003c\/strong\u003e 2’01”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolo: Pepito Ros, alto sax\u003cbr data-mce-fragment=\"1\"\u003eIt marks the resumption of the sea voyage towards ex-Yugoslavia.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e7. \u003cstrong\u003eMAXUTU\u003c\/strong\u003e 5’21”\u003cbr data-mce-fragment=\"1\"\u003eMacedonia - Kociani Orkestar\u003cbr data-mce-fragment=\"1\"\u003eSolos: Luigi Grata, trombone \/ Walter Civettini, flugelhorn \/ Fiorenzo Zeni, tenor sax \/ Stefano Chesini, flute \/ Lorenzo Frizzera, guitar \/ Giuliana Beberi, voice \/ Renzo Vigagni, keyboards\u003cbr data-mce-fragment=\"1\"\u003eIt is an elaboration of a theme by the Macedonian band \"Kociani Orkestar\". The country, its inhabitants, and its music are tragically marked by devastating nationalistic wars and ethnic rivalries. The text states: \"if you want peace, do not prepare for war.\" Military personnel, however, reason in the opposite direction.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e8. \u003cstrong\u003eSIRENS\u003c\/strong\u003e 3’06”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Pepito Ros, soprano sax \/ Luigi Grata, trombone\u003cbr data-mce-fragment=\"1\"\u003eAs he resumes his journey, Ulysses must resist the allure of mass media and commercial temptations, which could compromise the meaning of his journey of inner knowledge.\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e9. \u003cstrong\u003eALLERIA\u003c\/strong\u003e 4’29”\u003cbr data-mce-fragment=\"1\"\u003eItaly - P. Daniele\u003cbr data-mce-fragment=\"1\"\u003eSolos: Stefano Chesini, flute \/ Lorenzo Frizzera, acoustic guitar \/ Gianni Mascotti, flugelhorn\u003cbr data-mce-fragment=\"1\"\u003ePino Daniele, Naples, the sun and the feelings of the warm South... there is so much beauty in the Mediterranean....\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e10. \u003cstrong\u003eWINGS TO THE FOOLISH FLIGHT\u003c\/strong\u003e 2’09”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R. Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Luigi Grata, trombone \/ Fiorenzo Zeni, tenor sax\u003cbr data-mce-fragment=\"1\"\u003eThird quote, with a wonderful interplay of consonants. (Inferno - Canto XXVI)\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e11. \u003cstrong\u003ePINAR HONDO\u003c\/strong\u003e 5’47”\u003cbr data-mce-fragment=\"1\"\u003eSpain - C.Dominguez\u003cbr data-mce-fragment=\"1\"\u003eSolos: Lorenzo Frizzera, acoustic guitar \/ Renzo Vigagni, piano \/ Stefano Colpi, double bass\u003cbr data-mce-fragment=\"1\"\u003eSpain, Andalusia, the gypsies and the Arabs, flamenco. Theme taken from Chano Dominguez's CD: \"Echo a mano\".\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e12. \u003cstrong\u003eBEYOND THE DREAM\u003c\/strong\u003e 9’58”\u003cbr data-mce-fragment=\"1\"\u003eItaly - R.Vigagni\u003cbr data-mce-fragment=\"1\"\u003eSolos: Pepito Ros, alto sax \/ Luigi Grata, trombone \/ Renzo Vigagni, piano \/ Fiorenzo Zeni, tenor sax \/\u003cbr data-mce-fragment=\"1\"\u003eSpecial guest: Stefan Milenkovic, violin\u003cbr data-mce-fragment=\"1\"\u003eA piece based almost entirely on two rhythmic cycles of 21\/4 and 17\/4. After this journey, Ulysses has come to realize that Ithaca is not just a geographical place, but also a huge reservoir of life that resides in the hearts of the people he met during his earthly existence. A piece that embodies our true dreams in reality. The song \"Oltre il sogno\" (Beyond the Dream) is affectionately dedicated to the honest search for truth by journalist Ilaria Alpi, murdered in Somalia in 1994. For her and for her parents, as a small sign of solidarity and sharing.\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThanks to A.T.A.S Onlus \"Associazione Trentina Accoglienza Stranieri\" (Trentino Association for the Welcome of Foreigners), for the tracks \"Nubian Dream\" and \"Maxutu\", and to Clara Lotti and Maria Stoffella Fendros for the track \"Zebekiko\". Thanks to the musicians and to all who collaborated and believed in this project.\u003cbr data-mce-fragment=\"1\"\u003eNew Project Jazz Orchestra\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eRenzo Vigagni, conductor, piano, keyboards\u003cbr\u003eStefan Milenkovic special guest, violin\u003cbr\u003eWalter Civettini, Gianni Mascotti, trumpet, flugelhorn\u003cbr\u003ePaolo Trettel, Christian Stanchina, trumpet\u003cbr\u003ePepito Ros, alto sax, soprano sax\u003cbr\u003eEnrico Dellatonio, alto sax\u003cbr\u003eFiorenzo Zeni, tenor sax, soprano sax\u003cbr\u003eLuca Rubertelli, tenor sax\u003cbr\u003eGiorgio Beberi, baritone sax\u003cbr\u003eLuigi Grata, Mauro Piazzi, trombone\u003cbr\u003ePeter Cazzanelli, bass trombone\u003cbr\u003eStefano Chesini, flute\u003cbr\u003eFrancesco Ciech, cello\u003cbr\u003eLorenzo Frizzera, guitars\u003cbr\u003eStefano Colpi, double bass\u003cbr\u003eCarlo Alberto Canevali, drums, percussion\u003cbr\u003eGiuliana Beberi, Luca Merlini, voice\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eProduction: VELUT LUNA \/ GRUPPO MUSICALE MADONNA BIANCA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eSound engineer: Marco Lincetto\u003cbr\u003eDigital mix and mastering: Marco Lincetto \/ Fabio Framba\u003cbr\u003eCritical notes: Giuseppe Calliari\u003cbr\u003eInside booklet photos: Giulio Malfer \/ Claudio Micheletti\u003cbr\u003eCover illustration: Michele Giovanazzi\u003cbr\u003eTranslations: Alessandra Sallustro\u003cbr\u003eLayout: limage\u003cbr\u003ePr: Francesco Pesavento\u003cbr\u003eTrading consultant: Yahir Wahl\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003eRecording was made at “A. Rosmini” Theatre, Rovereto, Italy, on December 20\/21th, 1999.\u003cbr\u003e\u003cbr\u003eUsing the ultimate and the most advanced digital technology:\u003cbr\u003e6 tracks 24bit\/96kHz PRISM SOUND DREAM AD2 \/ PRISM SOUND MR2024T \/ TASCAM DA38 16 tracks 24bit\/48kHz TASCAM DA78HR (own AD converter) - Microphone amplifiers on stage MILLENNIA MEDIA HV3, LAKE PEOPLE F35II - Microphones: SCHOEPS MK2s, MK2h, MK4v, MK21, SENNHEISER MKH 20, MKH 40, AKG C414ULS NEUMANN U87ai - Cables: DROMOS EOS - 24bit\/96kHz mix and mastering workstation SONIC SOLUTIONS USP\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 96kHz · 24bit","offer_id":46729282650459,"sku":"CVLD044","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_556bad75-71d1-48d7-b540-ce45a8dca562.jpg?v=1683718758"},{"product_id":"the-planets-alberto-nose-valentina-fornari","title":"The Planets - Alberto Nosè, Valentina Fornari","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eThe Planets \u003c\/b\u003e(CVLD337)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eGustav Holst\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003earranged for two pianos by the composer\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e01 - Mars, the Bringer of War  6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Venus, the Bringer of Peace  7:47\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Mercury, the Winged Messenger  3:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Jupiter, the Bringer of Jollity  7:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Saturn, the Bringer of Old Age  8:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Uranus, the Magician  5:38\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Neptune, the Mystic  8:01\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTotal Time: 48:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Gustav-Holst-The-Planets\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eAlberto Nosè\u003c\/strong\u003e, piano 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eValentina Fornari\u003c\/strong\u003e, piano 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eA critic once defined THE PLANETS, probably not by chance, as \"The British Rite Of Spring.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn reality, it is very descriptive music, yet not without considerable complexity of writing, which, however, never appears as such to the listener's ears. Within the seven small rhapsodies, which correspond to the name and presumed \"mood\" of the seven planets honored, themes and harmonies that are extremely effective and impressive chase each other, destined to be immediately fixed in the memory even of a distracted listener.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSo many are these happy moments that this work would inspire more than one great film composer of our time, often directly quoting entire musical phrases, such as the very famous theme from the Star Trek saga in the finale of Jupiter. But John Williams, Bernard Hermann, Alan Silvestri, and James Horner also owe a great debt to Holst for some of their most celebrated themes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn the last part of his life, \"after\" The Planets, Holst would create other valuable works, but none on the level of his masterpiece, which, consciously or not, all of Humanity has learned to love, directly or indirectly.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe version we propose today is a transcription of THE PLANETS for two pianos, made by Holst himself, shortly after the original for orchestra. It is an extremely rare work to find on record and also performed live. In fact, from a technical point of view, this version presents absolutely transcendental difficulties for interpreters who decide to try their hand: and this precisely because of the need to reduce the extreme complexity of the sound textures of a large symphony orchestra to only 4 hands and two keyboards of this reduced ensemble.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOnly very great and well-rehearsed performers can rightly tackle this high mountain to climb, as is the case with our Alberto Nosè and Valentina Fornari, also partners in life, interpreters of great talent and long experience.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFinally, in my opinion, this album offers a last but not least reason for interest in the sound we managed to achieve, starting from the pianos and the recording location, which are two wonderful FAZIOLI F278 grand pianos recorded in the equally splendid acoustics of the FAZIOLI HALL in Sacile, home of the prestigious FAZIOLI company, universally known for building some of the best pianos on the Planet. The native high-resolution digital recording, the use of highly selected and absolute reference microphones and microphone preamplifiers (AUSTRIAN OC818, SCHOEPS MK2s and SENNHEISER MKH8020; and also MILLENNIA MEDIA HV3-B) complete the work.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"quality\"\u003e\u003cspan\u003e88.2 kHz \/ 24 bit original recording made at FAZIOLI HALL, Sacile (Italy) on September, 14, 15, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto and Valentina play on two wonderful FAZIOLI F278 Gran Coda da Concerto, tuned and prepared by Fazioli Staff.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Lincetto choose a proprietary microphones set up, based upon SCHOEPS MK2s linear (stereo pair), SENNHEISER MKH8020 8stereo pair) and AUSTRIAN OC818 (stereo pair), all preamplified by three MILLENNIA MEDIA HV-3B.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eADC: LYNX AURORA \"n\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: VELUT LUNA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix and mastering engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMusical producer and editing: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover photo: Edoardo Brotto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign and layout: L'Image\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993611215195,"sku":"CVLD337CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46729582903643,"sku":"CVLD337","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_bfe418c0-d46b-4891-8709-82fa95333598.jpg?v=1683724614"},{"product_id":"italobaiana-lara-cavalli-monteiro","title":"Italo Baiana - Lara Cavalli Monteiro","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eItaloBaiana \u003c\/b\u003e(CVLD317)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLara Cavalli Monteiro\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003cstrong\u003e \u003c\/strong\u003evoice\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: File HD, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Rio Doce (David Beltran Soto Chero - Lara Cavalli Monteiro) 4:35 \u003cbr\u003e02 - E' doce morrer no mar (Dorival Caymmi)  4:17\u003cbr\u003e03 - Cajuina (Caetano Veloso)  4:37\u003cbr\u003e04 - Reconvexo (Caetano Veloso)  3:24\u003cbr\u003e05 - E' d'Oxum \/ Canto para Oxum (oro mi maio) (Geronimo Santana \/ Bantos Iguape)  6:02\u003cbr\u003e06 - Elefante azul (David Beltran Soto Chero - Lara Cavalli Monteiro)  5:26\u003cbr\u003e07 - Travessia (Milton Nascimento)  3:56\u003cbr\u003e08 - Miragem de carnaval (Caetano Veloso)  3:35\u003cbr\u003e09 - Nossa cama (David Beltran Soto Chero - Lara Cavalli Monteiro)  4:37\u003cbr\u003e10 - Coquerais (David Beltran Soto Chero - Lara Cavalli Monteiro)  3:24\u003cbr\u003e       \u003cbr\u003eTot. time: 43:56\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Italo-Baiana\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLara Cavalli Monteiro, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDavid Beltran Soto Chero, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAchille Succi, bass clarinet \u0026amp; flute\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eValerio Galla, percussions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLorenzo Capasso, marimba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeppe Calamosca, trombone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCicadas \u0026amp; Crickets, continuous ambient\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll arrangements by David Beltran Soto Chero\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical Producer: David Beltran Soto Chero\u003cbr\u003eRecordind, mix \u0026amp; mastering: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eDesign: L'Image\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit\/88.2kHz original digital stereo recording, mixed \u0026amp; mastered live on stage direct to two tracks, using just analog equipment (Rupert Neve Portico Analog Console, Maselec, Millennia Media). \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll recordings, mix and mastering as described above were made at Fondazione Musicale Masiero e Centanin, Main Hall, in Arquà Petrarca (Italy), on July 22, 23, 2019 \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNo post production was applied to the original takes: this project is totally editing free. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom you, a breath of vibrant life will always remain because from you I took the material to build the woman-house I am today. You walk, sing, embrace with me. With you, I immerse myself in the depths of the most varied feelings, with you I touch my soul, tear it, mend it, and meet yours again.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo you every note of mine,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emy lion, my Zumbi, meu Preto.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995222974811,"sku":"CVLD317CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46731582996827,"sku":"CVLD317","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_b23b2265-9bd9-4fd3-936b-0c790a056664.jpg?v=1683799442"},{"product_id":"quattro-baraonna","title":"FOUR - Baraonna","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eQUATTRO \u003c\/b\u003e(CVLD323)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - I Giardini d’Alhambra (F.Caporale\/V.Caporale) 3:41\u003cbr\u003e02 - Quattro  (V.Caporale) 3:19\u003cbr\u003e03 - Le sei melagrane  (V.Caporale\/F.Caporale) 4:03\u003cbr\u003e04 - Stella  (D.Caporale) 3:45\u003cbr\u003e05 - Il terzo fuochista  (R.Mascellino\/ Tosca\/M.Venturiello) 4:44\u003cbr\u003e06 - Cha cha cianotico  (V.Caporale) 3:44\u003cbr\u003e07 - Matera  (V.Caporale) 3:06\u003cbr\u003e08 - Giratempo  (D.Caporale) 3:37\u003cbr\u003e09 - Find Me  (D.Nisi) 4:06\u003cbr\u003e10 - Minuetto (D.Baldan Bembo\/F.Califano) 4:12\u003c\/p\u003e\n\u003cp\u003eTotal time: 38:32\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/quattro\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBaraonna are Delio Caporale, Vito Caporale, Daphne Nisi, Eleonora Tosto.\u003c\/p\u003e\n\u003cp\u003ePiano, Rhodes, keyboards and orchestrations : Vito Caporale\u003cbr\u003eBass: Pippo Matino\u003cbr\u003eDrums and percussions: Andy Bartolucci\u003cbr\u003eGuitars: Marco Sinopoli\u003cbr\u003eSax and flute: Alessandro Tomei\u003c\/p\u003e\n\u003cp\u003eRecorded at Delta-Top Studio by Andy \u0026amp; Claudio Bartolucci and at MSMediaStudio by Marco Sinopoli,  in Roma, on August 2019.\u003cbr\u003eMixed and mastered by Marco Lincetto at Velut Luna in Casalserugo, on November 2019\u003c\/p\u003e\n\u003cp\u003eArtistic production: Baraonna\u003cbr\u003eExecutive production: Marco Lincetto e Baraonna\u003cbr\u003eArrangements: Vito Caporale and Baraonna\u003cbr\u003eMusical production: Vito Caporale\u003cbr\u003eCover art, design and Layout: L'Image\u003cbr\u003ePhoto: Giorgio Grimozzi, Gemma Goncalves\u003c\/p\u003e\n\u003cp\u003e Baraonna, Critics' Prize and Best Arrangement at the Sanremo festival. \u003c\/p\u003e\n\u003cp\u003eCollaborations in pop music with Claudio Baglioni, Riccardo Cocciante, Renato Zero, Renato Carosone, Mario Lavezzi, Renzo Arbore, Pino Daniele, Paolo Conte, Mango, Fred Bongusto, Tullio De Piscopo. \u003cbr\u003eIn musical theatre with Pino Insegno, Claudio Insegno, Maurizio Battista, Michele Placido, Catherine Deneuve, Pippo Franco, Pierfrancesco Pingitore. \u003cbr\u003eIn jazz music with Stefano Di Battista, Pippo Matino, Pietro Iodice, Alessandro Tomei, Andy Bartolucci, Gianni Savelli, Claudio Corvini, Marco Sinopoli, Antonio Iammarino, Lionel Hampton, Jean Paul Artero, Bernard Cesari, Roger Nikitoff, Maria Moreno. \u003c\/p\u003e\n\u003cp\u003eFestivals and concerts on various international stages, France, England, Slovenia, Croatia, Switzerland, Luxembourg, Slovakia, USA, United Arab Emirates. \u003cbr\u003e\"QUATTRO\" is the new CD by Baraonna (Velut Luna 2020). 10 tracks, including seven completely unreleased songs, composed and arranged by Baraonna; a new version of the super-awarded Sanremo song, \"I giardini d'Alhambra\" and two covers, \"Minuetto\" and \"Il terzo fuochista\" brought to success respectively by Mia Martini and Tosca. The arrangements are polyphonic and contrapuntal vocally, in Baraonna style (Delio Caporale, Vito Caporale, Daphne Nisi and Eleonora Tosto). The instrumental part features: Pippo Matino, a Neapolitan champion, on electric bass; the jazzy creativity of Alessandro Tomei on sax and flute; the rhythmic brilliance of Andy Bartolucci, a young Roman performer, who played drums and percussion; the expert guitars of Marco Sinopoli, son of the famous orchestra conductor; and finally the piano and keyboards of Vito Caporale, who also handled the artistic direction of the album. The CD is articulate and enjoyable, varied in its musical settings, with the common thread of vocal harmonizations. However, the strong expressive personalities of the four Baraonna soloists emerge, who are also the authors and arrangers of the CD. \u003cbr\u003eThe album contains parts in Italian, Neapolitan, English, French and \"southern Esperanto\". The recordings were made in Rome at the Delta Top studio and the MSMedia studio. The mixing and mastering were completed in Padua by Marco Lincetto, an expert in high-quality sound.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995112579419,"sku":"CVLD323","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46735180857691,"sku":"CVLD323","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_56c85fbe-a926-48bd-ab33-05a241d4944b.jpg?v=1683902981"},{"product_id":"pizzichi-e-sospiri-adriano-lincetto","title":"PINCHES AND SIGHS - Adriano Lincetto","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eAdriano Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Padua, 1936 – 1996)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePINCHES AND SIGHES \u003c\/b\u003e(CVLD104)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, SACD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eSuite for Paer, for String Orchestra (1980)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Allegro con spirito, 1:26\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Adagio, 2:27\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 - Tempo di Valzer, 2:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Allegro molto, 2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eConcerto for Flute and Strings (1979)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Largo espressivo cantabile. Allegro moderato 5:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 - Lento, cantando con molta espressione 4:33\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Allegro vivacissimo 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eElegy for Alphorn and Strings (1996)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e08 - Adagio, ma non troppo lento. Allegro molto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePoco meno cantando. Tempo I  12:55\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento for Bassoon and Strings (1995)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - nocturne  3:16\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Dance  3:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Elegy  6:49\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Finale  2:52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due for Guitar and Piano (1981)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(transcription for guitar and strings by the Author)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Prelude  4:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 - Dance  3:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 - Finale  4:00\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdagio and Allegro for Mandolin and Piano (1978)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003e(transcription for mandolin and strings by Claudio Mandonico)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e16 - Adagio  2:08\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Allegro  3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTOTAL DURATION: 70:32\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n  \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Adriano-Lincetto-Pizzichi-e-Sospiri\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n  \u003cstrong\u003eString Orchestra: I Solisti Filarmonici Italiani, conducted by Giovanni Guglielmo\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEnzo Caroli, flute\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessio Benedettelli, alphorn\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Bressan, bassoon\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlessandro Bono, guitar\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eUgo Orlandi, mandolin\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNative multi-channel recording in DSD format, made in March 2003 in the Library Hall of the Carceri d'Este Abbey, Italy.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSchoeps microphones, Millennia Media HV-3B microphone preamplifiers and a SADiE DSD8 recording system were used.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMixing and mastering were monitored using a DROMOS EGHEON multi-channel analogue preamplifier, AUDIA FLIGHT 100 x3 amplification and SPENDOR S-100 x5 loudspeakers\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer and sound engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto for Velut Luna\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music of Adriano Lincetto never aligned with the dictates of the dominant \"musical currents\" of the 20th century. \u003c\/span\u003e\u003cspan\u003eLincetto always composed following his own idea of beauty, melody and harmony. His music is tonal, and at times it does not fail to pay homage to those composers who, even unconsciously, were a source of inspiration, from Debussy and Ravel to Bartok and Stravinsky. \u003c\/span\u003e\u003cspan\u003eIt is absolute and timeless music, often created to satisfy the requests for \"new music\" from musician friends who then became its first interpreters, as in the case of this album Enzo Caroli and Alessio Benedettelli and the lifelong friend Giovanni Guglielmo. \u003c\/span\u003e\u003cspan\u003eMusic to be savored for its inherent beauty and without seeking any pseudo-cultural aftertaste, typical of power cliques linked more to political power than to Music understood in an absolute sense.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"SACD","offer_id":50034401345883,"sku":"CVLD104SACD","price":22.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 96kHz · 24bit","offer_id":46739548504411,"sku":"CVLD104","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/104-cover.jpg?v=1684148174"},{"product_id":"kurt-valentina-fin-ensemble","title":"KURT! - Valentina Fin Ensemble","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eKURT!  \u003c\/b\u003e(CVLD336)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 - My Ship  (Kurt Weill \/ Ira Gershwin), 3:47\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 - Lost In The Stars (Kurt Weill \/ Maxwell Anderson), 3:36\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 - Lonely house (Kurt Weill \/ Langston Hughes), 4:17\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 - It never was you (Kurt Weill \/ Maxwell Anderson), 4:22\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 - Song of Ruth (Kurt Weill \/ Franz Werfel), 4:13\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 - Lawrence (Federico Zaltron \/ Valentina Fin), 3:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 - Dice Bertolt (Valentina Fin), 6:39\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/KURT\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eValentina Fin,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e vocals Mauro Spanò\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003epiano\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFederico Zaltron\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolin\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eSofia di Mambro\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eviolin\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancesca Pretto, viola Tommaso Valerio\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e,\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ecello\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24bit \/ 88.2kHz original recording, made at Magister Area Recording, Preganziol, Italy,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eon July, 19, 2021\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExecutive Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusical Producer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto, Andrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBalance Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndrea Valfrè\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMix and Mastering Engineer: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLayout: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eL'Image\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInside Photos: \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eKURT! is a project led by singer Valentina Fin who, together with pianist Mauro Spanò, has developed research dedicated to the figure of Kurt Weill, a German composer and musician from the early twentieth century. The chamber ensemble combines the classic string quartet with the piano and voice duo. The sextet, based on the original scores, has developed new and contemporary arrangements, then re-proposing the same atmospheres between jazz and contemporary classical music, in some original pieces written specifically for the ensemble and inspired by some poems by Weill's longtime friend and collaborator, Bertolt Brecht.\u003c\/span\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993754444123,"sku":"CVLD336CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46741690909019,"sku":"CVLD336","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_f0aa4b27-767a-4f80-936b-f74c768a4d44.jpg?v=1684169219"},{"product_id":"mano-sucias-alejandro-s-martinez","title":"Mano Sucias - Alejandro S. Martinez","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eMano Sucias \u003c\/b\u003e(CVLD338)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAll Spanish Texts and all arrangements by Alejandro Saorin Martinez\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAvailable in: HD Files, USB Pendrive\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1 - \u003c\/span\u003e\u003cstrong\u003eAutumn Leaves\u003c\/strong\u003e\u003cspan\u003e 3:32\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e      (J. Kosma, J. Prevert)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e2 - \u003c\/span\u003e\u003cstrong\u003eNight And Day\u003c\/strong\u003e\u003cspan\u003e 3:43\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (C.Porter)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e3 - \u003c\/span\u003e\u003cstrong\u003eRound Midnight\u003c\/strong\u003e\u003cspan\u003e 4:47\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (T. Monk, C. Williams)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e4 - \u003c\/span\u003e\u003cstrong\u003eMisty\u003c\/strong\u003e\u003cspan\u003e 3:31\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (E. Garner, J. Bourke)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e5 - \u003c\/span\u003e\u003cstrong\u003eFly Me To The Moon\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e2:42\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (B. Howard)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e6 - \u003c\/span\u003e\u003cstrong\u003eMy Funny Valentine\u003c\/strong\u003e\u003cspan\u003e 3:59\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (R. Rodgers, L. Hart)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e7 - \u003c\/span\u003e\u003cstrong\u003eThe Shadow Of Your Smile\u003c\/strong\u003e\u003cspan\u003e 4:07\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (J. Mandel, P.F. Webster)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e8 - \u003c\/span\u003e\u003cstrong\u003eTenderly\u003c\/strong\u003e\u003cspan\u003e 3:31\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e     (J. Lawrence, W. Gross)\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTotal Time: 29:57\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Mano-Sucias\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eAlejandro Saorin Martinez\u003c\/strong\u003e\u003cspan\u003e, voice\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePasquale Cosco\u003c\/strong\u003e\u003cspan\u003e, bass\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDavid Beltran Soto Chero\u003c\/strong\u003e\u003cspan\u003e, guitar\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRicky Quagliato\u003c\/strong\u003e\u003cspan\u003e, drums\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Andreoli\u003c\/strong\u003e\u003cspan\u003e, trombones\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiovanni Florestan\u003c\/strong\u003e\u003cspan\u003e, alto, tenor and baritone sax\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDavide Ghidoni\u003c\/strong\u003e\u003cspan\u003e, trumpets\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRichie Gajate Garcia\u003c\/strong\u003e\u003cspan\u003e, congas, timbales, minor percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eTHE LOCKDOWN SESSIONS\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAll recordings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e were made by the musicians themselves at their own home, all over the world,\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eduring The 2020 Lockdown, using digital devices set at 88.2kHz\/24bit HD native resolution\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMixed\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e by Alejandro Saorin Martinez at his own Studio, on January - June, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMastered\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e by Marco Lincetto at Velut Luna Studio, on August, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cem\u003eI sincerely thank all the musicians who participated in this project, and especially my teacher and friend Osvaldo Suarez who helps me with the capricious notes.\u003c\/em\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eAlejandro\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eProduction:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA and Alejandro Saorin Martinez\u003c\/strong\u003e\u003cbr\u003eExecutive Producer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eCover photo:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLuciano Antinori\u003c\/strong\u003e\u003cbr\u003eArt:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cp lang=\"en-US\"\u003eThis is an album of pure modern Latin music.\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003e\"...When Duke Ellington meets Tito Puente...!\"\u003c\/strong\u003e:\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ethis could be the perfect slogan for this recording project.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAlejandro Saorin Martinez\u003c\/strong\u003e\u003cspan\u003e proposes some of the most famous jazz standards of all time, completely rearranged by him for a Latin Jazz Big Band, mixing swing with Latin rhythms. And he sings the lyrics he himself translated into his language, Spanish.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA spectacular and surprising project, a must-have for great music lovers' collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e\u003cspan\u003eThis project was first proposed by VELUT LUNA in the \u003cem\u003e\"physical format of the future\"\u003c\/em\u003e, namely a \u003cstrong\u003e4GB USB Pendrive \u003c\/strong\u003e(link \u0026gt; https:\/\/www.referencemusicstore.com\/product\/23241482\/mano-sucias-alejandro-s-martinez-and-the-latin-jazz-big-band-hd-files-pendrive-usb) which contains:\u003cbr\u003e- \u003cstrong\u003elinear PCM master files 88.2kHz\/24bit\u003c\/strong\u003e\u003cbr\u003e- pdf and jpg files containing technical notes, original lyrics in Spanish and photographic images of the musicians\u003cbr\u003e- an exclusive video interview with Martinez explaining in detail the individual tracks of the project, in particular the inspirational sources and the musical structure; video in MP4 HD format\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"USB flash drive","offer_id":49993572614491,"sku":"CVLD338USB","price":9.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46741716894043,"sku":"CVLD338","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_0d6396c4-0365-47ab-8b00-c213bf786994.jpg?v=1684170742"},{"product_id":"franz-schubert-piano-sonatas-alessandro-cesaro","title":"FRANZ SCHUBERT PIANO SONATAS - Alessandro Cesaro","description":"\u003ch3 class=\"western\" lang=\"en-US\"\u003e\n\u003cb\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFRANZ SCHUBERT, PIANO SONATAS - Vol.1 \u003c\/em\u003e\u003c\/strong\u003e\u003c\/b\u003e(CVLD340-1)\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eAVAILABLE IN 5-CD BOX SET and HD FILE\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cu\u003eVolume 1\u003c\/u\u003e\u003c\/strong\u003e \u003cstrong\u003e- 74:42\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 537 Op. post. 164 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 7 \u003c\/span\u003e\u003cstrong\u003eSonata D 568 Op. post. 122 in E flat major\u003c\/strong\u003e\u003cspan\u003e, 29:10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - 11 \u003c\/span\u003e\u003cstrong\u003eSonata D 575 Op. post. 147 in B major\u003c\/strong\u003e\u003cspan\u003e, 23:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 72:21\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 3 \u003c\/span\u003e\u003cstrong\u003eSonata D 664 Op. post. 120 in A major\u003c\/strong\u003e\u003cspan\u003e, 23:06\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - 6 \u003c\/span\u003e\u003cstrong\u003eSonata D 784 Op. post. 143 in A minor\u003c\/strong\u003e\u003cspan\u003e, 22:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 840 in C major “Reliquie”,\u003c\/strong\u003e\u003cspan\u003e 26:34\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 3\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 76:11\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 845 Op. 42 in A minor\u003c\/strong\u003e\u003cspan\u003e, 35:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 894 Op. 78 in G major\u003c\/strong\u003e\u003cspan\u003e, 40:07\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 4\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 79:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 850 Op. 53 in D major\u003c\/strong\u003e\u003cspan\u003e, 39:25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 959 in A major\u003c\/strong\u003e\u003cspan\u003e, 39:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003eVolume 5\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e- 77:10\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1 - 4 \u003c\/span\u003e\u003cstrong\u003eSonata D 958 in C minor\u003c\/strong\u003e\u003cspan\u003e, 32:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - 8 \u003c\/span\u003e\u003cstrong\u003eSonata D 960 in B flat major\u003c\/strong\u003e\u003cspan\u003e, 44:31\u003c\/span\u003e\n \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/FranzSchubert-PianoSonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e \n  \u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e24bit \/ 176.4 kHz\u003c\/strong\u003e original recording made at Main Hall, Fondazione Masiero e Centanin, Arquà Petrarca (Italy) \u003c\/span\u003e\u003cspan\u003eon March, 30 - April, 13 - May, 18 - July, 9, 10, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMarco Lincetto\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003echoose a \"one point recording\" own exclusive technique, based upon Sennheiser MKH 8020 and Schoeps Mk 4 microphone and Millennia Media HV-3B microphone preamplifiers\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eAlessandro Cesaro\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e plays on \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eSteinway \u0026amp; Sons Mod. O, New York, 1909,\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e tuned and prepared by Maestro Franco Angeleri. This piano belonged to Maestro Adriano Lincetto, and now it is one of the antique pianos' collection of the \"Museo di Pianoforti Antichi\" of \"Fondazione Musicale Centanin e Masiero\", which restored and gave a new life to this wonderful piano.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMusical Producer: \u003c\/span\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, editing \u0026amp; mastering: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover photo: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eDesign \u0026amp; Layout: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003ePerformed by the composer himself in private settings for the Viennese bourgeoisie and circle of acquaintances, known as Schubertiads, Franz Schubert's Piano Sonatas remained largely unexplored territory for a long time. The first public performance of a \"complete\" cycle of Schubert's sonatas dates back to 1868, thanks to Charles Halle's interpretation at St. James Hall in London. The program included the performance of the seven Sonatas that had been assigned an opus number and the last three sonatas composed in 1828. In November 1938, Webster Aitkin presented twelve of the sonatas in a series of four public concerts. For the occasion, the Daily Telegraph published an article by Richard Capell titled \"Revaluation of a Neglected Heritage,\" in which the author urged contemporary pianists and future generations to rediscover Schubert's Sonatas, ushering in a true \"Schubert Renaissance\" dedicated to the valorization of a forgotten heritage.\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eMyriam Guglielmo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003e\u003cstrong\u003eAlessandro Cesaro\u003c\/strong\u003e\u003cspan\u003e showed a strong grasp of musical language and a deep interest in composition since he was a child. He studied piano with Franco Angeleri at the Conservatory of Padua and graduated with highest honors at 16 years of age; he continued his studies with Paul Badura-Skoda and Aldo Ciccolini. Prizes in prestigious competitions such as the “Premio Venezia”, the “Amadeus Giovani” of Palermo, the “Yamaha Prize” in Stresa, and especially the 48th CIEM in Geneva brought him to international attention as an outstanding 18-year-old interpreter. He regularly performs in Italy for such presenters as Serate Musicali di Milano, Amici della Musica of Padua, Vicenza, Verona, Trieste, and Udine, Unione Musicale in Turin, and Alessandro Scarlatti Society in Naples. He has played in Germany (Bochum, Paderborn), Switzerland (Geneva, Bienne, Basilea), Belgium (Bruxelles) and Argentina, where he toured eight times, playing in Buenos Aires, Cordoba, Tucumàn and Salta. In May 2008 he completed a tour of Mexico (Federal Capital and Michoacan), where he played for the National Autonomous University (UNAM) and for the Teatro de la Ciudad, inaugurating a new Steinway piano. Especially well received were his performances of the complete works of Chopin and Schubert and of the 32 Beethoven sonatas on period instruments for the Festival Euganeo. In 2009 he collaborated in the Italian premiere of the recently discovered Cant de les estrelles by Granados. In 2011 he completed a three-year cycle of all the 32 Beethoven’s Sonatas in Adria and Feltre (Italy) and in 2014 he was invited to the 54° Septiembre Musical Tucumano, one of the most important festivals in South America. He performs regularly with such orchestras as I Solisti Veneti, the Orchestra di Padova e del Veneto, the Orchestra of the Suisse Romande, the Collegium Musicum Basel, the Chamber Orchestra of Bienne, the Orchestra of the Theater of Cordoba, the Orchestra of the Province of Tucumàn, and the Sicilian Symphonic Orchestra, collaborating with such musicians as Claudio Scimone, Paul Badura-Skoda, Anton Nanut, Pedro Ignacio Calderòn, and Sergio Balestracci. The Music Critics Association of Argentina awarded him the “Premio Revelaciòn 2015” for a recital organized by ALAPP (Latin American Association of Teaching Pianists) at the Art Museum “Isaac Fernández Blanco”. Last year he presented the program “Chopin at Palma de Mallorca” on a tour in the United States, while this year he has realized in Padua for the first time in the history of the Friends of Music the full performance in consecutive evenings of the ten Sonatas for piano by Alexander Scriabin. A distinct characteristic of his personality is his extraordinary versatility, which allows him to have in his repertory the complete works of major composers for piano, including Mozart, Beethoven, Schubert, and Chopin. He has recorded with Rivo Alto and Azzurra Music (Beethoven) and recently he released an album of Rondos, Variations, and Fantasies by Jan Ladislav Dussek. He is equally active as a composer and his works, published by Swirly Music, are regularly performed.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"BOX 5 CD","offer_id":49993835872603,"sku":"CVLD340CD","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit COMPLETE WORK","offer_id":49993800581467,"sku":"CVLD340","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit VOLUME 1","offer_id":46748045672795,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 2","offer_id":49993800614235,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 3","offer_id":49993800647003,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 4","offer_id":49993800679771,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true},{"title":"FILE HD 176.4kHz · 24bit VOLUME 5","offer_id":49993800712539,"sku":"CVLD340","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e6bbd45-2f97-4782-a078-ea474d7ecca6.jpg?v=1684332455"},{"product_id":"jazz-nature-lucia-minetti","title":"JAZZ NATURE - Lucia Minetti","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJAZZ NATURE \u003c\/b\u003e(CVLD294)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#1 - The Nearness Of You (M.Washington - H.Carmichael) 3:24 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#2 - Alone Together (A.Schwartz - H.Dietz) 4:20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#3 - Wild Is The Wind (D.Tiomkin - N.Washington ) 3:55 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#4 - So In Love (Cole Porter) 4:02 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#5 - The Two Lonely People (B.Evans - C.Hall)) 4:25 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#6 - Skylark (J.Mercer - H.Carmichael) 4:20 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#7 - The Old Country (C.Lewis - N.Adderley) 2:52 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#8 - Turn Out The Stars (B.Evans - G.Lees) 4:54 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#9 - I Wish I Knew (M.Gordon - H.Warren) 3:23 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#10 - No moon at all ( D. Mann\/L.?Red? Evans) 4:39 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e#11 - Try Your Wings (M.Barr - D.McGregor) 3:13 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003eTotal Time: 43:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Jazz-Nature\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e, voice \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003ePietro Ballestrero\u003c\/strong\u003e, guitar \u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003eStefano Profeta\u003c\/strong\u003e, double bass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cbr\u003eProduction: VELUT LUNA \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive producer: Marco Lincetto \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording, mix and mastering engineer: Marco Lincetto \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCover photo: Massimo Forchino \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInside photos: Marco Lincetto \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign and layout: L'Image \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe recording was made direct to stereo master, strictly live-in-studio, during only one session at MagisterArea Studios, Main Hall, Preganziol, Italy, on September 23rd, 2017 THIS IS A PURE AUDIOPHILE RECORDING: during the recording of the digital HD PCM 88.2kHz\/24bit master and the contemporary analog master and the subsequent transfer to disc, the entire audio chain was trasformerless. The signal was not passed through any processing device (no compression, no equalization and no corrective editing) at any step during production. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation by Lucia Minetti:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver the years, I have sung and loved many repertoires, exploring different sound worlds, from fado to Brazilian music, from French chanson to jazz. Since my album Elle, made in 2003 with my teacher Giorgio Gaslini, this is my first work completely dedicated to the standards of the great American songbook, almost a return, awaited and achieved with the maturity acquired after a long journey, to the heart of what has always been the main point of reference of my path. As if it were part of its own nature, jazz can constitute for a musician a way of relating to art in general, a desire for freedom, a desire to experience ever new emotions, to take risks and to put oneself on the line every time one expresses oneself. Together with Pietro and Stefano I found a deep sharing of this spirit, this inclination, which we wanted to call \u003cstrong\u003eJAZZ NATURE,\u003c\/strong\u003e and which immediately constituted the key to reading a vast repertoire of songs, from the 30s to the 70s, finding our group sound and selecting the tracks for the album with great pleasure. Fully grasping the philosophy of this research and projecting ourselves completely into the era of that jazz, Marco Lincetto proposed a strictly live-in-studio recording method, which would enhance to the maximum the characteristics of our 'NATURE' approach, as well as the extraordinary technical qualities of the audio recording. We enthusiastically accepted the difficult challenge, and lived together an incredible experience, two days during which the music was played, sung, listened to and recorded with the same tension and the same emotional intensity that one experiences in the best concerts. \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLucia Minetti\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50000706404699,"sku":"CVLD294","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46750803886427,"sku":"CVLD294","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD294-cover.jpg?v=1684428042"},{"product_id":"italian-music-for-guitar-and-piano-lapo-vannucci-luca-torrigiani","title":"ITALIAN MUSIC FOR GUITAR AND PIANO - Lapo Vannucci | Luca Torrigiani","description":"\u003ch3 lang=\"en-US\" class=\"western\"\u003eITALIAN MUSIC FOR GUITAR AND PIANO (CVLD275)\u003c\/h3\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLapo Vannucci\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e(guitar)\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003e-\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Torrigiani \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e(piano)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eMario Castelnuovo -Tedesco\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFantasia op.145 - Tot. Time: 9'14\"\u003c\/strong\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Italian-Music-for-Guitar-and-Piano\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e  \n  \u003cspan\u003e01 - Andantino. Un poco mosso e scorrevole. Più mosso, danzante. Sempre mosso e festoso. Tempo I - 5'21\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 - Vivacissimo - 3'53\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFranco Margola\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e03 - Fantasia - 7'11\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 - Improvviso - 3'02\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCarlo Mosso\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e05 - Fantasia - 6'08\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdriano Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDivertimento a due - Tot. Time: 9'35\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e06 - Preludio - 3'00\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 - Danza - 3'01\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08- Finale - 3'34\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLuigi Giachino Il silenzio del tempo - Tot. Time: 11'22\"\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e09 - Incosciente - 2'52\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - Ineluttabile - 2'47\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Viaggiando - 2'10\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - Congedo - 3'33\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiuseppe Crapisi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Winter Time - 5'59\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTot. Time: 52'35\"\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e24bit\/88.2 kHz original recording made at Magister Area Studio, Italy, on September 14rd-15th, 2015\u003c\/span\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eProduction: Velut Luna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive Producer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording Engineers: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEditing Engineer: Mattia Zanatta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMix and Mastering Engineer: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhoto: Marco Lincetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish translation: Lesley Burgon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraphics and Layout: L’Image\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cspan\u003eLapo Vannucci plays on Guitar Masaki Sakurai Model Maestro-RF, especially made for Lapo Vannucci.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Torrigiani plays on Steinway \u0026amp; Sons D274 Concert Grandpiano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr\u003e\u003cstrong\u003eITALIAN MUSIC FOR PIANO AND GUITAR\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe common belief is that the combination of piano and guitar is a complicated enigma for both composers and performers: the sonorities and approaches of the two instruments are too distant, their blend too unbalanced, the volume produced too different, and the way of ‘thinking’ or constructing harmonies divergent. In short, put together, piano and guitar tend to reveal themselves as almost incompatible. Furthermore, if the guitar is not even minimally amplified, the piano will be forced to play almost always ‘on tiptoes’. Despite this, and despite the common belief, several composers, especially in the twentieth century, have managed to achieve splendid results through skillful work on the ‘fulls’ and ‘empties’ of the respective instruments, a particular attention to unconventional dialogue, filigreed writing, and, of course, a good dose of instinct, which never hurts. This album is a testament to these outcomes and features a collection of original works for guitar and piano composed between 1950 and today by well-known and lesser-known Italian authors.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe journey begins in 1950 with one of the composers who, whether he liked it or not, has most associated his name with the guitar, namely the Florentine Mario Castelnuovo-Tedesco (1895-1968), who wrote the Fantasia op. 145 in two short, flavorful movements, dedicating it to Andrés Segovia and his pianist wife Francesca ‘Paquita’ Madriguera Rodon. A miracle of balance that is influenced by inescapable French elements but also shows an extroverted and personal lyrical inspiration, always hovering between Spanish atmospheres and an entirely Italian, or rather, Tuscan, cantability.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother ‘conjugal’ piece that bears the title of Fantasia is the single-movement work that the Brescia-born composer Franco Margola (1908-1992) wrote in October 1979 and dedicated to the duo formed by guitarist Guido Margaria and his wife Emilia. It is a quiet work with neo-baroque movements in which the writing, however, shows a happy hand in making the two instruments converse, shrewdly seeking a constant alternation rather than actual superposition.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother piece dedicated to the Margaria duo is the short Improvviso, composed between November 1979 and spring 1980, which differs little from the atmospheres of the previous one.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Fantasia – and another piece dedicated to the Margaria duo – is the composition that the Piedmontese composer of Transalpine origins Carlo Mosso (1931-1995) wrote in 1980. A meditative and restless, wooden piece, full of archaisms and at the same time bearing a resigned modernity, deliberately stark, built around a few melodic cells developed through a modal path that in some points recalls both the language of the Swiss Frank Martin and the beloved Gian Francesco Malipiero.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Divertimento a due by the Paduan Adriano Lincetto (1936-1996), composed in 1981 and divided into three movements (Molto lento. Poco mosso – Allegro molto – Finale. Molto moderato e cantabile. Allegro vivo), is undoubtedly a less enigmatic work, far from any modern or postmodern complication, woven with a modal language in which numerous seventh chords are counted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis rich anthology concludes with two pieces written expressly for Lapo Vannucci and Luca Torrigiani and dedicated to them. Il silenzio del tempo by Turin-born Luigi Giachino (1962) dates back to 2015 and is a four-movement suite tinged with jazz veins and almost impressionistic flavors.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQuite different is Winter Time by the Sicilian Giuseppe Crapisi (1967), which in an incisive six-minute piece blends repetitive and stubborn gestures typical of minimalism with a more elegiac vein. In this case, the two instruments rarely alternate, often weaving their now delicate, now rhythmic textures mostly simultaneously.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnnio Speranza\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLapo Vannucci and Luca Torrigiani:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince 2010, Lapo Vannucci and Luca Torrigiani have formed a duo born out of a deep friendship, with the aim of exploring new realms of music for guitar and piano.\u003cbr\u003eBoth graduated with honors from the \"Luigi Cherubini\" Conservatory in Florence, they continued their studies at prestigious musical institutions such as the \"Incontri col Maestro\" Academy in Imola, the Fiesole School of Music, and the École Normale de Musique de Paris \"Alfred Cortot\".\u003cbr\u003eIn parallel with their intense solo activities, they regularly perform as a duo in Italy and abroad, receiving unanimous acclaim everywhere. Critics praise their great communication skills and constant attention to the beauty of sound. Particularly active in contemporary music, they have premiered pieces dedicated to them by composers Luigi Giachino and Giuseppe Crapisi. With the \"Ion Dumitrescu\" Philharmonic of Râmnicu Vâlcea and the \"Mihail Jora\" Philharmonic of Bacău, they performed \"Tre Paesaggi\": a concerto for guitar, piano, and string orchestra written for the duo by composer Francesco Di Fiore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034430640475,"sku":"CVLD275CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46753254605147,"sku":"CVLD275","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/275-cover.jpg?v=1684508813"},{"product_id":"bix-tiger-dixie-band","title":"BIX - Tiger Dixie Band","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eBIX (CVLD082)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" total\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTiger Dixie Band\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Total\" narrow sans-serif\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. AT THE JAZZ BAND BALL (arr. R. Sportiello) 3:20\u003cbr\u003eDe Rossi (bars); Menato (cl); Caniato (p)\u003cbr\u003e2. DAVENPORT BLUES (arr. S. Caniato) 2:52\u003cbr\u003eTrettel (cornet); collective\u003cbr\u003e3. MINOR BOUNCE (arr. S. Caniato) 3:49\u003cbr\u003eStockhausen (tp); Zeni (C-Melody); Caniato (p)\u003cbr\u003e4. A GOOD MAN IS HARD TO FIND (arr. S. Caniato) 3:18\u003cbr\u003eGrata (tb); Menato (cl); Beberi (bs) \u0026amp; Casera (violin)\u003cbr\u003e5. CLARINET MARMALADE (arr. R. Sportiello) 3:26\u003cbr\u003eMenato (cl); De Rossi (bars); collective; Hinteregger (d)\u003cbr\u003e6. SUGAR (arr. S. Caniato) 3:14\u003cbr\u003eCasera (violin); Minetti (vocal chorus); Trettel (cornet)\u003cbr\u003e7. BLUE RIVER (arr. F. Zeni) 4:05\u003cbr\u003eMinetti (vocal chorus); Zeni (C-Melody sax); Grata (tb)\u003cbr\u003e8. MATTINATA (arr. S. Caniato) 2:52\u003cbr\u003eMenato (cl); Caniato (p)\u003cbr\u003e9. IN A MIST (arr. S. Caniato) 4:51\u003cbr\u003eMenato (cl); Grata (tb); Stockhausen (piccolo tp)\u003cbr\u003e10. CANDLELIGHTS (arr. F. Zeni) 5:38\u003cbr\u003eStockhausen (tp) \u0026amp; Merlin (el.g \u0026amp; electronics); Grata (tb)\u003cbr\u003e11. FLASHES (arr. R. Sportiello) 6:06\u003cbr\u003eZeni (ts); Stockhausen (tp)\u003cbr\u003e12. PHRYTHM (arr. S. Caniato) 4:25\u003cbr\u003eStockhausen (tp); Zeni (C-Melody sax); Caniato (p)\u003cbr\u003e13. IN THE DARK (arr. L. Grata) 2:55\u003cbr\u003eNo solos\u003cbr\u003e14. BIX ON THE BOX (arr. F. Zeni) 7:36\u003cbr\u003eZeni (ts); Merlin (el.g \u0026amp; electronics) \u0026amp; Stockhausen (tp); free collective\u003cbr\u003e15. A PRAYER (arr. S. Caniato) 4:38\u003cbr\u003eZeni (C-Melody sax); Stockhausen (tp); Merlin (el.g); Caniato (p)\u003cbr\u003e16. WE AND BIX (arr. L. Grata) 3:34\u003cbr\u003eDe Rossi (bars); Grata (tb); Merlin (bjo); Caniato (p)\u003cbr\u003eTotal Time: 66:45\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Bix\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIGER DIXIE BAND\u003c\/strong\u003e\u003cbr\u003ePaolo Trettel (cornet on 1, 2, 4, 6, 7, 9, 12, 16; trumpet on 3, 5, 8, 10, 11, 13, 14)\u003cbr\u003eGigi Grata (trombone)\u003cbr\u003eStefano Menato (metal clarinet \u0026amp; clarinet)\u003cbr\u003eFiorenzo Zeni (C-Melody sax on all tracks, exc. tenor sax on 1, 11)\u003cbr\u003eGiorgio Beberi (bass sax)\u003cbr\u003eStefano Caniato (piano)\u003cbr\u003eEnrico Merlin (banjo; acoustic, archtop \u0026amp; electric guitars, live electronics, loops)\u003cbr\u003eRoman Hinteregger (drums, percussion)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGUESTS:\u003c\/strong\u003e\u003cbr\u003eRenzo De Rossi (baritone sax on 1, 5, 16)\u003cbr\u003eLorenzo Casera (violin on 4, 6)\u003cbr\u003eLucia Minetti (vocal on 6, 7)\u003cbr\u003eMarkus Stockhausen (trumpet on 3, 10, 11, 12, 14, 15; piccolo trumpet on 9)nzo, Giorgi\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eProducers:\u003cstrong\u003e Tiger Dixie Band, Velut Luna\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eRecording engineer:\u003cstrong\u003e Marco Lincetto\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eDigital Editing:\u003cstrong\u003e Matteo Costa\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eMastering:\u003cstrong\u003e Marco Lacchini - Audiomaster Milano\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eConcept:\u003cstrong\u003e Giorgio Beberi \u0026amp; Enrico Merlin\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eLiner notes:\u003cstrong\u003e Enrico Merlin\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eBand Pictures:\u003cstrong\u003e Paolo Trettel, Marco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e24 Bit 96 kHz original recording. Teatro Polivalente, Abano Terme - Italy, May, 19-20 2003. \u003cstrong\u003eRemastered 2023\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cbr\u003e\"Through reading a biography of Leon Bix Beiderbecke, which occurred way back in 1952, I entered the boundless, fascinating world of jazz. Collecting his records, which were almost impossible to find at the time, I learned the first phrases that I tried to replicate on my clarinet. By translating Phil Evans' substantial volume from English, I ventured\u003cbr data-mce-fragment=\"1\"\u003einto the most intimate intricacies of his very painful human story. I was so struck by it that I decided to make a film. It was that film, about his life, that allowed me to shoot for the first time in America, to embark on that extraordinary experience. Today, the house where Bix was born, in Davenport, on Grand Avenue, has been restored, brought back to what it was at the beginning of the century. That white wooden house, protected by two large beech trees, is ours and is listed among the places of historical importance in the United States of America. I owe a lot to Bix, perhaps the most exciting part of my human adventure.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePupi Avati\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe celebration of Leon Bix Beiderbecke's birth centenary provided an opportunity to pay tribute to one of the greatest exponents of Jazz. His way of playing, interpreting rhythm and melodies, constructing solos, and especially the (unfortunately) few pieces he composed, build a bridge to the future, a characteristic common to all great innovators in the field of African-American music. The preparatory phase of the project was fundamental, as the aim was to create a tribute that was not just an exercise in style, intended to recreate original sounds, but rather a kind of journey through time, starting from the beginning of the century and then developing up to the most recent musical experiences, trying to maintain that particular flavor, but transcending the usual boundaries of the genre. The overall sound is characterized by the use of many period instruments (C-melody sax, bass sax, metal clarinet, cornet, etc.), but in the second part, the electric guitar replaces the banjo and acoustic guitar, and the arrangements move into different spaces. To complete the project, we wanted to involve a modern trumpeter who would embody a kind of stylistic transfiguration of the Davenport musician, and Markus Stockhausen readily accepted the challenge, providing a masterful interpretation that greatly enhanced the entire work. The vehicle that allowed us to make this temporal leap is \"In A Mist,\" a particularly significant piece in Bix's life and career. Our version opens with an arrangement faithful to the original for piano, then moves to modal coordinates\u003cbr\u003ein a crossover between \"Maiden Voyage\" and \"So What.\" The CD contains Bix Beiderbecke's five known compositions, some of which exist only in score form, as Bix did not have time to transfer them from paper to record. Some of them have undergone a process of metamorphosis, such as \"Candlelights,\" which, starting from given elements, develops as a \"diagonal Latin,\" to\u003cbr\u003earrive in its central part at a free episode. The selection also includes some of the pieces Bix recorded as a member of the Trumbauer, Whiteman, and Goldkette ensembles. And Lucia Minetti's valuable participation, with her \"antique\" timbre, helped to recreate the sound of the era.\u003cbr\u003eA particular tribute to Paul Whiteman is also paid by the arrangement of Ruggero Leoncavallo's famous \"Mattinata,\" which recalls those orchestral \"pastiches,\" sometimes on the verge of grotesque, with which classical repertoire pieces were \"jazzed up.\" The album is completed by some original compositions inspired by the figure of Bix Beiderbecke or aspects of his style: \"Minor Bounce,\" \"Phrythm,\" \"A Prayer,\" \"Bix on the Box,\" and \"We and Bix.\" \"Minor Bounce,\" with its rhythmic figures, pays homage to the Charleston and the \"danceability\" of the music of the time. \"Phrythm\" is a \"Rhythm changes\" launched into space, where modern harmonies echo ancient styles. \"Bix on the Box\" tells of a navigator who, in a small shell, undertakes a journey to distant and unknown lands, and after extraordinary encounters with the strangest creatures, amidst perilous waves, finally reaches his\u003cbr\u003edestination... \"A Prayer\" opens with an a cappella introduction and develops on one of the classic Gospel progressions, which in a certain way takes us back in time to where \"We \u0026 Bix\" awaits us, a composition built around a Bix solo, just like Ulysses, his bed, and his home.\u003cbr\u003e\u003cstrong\u003eEnrico Merlin\u003c\/strong\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"88.2kHz · 24bit","offer_id":46763317690715,"sku":"CVLD082","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/082-cover.jpg?v=1684828334"},{"product_id":"just-here-right-there-tiger-dixie-band","title":"JUST HERE, RIGHT THERE - Tiger Dixie Band","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJUST HERE, RIGHT THERE\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD046)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eTiger Dixie Band\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnd one day a tiger started playing...\u003cbr\u003e“From Italy to New York City”\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Just-Here-Right-There\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. WHEN THE SAINTS GO MARCHING IN (Traditional)\u003c\/p\u003e\n\u003cp\u003eWhat is this sound, what is this music?\u003cbr\u003eThe question caught me on the eighth of the twenty-five steps, as white as my hat, of that great ship that had crossed the ocean to bring me to America.\u003cbr\u003eStrange music I had never heard, notes reflected like distant waves in the reflections of windows hanging from houses so tall they cast shadows on the sun.\u003cbr\u003eFor days and days the sea had cradled me and in the blue I had vomited all my past. But now I was in New York, in the big city, and I had decided to caress it by diving into the elegant and delicate arms of a mermaid with green eyes, deep as an orgasm eight thousand miles from the rocks that pierced my window, like the desire to start over to feel alive.\u003c\/p\u003e\n\u003cp\u003eTribute to Scott Joplin\u003cbr\u003e2. MAPLE LEAF RAG (Scott Joplin)\u003cbr\u003e“ From New York to New Orleans”\u003c\/p\u003e\n\u003cp\u003eThe train wheels slowly started turning, taking me south with them.\u003cbr\u003eThat barefoot boy with an orange mandolin silenced old men and children while his melody played in my mind, riding the flat ripples of the Mississippi. Beyond the wooden seats, hard as the face of the black man across from me, my thoughts raced into a world where the horizon would never find limits. In New Orleans, where art, sex, and prayer met every night to release into the air that jazz music that made even the moon smile, Henry Matranga told me that my sweat would never be rewarded but that bringing whiskey to classy black people was still a job. And one evening a man smiled at the mirror, licking a sparkling diamond suspended between his milk-white teeth, then sat at the piano to win the crown of a melody enclosed in a moment that tastes of eternity.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to Jelly Roll Morton\u003c\/span\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003e3. WOLVERINE BLUES (Ferdinand “Jelly Roll” Morton)\u003cbr data-mce-fragment=\"1\"\u003e4. PANAMA (William H. Tyers)\u003cbr data-mce-fragment=\"1\"\u003e5. TIN ROOF BLUES (Leon Roppolo, Paul Mares, Ben Pollack)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut my tears fell into the whiskey when someone who spoke my language got on stage and with his band started a frantic piece, whose title had something to do with a tiger. At the time he didn't know it, but soon that sound, which seemed faster than time, would be captured in a sound groove. And in that rotating black circle, those notes would travel around the world to entertain men and women I would never know.\u003cbr data-mce-fragment=\"1\"\u003eThen the black pianist stopped licking his diamond, stood up, took his hat, and without saying a word, slowly walked away.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to D. J. LaRocca\u003cbr data-mce-fragment=\"1\"\u003e6. FIDGETY FEET (D.J. LaRocca – Larry Shields)\u003cbr data-mce-fragment=\"1\"\u003e7. TIGER RAG (D.J. LaRocca)\u003cbr data-mce-fragment=\"1\"\u003e“Nov. 1917, The closing of Storyville – From New Orleans to Chicago”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne night, uniforms with golden stars on their chests came, and Storyville went away in a comet of notes, leaving its children sitting in the dust. Then I put on my new shoes and went to Chicago, where a strange musician with a sack-shaped mouth, touching the sky with his cornet, made the emotions dance happily on the edge of the soul.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to Louis Armstrong\u003cbr data-mce-fragment=\"1\"\u003e8. MUSKRAT RAMBLE (Edward “Kid” Ory)\u003cbr data-mce-fragment=\"1\"\u003e9. BASIN STREET BLUES (Spencer Williams)\u003cbr data-mce-fragment=\"1\"\u003e10. STRUTTIN’ WITH SOME BARBECUE (Lillian Hardin Armstrong)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne Sunday on the steamboat a boy kicked the sheet music, adjusted his blonde hair, and pulled out a solo. Suddenly the steamboat began to spin on itself, getting lost in the wind of Chicago in a\u003cbr data-mce-fragment=\"1\"\u003ewhirlwind of sounds, as if the whole city had decided to dress in those notes that seemed to unite, in a late summer melody, the black and white of jazz.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTribute to Bix Beiderbecke\u003cbr\u003e11. BILL BAILEY (Hughie Cannon)\u003cbr\u003e12. ROYAL GARDEN BLUES (Clarence \u0026amp; Spencer Williams)\u003cbr\u003e13. WHO’S SORRY NOW (Ted Snyder)\u003cbr\u003e14. I’VE FOUND A NEW BABY (Jack Palmer \u0026amp; Spencer Williams)\u003cbr\u003e“Just Here, Right There - Back to Italy at present day”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow I'm back where I was born decades ago. I'm sitting with my eyes closed as the sun slowly descends the mountain. A distant sound awakens my gaze: a group of musicians plays with familiar sounds, playing and laughing with the passion of a century just born. I watch them and smile as my feet follow a rhythm that, flying over the sea, bounces through space and time.\u003cbr\u003eI close my eyes again and someone whispers in my ear \"Just here, right there.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e15. THE DISCLAND (Maurizio Scomparin)\u003cbr\u003e16. THE REVENGE OF THE ELEPHANT (D.J. LaRocca, Paolo Trettel)\u003cbr\u003e17. GOOD MORNING BLUES (Fiorenzo Zeni)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e18. WHEN THE SAINTS GO MARCHING IN (Traditional)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTIGER DIXIE BAND\u003c\/strong\u003e\u003cbr\u003ePaolo Trettel (trumpet)\u003cbr\u003eLuigi Grata (trombone; tuba on 11, 12, 16)\u003cbr\u003eStefano Menato (clarinet; soprano sax on 5, 9, 17)\u003cbr\u003eGiorgio Beberi (bass sax; tenor sax on 5, 9, 11, 12; out on 17)\u003cbr\u003eEnrico Merlin (banjo; acoustic guitar on 5, 9, 17; add. mandolin on 1)\u003cbr\u003eCarlo Alberto Canevali (drums, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpecial guests:\u003c\/strong\u003e\u003cbr\u003eFiorenzo Zeni (tenor sax on 2, 10, 12, 16, 17; soprano sax on 11)\u003cbr\u003eBeppe Pilotto (acoustic bass on 5, 9, 17)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduction: \u003cstrong\u003eVelut Luna \/ Tiger Dixie Band\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eSound Engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDigital Editing and Mastering: \u003cstrong\u003eFabio Framba\u003c\/strong\u003e\u003cbr\u003eProject and storyboard: \u003cstrong\u003eEnrico Merlin\u003c\/strong\u003e\u003cbr\u003ePhotos: \u003cstrong\u003eSergio DeCarli\u003c\/strong\u003e\u003cbr\u003eNovel: \u003cstrong\u003eAndrea Manfredi\u003c\/strong\u003e\u003cbr\u003eEnglish Translation: \u003cstrong\u003eFrancesca Menna\u003c\/strong\u003e\u003cbr\u003eLayout: \u003cstrong\u003eL’image\u003c\/strong\u003e\u003cbr\u003eTrading Consultant: \u003cstrong\u003eYair Wahl\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecording was made at Public Auditorium, Chiuppano-Vicenza, Italy, on October 22-23th, 2000, using the ultimate and the most advanced digital technology, based upon Prism Sound Dream AD2 24Bit\/96kHz AD converter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 96kHz · 24bit","offer_id":46763613552987,"sku":"CVLD046","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/046cover.jpg?v=1684831474"},{"product_id":"just-for-you-chiara-pasto-enrico-santacatterina","title":"JUST FOR YOU! - Chiara Pastò Enrico Santacatterina","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eJUST FOR YOU! \u003c\/b\u003e(CVLD335)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e01 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFrom The Beginning \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e4:12\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eG. Lake (Emerson Lake \u0026amp; Palmer)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02 - \u003c\/span\u003e\u003cstrong data-fragment=\"1\"\u003eI Talk To The Wind \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e5:11\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI. McDonald, P. Sinfield (King Crimson)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eI Know What I Like \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:45\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eP.Collins, P.Gabriel, T.Banks, M.Rutherford, S.Hackett  (Genesis)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDolcissima Maria \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e3.47\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eF. Mussida, M. Pagani, F. Premoli (PFM)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEleanor Rigby \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:10\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. Lennon, P. McCartney (The Beatles)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06 -\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBlue \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:45\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoni Mitchell\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYou've Got A Friend \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e4.30\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCarole King\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFather And Son \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e3:19\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat Stevens\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eC'è un paese al mondo \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:59\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eC. Castellari, R. Giuliani, S. Lattuada (Maxophone)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYesterday \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:41\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. Lennon, P. McCartney (The Beatles)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 -\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAngie \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e4:18\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eM. Jagger, K. Richards (Rolling Stones)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMorning Has Broken \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:54\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat Stevens\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e13 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScarborough Fair \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e2:49\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eP. Simon, A. Garfunkel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e14 - \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWish You Were Here \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e4:14\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eD. Gilmour, R. Waters (Pink Floyd)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTotal Time: 48:45\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAll arrangements by Enrico Santacatterina, except for \"Eleanor Rigby\" by Fabrizio Castania\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAnalog Original Recording, mix and mastering made at Magister Area Recording Studios,\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreganziol, Italy on May 21, 22, 2021\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChiara Pastò,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003evoice\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEnrico Santacatterina,\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e guitars\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFeaturing:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMassimo Tuzza,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003epercussions\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlvise Stiffoni,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003ecello\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMarco Strano,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003esoprano sax\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduction:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExecutive Producer:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusical Producers:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarco Lincetto, Enrico Santacatterina\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBalance and Mix Engineer:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnalog mastering:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarco Lincetto, Antonio Lanfranca\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVideomaker:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCamera assistant:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFilippo Muraro\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphics and Layout:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis project was born from an idea by Marco Lincetto.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe concept is to pay homage, with a new, minimalist, and intimate interpretive approach, to some of the most significant songs in music history from the last hundred years, all originating around the golden age of Rock and Progressive Rock between the 60s and 70s.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is an act of love towards an entire generation of extraordinary musicians and artists, but also towards a generation of passionate listeners – today, in the year of our Lord 2021, around 50 \/ 60 \/ 70-year-olds – who have loved this music with great intensity, associating it with indelible moments of their lives, and who still demonstrate their love for it today.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd so the title – \u003c\/span\u003e\u003cstrong\u003eJUST FOR YOU!\u003c\/strong\u003e\u003cspan\u003e – is meant to be a precise, specific, and affectionate dedication to all of them from Marco Lincetto, who considers himself, in this case, a \"simple\" enthusiast, just like the people to whom this album is explicitly dedicated: \u003c\/span\u003e\u003cem\u003e\"We have made an album that we first and foremost enjoy listening to ourselves!\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eThe album also includes a track, not widely known, which Marco Lincetto particularly cherishes – \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eC'è un Paese al Mondo\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e – written and originally performed by the Italian group \u003c\/span\u003e\u003cstrong\u003eMAXOPHONE\u003c\/strong\u003e\u003cspan\u003e: and this version is dedicated to the memory of one of the MAXOPHONE founders, the great Sergio Lattuada, who recently passed away.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46769875190107,"sku":"CVLD335","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_33b27edd-0596-4998-8e14-58d928106d5c.jpg?v=1685015856"},{"product_id":"the-well-tempered-clavier-book-1-nicola-lamon","title":"THE WELL-TEMPERED CLAVIER, BOOK 1 - Nicola Lamon","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003eTHE WELL TEMPERED-CLAVIER, BOOK 1 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e|\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003e2 CD\u003c\/strong\u003e (CVLD334)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDas wohltemperirte Klavier    \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNicola Lamon\u003c\/strong\u003e, \u003cspan data-mce-fragment=\"1\"\u003eharpsichord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD1\u003c\/strong\u003e\u003cbr\u003e01 - No. 01: Prelude and Fugue in C major, BWV 846  - 4'23\"\u003cbr\u003e02 - No. 02: Prelude and Fugue in C minor, BWV 847  - 5'06\" \u003cbr\u003e03 - No. 03: Prelude and Fugue in C sharp major, BWV 848  - 5'43\"\u003cbr\u003e04 - No. 04: Prelude and Fugue in C sharp minor, BWV 849  - 7'15\"\u003cbr\u003e05 - No. 05: Prelude and Fugue in D major, BWV 850  - 4'11\"\u003cbr\u003e06 - No. 06: Prelude and Fugue in D minor, BWV 851  - 4'44\"\u003cbr\u003e07 - No. 07: Prelude and Fugue in E flat major, BWV 852  - 7'08\"\u003cbr\u003e08 - No. 08: Prelude in E flat minor and Fugue in D sharp minor, BWV 853  - 9'04\"\u003cbr\u003e09 - No. 09: Prelude and Fugue in E major, BWV 854  - 3'18\"\u003cbr\u003e10 - No. 10: Prelude and Fugue in E minor, BWV 855  - 4'18\"\u003cbr\u003e11 - No. 11: Prelude and Fugue in F major, BWV 856  - 2'59\"\u003cbr\u003e12 - No. 12: Prelude and Fugue in F minor, BWV 857  - 6'56\"\u003c\/p\u003e\n\u003cp\u003eTot. Time: 66'13\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/JohannSebastianBach-TheWellTempered-Clavier\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003cbr\u003e01 - No. 13: Prelude and Fugue in F sharp major, BWV 858  - 3'53\"\u003cbr\u003e02 - No. 14: Prelude and Fugue in F sharp minor, BWV 859  - 4'38\"\u003cbr\u003e03 - No. 15: Prelude and Fugue in G major, BWV 860  - 4'40\"\u003cbr\u003e04 - No. 16: Prelude and Fugue in G minor, BWV 861  - 4'26\"\u003cbr\u003e05 - No. 17: Prelude and Fugue in A flat major, BWV 862  - 4'25\"\u003cbr\u003e06 - No. 18: Prelude and Fugue in G sharp minor, BWV 863  - 4'54\"\u003cbr\u003e07 - No. 19: Prelude and Fugue in A major, BWV 864  - 4'53\"\u003cbr\u003e08 - No. 20: Prelude and Fugue in A minor, BWV 865  - 7'49\"\u003cbr\u003e09 - No. 21: Prelude and Fugue in B flat major, BWV 866  - 3'40\"\u003cbr\u003e10 - No. 22: Prelude and Fugue in B flat minor, BWV 867  - 5'23\"\u003cbr\u003e11 - No. 23: Prelude and Fugue in B major, BWV 868  - 3'59\"\u003cbr\u003e12 - No. 24: Prelude and Fugue in B minor, BWV 869  - 12'12\"\u003c\/p\u003e\n\u003cp\u003eTot. Time: 64'58\"\u003c\/p\u003e\n\u003cp\u003eNicola Lamon at the Silbermann harpsichord built by Romain Legros (Verona) Italy\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Main Hall, Villa Masiero e Centanin, Arquà Petrarca, Italy, on February, 12, 13, 14, 2021\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and Layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003cbr\u003eCritical text: \u003cstrong\u003eMyriam Gugliemo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the composition of the 24 Preludes and Fugues (BWV 846-869), Bach participates in the vexata quaestio surrounding \"temperament\" and engages in a dialogue that, starting from the Renaissance, reaches, with no less intense echoes, 20th-century variations regarding the rational division of sounds. Having established the elements that constitute the compositional model, the prelude and the fugue, the composer experiments with the harmonic-contrapuntal potential of the system based on major and minor keys, capturing all the impulses arising from the growing interest in chromatic ordering. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEven in The Well-Tempered Clavier, as in much of Bach's output, the influence of Italian musical style emerges. In this specific case, one of the main references is certainly Girolamo Frescobaldi, the only Italian composer cited by Philipp Emanuel Bach among the authors appreciated and studied by his father since his artistic youth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicola Lamon studied at the \"B. Marcello\" Conservatory in Venice, graduating in 2001 with top marks and honors in both Organ and Organ Composition with Elsa Bolzonello Zoja and Harpsichord with Sergio Vartolo and Marco Vincenzi. He also obtained a diploma in Gregorian Chant with full marks with Lanfranco Menga. In the academic year 2005-2006, at the \"B. Marcello\" Conservatory in Venice, he obtained a second-level academic diploma in organ with a score of 110 cum laude. He participated in numerous masterclasses at various international academies: in organ and improvisation with H. Davidson and W. Porter in Smarano (TN), with J.L. Gonzalez Uriol in Daroca (Spain), at the Accademia Chigiana in Siena, for harpsichord, with Cristophe Rousset, obtaining a diploma of merit. He has received several awards in various national and international competitions: in organ, third prize in Borca di Cadore in 2001 and 2005, first prize in Viterbo in 2003, and third prize in Fano Adriano (TE) in 2006; in harpsichord, first prize in Fusignano (RA) in 2003, and first prize in Pesaro in 2005. He serves as the second organist at the prestigious Basilica di San Marco in Venice, collaborating with the Cappella Marciana in concert and recording performances. He follows and studies with particular interest historical partimento and improvisation aimed at the research and performance of basso continuo. With his colleague David Brutti on cornetto, he founded the duo \"Seicento Stravagante\" engaged in promoting Renaissance and Baroque keyboard instruments, participating in recordings and concerts. He also works as an organist and harpsichord continuo player in various ensembles, collaborating in masterclasses and advanced courses. He was a contract lecturer at the \"C. Pollini Conservatory of Padua\" for keyboard practice and vocal repertoire reading and, currently, works as a harpsichord accompanist at the Arrigo Pedrollo Conservatories in Vicenza and Agostino Steffani in Castelfranco Veneto (TV). He is also involved in the monumental integral performance of the two books of J.S. Bach's Well-Tempered Clavier and The Art of Fugue.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993775939931,"sku":"CVLD334","price":24.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770107253083,"sku":"CVLD334","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_a196cd8a-d372-4fbd-b863-b6f88db73a94.jpg?v=1685020576"},{"product_id":"johann-sebastian-bach-cello-suites-for-harpsichord-dario-carpanese","title":"Johann Sebastian Bach: Cello Suites For Harpsichord - Dario Carpanese","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eJohann Sebastian Bach - Cello Suites For Harpsichord\u003c\/strong\u003e (CVLD333)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohann Sebastian Bach\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCELLO SUITES FOR HARPSICHORD\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDario Carpanese, \u003c\/strong\u003eharpsichord and trascription\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cem\u003eAvailable on: HD File, CD\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello Suite No. 1 in G Major BWV 1007 (19:11)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e01 - Prélude, 3:15  \/  02 - Allemande,   5:35  \/  03 - Courante, 2:27  \/  04 - Sarabande, 2:32 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 - Menuet I \u0026amp; II, 3:52  \/  06 - Gigue, 1:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCello Suite No. 2 in D minor BWV 1008 (21:05)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e07 - Prélude, 4:08  \/  08 - Allemande, 4:30  \/  09 - Courante, 2:14  \/  10 - Sarabande, 3:59 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - Menuet I \u0026amp; II, 3:19  \/  12 - Gigue, 2:55\u003c\/span\u003e\u003cspan\u003e                                                                                                                                                                                  \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCello Suite No. 3 in C Major BWV 1009 (22:54)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e13 - Prélude, 4:28  \/  14 - Allemande, 5:07  \/  15 - Courante, 3:04  \/  16 - Sarabande, 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 - Bourrée I \u0026amp; II, 3:39  \/  18 - Gigue, 3:18\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTot. Time: 63:15\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Johann-Sebastian-Bach\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e176.4kHz \/ 24 bit original recording, made at Studio Rosso, Trebaseleghe, Italy on March 26, 27, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: \u003c\/span\u003e\u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eExecutive and Musical  Producer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRecording, mix, mastering and editing engineer: \u003c\/span\u003e\u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eCover Illustration:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eGiulia Pierobon\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePhoto:\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eNina Marranconi\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLayout and Design: \u003c\/span\u003e\u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranscription is a compositional practice that has accompanied the history of music for several centuries. While the 16th century saw the flourishing of the first lute tablatures of vocal pieces, by the 18th century, it had established itself as a true genre, increasingly in vogue and demand. The master and model of this art is undoubtedly Johann Sebastian Bach (1685-1750), who dedicated his entire musical output to transcription. In his youthful years in Weimar, to meet the demands of a court particularly fascinated by Italian taste, he transcribed numerous Concertos, giving rise to new and very interesting keyboard solo pages. In Leipzig, several Violin Concertos were arranged for harpsichord, probably to enrich the repertoire of the Collegium Musicum, of which Bach held artistic direction. Entire Cantatas changed text and purpose in an exercise of the highest musical craftsmanship, dictated by contingent needs, but conducted with such art and skill as to make these reworkings appear as entirely new works. The Six Cello Suites, the protagonists of this recording, never found editorial light in the form of a transcription by the author himself, while the Six Sonatas and Partitas for Solo Violin, which can be considered their sisters, were extensively reworked by Bach himself and transformed into various versions. Furthermore, thanks to the testimony of two of Bach's contemporary musicians, we know that the composer himself performed these pieces on the harpsichord and clavichord: while the organist Jacob Adlung (1699-1762), in describing the Sonatas and Partitas, emphasizes the fact that \"they can also be performed on the harpsichord,\" Johann Friedrich Agricola (1720-1774) assures us that \"the composer himself often played them on the clavichord and added the harmony he deemed necessary.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe practice of transcription reveals itself as an excellent and unparalleled key to understanding the compositional thought of the author of the transcribed work: more than a mere exercise in style, it is to be considered a true art that allows access to the essence of musical discourse, freeing oneself from the automatic gestures derived from the technique of one's instrument. One of the images that best describes this type of experience is that of entering a craftsman's workshop, observing and absorbing the technical secrets of the trade, and then working together on the same project. Transcription therefore offers us the possibility to actively dialogue with the great masters of the past and to refine our sensibility and our thoughts around the aesthetics of a specific historical period.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInitially, reworking one of the most performed and appreciated masterpieces of Bach's entire output presented me with numerous questions, which were gradually resolved following an adequate analytical study of Bach's own harpsichord transcriptions of his own compositions and those of others. Contrary to what was initially expected on this journey, the greatest difficulty was not being able to concretely produce something from the original material, but finding the strength to choose a definitive version by selecting from the numerous interpretive possibilities offered by the Suites themselves. Occasionally, when compiling this transcription, I found myself faced with dozens of alternatives for the same musical passage and had to choose, from time to time, whether to prioritize coherence with J. S. Bach's keyboard output, absolute fidelity to the original material, adherence to the sonic rendering of the cello version, hand comfort, stylistic uniformity of writing for each individual dance, and other needs that spontaneously arise from confronting this particular type of compositional practice. In conclusion, it can be stated that the choices made during the transcription process were always dictated by the need to obtain a result as close as possible to the German composer's harpsichord output and rejected any attempt to modernize the transcribed work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003eDario Carpanese\u003c\/em\u003e\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993727869275,"sku":"CVLD333CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 176.4kHz · 24bit","offer_id":46770224202075,"sku":"CVLD333","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_d039eecf-0f88-4d5d-8849-9ca0bd5b9d69.jpg?v=1685022443"},{"product_id":"to-russia-with-love-kostandin-tashko","title":"TO RUSSIA WITH LOVE - Kostandin Tashko","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e TO RUSSIA WITH LOVE \u003c\/b\u003e(CVLD332)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKostandin Tashko\u003c\/strong\u003e, piano\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNikolai Karlovich Medtner\u003cbr\u003e01 - Sonata Reminiscences op.38 in A minor n.1 from Forgotten Melodies I, 15'56\"\u003c\/p\u003e\n\u003cp\u003ePyotr Ilyich Tchaikovsky \u0026amp; Mikhail Vasilievich Pletnev\u003cbr\u003eThe Nutcracker Suite, 17'50\"\u003cbr\u003e02 - March, 1'59\"\u003cbr\u003e03 - Dance of the Sugar Plum Fairy, 2'09\" \u003cbr\u003e04 - Tarantella, 1'22\"\u003cbr\u003e05 - Intermezzo, 4'13\"\u003cbr\u003e06 - Trepak (Russian Dance), 1'12\"\u003cbr\u003e07 - The Tea (Chinese Dance), 1'22\"\u003cbr\u003e08 - Pas de deux (Andante maestoso), 5'33\"\u003c\/p\u003e\n\u003cp\u003eIgor Fyodorovich Stravinsky\u003cbr\u003eTrois mouvements de Pétrouchka, 17'40\" \u003cbr\u003e09 - Danse russe, 2'50\" \u003cbr\u003e10 - Chez Pétrouchka, 5'17\"\u003cbr\u003e11 - La semaine grasse, 9'33\"\u003c\/p\u003e\n\u003cp\u003eTot. time: 51'32\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/To-Russia-with-Love\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Laboratorio ZANTA, Camponogara, Italy, on December 3, 4, 2020\u003cbr\u003eKostandin Tashko plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer and editing engineer: \u003cstrong\u003eMattia Zanatta\u003c\/strong\u003e\u003cbr\u003eText: \u003cstrong\u003eMyriam Guglielmo\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eDesign and layout: \u003cstrong\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKostandin Tashko    \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \"... deep vision of the text, combined with great musical maturity. Very young, but already master of a very high level piano technique and a vast and important repertoire... \"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Rivera, pianist (2020)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"..strong musical personality and talent clearly emerge from his artistic abilities...he never flaunts virtuosity for its own sake...he always subordinates it to a higher intellectual vision, which reflects a clear awareness of musical architecture.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlessandro Taverna, pianist (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eWinner of numerous international competitions in Albania, Italy, Croatia, Great Britain, Macedonia, Kosovo, Switzerland-France, Slovenia, the Albanian pianist Kostandin Tashko has performed in important concert halls and festivals. His debut CD, on the KNS label, includes works by Liszt, Scriabin and Ravel. A student of the \"J.Misja\" High School in Tirana with Valbona Kasaj, he graduated with honours from the \"Giuseppe Tartini\" Conservatory of Music in Trieste under the guidance of Teresa Trevisan. Masterclasses with B.Lupo, A.Delle Vigne, R.Dalibaltayan, O.Gardon, D.Tomsic, R. Kinka, M.Miladinovic, V.Balzani, C.Elton, P.Gililov, N.Grubert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRussia! Piano writing between composition, transcription and restitution. The path proposed by Kostandin Tashko in the name of the Russian musical tradition unfolds along a path that, although traced within the twentieth-century context, tends to look back nostalgically at a past with vaguely defined contours, between Medtner's dreamlike late romanticism, Tchaikovsky's fairy-tale and Stravinsky's ancestral. The undisputed protagonist is the piano, an instrument historically linked to compositional activity both as a starting point for the drafting of piano pieces entrusted to the performance of the composer himself, and as the recipient of transcriptions taken from orchestral pieces by the author or later performers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993783968091,"sku":"CVLD332CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770488344923,"sku":"CVLD332","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_84ac6d7d-f8b9-4465-8c9c-4d113929c8d1.jpg?v=1685028515"},{"product_id":"kd-jazz","title":"KD - JAZZ","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eKD \u003c\/b\u003e(CVLD331)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eDorham's Epitaph, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e1:40\u003c\/p\u003e\n\u003cp\u003e2 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMonaco, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e6:02\u003c\/p\u003e\n\u003cp\u003e3 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eNone Shall Wander, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e5:32\u003c\/p\u003e\n\u003cp\u003e4 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLotus Blossom, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e6:01\u003c\/p\u003e\n\u003cp\u003e5 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eLa Mesha, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e5:46\u003c\/p\u003e\n\u003cp\u003e6 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eJazz-classic, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e6:09\u003c\/p\u003e\n\u003cp\u003e7 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eSunset,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e5:04\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 -\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eBlues Elegante, \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e5:05\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eTot. Time:  41:24\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/_KD\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAll compositions by Kenny Dorham\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cem\u003eLorenzo De Luca,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003esax\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMartino De Franceschi,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003edouble bass\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMarcello Abate,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eguitar\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eMarco Soldà,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003edrums\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e88.2kHz \/ 24bit digital recording made at Magister Recording Area, Preganziol- Italy,  on January 5, 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduction:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eVELUT LUNA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive Producer:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBalance recording engineer:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePro Tools operator:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAndrea Valfrè\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMix and Mastering engineer:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhoto:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eMarco Lincetto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesign and layout:\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eL'Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis album also benefits from the financial contribution of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eLPM PROJECT\u003c\/em\u003e\u003c\/strong\u003e, born from an act of private patronage and aimed at supporting the professional launch of excellent young people among graduates and undergraduates from the State Music Conservatories of Veneto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Dorham\u003c\/strong\u003e (unlike his almost contemporary Miles Davis) is often categorized as an underrated musician, despite a very intense career; in fact, especially in his last period - he died in 1972 - he did not have an easy life.\u003c\/p\u003e\n\u003cp\u003eHowever, an aspect that characterizes and ennobles the figure of KD (as he is called by jazz musicians) is his activity as a composer: he wrote over sixty pieces, all interesting, articulate, and sometimes very lyrical. Many of his compositions have become part of the contemporary jazz repertoire, and this CD is proof of that.\u003c\/p\u003e\n\u003cp\u003eThe energy and creativity of Lorenzo, Marcello, Martino, and Marco demonstrate how it is possible to give an absolutely contemporary and timeless version of KD's compositions while fully respecting the author's original idea. Long live KD!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePietro Tonolo\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen we were offered the opportunity to create a tribute to Kenny Dorham's music, we embraced it with enthusiasm and curiosity. The resulting work is the product of our many experiences as a group (shared both academically and artistically) and our musical background, from which we drew inspiration in reinterpreting a repertoire imbued with fascinating colors and sounds. In fact, we chose the compositions closest to our sensibility, in some cases deviating from the trumpeter's original idea. \u003c\/p\u003e\n\u003cp\u003eAfrocentric sonorities, blues reminiscences, and delicate lyricism find their common denominator in the typical elements of bebop, providing us with rich material to work with without distorting its essence. Undertaking a monographic work on a prolific author like KD was a stimulating opportunity: collaborating on a recording project in a period when encounters are rare represented a challenge for us, testing us to create an album that was as faithful as possible to a live performance.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLorenzo, Marcello, Marco, Martino\u003c\/em\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993763783003,"sku":"CVLD331","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770589860187,"sku":"CVLD331","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_ef1387e6-ff69-41e5-bc15-3ccd1e2cfd75.jpg?v=1685029808"},{"product_id":"within-without-homage-to-rakhmaninov","title":"WITHIN \u0026 WITHOUT - Homage to Rachmaninoff","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eWITHIN \u0026amp; WITHOUT - Homage to Rakhmaninov \u003c\/b\u003e(CVLD330)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e,\u003cstrong\u003e \u003c\/strong\u003epiano\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Farewell my Dreams Op.9,  6:42\u003cbr\u003e02 - Siberian Blizzard Op.10, 11:31\u003cbr\u003e03 - Waltz of the Fairies Op.11,  7:54\u003cbr\u003e04 - Dusk Spirits Op.12,  11:53\u003cbr\u003e05 - Gloomy Sparks Op.16,  11:47\u003cbr\u003e06 - The Devil in Love Op.14,  15:33\u003c\/p\u003e\n\u003cp\u003etotal time: 65:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Within-and-Without-Homage-to-Rachmaninov\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll compositions by Edoardo Brotto\u003c\/p\u003e\n\u003cp\u003e88kHz \/ 24bit digital recording made at Magister Area Recording, Preganziol, Italy, on September 15, 16, 2020. Analog mix \u0026amp; mastering made at Velut Luna Studio, Padova, Italy, on October 17, 2020\u003c\/p\u003e\n\u003cp\u003eEdoardo Brotto plays on STEINWAY \u0026amp; SONS D274 CONCERT GRANDPIANO, serial number: 592126 granted,  tuned and prepared by Silvano Zanta\u003cbr\u003eMarco Lincetto choose RIBERA R12 tube microphones, Millennia Media HV 3C mic preaplifier, and Rupert Neve Design 5059 summing mix\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVELUT LUNA\u003c\/strong\u003e\u003cbr\u003eExecutive producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical producer: \u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e\u003cbr\u003eRecording, mix \u0026amp; mastering engineer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eCover photo: \u003cstrong\u003eEdoardo Brotto\u003c\/strong\u003e\u003cbr\u003eInside photo: \u003cstrong\u003eClaudio Dalla Costa\u003c\/strong\u003e\u003cbr\u003eDesign: \u003cstrong\u003eFrancesca Brotto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis album is my homage to a composer and pianist I deeply love, Sergei Rachmaninoff. Beauty in the broadest sense of the term – of nature, of a face, of the scent of the winter wind – has been the inspiration for all the pieces presented here. The assiduous search for this beauty, for the ideal harmony at the ideal moment, for the form and logic of each piece's structure, for contrasts, melodies, and lively dancing notes, led me to a careful and lengthy work on the most meticulous details, often entirely revolutionizing what was, in favor of the uncertainty of the new. Each puzzle piece was meticulously crafted and adapted to the image as a whole. None of these works are written on paper but, as is my custom, were composed and \"written\" in my mind. This process allows me, literally, to observe the small pieces and the large pieces from a privileged vantage point, where I can play with the various pieces, recombining them as I please, creating a vast number of possible solutions. It is this same vantage point, similar to what one experiences from the top of a mountain peak, or a skyscraper, that allows me to choose the set of elements that, in my opinion, achieve the most beautiful form.\u003cbr\u003eEdoardo Brotto\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995065590107,"sku":"CVLD330CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770644418907,"sku":"CVLD330","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_97c86d06-3a94-461e-af7c-c45f9a8e1728.jpg?v=1685032453"},{"product_id":"odysseia-ensemble-terra-mater","title":"ODYSSEIA - Ensemble Terra Mater","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eODYSSEIA \u003c\/b\u003e(CVLD329)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eI. Proem\u003cbr\u003e1 - Quantas Sabedes Amar Amigo \u003cbr\u003eMartin Codax Ð Portugal 13th century - 3:24\u003c\/p\u003e\n\u003cp\u003eII. The Lotus-Eaters\u003cbr\u003e2 - Havdan\u003cbr\u003eTraditional Turkish dance - 3:12\u003cbr\u003e3 - Konialì\u003cbr\u003eTraditional Cypriot song - 3:51\u003c\/p\u003e\n\u003cp\u003eIII. The Cyclops\u003cbr\u003e4 - Chetvorno horo\u003cbr\u003eTraditional Bulgarian dance - 3:12\u003cbr\u003e5 - Lazarsko Horo\u003cbr\u003eTraditional Bulgarian dance - 5:17\u003cbr\u003e6 - Pastorale\u003cbr\u003eFrom a Theme by A. Schnittke - 2:56\u003c\/p\u003e\n\u003cp\u003eIV. Circe\u003cbr\u003e7 - Zarani Al Mahboub\u003cbr\u003eTraditional Arabic song - 5:49\u003cbr\u003e8 - Lamma Bada Yathathanna\u003cbr\u003eTraditional Arabic song - 4:52\u003c\/p\u003e\n\u003cp\u003eV. The Underworld\u003cbr\u003e9 - Are Mou Rindineddha \u003cbr\u003eTraditional Griko song to lyrics by G. Aprile - 7:28\u003c\/p\u003e\n\u003cp\u003eVI. The Sirens \u003cbr\u003e10 - Yo m’enamori d’un aire\u003cbr\u003eTraditional Sephardic song - 5:54\u003cbr\u003e11 - El Café de Chinitas\u003cbr\u003eTheme by F. G. Lorca - 4:51\u003c\/p\u003e\n\u003cp\u003eVII. Calypso\u003cbr\u003e12 - Da A Me Riva\u003cbr\u003eF. de André, M. Pagani – 4:34\u003cbr\u003e13 - Ondas Do Mar\u003cbr\u003eM. Codax, Portugal 13th century - 3:05\u003c\/p\u003e\n\u003cp\u003eTotal Time: 58'25\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Odysseia\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnsemble Terra Mater\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAngela Centanin\u003c\/strong\u003e voice\u003cbr\u003e\u003cstrong\u003eIrene Benciolini\u003c\/strong\u003e violin, viola, santur, voice\u003cbr\u003e\u003cstrong\u003eRuben Medici\u003c\/strong\u003e bouzouki, oud, viola, voice\u003cbr\u003e\u003cstrong\u003eNicola Benetti\u003c\/strong\u003e accordion, classical guitar, kantele, darbuka, duff, riq, voice\u003cbr\u003e\u003cstrong\u003eFrancesco Trespidi\u003c\/strong\u003e darbuka, duff, musette, alto recorder, low whistle, bansuri\u003c\/p\u003e\n\u003cp\u003e24 bit \/88.2kHz original recording made at AreaMagister Studios, Preganziol (Italy) on September 2-4, 2020\u003c\/p\u003e\n\u003cp\u003eProduction: \u003cstrong\u003eVelut Luna\u003c\/strong\u003e\u003cbr\u003eExecutive Producer: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003eMusical Producer: \u003cstrong\u003eTommaso Benciolini\u003c\/strong\u003e\u003cbr\u003eRecording, Mix \u0026amp; Mastering: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e\u003cbr\u003ePaintings and Graphics: \u003cstrong\u003eIrene Benciolini, Angela Centanin\u003c\/strong\u003e\u003cbr\u003ePhoto: \u003cstrong\u003eBarbara Rigon\u003c\/strong\u003e\u003cbr\u003eDesign\u0026amp;Layout: \u003cstrong\u003eL’Image\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis album collects the music from Odýsseia, an original performance of music, texts and images, which we presented on the stage of the Teatro Ristori in Verona in December 2019. This complex and multifaceted project involved us in the careful attention to every detail, from the music to the lyrics, from the set design to the acting. The aim of the show was to accompany the spectator along the journey of Ulysses, a mythical figure who deeply reflects the soul of contemporary man. A journey to discover distant and diverse cultures, but under the sign of hospitality and listening to the other. A journey home, along which Ulysses finds himself having to question his own identity, driven by the curiosity to deeply know himself and those he meets, almost forgetting where and what home truly is. Our Ensemble, since its inception, has been dedicated to studying, arranging and performing traditional music from the Mediterranean area. Odýsseia was born from the intertwining of this repertoire with the mythical tale of the Odyssey. This encounter between traditional music and Homeric epic allowed us to grasp, in backlight, the essential similarity that brings popular music closer to the ancient Greek poem: works that were both born from the vitality of extemporaneous composition, from improvisation, and then handed down through oral tradition, avoiding for a long time the rigidity of written form. Furthermore, both popular music and the ancient Homeric poem radically refuse to be attributed to a single artistic genius of romantic stamp, and make us rediscover the strength of collective creation, the potential of a common, not singular, song: a voice of the multitude. The album maintains the order of the songs and the scene breakdown of the show: Proem, The Lotus-Eaters, The Cyclops, Circe, The Underworld, The Sirens, Calypso. We also decided to include in this booklet some images and text fragments, allowing the listener to approach the show with imagination, just as it was originally conceived.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993811657051,"sku":"CVLD329CD","price":18.0,"currency_code":"EUR","in_stock":false},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46770742264155,"sku":"CVLD329","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_34eea59a-05b5-4e27-a702-b34075e0c5f3.jpg?v=1685033560"},{"product_id":"cello-sonatas-luca-giovannini-leonora-armellini","title":"CELLO SONATAS - Luca Giovannini Leonora Armellini","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eCELLO SONATAS \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan style=\"font-size: large; font-family: 'Arial Narrow', sans-serif;\"\u003e(CVLD327)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Giovanninitino, \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003ecello\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003e- \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e\u003ci\u003eLeonora Armellini,\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cem\u003e\u003cspan face=\"Arial Narrow, sans-serif\"\u003e\u003cspan lang=\"it-IT\"\u003e piano\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD Files, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.1 in E Minor Op. 38\u003cbr\u003e1 - Allegro non troppo  14:34\u003cbr\u003e2 - Allegretto quasi minuetto  5:50\u003cbr\u003e3 - Allegro  6:39\u003c\/p\u003e\n\u003cp\u003eCello Sonata N.2 in F Major, Op. 99\u003cbr\u003e4 - Allegro Vivace  9:06\u003cbr\u003e5 - Adagio affettuoso  6:37\u003cbr\u003e6 - Allegro appassionato  7:43\u003cbr\u003e7 - Allegro molto  4:50\u003c\/p\u003e\n\u003cp\u003etotal time:  55:24\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Johannes-Brahms-Cello-Sonatas\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLuca Giovannini, cello\u003cbr\u003eLeonora Armellini, piano\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2kHz original recording made at Magister Recording Area, Preganziol, Italy, on July 12, 2020 - Leonora plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, tuned and prepared by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer and editing engineer: Michele Sartor\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L'Image\u003cbr\u003eText: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohannes Brahms\u003c\/strong\u003e and the cellists of Sonatas Op. 38 and Op. 99: a photographic retrospective.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003eAmong the complex array of chamber music pieces in Brahms's catalogue, the two Sonatas for piano and cello (a designation that, by the composer's wish, emphasizes the equal nature of the instruments involved) are traditionally considered cornerstones of the repertoire dedicated to this formation. Their notoriety, due to successful reception and continuous performance that we still witness today, should not prevent the listener and interpreter from having an overview of the two Sonatas, which is often neglected in favor of a mere chronological and compositional comparison. Although twenty-four years elapsed between the writing of the first two movements of the Sonata in E minor Op. 38 and the publication of the Sonata in F major Op. 99, the interest in cello writing, fueled by the presence of key figures in the composer's circle, can be considered common to both periods.\u003cbr data-mce-fragment=\"1\"\u003eIn a photograph dated May 7, 1894, we find Brahms, on his sixty-first birthday, surrounded by friends and colleagues at the home of the von Miller zu Aichholz family (Gesellschaft der Musikfreunde archive, Vienna). Among the guests, besides Ignaz Brüll, Anton Door, Julius Epstein, Eusebius Mandyczewski, Gustav Walter, Eduard Hanslick, and Richard Mühlfeld, are the dedicatees of the two Sonatas for piano and cello: Josef Gänsbacher and Robert Hausmann. - \u003c\/span\u003e\u003cspan\u003eMyriam Guglielmo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLuca Giovannini,\u003c\/em\u003e\u003c\/strong\u003e born in Rovigo in 2000, attended the \"Francesco Venezze\" Conservatory in Rovigo with M° L. Simoncini and graduated at 17 with honors and a special mention. He enriched his studies by attending the \"R. Romanini\" Academy in Brescia, where he studied with G. Sollima and later with G. Capuçon at the \"Classe d'excellence\" of the Louis Vuitton Foundation. From a very young age, Luca distinguished himself in numerous competitions, among the most prestigious being the first prize in 2018 at the J. Brahms competition in Pörtschach, Austria, becoming the first Italian to win it, in 2016 the third prize at the \"Schönefeld\" competition in China, and the National Arts Award 2020.\u003cbr data-mce-fragment=\"1\"\u003eHe has had the opportunity to play for the most illustrious names in the music world, such as G. Kremer, A. Schiff, N. Gutman, E. Dindo, M. Brunello, B. Canino, D. Rossi, and many others, gaining different perspectives and highly stimulating insights.\u003cbr data-mce-fragment=\"1\"\u003eHe has performed in numerous countries and important theaters such as the Suntory Hall in Tokyo, Carnegie Hall in NY, Musikverein in Vienna, the Berliner Philharmoniker, Sale Apollinee della Fenice, and the Sala Maffeiana in Verona. Luca is currently studying with F. Helmerson at the Kronberg Academy, Frankfurt. He plays an Ansaldo Poggi kindly granted by M° M. Brunello.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eLeonora Armellini \u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003ewas a very young winner of the “Janina Nawrocka Prize” for “extraordinary musicality and beauty of sound” at the “F. Chopin” International Piano Competition in Warsaw (2010). This success was brilliantly confirmed in the 2021 edition, with a Fifth Prize making her the first Italian woman to reach the top of a competition considered the pinnacle of world pianism. Leonora Armellini (1992), daughter of artists, began studying piano at the age of four with Laura Palmieri and graduated at twelve with full marks, honors, and a special mention. In 2005, she unanimously won the XXII Premio Venezia, reserved for the best graduates of Italian Conservatories, and continued her training with Sergio Perticaroli at the Accademia di S. Cecilia in Rome, graduating at seventeen with honors, becoming the youngest graduate of the prestigious institution. She further perfected her skills with Lilya Zilberstein and Marian Mika, and graduated from the “Incontri col Maestro” Piano Academy in Imola with Boris Petrushansky (2018). Among the numerous awards and recognitions for her artistic and human qualities, Leonora received in 2013 from Zubin Mehta the “Galileo 2000 Pentagramma d’oro” award for her “great courage and musical talent.” in May 2013, the National Association of Music Critics decided to award the “XXXII Premio Abbiati,” “Premio Piero Farulli,” to the Trio formed by Leonora, Laura Marzadori, and Ludovico Armellini (Piano, Violin, and Cello). She regularly performs as a soloist and chamber musician for festivals and concert seasons in Italy and abroad (Carnegie Hall in New York, Mariinsky Theatre in Saint Petersburg, Salle Cortot in Paris, Warsaw Philharmonic, Teatro La Fenice in Venice, Martha Argerich Project in Lugano, and throughout Europe, China, South Korea, Japan, …), and has performed with numerous orchestras including the Warsaw Philharmonic, the Orchestra di Padova e del Veneto, I Solisti Veneti, the Orchestra Filarmonica di Torino, the Orchestra del Teatro La Fenice, the Orchestra dell’Arena di Verona, the Ukrainian National Orchestra, the Sinfonia Varsovia, the Symphony Orchestra of the Lodz Philharmonic (Poland)… Leonora is the protagonist of numerous recording projects; her most recent releases include the DVD “Piano Recital” published by ContempoArs containing, among others, Chopin’s Etudes op. 25, and a CD published by Brilliant Classics containing Poulenc’s Concerto for two pianos and orchestra, Britten’s Scottish Ballad, and Debussy’s Première Suite for piano four-hands in the formation of the Duo Pianistico di Padova (with pianist Mattia Ometto), Orchestra di Padova e del Veneto, and conductor Luigi Piovano. In the same formation, she also recorded the complete works for two pianos by Brahms for Da Vinci Classics. She has been invited by Italian and foreign radio and television for interviews and concerts, including the “Concerti del Quirinale” and an appearance as a guest at the Sanremo Festival 2013. Alongside Matteo Rampin, she co-wrote and published the popular music book “Mozart era un figo, Bach ancora di più” (Mozart was cool, Bach even cooler), published by SALANI (2014), now in its seventh edition and translated into Spanish. She is currently a Principal Piano teacher at the “A. Buzzolla” Conservatory in Adria (RO)\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49993798779227,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807346020699,"sku":"CVLD327","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_9e489968-4b8c-4ec0-8d3f-b8c84e5e2c26.jpg?v=1686058633"},{"product_id":"the-other-girl-chiara-pasto","title":"THE OTHER GIRL - Chiara Pastò","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003e\u003cb\u003eTHE OTHER GIRL \u003c\/b\u003e(CVLD325)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"4\" style=\"font-size: large;\"\u003eChiara Pastò\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Dove sei  (Vittorio Matteucci) 2:46\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, double bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e02 - Tra i ricordi e i perchè   (Marco Strano, Alessandro Magliarditi)  3:11\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, electric bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003ePietro Mirabassi, tenor saxophone\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e03 - Simple Life  (Fabrizio Castania, Dino Doni, Chiara Pastò)  3:05\u003cbr\u003eEnrico Santacatterina, guitar\u003cbr\u003eRiccardo Di Vinci, electric bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003eMassimo Tuzza, percussions\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e04 - Non più noi  (Marco Strano, Alessandro Magliarditi)  4:12\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, double  bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003ePietro Mirabassi, tenor saxophone\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e05 - Just Smile  (Enrico Santacatterina, Chiara Pastò)  4:13\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, electric bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003eEnrico Santacatterina, guitar\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e06 - Cry Me A River  (Arthur Hamilton)  4:57\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e07 - Bellezza No  (Alejandro Saorin Martinez)  3:23\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, piccolo bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003eMassimo Tuzza, percussions\u003cbr\u003eEnrico Santacatterina, guitar\u003cbr\u003eEmiliano Tamanini, trumpet\u003cbr\u003eAngel Ballester Veliz, alto sax\u003cbr\u003eGigi Grata, trombone\u003cbr\u003eGiorgio Beberi, baritone sax\u003c\/p\u003e\n\u003cp\u003e08 - Se crederci   (Vito Caporale)  3:48 \u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, double bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003efeaturing Baraonna: Vito Caporale, Delio Caporale, Daphne Nisi, Eleonora Tosto\u003c\/p\u003e\n\u003cp\u003e09 - I Poeti   (Ninni Arini)  3:50 \u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, electric bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003eEnrico Santacatterina, guitar\u003cbr\u003eGiuseppe Barutti, cello solo\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e10 - Lontano, lontano  (Luigi Tenco)  3:36\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eRiccardo Di Vinci, double bass\u003cbr\u003eMarco Soldà, drums\u003cbr\u003ePietro Mirabassi, tenor saxophone\u003c\/p\u003e\n\u003cp\u003e11 - Feel You On My soul (Fabrizio Castania, Dino Doni, Chiara Pastò)  3:18\u003cbr\u003eFrancesco Pollon, grandpiano\u003cbr\u003eGiuseppe Barutti, cello solo\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003e13 - The Other Girl  (Enrico Santacatterina, Chiara Pastò)  4:13\u003cbr\u003eEnrico Santacatterina, guitar, electric Bass, drums, chorus\u003cbr\u003eMassimo Tuzza, percussions\u003cbr\u003eMagister Espresso Orchestra, strings\u003c\/p\u003e\n\u003cp\u003etotal time: 44:39\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/The-Other-Girl\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll strings scores composed and arranged  by Fabrizio Castania\u003cbr\u003eTracks 1, 2, 3, 4, 5, 6, 7, 9, 11, 12 arranged by  Fabrizio Castania\u003cbr\u003eTrack 7 arranged by  Alejandro Saorin Martinez\u003cbr\u003eTrack 8 arranged by  Vito Caporale\u003cbr\u003eTrack 10 arranged by  Francesco Pollon \u0026amp; Chiara Pastò\u003cbr\u003eMagister Espresso Orchestra\u003cbr\u003eFirst and Second Violins: Luca Mares, Sabina Bakholdina, Erika Fassetta, Gianpiero Zanocco, Giorgio Baldan\u003cbr\u003eViolas: Mario Paladin, Paolo Pasoli, Francesca Levorato, Alessandra Di Vincenzo\u003cbr\u003eCellos: Giuseppe Barutti (solo), Alessandra Boldrin, Alan Dario \u003c\/p\u003e\n\u003cp\u003eFrancesco Pollon plays on Steinway \u0026amp; Sons D274 Concert Grandpiano tuned and prepared by Silvano Zanta\u003cbr\u003eEnrico Santacatterina plays on Ibanez, Godin Multiac, Gibson The Firebird, XoX Handle, Ovation guitars\u003c\/p\u003e\n\u003cp\u003e- 88.2kHz \/ 24bit digital recording made at Magister Recording Area, Preganziol, Italy on June 8 --\u0026gt; 22, 2020\u003cbr\u003e- Analog mix made at Magister Recording Area, Preganziol, Italy on June 27 --\u0026gt; 30, 2020\u003cbr\u003e- Mastering made by Simon Hayworth, at Super Audio Digital, Devon, UK, on July 15, 16, 2020\u003c\/p\u003e\n\u003cp\u003eProduction:  VELUT LUNA\u003cbr\u003eExecutive Producer:  Marco Lincetto\u003cbr\u003eMusical Producer:  Marco Lincetto\u003cbr\u003eMusical Consultant:  Fabrizio Castania\u003cbr\u003eChiara's Vocal Producer: Enrico Santacatterina\u003cbr\u003eChiara's Vocal Coach: Chiara Morandin\u003cbr\u003eBalance Engineer: Marco Lincetto\u003cbr\u003eRecording Engineer:  Andrea Valfrè\u003cbr\u003eMix Engineers: Andrea Valfrè, Marco Lincetto\u003cbr\u003eMastering Engineer:  Simon Hayworth\u003cbr\u003eCover and Inside Photos:  Marco Lincetto\u003cbr\u003eGraphics and Design:  L'Image\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807539319131,"sku":"CVLD325","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_4b88bb75-6a56-4f63-979c-88bbdd9c2b09.jpg?v=1686059989"},{"product_id":"catch-me-francesco-pollon","title":"CATCH ME - Francesco Pollon","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eCATCH ME \u003c\/b\u003e(CVLD324)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - Preghiera antica (F.Pollon)  4:56\u003cbr\u003e02 - Catch Me (F.Pollon)  7:10\u003cbr\u003e03 - 181 Years Later (from Chopin's Prelude N. 8, Op. 28) (F.Pollon)  7:01\u003cbr\u003e04 - Beatrice (S.Rivers)  4:53\u003cbr\u003e05 - Impro 1 (F.Pollon)  4:27\u003cbr\u003e06 - Flying To (F.Pollon)  7:49\u003cbr\u003e07 - M. O. (F.Pollon)  7:48\u003cbr\u003e08 - Impro 2 (F. Pollon)  4:36\u003cbr\u003e09 - A Smile (F. Pollon)  7:31\u003cbr\u003e10 - I Fall In Love Too Easily (J. Styne, S. Cahn)  6:38\u003c\/p\u003e\n\u003cp\u003etot. time: 63:07\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/CatchMe\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24bit \/ 88.2 digital recording made at Laboratorio ZANTA, Camponogara, Italy, on June 4, 5, 2020\u003cbr\u003eFrancesco Pollon plays on Steinway \u0026amp; Sons D274 Concert Grandpiano, prepared and tuned by Silvano Zanta\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eRecording, mix \u0026amp; mastering engineer: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eCovert Art: L'Image\u003cbr\u003eDesign and Layout: L'Image\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is truly a great pleasure to listen to Francesco play. I am really impressed by his imagination, sensitivity, his beautiful sound on the piano and the way he expresses himself through music. What is rare for Francesco’s age is that those who listen to him can hear his strong, personal and unique voice. Francesco doesn't just play the piano. He tells real stories and sings through the instrument! Which makes him a true treasure among the pianists of his generation. I keep my fingers crossed for his next musical achievements!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePiotr Wylezol - jazz pianist, composer and professor at the Academy of Music in Krakow.\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995083612507,"sku":"CVLD324","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807686873435,"sku":"CVLD324","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_020ba81f-931d-489b-a237-583bda935e86.jpg?v=1686062615"},{"product_id":"bach-alternative-harpsichord-concertos","title":"BACH - ALTERNATIVE HARPSICHORD CONCERTOS","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eBACH - ALTERNATIVE HARPSICHORD CONCERTOS\u003c\/strong\u003e (CVLD322) \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConcert For Harpsichord and Orchestra in D Minor BWV 1052a\u003cbr\u003eRoberto Loreggian, harpsichord\u003cbr\u003e1 - Allegro, 7:43\u003cbr\u003e2 - Adagio, 7:59\u003cbr\u003e3 - Allegro, 8:32\u003cbr\u003eConcert For Harpsichord and Orchestra in G Minor BWV 1056a\u003cbr\u003eRoberto Loreggian, harpsichord\u003cbr\u003e4 - Allegro, 3:42\u003cbr\u003e5 – Adagio, 2:38\u003cbr\u003e6 - Presto, 4:27\u003cbr\u003eConcert For Flute, Violin, Harpsichord and Orchestra in D Major BWV 1050a\u003cbr\u003eFrancesco Padovani, flute, Federico Guglielmo, violin, Roberto Loreggian, harpsichord\u003cbr\u003e7 – Allegro, 8:28\u003cbr\u003e8 – Adagio, 6:14\u003cbr\u003e9 - Allegro, 5:26\u003c\/p\u003e\n\u003cp\u003etot. time: 55:16\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/J-S-Bach-Alternative-Harpsichord-Concertos\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRoberto Loreggian, harpsichord\u003c\/p\u003e\n\u003cp\u003eL’Arte dell’Arco\u003cbr\u003eFederico Guglielmo, Gianpiero Zanocco, violins\u003cbr\u003eMario Paladin, viola\u003cbr\u003eFrancesco Galligioni, cello\u003cbr\u003eAlessandro Pivelli, double bass\u003c\/p\u003e\n\u003cp\u003e24bit\/88.2kHz original recording made at Abbazia di Santa Maria delle Carceri, Main Hall, Carceri (Italy), \u003cbr\u003eon November 11, 12, 2019\u003c\/p\u003e\n\u003cp\u003eThe recording was made by Marco Lincetto, using the very special and custom VLR Sound Recording System, including pure analog devices such as Rupert Neve Design Mic Preamplifiers 5024 and Analog  Summing Mixer SATELLITE 5059, Ribera R12 Vacuum Tube Microphones and the ADC Prism Sound AD2 Dream\u003c\/p\u003e\n\u003cp\u003eProduction: VELUT LUNA\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eBalance, recording, mix and mastering engineer: Marco Lincetto\u003cbr\u003eMusical producer: Mattia Zanatta\u003cbr\u003eEditing engineer: Michele Sartor\u003cbr\u003eCritical text: Myriam Guglielmo\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eCover design concept and layout: L'Image\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995098325339,"sku":"CVLD322CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807761420635,"sku":"CVLD322","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_1974e471-4034-441f-bf86-f22f71e0fd52.jpg?v=1686065326"},{"product_id":"se-fossi-una-rondinella-barbara-bertoldi","title":"IF I WERE A SWALLOW - Barbara Bertoldi","description":"\u003cp class=\"western\" lang=\"en-US\"\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan face=\"Arial Narrow, sans-serif\" style=\"font-family: 'Arial Narrow', sans-serif;\"\u003e\u003cspan size=\"7\"\u003e\u003cstrong\u003eIF I WERE A SWALLOW\u003c\/strong\u003e (CVLD321)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvailable in: HD File, CD\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e01 - La Dosolina - Eddy Serafini,  2:44\u003cbr\u003e02 - Gran Dio del Cielo - Armando Franceschini,  3:09\u003cbr\u003e03 - ‘Ndormenzete popin - Erika Eccli,  2:42\u003cbr\u003e04 - E col cifolo del vapore - Nikos Betti,  3:22\u003cbr\u003e05 - La sposa morta - Marco Uvietta,  2:20\u003cbr\u003e06 - Il Maritino - Armando Franceschini,  2:04\u003cbr\u003e07 - La Madonnina - Camillo Moser e Italo Varner,  2:10\u003cbr\u003e08 - La casa del mio bèn - Armando Franceschini,  1:38\u003cbr\u003e09 - Ninna Nanna - Eddy Serafini,  1:59\u003cbr\u003e10 - L’è tre ore che son chi sotto - Erika Eccli,  1:23\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/SeFossiUnaRondinella\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e88.2kHz \/ 24bit original digital recording made at Areamagister Studios, Preganziol (Italy) on December, 28, 29, 2019\u003c\/p\u003e\n\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive Producer: Marco Lincetto\u003cbr\u003eMusical Producer: Marco Lincetto \u0026amp; Barbara Bertoldi\u003cbr\u003eRecording, Mix \u0026amp; Mastering Enegineer: Marco Lincetto\u003cbr\u003ePhoto: Marco Lincetto\u003cbr\u003eDesign \u0026amp; Layout: L'Image\u003c\/p\u003e\n\u003cp\u003eIn 1888, Costantino Nigra published \"Canti popolari del Piemonte\" (Folk Songs of Piedmont), employing for the first time an ethnological, comparative, and dialectological approach to Italian popular poetry. It was a long, passionate research into \"truly popular songs, that is, without a known author, those songs heard in the fields, in the stables, the creations of peasant poets,\" as Nigra's father-in-law, Giovenale Vegezzi Ruscalla, wrote in a letter to a Sardinian scholar.\u003cbr\u003eWith Nigra, a new research methodology was born, which had previously been the domain of literary scholars and philologists, mainly Tuscan.\u003cbr\u003eThese studies reveal that while folk songs may have anonymous authors in terms of writing, their area of diffusion is well identifiable. The historical trace that the text leaves through the modifications it undergoes over the years, if not centuries, is also clearly visible.\u003cbr\u003eThe themes addressed encompass all aspects of human life, narrating work, leisure, love, sorrows, and wars. These texts, like those presented in this CD, are strongly dialectal, typical of northern Italy, with diffusion also in France, Provence, Catalonia, and Portugal.\u003cbr\u003eThen, as is typical of popular narrative, it is varied and adapted to different situations and times, without changing the narrative structure, so that one can always, or almost always, trace back to the original text.\u003cbr\u003eThe songs on this CD, chosen by the performing musician and re-harmonized for cello and voice by composer friends and colleagues, bring the narrative back to its truest representation, when the performer was not a choir, but one or at most two voices, accompanied by an instrument, whether guitar or violin, very often played by ear.\u003cbr\u003eThe cello accompaniment provides a refined and unprecedented presentation in the vast field of folk song performances.\u003cbr\u003eThe re-harmonizations proposed by the various composers make the narrative varied and diverse, according to different sensibilities, while respecting the primitive harmonization.\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":49995161207131,"sku":"CVLD321","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"HD FILE 88.2kHz · 24bit","offer_id":46807814144347,"sku":"CVLD321","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/folder_fc6d4638-503c-44b5-968d-207a2e61d903.jpg?v=1686066716"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/collections\/160-07062016112450.jpg?v=1720082204","url":"https:\/\/www.referencemusicstore.com\/collections\/file-audio-hi-res-dsd.oembed?page=21","provider":"Reference Music Store","version":"1.0","type":"link"}