{"title":"Domenico Nordio","description":"\u003cp\u003eBrowse albums and recordings associated with Domenico Nordio in the Reference Music Store catalogue. Available editions and details on each product page.\u003c\/p\u003e","products":[{"product_id":"unus-inter-pares-stravinsky-bartok-lincetto","title":"Unus inter pares | Carbonare, Nordio, Boischio","description":"\u003cp\u003e\u003cstrong\u003eUnus inter pares\u003c\/strong\u003e places Adriano Lincetto alongside Stravinsky and Bartók, remembering the Paduan composer within his musical context. Alessandro Carbonare, Domenico Nordio and Alberto Boischio alternate trio works and solo pieces for clarinet, violin, viola and piano.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD057CD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 96kHz · 24bit — CVLD057\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eAlessandro Carbonare — clarinet\u003cbr\u003eDomenico Nordio — violin and viola\u003cbr\u003eAlberto Boischio — piano\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal 96 kHz · 24-bit digital recording, live in the studio at Auditorium Pollini in Padua in April 2001.\u003c\/p\u003e\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eDesign and layout: L’Image\u003c\/p\u003e\u003ch3\u003eProgramme by work\u003c\/h3\u003e\u003cp\u003e1. Histoire du soldat, Suite 1919 for Violin, Clarinet and Piano (Igor Stravinsky) - Domenico Nordio 14'38\"\u003c\/p\u003e\n\u003cp\u003e2. Three Pieces for solo clarinet (Igor Stravinsky) - Alessandro Carbonare 3'40\"\u003c\/p\u003e\n\u003cp\u003e3. Contrasts for Violin, Clarinet and Piano, Sz. 111 (Béla Bartók) - Domenico Nordio 17'25\"\u003c\/p\u003e\n\u003cp\u003e4. Sequenza cromatica (Adriano Lincetto), originally for solo flute, performed on violin by Domenico Nordio — 3:21\u003c\/p\u003e\n\u003cp\u003e5. Sequenza cromatica per violino solo dall’originale per flauto solo di Adriano Lincetto (Giovanni Bonato) - Domenico Nordio 4'20\"\u003c\/p\u003e\n\u003cp\u003e6. Fantasia per viola, clarinetto e pianoforte (Adriano Lincetto) - Domenico Nordio 7'50\"\u003c\/p\u003e\n\u003cp\u003e7. Quattro improvvisi per pianoforte (Adriano Lincetto), Presto - Alberto Boischio 2'55\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Time: 54:31\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Unus-Inter-Pares\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50034938085723,"sku":"CVLD057CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 96kHz · 24bit WAV","offer_id":46977395851611,"sku":"CVLD057","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/057-cover.jpg?v=1690556310"},{"product_id":"the-cinema-show-stravinskij-chamber-orchestra","title":"The Cinema Show! - Stravinskij Chamber Orchestra","description":"\u003cp\u003eThe Cinema Show! by Stravinskij Chamber Orchestra brings together eleven tracks of film music and cinema-related repertoire. Domenico Nordio is the violin soloist in Schindler’s List.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD235CD\u003c\/li\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD235\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eViolin I:\u003cbr\u003eDaniele Ruzza (solo),\u003cbr\u003eCiaki Kanda, Massimiliano Simonetto,\u003cbr\u003eFrancesca Bonomo\u003cbr\u003eViolin II:\u003cbr\u003eAlessandro Gasparini (solo),\u003cbr\u003eFederica Bertevello, Carlo Giordani\u003cbr\u003eViola:\u003cbr\u003eGiancarlo Bussola (solo), Caterina Camozzi\u003cbr\u003eCello:\u003cbr\u003eAndrea Bellato (solo), Giordano Pegoraro\u003cbr\u003eDouble Bass:\u003cbr\u003eDaniele Roccato (solo), Francesco Piovan\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFEATURING SPECIAL GUESTS:\u003c\/strong\u003e \u003cbr\u003eDomenico Nordio, solo violin on Schindler's List\u003cbr\u003eMara Comellato, flute\u003cbr\u003eAntonio Graziani, clarinet\u003cbr\u003eMirko Bellucco, trumpet\u003cbr\u003eBenedetta Botter, voice\u003cbr\u003eGraziano Zuin, guitars\u003cbr\u003eGino Schipillitti, guitars\u003cbr\u003ePaolo Vidaich, percussions\u003cbr\u003eAlessandro Piovan, drums\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal 96 kHz · 24-bit digital recording at the Public Auditorium, Chiuppano, Italy, on 7–9 July 2001. Analogue remastering at Velut Luna Studios, Preganziol, on 1 June 2012. The Hi-Res WAV file listed here is 88.2 kHz · 24 bit.\u003c\/p\u003e\u003cp\u003eProduction: Velut Luna\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eRecording, mix and mastering: Marco Lincetto\u003cbr\u003eMusical production: Mirko Schipilliti\u003cbr\u003ePhotography: Marco Lincetto\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e01 - Alladin, Suite 4:01\u003cbr\u003e02 - Schindlers' List 5:08\u003cbr\u003e03 - Forrest Gump 3:26\u003cbr\u003e04 - Moon River 3:06\u003cbr\u003e05 - Amapola 4:06\u003cbr\u003e06 - Nuovo cinema paradiso (Suite) 9:12\u003cbr\u003e07 - Anul tu lev 3:42\u003cbr\u003e08 - Oblivion 3:39\u003cbr\u003e09 - Per un pugno di dollari (Suite) 2:02\u003cbr\u003e10 - C'era una volta in America (Suite) 15:42\u003cbr\u003e11 - The Beauty and the Beast (Suite) 6:07\u003cbr\u003e \u003cbr\u003eTotal Time: 60:20\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003e \u003cbr\u003eThe generations of composers who grew up for and with cinema, and who ended up almost completely identifying with it or even with certain directors, affirmed the importance of a solid basic compositional schooling to indelibly engrave the image in sound, in a melody, in a timbre or chord, immediately penetrating the filmic situation.\u003cbr\u003eWriting for cinema also became a possible way to break or reduce the 20th-century gap created between contemporary composers and the general public, tackling the problem of simplification in communication between artist and user, with the awareness of composing music that in a very short time could reach a vast audience.\u003cbr\u003eThis CD is a clear example of this: the music written by the greatest authors of all time, such as Ennio Morricone, Henry Mancini, John Williams, Alan Menken, Alan Silvestri, Astor Piazzolla, transports us through a magical world made of memorable stories and images.\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/TheCinemaShow\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50002854510939,"sku":"CVLD235CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":47048011579739,"sku":"CVLD235","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/235-cover.jpg?v=1692980861"},{"product_id":"felix-mendelssohn-bartholdy-andretta-nordio","title":"Felix Mendelssohn Bartholdy - Orchestra di Padova e del Veneto, Giancarlo Andretta, Domenico Nordio","description":"\u003cp\u003e\u003cstrong\u003eFelix Mendelssohn Bartholdy\u003c\/strong\u003e. Mendelssohn’s Violin Concerto op. 64 and Symphony no. 4 op. 90, with Domenico Nordio and Orchestra di Padova e del Veneto conducted by Giancarlo Andretta.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eHi-Res WAV file 88.2kHz · 24bit — CVLD045\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eOrchestra di Padova e del Veneto\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGiancarlo Andretta\u003c\/strong\u003e (conductor)\u003cbr\u003e\u003cstrong\u003eDomenico Nordio\u003c\/strong\u003e (violin)\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eRecorded at Auditorium Pollini, Padua, on 21 and 22 August 2000, using Prism Sound Dream AD2 converter at 96 kHz · 24 bit. Marco Lincetto: Schoeps microphones and Dromos cables. Fabio Framba: Sonic Solutions USP digital workstation.\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003eConcerto in E minor op. 64 for violin and orchestra\u003c\/p\u003e\u003cp\u003e1 Allegro con fuoco 12’46”\u003cbr\u003e2 Andante 8’46”\u003cbr\u003e3 Allegro molto vivace 6’34”\u003cbr\u003eSymphony n. 4 in A major op.90 “Italiana”\u003c\/p\u003e\u003cp\u003e4 Allegro vivace 11’20”\u003cbr\u003e5 Andante con moto 6’11”\u003cbr\u003e6 Con moto moderato 6’59”\u003cbr\u003e7 Saltarello, Presto 5’30”\u003cbr\u003eTotal time 57’59”\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eIntroductory thoughts by Radu Lidjienko\u003c\/strong\u003e\u003cbr\u003eOur mind is the most inaccessible place in the Universe. It seems to be a black box, into which a little bit of everything enters, haphazardly, often without any order, and from which completely different things emerge. The fascination that some special product of the human mind exerts on us is partly due to the aura of mystery that surrounds the human mind itself. How can it be that someone came up with the idea of producing something so perfect, so complex? How is it that a rare human being produces perfection, complexity, and beauty, given that the norm of human beings spends their entire lives in the most absolute creative constipation, rarely, and laboriously, giving birth to things that convey nothing to us? Our understanding of these phenomena is flawed by the fundamental error that consists of separating human beings from everything else, which we simply imagine as the backdrop for our deeds as superior beings. Is an equatorial forest, with its scents, its colors, and all the organisms that together contribute to keeping it alive, perfect and complex as it is, a work of art in its own way? Conversely, is it not entirely \"natural\" that some special men produce music like that you will hear on this CD? By restoring us all to nature, to the whole that contains us, and by abandoning the fascinating idea of the black box, which only works for brilliant beings, we would lose nothing, and instead, we could observe the perfection of the design on a butterfly's wings with the same spirit with which we observe a painting, above all with the same respect, and also spending much less, as long as there are butterflies flying freely in the meadows. Nature, at this point in its purposeless history, has produced everything that exists today, including the genius of those who conceived this music. That genius worked so that his fellow men were swept by the same mysterious wave that had originated these sounds in him. Nature has also produced the CD you hold in your hand. It has produced the extraordinary and inexplicable talent of the soloist, the conductor, and the orchestra itself. Complexity and perfection are in the mind of those who conceive the music, as well as in the reality of the infinite facts that contribute to building the path that has brought this CD to you. The musicians who play here have dedicated a significant part of their lives to allowing themselves to be traversed by the musical ideas of a genius composer. We are faced with an equally demanding task: to enjoy, to understand, and to enjoy understanding. I believe this is the greatest benefit offered to those who have the opportunity to belong to the human species.\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Mendelssohn-Violin-Concerto-No-2-Op-64-Symphony-No-4-Op-90-Italiana\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49733172035931,"sku":"CVLD045","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/045-cover.jpg?v=1734692354"},{"product_id":"adriano-lincetto-legacy","title":"Adriano Lincetto: Legacy | opere in sei volumi","description":"\u003cp\u003eRecordings of Adriano Lincetto’s works in six volumes: Gianò, solo piano, chamber music, orchestra, songs and villotte.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cp\u003eComplete collection on USB drive or as Hi-Res WAV files; individual volumes as Hi-Res WAV files. Digital variants specify 88.2 kHz · 24bit for the full collection and volumes 1–4 and 6, and 192 kHz · 24bit for volume 5. Velut Luna CVLD371.\u003c\/p\u003e\u003cp\u003eThe collection organises recordings of Adriano Lincetto’s works gathered for this edition into six volumes. Marco Lincetto made the recordings, except for the home version of Gianò recorded by the composer in 1969 and remastered for this release.\u003c\/p\u003e\n\n\n\u003ch3\u003eVOLUME 1 - GIANO' 64:42\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eI Sogni di Gianò\u003c\/b\u003e \u003ci\u003e(studio version for electronic organ, mezzo-soprano and flute),\u003c\/i\u003e 24:54\u003c\/p\u003e\n\u003cp\u003e1 - 8: Movimenti I - VII e Finale\u003c\/p\u003e\n\u003cp\u003eAdriano Lincetto, \u003ci\u003eorgan\u003c\/i\u003e, Lucia Valentini Terrani, \u003ci\u003emezzosoprano\u003c\/i\u003e, Antonio Carraro,\u003ci\u003e flute\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eHome recording made by the composer at his Padua studio in 1969 with a Geloso recorder and Sennheiser MD 440 microphone\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eI Sogni di Gianò\u003c\/b\u003e \u003ci\u003e(transcription for solo organ by the composer)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e9: Finale, 2:38\u003c\/p\u003e\n\u003cp\u003eAdriano Lincetto,\u003ci\u003e organ\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in February 1996 at the parish church of Bassanello, Padua: the composer’s last public performance, two months before his death. Recorded by Marco Lincetto.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eI Sogni di Gianò, Suite Orchestrale\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e10: Canzone d'amore, 13:03\u003c\/p\u003e\n\u003cp\u003e11: Sono stato soldato, 12:06\u003c\/p\u003e\n\u003cp\u003e12: La fisarmonica e il bambino, 3:36\u003c\/p\u003e\n\u003cp\u003e13: Finale, 4:16\u003c\/p\u003e\n\u003cp\u003eOrchestra di Padova e del Veneto, conductor Fabio Framba, Silvia Regazzo, mezzosoprano\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, September 2009\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 2 - PIANO SOLO 22:19\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eQuattro Schizzi, per pianoforte solo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e1: Preludio, Lento espressivo, 2:16\u003c\/p\u003e\n\u003cp\u003e2: Notturno, Andante sereno, 2:27\u003c\/p\u003e\n\u003cp\u003e3: Lento espressivo, 3:49\u003c\/p\u003e\n\u003cp\u003e4: Allegramente scanzonato, 1:03\u003c\/p\u003e\n\u003cp\u003eAuditorium di Taio, Trento, July 1997\u003c\/p\u003e\n\u003cp\u003e5: \u003cb\u003eda Quattro Improvvisi: Presto\u003c\/b\u003e, 2:56\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, June 2001\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCinque Momenti Musicali, per pianoforte solo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e06: Andante molto calmo, 2:31\u003c\/p\u003e\n\u003cp\u003e07: Agitato, 1:22\u003c\/p\u003e\n\u003cp\u003e08: Calmo e sereno, 1:43\u003c\/p\u003e\n\u003cp\u003e09: Mosso con spirito, 2:13\u003c\/p\u003e\n\u003cp\u003e10: Andante, 1:53\u003c\/p\u003e\n\u003cp\u003eStudio Zanta, Camponogara, May 2017\u003c\/p\u003e\n\u003cp\u003eAlberto Boischio, piano\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 3 - CAMERA I 76:40\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eQuintetto per fiati\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Moderatamente mosso e ironico, 3:23\u003c\/p\u003e\n\u003cp\u003e02: Adagio ma non troppo, 3:37\u003c\/p\u003e\n\u003cp\u003e03: Allegro moderato, 2:42\u003c\/p\u003e\n\u003cp\u003eAlban Quintet:\u003c\/p\u003e\n\u003cp\u003eErmanno Giacomel, flute, Giuseppe Nalin, oboe, Mirta Ormen, clarinet, Franco Poloni, horn, Paolo Tognon, bassoon\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, August 1993\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTrio per flauto, viola e violoncello\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e04: Moderato, Allegro molto, 4:08\u003c\/p\u003e\n\u003cp\u003e05: Molto lento, Statico, 3:25\u003c\/p\u003e\n\u003cp\u003e06: Allegro ironico con spirito, 2:30\u003c\/p\u003e\n\u003cp\u003eAntonio Carraro, flute, Sergio Agius, viola, Andrea Musto, cello\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, August 1993\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCinque piccoli pezzi per flauti dolci e fagotto\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e05: Allegro scanzonato, 1:14\u003c\/p\u003e\n\u003cp\u003e06: Andante, 2:10\u003c\/p\u003e\n\u003cp\u003e07: Allegro deciso, 1:10\u003c\/p\u003e\n\u003cp\u003e08: Adagio molto cantabile e malinconico, 3:29\u003c\/p\u003e\n\u003cp\u003e09: Allegro molto con ironia, 1:41\u003c\/p\u003e\n\u003cp\u003eMaria Giovanna Fiorentino e Francesca Fiorentino, recorders, Paolo Tognon, bassoon\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, August 1993\u003c\/p\u003e\n\u003cp\u003e10: \u003cb\u003eFantasia per viola, clarinetto e pianoforte\u003c\/b\u003e, 7:57\u003c\/p\u003e\n\u003cp\u003eDomenico Nordio, viola, Alessandro Carbonare, clarinet, Alberto Boischio, piano\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, June 2001\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eQuintetto per fiati\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e11: Moderatamente mosso e ironico, 3:14\u003c\/p\u003e\n\u003cp\u003e12: Adagio ma non troppo, 3:22\u003c\/p\u003e\n\u003cp\u003e13: Allegro moderato, 2:49\u003c\/p\u003e\n\u003cp\u003eQuintetto Pedrollo di Vicenza\u003c\/p\u003e\n\u003cp\u003eAuditorium del Conservatorio, Vicenza, September 2022\u003c\/p\u003e\n\u003cp\u003e14: \u003cb\u003eTurodo Nacto per arpa,\u003c\/b\u003e 5:25\u003c\/p\u003e\n\u003cp\u003eCaterina Bergo\u003c\/p\u003e\n\u003cp\u003eMagister Recording Area Studio, Preganziol, November 2005\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSonata per due arpe\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e15: Allegro con spirito, 3:57\u003c\/p\u003e\n\u003cp\u003e16: Adagio espressivo, 4:09\u003c\/p\u003e\n\u003cp\u003e17: Allegro scorrevole, 3:55\u003c\/p\u003e\n\u003cp\u003eCaterina Bergo e Paola Donato, harps\u003c\/p\u003e\n\u003cp\u003eMagister Recording Area Studio, Preganziol, November 2005\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eScene Minime per quartetto d'archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e18: Ninna nanna, 1:48\u003c\/p\u003e\n\u003cp\u003e19: L'ubriaco, 1:25\u003c\/p\u003e\n\u003cp\u003e20: Funerale della bambola, 1:41\u003c\/p\u003e\n\u003cp\u003e21: Lo sberleffo, 0:54\u003c\/p\u003e\n\u003cp\u003e22: Il chiodo, 5:27\u003c\/p\u003e\n\u003cp\u003e23: Per la strada, 0:53\u003c\/p\u003e\n\u003cp\u003eKairos String Quartet: Sara Michieletto e Francesco Scattolin, violins, Michele Sguotti, viola, Laura Moretti, cello\u003c\/p\u003e\n\u003cp\u003eChiesa di San Francesco, Schio, February 1996\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 4 - CAMERA II 74:15\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eDivertimento a due per chitarra e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Introduzione, 2:54\u003c\/p\u003e\n\u003cp\u003e02: Danza, 2:53\u003c\/p\u003e\n\u003cp\u003e03: Finale, 3:38\u003c\/p\u003e\n\u003cp\u003ePaolo Muggia, guitar, Lorella Ruffin, piano\u003c\/p\u003e\n\u003cp\u003eSala degli Specchi del Hotel Ritz, Abano Terme, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdagio e Allegro per mandolino e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e04: Adagio, 2:05\u003c\/p\u003e\n\u003cp\u003e05: Allegro, 3:46\u003c\/p\u003e\n\u003cp\u003eUgo Orlandi, mandolin, Maura Mazzonetto, piano\u003c\/p\u003e\n\u003cp\u003eSala degli Specchi del Hotel Ritz, Abano Terme, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eQuartetto per quattro flauti in do\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e06: Allegro deciso e molto marcato, 4:42\u003c\/p\u003e\n\u003cp\u003e07: Andante cantabile e sognante, 3:51\u003c\/p\u003e\n\u003cp\u003e08: Vivacissimo, 3:42\u003c\/p\u003e\n\u003cp\u003eTommaso Benciolini, Gloria Ammendola, Marco Aurelio Di Giorgio, Niccolò Valerio, flutes\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSonatina per flauto e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e09: Allegro spigliato, 4:00\u003c\/p\u003e\n\u003cp\u003e10: Andante elegiaco, 3:10\u003c\/p\u003e\n\u003cp\u003e11: Allegro ironico e grottesco, 2:31\u003c\/p\u003e\n\u003cp\u003eElia Guglielmo, flute, Maria Bisi, piano\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGiochi d'infanzia per tre flauti\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e12: Allegro spiritoso, 1:05\u003c\/p\u003e\n\u003cp\u003e13: Adagio ma non troppo, 2:13\u003c\/p\u003e\n\u003cp\u003e14: Scorrevole, 1:20\u003c\/p\u003e\n\u003cp\u003eLudovico Degli Innocenti, Alice Sabbadin, Roberta Nobile, flutes\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e15: \u003cb\u003eAdagio e Allegro per orchestra di Flauti,\u003c\/b\u003e 5:57\u003c\/p\u003e\n\u003cp\u003eOrchestra di flutes Cesare Pollini\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e16: \u003cb\u003eSequenza cromatica per flauto solo,\u003c\/b\u003e 3:06\u003c\/p\u003e\n\u003cp\u003eAlice Sabbadin, flute\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, December 2014\u003c\/p\u003e\n\u003cp\u003e17: \u003cb\u003eSequenza cromatica per flauto solo, eseguita col violino,\u003c\/b\u003e 3:25\u003c\/p\u003e\n\u003cp\u003eDomenico Nordio, violin\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, June 2001\u003c\/p\u003e\n\u003cp\u003e18: \u003cb\u003eElegia per tromba e organo,\u003c\/b\u003e 3:45\u003c\/p\u003e\n\u003cp\u003eFabiano Maniero, tromba, Silvio Celeghin, organ\u003c\/p\u003e\n\u003cp\u003eChiesa di Noale, January 1997\u003c\/p\u003e\n\u003cp\u003e19: \u003cb\u003eda La Messa degli Artisti: Et Incarnatus est,\u003c\/b\u003e 3:09\u003c\/p\u003e\n\u003cp\u003eLuisa Giannini, soprano, Silvio Celeghin, organ\u003c\/p\u003e\n\u003cp\u003eChiesa di Noale, January 1997\u003c\/p\u003e\n\u003cp\u003e20: \u003cb\u003eda La Messa degli Artisti: Domine non sum dignus,\u003c\/b\u003e 3:16\u003c\/p\u003e\n\u003cp\u003eLuisa Giannini, soprano, Silvio Celeghin, organ\u003c\/p\u003e\n\u003cp\u003eChiesa di Noale, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivertimento a due per chitarra e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e21: Introduzione, 2:59\u003c\/p\u003e\n\u003cp\u003e22: Danza, 3:01\u003c\/p\u003e\n\u003cp\u003e23: Finale, 3:33\u003c\/p\u003e\n\u003cp\u003eLapo Vannucci, guitar, Luca Torrigiani, piano\u003c\/p\u003e\n\u003cp\u003eMagister Area Recording Studio, Preganziol, September 2015\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 5 - ORCHESTRA 87:28\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSuite per Paer, per orchestra d'archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Allegro con Spirito, 1:28\u003c\/p\u003e\n\u003cp\u003e02: Adagio, 2:29\u003c\/p\u003e\n\u003cp\u003e03: Tempo di valzer, 2:28\u003c\/p\u003e\n\u003cp\u003e04: Allegro molto, 2:13\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eConcerto per flauto e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e05: Largo espressivo cantabile, Allegro moderato, 5:12\u003c\/p\u003e\n\u003cp\u003e06: Lento, cantando con molta espressione, 4:35\u003c\/p\u003e\n\u003cp\u003e07: Allegro vivacissimo, 4:36\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Enzo Caroli, flute\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eElegia per corno delle Alpi e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e08: Adagio, ma non troppo lento. Allegro molto. Poco meno cantando. Tempo I, 13:02\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Alessio Benedettelli, alphorn\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivertimento per fagotto e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e09: Notturno, 3:17\u003c\/p\u003e\n\u003cp\u003e10: Danza, 3:32\u003c\/p\u003e\n\u003cp\u003e11: Elegia, 6:51\u003c\/p\u003e\n\u003cp\u003e12: Finale, 3:00\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Andrea Bressan, bassoon\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDivertimento a due per chitarra \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(version for strings by Adriano Lincetto)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e13: Preludio, 4:18\u003c\/p\u003e\n\u003cp\u003e14: Danza, 3:13\u003c\/p\u003e\n\u003cp\u003e15: Finale, 4:07\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Alessandro Bono, guitar\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAdagio e Allegro per mandolino e pianoforte \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(version for strings by Claudio Mandonico)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e16: Adagio, 2:09\u003c\/p\u003e\n\u003cp\u003e17: Allegro, 3:51\u003c\/p\u003e\n\u003cp\u003eI Solisti di Venezia, Giovanni Guglielmo, lead violin, Ugo Orlandi, mandolin\u003c\/p\u003e\n\u003cp\u003eSala della Biblioteca, Abbazia di Carceri d'Este, March 2003\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eConcerto per flauto e archi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e18: Largo espressivo cantabile, Allegro moderato, 4:38\u003c\/p\u003e\n\u003cp\u003e19: Lento, cantando con molta espressione, 4:48\u003c\/p\u003e\n\u003cp\u003e20: Allegro vivacissimo, 4:12\u003c\/p\u003e\n\u003cp\u003eOrchestra di Padova e del Veneto, Federico Guglielmo, lead violin, Mario Folena, flute\u003c\/p\u003e\n\u003cp\u003eChiesa dei Cappuccini, Padova, May 2011\u003c\/p\u003e\n\u003cp\u003e21: \u003cb\u003eIl Chiodo \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(version for voice and orchestra by Simone Tonin, lyrics by Rosella Caporale),\u003c\/b\u003e\u003c\/i\u003e 3:17\u003c\/p\u003e\n\u003cp\u003eOrchestra Sinfonica del Conservatorio Pollini, Giuliano Medeossi, conductor, Rosella Caporale, voice\u003c\/p\u003e\n\u003cp\u003eAuditorium Pollini, Padova, May 2015\u003cbr\u003e \u003c\/p\u003e\n\u003ch3\u003eVOLUME 6 - MELODIE E VILLOTTE 62:41\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eVentiquattro Melodie, per voce e pianoforte (bassoon version by Adriano Lincetto)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Allegro, tempo di valzer \/ Agitato \/ Moderato cantabile \/ Mosso \/ Andante cantabile \/ Andante \/ Allegro scherzando \/ Scorrevole, ma non molto \/ Maestoso \/ Mosso, ma cantabile \/ Lento espressivo \/ Moderatamente mosso \/ mosso, ma cantabile \/ Molto calmo, espressivo \/ Valzer brillante \/ Drammatico \/ Calmo espressivo \/ Andante cantabile \/ Con allegria, scherzando \/ Alla marcia \/ Scorrevole, molto espressivo \/ Cantabile \/ Andante sereno \/ Andante mosso \/ Tempo I, Allegro, tempo di valzer, 22:51\u003c\/p\u003e\n\u003cp\u003eLeopoldo Armellini, bassoon, Lorella Ruffin, piano\u003c\/p\u003e\n\u003cp\u003eSala degli Specchi del Hotel Ritz, Abano Terme, January 1997\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNove Villotte Pavane \u003c\/b\u003e\u003ci\u003e\u003cb\u003e(texts by Giorgio Erminio Fantelli)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e02: Co te go visto \/ El me sposo \/ Se te passi de là \/ Lu diseva e mi diseva \/ Se podesse inciodarte \/ Go dito al prete \/ te voio ben de luni \/ Se tuti i basi \/ Sento sonare la campana a morto, 10:16\u003c\/p\u003e\n\u003cp\u003eSol Ensemble\u003c\/p\u003e\n\u003cp\u003eMagister recording Area Studio, Preganziol, July 2017\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVentiquattro Melodie, per voce e pianoforte\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e01: Allegro, tempo di valzer \/ Agitato \/ Moderato cantabile \/ Mosso \/ Andante cantabile \/ Andante \/ Allegro scherzando \/ Scorrevole, ma non molto \/ Maestoso \/ Mosso, ma cantabile \/ Lento espressivo \/ Moderatamente mosso \/ mosso, ma cantabile \/ Molto calmo, espressivo \/ Valzer brillante \/ Drammatico \/ Calmo espressivo \/ Andante cantabile \/ Con allegria, scherzando \/ Alla marcia \/ Scorrevole, molto espressivo \/ Cantabile \/ Andante sereno \/ Andante mosso \/ Tempo I, Allegro, tempo di valzer, 29:31\u003c\/p\u003e\n\u003cp\u003eTatiana Meira Aguiar, soprano, Alberto Boischio, piano\u003c\/p\u003e\n\u003cp\u003eCasa Boischio, Padova, July 2017\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/collections\/velut-luna\"\u003eExplore the Velut Luna catalogue\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"USB - PENDRIVE COMPLETE WORK","offer_id":49971489145179,"sku":"CVLD371USB","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"COMPLETE WORK - 88.2kHz · 24bit","offer_id":49952760398171,"sku":"CVLD371","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 1 - GIANO' - 88.2kHz · 24bit","offer_id":49945460605275,"sku":"CVLD371\/1","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 2 - PIANO SOLO - 88.2kHz · 24bit","offer_id":49952704201051,"sku":"CVLD371\/2","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 3 - CAMERA I - 88.2kHz · 24bit","offer_id":49952704233819,"sku":"CVLD371\/3","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 4 - CAMERA II - 88.2kHz · 24bit","offer_id":49952704266587,"sku":"CVLD371\/4","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 5 - ORCHESTRA - 192kHz · 24bit","offer_id":49952704299355,"sku":"CVLD371\/5","price":16.5,"currency_code":"EUR","in_stock":true},{"title":"VOLUME 6 - MELODIES AND VILLOTTE - 88.2kHz · 24bit","offer_id":49952704332123,"sku":"CVLD371\/6","price":16.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/VELUTLUNACVLD371-cover.jpg?v=1737676388"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/domenico-nordio.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}