{"title":"Birgit Finnilä","description":"\u003cp\u003eThe collection dedicated to \u003cstrong\u003eBirgit Finnilä\u003c\/strong\u003e presents Mahler's Symphony No. 2 “Resurrection” conducted by Eugene Ormandy, available at Reference Music Store.\u003c\/p\u003e\u003cp\u003eContinue through \u003ca href=\"\/collections\/musica-classica\"\u003eClassical Music\u003c\/a\u003e and the \u003ca href=\"\/collections\/artisti\"\u003eArtists\u003c\/a\u003e index.\u003c\/p\u003e","products":[{"product_id":"stereormandy-vol-4","title":"Ormandy: Mahler — Symphony No. 2 “Resurrection”","description":"\u003cp\u003eGustav Mahler’s \u003cstrong\u003eSymphony No. 2 in C minor “Resurrection”\u003c\/strong\u003e is presented in this edition with Eugene Ormandy, The Philadelphia Orchestra, Evelyn Mandac, Birgit Finnilä and The Singing City Choirs.\u003c\/p\u003e\u003ch2\u003eRegistrations\u003c\/h2\u003e\u003cp\u003eMahler’s Second Symphony expands the symphonic form to include solo voice and chorus in the final movements. In this edition the credits identify Evelyn Mandac as soprano, Birgit Finnilä as contralto and The Singing City Choirs as chorus.\u003c\/p\u003e\u003ch2\u003eEugene Ormandy and The Philadelphia Orchestra\u003c\/h2\u003e\u003cp\u003eOrmandy coordinates the transition from the orchestral scale of the opening movements to the vocal and choral dimension of “Urlicht” and the finale, keeping the score’s many changes of density and sonic perspective clear.\u003c\/p\u003e\u003ch2\u003eAvailable formats\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e01 — Symphony No. 2 “Resurrection”: I. Allegro maestoso\u003cbr\u003e02 — II. Andante moderato\u003cbr\u003e03 — III. In ruhig fließender Bewegung\u003cbr\u003e04 — IV. Urlicht. Sehr feierlich, aber schlicht\u003cbr\u003e05 — V. Im Tempo des Scherzos\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Gustav Mahler\u003cbr\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Eugene Ormandy\u003cbr\u003e\u003cstrong\u003eOrchestra:\u003c\/strong\u003e The Philadelphia Orchestra\u003cbr\u003e\u003cstrong\u003eSoprano:\u003c\/strong\u003e Evelyn Mandac\u003cbr\u003e\u003cstrong\u003eContralto:\u003c\/strong\u003e Birgit Finnilä\u003cbr\u003e\u003cstrong\u003eChoir:\u003c\/strong\u003e The Singing City Choirs\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e File PCM 44.1kHz • 16bit — CD Resolution\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at about \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at about \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e and DSD256 at about \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is an ultra-high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Developed also as a professional editing and post-production environment for ultra-high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"CD FILE 44.1kHz • 16bit","offer_id":51214533853531,"sku":"CS649-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/cs649-mahler-symphony-no-2-resurrection-eugene-ormandy-philadelphia-orchestra-capsa-symphonia-cover.png?v=1789061928"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/birgit-finnila.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}