{"title":"Berlin Radio Symphony Orchestra","description":null,"products":[{"product_id":"the-symphonies-iii","title":"Fricsay: Beethoven \u0026 Schubert — Symphony No. 7 \u0026 Symphony No. 8 “Unfinished”","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e pairs two landmarks of the Viennese symphonic repertoire: Beethoven’s \u003cstrong\u003eSymphony No. 7 in A major, Op. 92\u003c\/strong\u003e and Schubert’s \u003cstrong\u003eSymphony No. 8 in B minor, D. 759 “Unfinished”\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eBeethoven’s Seventh was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin from 3 to 5 October 1960\u003c\/strong\u003e with the Berliner Philharmoniker. Schubert’s \u003cem\u003eUnfinished\u003c\/em\u003e with the Radio-Symphonie-Orchester Berlin is placed in the \u003cstrong\u003e1958\u003c\/strong\u003e catalogue; no more precise session date is stated because it is not established with sufficient certainty.\u003c\/p\u003e\u003ch2\u003eFerenc Fricsay\u003c\/h2\u003e\u003cp\u003eIn Beethoven and Schubert, Fricsay balances rhythmic impulse and formal clarity.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBeethoven — Symphony No. 7 in A Major, Op. 92\u003c\/strong\u003e\u003cbr\u003e1. I. Poco sostenuto – Vivace\u003cbr\u003e2. II. Allegretto\u003cbr\u003e3. III. Presto\u003cbr\u003e4. IV. Allegro con brio\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSchubert — Symphony No. 8 in B Minor, D. 759 “Unfinished”\u003c\/strong\u003e\u003cbr\u003e5. I. Allegro moderato\u003cbr\u003e6. II. Andante con moto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e Berliner Philharmoniker; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposers:\u003c\/strong\u003e Ludwig van Beethoven; Franz Schubert\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS617\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51192818860379,"sku":"CS617-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-beethoven-7-schubert-8-incompiuta-capsa-CS617-cover.png?v=1788257154"},{"product_id":"the-symphonies-iv","title":"Fricsay: Bartók — Music for Strings, Percussion \u0026 Celesta \u0026 Concerto for Orchestra","description":"\u003cp\u003eTwo orchestral masterpieces by \u003cstrong\u003eBéla Bartók\u003c\/strong\u003e in the discography of \u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e: \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e, Sz. 106, and the \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e, Sz. 116.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin from 17 to 20 June 1953\u003c\/strong\u003e with the RIAS-Symphonie-Orchester Berlin. The \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e followed on \u003cstrong\u003e9–10 April 1957\u003c\/strong\u003e at the same venue, by then with the ensemble under the name Radio-Symphonie-Orchester Berlin.\u003c\/p\u003e\u003ch2\u003eFricsay and Bartók\u003c\/h2\u003e\u003cp\u003eBartók was one of the defining composers in Fricsay’s repertoire. These performances highlight both rhythmic architecture and orchestral colour.\u003c\/p\u003e\u003ch2\u003eOriginal label and production\u003c\/h2\u003e\u003cp\u003eBoth performances belong to Ferenc Fricsay’s historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e discography. For the 1957 \u003cem\u003eConcerto for Orchestra\u003c\/em\u003e, \u003cstrong\u003eElsa Schiller\u003c\/strong\u003e, \u003cstrong\u003eGünter Hermanns\u003c\/strong\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e and \u003cstrong\u003eAlfred Steinke\u003c\/strong\u003e are documented. For the 1953 \u003cem\u003eMusic for Strings, Percussion and Celesta\u003c\/em\u003e, \u003cstrong\u003eHelmut Elbl\u003c\/strong\u003e, \u003cstrong\u003eFred Hamel\u003c\/strong\u003e, Wolfgang Lohse, Alfred Steinke and \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e are documented.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBartók — Music for Strings, Percussion and Celesta, Sz. 106\u003c\/strong\u003e\u003cbr\u003e1. I. Andante tranquillo\u003cbr\u003e2. II. Allegro\u003cbr\u003e3. III. Adagio\u003cbr\u003e4. IV. Allegro molto\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBartók — Concerto for Orchestra, Sz. 116\u003c\/strong\u003e\u003cbr\u003e5. I. Introduzione. Andante non troppo – Allegro vivace\u003cbr\u003e6. II. Presentando le coppie. Allegro scherzando\u003cbr\u003e7. III. Elegia. Andante non troppo\u003cbr\u003e8. IV. Intermezzo interrotto. Allegretto\u003cbr\u003e9. V. Finale. Presto\u003c\/p\u003e\u003ch2\u003eCredits\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eConductor:\u003c\/strong\u003e Ferenc Fricsay\u003cbr\u003e\u003cstrong\u003eOrchestras:\u003c\/strong\u003e RIAS-Symphonie-Orchester Berlin; Radio-Symphonie-Orchester Berlin\u003cbr\u003e\u003cstrong\u003eComposer:\u003c\/strong\u003e Béla Bartók\u003cbr\u003e\u003cstrong\u003eOriginal label:\u003c\/strong\u003e Deutsche Grammophon\u003cbr\u003e\u003cstrong\u003eVenue:\u003c\/strong\u003e Jesus-Christus-Kirche, Berlin\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Capsa Symphōnĭa — CS618\u003c\/p\u003e\u003cp\u003e\u003ca href=\"\/collections\/capsa-symphonia\"\u003eExplore the Capsa Symphōnĭa collection\u003c\/a\u003e\u003c\/p\u003e\u003ch2\u003eWhat are DSD and DXD?\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDSD (Direct Stream Digital)\u003c\/strong\u003e is a 1-bit digital encoding system based on pulse-density modulation. DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195445444955,"sku":"CS618-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-bartok-musica-archi-percussione-celesta-concerto-orchestra-capsa-CS618-cover.png?v=1788257154"},{"product_id":"the-symphonies-v","title":"Fricsay \u0026 Haas: Stravinsky — The Rite of Spring \u0026 Capriccio","description":"\u003cp\u003e\u003cstrong\u003eFerenc Fricsay\u003c\/strong\u003e brings together two contrasting works by \u003cstrong\u003eIgor Stravinsky\u003c\/strong\u003e: \u003cem\u003eThe Rite of Spring\u003c\/em\u003e and the \u003cem\u003eCapriccio for Piano and Orchestra\u003c\/em\u003e, the latter with \u003cstrong\u003eMonique Haas\u003c\/strong\u003e at the piano. Both recordings were made in Berlin with the \u003cstrong\u003eRIAS-Symphonie-Orchester\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eThe historical recordings\u003c\/h2\u003e\u003cp\u003eThe \u003cem\u003eCapriccio\u003c\/em\u003e with Monique Haas was recorded at the \u003cstrong\u003eJesus-Christus-Kirche in Berlin on 27 September 1950\u003c\/strong\u003e; \u003cem\u003eThe Rite of Spring\u003c\/em\u003e was recorded at the same venue from \u003cstrong\u003e11 to 13 March 1954\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eFricsay, Haas and Stravinsky\u003c\/h2\u003e\u003cp\u003eFricsay combines rhythmic precision with transparent orchestral textures; in the \u003cem\u003eCapriccio\u003c\/em\u003e, Monique Haas brings clarity and incisiveness to Stravinsky’s piano writing.\u003c\/p\u003e\u003ch2\u003eOriginal label and production\u003c\/h2\u003e\u003cp\u003eBoth interpretations belong to the historical \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e catalogue. For \u003cem\u003eThe Rite of Spring\u003c\/em\u003e, \u003cstrong\u003eWolfgang Lohse\u003c\/strong\u003e is documented as producer and \u003cstrong\u003eKarl-Heinz Westphal\u003c\/strong\u003e as balance engineer.\u003c\/p\u003e\u003ch2\u003eCapsa Symphōnĭa digital edition\u003c\/h2\u003e\u003cp\u003eAvailable as \u003cstrong\u003eFile PCM 44.1kHz • 16bit — CD Resolution\u003c\/strong\u003e.\u003c\/p\u003e\u003ch2\u003eTracklist\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — The Rite of Spring\u003c\/strong\u003e\u003cbr\u003e1. I. Adoration of the Earth\u003cbr\u003e2. II. The Sacrifice\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStravinsky — Capriccio for Piano \u0026amp; Orchestra\u003c\/strong\u003e\u003cbr\u003e3. I. Presto\u003cbr\u003e4. II. Andante rapsodico\u003cbr\u003e5. III. 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DSD64 operates at approximately \u003cstrong\u003e2.8 MHz\u003c\/strong\u003e, DSD128 at approximately \u003cstrong\u003e5.6 MHz\u003c\/strong\u003e, and DSD256 at approximately \u003cstrong\u003e11.2 MHz\u003c\/strong\u003e. Playback requires a DAC or player compatible with the selected DSD rate.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDXD (Digital eXtreme Definition)\u003c\/strong\u003e is a very high-resolution PCM format; in the version offered here it operates at \u003cstrong\u003e352.8kHz\u003c\/strong\u003e. Originally developed also as a professional editing and post-production environment for very high-resolution workflows, it requires a compatible DAC or player.\u003c\/p\u003e","brand":"Capsa Symphōnĭa","offers":[{"title":"File PCM 44.1kHz • 16bit — CD Resolution","offer_id":51195468382555,"sku":"CS619-44","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/ferenc-fricsay-monique-haas-stravinsky-sagra-capriccio-rias-capsa-CS619-cover.png?v=1788257154"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/berlin-radio-symphony-orchestra.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}