{"title":"André Jolivet","description":"\u003cp\u003eBrowse albums and recordings associated with André Jolivet in the Reference Music Store catalogue. Available editions and details on each product page.\u003c\/p\u003e","products":[{"product_id":"vibrazioni-consonanti-frugoni-frigo","title":"Vibrazioni consonanti | Alberto Frugoni, Irene Frigo","description":"\u003cp\u003eVibrazioni consonanti brings together trumpeter Alberto Frugoni and pianist Irene Frigo in a chamber programme devoted to the dialogue between their instruments.\u003c\/p\u003e\u003ch3\u003eFormats and editions\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eCD — CVLD212CD\u003c\/li\u003e\u003cli\u003eFile Hi-Res WAV 88.2kHz · 24bit — CVLD212\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eMusicians\u003c\/h3\u003e\u003cp\u003eAlberto Frugoni — trumpet; Irene Frigo — piano.\u003c\/p\u003e\u003ch3\u003eRecording and production\u003c\/h3\u003e\u003cp\u003eOriginal digital recording: 24 bit; Magister Area Studios, Preganziol; 2011-04-02, 2011-04-03, 2011-04-05.\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduction: Velut Luna\u003c\/strong\u003e\u003cbr\u003eExecutive producer: Marco Lincetto\u003cbr\u003eMusical producer: Gianni Mascotti\u003cbr\u003eRecording \u0026amp; Mastering engineer: Marco Lincetto\u003cbr\u003eEditing engineer: Michele Sartor\u003cbr\u003eDesign: l’image\u003cbr\u003ePhoto: Ilenco Tracmot\u003cbr\u003eMarketing: Francesco Pesavento\u003cbr\u003eSales Manager: Moreno Danieli \u0026amp; Patrizia Pagiaro\u003cbr\u003ePress Agent: Emanuela Dalla Valle\u003cbr\u003eWorld Wide Contacts: Cristiana Dalla Valle\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eTrack listing\u003c\/h3\u003e\u003cp\u003e\u003cspan\u003e01 - Arban - Fantasie et variations sur -Le carnaval de Venise-\u003cbr\u003e02 - Tomasi - Triptyque-Scherzo\u003cbr\u003e03 - Tomasi - Triptyque-Largo\u003cbr\u003e04 - Tomasi - Triptyque-Salterelle\u003cbr\u003e05 - Bozza - Rustiques\u003cbr\u003e06 - Bozza - Aria\u003cbr\u003e07 - Pennequin - Morceau de concert\u003cbr\u003e08 - Jolivet - Air de bravoure\u003cbr\u003e09 - Saint-Saens - Fantasie en Mib magg\u003cbr\u003e10 - Francaix - Sonatine-prélude\u003cbr\u003e11 - Francaix - Sonatine-Sarabande\u003cbr\u003e12 - Francaix - Sonatine-Gigue\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eProgramme notes\u003c\/h3\u003e\u003ch4\u003eEdition notes\u003c\/h4\u003e\u003cp\u003e\u003cspan\u003eIn the first decades of the 19th century, the introduction of the mechanism, which made the trumpet a chromatic instrument even in the low register, was the answer to the creative needs of composers of the time. This new invention radically changed the characteristics of the instrument, marking the beginning of a new musical approach. The first mechanism, invented by the Irishman Charles Clagget, was not successful: patented in 1788, it did not clearly explain how the valves were to be applied to the instrument. The model by horn player Heinrich Stoelzel, introduced by him in July 1814 in Berlin, had greater success. Four years later, Blühmel also patented his \"Röhren-Schiebe Ventil or Schieberröhren\", subsequently produced by the Schuster company; the first of these instruments built in Berlin was sent to Paris in 1826. There, F.G.A. Dauverneé (1800-1874), immediately recognizing the enormous potential of the new instrument, wrote the first method for the 3-valve trumpet (Méthode Théorique \u0026amp; Pratique de Cornet à Pistons ou à Cylindres, Paris 1840) accurately explaining its evolution and use. Following in Dauverneé's footsteps, in 1864, Joseph Jean-Baptiste Laurent Arban (1825-1889), his student and professor at the École Militaire, wrote the Grande Méthode complète pour cornet à pistons et de saxhorn, still considered one of the main reference texts for the trumpet. In this work, which aimed to propose a solo repertoire for trumpet and piano of French compositions, the B-flat trumpet with key mechanism and the C trumpet with piston mechanism were used, the latter now widely used in the French solo repertoire and in symphony orchestras. The former, with a softer sound, was introduced for the first time in military bands around 1830 and in orchestras 20 years later; the latter, with a brighter sound and precise articulation, was introduced in France later and has been continuously used for over a century, as well as played by many of the most important French trumpeters such as G. Mager, R. Voisin and R. Sabarich.\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003eListen\u003c\/h3\u003e\u003ciframe style=\"border-radius: 20px; border-color: white;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/Vibrazioni-consonanti\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003cp\u003e\u003ca href=\"\/en\/collections\/velut-luna\"\u003eVelut Luna\u003c\/a\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"CD","offer_id":50009277071707,"sku":"CVLD212CD","price":18.0,"currency_code":"EUR","in_stock":true},{"title":"File Hi-Res 88.2kHz · 24bit WAV","offer_id":49832789180763,"sku":"CVLD212","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/212-cover_997c4622-b63a-41a6-ab0e-577e2af42dfd.jpg?v=1736162990"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/andre-jolivet.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}