{"title":"Alfred Kramer","description":null,"products":[{"product_id":"cinerama-music-from-the-movies-hamilton-birro-zunino-kramer","title":"CINERAMA - Music from the movies | Hamilton, Birro, Zunino, Kramer","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eCINERAMA\u003c\/h1\u003e\n\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eMusic from the movies\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAvailable in: SACD, DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp class=\"western\" lang=\"en-US\"\u003eTrack list:\u003c\/p\u003e\n\u003cp\u003e1.Three Coins In The Fountain Styne - Cahn  6’45”\u003c\/p\u003e\n\u003cp\u003e2. I Will Wait For You  Micheal Legrand  8’55”\u003c\/p\u003e\n\u003cp\u003e3. Love Theme From “Point Blank\" Johnny Mandel  5’34”\u003c\/p\u003e\n\u003cp\u003e4. Wives And Lovers Burt Bacharach  6’43”\u003c\/p\u003e\n\u003cp\u003e5. On Green Dolphin Street Kaper - Washington  7’38”\u003c\/p\u003e\n\u003cp\u003e6. Two For The Road Henry Mancini  7’02”\u003c\/p\u003e\n\u003cp\u003e7. Close Enough For Love Johnny Mandel  8’49”\u003c\/p\u003e\n\u003cp\u003e8. I Love You, Samantha Cole Porter  5’25”\u003c\/p\u003e\n\u003cp\u003e9. Manha De Carnaval Luiz Bonfà  7’19”\u003c\/p\u003e\n\u003cp\u003eTotal Time 64’10”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/fgdar9mxquq4a?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScott Hamilton\u003c\/strong\u003e saxophone\u003cbr\u003e\u003cstrong\u003ePaolo Birro\u003c\/strong\u003e piano\u003cbr\u003e\u003cstrong\u003eAldo Zunino\u003c\/strong\u003e bass\u003cbr\u003e\u003cstrong\u003eAlfred Kramer\u003c\/strong\u003e drums\u003c\/p\u003e\n\u003cp\u003eTube Processed Digital Master \/ natural sound recording \/ HiFi Reference\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"en-us\"\u003eConceived, recorded and produced by Giulio Cesare Ricci. No editing. All the tracks on this record are heard as they were performed.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eRecorded at the Auditorium Museo Piaggio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003ePontedera October 1st - 2nd, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eValve microphones: Neumann U47, U48, M49\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eMike pre-amplifiers, cables (line, digital, microphone, supply): Signoricci\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D and D\/A converters\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003ePhotos by Stefano “Steve” Girolami\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"en-us\"\u003eThe Mastering for SuperAudioCD was made by Giulio Cesare Ricci using the Signoricci’s analog and tube system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis album is part of the recordings Giulio Cesare made during the concerts of the fonè Music Festival Piaggio 2022 edition, organized by himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe chosen location is the Piaggio Auditorium, located inside the famous Museum of Pontedera, the place where Piaggio was founded and where it still produces today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn CINERAMA, the protagonists are 4 extraordinary musicians: Scott Hamilton on saxophone, Paolo Birro on piano, Aldo Zunino on double bass, and Alfred Kramer on drums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eScott Hamilton, who for many years has graced the best stages in the world as the leader of his quartet or alongside other jazz legends, is an interpreter of extraordinarily elegant music, based on impeccable phrasing and a fascinating sound. Already in the seventies, when the widespread trend was to explore particularly aggressive sound alternatives, he stood out for the sweetness of his saxophone and his creative imagination. The album contains 9 tracks from famous films, including: Three Coins In The Fountain (1954), On Green Dolphin Street (1947), Close Enough For Love (1979) etc…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe album continues the extraordinary discographic project that Scott Hamilton wished to begin with Giulio Cesare Ricci \/ fonè records starting in 2012.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFor this recording, Giulio Cesare Ricci brought all his equipment, both analog (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracks, ½”, 30ips modified by David Manley) and digital (Pyramix Recorder, dCS A\/D and D\/A converters).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRegarding microphones, he used his original collection of Neumann U47, U48, M49, as well as the Signoricci microphone preamplifier and cables. Pairs of 1947 and 1949 Neumann tube microphones (U47, U48 and M49) with a very natural timbre were used, employing bi-microphone field effect techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThese microphones have an important history: they are the original microphones used to record, among others, the Beatles' performances at Abbey Road Studio and by RCA for their \"Living Stereo\" recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe sound that Giulio Cesare Ricci manages to capture with these legendary microphones is perfectly in line with his sonic taste.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eNo other microphone has such a true timbre and the ability to record all the nuances of sound and all the richness of harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe uniqueness of these microphones is linked to their ability to create a perfect \"sound photograph\" and to perfectly place the music in the sound space chosen for the recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis is because for each recording Giulio Cesare Ricci creates two Masters: an analog master for vinyl and a DSD digital master for SuperAudioCD as in this case. For this SACD he used the DSD format, on Pyramix using dCS A\/D and D\/A DSD converters.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrom 1998 to today, he has recorded in DSD 64 x 44.1 bit with Signoricci ex Philips workstations equipped with Pyramix programs, dCS 904 analog-to-digital converters, and dCS 954 digital-to-analog converters, all to best produce the fonè SACD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThe mastering of the SACD was carried out using the entirely analog and tube Signoricci system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eA \"state-of-the-art\" system without sound manipulation, equalization, reverberation, compression, and expansion... but natural sound and true timbre to best enhance the acoustics of the Piaggio Museum Auditorium.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAll this to create recordings characterized by technological refinement and aimed at recovering the original musical atmospheres. For this recording, Ricci also used the \"field effect\" recording technique... all to allow the listener, in their home hi-fi system, to relive the live effect as if they had been present at the performance.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"SACD","offer_id":52825451135323,"sku":"SAC243","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":52825451168091,"sku":"DSD243","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96kHz · 24bit","offer_id":52825451200859,"sku":"HD243","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd-243.jpg?v=1776371714"},{"product_id":"poinciana-hamilton-birro-zunino-kramer","title":"POINCIANA | Hamilton, Birro, Zunino, Kramer","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003ePOINCIANA\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003e\u003cem\u003eHamilton, Birro, Zunino, Kramer\u003c\/em\u003e\u003c\/h1\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio, LP (+ File HD in omaggio), SACD\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Birk's Works 04:52\u003cbr\u003e2 By Myself 05:56\u003cbr\u003e3 You Taught My Heart To Sing 05:31\u003cbr\u003e4 Chloe 08:24\u003cbr\u003e5 Confirmation 05:50\u003cbr\u003e6 I Remember Clifford 05:51\u003cbr\u003e7 Poinciana 05:57\u003cbr\u003e8 Put On A Happy Face 06:24\u003cbr\u003e9 Eu E A Briza 06:27\u003c\/p\u003e\n\u003cp\u003eTotal Runtime 55:12\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/lxtpc2blte9lc?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eScott Hamilton sax\u003cbr\u003ePaolo Birro piano\u003cbr\u003eAldo Zunino bass\u003cbr\u003eAlfred Kramer drums\u003c\/p\u003e\n\u003cp\u003enatural sound recording | HiFi Reference\u003c\/p\u003e\n\u003cp\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003cbr\u003eRecorded at the Auditorium Museo Piaggio\u003cbr\u003ePontedera May 31st - June 1st, 2021\u003cbr\u003eRecording assistant: Paola Liberato\u003cbr\u003eValve microphones: Neumann U47, U48, M49\u003cbr\u003eMike preamplifiers, cables (line, digital, microphone, supply): Signoricci\u003cbr\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D and D\/A converters\u003cbr\u003ePhotos by Andrea Manno\u003c\/p\u003e\n\u003cp\u003eThe Mastering for Hi-Res-Audio file was made by Giulio Cesare Ricci using Signoriccis analog and valve system.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eQuesto album fa parte delle registrazioni che ho realizzato in occasione dei concerti dell'edizione del fonè Music Festival Piaggio 2021. Ho realizzato questa incisione presso l'Auditorium Piaggio situato all'interno del famosissimo Museo locato in Pontedera, luogo dove è nata la Piaggio e dove ancora oggi continua a produrre. All'interno del Museo ogni anno il pubblico di tutto il mondo può ammirare la produzione Piaggio fatta negli anni, tutti i modelli delle Vespe e degli Ape, tutte le moto Aprilia, Gilera e Moto Guzzi vincitrici nel tempo di premi nazionali e internazionali.\u003c\/p\u003e\n\u003cp\u003ePer questa incisione ho portato tutta la mia attrezzatura sia analogica (Ampex ATR 102 Electronic Tube Ampex Model 351-1965 2 tracks, 1\/2 inch, 30ips modificato da David Manley) che digitale (Pyramix Recorder, dCS A\/D and D\/A converters). Per quanto riguarda i microfoni ho utilizzato la mia collezione originale di Neumann U47, U48, M49 oltre ai mike pre-amplifier e cavi Signoricci. Si utilizzano coppie di microfoni a valvole Neumann degli anni 1947 e 1949 (U47, U48 e M49) dalla timbrica naturalissima usando tecniche bimicrofoniche ad effetto di campo.\u003c\/p\u003e\n\u003cp\u003eQuesti microfoni hanno una storia importante: sono infatti i microfoni originali utilizzati per registrare tra gli altri, le esecuzioni dei Beatles nello Studio di Abbey Road e dalla RCA per le registrazioni “Living Stereo”. Il suono che riesco a catturare con questi leggendari microfoni è perfettamente in linea con il mio gusto sonoro. Nessun altro microfono ha una timbrica così vera e la capicità di incidere tutte le nuances di suono e tutta la ricchezza degli armonici.\u003c\/p\u003e\n\u003cp\u003eL'unicità di questi microfoni è legata alla loro capacità di effettuare una perfetta \"fotografia sonora\" e di mettere la musica perfettamente collocata nello spazio sonoro scelto per la registrazione. Questo perchè da sempre per ogni incisione realizzo due Master: un master analogico per i Vinili e un master digitale DSD per i SuperAudioCD. Per il SACD ho utilizzato il formato DSD, su Pyramix utilizzando i convertitori dCS A\/D e D\/A DSD. Dal 1998 ad oggi incido in DSD 64 x 44.1  bit con workstations Signoricci ex Philips che montano programmi Pyramix, convertitori dCS analogico\/digitale 904 e convertitori dCS digitale\/analogico 954, tutto questo per realizzare al meglio i SACD fonè.\u003c\/p\u003e\n\u003cp\u003eLa masterizzazione del SACD è stata da me realizzata utilizzando il sistema Signoricci, interamente analogico e valvolare. Un sistema allo stato dell'arte senza alcuna manipolazione del suono, né equalizzazione, né riverbero, né compressione ed espansione... ma suono naturale con timbrica vera per esaltare al meglio l'acustica dell'Auditorium del Museo Piaggio. fonè propone da quasi 40 anni delle incisioni realizzate all’insegna della ricercatezza tecnologica e miranti al recupero delle atmosfere musicali originali.\u003c\/p\u003e\n\u003cp\u003eAnche per questa incisione ho utilizzato una tecnica di registrazione \"ad effetto campo\"...tutto questo per far rivivere all'ascoltatore nel proprio impianto hifi domestico l'effetto live come se fosse  presente alla performance. In questo album i protagonisti sono Scott Hamilton, uno dei più grandi mainstream al mondo, al saxophone in compagnia di tre grandi jazzisti Paolo Birro, Aldo Zunino e Alfred Kramer suoi abituali partners quando si esibisce in Italia. Tra i brani suonati da evidenziare Poinciana (Nat Simon) che da il titolo all'album, Birk's Works (Dizzy Gillespie) e Put On A Happy Face (Charles Strouse).\u003c\/p\u003e\n\u003cp\u003eUn album da non perdere\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003egiulio cesare ricci\u003c\/em\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"LP 33 rpm","offer_id":53639602110811,"sku":"LP163","price":60.0,"currency_code":"EUR","in_stock":true},{"title":"SACD","offer_id":53639602143579,"sku":"SACD238","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"DSD 64","offer_id":53335036002651,"sku":"DSD238","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2 kHz · 24bit","offer_id":53335036035419,"sku":"HD238","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sleeve_sacd_238-1.jpg?v=1780852397"},{"product_id":"live-at-museo-piaggio-hamilton-birro-zunino-kramer","title":"LIVE AT MUSEO PIAGGIO | Hamilton, Birro, Zunino, Kramer","description":"\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eLIVE AT MUSEO PIAGGIO\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\" class=\"product-price h5\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScott Hamilton saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaolo Birro piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAldo Zunino bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlfred Kramer drums\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. If I Were A Bell Frank Loesser 10’53”\u003cbr\u003e2. When The Sun Comes Out Harold Arlen - Ted Koehler 8’49”\u003cbr\u003e3. Groovin’ high Dizzy Gillespie 9’47”\u003cbr\u003e4. Anos Dourados Antonio Carlos Jobim 6’31”\u003cbr\u003e5. Wrap Your Troubles In Dreams Harry Barris - Ted Koehler - Billy Moll 8’46”\u003cbr\u003e6. Cherokee Ray Noble 13’47”\u003cbr\u003e7. If You Could See Me Now Tadd Dameron 6’00”\u003cbr\u003e8. Tiny’s Blues Tiny Kahn 8’36”\u003cbr\u003e9. Meglio Stasera Henry Mancini 3’14”\u003cbr\u003e10. Pure Imagination Anthony Newley - Leslie Bricusse 3’08”\u003c\/p\u003e\n\u003cp\u003eTotal Time 1h 17’31”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"font-size: 0.875rem;\" height=\"104\" width=\"378\" src=\"https:\/\/widget.qobuz.com\/album\/wum5ura9furya?zone=IT-it\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConceived, recorded and produced by Giulio Cesare Ricci\u003cbr\u003eRecorded at Auditorium Museo Piaggio\u003cbr\u003ePontedera 16 Marzo 2019\u003cbr\u003eRecording assistant: Paola Liberato\u003cbr\u003eValve microphones: Neumann U47, U48, M49\u003cbr\u003eMike pre-amplifiers, cables (line, digital, microphone, supply): Signoricci\u003cbr\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D and D\/A converters\u003cbr\u003ePhotos by Andrea Manno.\u003cbr\u003eLa masterizzazione per il SuperAudioCD è stata effettuata da Giulio Cesare Ricci utilizzando il sistema Signoricci interamente analogico e valvolare.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eQuesto album fa parte delle registrazioni che Giulio Cesare Rissi ha realizzato in occasione dei concerti della 1° edizione del fonè Music Festival Piaggio 2019.\u003cbr\u003eI concerti organizzati da Giulio Cesare Ricci si sono svolti presso l'Auditorium Piaggio situato all'interno del famoso Museo di Pontedera, il luogo dove la Piaggio è nata e dove ancora oggi continua a produrre.  All'interno del Museo ogni anno il pubblico di tutto il mondo può ammirare la produzione Piaggio realizzata negli anni, tutti i modelli di Vespe e Ape, tutte le moto Aprilia, Gilera e Moto Guzzi che hanno vinto nel tempo premi nazionali e internazionali.\u003cbr\u003ePer ogni registrazione Giulio Cesare Ricci ha portato tutta la sua attrezzatura sia analogica (Ampex ATR 102 Electronic Tube Ampex Model 351-1965, 2 tracce, 1\/2 pollice, 30ips modificata da David Manley) che digitale (Pyramix Recorder, dCS A\/D e D \/A convertitori).\u003cbr\u003ePer quanto riguarda i microfoni ha utilizzato la sua collezione originale di Neumann U47, U48, M49 oltre al preamplificatore microfonico e ai cavi Signoricci.\u003cbr\u003eQuesto perché Giulio Cesare Ricci ha sempre realizzato due Master per ogni registrazione, master analogico per Vinyl e master digitale DSD per SuperAudioCD.\u003cbr\u003eAnche per questa registrazione ha utilizzato una tecnica di registrazione ad \"effetto di campo\", suono naturale, senza l'uso di equalizzatori, senza sistemi di espansione e compressione del suono..... tutto questo per riportare l'ascoltatore a rivivere nel suo impianto hifi casalingo, il effetto live come se fosse presente al concerto.\u003cbr\u003eI protagonisti di questo album sono Scott Hamilton al sax, Paolo Birro al piano, Aldo Zunino al basso e Alfred Kramer alla batteria.\u003cbr\u003eScott Hamilton, considerato uno dei più grandi sassofonisti mainstream, ha realizzato moltissimi album con fonè apprezzati dal pubblico di tutto il mondo... tutti registrati in un luogo con acustica naturale ma senza la presenza del pubblico.\u003cbr\u003eIn questo caso, però, si tratta della prima registrazione dal vivo con il grande sassofonista americano in compagnia di tre grandi jazzisti Paolo Birro, Aldo Zunino e Alfred Kramer, suoi partner abituali quando si esibisce in Italia.\u003cbr\u003eGrande realismo, grande dinamica, grande musica... un album da non perdere!!\u003cbr\u003eOgni ascoltatore, chiudendo gli occhi, potrà rivivere l'emozione del live come se fosse presente all'esibizione di questi quattro grandi artisti.\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":53585083236699,"sku":"DSD209","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 88.2kHz · 24bit","offer_id":53585083269467,"sku":"HD209","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/sacd209coverart.jpg?v=1783888158"},{"product_id":"jazz-recordings-fone-anniversary","title":"JAZZ RECORDINGS: Fonè Anniversary","description":"\u003ch1 itemprop=\"name\" class=\"h1 namne_details\"\u003eJAZZ RECORDINGS\u003c\/h1\u003e\n\u003ch1 class=\"h1 namne_details\" itemprop=\"name\"\u003eFonè Anniversary\u003c\/h1\u003e\n\u003cdiv class=\"product-prices js-product-prices\"\u003e\n\u003cdiv class=\"product-price h5\" itemprop=\"offers\" itemscope=\"\" itemtype=\"https:\/\/schema.org\/Offer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eDisponibile in: DSD, Hi-Res Audio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack list:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 DARKTOWN STRUTTER’S BALL 4’20\" S. Brooks\u003c\/p\u003e\n\u003cp\u003eda GIRL OF MY DREAMS\u003cbr\u003eVittorio Castelli clarinetto e canto, Andrea Sirna sax tenore e canto,\u003cbr\u003eGiacomo Marson tromba, Nino Frasio sousaphone, Giorgio Alderighi banjo\u003cbr\u003eRecording date 20th, 21st October 2000 - Campiglia Marittima (LI)\u003cbr\u003eTeatro Comunale dei Concordi **\u003c\/p\u003e\n\u003cp\u003e2 THE LADY IS A TRAMP 2’07” L. Hart, R. Rodgers\u003c\/p\u003e\n\u003cp\u003eda JUST FOR A WHILE\u003cbr\u003eGaby Cole voce, Marco Pezzenati percussioni\u003cbr\u003eRecording date 11th, 12th July 2000 - Posillipo (NA), Villa Clementina\u003cbr\u003eex Villa Savarese ***\u003c\/p\u003e\n\u003cp\u003e3 CARLO ALBERTO ROSSI MEDLEY 8’11” C. A. Rossi\u003c\/p\u003e\n\u003cp\u003eE SE DOMANI\u003cbr\u003eAMORE BACIAMI\u003cbr\u003eMON PAIS\u003cbr\u003e‘NA VOCE, ‘NA CHITARRA\u003cbr\u003eCONOSCI MIA CUGINA\u003cbr\u003eda ITALIAN BIG BAND - arr. Marco Renzi\u003cbr\u003eITALIAN BIG BAND, Marco Renzi direttore\u003cbr\u003eRecording date 1994 - Atri (TE), Teatro Comunale **\u003c\/p\u003e\n\u003cp\u003e4 TURN OUT THE STARS 6’11” B. Evans\u003c\/p\u003e\n\u003cp\u003eda LA NOTTE\u003cbr\u003eEnzo Pietropaoli contrabbasso, Battista Lena chitarre,\u003cbr\u003eFulvio Sigurtà tromba e flicorno\u003cbr\u003eRecording date August 2012 - Volterra (PI), Teatro Persio Flacco *\u003c\/p\u003e\n\u003cp\u003e5 ISN’T IT ROMANTIC 7’15” R. Rodgers\u003c\/p\u003e\n\u003cp\u003eda I COULD WRITE A BOOK\u003cbr\u003eScott Hamilton sax, Andrea Pozza piano\u003cbr\u003eRecording date October 2013 - Certaldo Alto (FI), Hotel Il Castello\u003cbr\u003ePalazzo di Scoto di Semifonte\u003c\/p\u003e\n\u003cp\u003e6 DON’T WORRY ‘BOUT ME 7’28” R. Bloom\u003c\/p\u003e\n\u003cp\u003eda WHO CARES?\u003cbr\u003eScott Hamilton sax, Andrea Pozza piano\u003cbr\u003eRecording date October 2013 - Certaldo Alto (FI), Hotel Il Castello\u003cbr\u003ePalazzo di Scoto di Semifonte\u003c\/p\u003e\n\u003cp\u003e7 JUST LIKE A WOMAN 2’32” B. Dylan da SOLO\u003c\/p\u003e\n\u003cp\u003eEnzo Pietropaoli contrabbasso\u003cbr\u003eRecording date October 2014 - Peccioli (PI), Pieve del Convento dei Cappuccini *\u003c\/p\u003e\n\u003cp\u003e8 HIGH AND DRY 3’50” Radiohead\u003c\/p\u003e\n\u003cp\u003eda DOS\u003cbr\u003eEleonora Bianchini voce, Enzo Pietropaoli contrabbasso\u003cbr\u003eRecording date October 2014 - Peccioli (PI), Pieve del Convento dei Cappuccini\u003c\/p\u003e\n\u003cp\u003e9 PARIS BLUES 4’59” E. D. Ellington\u003cbr\u003eda PARIS BLUES\u003cbr\u003eRiccardo Zegna piano, Giampaolo Casati tromba, cornetta, flicorno\u003cbr\u003eRecording date February 2015 - Certaldo Alto (FI), Hotel Il Castello\u003cbr\u003ePalazzo di Scoto di Semifonte *\u003c\/p\u003e\n\u003cp\u003e10 LADIES LULLABY 5’48” J. Green\u003cbr\u003eda BEAN AND THE BOYS\u003cbr\u003eScott Hamilton sax, Paolo Birro piano, Alfred Kramer drums\u003cbr\u003eRecording date March 2015 - Certaldo Alto (FI), Hotel Il Castello\u003cbr\u003ePalazzo di Scoto di Semifonte *\u003c\/p\u003e\n\u003cp\u003e11 OYASIN 5’13” P. Alfonsi\u003cbr\u003eda ALMA\u003cbr\u003ePeo Alfonsi, chitarra\u003cbr\u003eRecording date 31st March, 1st April 2015 - Certaldo Alto (FI),\u003cbr\u003eHotel Il Castello - Palazzo di Scoto di Semifonte *\u003c\/p\u003e\n\u003cp\u003e12 ON A MISTY NIGHT 6’41” T. Dameron\u003cbr\u003eda CASTELLO NIGHTS\u003cbr\u003ePaolo Birro piano, Aldo Zunino bass, Alfred Kramer drums\u003cbr\u003eRecording date November 2016 - Certaldo Alto (FI)\u003cbr\u003eHotel Il Castello - Palazzo di Scoto di Semifonte *\u003c\/p\u003e\n\u003cp\u003e13 BRAVA 3’38” B. Canfora\u003cbr\u003eda DOS IN SIGHT\u003cbr\u003eEleonora Bianchini voce, Enzo Pietropaoli contrabbasso\u003cbr\u003eRecording date 7th, 8th November 2015 - Pontedera (PI), Museo Piaggio Auditorium *\u003c\/p\u003e\n\u003cp\u003e14 SE TODOS FOSSEM IGUAIS A VOCE 4’15” A. C. Jobim,V. De Moraes\u003cbr\u003eda Ballads for Audiophiles\u003cbr\u003eScott Hamilton sax, Paolo Birro piano, Aldo Zunino bass, Alfred Kramer drums\u003cbr\u003eRecording date November 2016 - Certaldo Alto (FI), Hotel Il Castello\u003cbr\u003ePalazzo di Scoto di Semifonte *\u003c\/p\u003e\n\u003cp\u003e15 SUITE 4 6’51” F. Mesolella\u003cbr\u003eda TAXIDI\u003cbr\u003eFausto Mesolella guitar and loop pedal\u003cbr\u003eRecording date 14th, 15th October 2016 - Certaldo Alto (FI), Hotel Il Castello\u003cbr\u003ePalazzo di Scoto di Semifonte *\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/widget.qobuz.com\/album\/kovipcy8oi6fc?zone=IT-it\" width=\"378\" height=\"104\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs no editing has been made, all the tracks on this record are heard as they were performed\u003c\/p\u003e\n\u003cp\u003eRecording engineer: Giulio Cesare Ricci\u003cbr\u003eRecording assistant: Paola Liberato\u003cbr\u003ePhotos by Paola Liberato\u003cbr\u003e* Valve microphones: Neumann U47, U48, M49\u003cbr\u003eMike pre-amplifiers, cables (line, microphone, supply): Signoricci\u003cbr\u003eDSD Workstation operator: Giulio Cesare Ricci\u003cbr\u003eRecorded in stereo DSD on the Pyramix Recorder using dCS A\/D\u003cbr\u003eand D\/A converters\u003cbr\u003eA\u0026amp;R and Il Castello property manager: Alfred Kramer\u003cbr\u003e** Valve microphones: Neumann U47, M49\u003cbr\u003eAdvanced mike pre-amplifiers: Nagra\u003cbr\u003ecables (line, microphone, supply): Signoricci\u003cbr\u003eRecorded using Nagra 4s 38 cm\/sec 1\/4 inch\u003cbr\u003e*** Valve microphones: Neumann U47, U48, M49\u003cbr\u003eAdvanced mike pre-amplifiers: Signoricci\u003cbr\u003ecables (line, microphone, supply): Signoricci\u003cbr\u003eRecorded using Nagra 4s 38 cm\/sec 1\/4 inch\u003cbr\u003eLa masterizzazione per il SuperAudioCD è stata effettuata da Giulio Cesare Ricci\u003cbr\u003eutilizzando il sistema Signoricci interamente analogico e valvolare.\u003c\/p\u003e\n\u003cp\u003eIl Master DSD è stato realizzato utilizzando un convertitore dCS A\/D Converter.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ca name=\"OLE_LINK1\"\u003e\u003c\/a\u003e\u003cspan\u003eIn occasione del 35° anniversario di fonè, Giulio Cesare Ricci ha voluto realizzare un album dedicato al jazz.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eIn questi anni Giulio Cesare Ricci ha inciso molte formazioni: jazz duo\/trio\/quartetto e big band.\u003cbr\u003eLa particolarità di questo album è che ha scelto un brano per ogni produzione jazz realizzata negli anni... \u003c\/span\u003e\u003cspan\u003eogni incisione ha avuto artisti diversi, luoghi di registrazione diversi ma una cosa è stata constante, \u003c\/span\u003e\u003cspan\u003eGiulio Cesare Ricci ed il suo sistema di registrazione analogico e valvolare.\u003cbr\u003eQuando lo ascolterete sentirete un suono omogeneo, naturale, dinamico e realistico in tutti i brani anche \u003c\/span\u003e\u003cspan\u003ese registrati in anni diversi e questa particolarità rende questo album unico.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fonè","offers":[{"title":"DSD 64","offer_id":53740351848795,"sku":"DSD195","price":20.0,"currency_code":"EUR","in_stock":true},{"title":"WAV 96 kHz · 24bit","offer_id":53740351881563,"sku":"HD195","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/8012871019557-JAZZANNIVERSARY-coverart.jpg?v=1786222865"}],"url":"https:\/\/www.referencemusicstore.com\/collections\/alfred-kramer.oembed","provider":"Reference Music Store","version":"1.0","type":"link"}